Podcasts about Ernest Hemingway

At the dawn of the twentieth century, a writer emerged who learned his craft not in a classroom, but in battlefields, bullrings, and bars. To some, Ernest Hemingway was the greatest writer of his generation. A Nobel laureate whose sparse, muscular prose changed literature forever. But to others, he was a swaggering egotist, a man addicted to danger and performance, obsessed with his own legend. His own life fuelled his work, just as his work in turn fed his own myth. But behind the mask he forged through his writing lay a man haunted by fear, violence, and the tyranny of bravery.   But why, more than sixty years after his death, does Hemingway remain a symbol of masculinity and modernism? Who were the people whose lives were swept up in the hurricane of his own? And how did the same passions that made Hemingway great also destroy him in the end? This is a Short History Of Ernest Hemingway. A Noiser podcast production. Hosted by John Hopkins. With thanks to Paul Hendrickson, author, journalist, professor, and the writer of Hemingway's Boat: Everything He Loved in Life, and Lost. Written by Sean Coleman | Produced by Kate Simants | Production Assistant: Chris McDonald | Exec produced by Katrina Hughes | Sound supervisor: Tom Pink | Sound design by Oliver Sanders | Assembly edit by Anisha Deva | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Cody Reynolds-Shaw Get every episode of Short History Of… a week early with Noiser+. You'll also get ad-free listening, bonus material and early access to shows across the Noiser podcast network. Click the subscription banner at the top of the feed to get started. Or go to noiser.com/subscriptions ⁠A Short History of Ancient Rome⁠ - the debut book from the Noiser Network is out now! Discover the epic rise and fall of Rome like never before. Pick up your copy now at your local bookstore or visit ⁠⁠noiser.com/books⁠⁠ to learn more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the happy occasion of the publication of Francesca Wade's magnificent Gertrude Stein: An Afterlife, we speak with the biographer about Stein's life, work, and complicated relationships.Wade describes her access to new Stein archives that afforded her a fresh look on the enigmatic writer, the difference between Stein's legend and her life, the particular value of her various publications, and what she was ultimately trying to capture with her singular writing style. Wade also explores Stein's “afterlife,” the controversial legacy that her writings and persona have left us.We also discuss the fraught Hemingway-Stein relationship, that cryptic passage in A Moveable Feast, and what each might have meant to the other.Join us for a new consideration of one of Hemingway's oldest friendships and rivalries! 

Tom Junod spent more than two decades as one the most celebrated writers in the men's magazine game, winning two National Magazine Awards and penning unforgettable articles about everything from 9/11 to Mister Rogers. Dubbed by Esquire as the man who has "helped teach readers what masculinity looks like in the 21st century," Junod has been considered one of great writers in the magazine's nearly 100-year history, alongside Ernest Hemingway, F. Scott Fitzgerald, and Tom Wolfe. But Junod certainly didn't learn about masculinity from a magazine. Instead he absorbed lessons about manhood imparted by his father Lou, a man who emulated the leading men of 1930s Hollywood and offered a treasure trove of men's-only secrets of success about wearing turtlenecks, making eye contact, and offering a firm handshake. Then Tom learned the details of his father's other secrets, and it reshaped his opinion of what it means to be a good man. Junod is the author of the memoir In The Days Of My Youth I Was Told What It Means To Be A Man, available now wherever you buy books.

Dan Rossiter from Griffin & Howe joins me on the show to talk about the fantastic hunting rifles the company produces. Of note, Griffin & Howe produces rifles ranging from near replicas of those famous hunters like Ernest Hemingway took to Africa last century, to modern long range hunting rifles, to bespoke American made rifles on par with the "best" quality custom rifles produced by British gunmakers. We discuss all of this in more detail during this interview along with the specifics of their current production rifles and and what sets the company apart from competitors in the industry. Sponsor: Go to BigGameHuntingPodcast.com/ebook and sign up for my free e-book on the best hunting calibers at to receive the entertaining and informative emails I send out about hunting, firearms, and ballistics every weekday. Join the Big Game Hunting Podcast tribe and get access to all my bonus material at www.patreon.com/biggamehunter  Please hit that "SUBSCRIBE" or "FOLLOW" button in your podcast app to receive future episodes automatically! Resources Check out the Griffin & Howe web site & follow them on Facebook, Instagram, & YouTube Ep 404: 404 Jeffery With Phil Massaro

In this episode of Big Blend Radio's "Wander the World with Sharon" Podcast, award-winning travel writer and photographer Sharon K. Kurtz takes us to Ketchum, home of the beloved Trailing of the Sheep Festival. The conversation explores the deep-rooted history of sheep herding in Idaho and how this iconic festival celebrates ranching heritage, Basque culture, folk traditions, and the enduring importance of sheep and wool in the region. Sharon shares highlights from the festival's parades, cultural events, and food experiences, along with insider tips on dining, shopping, and exploring Ketchum's scenic mountain setting. Hear about outdoor adventures, hiking opportunities, and the town's rich literary and cultural connections—including its ties to Ernest Hemingway—making Ketchum a rewarding destination well beyond festival weekend.

Polecam dzisiaj reportaż Ernesta Hemingwaya o corridzie (i śmierci). "Śmierć po południu" to piękny przykład bardzo literackiego i głęboko osobistego reportażu.▶️ Słuchaj dalej

Join me as we look at Ernest Hemingway's novella "The Old Man and The Sea" and read it through the lens of martial arts training. There are several directly practical lessons we can get from this classic work of literature.Take the training offline with a small book I put together pairing basic physical exercises with short quotes and meditations. You can find the book here: ⁠⁠⁠https://www.lulu.com/shop/matthew-krueger/pocket-training-volume-1/paperback/product-e7pqmyv.html

Nereden Edebiyat'ın bu bölümünde, 20. yy Amerikan edebiyatının en büyük ismi ve kendisinden sonra gelen yazarların ilham perisi olan Ernest Hemingway.

