This Must Be the Gig

This Must Be the Gig is joined by Ólafur Arnalds. Across his impressive career, the Icelandic composer's work has scored ballet, TV, and film, in addition to a stunning discography. Like a fusion of classical composition, modernists like Arvo Part, and his own background in punk, Ólafur's compositions tap into an immense well of emotion and deliver surreal heights. His latest album, Some Kind of Peace, appropriately places his face directly on the cover, eyes closed as if in the middle of a dream and that powerfully personal and intimate feeling swims throughout the record. In this chat, Lior spoke with Ólafur about his old hardcore band, Fighting Shit, his introduction to composing through German metal band Heaven Shall Burn, what makes his new album his most personal, touring with Sigur Ros, and so much more. Head here for more info on Ólafur Arnalds. Head here for more information on this week's featured organization, The National Independent Venue Association. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Local Natives. As two of the founding members of the Southern California band, Taylor Rice and Ryan Hahn first came together when they were just high schoolers. Not long later, Local Natives' debut record Gorilla Manor solidified their radiant credentials. Over a decade later, the five-piece have now released four studio albums and spread their sunshine and wonder at festivals and sold-out shows around the world. Most recently, the band put out the four-track Sour Lemon EP, collaborated with Sharon Van Etten, and put together an incredible live-streamed concert for eager fans. In this chat, Lior spoke with Taylor and Ryan about playing shows in living rooms early in their career, idolizing At the Drive-In, working with The National's Aaron Dessner, keeping sane as a new parent during quarantine, and so much more. Head here for more info on Local Natives. Head here for more information on this week's featured organization, Good Kids Mad City. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Netta. The Israeli artist won the esteemed Eurovision contest in 2018, sealing the victory with the brilliant and quirky "Toy". Utilizing a loop station to accentuate her resonant, powerful voice, Netta has since dominated stages around the world and seen her music spread like wildfire, including "Toy" becoming a massive force on TikTok. Between a video series called Netta's Office and a viral cover of "Supercalifragilisticexpialidocious" for Disney, the Tel Aviv-based singer has found appropriately unique ways to keep creative and connected with fans through quarantine. In this chat, Lior spoke with Netta about connecting to the Beatles in school, what it was like participating in Eurovision, her appearance in the Will Ferrell film based on the contest, recording her new album, and so much more. Head here for more info on Netta. Head here for more information on this week's featured organization, Chicago Birthworks Collective. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Tawny Newsome and Bethany Thomas. You may know Tawny as one of the stars of TV shows like Bajillion Dollar Propertie$, Star Trek: Lower Decks, and Space Force, as well as the co-host of Yo, Is This Racist? and a frequent guest of podcasts like Comedy Bang Bang. You may know Bethany, meanwhile, for her celebrated musical and theatrical work on Chicago stages such as Steppenwolf and the Green Mill, performing everything from a Gershwin opera to alt country. Before all that, Tawny and Bethany spent years together in Chicago as for-hire backup singers for tribute and cover bands, forging an intense friendship and musical connection, including time as members of UK punk hero John Langford's Four Lost Souls. This week, Tawny and Bethany's long history of collaboration culminates in their first album under their own names, the explosive and magnetic Material Flats. In this chat, Lior spoke with Tawny and Bethany about chasing their own sound after supporting other voices for years, how their passion for music thrives alongside acting careers, the influence of Devo and the Talking Heads, the difference between recording dialog for Star Trek: Lower Decks and recording music (hint: tequila is involved), and so much more. Head here for more info on Tawny and Bethany. Head here for more info on Tawny Newsome. Head here for more info on Bethany Thomas. Head here for more information on this week's featured organization, World Central Kitchen. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Black Thought of The Roots. Long before he became the voice of one of the most essential hip-hop groups of a generation, Tariq Trotter started performing on the streets of Philadelphia with another young man named Ahmir Thompson. Not long later, the duo stood at the fore of a massively influential band, now going by Black Thought and ?uestlove. The Roots made a splash quickly, kicking off in the early '90s and reaching the platinum echelon with 1999's classic Things Fall Apart. That strength has only continued to grow for decades, with Black Thought's diverse list of credits now including The Roots' role as Jimmy Fallon's house band on Late Night. Now, Black Thought is set to release his third solo project, Streams of Thought Vol. 3: Cain and Abel. Due October 2nd, the record spans a vast array, showcasing Thought's unique vocal skill alongside production from Sean C and features including Pusha T and Portugal the Man. In this chat, Lior spoke with Black Thought about what he and ?uestlove learned while performing on the street, how the pandemic has shifted his pre-show routines at Fallon, setting Bruce Springsteen and the E Street Band as a goal in the Roots' rise, covering Debarge as a teenager, and so much more. Head here for more info on Black Thought. Head here for more information on this week's featured organization, Black Roots Alliance. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Fergal Lawler and Noel Hogan of The Cranberries. The group formed in 1989 in Limerick, Ireland, along with Noel's brother Mike on bass and later joined by vocalist Dolores O'Riordan. Over the course of eight albums and 20 years, the group wrote some of the biggest, most memorable sing-along anthems of the '90s, from "Linger" to "Dreams" to "Zombie" to "Salvation", becoming a worldwide phenomenon. Tragically, the group's most recent record, 2019's In the End, turned out to be their last, as Dolores sadly passed away prior to its completion. But now, Fergal and the Hogan brothers are honoring their late friend and continuing the strength of their legacy with a 25th anniversary reissue of The Cranberries' second album, No Need to Argue. In addition to the original album, the package will include B-sides, demos, live recordings, a slew of unreleased photos, an essay from the band's archivist, and more.. Lior spoke with Fergal and Noel about looking back at No Need to Argue at 25 years, the beloved song "Yesterday's Gone" making the cut after only previously appearing on MTV Unplugged, seeing Irish heroes U2 as teens, the power of a good cover, and so much more. Head here for more info on The Cranberries. Head here to pre-order the reissue of No Need to Argue. Head here for more information on this week's featured organization, Milwaukee's African American Roundtable. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Emily Cross of Cross Record. The experimental project focuses on a powerful fusion of visceral muscle and ephemeral glow—most recently culminating in an incredible self-titled record in 2019. In addition, Emily is one third of the band Loma, alongside Dan Duszynski, and Jonathan Meiburg, and Loma is set to release a new record of their own via Sub Pop. And as if that weren't enough, Emily is also a death doula, someone who assists in the understanding and processing of death, aiming to help individuals and families cope with mortality as a natural part of life. Needless to say, her work in that field under the organization name Steady Waves End of Life Services is particularly pressing and meaningful in the midst of a global pandemic. Lior spoke with Emily about organizing "living funerals" for individuals struggling with the concept of mortality while also touring as a musician, how moving to England may change her work, and bringing essential oils into green rooms. Head here for more info on Cross Record. Head here for more info on Steady Waves End-of-Life Services. Head here for more information on this week's featured organization, Leaders Igniting Transformation. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by Dave Bayley, the brilliant and charming frontman of Glass Animals. The English outfit formed in 2010, and have since grown into one of the most thrilling acts on the festival circuit. Alongside long-time friends Drew MacFarlane, Edmund Irwin-Singer, and Joe Seaward, Bayley and the band have now penned three albums worth of hip-hop tinged psych pop, including the recently released Dreamland. And while fans might be missing out on Glass Animals' canceled tour, the record's blend of intense autobiographical storytelling and woozy soundscapes should keep fans feeling right at home. Plus, stems of the songs and additional graphics are up for grabs in the form of open source files on the band's website, recreating the communal feel. In this episode of This Must Be the Gig, Bayley discusses putting the band's tour on hold, his history in cake-baking, meeting Radiohead, breaking his foot after falling off a stage, and so much more. Head here for more info on Glass Animals. Head here for more information on this week's featured organization, Healthy Hood Chicago. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This Must Be the Gig is joined by actor, poet, and musician Maya Hawke. At 21, Hawke is making a name for herself in multiple artistic practices. You may know her as Robin Buckley from last summer's Stranger Things 3, where she scooped up jokes with past podcast guest Joe Keery. However, this summer, she's back with her debut album, Blush, due out August 21st via Mom + Pop Music. Writing and working alongside musician Jesse Harris, Hawke's crystallized vocals and straightforward, openhearted songs are exactly the intimate and honest material that one becomes close friends with in a single listen. Altogether, Blush is a powerful album that stands on its own and bodes well for a long, diverse career. In this episode of This Must Be the Gig, Hawke discusses the origins of Blush, sharing art in the midst of a pandemic, growing into season three of Stranger Things, life in lockdown, and so much more. Head here for more info on Maya Hawke. Head here for more information on this week's featured non-profit, Harlem Arts Association. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, we're joined by Drew Dixon, the accomplished former Vice President of A&R at Arista Records, a former Director of A&R at Def Jam Recordings, the former General Manager of John Legend’s independent label Homeschool Records, and the former manager of recording artist Estelle. Her long resume includes working with a variety of world-class performers, including Carlos Santana (“Maria, Maria”), Aretha Franklin (“A Rose Is Still A Rose”), Whitney Houston (“My Love Is Your Love”), Estelle (“American Boy”), Lauryn Hill, Method Man, the Notorious B.IG., Mary J. Blige, John Legend, and Kanye West. In December 2017, Drew broke her silence in an interview with The New York Times, detailing sexual assault and harassment in the music industry. And now the documentary On the Record (available on HBOMax) presents Drew’s powerful story, as she deals with her decision to become one of the first women of color in the wake of #MeToo to come forward, and to publicly accuse hip-hop mogul Russell Simmons of sexual assault. The documentary focuses in on women in the music industry and their lives being derailed by sexism. Simmons, who has now been accused of sexual misconduct by at least 16 women, has denied all allegations of assault. In this chat, Drew details the systemic misogyny and racism of the music industry, the opportunity for major change, catching Prince on the Purple Rain tour, seeing Chaka Khan sing jazz standards, and how DC's go-go music scene inspired her. RAINN, the nation's largest anti-sexual violence organization, created and operates the National Sexual Assault Hotline in partnership with more than 1,000 local sexual assault service providers across the country. If you or someone you know has experienced sexual violence, free, confidential help is available 24/7 by calling 800.656.HOPE (4673) or visiting online.rainn.org. Head here for more info on Equality Now, an international women's rights organization working to ensure the equality of women and girls. Head here for more info on Black Women's Blueprint, an organization that works to place Black women and girls’ lives, as well as their particular struggles, squarely within the context of the larger racial justice concerns of Black communities Head here for a Spotify playlist of songs that Drew helped make a reality. Head here for more info on Drew's new company, The 9th Floor, and here for more on her first artist, Ella Wylde. Head here to watch On the Record, as well as access a discussion guide for the film. Head here for more information on this week's featured non-profit, Crossroads Fund. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The brilliant Katie Stelmanis of Austra joins the show this week to discuss her latest album and adjusting to life in the pandemic. After performing in other bands, Katie launched the Austra project in 2009, and since then has been producing some of the thoughtful, enigmatic electronic rock out there. While the pandemic may have delayed your opportunity to see her bring that music to life, her new LP, HiRUDiN, was released at the beginning of May, and offers an equally emotional ride. The album’s title is taken from a chemical found in the saliva of leeches, a substance that thickens blood prior to consumption--a process that is achieved in the sticky tracks that just dig right into your veins and refuse to let go. In this chat, Lior Phillips spoke with Katie about how opera proved her gateway to performance, the power of a good show in Eastern Europe, seeing NSYNC as a teen, and so much more. Head here for more info on Austra. Head here for more information on this week's featured non-profit, Chicago West Community Music Center. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, we're joined by the incredible and hilarious Simon Neil, vocalist/guitarist of Biffy Clyro. Since their foundation in 1995, the Scottish hard rock band have built an incredible resume and an adoring following, drawing massive crowds at festivals around the world. Simon is often at the front of that charge, almost never wearing a shirt, rampaging his way across the stage. The trio's upcoming album, A Celebration of Endings, was intended to be released in May, but has since been delayed until August. That difficult choice is fitting for the record, which focuses on getting through some of life's most trying, dark moments and the lessons that come out on the other side. In the meantime, I spoke with Simon about how the pandemic will change the future of touring music, sharing drinks with Dave Grohl, getting upstaged by Martin Scorsese while opening for the Rolling Stones, and completely underwhelming Lars Ulrich of Metallica. Head here for more info on Biffy Clyro. Head here for more information on this week's featured non-profit, My Block, My Hood, My City. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this week's episode, we're joined by the inimitable, the powerful Jehnny Beth. There are incredibly few performers with Jehnny's intensity, including in her time as the vocalist for post-punk band Savages. Seeing her walk across the outstretched hands of the fans at the front of the crowd is a serious wow moment. That energy has not been contained only in Savages, as Jehnny has also acted, hosted radio and TV shows, and has an upcoming book about sexual liberation and transgression, which was produced with her partner Johnny Hostile. This month, Jehnny released her first album under her own name, To Love Is To Live. Rather than a solo album, she has dubbed it a "personal album." Thanks in part to her collaborative process with artists such as The XX’s Romy Madley Croft and Flood, To Love Is To Live is a triumph, Jehnny's voice honed to an incredibly fine point that she wields with curiosity and passion. In this chat, Lior Phillips speaks with Jehnny about the album's origins, her earliest performance experiences, and so much more. Head here for more info on Jehnny Beth. Head here for more information on this week's featured non-profit, EAT Chicago. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, This Must Be the Gig is joined by Johnny Rzeznik of Goo Goo Dolls. Since emerging as one of the most exciting voices of the '90s with hits like "Slide" and "Iris", the Goo Goo Dolls have continued to incessantly tour the world, contribute to massive soundtracks, and release new albums that slot in perfectly with fan favorites. Johnny and bassist Robby Takac have now released twelve LPs, including last year's Miracle Pill. As a taste of that record, we're thrilled to share their latest single, "Fearless", in this episode. Plus, if you want more Goo Goo Dolls, you'll be able to catch their "Live From Home" performances this month while the band's unable to tour. Head here for more info on Goo Goo Dolls. Head here for more information on this week's featured non-profit, Assata's Daughters. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week, This Must Be the Gig is joined by Ana Perrote, vocalist/guitarist of Hinds. The Madrid-based indie rockers first made their name for raucous live shows and gleeful garage rock off their 2016 debut Leave Me Alone. As the years have gone by, they've further refined and enriched their sound, growing more confident and boisterous without losing any edge. Last week marked the release of their third record, the excellent The Prettiest Curse, which expands the band's sound to include more instruments, more production, and a whole lot of energy. In this conversation recorded in February, Ana and Lior discuss telling off misogynists in the industry, starting the band as a two-piece, why it took longer to catch on in their native Spain than the rest of the world, and so much more. Head here for more info on Hinds. Head here for more information on this week's featured non-profit, Brave Space Alliance Chicago. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

We at This Must Be the Gig wanted to share this brief recording to say that our hearts and our minds are with the communities perpetually devastated by police violence, and with the people protesting that tragic reality. We wanted to use this moment to share resources to educate and ways to make a tangible impact. We are not experts, and are compiling information from black voices we’ve learned from in the hopes that we can work together as a community to listen and learn. Black lives matter. Rest in power to George Floyd, Breonna Taylor, Ahmaud Arbery, Collins Khosa, Sibusiso Amos, and countless other black men and women murdered. Say their names. We love you all, and hope you stay safe and healthy. *Please excuse some echoes in the audio. We didn't have the opportunity to head into the studio to record, but felt the message was important enough to deliver in whatever way we could. All resources mentioned in the recording are available at our Facebook page. The resource list can also be found here.

This week, This Must Be the Gig is joined by actor, filmmaker, musician, and fearless activist Rose McGowan. Known for her roles in films like Scream and Jawbreaker and TV shows like Charmed, Rose's recent life has been dedicated to bringing the horrors of abusers such as Harvey Weinstein to light and to justice—a subject she faces with boundless fortitude. Most recently, she has turned her passion towards making music, namely the new album Planet 9. Rose envisioned this alternate planet as a child, and has shared an album encapsulating the feeling of hope, escape, and light for herself and for listeners as a comfort, solace, and respite. In this chat, Rose and host Lior Phillips discuss what it took to bring Planet 9 to life, speaking your truth, using music as mind medicine, and so much more. Head here for more info on Rose McGowan. Head here to buy Planet 9 on Bandcamp, where Rose will donate 20% of proceeds to COVID-19 relief organizations. Head here for more information on how to support the Nonceba Shelter for Women, as well as Ashley Kaimowitz's powerful documentary, Uthando Labatwana — For the Love of Our Children. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

On today's episode, host Lior Phillips and Engineer Adam celebrate 100 episodes of This Must Be the Gig. After compiling votes from listeners, the duo reflect on 12 fan favorite episode and share key clips. Special memories include Mike Patton reflecting on his music piracy while working at a record store, Alicia Keys recognizing herself in music as a teen, and Jacob Collier contextualizing the process of learning music theory. Plus, Lior and Adam look back at powerful moments with David Byrne, Shirley Manson, and Jenny Slate. And don't forget to stay tuned to the end of the episode for a surprise look at next week's astounding guest! For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

JoJo burst onto the scene at only 14 years old with her 2004 debut single "Leave (Get Out)", an incredible, soulful jam that is already stuck in your head just from reading the title. After releasing two albums as a teen, a dispute with her label led to those tracks being held away for years from any and every online streaming or purchase outlet. After settling the dispute in 2014, she re-recorded the albums and started putting out new music, conveying a newfound strength and ownership of her voice. And that's not even mentioning her acting career, starring in films such as RV and Aquamarine. Today that evolution continues, with her new album, good to know. JoJo breaks her story into three clear chapters, detailing excess, self-realization, and growth in soulful R&B-tinged tunes. In this chat, JoJo discusses sharing her life's trials and joys, what she learned from the late Robin Williams, her Quarantine Island Discs, dreaming of Joni Mitchell, and so much more. Head here for more info on JoJo. Head here for Lior's interview with JoJo for the Grammys. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

The absolute legends and loveliest of people, Sylvan Esso join the podcast this week for a delightful chat. The duo of Amelia Meath and Nick Sanborn produce some of the most propulsive, explosive, heart-pumping tunes and lead the biggest dance parties at festivals around the world. It's nearly impossible to pick a favorite song between their two albums, but luckily last week's surprise live album and concert film collect them all in a perfect bundle. The record is a deliriously beautiful document of their 2019 WITH tour, a sold-out jaunt that saw Sylvan Esso perform on classic stages, such as the Ryman Auditorium in Nashville, New York's Beacon Theater, and LA's Walt Disney Concert Hall. Plus, those performances featured an expanded live band, including former podcast guest Jenn Wasner of Wye Oak, Amelia's bandmates in Mountain Man on harmonies, and Adam Schatz of Landlady, among others. In this episode, Nick and Amelia chat with host Lior Phillips about what it took to bring those shows to life, adding saxophone, bass clarinet, and two percussionists to their sound, the Michelin Man inspiration behind Amelia's incredible stage costume, details from the duo's soon-to-be released third album, and so much more. Head here for more info on Sylvan Esso. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

This week we're joined by the Alex Ebert. In addition to leading ImaRobot and Edward Sharpe and the Magnetic Zeros, Alex also won a Golden Globe for scoring the Robert Redford-starring film All is Lost. And now, Alex has just released his second album under his own name, I Vs. I. In this episode, host Alex discusses the record's inspiration, meeting Jim Carrey, seeing Milli Vanilli as a kid, the sequel to I Vs. I, the concept of the stage persona, and much more. Head here for more info on Alex Ebert. Head here for more info on this week's spotlight charity, Raising Hope. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts.

This week we're joined by the exquisitely named Princess Goes to the Butterfly Museum. The trio was founded after Michael C. Hall met Peter Yanowitz and Matt Katz-Bohen while starring in Hedwig and the Angry Inch. Though they met on Broadway, the three musicians' paths were very different. Peter was a member of The Wallflowers in the band's earliest years, and has drummed for everyone from Yoko Ono to Billy Bragg and Wilco. Matt, meanwhile, has worked with and produced a variety of acts, and has spend the last decade-plus as a member of Blondie. While Michael may be best known for starring roles in Dexter and Six Feet Under, his musical pedigree is impressive as well, including Broadway spots in Chicago, Cabaret, and Lazarus, for which he worked closely with David Bowie. Named at the suggestion of Matt's young daughter, Princess Goes to the Butterfly Museum just released their debut EP last week after two years of working out their psychedelic, gothic electrorock. I chatted with the trio to discuss touring with a Broadway production, their first times playing together, the origin of Matt's Jew-tah nickname, their first concerts, Michael's propensity for on-stage mishaps, and much more. Head here for more info on Princess Goes to the Butterfly Museum. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

Fresh off the March 13th release of their new album, Sister, Nigel Godrich and Laura Bettinson of Ultraísta join This Must Be the Gig to premiere their brand new short film directed by the band and filmed throughout London, featuring a series of interconnected videos for songs off the record. Using the London Underground as a route between the songs, Bettinson hops off at appropriately color-coded locales to deliver the vibrant electronic jams in a variety of surreal environments. In the accompanying episode of This Must be the Gig, Godrich and Bettinson dial in with host Lior Phillips to discuss details on the film's fascinating production, the origins of Sister, their histories as performers and first concerts, and so much more. Be sure to head to Consequence of Sound to catch the short film. Head here for more info on Ultraista. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

As we all continue on our homebound journey, we bring you a conversation with Grammy-winning polymath, prodigy, and musical genius Jacob Collier. And because we know you're all in need of an extra bit of distraction, Jacob and host Lior Phillips built a whole lot of insight and laughter into an extra-jampacked two-hour special quarantine episode! Stay tuned for insights into how to stay creative, focused, and energized even when you're stuck inside—plus much more! Just before the wave of unfortunate tour cancellations and postponements, Jacob and Lior had scheduled a live recording of the show—only to see that unfortunately postponed due to Lior breaking her wrist while falling on a hike. While we await the rescheduling of that live recording, Jacob and Lior got on the phone to connect between their self-quarantined homes to discuss meeting Stevie Wonder and collaborating with Quincy Jones, talk about his new song released today with Kimbra and Tank and the Bangaz, dig into details on the forthcoming third edition of his Djesse series, and learn just exactly how to play the audience as an instrument. Head here for more info on Jacob Collier. This week's episode is brought to you by Stubhub. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

We are all coming to terms with the new reality of a world dominated by COVID-19, only one aspect of which is the temporary shutdown of live music. With concerts and festivals being canceled or postponed, fans and artists alike are facing a whole new world, a new way of supporting the musicians we love, and a new way of making a living. To gain insight into this new reality, I put in a call to Zola Jesus. The intuitive and caring indie artist also known as Nika Danilova shares her experience as an artist suddenly unable to tour, the impact that change has on her livelihood, new outlets that can help temporarily replace the feeling we get from live music, and how fans can best make a difference for artists. Be sure to follow along with us on social media as we share curated playlists, highlight organizations that are making a difference for artists, update exciting live streamed concerts, and so much more. Remember, we're all in this together, even if we're six feet apart. We hope everyone is staying safe and practicing social distancing during this global pandemic. Remember to go to www.who.int/, and stick around for a new take on the Live Show of the Week, brought to you by Stubhub. Be sure to wash your hands before and after listening! Thanks to Rudi Petry for the graphic assist, Ilana Butler for the insight and care, and Zola Jesus for the perspective. Head here for more info on Zola Jesus. Head here for more info on Koir. Head here for Zola Jesus's Patreon. This week's episode is brought to you by Stubhub. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week we're joined by all five members of psych rock outfit Post Animal. The Chicago band recently released their sophomore record, the expansive, mesmerizing Forward Motion Godyssey. The mystic, heady record is the band's star turn, full of many moods and psychedelic swirls. Plus, longtime fans may remember the outfit used to feature Joe Keery, now a star on Netflix's Stranger Things and a previous guest of this very show—so be sure to head back to the archive and listen to that episode. In addition to the roots of this incredible new record, the band and I discuss the dangers of driving the tour van through blizzards, staying connected to DIY scenes, My Chemical Romance dropping some F bombs, whether jazz hands can boost a guitarist’s solos, and so much more. Head here for more info on Post Animal. Thanks to Amor at 2112Chi, for providing space for this interview. This week's episode is brought to you by Stubhub. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Just a week out from the release of her latest album as Soccer Mommy, Sophie Allison dials into the show to discuss her first gigs, harrowing tour experiences, and much more. After her 2018 album, Clean, blew away the indie rock scene with its assured songwriting and vibrant emotional grasp, Allison and her band returned with the even more propulsive Color Theory: a record in three parts, where each section matches a theme like mortality or doubt to a specific color. In addition to the roots of this incredible new record, Sophie and host Lior Phillips discuss the magical art of finding the right lunch spot in the middle of nowhere while on tour, downloading Kelli Clarkson, opening for Kacey Musgraves, and getting to touch Hillary Duff's hand. Head here for more info on Soccer Mommy. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Frontman of the legendary alt rock band Afghan Whigs Greg Dulli calls into the show this week to discuss his new solo album, Random Desire. Greg's expansive catalog features a vast array of textured, gritty darkness throughout his time with the Whigs, not to mention The Twilight Singers and Gutter Twins. But long before he was a rock icon, Greg was an R&B fanatic, and idolized Prince and has covered everyone from The Supremes to The Fugees. In addition to the roots of this new record, Greg and host Lior Phillips discuss his love of plants, dig up obscure desert island trivia, his earliest concert experiences, and so much more—including an unbelievable story of opening for Neil Young. Head here for more info on Greg Dulli. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week we're honored to share a conversation with rock legend Huey Lewis. Whether you’ve been a fan since 1983’s runaway success story Sports, Huey Lewis and the News’ “The Power of Love” playing on the Back to the Future soundtrack, or even his earliest performing days with the band Clover, this chat will still be full of surprises. In addition to those career highlights and others, Huey and host Lior discuss his diagnosis of Ménière’s disease, a set of symptoms which includes partial to complete hearing loss, a tragic fate for any musician—but one Huey faces with an inspiring positivity. Lior and Huey also chat about the News’ upcoming record, Weather, his band’s first album of original music in a decade. Head here for more info on Huey Lewis and the News. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Coming to you live from the green room at Chicago's Aragon Ballroom, nestled up tight next to the L train tracks, this week we're excited to share a conversation with Jana Hunter of Lower Dens. The Baltimore band's take on indie pop has been adored since 2010 debut Twin-Hand Movement, and last year's incredible The Competition pushes that momentum into a higher plane of love and protection of the outcast and vulnerable. In this chat, Jana and I discuss queer and trans representation on stage, the first concert he ever saw, touring with Of Monsters and Men, and navigating the industry while staying true to intensely personal social and political messages. Head here for more info on Lower Dens. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. After fighting through a hotel lobby brimming with influencers at a social media conference, host Lior Phillips checks in with Frances Quinlan to discuss her new solo album, Likewise. In the burst of indie guitar bands with raw-hearted lyrics and soaring emotional choruses, Hop Along have always stood out—thanks in part to Quinlan’s undeniable voice. On her new solo project, the guitarist-vocalist mixes in a healthy dose of synth and strings. In this chat, Frances and Lior discuss tour life with Hop Along, the inspiration behind Likewise, reading Norwegian author Karl Ove Knausgård on the tour bus, the perfectionism of too many vocal takes, and what it truly means to separate art from artist. Head here for more info on Frances Quinlan. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. In a brief moment not busy as a bandleader, member of The E Street Band, activist, producer, actor, writer, etc., the one and only Steven Van Zandt calls into the show. In this chat, Little Steven and host Lior Phillips discuss his new solo box set full of rare and unheard gems, his earliest memories of Bruce Springsteen, and his process as an actor. Plus, Little Steven goes deep on his experience flying from the set of Martin Scorcese's The Irishman one day to having Paul McCartney play on stage with his band the next, his charitable education work, and even the potential of an E Street Band tour in the near future. Head here for more info on Little Steven. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week we bring you the latest live recording from our live event series, recorded at the Stubhub New York flagship performance space at 39th & Broadway. Host Lior Phillips is joined this month by the Queen of Disco herself, Gloria Gaynor. In addition to her new Grammy-nominated album Testimony, Lior and Gloria discuss the undeniable legacy of "I Will Survive", overcoming spinal surgery after injuring herself at a concert, her dream duet partner, and even her performance in an episode of Ally McBeal. Head here for more info on Gloria Gaynor. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. The one and only Alicia Keys calls into the show, fresh off the release of new single "Underdog". In addition to the song's place in her upcoming album ALICIA, the pop star discusses her new book More Myself, the power of meditation, and the importance of truly being "on your bullshit." Head here for more info on Alicia Keys. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. In our last episode of the year, we're joined by Consequence of Sound's Comedian of the Year, Jenny Slate. The comedian/actor/writer calls in to discuss her new book, Little Weirds, her Netflix special, Stage Fright, and so much more. Host Lior Phillips also chats with Jenny about her fight against the misogyny of standup traditions, non-douchey meditation, and her hopes for the next year in comedy. Head here for more info on Jenny Slate. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. In a bonus second episode this week, Consequence of Sound's Composer of the Year, Daniel Lopatin, joins host Lior Phillips by phone to discuss his score from the brilliant new film Uncut Gems. In this chat, Daniel discusses his work with the Safdie Brothers on the Adam Sandler-starring thrill ride, the incongruous ability of Vangelis-indebted new age tones to produce anxiety, and the push and pull between film scoring and his work as Oneohtrix Point Never—including a tip about when to expect more 0PN music. Head here for more info on Daniel Lopatin and Oneohtrix Point Never. Head here for more info on Daniel's score for Uncut Gems. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week, host Lior Phillips is joined by Paul James, star of the brand new Netflix musical romance Soundtrack. The show, from the creator of Smash, fuses big musical moments with the emotional worlds of a diverse, disparate group of individuals in contemporary Los Angeles—with a cast including Jenna Dewan, Campbell Scott, Madeleine Stowe, and more. Prior to this big new gig, Paul starred as Calvin Owens in beloved ABC Family show Greek, as well as appearances in Torchwood, The Path, CSI, and more. Paul calls into the show to discuss the ways in which Soundtrack weaves lip-syncing music video-esque setpieces into its vibrant love stories, his experiences following Radiohead around the world, running into Moses Sumney at a sushi place, and so much more. Head here for more info on Soundtrack. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week we bring you a live recording of our latest live event from the Stubhub New York office at 39th & Broadway. Host Lior Phillips is joined by indie rapper Open Mike Eagle. In addition to his hip-hop career, the Chicago-born, Los Angeles-based artist also podcasts, co-hosts the Comedy Central series The New Negroes, and even recently stepped into a professional wrestling ring. In addition to chatting about his time between the turnbuckles, Lior and Mike discuss his latest LP, Brick Body Kids Still Daydream, and the meritocracy of the rap world. Other topics include seeing Common as a teenager, rapping in the back of a KFC, the upcoming return of his Secret Skin podcast, and so much more. Head here for more info on Open Mike Eagle. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. While taking a break from his recent tour, Pete Yorn dials in from the Acast Studio in New York to discuss his new album, Caretakers, created in collaboration with Jackson Phillips of Day Wave. Plus, he shares memories of seeing Diana Ross as a child, details performing Replacements covers in the school talent show, and attempts to dig into the origins of his daughter's love of Smash Mouth. Plus, Pete shares some stories from his touring life as a new father, his experiences at the legendary Los Angeles venue Largo, working with Scarlett Johansson, and an unfortunate incident involving smoked pumpkin seeds. Head here for more info on Pete Yorn. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week, we're sharing a special interview with the Australian folk duo Little May, recorded prior to Hannah Field and Liz Drummond announcing the end of the project. Together with host Lior Phillips, Liz and Hannah finally settle the debate of Jonathan Taylor Thomas vs. Devon Sawa, the differences between Britney Spears fans and Christina Aguilera fans, and discuss a disastrous cover of Bruce Springsteen with Mumford & Sons. Plus, the duo dish on the pizza parlor origins of Little May, their journey in finding confidence as a band, first concerts with Avril Lavigne and Kylie Minogue, and their experience working with The National's Aaron Dessner on their debut album, 2015's For the Company. Head here for more info on Little May. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week, host Lior Phillips is joined by Jim James of My Morning Jacket and Teddy Abrams, the conductor and music director of the Louisville Orchestra. The duo call in to discuss the origins of their new album, The Order of Nature, as well as the heart of music in their Louisville home, this project in relation to My Morning Jacket, and the value of having a conversation through music. Plus, the duo share stories behind the creation of their collaborative suite of symphonic rock compositions, as well as detail tales of ayahuasca, Megadeth, Edith Piaff, and transcendental meditation. And as if that weren't enough, Jim offers up his secret savory oatmeal recipe, so stay tuned! Head here for more info on Jim James. Head here for more info on Teddy Abrams and the Louisville Orchestra. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week we bring you a live recording of our first in a series of events live from the Stubhub New York office at 39th & Broadway. Host Lior Phillips is joined by the dynamic duo of Lee Ranaldo and Raül Refree to chat about their upcoming new album, Names of North End Women—out February 21, 2020, via Mute. Plus, the duo share the world premiere of the album's title track in the episode! Throughout his decades as a member of Sonic Youth, Lee has continuously experimented and expended his artistic palette, working as a painter, poet, and more. Raul, meanwhile, established himself as a unique musical mind as a member of Spanish hardcore outfit Corn Flakes, and has since moved on to a powerful and diverse solo career, as well as producing a variety of artists. In addition to chatting about their new album, Lior, Lee, and Raul discuss cycling while on tour, their early experience seeing Guns N Roses and Michael Jackson, Sonic Youth's tour with Neil Young, Raul's work with flamenco heroes such as Rosalia, and so much more. Head here for more info on Lee Ranaldo. Head here for more info on Raül Refree. Head here to watch the music video for "Names of North End Women". Head here to preorder the album. If you're looking for more, our friends at Talkhouse hosted a recent episode featuring Lee Ranaldo in conversation with Battles' Ian Williams. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Scott Avett calls into the show fresh off the release of The Avett Brothers' new album, Closer Than Together. In addition to discussing the unlikely dual inspirations of Mike Patton and Bob Dylan, Scott and host Lior Phillips also chat about the complexity of playing music and touring with family and the courage it takes to admit you're having an off-day on-stage. The two also chat about the life-changing power of seeing Tom T Hall sing "Mr. Bojangles", playing with Willie Nelson, and the importance of constantly working. Head here for more info on The Avett Brothers. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Lior Phillips is joined this week by two of the four hosts of the award-winning, hilarious, and altogether wonderful podcast No Such Thing As A Fish. In addition to hosting that brilliant show, Dan Schreiber and Anna Ptaszynski work as Elves (aka researchers) for British comedy panel show QI, a quiz show where funny and interesting responses are rewarded as well as right answers. Along with fellow Elves James Harkin and Andrew Hunter Murray, Anna and Dan wound up each week with so much eccentric trivia that they decided to host a sort of spinoff podcast. Each week, No Such Thing As A Fish features the four hosts' favorite facts of the week—some really off-the-wall stuff, equally jaw-droppingly fascinating and hilarious. On this week's chat, Dan and Anna call in to talk about their brand new book of facts, their upcoming US and UK tour dates, first gigs, working with Slipknot's Corey Taylor, and so much more. Plus, Anna and Dan share their favorite music facts from the year, as well as some spooky Halloween-ready facts about witches on hallucinogens. Head here for more info on No Such Thing As A Fish. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week, we welcome in the rock and roll legend Liam Gallagher—former vocalist of Oasis, frontman of Beady Eye, and current voice of a righteous solo career. As may be attested by his vivacious Twitter feed, Liam is a quick wit, sharp tongue, and perpetually entertaining. This year saw the release of both Liam Gallagher: As It Was and the robust and riotous new album, Why Me? Why Not?. In addition to those topics, Liam calls in to discuss getting starstruck upon meeting a Beatle, opening up for The Who, embracing past mistakes, and touring with his family. Oh, and Lior and Liam bond over reality TV, which is obviously exactly what you'd expect from an interview with a bonafide rock star. Head here for more info on Liam Gallagher. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. On this episode, the show includes conversations with two artists from very different parts of the world—but with a shared warmth and passion. First up, host Lior Phillips chats with Nick Allbrook of Australian outfit POND. The psych rocker dishes about his time in Tame Impala, the importance of building a music scene on friendship and collaboration, and how he was influenced by David Byrne and Primal Scream. After that, we check in with Norwegian-born, Berlin-based indie pop artist Farao, who jokes about her type A personality and explains the raunchy dream about a jazz icon that inspired her project name. Head here for more info on POND. Head here for more info on Farao. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. Since her 2006 debut Fur & Gold, Bat For Lashes (AKA Natasha Khan) has established herself as one of the most passionate, expressive writers and performers. The London-born art pop artist has delivered record after record of cinematic beauty, Khan's most recent album is the sublime Lost Girls, an album indebted to the bliss of Bananarama and Cyndi Lauper as well as the grand scope of composer John Williams. This week, Bat For Lashes calls in to discuss the complications of character-driven songwriting, her experiences teaching meditation to newly released prisoners, opening for Radiohead and Coldplay, and so much more. Head here for more info on Bat For Lashes. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. On this week's episode, host Lior Phillips is joined by eccentric indie folk superstar Devendra Banhart. Fresh off the release of the charming, cohesive Ma, the singer-songwriter dials in from his home office to chat about the new record and so much more. After growing up between Venezuela and the US, Devendra established his musical voice in the vibrant San Francisco scene in the early 2000s, eventually breaking into the national stage with 2005's Cripple Crow. His elastic voice, wildly poetic lyrics, and dazzling compositions registered immediately as iconic and groundbreaking. In this week's chat, Devendra and I chat about the maternal inspiration behind his new album, recording for Ma in a monastery, the importance of not over-apologizing, and adjusting his musical worldview from Caracas to the states when he moved as a teenager. And that's not even mentioning a surprise visit from the police—and we're not talking about Sting and company. Head here for more info on Devendra Banhart. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. We return this week to the glorious Oslo for the second half of our coverage from Øya Festival, with a divere set of four talented acts that display the warm and welcoming community that is the Norwegian music scene. First off we have Protoje, the Jamaican reggae Grammy nominee who chats about his latest album, A Matter of Time, and his love of Erykah Badu. Next up is beloved Norwegian ska pop band Razika, who spoke to Lior Phillips just before one of their final farewell performances. Third on the bill is the delightful Pom Poko, chatting about the origins of their band name and their love of art rock legends Deerhoof. And finally we have Bendik Brænne ("the country prince of Norway") and Maciek Ofstad (of Kvelertak) from brand new band The Needs, laughing at their own "supergroup" status in the Norwegian scene and generally cracking wise. Head here for more info on Protoje. Head here for more info on Razika. Head here for more info on Pom Poko. Head here for more info on The Needs. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. This week, we're joined by the always experimental, vocal range-defying, and genuinely lovely Mike Patton. Mike's list of projects is vast and jaw-dropping, ranging from Faith No More and Mr. Bungle to Fantomas and Tomahawk—simply put, a whole bunch of bands that leap from metal to jazz, with stops everywhere in between. Mike's been called one of the greatest vocalists of all time, and for good measure. He's got perhaps the widest vocal range in rock history, and is so incredibly expressive and emotionally evocative. Just this past week, he released a brand new record called Corpse Flower, a collaboration with French composer Jean-Claude Vannier, who is best known for his work with the legendary Serge Gainsbourg. Mike calls in to chat with host Lior Phillips about first meeting Faith No More at a gig at a pizzeria, the inspiration of Serge Gainsbourg and Tom Waits on his new album, and the importance of experimentation and the power of being yourself—and so much more! Head here for more info on Mike Patton. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

This week's episode is brought to you by Stubhub. On a very special episode of TMBTG, we chat with Stranger Things star Joe Keery about his music prowess, first concerts, and his new solo project, Djo. Just a few days short of the release of Djo's debut, Twenty Twenty, Keery calls in to chat about how he found creative fulfillment after having to leave Post Animal, the origins of his swirling psychedelic musical magic, and how he kept himself connected to music while on TV and movie sets. Plus, Joe details seeing a special concert with his parents, how Gorillaz and Daft Punk inspire his upcoming live shows, and so much more. Head here for more info on Joe Keery. Head here for our episode on Kazu Makino. Head here for our episode on Shirley Manson. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy