Podcasts about henri cartier bresson

ⓦ weekly52 Blog Podcast Video & Artworkhttps://weekly52.de/weekly/428Erlebe den faszinierenden Mix aus Klavierklängen und fotografischen Momenten! Lass dich von authentischer Leidenschaft und echtem Kunstgefühl anstecken!In diesem intensiven Podcast-Gespräch tauschen sich Tomasz Trzebiatowski, Dominika Pancewicz und Thomas Füngerlings über ihre künstlerischen Leidenschaften aus. Tomasz berichtet von seinem Werdegang als Berufsmusiker und Fotograf – von seinen frühen musikalischen Anfängen in Polen über seinen Umzug in die Schweiz bis hin zu seiner Entdeckung der Fotografie mit seiner ersten Canon-Kamera. Er erzählt, wie er von Größen wie Michael Tanner, Saul Leiter und Henri Cartier-Bresson inspiriert wurde und wie er die emotionale Kraft von Schwarz-Weiß-Bildern mit farblichen Experimenten kombiniert. Neben seinen persönlichen Erfahrungen geht es auch um seine Projekte: die Herausgabe von Magazinen (Frames, Fujilove), innovative Videoreihen wie „Almost Photographs“ und den Aufbau kreativer Communities. Dabei betonen alle Gesprächspartner, wie eng Musik und visuelle Kunst miteinander verwoben sind und wie wichtig Authentizität und Offenheit für den künstlerischen Austausch sind.ⓦ

Direto das ruas do Rio para as redes sociais, o designer e fotógrafo Pepe Garcia, criador do perfil Cartiê Bressão, é o destaque do Câmara Rio Entrevista. Inspirado por ícones como Henri Cartier-Bresson, ele transforma cenas comuns em registros únicos, misturando humor, crítica social e carioquice.A paixão pelo Carnaval despertou em Pepe o desejo de fotografar o cotidiano com o celular. As legendas, escritas em um português bem carioca, conquistaram seguidores e deram origem a um livro lançado em 2025, além de exposições e palestras.Agora, ele mergulha no estudo da inteligência artificial aplicada à fotografia, criando imagens que transitam entre o real e o fantástico.

durée : 00:14:02 - Les Midis de Culture - par : Marie Labory - La fondation Henri Cartier Bresson présente pour la première fois en Europe l'intégralité des photos qui composent l'ouvrage original "In the American West" de Richard Avedon. - réalisation : Laurence Malonda - invités : Sarah Ihler-Meyer Critique d'art et commissaire d'exposition ; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

« Mons Ferratus » est le titre de l'exposition de Karim Kal sur la Kabylie à la Fondation Henri Cartier-Bresson à Paris. Mont Ferratus, c'est le nom qu'ont donné les Romains au massif montagneux du nord de l'Algérie, réputé inviolable et qui a résisté aux conquérants. Karim Kal a photographié ainsi les villages accrochés aux crêtes. Il a capté les paysages urbains, la végétation, les sols, dans des photos à la limite de l'abstraction et où la nuit domine. Un beau livre publié aux éditions Xavier Barral accompagne l'exposition du photographe, lauréat cette année du prix Henri Cartier-Bresson. À lire aussiAlgérie: «Achewiq», le chant du courage des femmes kabyles

« Mons Ferratus » est le titre de l'exposition de Karim Kal sur la Kabylie à la Fondation Henri Cartier-Bresson à Paris. Mont Ferratus, c'est le nom qu'ont donné les Romains au massif montagneux du nord de l'Algérie, réputé inviolable et qui a résisté aux conquérants. Karim Kal a photographié ainsi les villages accrochés aux crêtes. Il a capté les paysages urbains, la végétation, les sols, dans des photos à la limite de l'abstraction et où la nuit domine. Un beau livre publié aux éditions Xavier Barral accompagne l'exposition du photographe, lauréat cette année du prix Henri Cartier-Bresson. À lire aussiAlgérie: «Achewiq», le chant du courage des femmes kabyles

A 65. adás vendége Daróczi Csaba természetfotós, a műfaj egyik, ha nem a legnagyobb csillaga Magyarországon és szerte a világon. .Bő 30 éve fertőződött meg a fotográfiával, azóta is töretlen, állítása szerint egyre súlyosbodó szenvedéllyel műveli. Lelkesedése és fáradhatatlan alkotása számtalan elismerésben és díjban mutatkozott meg, a teljesség igénye nélkül 2019-ben elnyerte például a Nature Photographer of The Year elismerést, a Golden Turtle fődíját, a világ egyik legnagyobb fotóspályázata, a Cewe Award első díját, 2023-ban pedig az Asferico fődíját illetve a Close Up Photographer of The Year elismerést. Eközben Magyarországon tavaly, azaz 2024-ben ismét őt választották az év természetfotósává, immáron nyolcadjára, ami abszolút rekord a verseny 32 éves történetében, mint ahogy az is, hogy a mostani győztes képek közül nem kevesebb, mint 16 fűződik az ő nevéhez..Mivel ez az első, természetfotóról szóló adás, ezért eme beszélgetés célja az volt, hogy Csaba saját története mellett a természetfotózással is tüzetesen megismerkedjünk. Ennek megfelelően két nagyobb részre bontható a műsor: Az elsőben megvizsgáljuk, milyen út vezette Csabát a természetfotóig és milyen nagyobb hatások érték őt fiatalabb korában, amelyek később az alkotását is meghatározták. Beszélgetünk élete nagyobb fordulópontjairól, szóba kerül a hit kérdése és a harmónia alapvető fontossága is..A második részben magát a természetfotózást vesszük górcső alá, Csaba elmeséli nekünk, mitől lesz jó egy természetfotó és mi kell ahhoz, hogy valakiből kiváló természetfotós váljon. Sokszínű, szerteágazó beszélgetés, méltó indítása az idei évnek! Jó szórakozást kívánok hozzá!-------------FONTOS:A wopcast-et támogathatod Patreon-on és egyszerű utalással is. .Patreon:https://www.patreon.com/wopcast.Az utalás ide érkezhet:Kocsány Kornél - CIB Bank10700495-62634067-51100005------------Csabáról bővebben:https://daroczicsaba.hu/https://www.instagram.com/daroczicshttps://www.facebook.com/daroczi.photography . A YouTube csatornája, sok-sok videóval:https://www.youtube.com/@csabadaroczi9642 köztük a podcastben is említett Holdfény szonáta kisfilmmel:https://youtu.be/gjIQfFyPqck?si=DydTP2S0w2aXWiId------------A Csaba által említett fotográfusok:.Hencz Alajos.Dr. Vizúr János.Henri Cartier-Bresson. Theo Bosboom------------- A wopcast, a wonderzofphotography és a wonderzofpainting: https://www.facebook.com/wopcastforlife https://www.facebook.com/wonderzofphotography https://www.tiktok.com/@wonderzofphotography https://www.instagram.com/wopcast_hun https://www.instagram.com/wonderzofphotography https://www.facebook.com/wonderzofpainting https://www.instagram.com/wonderzofpainting ------------- Ha bármi kérdésetek, kérésetek lenne, keressetek bátran a wonderzofphotography@gmail.com emailcímen vagy közvetlenül bármelyik közösségi médián. ------------- Műsorvezető: © Kocsány Kornél https://linktr.ee/kornelkocsany Arculatfelelős: © Kocsány Ákos https://www.instagram.com/wyldebeest 

In this special extended episode UNP founder and curator Grant Scott engages in a vigorous conversation with California based curator, gallerist Peter Fetterman about the importance of passion, risk taking and empathy in photography. Peter Fetterman Born in London, Peter Fetterman has been deeply involved in the medium of photography for over thirty years. Initially a filmmaker, producer and collector, he set up his first gallery over twenty years ago. Fetterman was one of the pioneer tenants of Bergamot Station, the Santa Monica Center of the Arts when it first opened in 1994. Today, his gallery has one of the largest inventories of classic 20th Century photography in the United States particularly in humanist photography including work by Henri Cartier-Bresson, Sebastião Salgado, Steve McCurry, Ansel Adams, Paul Caponigro, Willy Ronis, André Kertesz, Manuel Alvarez Bravo and Lillian Bassman. His book The Power of Photography was published in 2022. www.peterfetterman.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2024

We gaan terug naar het begin. Ooit zijn we allemaal op de een of andere manier begonnen met fotografie. Waar liep je tegenaan? Wat zou je anders doen? Je fotografievrienden Niels en Michiel nemen je in deze 30 minuten op de maandagochtend mee in hun eigen reis en geven tips voor als je net begint of als je jouw fotocamera weer hebt afgestoft.  Dit is echt zo'n onderwerp waar je een middag mee zou kunnen vullen, maar we hebben bewust gekozen voor onze 30 minuten. Mocht je nu dingen missen of zelf ook tips hebben voor beginnende fotografen, laat ze dan vooral achter in de comments onder deze video. We zijn benieuwd!

https://weekly52.de/weekly/400 Wir wünschen einen geruhsamen Advent. ❤️ Danke an Luna Fox für ihre gelungene Illustration zur Jubiläumsfolge Heute habe ich das erste Mal wirklich ALLE weekly52-Hosts: Jana Reulecke, Dominika Pancewicz, Gregor Nick, Ralf Scherer ans Mikrofon bekommen. Sogar Thomas Leuthard und Alex Hesse senden Grüße und Updates. Freut euch auf Neuigkeiten aus der Runde, unsere wieder aufgelebte Liebe zum Vinyl und wir klären die Frage, ob markante Brillen wirklich intelligenter machen. Ich danke euch für die langjährige Treue, den Zuspruch und eure Themen- und Gästenvorschläge - auch die speziell von meinen lieben Co-Hosts. Mein Anspruch ist, jede Woche mit interessanten und gut recherchierten Themen zu überraschen. Das kostet echt Zeit, aber auch echtes Geld. Ich ziehe meinen Hut und bin sehr erfreut, dass ihr dem Blog und Podcast auch finanziell unter die Arme greift. Mit den Spenden zeigt ihr eure Wertschätzung und haltet uns motiviert.

durée : 00:20:56 - Ronan Le Pennec poltrejer a vicher a gonto deomp diouzh labour Henri Cartier-Bresson

# iPhone Pro > RICOH GR?: https://erickimphotography.com/blog/2024/09/23/iphone-pro-for-street-photography-3/ Audio: https://erickimphotography.com/blog/wp-content/uploads/2024/09/iPhone-Pro-for-Street-Photography.m4a The really really big issue here right now is supply chain issues. So this is where I am very very admiring of Tim Cook -- the master of supply chain and logistics. ## problems with Ricoh, Fujifilm & these Japanese companies So it seems the real critical issue here is supply chain issues. For example, I actually wanted to buy a new Fujifilm x100 VI, and also a new Ricoh GR 3HDF ... but the problem is they are all out of stock, all backordered… Even if you want to buy it, you cannot.  Therefore, the critical issue here is availability. I want to buy it I have the money for it, but I can't buy it! Super annoying. ## iPhone Pro thoughts Looks like Apple listen to me, my idea for a “quick draw“ idea… Made available via the new camera control thing in the bottom right corner. It is a good idea because it makes it very very quick and easy and available to quickly quickly quickly take a picture, without delay. All those other strange touch enabled exposure control stuff seems more like a gimmick, because it kind of looks like what a Samsung phone would do… Anyways, better than nothing. And also having it in the bottom right corner is a good idea because these damn iPhones are so big now… And also the ability to just make all of your apps sit at the bottom of your screen is an insanely great idea because most people have pretty small hands, their thumbs cannot reach all the way to the top. ## NEW ERIC KIM APPLE TV+ SERIES: “Mastering the Art of Street Photography” So I have this pitch idea for Apple TV Apple TV+ (eric@erickim.com)-- and the general idea is how can you use an iPhone, iPhone Pro etc.… To travel the world, be like Eric Kim or Henri Cartier-Bresson, and make really awesome photos?  And also there would be a cool tie in with the iPad Pro… The new M4 one… because I might be the only one I know, the only perhaps influential serious guitar for on the planet who only uses an iPad iPad Pro… I haven't touched my laptop in about two years?

Dont be a loser! https://erickimphotography.com/blog/2024/08/16/leica-is-for-looosers/ Leica is for Looooosers! LEICA IS FOR LOOOOOSERS! In praise of Fujifilm: At the age of 36, after my world travels, my domination of the street sphere, a little time to think and meditate, compile my thoughts etc.… I really do believe now that Fujifilm is the way. Truth be told, I have nothing but good things to say about Fujifilm. They have always treated me well, and I respect all of the people in the Fujifilm sphere. My recent workshop in Hanoi and Saigon with Chu Viet Ha, and all of the Fujifilm global events I went to. Why OK… I'm starting to think about a good analogy between car companies. First, we all know that Toyota is the best. There is no second best. Certainly Tesla is the coolest and sexiest, the most innovative, the most radical, the most forethink car, but in terms of the best car, it is bar none Toyota. Even I was thinking about the new Toyota crown signia, I saw a brand new one in white, on the dealership lot in Culver City, and I was blown away! The design is so forward thinking, so innovative… Tribute told if I had to purchase a brand new automobile in 2024, that would definitely be the car I would want, because it is really one of a kind, you bought it, you would never see anybody else on the road with it! Anyways back to photography -- my thought about the desire for a Leica M rangefinder is like the desire for a Porsche 911 car. But I have personally discovered is that anybody who drives a Porsche 911 car, they are all insecure Shorty guys, who don't really really have anything else going for them. And this is what is so funny; anybody who drives a Porsche 911 thinks that they are so cool, but not really. They are just another Shorty guy drone. The same thing with the world of photography; it seems that everyone always has penis envy with the guy who owns the newest Leica M camera. And after critically engaging with the whole photography world from age 21 to 36, nearly 15 years ,,, what I have come to realize is that so much of the photography industry is based on insecurity, everybody trying to “prove themselves”, to some sort of random authority figure? First, Henri Cartier Bresson is out. He was and is now a lame duck. I think the sneaky thing is that what Leica is trying to do is to essentially prostitute the image the legacy or the concept of the romantic Henri Cartier-Bresson; the ideas that we live off the grid, travel the world and planet, prince around with our little Leica M rangefinder camera, the romantic narrow streets of Paris, etc. Probably one of the greatest benefits that I've learned studying philosophy was that essentially, the whole French romantic movement, who are essentially a bunch of degenerates. As an American, growing up… The notion of romance, being “romantic“, I never really double thought about it. it was always seen as a good thing. To be romantic, was always as a positive notion. But what I discovered is that romanticism is essentially an escape from reality; we create these fictitious fake false fantasy landscapes and realities, to seek some sort of alternative Utopia to our miserable daily grind of remote work, zoom calls, emails, PowerPoint presentations, etc. “I promise, I'm so self-conscious”

Henri Cartier-Bresson prend ses quartiers d'été en Bretagne dans le Finistère nord. C'est à Landerneau que se niche le fonds Hélène et Édouard Leclerc, où une exposition monographique est programmée tous les ans. Après la peinture et le street art, c'est la première fois qu'une exposition y est dédiée à la photographie. Et c'est un parcours chronologique qui est proposé où l'on part sur les traces de celui qui a été surnommé « l'œil du siècle » et qui a parcouru le monde. Quand on pense Henri Cartier-Bresson, on pense à la notion d'instant décisif qui fait la force de ses clichés. Mais pour Clément Chéroux, le commissaire de l'exposition, il y a plusieurs Cartier-Bresson.« Cette exposition, qui présente 300 photographies dans un ordre plutôt chronologique, parcourt le XXe siècle. Elle montre qu'au-delà du Cartier-Bresson bien connu, de ses chefs-d'œuvre, il y a un photographe surréaliste au début des années 1930, un photographe qui crée la fameuse agence Magnum avec Robert Capa après la Seconde Guerre mondiale », explique Clément Chéroux.Il parcourt le monde et se retrouve aux moments clés de l'histoire aux premières loges. Une chance ? Pas seulement.« Cartier-Bresson était quelqu'un qui lisait beaucoup la presse. Tous les matins, il lisait les journaux et il était très au courant des affaires du monde, dans son pays, mais aussi à l'étranger. Ce qui explique qu'il était très souvent au bon endroit, au bon moment, précise le commissaire de l'exposition. Au moment de l'assassinat de Gandhi à New Delhi, au moment où Mao Zedong arrive au pouvoir en Chine, à Cuba, juste après la crise des missiles... Il y avait chez lui une très grande perception de là où il fallait être pour un photographe qui, essentiellement à cette époque-là, travaille avec la presse. »Saisir l'instantUn photographe qui aime aussi beaucoup déambuler et saisir ainsi l'instant singulier. Comme dans cette image, parmi les nombreuses photos iconiques qu'on peut voir dans l'exposition. Elle est intitulée « Derrière la gare Saint-Lazare ». Il l'a prise en 1932.« Cartier-Besson vient tout juste d'acheter un petit appareil Leica, considéré à l'époque comme un appareil miniature, très léger. Il voit entre deux planches de chantier un homme qui saute au-dessus d'une flaque d'eau. C'est une image où, à l'instant d'avant, le personnage n'aurait pas été en suspension dans l'espace, dans une position quasiment de danse, qui fait écho à une affiche représentant une danseuse en arrière-plan. La photographie n'aurait pas non plus pu être réalisée l'instant après, parce que le talon du sauteur aurait touché la flaque d'eau et ridé le reflet sur lequel toute la composition de cette image est construite », analyse Clément Chéroux.Et dans cette grande rétrospective, c'est un Cartier-Bresson multiple, mais toujours humaniste, qu'on redécouvre, s'attachant à capter la figure humaine dans un visage, un regard ou un groupe. À travers ses voyages dans le monde comme photo-reporter ou chez lui, sillonnant la France après Mai-68.L'exposition Henri Cartier-Bresson au Fonds Leclerc à Landerneau, c'est jusqu'au 5 janvier.À lire aussiRencontres d'Arles: Stephen Dock questionne sa vie antérieure de photojournaliste de guerre

Connu pour son usage immodéré du noir et blanc, Henri Cartier-Bresson a su immortaliser les rois aussi bien que les petites gens, le travail aussi bien que les guerres ou les vacances. Créateur à lui seul de l'iconographie d'un siècle, le photographe s'est éteint le 3 août 2004. Valentine Sabouraud nous raconte cette vie immense, avec les archives de l'Institut national de l'audiovisuel et d'Entrée libre.

Schneider, Anette www.deutschlandfunk.de, Kultur heute

durée : 03:00:49 - Les Nuits de France Culture - par : Albane Penaranda - Par Véra Feyder - Avec Henri Cartier-Bresson (photographe, peintre, dessinateur), René Dumont (agronome, homme politique), Claude Lefranc (son compagnon de captivité), Célia Bertin (romancière), Cathy (ex-détenue à Fleury-Mérogis), Eric Hubert (qui a écrit à Henri Cartier-Bresson pour le rencontrer), Vincent Dulau (élève de l'E.S.A.G.), Yahne Le Toumelin (peintre, nonne bouddhiste) et le Dalaï-Lama - Avec en archives, les voix d'Alberto Giacometti, Tériade, Jean Renoir, Ezra Pound, Carson McCullers, Raymond Devos. Textes de Louis Aragon, Arthur Koestler, Victor Hugo, Paul Nizan, Georges Braque, Saint-Simon, Gustave Flaubert, Joseph Conrad et James Joyce - Avec des extraits des films "La règle du jeu" ; "La grande illusion" de Jean Renoir et "Une nuit à l'opéra" des Marx Brothers - Réalisation Nicole Vuillaume

How important are names? How important are titles of photographs? In this episode Aimee identifies 3 major ways that things become mistitled and how they can make a significant difference in the ways images are viewed using examples by Henri Cartier-Bresson, Josef Koudelka, Robert Capa, and George Hoyningen-Huene.

The landscape photographer Charlie Waite is a true national treasure. A fellow of the Royal Photographic Society, he has published dozens of photography books and founded the Landscape Photographer of the Year awards back in 2006.We're absolutely delighted that he joined us on the Country Life Podcast, telling host James Fisher about his life in photography, how he was shaped by his early years in theatre and film, and his philosophy on how to produce — not just 'take' — a photograph has evolved.Listen to Country Life podcast on Apple PodcastsListen to Country Life podcast on SpotifyListen to Country Life podcast on AudibleHe tells us about how he has been inspired by some of the greats of the craft, from Ansel Adams to Henri Cartier-Bresson, quoting some of the advice he has taken on board from his heroes. Charlie is also passionate about sharing his love of landscape photography with as many people as possible, both through his Light & Land workshops and tours, and with his latest venture, an exhibition at the Mall Galleries in September 2024 in which Charlie's pictures will hang alongside those of other landscape photographers, amateur and professional, from across the world. Episode creditsHost: James FisherGuest: Charlie WaiteEditor and Producer: Toby KeelMusic: JuliusH via PixabaySpecial thanks: Adam Wilbourn Hosted on Acast. See acast.com/privacy for more information.

durée : 00:34:59 - Les Nuits de France Culture - par : Philippe Garbit - "Photographie timbrée : l'inventivité visuelle de la carte postale photographique au début du 20e siècle" est une exposition du Jeu de Paume Sully en 2008. Clément Chéroux, son commissaire, la présente au micro de Natacha Wolinski dans la rubrique "Mat ou brillant" de "Surpris par la nuit". - invités : Clément Chéroux Historien de la photographie, Conservateur pour la photographie au Centre Pompidou depuis 2007. Commissaire de l'exposition Henri Cartier-Bresson au Centre Pompidou (12/02/14 - 09/06/14).

Alltag, Leiden, Hoffnung: Ein untrügliches Gespür für den entscheidenden Augenblick in spontanen Situationen charakterisiert das Werk von Magnum-Mitgründer Henri Cartier-Bresson. Das Bucerius-Kunstforum zeigt nun vor allem den politischen Fotografen. Schneider, Anette www.deutschlandfunkkultur.de, Fazit

Dans son récit, Stéphane Bern nous raconte l'histoire de Henri Cartier-Bresson, le photographe à l'oeil absolu.

Stéphane Bern raconte l'un des maîtres de la photographie, devenu célèbre dans le monde entier avec ses clichés alliant le journalisme à la photo d'art, des anonymes pris dans la rue aux grands noms et événements qui ont marqué l'Histoire. Ou la véritable histoire de Henri Cartier-Bresson, le photographe à l'œil absolu… Comment ce fils de riches industriels a-t-il renoncé à une carrière toute tracée pour se consacrer à l'art ? Pourquoi le considère-t-on comme un pionnier du photojournalisme ? Dans quelle mesure ses photographies documentent-elles l'Histoire en marche ? Pour en parler, Stéphane Bern reçoit Pierre Assouline, journaliste et auteur de la biographie de référence "Henri Cartier-Bresson, l'oeil du siècle" (Folio).

Dans son récit, Stéphane Bern nous raconte l'histoire de Henri Cartier-Bresson, le photographe à l'oeil absolu.

A beautiful conversation with Leica user Gary Clennan about his journey into photography [ instagram : https://www.instagram.com/calgary_street/ ] where we talk about Life, Love, and Leica's (C) [The IXVI Network]. The Pod: 0:01 : Intro ; 01:30 : Ghost Towns ; 02:30 : When I started making photos ; 07:00 : Emotions ; 09:00 : Decaying Towns ; 23:30 : My process:: Unique ; 31:30 : Henri Cartier-Bresson's The decisive Moment ; 34:00 : Luck vs. Skill ; 37:30 : Socials ; 43:00 : Projects ; 56:00 : My recommendations ; 1:00:XX : The Final Question. Gary's recommendations : Chad Tobin [ instagram : https://www.instagram.com/tobinchad/ ] : Kit Young [ instagram : https://www.instagram.com/kityoung135/ ] Donate to the podcast: Help me provide and fund the best and new experience's for the supporters: [ https://ko-fi.com/ixvi96 ] --- Support this podcast: https://podcasters.spotify.com/pod/show/lspcricky/support

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Dr Linda Hopkins was trained as a scholar in Islamic studies many years ago. She then trained in mental health and became a licensed clinical psychologist and then she underwent Psychoanalytic training. She is the recipient of the prestigious Sigourney Award from the International Psychoanalytic Association. Her book on Masud Khan, the False Self that appeared in 2006 has been widely read and appreciated. She then received the Goethe Award and the famous Gradiva award. Dr Steven Kuchuk is a psychoanalyst based in New York and is an expert on Relational Psychoanalysis. His background is both distinctively academic and clinically rigorous. He has taught extensively across the world and in particular at the doctoral program at New York University. He has written several books and was also the president of the International Association of Relational Psychoanalysis. One of his extremely well known books is titled the Relational Revolution in Psychoanalysis. In this interview Linda and Steven, talk about their collaborative effort in putting together this book, which contains a section of Khan´s workbooks from 1967-1972. We talk about the difficulties in putting this volume together and we also go into Khan´s life and his mind, the climate that he created and the cross-cultural nature of his identity. Masud Khan´s workbooks are set to find a space in an archive at the Freud Museum London. Ashis Roy (Ph.D) is a Psychoanalyst (IPA) and the author of Intimacy in Alienation: A Psychoanalytic Study of Hindu-Muslim Relationships Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Masud Khan (1924-1989), was an eminent and, ultimately, scandalous British psychoanalyst who trained and practised in London during an important period in the development of psychoanalysis. From August 1967 to March 1980, he wrote his 39 volume Work Books, a diary containing observations and reflections on his own life, the world of psychoanalysis, his evolving theoretical formulations, Western culture, and the turbulent social and political developments of the time. In Diary of a Fallen Psychoanalyst: The Work Books of Masud Khan 1967-1972 (Karnac, 2022), readers will find fascinating entries on Khan's colleague and mentor Donald Winnicott and other well-known analysts of the period, including Anna Freud. Also featuring in these pages are leaders in the world of culture and the arts such as Julie Andrews, the Redgraves and Henri Cartier-Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

durée : 01:02:15 - Les Nuits de France Culture - par : Albane Penaranda - Par Dorothée Noblet - Avec Cornell Capa (frère de Robert et fondateur de "International Fund for Concerned Photography"), Henri Cartier-Bresson, (photographe), Pierre Gassmann (photographe, photojournaliste, fondateur du laboratoire Pictorial Service, devenu Picto), Marie-Pierre Giffey (cheffe des archives de l'agence Magnum), Erich Lessing (photographe), Suzie Marquis (cousine de Capa), John G. Morris (journaliste, rédacteur photo), Jimmy Fox (directeur du bureau Magnum de Paris), Marc Riboud (photographe) et Michel Guérin (journaliste) - Réalisation Danielle Fontanarosa

In this episode of The Nerdy Photographer Podcast, we delve into the captivating world of street photography, where the pulse of a city beats through every frame. Join us as we explore the art of capturing the essence of a city—the rhythm of its streets, the diversity of its people, and the stories etched into its sidewalks and skylines. Our guest, Phil Penman, shares his insights into the nuances of capturing the soul of a city. From bustling metropolises to sleepy neighborhoods, we discuss the magic of street photography as a means of documenting the ever-evolving tapestry of urban life. Phil also shares his tips and techniques for consistently finding interesting images to capture. Street photography serves as a powerful lens through which to explore the complex layers of urban culture. By capturing fleeting moments of beauty, chaos, and humanity, photographers offer us a glimpse into the heart and soul of a city. From the iconic landmarks that define its skyline to the hidden alleyways that pulse with life, each image tells a story—a snapshot of the city's past, present, and future. Join us as we celebrate the art of street photography. Episode Promos Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Pixifi CRM software - https://nerdyphotographer.com/recommends/pixifi/  Nerdy Photographer contract templates - https://nerdyphotographer.com/product-category/contracts/  Siteground Web Hosting - https://www.siteground.com/go/nerdy  Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Already subscribed? Leave a review! Tell your friends about the podcast - even tell your enemies! Subscribe to the newsletter - https://nerdyphotographer.com/newsletter/  Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer swag and be the coolest photographer around - https://www.teepublic.com/stores/nerdy-photographer Buy Casey a drink by going to our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest The British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City's streets for more than 25 years. In his career as a news and magazine photographer, with a large body of work in such publications as The Guardian, The Independent, The New York Review of Books, among others, he has photographed major public figures and historical events. In particular, his report-age following the September 11, 2001 terrorist attack on the World Trade Center has been featured on NBC's Today show, as well as on the BBC, History Channel, and Al Jazeera, and his images have been included in the 9/11 Memorial and Museum's archives. His work covering the pandemic lockdown in New York City has been acquired by the U.S. Library of Congress, whose collection holds work by such great Depression-era documentarians as Walker Evans and Dorothea Lange. Besides showing at Leica galleries in New York, Washington, D.C., Boston, and London, Penman's signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching workshops on photography for Leica Akademie. He was recently named among the “52 Most Influential Street Photographers,” alongside such legends as Henri Cartier-Bresson, Sebastião Salgado, Diane Arbus, and Garry Winogrand. Penman's book, “Street” , published in 2019, became a best-seller and was featured at the Museum of Modern Art in New York. His most recent book “ New York Street Diaries” launched as the number one selling Street Photography book worldwide on Amazon. Website - https://philpenman.com Instagram - https://instagram.com/philpenman Street: Photographs on Amazon - https://amzn.to/3UgKJNO New York Street Diaries on Amazon - https://amzn.to/3vP0F0i  What Did You Think About This Episode? Are you a street photographer or interested in becoming one? Let us know your thoughts at our contact page - https://nerdyphotographer.com/contact - or leave a comment / send a DM on social media. We would also love to hear your photography related questions or topics you might like to hear on an upcoming episode About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com 

Brazilian photographer Sebastião Salgado is best known for his captivating black and white photographs. He has documented scenes of hardship and desperation in times of war and famine; he has explored global labour and migration; and he has captured the wonders of the natural world. Salgado has worked in more than 120 countries over the last 50 years, and is now regarded as one of the all time greats of photography. His images are in the collections of museums and galleries around the world, he won the prestigious Premium Imperiale arts prize in 2021 and was the 2024 recipient of the Sony World Photography Award for outstanding achievement.Raised on this a cattle farm in eastern Minas Gerais state, an early formative experience was leaving home for the city of Vitória in 1960. It was here, watching ships dock from all around the world, that he first felt the desire to travel. It's also where he met his wife Lélia who is his curator and editor. He began a promising career as an economist but switched to photography in the early 1970s, after he and Lélia bought their first camera on holiday. Joining the Magnum agency, the international cooperative of photographers, in 1979 allowed him to refine his craft with the help and advice of photography greats such as Robert Capa and Henri Cartier-Bresson. Salgado tells John Wilson about some of his most famous photo series, including those on the theme of manual labour which he called Workers; and Exodus, the stories of global migration. Covering the Rwandan genocide in 1994 as well as years of photographing refugees from wars, natural disasters and poverty finally took its toll on Salgado's health. He stopped photographing and returned to Brazil, where he and Lélia began reforesting his father's farm, now transformed into a National Park of lush vegetation called Instituto Terra. The success of this venture led to Salgado returning to photography, this time seeking out beauty and landscapes in series called Genesis, his love letter to the planet. Producer: Edwina Pitman

Our guest, Rachel Elizabeth Seed, is a DIRECTOR/PRODUCERoriginally from London, and is a Los Angeles and Brooklyn-based nonfiction storyteller working in film, photography and writing. Join us as Rachel talks about her feature documentary Photographic Memory. She says this about the film ... "After a decade+ of shooting, editing, and producing, my debut feature documentary A PHOTOGRAPHIC MEMORY, was launched this month at the True/False Film Festival in Columbia, Missouri to standing ovations and with RogerEbert.com calling it one of the best docs they've seen this year! A PHOTOGRAPHIC MEMORY is an intimate, genre-bending portrait of my attempt to piece together a portrait of my mother, Sheila Turner Seed, an avant-garde journalist I never knew. Uncovering the vast archive she produced, including lost interviews with photographers Henri Cartier-Bresson, Gordon Parks, Cecil Beaton, Lisette Model, and others, the film explores memory, legacy, and stories left untold. It feels amazing to finally share this passion project with the world and to see people connecting with it in meaningful ways. One of my favorite parts of the weekend was witnessing audience members see new possibilities for connecting with departed loved ones, as I do myself in the film."   To learn more about Carole Dean and From the Heart Productions please visit www.FromtheHeartProductions.com. 

Rachel Elizabeth Seed is a Los Angeles-based nonfiction storyteller working in film, photography and writing. She is a 2022 Jewish Film Institute fellow, a 2021 California Film Institute fellow and Jewish Story Partners grantee, a 2020 Sundance Institute, Chicken + Egg Pictures, NYFA New York Women's Film Fund fellow, and a 2019 Sundance Edit & Story Lab fellow and Sundance Documentary Fund recipient for her feature documentary, A PHOTOGRAPHIC MEMORY. Rachel's work has also been supported by Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, and IFP.  Formerly a photo editor at New York Magazine, her photography was included in the International Center of Photography's exhibit on Hurricane Sandy, Rising Waters, and she was a cameraperson on several award-winning feature documentaries including SACRED by Academy-Award-winning filmmaker Thomas Lennon. Rachel's writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a thriving NYC-based filmmaker collective with 250+ members. Rachel directed a film A PHOTOGRAPHIC MEMORY A daughter attempts to piece together a portrait of her mother, an avant-garde journalist and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers Henri Cartier-Bresson, Gordon Parks, and Lisette Model, the film explores memory, legacy and stories left untold. https://www.rachelseed.com/#/apm/ --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

Season 4 Episode 22 - Henri Cartier-Bresson & the Leica SBOOI. Today's episode explores the shortcomings & solutions for the (film version) Leica CL — particularly a combo that can overcome the issue of its cluttered, small, not so bright viewfinder. Hence: an episode all about the Leica SBOOI, Henri Cartier-Bresson, as well as his not so well known project spending a week photographing various locations in New Jersey. Also: a bit about a recent upgrade to the Epson V850 HCB in New Jersey; https://americanarchive.org/catalog/cpb-aacip-75-902z3dv6 More about the SBOOI: https://johnnymartyr.wordpress.com/2022/03/21/shining-a-light-on-bright-line-viewfinders/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

HT1827 - Beyond the Headline Heroes, Part 2 For some reason, I always seem to prefer the lesser known photographers rather than the headline heroes. I prefer the landscapes of Wynn Bullock over Ansel Adams, the portraits of Paul Strand over those of Annie Leibovitz, the daily life photographs of Josef Sudek over those of Dorothea Lange, and the reportage of Josef Koudelka over that of Henri Cartier-Bresson.

Anton Kartavykh was born in Ukraine (when it was still part of the Soviet Union) and moved to Germany with his parents when he was nine. He grew up in both worlds, which makes up part of his vision of the world today and try's to reflect some of this in his work. At approximately 25 years of age, he accidentally fell in love with analog photography and found great inspiration in the work of the masters like Henri Cartier-Bresson, Garry Winogrand, Martin Parr and many others. Over the years he developed his own style of street photography which leans towards the classics of the genre. To this day he predominantly works in black and white adopting a hybrid analog process, developing and scanning his films at home. To see more of Anton's work, you can visit his Instagram profile by clicking on the link below... Instagram:⁠⁠⁠⁠ Anton Kartavykh (@anton_krtvkh) • Instagram photos and videos If you like what you hear, please take a moment to follow and give the show a 5 ***** rating so that I may continue to bring you more content on a regular basis. New episodes are released on Fridays. We would like to thank our sponsors for this episode, Due North Leather Goods Co. makers of the finest hand-crafted camera straps! You can see their work at... ⁠⁠⁠⁠⁠⁠⁠⁠Leather Camera Straps Shop | Buy Handmade Camera Straps – Due North Leather Goods⁠⁠⁠⁠⁠⁠⁠⁠ Please make sure to visit The Street Photography Show Instagram account where you can stay further engaged and check out the IG bio. for all links including The Film Photography Facebook Group. ⁠⁠⁠⁠⁠⁠⁠⁠The Street Photography Show (@thestreetphotographyshow) • Instagram photos and videos⁠⁠⁠⁠⁠⁠⁠⁠ Thanks so much! And remember, keep walking and keep clicking!

Roberto Mutti"Robert Capa. Retrospettiva"Mostra a Riccione, fino al 1° aprile 2024La stagione espositiva di Villa Mussolini prosegue con la mostra retrospettiva dedicata a Robert Capa, il più grande fotoreporter del XX secolo, fondatore, nel 1947, dell'agenzia Magnum Photos, con Henri Cartier-Bresson, George Rodger, David Seymour e William Vandiver. La rassegna, visitabile fino all'1 aprile 2024, presenta più di 100 immagini in bianco e nero che documentano i maggiori conflitti del Novecento, di cui Capa è stato testimone oculare, dal 1936 al 1954, anno della sua morte in Indocina, calpestando una mina antiuomo. “Se la tendenza della guerra – osserva Richard Whelan, biografo e studioso di Capa – è quella di disumanizzare, la strategia di Capa fu quella di ri-personalizzare la guerra registrando singoli gesti ed espressioni del viso”. Come scrisse il suo amico John Steinbeck, Capa “sapeva di non poter fotografare la guerra, perché è soprattutto un'emozione”. Ma è riuscito a fotografare quell'emozione conoscendola da vicino, mostrando l'orrore di un intero popolo attraverso un bambino”. Eliminando le barriere tra fotografo e soggetto, le sue opere raccontano la sofferenza, la miseria, il caos e la crudeltà della guerra. Gli scatti, divenuti iconici – basti pensare alla foto forse più famosa del miliziano ucciso nella guerra civile spagnola o alle uniche fotografie (professionali) dello sbarco in Normandia delle truppe americane, il 6 giugno 1944 – ritraggono cinque grandi conflitti mondiali del XX secolo, di cui Capa è stato testimone oculare. I suoi scatti sono tanto più attuali oggi, in relazione con i più recenti e drammatici avvenimenti internazionali. Un'ampia sezione è dedicata alle foto scattate in Italia nel 1943/44, a seguito degli alleati, dallo sbarco in Sicilia fino a Napoli e Cassino. In mostra sono presentate inoltre alcune foto dei suoi viaggi in Cina nel 1938, nella Germania postbellica, in Unione Sovietica, in particolare in Ucraina, e in Israele. Ascolta la conversazione con il curatore della mostra, Roberto MuttiLa mostra presenta anche l'altra faccia di Robert Capa, con una sezione dedicata ai suoi amici, nella quale emerge la sua vitalità, la sua capacità di trasmettere e condividere un senso di euforia interiore. Molti suoi amici erano scrittori e cineasti americani come Hemingway e John Huston, ma non mancavano artisti come Picasso e comunque la famiglia allargata dei fotografi Magnum. La rassegna è articolata in 13 sezioni e comprende, in apertura, un omaggio a "Gerda Taro" con cui Robert Capa ebbe una relazione molto intensa. Un cammeo di tre scatti: un ritratto di Gerda, uno di Robert e un loro “doppio ritratto”, un modo per documentare la loro straordinaria vicenda umana. A seguire Copenhagen 1932, Francia 1936-1939, Spagna 1936-1939, Cina 1938, Gran Bretagna e Nord Africa 1941 – 1943, Italia 1943 – 1944, Francia 1944, Germania 1945, Europa orientale 1947, Israele 1948-1950, Indocina 1954, infine una sezione dedicata ai ritratti di amici e artisti come Gary Cooper, Ernest Hemingway, Ingrid Bergman, Pablo Picasso, Henri Matisse, Truman Capote, John Huston, William Faulkner e John Steinbeck. La rassegna è promossa dal Comune di Riccione ed è organizzata da Civita Mostre Cultura in collaborazione con Magnum Photos e Rjma Progetti Culturali. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/show/tracce-di-il-posto-delle-parole_1/support.

In this episode, I have the great pleasure to speak with the very talented Yulius Santoso who was born and raised in Surabaya, Indonesia. He has previously lived and worked in Japan, China, Malaysia, and Singapore. He is currently based in Sydney, Australia. Yulius runs a consulting business and also teaches at The University of New South Wales. Like many photographers, Yulius initially took up photography with his iPhone.  It was the desire to capture the essence of daily life and to deliver photo of the day images - one photo each day, without fail. Yulius is inspired by street photography greats such as Henri Cartier-Bresson and the desire of capturing a decisive moment. Yulius is the Founder of the Sydney Charity Photowalk, a grassroots movement for the local community of photographers to come together and raise funds for worthwhile causes. In 2023, the group raised just over $6500 for The Sydney Children's Hospital. Approximately 150 photographers attended, and the next photo walk is scheduled for Feb. 2024. He is also the Founder of The Edit Challenge, a group of photographers from around the world that work together to improve their editing skills. To see Yulius' work, please visit his Instagram account at... ⁠⁠⁠⁠YULIUS (@photosbyyulius) • Instagram photos and videos The Edit Challenge on Instagram THE EDIT CHALLENGE (@theeditchallenge) • Instagram photos and videos Listen in on the conversation and if you like what you hear, please take a moment to follow and rate the show highly so that I may continue to bring you more content on a regular basis. Thank you so much! And remember, Keep walking and keep clicking!

In this episode, we'll examine the Burmese Women of the Khit Kala, the women of the times, the “It girls” of colonial Burma. Beginning in the 1920s, they were seen in magazines, advertisements, and newspapers, a clear and controversial symbol of change that mirrors what other women went through in the Southeast Asian colonial period. Thank you to our patrons: Yati, Charlie, Shereen, Matt, Raymond, Christina, Jennifer, Xiaomei by Milish, Beverly, Lawrence, and Airene. Airene joined the Patreon just last month so welcome and I hope you're enjoying the additional content especially the bonus episodes! We have: An interview with Haldi Patra on the Minangkabau matriarchal society; Ma Ying Taphan and the Krom Klone; Nyai Gede Pinateh, the Harbour Master of Gresik; Queen Suriyothai and the War Elephants; Paz Marquez Benitez and Dead Stars; The Rise and Fall of the Acehnese Queens, 1641 to 1699; The Portrait of Dara Rasami; and The Women of No. 14 Lebuh Leith If you want to join the Patreon, you can give as little as $1 to get a copy of the show notes with all the references, a shout out at the end of the next episode, and of course access to the bonus Cover Photo: Two girls in new fashions at the Shwe Dagon Pagoda, 1947. Henri Cartier-Bresson. Tracks: Goddess of War - Unicorn Heads 1940's Slow Dance - Doug Maxwell_Media Right Productions Soothsayer - John Patitucci

In episode 289 UNP founder and curator Grant Scott is in his shed reflecting on the passing of photographer John Sevigny, the fact that you are never too old to learn and how life informs our photography. Plus this week, photographer Robin Weaver takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' A 1970s travelling exhibition in Cardiff of photographs by Henri Cartier-Bresson made Robin Weaver want to be a documentary photographer. He completed a three-year course at Newport College of Art and then joined the South Wales Argus newspaper as a trainee press photographer. After six years he broadened his horizons – travelling to the USA and Australia where he worked for the Sydney Morning Herald and The Australian. On returning to England he again worked for newspapers in Kent, Hampshire and Derbyshire. However, the landscape of Derbyshire inspired him to take his photography in another direction. Now 'retired' from newspapers, he continues to make work and photograph that which inspires him working with his wife writer Helen Werin producing travel articles for magazines and newspapers. Cafe Royal Books have published two books of his work South Wales in the 1970s and South Wales Summer Carnivals 1970s. In addition he has self published two books of his work titled A Different Country and Snappers. https://robinweaver.co.uk This podcast is also available on Spotify, Google and Apple podcasts as well as wherever you usually get your podcasts. Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2023

Rouleur editor Edward Pickering and photojournalist James Startt discuss Art Cycle, the ongoing series in Rouleur magazine which explores the connection between cycling and art. They talk about a few of the works that have featured so far, and also talk about their own interest in art.Works discussed in depth:Loisirs: hommage à Louis David by Fernand Léger: https://www.centrepompidou.fr/en/ressources/oeuvre/cAzzyoHyères, France by Henri Cartier-Bresson: https://www.metmuseum.org/art/collection/search/286639James's photograph of the Paris-Nice peloton and wind turbines, Special Merit winner at the World Sports Press Photography Awards: http://jamesstartt.com/cycling/xraehf6dajxhcwgllklui6d2j4ujxtCiclista by Salvo: https://i-ac.eu/fr/expositions/24_in-situ/1983/183_SALVORestaurant at Bougival by Maurice de Vlaminck: https://galleryintell.com/artex/restaurant-de-la-machine-bougival-maurice-de-vlaminck/And Ed and James's recommendations:At the Moulin Rouge by Henri de Toulouse-Lautrec: https://www.artic.edu/artworks/61128/at-the-moulin-rougeNumber 1, 1950 by Jackson Pollock: https://www.nga.gov/collection/art-object-page.55819.htmlThe Large Glass by Marcel Duchamp: https://philamuseum.org/collection/object/54149Waterlilies by Claude Monet: https://www.musee-orangerie.fr/en/node/197502Box Hill Road River by Richard Long: http://www.richardlong.org/index.html Hosted on Acast. See acast.com/privacy for more information.

Ian Berry was born in 1934 in Lancashire, England. He made his reputation in South Africa, where he worked for the Daily Mail and later for Drum magazine. He was the only photographer to document the massacre at Sharpeville in 1960, and his photographs were used in the trial to prove the victims' innocence.Henri Cartier-Bresson invited Ian to join Magnum in 1962, when he was based in Paris. He moved to London in 1964 to become the first contract photographer for the Observer Magazine. Since then assignments have taken him around the world: he has documented Russia's invasion of Czechoslovakia; conflicts in Israel, Ireland, Vietnam and the Congo; famine in Ethiopia; and apartheid in South Africa. The major body of work produced in South Africa is represented in two of his books: Black and Whites: L'Afrique du Sud and Living Apart (1996).Important editorial assignments have included work for National Geographic, Fortune, Stern, Geo, national Sunday magazines, Esquire, Paris-Match and Life. Berry has also reported on the political and social transformations in China and the former USSR. Recent projects have involved tracing the route of the Silk Road through Turkey, Iran and southern Central Asia to northern China for Conde Nast Traveler, photographing Berlin for a Stern supplement, the Three Gorges Dam project in China for the Telegraph Magazine, Greenland for a book on climate control and child slavery in Africa.Ian's recent book, Water (GOST Books, 2022), brings together many classic images from Ian's extensive archive with material shot over the course of 15 years travelling the globe to document the inextricable links between landscape, life and water. This new book brings together a selection of the resulting images which collectively tell the story of man's complex relationship with water — at a time when climate change demonstrates just how precariously water and life are intertwined. In episode 213, Ian discusses, among other things:How all the pics in Water came to be used as B&WHow the project came aboutHow he got into photographyHow he came to be the only photographer at the Sharpeville MassacreThe importance of luckGetting into Magnum after a tea with HCB and a disasterous first meetingChanges in Magnum over the years - and photography in generalThe controversy over David Allan Harvey and the subsequent action by MagnumEverything being ‘too woke'Learining from other people and looking at contact sheets Referenced:Stuart SmithAbbasRoger MaddenDrum MagazineTom HopkinsonThe Sharpeville MassacreMichele Chevalier (Visa)Marc RiboudReni BurriHenri Cartier BressonBurt GlinnPeter DenchDavid Allan HarveySteve McCurryBruce DavidsonPhilip Jones GriffithsGilles PeressBruno BarbeyWerner Bischof Website | Instgram“I brought along my contact sheets which Henri spent ages going through. And he said ‘great, good to have you'. And I went back upstairs afterwards and they said ‘fine, you're in Magnum.' And that was it…”

In this 'Photo Collecting' episode UNP founder and curator Grant Scott is in his shed connecting with Peter Fetterman in Santa Monica to discuss all aspects of photo collecting, including pricing, selling, archives, keeping true to your vision, the art market and the photography gallery. Born in London, Peter Fetterman has been deeply involved in the medium of photography for over thirty years. Initially a filmmaker, producer and collector, he set up his first gallery over twenty years ago. Fetterman was one of the pioneer tenants of Bergamot Station, the Santa Monica Center of the Arts when it first opened in 1994. Today, his gallery has one of the largest inventories of classic 20th Century photography in the United States particularly in humanist photography including work by Henri Cartier-Bresson, Sebastião Salgado, Steve McCurry, Ansel Adams, Paul Caponigro, Willy Ronis, André Kertesz, Manuel Alvarez Bravo and Lillian Bassman. His book The Power of Photography was published in 2022. www.peterfetterman.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. Scott's next book Condé Nast Have Left The Building: Six Decades of Vogue House will be published by Orphans Publishing in the Spring of 2024. © Grant Scott 2023

Season 3 Episode 17 -  The Last Resort & Why I Bought A Hammerhead Today's episode explores the inspiration & challenge of Martin Parr's The Last Resort  - his brilliant collection of 6X7 photographs highlighting 1980s vacationers on a rundown New Brighton Beach. Shot with a Plaubel Makina rangefinder, daylight flash, highly saturated color film - and an impeccable use of Magnum-style composition - his enduring work poses both technical & artistic questions: How did he possibly pull off these perfect photos? Also on board: birding/surfing pics, the elusive search for a long lens that one could actually afford, renting the Nikkor 200-500mm. Topics: Martin Parr, The Last Resort, Hammerhead flash, SunPak, Metz, Nikkor 200-500, Lensrentals.com, Magnum, Henri-Cartier Bresson, Atlantic City https://www.magnumphotos.com/arts-culture/society-arts-culture/martin-parr-the-last-resort/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Episode 39 - Tool Time! Show Notes We shape tools, then tools shape us. Adobe drops Pantone 2:35 "First we build the tools, then the tools build us." 6:43 Jacques Attali, "Noise" 11:57 Dave Trott 20:22 Stuart Semple Black 2.0 23:12 Variable Ratio Positive Reinforcement 25:40 Henri Cartier-Bresson 28:32 The Blue Marble 35:23 New Yorker Cartoon 38:11 Steven Pinker - "The Better Angels of Our Nature" 43:41 GEIKO Gecko 50:54 NJM Insurance 51:48 Send your ideas to hello@brandbox.show Apply to SVA Masters in Branding Program Please subscribe and review BrandBox on Apple Podcasts and consider hitting the Donate button on BrandBox.show! Don't forget to submit your questions, comments, and ideas for future episodes of BrandBox to hello@brandbox.show Thanks for your support!

When they were just thirteen and eleven years old, sisters Chloe and Halle Bailey started posting videos of themselves singing on YouTube and quickly built a following. Their covers often went viral—their version of Beyoncé's “Pretty Hurts” even caught the attention of Beyoncé, who brought them on tour as her opening act.  Now, with two albums and five Grammy nominations behind them, the sisters are for the first time working on separate projects: Halle is starring as Ariel in an upcoming remake of “The Little Mermaid,” and Chloe is releasing a solo album, “In Pieces,” later this month. Chloe Bailey spoke with the contributing writer Lauren Michele Jackson at the New Yorker Festival in October about the mixed blessing of social-media stardom. “When we program our minds to think about being No. 1 … it really suffocates you and it stifles the process,” she says. “Right now, I'm just creating to be creating, and I have never felt more free.”  Plus, the lost New Jersey photographs of Henri Cartier-Bresson. In 1975, the French master photographer spent a month documenting New Jersey, which he called a “shortcut to America.” Why did the pictures disappear?

What makes a great photograph? In 2019, Stephen Sackur spoke to one of the pioneers of photojournalism, Marilyn Stafford. She was born in the United States but moved to Paris in the 1950s, where she became the protégé of the French photographer Henri Cartier-Bresson. Like him, Stafford loved to capture intimate portraits of ordinary people. She photographed everything from refugees fleeing war to models on the fashion catwalks. Later in life, her work was discovered and admired by a new generation. This is another chance to listen to the interview with Marilyn Stafford after her recent death aged 97. The interview was updated on 13th January 2023.

In this episode of PhotoWork with Sasha Wolf, Michael Chovan-Dalton fills-in for Sasha as she was away taking care of some family matters. Michael and photographer, Vanessa Winship, have a wonderful conversation about two bodies of work she made in the United States, She Dances on Jackson, published by MACK, and her most recent book, SNOW, published by Deadbeat Club. Vanessa talks about how both of these books began, the former as a proposal and the latter as an assignment. Vanessa also describes her experience of traveling around the United States and witnessing both beauty and turmoil. https://www.vanessawinship.com https://deadbeatclubpress.com/products/vanessa-winship-snow Since 2005 Vanessa Winship is a member of Agence VU. After leaving Britain in 1998 she worked in long term projects in the Balkans and countries surrounding the Black Sea along with her husband, photographer George Georgiou. She is the author and subject of six photographic monographs, Schwarzes Meer (Mareverlag GmbH 2007), Sweet Nothings (Foto8/Images En Manœuvres 2008), she dances on Jackson (MACK/HCB 2013), Vanessa Winship (Fundación MAPFRE 2014), And Time Folds (MACK/Barbican 2018) Sète#19 (Le Bec en L'air / Images Singulières 2019) and a box set, Seeing the Light of Day (B-Sides Box Sets 2020) She is the recipient of a number of awards, including two World Press Photo prizes, 1998 and 2008, Sony photographer of the year, 2008, and the Henri Cartier Bresson foundation prize, 2011. She has exhibited at numerous festivals and institutions, nationally and internationally including the Barbican Art gallery in 2018, Sete, 2019, Cumbria, 2021 Her first mid-career-survey show was held at Fundación MAPFRE, Madrid, Spain, 2014. With George Georgiou she teaches a number of photography workshops, and separately as guest speaker, reviewer, curator, editor and mentor.