(This podcast was previously published on April 18, 2021)   Jesus Ministries, Joan Boney  ...    When we are watching television, often we will hear someone say something that we know to be opposite to the Word of God as stated by God in the Holy Bible.   It is very important for us to renew our mind to the Bible.   Recently I heard a very famous man say, "All die.  No one escapes death."   Because of the Bible, I know that statement is not true.   Immediately after I heard this man say this, I took my Bible and made a screen print of the page of scripture where Paul says, "We shall not all sleep (die),"   I Corinthians 15:51-52   Behold, I shew you a mystery; We shall not all sleep (die), but we shall all be changed,   52 In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.   When Jesus returns, first the dead in Christ will be raised, then those who are still alive will be changed from this earthly physical body, and be raised from off this present earth and taken into the air to meet Jesus and those who are raised from the dead.   I Thessalonians 4:13-17 But I would not have you to be ignorant, brethren, concerning them which are asleep (dead), that ye sorrow not, even as others which have no hope.   14 For if we believe that Jesus died and rose again, even so them also which sleep in Jesus will God bring with Him.   15 For this we say unto you by the word of the Lord, that we which are alive and remain unto the coming of the Lord shall not prevent (precede) them which are asleep.   16 For the Lord Himself shall descend from heaven with a shout, with the voice of the archangel, and with the trump of God: and the dead in Christ shall rise first:   17 Then we which are alive and remain shall be caught up together with them in the clouds, to meet the Lord in the air: and so shall we ever be with the Lord.   18 Wherefore comfort one another with these words.   *****   Romans 12:1-2   I beseech you therefore, brethren, by the mercies of God, that ye present your bodies a living sacrifice, holy, acceptable unto God, which is your reasonable service.   2 And be not conformed to this world: but be ye transformed by the renewing of your mind, that ye may prove what is that good, and acceptable, and perfect, will of God.   We who believe in God, must be diligent to cling to truth of the Bible.   Therefore when we hear someone on TV speak that which is contrary to Bible, it is important for us to renew our mind to the truth from the Bible.  For that which is false could go down into our heart and at some point deceive us.   Some will think this unnecessary.   But I know it is critical to do the scriptures and not just hear the scriptures.   And I know it is important to collect scriptures which are brought before us in situations such as this and put those scriptures into some form of collected file and meditate upon those scriptures as we live daily on this present earth, keeping ourselves by the Word of God.   Joshua 1:8  God says:   This book of the law shall not depart out of thy mouth; but thou shalt meditate therein day and night, that thou mayest observe to do according to all that is written therein: for then thou shalt make thy way prosperous, and then thou shalt have good success.   I use my Kindle tablet photo section and make screen prints of such scriptures which I usually read daily.   The man who said the lie of the world was Ernest Hemingway.   A three part series of his life appeared on PBS and I recorded it.  I watched some of Episode 1, but felt it best to stop watching when he divorced his first wife and married a second wife, and later a third wife, all of which is adultery according to the Bible.   Matthew 5:32  Jesus said:  But I say unto you, That whosoever shall put away his wife, saving for the cause of fornication, causeth her to commit adultery: and whosoever shall marry her that is divorced committeth adultery.   I only watched part of Episode 1, but as they praised Hemingway, I found myself saying, "But Hemingway committed suicide."   Several times I said this.   I deleted Episode 2, but I watched some of Episode 3, wanting to hear their report of Hemingway suicide.  Toward the end of his life, he became crazy, thinking men in restaurants were government agents who were out to get him.  At the Mayo clinic they were giving him electric shock treatments but he continued in his imagined fears.  He was a very heavy drinker, a drunk.   I just kept thinking of how you can have all that fame and glory of men, and destroy yourself and lose everything.   Matthew 16:26 Jesus says: For what is a man profited, if he shall gain the whole world, and lose his own soul? or what shall a man give in exchange for his soul?   It is important for us to guard our own hearts with all diligence, uprooting the saying of this world and wisdom of this world, and clinging to the truth of the Word of God in the Bible.   Also I was reminded of the following:   God says:  I will not fail thee, nor forsake thee.  (Joshua 1:5 & Hebrews 13:5)   And God gives us a "sound mind", when we follow HIM.   II Timothy 1:7   For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.   ***   Other scriptures in this recording:   Genesis 8:22 While the earth remaineth, seedtime and harvest, and cold and heat, and summer and winter, and day and night shall not cease.   ***   II Peter 3:10-14   10 But the day of the Lord will come as a thief in the night; in the which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up.   11 Seeing then that all these things shall be dissolved, what manner of persons ought ye to be in all holy conversation and godliness,   12 Looking for and hasting unto the coming of the day of God, wherein the heavens being on fire shall be dissolved, and the elements shall melt with fervent heat?   13 Nevertheless we, according to His promise, look for new heavens and a new earth, wherein dwelleth righteousness.   14 Wherefore, beloved, seeing that ye look for such things, be diligent that ye may be found of Him in peace, without spot, and blameless.   ***   Philippians 4:6-7   Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God.   7 And the peace of God, which passeth all understanding, shall keep your hearts and minds through Christ Jesus.   ***   James 1:21-22 Wherefore lay apart all filthiness and superfluity of naughtiness, and receive with meekness the engrafted word, which is able to save your souls.   22 But be ye doers of the word, and not hearers only, deceiving your own selves.   25 But whoso looketh into the perfect law of liberty, and continueth therein, he being not a forgetful hearer, but a doer of the work, this man shall be blessed in his deed.   James 2:24  by works a man is justified, and not by faith only.   26  For as the body without the spirit is dead, so faith without works is dead also. ***   Luke 21   Jesus says:   33 Heaven and earth shall pass away: but MY words shall not pass away.   34 And take heed to yourselves, lest at any time your hearts be overcharged with surfeiting (over indulgence), and drunkenness, and cares of this life, and so that day come upon you unawares.   35 For as a snare shall it come on all them that dwell on the face of the whole earth.   36 Watch ye therefore, and pray always, that ye may be accounted worthy to escape all these things that shall come to pass, and to stand before the Son of man.   ***   Matthew 18  Jesus says:   3  And said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.   4 Whosoever therefore shall humble himself as this little child, the same is greatest in the kingdom of heaven.   ***   Philippians 4:19  But my God shall supply all your need according to his riches in glory by Christ Jesus.   ***   Revelation 12   9 And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.   10 And I heard a loud voice saying in heaven, Now is come salvation, and strength, and the kingdom of our God, and the power of his Christ: for the accuser of our brethren is cast down, which accused them before our God day and night.   11 And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death.   12 Therefore rejoice, ye heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! for the devil is come down unto you, having great wrath, because he knoweth that he hath but a short time.   ***   Joshua 1:8   This book of the law shall not depart out of thy mouth; but thou shalt meditate therein day and night, that thou mayest observe to do according to all that is written therein: for then thou shalt make thy way prosperous, and then thou shalt have good success.   ***   James 3:15-17  But if ye have bitter envying and strife in your hearts, glory not, and lie not against the truth.This wisdom descendeth not from above, but is earthly, sensual, devilish.  For where envying and strife is, there is confusion and every evil work.   17 But the wisdom that is from above is first pure, then peaceable, gentle, and easy to be intreated, full of mercy and good fruits, without partiality, and without hypocrisy.  

Ernest Hemingway (1899-1961) was one of the most famous American writers of the twentieth century. His plain, economical prose style--inspired by journalism and the King James Bible, with an assist from the Cezannes he viewed in Gertrude Stein's apartment--became a hallmark of modernism and changed the course of American literature. In this episode, Jacke and Mike take a look at an author and novel, The Sun Also Rises (1927), they've been reading and discussing for decades. Want more Hemingway? We took a new look at an old argument in Episode 47 Hemingway vs Fitzgerald. Love everything about the Lost Generation? Spend some time with the coiner of the phrase in Episode 127 Gertrude Stein. Rather be tramping through Europe? Try Episode 157 Travel Books (with Mike Palindrome). [The bulk of this episode was originally released on October 3, 2018. It has been unavailable for several years.] Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In our second episode devoted to the centenary of The Sun Also Rises, we turn our focus to the beloved Count Mippipopolous. He's an epicurean and an entrepreneur; he's battle-tested, arrow-wounded, champagne-enjoying, no-dancing, business-tripping, generous-tipping... and he's always in love. We discuss his role in the novel, his relationship with Brett and Jake, Hemingway's original plan for him in the manuscript, and how he emerges as such a resonant figure.Make sure to listen for a snippet of Leonard Nimoy as the Count in the polarizing 1984 mini-series, where he says things that he doesn't say in the novel. As always, we enjoy the legendary actor William Hurt reading a pivotal scene involving the Count, courtesy of our friends at Simon & Schuster Audio.If you're quite one of us, you will love this exploration of Hemingway's great novel and this indelible, magnificently alive secondary character.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc. 

Afua and Peter track Ernest Hemingway's spiral from the peak of his Nobel success into a dark cycle of alcoholism and untreated head trauma. They explore how the 20th century's "Alpha" icon eventually collapsed under the weight of his own performance, leading to a tragic end that mirrored his father's suicide.Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.legacy.supportingcast.fmStay connected with Legacy:Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: Substack: peterfrankopan.substack.com | afuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.

With only five weeks left in this year-long journey, I can feel the end approaching—less like a high-wire act and more like gathering momentum toward something unknown. Week 47 of Ted Gioia's Immersive Humanities course explores twentieth-century American fiction through short stories and novel excerpts, revealing a distinctly American voice: sharp dialogue, vivid settings, and an experimental edge.O. Henry, “The Gift of the Magi” (1906): A charming story of love and sacrifice.F. Scott Fitzgerald, “A Diamond as Big as the Ritz” (1922): Wealth, excess, and a surprising twist.Ernest Hemingway, “The Killers” (1927): Sparse, tension-filled dialogue.William Faulkner, The Sound and the Fury (1929, excerpt): Challenging, with shifting time and perspective.Ralph Ellison, Invisible Man (1947, excerpt): A powerful sense of invisibility and identity.Shirley Jackson, “The Lottery” (1948): Disturbing and unforgettable.Flannery O'Connor, “A Good Man is Hard to Find” (1955): A Southern Gothic tale with shocking turns.Together, these works feel spacious, restless, and distinctly American—and they remind me how much more willing I am now to embrace difficult, even strange, books.This is a year-long challenge! Join me next week for a little Magical Realism.LINKTed Gioia/The Honest Broker's 12-Month ImmersiveHumanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

Afua and Peter track Ernest Hemingway's path from a suburban Chicago childhood spent hunting and boxing to the bloody front lines of Italy. They show how a brutal war injury and his newsroom grind birthed the "iceberg theory," revealing a man who hunted Nazis and survived plane crashes but often treated his own life like his best piece of fiction.Join Legacy+ for bonus episodes, early access, Q&A's, fewer adverts and more.legacy.supportingcast.fmStay connected with Legacy:Instagram: @originallegacypodcastTikTok: @legacy_productionsExplore more from Peter and Afua — essays, sources, and ideas: peterfrankopan.substack.comafuahirsch.substack.com Hosted on Acast. See acast.com/privacy for more information.

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Eric and Brad are revisited by legendary Actor of stage, and screen Jordan Rhodes.We speak about working with Charlie, Al Lettieri, Paul Koslo, Sean Penn and more.His films include Mr. Majestyk, Indian Runner and All the Kings Men.On TV Matlock, Streets of San Francisco and Battlestar Galactica.On Stage he created, wrote and performed Papa his show about the life of Ernest Hemingway.**Disclaimer, Jordan tells a story about a family member of Charles Bronson that can't be confirmed by TWICB

We are thrilled to welcome Susan Shillinglaw, the preeminent John Steinbeck scholar, to discuss one of Hemingway's contemporaries and fellow Nobel laureates. Although Hemingway and Steinbeck are not discussed comparatively as frequently as some of his other fellow literary titans, Prof. Shillinglaw talks about Steinbeck's life, career, and temperament in ways that will inspire us to remap the overlaps between these two men. We explore Steinbeck's fondness for “The Butterfly and the Tank,” Hemingway and Steinbeck's different paths during the 1930s, the way The Red Pony's Jody Tiflin functions as a Nick Adams-like character, and much more. Make sure to tune in to the very end of the episode! In honor of Steinbeck, our friend Michael Kim Roos treats us to a version of Woody Guthrie's “Tom Joad.” For more information about Mike's music, see: https://mikeroos.com. 

Un viejo pescador se enfrenta al mar, a un pez y al tiempo. Sus armas son la dignidad, el sentido del fracaso y la resistencia silenciosa. Un canto a la perseverancia silenciosa, al fracaso noble y al coraje sin testigos. Una historia simple, pero llena de simbolismo Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser Episode geht es einmal rund um den Globus zu außergewöhnlichen Festen und Traditionen. Start ist in Curaçao, wo Straßenkunst ganze Stadtviertel verwandelt, es geht  nach Odense in Dänemark zum Märchenzauber rund um Hans Christian Andersen und auf die Florida Keys, wo Ernest Hemingway mit einem legendären Doppelgänger-Wettbewerb gefeiert wird. In Mitteleuropa stehen kulinarische Klassiker im Mittelpunkt: Das Knödelfest  in  St. Johann in Tirol, Grünkohl in Oldenburg – und in Liechtenstein rücken ebenfalls traditionelle Gerichte ins Rampenlicht der Feste Religiöse und kulturelle Feste führen Sie nach Sri Lanka zur prachtvollen Perahara-Prozession, nach Neuseeland zum Matariki-Sternenfest der Māori und nach Alcoy in Spanien zu den historischen Moros‑y‑Cristianos-Feierlichkeiten. In Kanada gibt es Cowboy-Kultur bei der Calgary Stampede und zum Finale wird es bunt und schrill beim Fantasy-Fest in Key West. Feiern Sie die Feste, wie sie fallen.  

One of Ernest Hemingway's short stories, "The Capital of the World,” opens:"Madrid is full of boys named Paco, which is diminutive of the name Francisco, and there is a Madrid joke about a father who came to Madrid and inserted an advertisement in the personal columns of El Liberal which said: PACO MEET ME AT HOTEL MONTANA NOON TUESDAY ALL IS FORGIVEN PAPA and how a squadron of Guardia Civil had to be called out to disperse the eight hundred young men who answered the advertisement."Aside from highlighting how common the name Paco is in Spain, this short word picture also highlights all of humanity's deep longing for forgiveness.Luke 17 finds Jesus giving his disciples a command about forgiveness in order to heal broken relationships within the body, and to display the splendor of the New Kingdom to those who are outsiders. Read Luke 17 and we'll see how it all fits together on Sunday in worship!

Throughout the course of this year, we will celebrate the centenary of The Sun Also Rises by inviting guests on the show to talk about fascinating aspects of the book and its rich history. In this episode, we explore how the book was actually written—from a sloppy first draft to a modernist masterpiece. What will tracing this composition history tells us about the evolution of The Sun Also Rises and Hemingway's own development as a writer?To help us explore this topic, Carl Eby joins us once again! Eby is the former President of the Hemingway Society and has focused much of his research on Hemingway's posthumous work. He has joined us previously for episodes on Islands in the Stream and The Garden of Eden, and he also inaugurated our One True Sentence series with One True Sentence #1, a discussion of Hemingway's "Paris 1922" sketches.Thanks to the support of Simon & Schuster, this episode also includes an audio portion from William Hurt's narration of The Sun Also Rises. Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.

Warum war Ernest Hemingway, der Inbegriff männlicher Härte und Abenteuerlust, innerlich so zerrissen? Was trieb ihn an? Was versuchte er zeitlebens zu vermeiden? Und warum erinnert sein Leben so sehr an das vieler Männer, die stark wirken – und doch ständig auf der Flucht sind? Sie erfahren etwas über: • die psychologischen Wurzeln von Hemingways Selbstinszenierung • seine Kindheit als „Ernestine“ – und die Urwunde, die blieb • Männlichkeit als Überlebensstrategie • Frauen, Krieg, Schreiben – alles als Fluchtversuche • neun psychische Abwehrmechanismen, die sein Leben bestimmten • und was Sie selbst daraus mitnehmen können, wenn Sie sich manchmal ähnlich fühlen

One True Podcast is back with a look at another Hemingway short story, an under-discussed gem from Winner Take Nothing. One of the weirdest works in his career, “Homage to Switzerland” is a Modernist experiment that tells a similar story three times, each one set in a different Swiss train station. To walk us through this bizarre tale, we call on excellent Hemingway scholar and actual citizen of Switzerland, Boris Vejdovksy, professor at the University of Lausanne. Vejdovksy explains the story's structure, its setting, its Modernist qualities, the way the iceberg principle functions in the story, and even its “Swiss-ness.”Join us as we explore this fascinating triptych!

We're back for 2026.This time:Manly Matt Dow "cuts 'em off at the pass", and answers the question "How was your Christmas Matt?" before anybody can ask him...And Dave Sim gets indelicate...Dave Sim discusses the latest Tales From the Wedding Present Annual he received from Lee ThackerDave Sim talks about a historical photo of Ernest Hemingway from 1953Dave Sim got a Christmas card from David L. Russell.Dave Sim discusses Christoph McNeill's 2010 Bill Sienkiewicz commission of Cerebusauthor MJ Sewall has a question for Dave about...rulers?Larry Wooten has a question about a con sketch he acquiredauthor MJ Sewall has a question about Denis Kitchen and his role in the publication of "Dave Sim's Last Girlfriend", Susan Alston's (so far as I can tell) unpublished book on her relationship with Dave Sim.And Manly Matt Dow reminds Everybody about his "relationship" with Denis Kitchen  @creative_fey  has comments on last month's Please Hold, and new questions. Dave Sim has answers.All this and more or something. Honestly, just listen to the thing. You ain't busy...

“Be the author of your life, not the editor” sounds like a platitude—until you actually try to live it.In this episode, I unpack what that phrase really means for artists, filmmakers, and anyone navigating uncertainty. There is never a perfect time to start a project, pitch an idea, or pursue a dream. Waiting for every light to turn green is a trap.Drawing from the realities of the creative industry, historical examples like Ernest Hemingway, and my own experience as a working filmmaker, I talk about how to take agency without denying reality—how to work within constraints instead of reacting to them, and how to keep creating even when conditions aren't ideal.If you're feeling stalled, overwhelmed, or unsure how to move forward, this episode is about reclaiming authorship over your life and your work.

As America prepares to celebrate its 250th anniversary, Carl takes listeners on a bold, unforgettable journey through the people, ideas, and moments that shaped the United States. For the sake of brevity, this special episode traces only a sample of America's heroes, innovators, and cultural icons. From the Enlightenment ideals that inspired the Founding Fathers—Jefferson, Adams, and Franklin—to the defining leadership of George Washington and Abraham Lincoln, the episode explores how liberty, courage, and conviction forged a nation. Lincoln's leadership during the Civil War, and the enduring power of the Gettysburg Address, reveal how America's moral compass was tested—and strengthened. The story expands beyond politics to honor cultural and humanitarian trailblazers, including Elvis Presley, Julia Ward Howe, and Clara Barton, whose influence reshaped music, social reform, and humanitarian care. Modern leadership comes into focus through Eisenhower, Kennedy, Reagan, and Donald Trump, examining moments that redefined America's role at home and on the world stage. The episode also celebrates American creativity and innovation—from Frank Sinatra, Marilyn Monroe, Michael Jackson, and Taylor Swift, to inventors like Thomas Edison, Henry Ford, and Steve Jobs, whose ideas transformed everyday life. Sports legends such as Babe Ruth, Muhammad Ali, Michael Jordan, Serena and Venus Williams, and Shohei Ohtani embody the spirit of perseverance and excellence that continues to inspire generations. Woven throughout is the power of storytelling, honoring literary voices like Mark Twain, Maya Angelou, and Ernest Hemingway, whose words helped shape the American identity. As the nation approaches 250 years of independence, this episode stands as both a tribute and a challenge: honor the past, protect the principles that unite us, and take part in shaping what comes next. America's story isn't finished. What will you contribute?   Connect with Carl: Instagram Facebook LinkedIn YouTube Website   NOTE: This program contains copyrighted material used under the Fair Use doctrine for purposes of commentary, criticism, education, and historical analysis.   Produced by: Social Chameleon

Send us a textIn this episode, we dive into The Killers (1946), the classic film noir starring Burt Lancaster and Ava Gardner, as we review its Criterion Collection release. We break down what makes Robert Siodmak's adaptation of the Ernest Hemingway story a cornerstone of film noir, from its fatalistic tone and fractured structure to its iconic performances and lasting influence on the genre. We also share brief thoughts on the 1964 version of The Killers, discussing how it differs in style and approach without turning the episode into a full comparison. A must-listen for noir fans and Criterion collectors alike.Oh Brother Podcast: Support the Show! (Be The First to Listen with Early Access) Listen on all podcast platforms Subscribe on YouTube Follow us on Instagram

"Gradually, then suddenly," inspired by Ernest Hemingway's famous quote, is a powerful principle. This message explores how this idea applies to achieving God-inspired dreams. It challenges us to imagine larger, think longer, and act bolder in our pursuit of purpose. Discover how to overcome the fear that limits your potential and embrace the audacious vision God has for your life. Learn why dreaming small is offensive to God and how to cultivate a legacy that lasts beyond your lifetime.If you're new to 7 City Church, we'd love to get to know you and help you take your next step. You can find our digital connect card and discover ways to get connected at 7city.info.Join us in person on Sundays at 9:30 or 11:00 AM at 2900 W Lancaster Ave, Fort Worth, TX.Connect with us throughout the week on social media:Facebook | YouTube: 7 City ChurchInstagram | TikTok: @7citychurch

"Gradually, then suddenly," inspired by Ernest Hemingway's famous quote, is a powerful principle. This message explores how this idea applies to achieving God-inspired dreams. It challenges us to imagine larger, think longer, and act bolder in our pursuit of purpose. Discover how to overcome the fear that limits your potential and embrace the audacious vision God has for your life. Learn why dreaming small is offensive to God and how to cultivate a legacy that lasts beyond your lifetime.If you're new to 7 City Church, we'd love to get to know you and help you take your next step. You can find our digital connect card and discover ways to get connected at 7city.info.Join us in person on Sundays at 9:30 or 11:00 AM at 2900 W Lancaster Ave, Fort Worth, TX.Connect with us throughout the week on social media:Facebook | YouTube: 7 City ChurchInstagram | TikTok: @7citychurch

Comenzaremos nuestra discusión de la actualidad con una tendencia preocupante: el grave deterioro de los derechos de la mujer en Israel. En la segunda noticia comentaremos una nueva generación de chatbots de IA que simulan a Jesús y ofrecen consejos espirituales y compañía online. En el segmento de ciencia discutiremos un problema al que se enfrenta la gente durante la temporada de fiestas: las dietas depurativas tras las indulgencias navideñas. Los expertos defienden un planteamiento más sostenible para nuestra alimentación durante y después de las fiestas. Y, para acabar, nos divertiremos un poco con los comentarios que hizo el presidente Trump mientras atendía llamadas telefónicas de niños para conocer sus deseos navideños. El resto del episodio de hoy lo dedicaremos a la lengua y la cultura españolas. La primera conversación incluirá ejemplos del tema de gramática de la semana, The Past Perfect Indicative - Part II. En esta conversación hablaremos de las tradiciones de Navidad y Año Nuevo en España. Algunas son nuevas, otras han desaparecido completamente. Pero hay algunas que quizá estemos perdiendo y deberíamos esforzarnos para que esto no ocurra. Y, en nuestra última conversación, aprenderemos a usar una nueva expresión española, Perro ladrador, poco mordedor. La usaremos para hablar de una visita inesperada: la que hizo el escritor estadounidense, Ernest Hemingway, a un moribundo escritor español, Pío Baroja. El premio Nobel de literatura tuvo bonitas palabras de agradecimiento hacia el escritor español. También le regaló un par de cosas… ¿Refleja un retroceso global el desplome de los derechos de la mujer en Israel? Chatbots de IA se hacen pasar por Jesús y ofrecen orientación espiritual Los expertos desaconsejan las dietas depurativas, y promueven un planteamiento equilibrado para la alimentación durante las fiestas Trump les promete a los niños que no dejará que el "Papá Noel malo" se infiltre en EE. UU. Tradiciones de Nochevieja y Año Nuevo Visita de Ernest Hemingway a Pío Baroja

Happy New Year from One True Podcast! We look forward to a rich, exciting 2026 by looking back to 1926.In our first show of the year, we ask an esteemed guest to take us back exactly one hundred years to see what was happening in Hemingway's life, work, and world. So, to guide us through Hemingway's 1926 -- his travels, his relationships, his publishing, and his writing – we welcome the great Hemingway scholar Ross K. Tangedal. For Hemingway, 1926 was a colossally important year that saw his transition from Hadley to his second wife, Pauline; the transition from Boni & Liveright to Scribner's; and the publication of The Torrents of Spring and The Sun Also Rises, both crucially important for different reasons. Tangedal guides us through this remarkable year in Hemingway's life and his writing. We have previously begun calendar years with flashback episodes featuring: Mary Dearborn on 1922; James M. Hutchisson on 1923; Verna Kale on 1924; and J. Gerald Kennedy on 1925. We encourage you to check out those past shows to get up to date!

Han levde som han skrev: hårt och ständigt graviterande mot spänning och fara. Men ur hans penna föddes också ett odödligt författarskap. Lyssna på alla avsnitt i Sveriges Radios app. Redaktionen för det här avsnittet är:Elina Perdahl – programledare, manus och producentEmilia Mellberg – producent Zardasht Rad – scenuppläsareViktor Bergdahl – ljuddesign och slutmixMedverkar gör också Nils Erik Forsgård idéhistoriker och författare till boken Hemingway – en betraktelse.Vill du veta mer om Ernest Hemingway? Här är några av böckerna som ligger till grund för avsnittet:Ernest Hemingway av Mary V. DearbornErnest Hemingway: A Life Story av Carlos BakerHemingway – ett författarliv av Kenneth LynnHemingway, en Betraktelse av Nils Erik Forsgård

In this episode of the Agents of Innovation podcast, Francisco Gonzalez joins Ryan Doyle aboard Amigo, a 1937 classic wooden Wheeler and sister ship to Ernest Hemingway's famed Pilar, at the Riviera Beach Marina near West Palm Beach. Ryan shares his journey from a horse farm in Connecticut to the U.S. Coast Guard, maritime academy, and eventually a career in yachting that led him to founding Doyle Marine Management, the Vintage Boat Club, and the new Admiralty Marine Center. He explains what makes classic wooden boats so special, why he sees himself as a steward of maritime history, and how yacht management quietly turns owners' dreams into reality. Ryan also lays out his vision for a marine trade school to train the next generation of shipwrights and wooden boat carpenters, an in-demand trade that AI won't replace anytime soon. Throughout the conversation, themes of integrity, persistence, and the American Dream run strong, as Ryan and Francisco talk about finding a niche where passion meets market need and encourage listeners to “keep moving forward” in their own journeys. Learn more about him at: https://www.doylemm.com Find him on Instagram at: https://www.instagram.com/doylemarinem/ You can also watch this episode on YouTube: https://youtu.be/B1mepirP0tE Follow the Agents of Innovation podcast on: Instagram: / https://www.instagram.com/innovationradio X: / https://x.com/agentinnovation Facebook: / https://www.facebook.com/AgentsOfInnovationPodcast You can support this podcast and our Fearless Journeys community on our Patreon account: www.patreon.com/fearlessjourneys You can also join our network -- and our group trips -- through the Fearless Journeys community at: https://www.fearlessjourneys.org and subscribe to our free newsletter at: https://fearlessjourneys.substack.com 00:00 – Intro and Riviera Beach marina setting 01:52 – Fearless Journeys community and DR cigar trip 02:55 – Don Doroteo connection and discovering Amigo 03:25 – Amigo as sister ship to Hemingway's Pilar 04:29 – History of Amigo and Wheeler Shipyard 06:09 – Classic wooden boats vs modern “plastic” boats 08:23 – If Amigo could talk: an 88-year-old boat's story 09:19 – Ryan's upbringing, Coast Guard, and maritime academy 12:06 – Mystic wooden boat show and early inspirations 13:10 – Mentor's lesson that “the dream is attainable” 15:07 – First classic yacht job in the Hamptons 16:31 – Why preserving maritime craftsmanship matters 17:31 – Finding Amigo in St. Thomas and earning owners' trust 19:04 – Vintage Boat Club mission and experiences on the water 21:42 – Inside Doyle Marine Management and choosing the right clients 22:48 – What yacht management really involves behind the scenes 27:52 – Launching Admiralty Marine Center in Riviera Beach 29:21 – Lease-to-own vision and what the yard represents 31:29 – South Florida boating culture and business opportunities 32:38 – Labor shortage and dream of a marine trade school 37:02 – How a marine trade school could change young lives 38:02 – Juggling multiple marine businesses that complement each other 39:32 – Lessons for entrepreneurs: integrity and persistence 41:01 – Balancing obsession, family, and legacy 41:58 – Why “Admiralty Marine” and aiming for top-tier service 43:55 – Future of classic boating and a shrinking niche 47:47 – Boat boom in Florida and storage challenges 49:20 – Future plans for Vintage Boat Club and Doyle Marine 50:38 – What the American Dream means to Ryan 52:55 – Advice to young people: play to your strengths 54:47 – How to connect with Ryan on Instagram 55:31 – Final takeaway: keep moving forward 58:44 – Immigrant billionaire client and the percolator story 59:18 – Closing thanks and wrap-up

Send us a textErnest Hemingway's life was a testament to his belief in living authentically and drawing from rich, personal experience for his writing. His three primary homes in Key West,  Havana, and Ketchum were more than just residences; they were essential backdrops and sources of inspiration for his work, each intrinsically linked to his lifestyle and creativity. Unifying these locales, and a symbol of his deep connection to the sea, was his beloved fishing boat, the Pilar.In Key West, Florida (his home during the 1930s), Hemingway found a laid-back, "bohemian" atmosphere that fostered a disciplined writing routine in the mornings and deep-sea fishing adventures in the afternoons with local friends, later dubbed the "Key West Mob". The house on Whitehead Street, a National Historic Landmark, provided a stable base where he wrote works like To Have and Have Not and numerous short stories.His time in Key West served as a gateway to Havana, Cuba, where he eventually moved and lived for over two decades, longer than anywhere else. His home there,  Finca Vigía (Lookout Farm), offered the quiet and space where he wrote some of his most celebrated work, including For Whom the Bell Tolls and the Pulitzer Prize-winning The Old Man and the Sea. It was from the nearby village of Cojimar that he and his captain, Gregorio Fuentes, would set out on the Pilar.The 38-foot custom Wheeler yacht, the Pilar, was a constant companion for 27 years, serving as an escape from the pressures of fame and the setting for big-game fishing exploits that earned him a reputation as a founder of sportfishing. The boat was a personal and literary anchor, its name a nickname for his second wife Pauline and a character in For Whom the Bell Tolls. It became a literal and figurative vessel that carried him to the experiences he translated into raw, real stories.Finally, Ketchum, Idaho, became his autumn retreat and final home in the late 1950s, after planning to leave Cuba amidst political tensions. In the rugged landscape of Idaho, he hunted and fished the rivers and plains, finding a different kind of solace. It was here, struggling with deteriorating health and depression, that he ultimately ended his life in 1961, leaving behind a legacy deeply tied to the physical locations that shaped his life and literature. Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

Send us a text Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

It is good to have an end to journey toward, but it is the journey that matters in the end. - Ernest Hemingway Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

3 out of 4 of Ernest Hemingway's wives are from St Louis. Author Andrew Theising joins Debbie Monterrey to share the story.

Thank you for making 2025 such a special year for One True Podcast! Together, we devoted shows to the centenary of In Our Time, to our One True Book Club discussion of W.H. Hudson's The Purple Land, to the 100th anniversary of The Great Gatsby, and to so much more. We're so grateful to all of our amazing guests for enriching and enlivening our program, and to all of our listeners for their loyalty.As our gift back to you, we close 2025 in our favorite of ways: we welcome Suzanne del Gizzo onto the show to discuss a season-appropriate piece of Hemingway's work. This year, we discuss “Christmas in Paris,” Hemingway's poignant, melancholy sketch describing a young couple away from home for the holidays.Before we welcome in Suzanne, old friend Mackenzie Astin narrates Hemingway's “Christmas in Paris” to put us in the spirit. Make sure you keep listening after the episode to be treated to a rendition of “Noël à Paris,” performed by Bill Hemminger (piano) and Melody Winfrey (vocals).Wishing you all happiness over the holidays, and we'll see you on the other side.

Send us a textOur Noirvember pod on The Big Sleep had me ooohhhing and aaahhhing about the talent that brought the film to life in front of and behind the camera. As we enter the classic period of noir in America, we're going to look at a film that has some of the most impactful and prolific noir actors ever assembled, with just as talented a production team as in Sleep. For your holiday enjoyment by the crackling fire, we bring you the noir based on a very short Ernest Hemingway story, 1946's The Killers from Universal. Historically, we've liked to propose that, if you want to introduce a friend to film noir in a short sitting, you'd put them in a comfortable chair, roll Double Indemnity from 1944, allow them to stretch afterwards, perhaps all “go out to the lobby,” then give them a shot of Bob Mitchum playing Bob Mitchum in 1947's Out Of The Past. But if you wanted to show them a noir that has maximum acting talent at every level, so much so that it seems almost wasteful, you'd have to delight them with a triple feature and run The Killers. Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

(Antevíspera del Aniversario de la Entrega del Premio Nobel a Ernest Hemingway) Escrita en 1951 en la isla de Cayo Blanco (frente a la playa de Varadero en Cuba), fue la última obra de ficción importante publicada en vida de Ernest Hemingway, y tal vez su más famosa. Considerada una de las obras más destacadas del siglo veinte, le mereció el Premio Pulitzer en 1953, un año antes de que Hemingway recibiera el Premio Nobel de Literatura por su obra completa. Se trata de El viejo y el mar, novela breve que cuenta la historia de Santiago, un pescador cubano, ya anciano, que lleva ochenta y cuatro días sin pescar nada. Harto de su mala racha, se propone salir solo —sin Manolín, el joven que antes lo acompañaba—, y no regresar a tierra hasta volver a tener éxito mar adentro en el Caribe. Por fin logra enganchar un enorme marlín, pero traba con el pez una lucha a muerte que dura tres días. El viejo logra finalmente matar a su gigantesca presa, más grande aún que su esquife, pero en el camino de regreso a casa diversos tiburones poco a poco devoran el pez, dejándolo sin carne. Menos mal que la enormidad del esqueleto basta para que recupere el respeto de sus compañeros de pesca y refuerce la admiración del joven Manolín, que decide volver a pescar con él. Antes de aquella faena, Santiago le había dicho a Manolín: «Ojalá no se presente un pez tan grande que me haga quedar en mal lugar.» Y el joven le había asegurado: «Si sigue usted tan fuerte como dice, no habrá pez que pueda con usted», a lo que el viejo había contestado: «Quizá no lo sea tanto como creo. Pero conozco muchos trucos y soy un hombre decidido.»1 A lo largo de los tres días de su épica lucha contra el marlín, el viejo exclamó: «¡Ojalá estuviese aquí el chico para ayudarme!» Pero no fue una sola vez; fueron cinco las veces que se lamentó: «¡Ojalá estuviese aquí el chico!» Y en una de esas añadió: «Nadie debería estar solo de viejo».2 Gracias a Dios, a la inversa de cómo al final Santiago ya no tendría que estar solo de viejo en las luchas que le esperaban, sino acompañado por su discípulo Manolín, nosotros como discípulos de Cristo no tenemos que estar solos en las luchas que enfrentaremos, sino que podemos estar siempre acompañados por Él como nuestro Maestro. Eso fue precisamente lo que Jesucristo, siendo el Hijo de Dios, les prometió a sus discípulos antes de regresar a su hogar en el cielo para estar de nuevo al lado del Padre celestial. Habiendo acabado de vencer a nuestro enemigo mortal al pagar el castigo por nuestro pecado, Jesús les dijo: «Les aseguro que estaré con ustedes siempre, hasta el fin del mundo.»3 Lo cierto es que eso es lo que más necesitamos, ya que, tal como nos advierte el apóstol Pablo: «Nuestra lucha no es contra seres humanos, sino contra... fuerzas espirituales malignas en las regiones celestiales».4 Más vale entonces que nos aseguremos de ir acompañados por Cristo, para que con su fuerza divina ¡no haya pez maligno que pueda con nosotros! Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Ernest Hemingway, El viejo y el mar, Trad. Miguel Temprano García (Nueva York: Scribner, Charles & Schuster, 1952, 1980, 2010, 2018), Edición Kindle, p. 13. 2 Ibíd., pp. 27,29,30,31,34 3 Mt 28:20; 2Co 5:21; Gá 3:13; Col 1:14; 2:13-15; Heb 2:14; 1P 3:18 4 Ef 6:12

In this episode of Chronicles, Luca is joined by Beau to discuss The Old Man and the Sea by Ernest Hemingway. They explore the allegorical nature of the novella and its timeless themes of masculinity, ageing, and will.

One True Podcast would never let 2025 end without one more episode celebrating the centenary of In Our Time, so today we discuss a classic short story from that collection: “The Doctor and the Doctor's Wife.”Scholar (and podcaster) Scott Yarbrough visits us from Charleston to lead us through the many elements of this great story: Dr. Adams's quarrel with Dick Boulton, the doctor's icy relationship with his wife, and finally his moment of connection with his son. Along the way, we touch on the ethics of log stealing, the implications of Christian Scientism, Hemingway's captivating early prose style, Nick's role in the narrative, and whether or not this story qualifies as one of Hemingway's “greatest hits.”Join us for a trip into the Michigan woods and a guided tour through “The Doctor and the Doctor's Wife.” We know where there's black squirrels!

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. Our friend and yours Comrade Yui is back to talk two Ernest Hemingway adaptations in our wheelhouse - THE KILLERS (1946) by CRISS CROSS director Robert Siodmak and THE KILLERS (1964) by DIRTY HARRY director Don Siegel (plus the short Tarkovsky made as a student in 1956!). We get a crash course in noir history, spatial cinematography, and midcentury ideas of the self - along with our earliest-ever Pine Cone Crime Zone. Patreon.com/ComradeYui As always, thank you to Jetski for our theme music and Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

Ernest Hemingway's short story The Killers was memorably adapted and expanded for the big screen by director Robert Siodmak and an incredible cast. We'll hear the stars of that film - plus a radio recreation - as our "Noirvember" series continues. Ava Gardner slows down for a hitchhiker with murder on his mind in "Lady in Distress" (originally aired on CBS on May 1, 1947). Edmond O'Brien is a streetwise reporter out for the story of the year in "The Argyle Album" (originally aired on CBS on September 4, 1947). Burt Lancaster is in no hurry to get revenge for his brother in "The Long Wait" (originally aired on CBS on November 24, 1949). And the titular killers William Conrad and Charles McGraw reunite in "Two for the Road" (originally aired on CBS on November 9, 1958). Finally, Burt Lancaster reprises his role as The Screen Director's Playhouse presents "The Killers" (originally aired on NBC on June 5, 1949).

Meet Penelope Fletcher, who runs two Paris bookshops, side by side near the Luxembourg Gardens. The shops: The Red Wheelbarrow and The Red Balloon The Red Balloon is just for children's books, and is almost certainly the most likely of all shops in Paris to have all our own children's books.  Addresses: 9-11 Rue de Médicis, 75006. This episode is from The Earful Tower podcast archives.  Here are all the books that Penelope mentioned, in order: Books for adults Stories from the Magic Canoe of Wa'xaid, by Cecil Paul.  A Moveable Feast, by Ernest Hemingway. Selected Letters, by Madame De Sevigne. The Autobiography of Alice B. Toklas, by Gertrude Stein. The Flight Portfolio, by Julie Orringer. Almost French, by Sarah Turnbull. Circe, by Madeline Miller. Walking on the Ceiling, by Aysegül Savas. Demystifying the French, by Janet Hulstrand. Books for children Paris Chien, Adventures of an Expat Dog, by Jackie Clark. Marielle in Paris, by Maxine Schur. I'm sure you can find these and more at The Red Wheelbarrow. Check out the site here. Music in the episode was from Pres Maxson, his take on the classic Charles Aznavour song Hier encore. *********** The Earful Tower exists thanks to support from its members. For the past 92 months and counting it has cost just $10 a month to unlock almost endless extras including bonus podcast episodes, live video replays, special event invites, and our annually updated PDF guide to Paris.  Membership takes only a minute to set up on Patreon, or Substack. Thank you for keeping this channel independent.  For more from the Earful Tower, here are some handy links: Website  Weekly newsletter  Walking Tours

It's the 750th episode of the History of Literature, and what better way to celebrate than to talk some Hemingway with repeat guest Mark Cirino? In this episode, Jacke talks to Mark about Hemingway's classic love-and-war novel A Farewell to Arms, including the recent Norton Library edition of the book, which Mark edited. PLUS Jacke takes a look at the online contretemps between novelist Joyce Carol Oates and a famous wealthy person. AND graphic biographer Ken Krimstein (Einstein in Kafkaland: How Albert Fell Down the Rabbit Hole and Came Up with the Universe) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices