Podcasts about endre friedmann

Världshistoriens mest kända krigsfotograf hette Robert Capa. Välj om du vill lägga på ett brett amerikanskt cääppää eller säga ”kappa” som vore det ett höstplagg du pratar om. Vi gör bäggedera i avsnittet. Han föddes… på 1930-talet när två unga judiska fotografer i Paris: Endre Friedmann och Gerda Pohorylle hittade på honom.Så kan livet bli. Om man syr upp en ny och spännande kostym kan man växa in i den. Vilket är vad som sker när Endre Friedmann blir Robert Capa. Han fotograferade fem krig – från spanska inbördeskriget till Vietnamkriget. Mest känd blev han för sina odödliga foton från landstigningen vid Normandie.Capa levde livet som en film i vilket han hade huvudrollen. Festerna var många, flickvännerna var världskändisar och Ernest Hemingway gjorde gästspel som skruvad fadersfigur. Och som i alla bra filmer kunde han tangera gränserna för vad som egentligen var sant eller inte.Det är huvudtemat i vårt avsnitt om Capa. Myterna.Nu åker vi!—Läslista:Capa, Robert, Krigsfotografen: från Nordafrika till Berlin, Bonnier, Stockholm, 2007Hersey, John ”The man who invented himself” 47 magazine 1947Wiberg, Jacob ”Krigsfotografen Robert Capa” Populär historia 6/2010Bergman, Ingrid & Burgess, Alan, Mitt liv, [Ny utg.], Norstedt, Stockholm, 2015 Lyssna på våra avsnitt fritt från reklam: https://plus.acast.com/s/historiepodden. Hosted on Acast. See acast.com/privacy for more information.

Recommendations: Angela The Wild Robt - film From DreamWorks Animation comes a new adaptation of a literary sensation, Peter Brown's beloved, award-winning, #1 New York Times bestseller, The Wild Robot. The epic adventure follows the journey of a robot--ROZZUM unit 7134, "Roz" for short--that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. David Searching For Gerda Taro - film SEARCHING FOR GERDA TARO celebrates the life and work of Taro — a charismatic Jewish refugee from Germany, an anti-fascist, and a trailblazing photographer whose work would be forgotten for decades. In 1935, Taro (then going by her birth name, Gerta Pohorylle), met Endre Friedmann, a Jewish photographer from Hungary trying to make a name for himself in Paris. They fell in love and moved in together. The next year, they changed their names to Gerda Taro and Robert Capa. Capa taught Taro photography. Taro in turn helped sell his photos and build his reputation. Together, they went to Spain to report on the civil war from the front lines. She captured the heroism of Republican fighters and documented the world's first deaths of civilians from aerial bombardment. SEARCHING FOR GERDA TARO shares dozens of stunning archival images by and of Taro. We come to understand her life and work through conversations with curators, authors, and descendants of those who knew her. For decades, her legacy was wrapped up with Capa's, many of her photos seemingly lost. But with the discovery of thousands of her negatives in the mid-1990s, Taro can finally enjoy the credit she deserves as a brilliant photographer in her own right. Eamonn Absolutely Fabulous: Inside Out - Doc Celebrate one of Britain's most-loved comic creations as Jennifer Saunders, Dame Joanna Lumley, Julia Sawalha and Jane Horrocks reunite to share anecdotes and backstage secrets.

Esta semana Rocío Marques nos trae para analizar una fotografía de Robert Capa titulada 'La imagen del último hombre en morir' sobre la muerte de un soldado durante la Segunda Guerra Mundial. A raíz de ello, hablamos con José Mena -profesor de la Universidad de Salamanca y director de fotografía-, que nos cuenta cómo los fotógrafos Endre Friedmann y Gerda Taro usaban el mismo seudónimo -Robert Capa- para publicar sus fotografías y se intercambiaban sus cámaras. Asimismo, comentamos la evolución de las cámaras fotográficas que dio lugar, a su vez, a la revolución de la fotografía. 

Esta semana Rocío Marques nos trae para analizar una fotografía de Robert Capa titulada 'La imagen del último hombre en morir' sobre la muerte de un soldado durante la Segunda Guerra Mundial. A raíz de ello, hablamos con José Mena -profesor de la Universidad de Salamanca y director de fotografía-, que nos cuenta cómo los fotógrafos Endre Friedmann y Gerda Taro usaban el mismo seudónimo -Robert Capa- para publicar sus fotografías y se intercambiaban sus cámaras. Asimismo, comentamos la evolución de las cámaras fotográficas que dio lugar, a su vez, a la revolución de la fotografía. 

Gerda Tardo se le asocia muchas veces por su apasionada y singular relación con Endre Friedmann pero murió como vivió en medio del riesgo y del peligro que implicaba el tipo de fotografía que escogió mostrar --- Send in a voice message: https://podcasters.spotify.com/pod/show/museofredfriedrich/message

Dietro il celeberrimo (e immaginario) fotografo Robert Capa si celano Endre Friedmann e la sua fidanzata, Gerda Taro. Almeno finché Endre diventa Robert Capa... Scopriamo insieme la tragica fine di Gerda e le vicende che l'hanno prima cancellata dalla storia, poi fatta riemergere in un modo tanto misterioso quanto bizzarro... ------ https://www.instagram.com/vitescomode.podcast/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Capa hieß eigentlich Endre Friedmann und als Gründungsmitglied von Magnum Photos und bedeutendsten Kriegsfotograf des letzten Jahrhunders hinterließ er tiefe Spuren im Medium. In dieser Folge geht es um sein Leben und darum warum die Geschichte seines berühmtesten Fotos so nicht gewesen sein kann.

  C'est l'histoire de deux étoiles, Gerda Taro et Robert Capa.  Deux voyageur.euse.s qui ont parcouru les années et les lieux à la  recherche d'une nouvelle vie, une nouvelle identité... la liberté en fin  de compte. C'est l'histoire de deux reporters-photographes aux clichés mélangés et aux sentiments entremêlés. C'est l'histoire d'une absence et d'une imposture aussi que racontent les paroles de Taro, cette très belle chanson des Alt-J, mais pour en savoir plus il vaut faudra écouter... Pour cet épisode 1AM accueille deux invité.e.s très spéciaux : Amandine, podcasteuse de La Librairie Yokai, elle avait déjà fait un travail incroyable sur l'épisode consacré à Tori Amos. Et pour lui donner la réplique le non moins incroyable Quentin de la chaîne-frisson Alt 236 Twitter Alt 236 : https://twitter.com/whatisalt236 Twitter Amandine : https://twitter.com/KouignAmandine Twitter La Librairie Yokai : https://twitter.com/LibrairieYokai Twitter 1AM : https://twitter.com/Tropikal_Masala Cet épisode est une co-production 1am & Radio Campus Paris Interprétation voix Gerda Taro : Amandine Interprétation voix Robert Capa : Quentin Ecriture et montage : Indian Jones Crédit musiques : Hunger of the pine - Alt J Sort of Revolution - Fink Looking too closely - Fink Taro - Alt J #1am #AltJ #Taro #librairieyokai #Alt236

Waiting for Robert Capa by Susana Fortes, translated by Adriana V. Lopez. “Robert Capa” is the name and persona invented by Gerda Taro to successfully market photographs taken by herself and Endre Friedmann in Paris in 1935. Gerda was born Gerta Pohorylle in Stuttgart, a Jewish citizen who fled the Nazis to Paris where she […]

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann. In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself. Learn more about your ad choices. Visit megaphone.fm/adchoices