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The second part of the monthly new release series is generally dominated by the latest records Malibu Lou has put out on his legendary Rum Bar Records label. This month is no different, and it’s a perfect kick off to over two hours of great new tunes. The Hollywood Stars, The Amplifier Heads, Stop Calling Me Frank, Gene Champagne and Girl With a Hawk are this month’s Rum Bar representatives, and they’re all fabulous. There’s also a sampler of tunes from the lastest Dam-Nations compilation series. The rest of the show is a battle of sorts between veterans and noobs. On the veterans side, there’s great new music from the likes of Guided By Voices, Social Distortion, Dwarves, Die Toten Hosen (their final album!), Nashville Pussy, and the Real McKenziess. On the “noob” side, there are acts sucks as Irked, Taxi Girls, Cable TV, Hoaxxers, and so many more that once again proves there will always be great new rock and roll bands! What’s your favorite new album? For more info, including setlists, head to http://scotthudson.blogspot.com
Will and David discuss new releases by Vanity Box, Grace Ives, and Iceage, plus numerous live reports from the land of indie rock stardom, bonus songs, and more.
For this week's episode, I convinced my guest, comedian/actor Eugene Mirman (Bob's Burgers, Flight Of The Conchords, Delocated), to let me record my 500th episode 7 years in advance in order to capitalize on his star power.We discuss the magic of comedy albums & comedy concert films; recording visual comedy for an album, Eugene's 7 LP Sub Pop masterwork I'm Sorry (You're Welcome), which includes 45 minutes of him crying and 159 orgasms, Eugene's scrapped "jokes for animals", his new LP & video special Here Comes The Whimsy, Eugene pushing the boundaries of a physical audio release by having it also available as a chair or a sack of flour that you have to carry around like a baby, how Eugene records his parts for the Bob's Burgers' songs. PLUS Eugene surprises me with a music film (5 minutes before recording) to discuss: "What The Hell Happened To Blood, Sweat & Tears," which is about the band being blackmailed into performing behind the Iron Curtain by the U.S. government.So let's join Eugene in sending fifty tap shoes to a restaurant of his choice on this week's episode of Revolutions Per Movie!EUGENE MIRMAN: www.eugenemirman.comprettygoodfriends.comHERE COMES THE WHIMSY: EUGENE'S NEW FULL STAND-UP SPECIAL:www.youtube.com/watch?v=JHPEaN1DxKwREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week's show, after a McCartney mangling: brand new Gene, Guided By Voices, Sharp Pins, Crocodiles, Magic Castles, Black Watch, Buzzcocks, and Paul McCartney, plus Small Faces, Quicksilver Messenger Service, Ethiopians, Fats Domino, Jean Shepard, F...
Podcast #784 invites you to feel the warmth of The Creepy Jingles, The Now, The Specs, John Hiatt, Brad Marino, Guided By Voices, Franklin, & Maia and the Squires.
My guest this week is NYC-based musician, author, and performance artist Joseph Keckler (NPR's Tiny Desk, tours with Lydia Lunch & Sleater-Kinney), who chose the 1929 two-reeler short St. Louis Blues, which is the legend Bessie Smith's first and only film appearance. We discuss Joseph's iconic performance on NPR's Tiny Desk Concert Series, how he came to unleash his powerful vocal range on a wide range of audiences, choosing to write and sing in German about the adult moments where he was relapsing into a teenage Goth, befriending and touring with Lydia Lunch, Bebe Hansen, the current No-Wave scene in NYC, the excitement of having a standoff with an audience, opening for Sleater-Kinney, confusing but life-altering concert billings, where we both were when first hearing Bessie Smith and the imprint it left on us, why this 1929 short film of Bessie Smith was almost destroyed in the 50s, tape trading with The Residents, hearing Aretha Franklin's voice coming up through the floorboards and being obsessed with Cab Calloway & Bessie Smith as a child, Bessie's acting chops and the unique direction of this performance & more.So let's sing at the top of our lungs into the bottom of our beer mug on this week's Revolutions Per Movie.Joseph will be performing on May 31st 2026 in NYC at TV EYE w/ Genre Is DeathTickets available at tveyenyc.com/calendarJOSEPH KECKLER:josephkeckler.com/BESSIE SMITH in ST. LOUIS BLUES:youtube.com/watch?v=xIGscPYfEGsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Today, as we frustratingly say goodbye (for now) to Stephen Colbert on Late Night, I bring you the sweetest and most honest discussion from The Late Show With Stephen Colbert writer & performer, the legendary Brian Stack. Not only did we discuss his love and passion for Townes Van Zandt (whose documentary he chose to discuss), but he was also really open about his time at Late Night With Conan O'Brien and his transition to working on Colbert's show, offering a fascinating glimpse into the world of late-night.Hope to see you again soon, Dr. Frankenstein's Monster!(Episode 104 originally aired on July 17th, 2025).This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O'Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.We discuss the differences between working on Conan and Stephen's shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian's characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician's musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt's record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger's country accent, writing songs in your dreams and so much more.So let's laugh through the pain on this week's episode of Revolutions Per Movie.BRIAN STACK:https://teamcoco.com/celebs/brian-stackREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is composer and musician Prateek Rajagopal (Executive Producer and Co-Composer of Blarf with Eric André: Film Scores For Films That Don't Exist, former member of Indian grindcore band Gutslit & film composer.We discuss how Prateek at a young age was not deemed ready for Metallica by his older brother, growing up in metal and hardcore punk, high school bands, Prateek writing jingles in India while working as a banker, the Indian metal scene, Grindcore & Gutslit, how punk and metal were not united in the 80s, going on autopilot as a musician, how to do weird things with an electric guitar, bombing in music, how Jonny Greenwood inspired Prateek and how he ended up in the USC Film Scoring Masters program, the lack of western musical infrastructure in India and how that's improving, scoring the film Tu Yaa Main and working with director Bejoy Nambiar, how Prateek and Eric André got on each other's radar, straddling Blarf's earnest film scores with heaps of subversiveness, composing the songs Dead Balleria and Run For Your Death, translating Blarf live, smashing instruments, what Eric André and Prateek hoped to achieve with this record and more!PRATEEK RAJAGOPAL:prateekrajagopal.comBLARF:stonesthrow.com/store/film-scores-for-films-that-dont-existREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Today, I am joined by two absolute cultural legends, the one and only Swamp Dogg (who just turned 83) and his collaborator, Moogstar!!! We discuss how his recent documentary Swamp Dogg Gets His Pool Painted came to be and how it took over 8 years to complete, why Jerry Williams Jr. had to become Swamp Dogg, his iconic album cover art and album titles including Ratt On, Gag A Maggot and Total Destruction To Your Mind, how the documentary feel more like a narriative film, Tom Kenny (Mr. Show, SpongeBob SquarePants) popping out of the bushes to talk to Swamp Dogg, Swamp Dogg deciding to go independent and pay for his own recordings, Moogstar's comfort level sharing his life in the documentary to help others, how Moogstar and Swamp Dogg got on each others radar, Dr. Jerri, working at Atlantic records in A&R, befriending John Prine and starting their life-long friendship, writing for Gene Pitney and then getting fired, having top 10 hits in the charts, releasing the1-800 informercial classic Beatles Barkers record, being part of Jane Fonda's F.T.A./Fuck The Army and how it eventually started to come unraveled, breaking down the lyric "sitting on a cornflake", Swamp Dogg's cookbook, performing on the Outlaw Country cruise with Steve Earle, how to be a truly independent creative force, dealing with rejection and how to live out your dreams.Heads up...this episode may have the most laughter per second...much needed, so enjoy!SWAMP DOGG:SWAMP DOGG DOCUMENTARY: swampdogggetshispoolpainted.com/SWAMP DOGG MUSIC: theswampdogg.com/musicSWAMP DOGG CONTEMPLATES THE AFTERLIFE LP: https://s-curverecords.com/two-tracks-from-upcoming-swamp-dogg-album-debut-today-searching-for-heaven-and-acid-tongue/MOOGSTAR: instagram.com/moog_star/COOKBOOK: store.pioneerworks.org/products/pre-order-swamp-dogg-if-you-can-kill-it-i-can-cook-itGENE PITNEY: She's a heartbreaker: youtube.com/watch?v=AULvmliobq4REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
On today's episode, I talk to musician Doug Gillard. Born in Sandusky, Ohio, Doug performed in a number of punk groups in high school, and in the early '80s joined the Cleveland rock band Death of Samantha. After their breakup in 1990, Doug became one of the original members of Cobra Verde, who then became Bob Pollard's backing band on Mag Earwhig!. This led to Doug joining Guided by Voices, who he performed with from 1997 to 2004 and then from 2016 to the present. This, of course, is just a small sampling of Doug's musical CV. On his own, Doug has been making albums since the mid-'80s, and his most recent album Parallel Stride just came out a few weeks ago on Dromedary Records, and it's fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!
Welcome to the 150th episode of Revolutions Per Movie and what better guest to celebrate it with than LOU BARLOW (Sebadoh, Dinosaur Jr., Folk Implosion)!!!Now, Lou brought a VHS tape I had never seen before, The PANTERA VHS tape VULGAR VIDEO, and I countered that we should also discuss his SEBADOH 1993 tour video, made the same year. This episode is one for the ages!We discuss the Barlow Family General Store, our mental health as teenagers listening to hardcore punk, Au Pairs & Bush Tetras, sending cash in the mail to get punk records, our early teenage jobs, Renaldo & The Loaf, selling out, Exodus and the Bay Area metal scene, anti-metal stances, Lou being in the crosshairs for being transgressive with his music and attitude, how Lou shot the Sebadoh tour video with in-camera editing, living like a sub-human during the early Dinosaur Jr. days, is Metallica's Kill Em All actually a power pop masterpiece, Lou wanting Sentridoh to push listeners' buttons, how dark the Pantera VHS tape is and how it shines a light on America at the time, Am Rep, shaving your head for Pantera, the genius editing and montages created by the late Dimebag Darrell in Vulgar Video, the Skid Row crossover VHS tape, why Portland Sebadoh shows were so fully charged with antagonism, Black Sabbath, the Gaffney peach, and more for this lop-sided celebration of all things that make up Revolutions Per Movie!!!LOU BARLOW:SEBADOH 1993 TOUR VIDEO : youtube.com/watch?v=unRC0O9jOzI&t=148sMICROJAMMIN' JERK (1995 SEBADOH TOUR) : youtube.com/watch?v=239Y4wlt9xQbarlowfamilygeneralstore.comloubarlow.bandcamp.com/PANTERA: VULGAR VIDEO : youtube.com/watch?v=uvlaDaa0ycAREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Today I bring you one of the most beloved episodes of RPM ever--a deep dive into the magical lives of REDD KROSS with JEFF & STEVEN McDONALD and the director of the documentary BORN INNOCENT: THE REDD KROSS STORY. At the time of our discussion, the film had barely reached human eyeballs, but now it's available on all sorts of physical formats and streaming. If I were still operating my video store, this would have been referred to as a 5-tape film (our highest ranking!). Enjoy!(Episode 66 originally aired on Dec 12th, 2024).ORIGINAL SHOW NOTES:This week, we are joined by legends Jeff & Steven McDonald of REDD KROSS and Andrew Reich, the director of the new Redd Kross documentary ‘BORN INNOCENT: THE REDD KROSS STORY.' A band very close to my heart and record collection, we discussed so much in this episode, including the Elks Lodge Punk Rock riot and the story of their parents rescuing them from it, Andrew's gateway into hearing the band for the first time, Jeff's early hair regiment and the moment the band decided they would cut their hair no more, their shows with Black Flag and The Go-Go's, the brother dynamic and what it's like starting your band at age 11 and 15, convincing their parents to drop them off at punk rock shows and how hard was it to get their parents to agree to be in the movie, how the film took almost 10 years to complete and what made Andrew want to be the one to direct it, the brother dynamic, the magic in how Redd Kross write songs, razzamataz, the cover art of Born Innocent, reclaiming the fun after the traumas of their youth, garbage culture, Beyond The Valley Of The Dolls and discovering Pink Flamingos, how video stores saved our young minds, what it was like acting in the Lovedoll films, Anarchy 6 (The Rutles of hardcore punk), their massive influence on the American underground and what later became grunge, Sub-Pop, working with Geza X and being out of their minds on drugs while recording theTeen Babes from Monsanto LP, the multitude of band members that have gone through the ranks of the band over the years, Bowie being at their first nightclub show, could Redd Kross ever existed anywhere else but L.A., breaking down their tragic show at the legendary CITY GARDENS venue, the night Jeff taunted the Suicidal Tendencies crew, the power and safety of wearing a guitar on stage, who would play Redd Kross in the big screen biopic version of their story and so much more!So blow a kiss in the wind and let your hair grow long on this week's episode of Revolutions Per Movie!!!REDD KROSS:https://www.reddkrossfilm.com/https://reddkross.com/Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week on Revolutions Per Movie, I am joined by Jack Turner, the owner of AnimatronicsWarehouse, as we look at the documentary The Rock-afire Explosion and his life restoring the iconic animatronic band to its original form.We discuss how Jack stumbled onto the world of animatronics, how The Rock-afire Explosion introduced him to the music of The Beatles and The Monkees, why animatronics are still being portrayed as the enemy in pop culture, The Rock-afire Explosion's versions of the White Album and Abbey Road medleys, the genius of inventor Aaron Fletcher (who went from a door to door salesman to producing 50 Rock-afire shows every 3 months), the incredible band Aaron put together to play the music of Rock-afire, the emotional component for the fans of Rock-afire within the documentary, how Super Furry Animals are the musical thread throughout the documentary (including a SFA Rock-afire performance), how the band actually works mechanically, the amazingly hypnotic videos of Jack restoring the Rock-afire, the change from Rock-afire to Chuck E Cheese, Jack programing a Rock-afire show for a Clipse & Tyler, The Creator music video, deciding how often they should blink and much more!JACK TURNER:https://www.animatronicswarehouse.com/https://www.youtube.com/@animatronicswarehouseHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week's show, after a 1977 Iggy Pop incantation: brand new Total Pleasure, Guided By Voices, Gary Klebe, Dotsun Moon, Jesse Malin, Tift Merritt, The Wedding Present, and Colin Blunstone, plus Marvin Gaye, The Beatles, Petula Clark, Wayne Wade, The ...
This week we are joined by narrative film director Chandler Levack to discuss her video store-centered film, I Like Movies, and her latest film, based on her time as a music critic in Montreal, Mile End Kicks.We discuss her teenage years working at Blockbuster video and what kind of employee she was, getting her start writing music reviews at age 18, music critic heroes, what Montreal meant for music in the 2010s, working with Barbie Ferreira (Euphoria) who plays a version of herself in Mile End Kicks, recreating and revisiting personal trauma in her films, Alanis Morissette's Jagged LIttle Pill, musicals based on rock albums, the struggle to get Mile End Kicks made, Susan Seidelman's Smithereens, the fictitious band Bone Patrol, Patti Smith, breaking down some of the deep cut Canadian jokes in her films, Sloan, Much Music, the surreal aspect of having Adam Sandler help make her latest film Roommates, what kind of film does Chandler want to make next, and more!CHANDLER LEVACK:PUP MUSIC VIDEO: www.youtube.com/watch?v=4gnntMvMgx4I LIKE MOVIES TRAILER: www.youtube.com/watch?v=3yvWA1h3p04MILE END KICKS TRAILER: www.youtube.com/watch?v=mzaCmw_VrlICHANDLER LEVACK: instagram.com/clevackHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! Aw....this early Revolutions Per Movie recording, with my fantastic guest KLIPH SCUROLOCK (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals), brought out all the excitement as we bonded and talked about one of the greatest unreleased music documentaries ever made about one of the greatest bands ever to walk the Earth: MC5-A True Testimonial. Enjoy!(Episode 13 originally aired on Dec. 9th 2023).ORIGINAL SHOW NOTES:This week, we talked to Kliph Scurlock (drummer/multi-instrumentalist for The Flaming Lips, Gruff Rhys of Super Furry Animals) about the greatest unreleased music documentary of all-time, MC5: A True Testimonial! We also discuss the by-gone era of famous rock managers, the physicality and sonic push of the MC5, bad band decisions, FBI footage of the band & how bands end.Kliph Scurlock:https://www.instagram.com/kliphscurlockMC5 live footage:https://www.youtube.com/watch?v=dfDoUIh23WgHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by John Flansburgh of They Might Be Giants to look at their incredible body of music video work (481 videos and counting on their YouTube page!), and get treated to so many incredible mind-bending stories directly from the source!We discuss TMBG's track and video they made for my Hedwig covers charity album, the fascination with death and aging in their lyrics, the moment when both Johns first realized they were connecting with an audience of strangers, borrowing expensive drum machines when they started, foolish life decisions, the East Village scene of the 80s, playing on the same bills as Butthole Surfers & Steve Buscemi, Jon Spencer Blues Explosion, long-distance collaborations, the multitudes of songs written for their Dial-A-Song answering machine service, the John Updike world the band came from, having architectural dads, the pros of being ultra-prolific, the different ways they would record their songs, microtones, the children's records era for TMBG, working with their first director Adam Bernstein, TMBG being accepted by early MTV, using left-over film from Jonathan Demme movies and windup 16mm cameras for their early videos, where they got the 6ft. head props used in their stage shows, John getting music video fatigue, the parameters the band set early in their career (no solos, not a lot of intros, no fadeouts), Spike Jonze, the epic tale of TMBG playing on The Tonight Show with Doc Severson, & more.THEY MIGHT BE GIANTS:theymightbegiants.comhttps://www.youtube.com/channel/UCTZ0pVJExw6z0XjqEzchX8gREVOLUTIONS PER MOVIE: Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! This was a favorite of mine from a few years back, with punk legend, KT Kincaid of NEO BOYS, who came on the show to discuss our heroes, THE SLITS, and the amazing doc about their genius, HERE TO BE HEARD. Plus, I love getting to spend time with someone who helped bring an embryonic music scene to life, even as they had to push against the difficulties posed by local music club bans, volatile press, and a general public that feared any type of punk existence on the planet.(Episode 40 originally aired on June 4th, 2024). ORIGINAL SHOW NOTES:This week, we talked to musician and vital member of the late 70s/early 80s Portland Punk Scene, KT Kincaid, who picked the incredible doc, THE SLITS HERE TO BE HEARD. We discussed her and her sister's importance in the creation of the punk scene, their band NEO BOYS (whose recordings were reissued on K Records), discovering Bowie, seeing punkers before hearing punk, the rarity of finding punk records, picking the bass guitar over other instruments, nobody sounding like The Slits & the genius of Viv Albertine's guitar playing, being in a band with your sister, getting 50 people to come to a show, the video for ‘Earthbeat', The Flowers Of Romance, the punk collective mindset & loyalties in the punk scene, opening for Television, practicing non-stop in your first band & taking it so seriously, pooling money to buy records, the violence towards the early punk scene, the gang mentality of being in a band, the magic of chance meetings, getting pissed at the Guardian's review of this documentary, and Chris reads the minutes from one of the Portland punk collective's meetings from the late 70s.Nothing typical here as we dive into this week's episode of Revolutions Per Movie!NEO BOYS:https://neoboys.bandcamp.com/album/sooner-or-later-vol-1-klp242THE SLITS ‘Earthbeat' videohttps://www.youtube.com/watch?v=SqiFYcKEhxsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support what I'm making is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we make up for when comedian/musician/author Dave Hill realized at the end of his episode about The Rolling Stones: Rock and Roll Circus, that he really should have been talking about Slade in Flame instead...so here we go!!!We also discuss the passing of Ace Frehley, Kiss freaking people out, being able to shred on the guitar, music going off the rails, Ghost, Cheap Trick coming up with their visual idenity and band name after seeing Slade live in the UK, Quiet Riot, the phenomenon of UK Xmas rock singles, Roy Wood's Wizard, Dave Hill getting mistaken for Slade's Dave Hill, how massive the band was leading up to the film, Dr. Feelgood, how Slade In Flame is a bleak drama rather than a Glam spectacular, our love of English Breakfasts and depressing UK lodging, actor Tom Conte, the literal shitting that Slade did on others in their youth, the Slade In Flame soundtrack, the surprising violence and gangster vibes within in the film, the films Scum and Scrubbers, deep fried pizza, the band Slade 2, Slade never looking young & are Slade really glam?So let's stomp and clap our way to the top of the charts in this episode of Revolutions Per Movie!!!!DAVE HILL: davehillonline.comSLADE IN FLAME: archive.org/details/slade-in-flame-1975DR FEELGOOD: youtube.com/watch?v=iHm7uIC84YMREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Episode 784: March 30, 2026 playlist: Dead Pioneers, "No Kings" (Wagon Burner) 2026 Hassle Analog Tara, "II of V" (Life of the Mother) 2025 Important Banda 20 De Julio De Repelon, "Yolanda" (CUMBIA CUMBIA CUMBIA!!! VOL.4) 2025 Vampisoul Cole Berliner, "The Black Door" (The Black Door) 2026 Drag City Christina Kubisch, "Gaming in silence (2024)" (TUNING) 2026 Faitiche Raglani, "Honey" (Give Wonder) 2026 Ketu Carl Stone and Asuna, "A Salsa Nocturne" (Imu Plastos) 2026 Room40 Paula Kelley, "God Will Someone Tell Me" (Blinking as the Starlight Burns Out) 2026 Wharf Cat The NRG, "Age of Gaia" (New Age Utopia (91-93)) 2026 Surface Reality BIG|BRAVE, "the ineptitude for mutual discernment" (in grief or in hope) 2026 Thrill Jockey Guided By Voices, "Advance Without Dropping" (Crawlspace of the Pantheon) 2026 GBV Inc Dobrawa Czocher, "Blue" (State of Matter) 2026 FatCat Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.
This week's show, after a 2006 Pernice Brothers purr: brand new Lemon Twigs, Guided By Voices, Miki Berenyi Trio, Joe Pernice, Trashcan Sinatras (with Tracyanne Campbell), Guest Directors, Doug Gillard, and Jeff Tweedy, plus Dee Dee Dorety, Cat Stevens...
This week, I am joined by musician/editor Neil Gust (Heatmiser, No.2) to discuss the troubling, complicated, and 'unreleased' Rolling Stones film C*cksucker Blues, directed by legendary photographer Robert Frank. We also discuss Neil's early days in Portland in his band with Elliott Smith--Heatmiser, Chris directing two early music videos for the band, the process of revisiting and re-releasing the Heatmiser records for Third Man Records, the odd newness of indie rock legacy, Neil's autobiographical songwriting (including "A.O.R." which is about Neil working on his Dad's farm as well as how his Dad's use of the word “c*cksucker” made Neil not want to tell anyone he was gay, Neil writing the Heatmiser song C*cksuckers Blues in response to the Rolling Stone's film, Let It Bleed, how seeing Apocalypse Now at a young age solidified Neil's love of intertwining music and film, how the Stones have had some of the greatest film directors of all time make some of their worst films, how Robert Frank got involved in making the film and the difficulties that surrounded it, why the Stones killed the film, bad art getting a ‘pass' when it's shown in museums, saving or ruining art in the edit, Rock N Roll Circus, Martin Scorsese's Shine A Light, seeing the Stones live and how janky it could be, comparing The Stones to a John Cassavetes film, Neil making the Heatmiser video for C*cksuckers Blues, Bruce Conner and found footage films, being turned onto art through bands like Hüsker Dü and R.E.M. and more.So bring the smelling salts, because today we're going deep into the murk on this week's Revolutions Per Movie!!!Heatmiser videos (both directed by Chris Slusarenko):Blackout: https://www.youtube.com/watch?v=kgNMZbOiCe4&list=RDkgNMZbOiCe4&start_radio=1Why Did I Decide To Stay:https://www.youtube.com/watch?v=ra0ZDlo_jnE&list=RDra0ZDlo_jnE&start_radio=1Heatmiser video (directed by Neil Gust)C*cksuckers Blues:https://www.youtube.com/watch?v=7CAEFCZoxWo&list=RD7CAEFCZoxWo&start_radio=1REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes and series every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! One of my favorite authors/writers/directors of all time, Jim Gavin (Jim's AMC show Lodge 49 is still one of the greatest series that has ever landed on Earth and those who have lived in it know that it's the truth) brought me a music doc about a band that is located deep within his heart, Don't Break Down, a film about Jawbreaker.(Episode 36 originally aired on May 16th, 2024). ORIGINAL SHOW NOTES:My guest this week is Jim Gavin (the creator of AMC's incredible series Lodge 49 and author of Middle Men), who chose to discuss the Jawbreaker documentary Don't Break Down. We talk about the band's grip on their fans, the eventual backlash against Jawbreaker, lyrics that destroy you, the Masonic world and the genesis of Lodge 49, East Coast punk vs. West Coast punk, Lilies/Broadcast/Stereolab and other sonic rabbit holes, creating imaginary mentors, the legendary Jabberjaw/L.A. scene, creating your own mythology about a band, obsessing over Blake's lyrics, the nature of imploding bands, the concept of selling out and Nirvana's success, music as time travel, looking for a specific sound and hiring a private detective to find a specific song.So please don't turn your back towards the band on this week's Revolutions Per Movie!!!JIM GAVIN:https://www.vogue.com/article/lodge-49-ode-the-best-television-show-you-missedhttps://twitter.com/jimatdeltacohttps://www.tigervanbooks.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by JAY McCARROL, the co-creator, star, and musical genius behind the joyful phenomenon and film NIRVANNA THE BAND THE SHOW THE MOVIE!!!We discuss Jay's experience composing music for the legendary Martin Short, the origin stories of Nirvanna The Band, how co-creator Matt Johnson and Jay started blending fiction with reality while still in their youth, being a dreamer and being delusional in a band, the epic tale of being mistaken for Project Runway winner Jay McCarroll, the haunted sounds of an upright piano, how they decided on the tone of Nirvanna The Band The Show and their singular, folding-in-on-itself way of creating their work, how outside circumstances are constantly changing their plots midstream, the magic of using flashbacks, how and why the film changed from a story about going to New Orleans to the current time-travel story, the wild swings of fair usage with the world of Nirvanna The Band, Jay's touchstones while composing the score for the movie, can Nirvanna The Band still be anonymous, how their success with the film Blackberry helped propel them into making NTBTSTM, what The Rivoli means to the band, the future of Nirvanna The Band The Show Season 3, how they hope to be doing this into their senior era and more!So let's spill that Orbitz onto this week's episode of Revolutions Per Movie!NIRVANNA THE BAND THE SHOW THE MOVIE:https://www.neonrated.com/film/nirvanna-the-band-the-show-the-movieJAY McCARROL:instagram.com/jaymccarrolREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
DEER TICK – “Mary Singletary” MITSKI – “Where's My Phone” MEKONS, BENJI WEBBE – “Mudcrawlers (Version)” CAT CLYDE – “Wild One” GORRILAZ (W/Anoushka Shankar, Kara Jackson) – “Orange County” SOLYA – “Silver Swan” WEIRD NIGHTMARE – “Might See You There” ANJIMILE – “Waits For Me” MICHELLE DAVID AND THE TRUE-TONES – “Speak To Me” SELLA – “Skipping Out” CRACK CLOUD – “Shut The Fuck Up” NATALIE JANE HILL – “Never Left Me” MORRISSEY – “The Monsters Of Pig Alley” BASEMENT – “Wired” THE LEMON TWIGS – “I Just Can't Over Losing You” GRRRL GANG – “O, My Love” JALEN NGONDA – “Anyone In Love” LUCID EXPRESS- “Faux Sweetness” BLESSING JOLIE – “20teens” GUIDED BY VOICES – “We Outlast Them All” SURFBORT – “Jessica's Changed” JOSHUA IDEHEN – “It Always Was” JULIANA RIOLINO – “Just Like Rembrandt” DUTCH INTERIOR – “Go Fuck Yourself” THE BLACK WATCH – “Some People Will Believe” MARY CHAPIN CARPENTER, MOUNTAIN GOATS – “Put The Message In A Box”
This week, I'm joined by artist/cartoonist NATHAN GELGUD (Reel Politik, published by Drawn And Quarterly), who chose a film that has haunted us since we first saw it in theaters over 25 years ago: Dancer In The Dark.We discuss the comedown after finishing a substantial long-form piece of art, the process of writing and drawing a daily strip, video store lore, Chris' real Y2K story, Putney Swope, being in the Criterion Closet in real life, how working in a video store and movie theater informed Nathan's daily comic strip Reel Politik, the horrible tagline used on the U.S. Dancer In The Dark poster, the initial concept of the film, how the film has changed in our minds since first seeing it in the theater, Bjork's incredibly heartbreaking performance and how she challenged the emotive path initially laid out by Lars Von Trier, the 100 cameras they used to shoot all the musical sequences, The Kingdom theme song, why Lars Von Trier was Nathan's favorite director in his youth, the rules laid out in the Dogme 95 manifesto, The Celebration, the greatness of the film's choreographer Vincent Paterson, Robert Altman, the scenes that were cut out of the final film & the difficulties in getting the film made, and much more.So let's hold our breath as we head into the next-to-last song on this week's Revolutions Per Movie.NATHAN GELGUD:nathangelgud.comdrawnandquarterly.com/books/reel-politik/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! This was from our...cough...50th episode...which was a big deal for me (and still is now as I near 150 episodes on the main feed and another exclusive RPM 114 episodes over on my Patreon). To have the one and only PEACHES CHRIST come crashing through with a film that only they could have brought to the table with such emotion, love, knowledge, and humor...I'm eternally grateful! Peaches forever!!!(Episode 50 originally aired on August 22nd, 2024). ORIGINAL SHOW NOTES:For our 50th episode, we talk to the legend PEACHES CHRIST about one of her favorite music documentaries, D.A. Pennebaker & Chris Hegedus' DEPECHE MODE 101. We discuss why this film became Pennebaker's favorite film (over his films about Dylan & Bowie) and why the film director wasn't a fan when he first started the project, Peaches discovery and obsession with the VHS tape of this doc, how even though Depeche Mode were straight they loved their queer fans, how the band grew into a global sensation, the choices of editing in the film, how the filim was the precusor to MTV's The Real World & Road Rules, the time Peaches set the stage of her celebration of the film CARRIE on fire, John Waters & Mink Stole, youthful indescretions, the legendary film series MIDNIGHT MASS which includes drag queen rollerderbies and free lap dances with each tub of popcorn purchased, early Halloween productions in the woods, dealing with Russ Meyer, The Cockettes, the boredom and nerves of waiting to go onstage, how different the era was for the the kids in the film and how different it would be made today, the pressure of Depeche Mode playing the rose bowl, nerds as rock icon, Wax Trax Records, trying to upset your parents through your music tastes, when people who are mean to you start loving your favorite bands, Dave Gahan's stage presence, Freddie Mercury, Peaches' regrets with Depeche Mode and the band's crossover into the masses, waiting in line to get concert tickets in a mall, Robert Smith Vs. Ticketmaster, what the fans felt as Alan left Depeche Mode, the grind of band interviews, and Chris discusses the early days of his video store and the search for cult film obscurities.So let's watch the curtain drop to reveal the band on this week's Revolutions Per Movie!!! https://peacheschrist.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by actor, author, magician, mentalist, and songwriter Rob Zabrecky (Zabrecky, Possum Dixon & author of Strange Cures), who chose to discuss a music TV series close to both of our hearts: NEW WAVE THEATER. We also talk about the fantastical stories from Rob's life including his F.B.I. impersonating Uncle and convincing Sherman Hemsley of The Jeffersons to buy Black Flag's TV Party single, how truth will always out-weird fiction, going out on the road with Dead Milkmen, how it was not unusual to see Drew Barrymore making coffee while Ann Magnuson performed at the legendary L.A. art-weirdo venue Pick Me Up, trying to get Wall Of Voodoo's Stan Ridgway to produced Possum Dixon, Rob walking into Kenzo's Yogi Magic Mart in Baltimore and it changing his trajectory from music towards magic, the disappearing condom magic stage act of Possum Dixon and Peter Buck's take on seeing it live, performing in front of Penn & Teller, discovering New Wave Theater, Night Flight, Fear, Suburban Lawns, the weirdo bands that appeared on NWT who never made a record, the incredible life of host Peter Ivers, Peter opening for Fleetwood Mac in only a diaper, Peter Ivers super fan Jello Biafra, Peter writing the music for and singing "In Heaven" for David Lynch's Eraserhead, the dark world of NWT producer/director David Jove, the unsolved murder of Peter Ivers, Circle Jerks, the performance of "The Film We Never Made", the one-act play Rob wrote about Peter Ivers, who should be cast to play Peter Ivers, NWT's opening monologues and the Chris Genkle commercials, 45 Grave and more!So let's cut to the Ghost Host and hope they don't get beat up by a band on this week's Revolutions Per Movie!!!ROB ZABRECKY:https://www.officialzabrecky.com/https://www.youtube.com/channel/UCdkww86deyo5VU20uDJ3uvQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can't Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters' obsessions and tributes to The Girl Can't Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an emergency BONUS episode of Revolutions Per Movie! Last week, while I was talking to Jackie and Jill from Target Video, they mentioned the doc We Were There To Be There, which focuses on Target filming The Cramps & The Mutants playing a show at Napa State, a psychiatric hospital in Northern California. So today, here is my conversation with Jason Willis & Mike Plante, who directed We Were There To Be There!!!We discuss how we each discovered Target Video VHS tapes and how it made us feel we weren't alone in our weirdness, the Flipside Video series, how goofy Black Flag was in their videos with Target, Repo Man, fanzines, Greg Turkington (Neil Hamburger) in the crowd of a Target Video shoot for the Meat Puppets, how the film changed its focus during the research phase, tracking down Target Video head Joe Rees in the wilderness, the legal and ethical concerns that arise while making a documentary, the surprising conservatism of San Francisco in this era, the doc's explanation of how The Cramps ended up playing Napa State and the history of the hospital, how Reagan destroyed the inner works of Napa State, the NEA, the footage of The Mutants playing The School For The Deaf, Flipper, Desolation Center, the importance of LSD in the early days of the punk music scene, how the lines between the audience and the bands performing at Napa State were completely shattered, Bryan Gregory's performance, the lost Mutants footage discovered after 40 years and where they found it, The Punk Media Research Collection Archive, Scopitones, Eerie publications, straight edge punk and so much more!Watch WE WERE THERE TO BE THERE:https://www.youtube.com/watch?v=KwwRQVgW-0gBLU-RAY with additional Mutants doc and Napa State performance:https://grasshopperfilm.myshopify.com/collections/new-releases/products/the-cramps-and-the-mutants-the-napa-state-tapes-blu-rayREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guests this week are two absolute legends, Jackie Sharp and Jill Hoffman-Kowal of the punk rock video team Target Video (who documented hundreds of incredible live performances by Iggy Pop, The Screamers, Black Flag, Throbbing Gristle, minutemen, The Cramps, Hüsker Dü, Survival Research Laboratories, Bauhaus, Dead Kennedys, Lydia Lunch, and Young Marble Giants to name just a few). They are lifelong friends to this day… so get ready for jaw-dropping stories galore!We discuss Target Video's origin story & meeting head honcho Joe Rees, how they got their first old-school video camera at the time, Joe's unusual approach to documenting bands, the origin story of The Mutants, their initial cable TV show, how their first color shoot was filming the iconic performance of The Screamers, how they shot The Cramps at the Napa State Mental Hospital, Glenn O'Brien's TV Party, Jello Biafra staying in fancy hotel rooms in the UK, crashing on the floor of The Members, The Stray Cats playing the UK for the first time, how Jackie and Jill gained the trust of bands to film them in an era when bands were suspicious of being filmed, how the SF punk scene changed when Circle Jerks first came up from LA to play there, using fake addresses to keep the cops away from the Target headquarters, having eight-hour viewing parties in Paris, touring Europe with Dead Kennedys, the powerful footage of Throbbing Gristle playing a basketball court, CRIME playing San Quentin, Black Flag being nerds in the studio and making comedy videos with Target, shooting the TV PARTY music video, Target documenting rarely seen tours by Devo and Iggy Pop, being P.I.L.'s tour guides in NYC, Target video reunion shows, hooking up your VHS player to your stereo and more!So let's fly the Target flag high and play this episode loud on this week's episode of Revolutions Per Movie!TARGET VIDEO: targetvideo.blogspot.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it and keep it going is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, we continue our conversation with musician David Pajo (Slint, Papa M, Gang Of Four) as we start to delve into his music-film pick: the Louisville, Kentucky indie-music narrative film Half-Cocked, in which he also appears!We discuss David meeting filmmakers Suki Hawley & Michael Galinsky, the legendary Rocket House in Louisville where most of the musicians who acted in the film lived, Tara Jane O' Neil's amazing performance in the film, Slint, Ruby Falls and Rodan, The Grifters being cast as wise sages of the underground music world, the fake bands in the movie including The Guiloteens (starring Ian Svenonius, James Canty and Michelle Mae of The Make Up & David himself), not knowing what your friends did for work back then, Cathy Irwin from Freakwater's beautiful acoustic song in the film, the economics of making films vs. music in the 90s, Jon Cook of Crane and Ian's suggestions to the filmmakers for the plot of the film, why David's character was named Waldo in the film, David's first tour with his band Maurice opening for Samhain, Die Kreuzen starving on tour, Soviet France, how skinheads almost destroyed both of our initial music scenes, where we think the characters in the film ended up in real life, and more. DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is musician David Pajo (Slint, Papa M, Gang Of Four), who picked the Louisville, Kentucky indie music film Half-Cocked to discuss. BUT…there was so much to talk about that this is only part one of the conversation before we even got to talking about the film! We discussed his Papa M compositions, how Slint songs were made to sound like they were improvised but were actually meticulous in their structure, how his new album was all one-take performances done without a computer, needing a cheat sheet for Slint reunion songs, the concept of "through" composing, the humor within Slint, Andy Gill of Gang Of Four playing his guitar without touching it, joining GO4 and how it opened him up as a live performer, the challenges of learning and playing the song "He'd Send In The Army", is the guitar a friend/foe/tool, Big Black, the Slint documentary Breadcrumb Trail, breaking your parents' will using the Butthole Surfers, David playing in Stereolab & Interpol, aging in indie rock, and David asks me questions about my wild times in Guided By Voices.So let's play with our backs to the audience on this episode of Revolutions Per Movie.DAVID PAJO:papam.bandcamp.com/instagram.com/cestcadavidpajoHALF-COCKED: vimeo.com/ondemand/halfcockedREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
What actually happens when you stop isolating everything and just let a band play together in the room? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Travis Harrison, founder of Serious Business Music, a Brooklyn-based studio known for capturing raw, honest performances from real bands. Travis joined me to talk about how his studio and workflow evolved over time - from early audio-only recordings to embracing video, hybrid setups, and modern tools - while still staying rooted in classic recording approaches. We talked about recording bands live in the room, why Travis embraces bleed instead of fighting it, and how capturing the energy of a performance often matters more than perfect isolation. He shared how he'll use simple setups like a single M 160 ribbon mic on drums, how preparation and adaptability become critical when recording larger bands, and why letting musicians interact naturally can shape the sound of a record in ways plugins never will. Travis also broke down his hybrid workflow, using tape as a tone-shaping tool rather than a rigid format - running tracks through a tape machine for color before moving into Pro Tools for editing and mixing. We discussed mic choices like using an SM57 on bass cabinets for midrange growl, routing and flexibility with a Soundcraft Ghost console, and how his Brooklyn studio has been shaped by real-world challenges like soundproofing, space limitations, and evolving technology. Throughout the conversation, we kept coming back to the balance between tradition and innovation - and why great records still come down to musicians, rooms, and decisions made in the moment. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0RdFM4aImmogaEJBwV5pla?si=8b285a72dca7478a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/543
My guest this week is comedian/writer/actor Jon Gabrus (High & Mighty, 101 Places To Party Before You Die TV Series & Staying Alive podcast w/ Adam Pally), who chose to discuss the Mike White/Richard Linklater/Jack Black force of nature School Of Rock.We discuss Jon's surprising new health show with Adam Pally (his partner in debauchery), Jon and Adam visiting Portland for their TV series 101 Places To Party Before You Die, the best health advice he's gotten so far, the music action films Miami Connection and Stunt Rock, the never ending inspiration that is American Movie, how easy it is to forget that School Of Rock was written by Mike White (The White Lotus) and directed by Richard Linkletter (Dazed & Confused), Jon being a stunt double for Jack Black, our first memories of seeing Jack Black, the Jack Black backlash in the 2010s, Mike White as an actor, how musicians, comedians and athletes all pine for each others' careers, when did musicians start doing stage banter, Pulp, did either of us have cool teachers growing up, the experience of performing in front of your parents, long form improv, Jack Black begging Led Zepplin to use "Immigrant Song" in the movie, selling out as an artist, how Jack Black was originally going to write the music for the film, pre-show rituals and much more!So let's raise our goblets to the gods of rock on this week's episode of Revolutions Per Movie!JON GABRUS: gabrus.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by comedian/podcaster/director Scott Aukerman (Comedy Bang Bang, Between Two Ferns, R U Talkin' R.E.M. RE: ME? w/ Adam Scott) as we delve into the recent David Bowie documentary, Moonage Daydream.We also discuss Scott's parents searching his teenage room for dangerous music, Frankie Goes To Hollywood and Prince, Scott's divisive (but beloved) U2 and R.E.M. podcasts with Adam Scott (Parks And Recreation; Severance), when we've felt like an artist has spat in our face, Dick Cavett, R.E.M.'s Dead Letter Office, The Dead Milkmen, meeting Bono, how we both first got obsessed with Bowie, getting scammed by compilations and bootlegs, the interview style of David Bowie, chaos in Scott's work, watching Bowie on endless escalators, The Sparks Brothers doc, the jaw-dropping performance of "Cracked Actor" in this film, seeing Bowie live, Nine Inch Nails, Bowie's feelings on the Let's Dance era of his life, The Glass Spider tour, Bowie's final album Blackstar, the occasional difficulties in continuing to follow an artist when they want to change artistically and more!So let's watch in awe as David drinks milk in the back of a Rolls-Royce on this week's episode of Revolutions Per MovieSCOTT AUKERMAN:comedybangbangworld.comBETWEEN TWO FERNS:youtube.com/watch?v=UnW3xkHxIEQREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Welcome to an Encore Presentation of one of my favorite episodes ever of Revolutions Per Movie, where I got to discuss the documentary Desolation Center with the creators of these legendary events (who else would put the Minutemen on a barge or Einsturzende Neubauten in the desert). Plus, I love it whenever I get to surprise my guests with more guests to create the whole picture from the inside out. Enjoy!(Episode 33 originally aired on April 25th, 2024).The original show notes:This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids. We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:www.desolationcenter.com/STUART SWEZEY:www.amokbooks.com/SAVAGE REPUBLIC: www.independentprojectrecords.com/savage-republicREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by author/photographer Pat Blashill (Texas Is The Reason; Someday All The Parents Will Die) to talk about the Texas punk community he documented, including Scratch Acid, Butthole Surfers & Big Boys, as well as the 2014 documentary The Dicks From Texas.We also discuss punks living in Texas and how the bands from there pushed back hard against it, was Cheap Trick punk rock, which music freaked us out when we were younger, DEVO making your friends cry in fear, Pat getting invited to his first punk show by Big Boys in 1979 when he started taking photos of the scene that night, Pat's artistic influences, The Huns riot, early bands like Sharon Tate's Baby, the band Terminal Mind getting mad at people for dancing to their music, singing with a British accent, Raul's being the centerpiece club of the punk scene, Buxf of The Dicks, Sister Double Happiness, Gary Floyd's singular vocals in punk, The Torn Panties, how Gary upstaged Lou Reed, Poison 13, Pat befriending David Yow and David Sims before they started Scratch Acid, Jesus Lizard, watching the evolution of Butthole Surfers and their work ethic, Pat being at the Rembrant Pussyhorse recordings, The Residents' Hardy Fox, Kurt Cobain, Big Boys playing the Austin Chronicle Award Show and the fight that ensued, Flipside VHS Tapes, the lack of local press support for punk rock, IRS's The Cutting Edge coming to Austin, Daniel Johnson and more.So let's get lost in the pit together on this episode of Revolutions Per Movie!PAT BLASHILL: patblashill.comTEXAS IS THE REASON book: www.bazillionpoints.com/books/texasSOMEDAY ALL THE PARENTS WILL DIE book: utpress.utexas.edu/9781477332474THE DICKS FROM TEXAS doc: www.youtube.com/watch?v=GYSNWLY5iEMBIG BOYS live: https://www.youtube.com/watch?v=HsVjMx0JDHMBUTTHOLE SURFERS live film: www.youtube.com/watch?v=BW0mXU2mkgoSCRATCH ACID live: https://www.youtube.com/watch?v=ZdG1OALNSFIREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is graphic novelist/artist/musician Leela Corman (Victory Parade, Unterzakhn), who chose to discuss the 1980 midnight movie classic Forbidden Zone.We also talk about how Leela creates her long-form graphic novels, the difficulties and joys of making her masterwork Victory Parade, how Einstürzende Neubauten's album Lament helped her create her art, how watercolor is the noise guitar of paints, Leela's use of Busby Berkeley imagery, growing up in the 80s surrounded by transgressive art, Sonic Youth & Big Black, Raw Magazine, Lisa Suckdog, Forced Exposure, RE/SEARCH, how divisive the Forbidden Zone film can be, director Richard Elfman and his creation of The Mystic Knights of the Oingo Boingo troupe (later taken over by his brother, Danny Elfman), how we each discovered the film, how Leela puts a line from Forbidden Zone into every one of her books, Night Flight, the acting of Hervé Villechaize and Susan Tyrrell in the film, how the film spoke to Leela because of its use of Yiddish and ‘Yinglish', how Richard Elfman went broke making the film, its incredible musical sequences, Josephine Baker, Leela working with The Mountain Goats, the legendary performance art of The Kipper Kids in the film, midnight movies and so much more!So let's jump into the mouth in the wall and ride through the intestine on this week's episode of Revolutions Per Movie!!!Leela Corman:http://www.leelacorman.com/Forbidden Zone:https://richardelfman.com/films/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
It's time for our annual review of the best music of 2025, as chosen by our listeners. Paul Hayden is today's guide, taking us through his favorite music of 2025 (along with some intriguing honorable mention picks). You'll hear music from Guided By Voices' Thick, Rich and Delicious and The Boojums self-titled album. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Welcome to an Encore Presentation of the first episode ever of Revolutions Per Movie...It had to start somewhere...and of course I had to begin with 'Dig' the Dandy Warhols/Brian Jonestown Massacre documentary! I was so happy that my first discussion already had a surprise guest to dismantle the film from the inside. Oh, the youth of us all...ha! (Episode 1 originally aired on Sept. 14th 2023).The original show notes:Hello and welcome to Revolutions Per Movie, a podcast about music documentaries, music-based fiction films, and the art of the music video.I'm your host, Chris Slusarenko— a musician who has been in bands such as Eyelids & Guided By Voices and was once the owner of an independent video store in Portland, Oregon, for over 22 years.For our inaugural episode, we talk with author/musician Ryan H. Walsh, who chose the Brian Jonestown Massacre/Dandy Warhols documentary film “Dig!” to discuss. We are also joined later by a surprise guest from the Brian Jonestown Massacre camp, Travis Snyder, who was the band's tour manager for almost 20 years. We talk about how the film was initially commissioned to be a reality series by MTV, how bands in the 90s navigated the major label-feeding frenzy, the unhealthy lifestyle of band life, and how this documentary really did not tell the whole truth.So listen in as we discuss the revolution that never happened on this episode, Revolutions Per Movie. Ryan H. Walsh:www.astralweeks.net/aboutwww.hallelujahthehills.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is author, musician, journalist DAVE BIDINI (member of Canada's longest running indie band--Rheostatics, Editor-In-Chief at West End Phoenix, author of 12 books including Around The World In 57 1/2 Gigs) who picked one of the most fought-over titles to discuss on Revolutions Per Movie, Ron Howard's TV Movie Of The Week, COTTON CANDY!!!We also discuss entering competitions when you're a kid, how Rheostatics have changed over their 45-year history and how the geography of Canada shaped their music, Dave's parents talking to him about the evils of Punk Rock, Stompin' Tom Conners, how Canadian record labels want bands to strip the Canadian aspects from them, the film/book/lp Whale Music, signing to Sire Records and working with Seymour Stein, Dave watching Cotton Candy when it first aired on TV, Charles Martin Smith and Clint Howard's amazingly honest nerdy turns in this film, Kiss Meets The Phantom, how TV started competing with films in the late 70s, the pacing of a made-for-TV movie, old teenagers in films, teenage rejection and self-sabotage, being "PUNK" on TV, having a band logo before you even have a band, the brand of Power Pop in this film, dancing in movie theater aisles, the uncomfortable strip poker scene, building bands' mythology in your head, music that scared you as a kid, being hypnotized by commercials as a kid, Ron Howard's directing style, a great story about Frank Sinatra & The Cramps and more! So let's head to the mall to play in the battle of the bands on this week's Revolutions Per Movie!DAVE BIDINI: https://www.penguinrandomhouse.ca/authors/2290/dave-bidiniRHEOSTATICS: https://www.sixshooterrecords.com/artists/rheostaticsWEST END PHOENIX: https://www.westendphoenix.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
This week I'm joined by IRA ROBBINS (Editor & Co-Founder of TROUSER PRESS magazine) as we end the year with the 1959 U.K. cult classic EXPRESSO BONGO!!!We discuss how Ira's influential magazine was started on a whim, and how as outsiders they wanted a different approach to rock journalism, how they got a long-form interview with Jimmy Page, how the magazine made me feel smarter by reading it, the wild highs and lows of publishing Trouser Press, making mistakes in journalism, writing a letter to Pete Townshend and the reply that came back in the mail, how 70s rock journalism still held power in the culture of the time, the Devo/William Burroughs interview, how they got difficult interviewees to open up to their writers, how the magazine become an obligation rather than an opportunity over the years, the hardcore punk movement, how and why the magazine stopped publication, MTV's influence on music journalism, Laurence Harvey's strange and powerful performance in Expresso Bongo, how young Cliff Richard was in this film, the incredible opening title sequence of the film, how the film pushes the cultural boundaries for young people in the late 50s, the British kitchen-sink drama movement, how the film was originally a West End musical and the differences between the two, how sleazy and risqué the film is for its time, The Shadows, how exploitative the British rock management world was, the threat of the 50s teenager, the alternate ending of the film and so much more.So let's spin in circles while shattering our espresso cups on the ground on this week's episode of Revolutions Per Movie!!TROUSER PRESS BOOKS (you can read the entire Trouser Press Magazine run in their archives!):trouserpressbooks.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!This was a special one...director Ryan Worsley had just finished the film at the time of this recording and was publicly screening it along with Negativland performing live afterwards. Not only was it the best Negativland performance I had ever seen, but it was also one of the most powerful (upsetting and darkly funny) shows I'd ever witnessed. A band that is notoriously difficult to pin down was explored beautifully with Stand By For Failure, so I was excited to get into the weeds (and we do!).(EPISODE 55 originally aired Sept 26th 2024)ORIGINAL SHOW NOTES:This week, we are joined by documentary filmmaker RYAN WORLSEY to discuss her film STAND BY FOR FAILURE: A DOCUMENTARY ABOUT NEGATIVLAND. We discuss how Ryan was introduced to the world of Negativland and what she thought of it, how she decided the best way to tell their complicated but surpringly emotional story, the fair use doctrine and copyright law, are Negativland really a band, David Wills (aka The Weatherman) and his astonishing talents & laughter through it all, Negativland's origin story, how Negativland's current live show We Can Really Feel LIke We're Here might be their most powerful work to date, the band signing and then getting sued by SST Records, their long-running radio show Over The Edge, what Negativland did with band member Don Joyce's ashes after his passing, can you still culture jam today, plunderphonics, how Negativland's perceptions of the world are formed through their music and then mirrored back to us, Richard Lyons' and his alter egos, the U2 lawsuit against the band, the majesty of Casey Casem swearing, the resilience of the band through all their hardships, seeing the inside of The Residents' recording studio in the film, the Christianity Is Stupid murder myth, how artist's are still getting ripped off, what it's like being the subject of a documentary, where Ryan & Negativland stand on AI, and the cultural desert that is the suburbs.Is there any escape from noise? Find out on this week's episode of Revolutions Per Movie!!!RYAN WORSLEY:http://pool-food.com/failure/NEGATIVLAND:https://negativland.com/https://negativland.com/negativland-documentaryREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks! Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by David Longsreth (of Dirty Projectors and musical collaborator with David Byrne, Bjork, Solange, and Rihanna) to talk about his life in music, and the experience of composing his first soundtrack for A24's The Legend of Ochi.We discuss the head-bending Dirty Projector's take on the Black Flag Damaged LP, punk rock mix tapes, touring with Xiu Xiu and going 'method' on that tour, David making his early records in basement bedrooms on 4-track cassette recorders, embarrassing imperfections in music, an early eureka moment while opening for Broken Social Scene, working solo vs. collaborating with others, the different modes of Neil Young, John Cale's touch and attack, how they did the vocal gymnastics live with Bjork, Einstein On The Beach and Phillip Glass, slowing down songs to half speed, being fans of people you collaborate with, the soundtrack to Rumblefish, David's early work on Ochi and the film's 10-year gestation period, vocal hocketing, creating the creatures' voices in the film, how it feels to hear your music played by an orchestra, my video store colliding with David creating his 1st record while sleeping in a hallway in Portland, and more...So come find out if I put a bag over my head for asking naive questions on this episode of Revolutions Per Movie!!!DAVID LONGSTRETH/DIRTY PROJECTORS:https://www.davidlongstreth.com/https://www.dirtyprojectors.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
This week, I talk to Beth Harrington, Emmy-winning/Grammy-nominated director of The Winding Stream: The Carters, The Cashes and the Course of Country Music, the upcoming Duplex Planet documentary, and a recording/touring member of Jonathan Richman & The Modern Lovers, about her amazing documentary, Welcome To The Club: The Women Of Rockabilly.We also discuss Beth's incredible origin story working with Jonathan Richman and her time in The Modern Lovers during which she suddenly quit her job for a life in music, touring with Jonathan, the story of Chris working with Jonathan Richman for a charity album/documentary, what her upcoming Duplex Planet documentary will be like, the blessing and curse of doing a hour-long doc for PBS, rockabilly influences in the punk underground, how Beth puts her films together, Beth working with Wanda Jackson, The Collins Kids, Brenda Lee & Janice Martin (The Female Elvis), the stage mom factor within the Rockabilly music scene, how Beth gets her candid interviews, Jack White, Robert Oermann & Mary Bufwack's excitable interviews about Rockabilly in the doc, The Sing Along With Mitch albums, how Brenda Lee tried to get Columbia Records to sign The Beatles, the incredible stories of Big Al Dowling (piano player with Wanda Jackson who had one of the first integrated bands in the U.S.), the gender fluidity of many of the rockabilly artists, how documentary filmmaking has changed for Beth over the years and so much more.So come shake a chicken in the middle of the room on this week's Revolutions Per Movie!WELCOME TO THE CLUB--THE WOMEN OF ROCKABILLY: https://www.youtube.com/watch?v=nihZl9Ni-Fw&t=856sBETH HARRINGTON: https://www.bethharrington.com/DUPLEX PLANET DOC: https://www.beyondduplexplanet.com/BETH W/ JONATHAN RICHMAN: https://www.youtube.com/watch?v=gf4NSNw_U4I&list=PLE9wKImo1JY6wdkL_W_aZmqutEs-ZSSr4&index=7REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
Hello and welcome to a special holiday bonus episode of Revolutions Per Movie!!!! I'm delighted to be joined by film critic/author Alonso Duralde (Hollywood Pride: A Celebration of LGBTQ+ Representation in Film & Have Yourself A Movie Little Christmas) to discuss one of the greatest holiday feasts of all time: PEE-WEE'S CHRISTMAS SPECIAL!!!!We also discuss whether or not it's easy to truly love holiday movies, the pain behind the awful Christmas film Santa And The Ice Cream Bunny, what Bowie or Zappa were thinking when they played the Florida amusement park Pirates World (where Iron Butterfly also filmed their film Musical Mutiny), Blast Of Silence, how Pee-Wee scored prime time appearances by Grace Jones and KD Lang while also convincing Cher & Little Richard not to sing, joining the Pee-Wee fan club, David Letterman, the new Pee-Wee doc, how people like Diana Shore were in on the joke by appearing on the special, the incredible pacing of a typical Pee-Wee episode, John Waters, how we love when Pee-Wee was just an asshole, which member of the playhouse would we want to hang out with, David Bowie & Bing Crosby's rendition of Little Drummer Boy, TV crap and variety shows feeding our 10 year old brains in the 70s, the verdict on Christmas carols, having "verse blindness" with music, top dollar Santas and more!So please come join me at my Revolutions Per Movie holiday party...the cups of instant coffee are on the floor...so help yourself!ALONSO DURALDE:instagram.com/alonso.duraldehttps://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/?lens=running-presshttps://www.bloomsbury.com/us/have-yourself-a-movie-little-christmas-9781493087440/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
My guest this week is Doug Gillard (Guided By Voices, Nada Surf, Death Of Samantha), who picked the film, Ghost On The Highway: A Portrait of Jeffrey Lee Pierce & The Gun Club, to discuss.We also talk about our experiences recording for Guided By Voices, the night GBV played Austin City Limits, Doug's first songs he wrote when he was 5 years old, the influence of cartoon/bubble gum rock on Doug, the TV shows Night Flight and Pop Clips, Doug's Homestead Records band Death of Samantha, Dream Syndicate, the Ohio rock trait of putting on a show bigger than your actual audience size, out-weirding each other in the late 80s music scene, how The Gun Club were the authentic sound of Americana, singing in the key of Jeffrey Lee Pierce, guitarist Kid Congo Powers, filmmaker Alison Anders, how this doc never could get a proper release and can't use The Gun Club music in it, the trauma underlining the doc, Doug's experience opening for The Gun Club, Jeffrey playing the trumpet backwards, touring with Brian Jonestown Massacre, Peter Case, joining fanclubs, The Cramps, guitarist Ward Dotson, Yo La Tengo, The Liquor Giants, the iconic cover artwork of the band, Debby Harry singing with The Gun Club, how the members of the band kept getting pulled back into the band over and over again, drummer Terry Graham escaping the band while on tour in the middle off the night through a window, writing record reviews for Slash Magazine, why Lemmy from Motorhead is in this documentary and more!So let's walk with the beast on this week's episode of Revolutions Per Movie!!!DOUG GILLARD:douggillard.bandcamp.comguidedbyvoices.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
A Waxahatchee side project. Guided By Voices. keiyaA. Marfa Public Radio's Julie Bee joins NPR Music's Stephen Thompson to break down the best albums out on Halloween. The Starting 5:- Snocaps (Katie and Allison Crutchfield), s/t- Guided By Voices, Thick Rich and Delicious- Chat Pile & Hayden Pedigo, In The Earth Again- keiyaA, hooke's law- Anna von Hausswolff, IconoclastsThe Lightning Round:- Florence + The Machine, Everybody Scream- The Charlatans, We Are Love- Saintsenaca, Highwalllow & Supermoon Songs- Hilary Woods, Night CRIÚ- Lily Lyons, Re-Open The WorldSee the long list of albums out Oct. 31 and sample dozens of them via our New Music Friday playlist on NPR.org. Follow Julie Bee's weekly Marfa Public Radio show on Mixcloud.Credits:Host: Stephen ThompsonGuest: Julie Bee, Marfa Public RadioAudio Producer: Noah CaldwellDigital Producer: Elle MannionEditor: Otis HartExecutive Producer: Suraya MohamedLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy