Podcasts about Ernest Hemingway

https://www.outdoornews.com/wp-content/uploads/2026/06/June-13-long-show.mp3 Tim Lesmeister and Rob Drieslein start the show with their first and mostly positive impressions of the Minnesota DNR's new electronic licensing system, then they share final spring turkey hunting numbers from Minnesota and Wisconsin. Steve McComas, the Lake Detective, visits with Drieslein to talk about lake trends around the region as summer 2026 arrives. Special guest Curtis DeBerg jumps into the show to share the amazing tale of a signed copy of Ernest Hemingway's The Old Man and the Sea found in Rochester, Minn., that made its way to the Nobel Prize Museum in Stockholm, Sweden. Drieslein and Lesmeister wrap up the show hitting a host of topics, including Ron Schara's suggestion that dock owners pay rent on the public water they're covering, plus a couple of intense state conservation officer stories. The post Episode 596 – New ELS impressions, Lake Detective, Hemingway's last written words, dock rental fees? appeared first on Outdoor News.

Michael Kleeberg spielt in "Achilles in Taormina" mit der Biografie von Ernest Hemingway zwischen Realität und Fiktion. So findet ein Literaturwissenschaftler auf Sizilien Hinweise auf eine Seite, die der Weltliterat zu verdrängen versucht hat. Kleeberg, Michael www.deutschlandfunkkultur.de, Lesart

Michael Kleeberg spielt in "Achilles in Taormina" mit der Biografie von Ernest Hemingway zwischen Realität und Fiktion. So findet ein Literaturwissenschaftler auf Sizilien Hinweise auf eine Seite, die der Weltliterat zu verdrängen versucht hat. Kleeberg, Michael www.deutschlandfunkkultur.de, Lesart

“El daiquiri d'una nit d'estiu” és la nova visita teatralitzada que ha preparat Patrimoni Cultural amb la direcció i autoria de David Barba, d'Amargura Cultura, a l'amfiteatre dels Jardins de Santa Clotilde. La proposta pren com a punt de partida el títol de l'obra Somni d'una nit d'estiu, de William Shakespeare. “Hem fet un joc utilitzant el títol d'aquesta obra de Shakespeare. Era un motiu d'inspiració per debutar a l'amfiteatre dels jardins”, explica Barba. L'espectacle es presenta com un monòleg teatral, poètic i evocador que combina interpretació, música i cocteleria en una experiència escènica singular. A través del personatge protagonista, la proposta reivindica el daiquiri com una forma d'art efímera i ritual, establint connexions amb figures com William Shakespeare, Constantí Ribalaigua i Ernest Hemingway. “Volíem que fos una proposta teatral molt íntima i que el daiquiri fos una excusa per reflexionar sobre la vida mateixa i l'art», afegeix l’autor de la visita. La representació anirà a càrrec de l'actor Joan Pau Romaní, amb l'acompanyament musical en directe d'Agustí Bussom. “És un viatge conjunt on la música, l'espai i la narració fan un maridatge perfecte, el qual acaba amb la degustació d’un daiquiri», exposa David Barba. En concret, s’oferirà als assistents la versió clàssica de Constantí Ribalaigua, el daiquiri número 4. L'espectacle s'ha concebut en un format reduït, amb un màxim de 50 espectadors per funció, per afavorir una experiència més propera i íntima. L'autor també ha posat en valor el potencial dels Jardins de Santa Clotilde i del nou amfiteatre com a escenaris culturals. “És un escenari privilegiat«, assegura. L'estrena de la visita “El daiquiri d'una nit d'estiu” tindrà lloc aquest diumenge a les 20h, amb obertura de portes a les 19.30h. La proposta es repetirà els dies 21 de juny i 5 i 12 de juliol. Les entrades es poden adquirir a través del web de Patrimoni Cultural.

Michael Kleeberg spielt in "Achilles in Taormina" mit der Biografie von Ernest Hemingway zwischen Realität und Fiktion. So findet ein Literaturwissenschaftler auf Sizilien Hinweise auf eine Seite, die der Weltliterat zu verdrängen versucht hat. Kleeberg, Michael www.deutschlandfunkkultur.de, Lesart

He was the man who turned sparse, muscular prose into a blueprint for the 20th century. But before the Nobel Prize, the big-game hunting, and the larger-than-life legend, there was just a young man writing in the cafés of Paris.In this episode of History Ignited, we strip away the myth to find the man behind the typewriter. We explore how Ernest Hemingway's experiences in the Great War and the Lost Generation shaped his relentless pursuit of "the true sentence." From the sun-drenched rings of Spanish bullfights to the quiet complexities of his most iconic short stories, we trace the literary evolution of one of America's most polarizing figures. Tune in as we examine the man who didn't just write about life—he lived it to its breaking point.Send us Fan MailAbout History Ignited: History Ignited is the award-winning kids and family history podcast inspired by Billy Joel's We Didn't Start the Fire. Each short episode explores the real stories behind the people, events, inventions, and cultural moments that shaped the world from the 1950s through the 1980s. Winner of the 2025 Webby People's Voice Award for Best Kids & Family Podcast.

Martha Gellhorn var en av 1900-takets mest inflytelserika krigskorrespondenter. Hon rapporterade från några av världens största konflikter, från spanska inbördeskriget till landstigningen i Normandie under andra världskriget. I stället för att skildra strategi och militära framgångar skildrade hon hur kriget drabbade civila. Hon skrev om människor på flykt, barn på sjukhus och samhällen i spillror. Martha Gellhorn trotsade både militära restriktioner och sin make Ernest Hemingway för att nå frontlinjen. Hennes direkta och osentimentala stil kom att forma modern krigsjournalistik.

An Mythen und Legenden um Leben und Werk von Ernest Hemingway herrscht kein Mangel. Und die Faszination rund um den Kultautor, Lebemann und Draufgänger Hemingway hält bis heute an - 65 Jahre nach seinem Tod. Der Schriftsteller und Anna-Seghers-Preisträger Michael Kleeberg macht sich in seinem Roman "Achilles in Taormina" auf die Suche nach Hemingways letztem Geheimnis. Auf radio3 verrät Literaturkritikerin Marlen Hobrack, ob wir einen weiteren Hemingway-Roman brauchen.

One True Podcast does its part to help your summer reading lists by covering a book that is not by Hemingway, but is Hemingway-relevant: Henri Barbusse's Under Fire, the 1916 World War I novel that Frederic Henry and Count Greffi name-drop so provocatively in between sips of icy cold champagne and smoothly fluent billiards shots. This episode covers the first nine chapters of Under Fire, where we discuss why Hemingway damned this novel with such faint praise in his Men at War anthology, how the episodic structure might remind readers of a contemporary work like The Things They Carried, the absence of instantly recognizable characters, and – controversially – whether there's more rain in this novel or in A Farewell to Arms. One True Podcast is never one to shy away from the divisive topics.We hope you'll join us in this summer's long-overdue read of Under Fire. We are using the Penguin Classics edition with an Introduction written by future One True Podcast guest, Professor Jay Winter.

Welcome to Revive Ministries Podcast. Mental Health America founded Mental Health Awareness Month in 1949 and has led the effort every May to promote mental wellness nationwide.This year's theme — More Good Days, Together — encourages us all to reflect on what a “good” day looks like, both for ourselves and for ourcommunities“We are what we believe we are.” – C.S. LewisDisclaimer: If you are in crisis, please seek appropriate professional help immediately. The new 988 Suicide and Crisis Lifeline is available for those in the States.Today, we have a returning guest, Weronika Polańska, to help us remember our mental health and the people around us who are impacted by it.  “Remembering our Names” has been a theme for Revive Ministries for several years. "We are all broken, that's how the light gets in." — Ernest Hemingway, A Farewell to Arms

La vida de Samuel Hoyos quedó marcada para siempre por una tragedia familiar que lo empujó a una espiral de autodestrucción. Y una mujer tan poderosa como enigmática le hace una propuesta muy loca: asesinar en un golpe magistral a todos los mandatarios de la Unión Europea durante una cumbre extraordinaria que se celebrará en la isla de A Toxa.Ese es el planteamiento de la nuevo novela de Manel Loureiro, que siempre tiene la habilidad de atraparnos desde la primera página. Se titula Antes de que todo cambie. La novela de corte histórico también se cuela en nuestro Club, con La clave de Mozart, obra de Fernando Méndez, con Viena como protagonista. La obra ha sido publicada por RBA. Y releemos Por quién doblan las campanas, el clásico de Ernest Hemingway.

What is a singular attribute that separates Oscar Wilde, Ernest Hemingway, and Edgar Alan Poe?  Their literary voices.  Here are thoughts on our own voices: if and how we should try to develop them.  Also: the strong tool of contrast, when the character contrasts with the setting.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Live from the University of Evansville campus and the Shanklin Theatre, where Rami Malek once trod the boards… One True Podcast welcomes Alex Vernon for an interview recorded live in front of a captive audience of students, faculty, and community members in Evansville, Indiana, as he discusses his magnificent new biography of Tim O'Brien, Peace Is a Shy Thing: The Life and Art of Tim O'Brien.Vernon explains his process of how to write a true biography, O'Brien's life and relationship to the Vietnam War, what distinguishes O'Brien's style as a writer, the enduring power of some of his greatest work, and much more. It is a generous, penetrating Q&A session with the world's preeminent O'Brien scholar.Vernon – who has previously joined One True Podcast for a discussion of Hemingway and War, as well as an episode devoted to “Soldier's Home” – lends his essential perspective to this essential contemporary writer.** Special thanks to the UE students for their insightful questions at the end, and to the wizardry of sound designer Jon Robertson for his assistance. ** Episode BibliographyTim O'Brien works mentioned:Going After CacciatoIf I Die in a Combat ZoneIn the Lake of the WoodsThe Things They CarriedOther works mentioned:Five-volume biography of Hemingway by Michael Reynolds (The Young Hemingway, Hemingway: The Paris Years, Hemingway: The Homecoming, Hemingway: The 1930s, Hemingway: The Final Years)

Clint Lanier and Dave McArthur discuss the Ernest Hemingway novella The Old Man and the Sea.

The whole internet has been talking about Adult Braces by Lindy West, so we decided to join the conversation. And who better to join us than Friend of the Show Margaret H. Willison (@MrsFridayNext)? You can find Margaret at Culture Study and you can find us in Key West, petting Ernest Hemingway’s polydactyl cats. Listen now to find out our legally binding ruling on whether or not Lindy West needs a divorce! Readers advisory: Here. Footnotes: Love Letters: Meredith & Margaret on Lindy West’s Adult Braces “Lindy West's How-Not-To Guide to Polyamory” by Scaachi Koul AMA: Nonmonogamy Edition from Lindy West’s Substack The Lindy West Deep Dive from Ashley Ray’s Substack “Big Love” from Jennifer Weiner’s Substack Ijeoma Oluo on Threads Coming up next: Artemis Fowl by Eoin Colfer.

Death of the Soccer God by Dimitry Elias Léger follows a young Haitian soccer prodigy's rapid rise and swift downfall as he moves through fame, politics and love across continents. Dimitry joins us to talk about research, faith, death, discipline, excellence, jazz and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Death of the Soccer God by Dimitry Elias Léger God Loves Haiti by Dimitry Elias Léger Catch-22 by Joseph Heller A Farewell to Arms by Ernest Hemingway  

Notes and Links to Rachel León's Work     Rachel León (she/they) is a writer, editor, and social worker, who has worked in child welfare for nearly two decades. She serves as Managing Director for Chicago Review of Books. Their debut novel, How We See the Gray, is out from Curbstone Books as of May 15, 2026. Buy How We See the Gray   Rachel León Website   Review of How We See the Gray from Kirkus Reviews   At about 1:45, Rachel gives a summary of How We See the Gray and information about book events and purchasing At about 4:15, Rachel talks about her writing and reading background, as well as how visual art figured in to her early publications  At about 6:30, Rachel highlights Gwendolyn Brooks' work as formative and transformative for her At about 7:50, Rachel cites Sarah Lippman and Justin Torres as contemporary writers who inspire her, including Torres' approach and “We” usage At about 10:10, Rachel responds to Pete asking about her reading life as an editor At about 16:10, Pete asks Rachel about seeds for How We See the Gray and the myriad ways in which her work in child welfare has informed her writing of the book At about 20:55, Rachel homes in on the time in the field that led her to write How We See the Gray and her current work At about 22:00, Rachel talks about her love for the band La Historia, and getting permission to use the band's lyrics in the book At about 24:00, Pete riffs on the book's collective voice and asks Rachel to talk about the usage of “We” in the book At about 26:30, Rachel responds to Pete's questions about case workers and their motivations, as well as ideas of “vocations” and working “in the trenches” At about 29:55, Pete lays out some of the book's exposition, and asks Rachel about ideas of Meredith, a main character, being too trusting/savior-ish in her work At about 33:25, The two discuss Meredith and her coparenting  At about 34:50, Rachel talks about the youth of her characters and their relationship with idealism  At about 36:50, Rachel expands on the ways in which main character Ebony has learned to “not let her guard down” At about 38:20, Rachel reflects on race and privilege and patronizing attitudes in the foster system, both outside the book and inside At about 42:30, Rachel talks about “mapping out” storylines and “microstories” and chronologies for her book At about 43:50, The two discuss double-standards regarding lack of responsibility for  At about 44:55, Rachel expands on Rockford, Illinois, and her rationale in including slightly-adapted headlines from the local papers At about 47:15, Pete talks about foster parents in the book bucks expectations  At about 48:00, Rachel responds to Pete asking about the “trauma-bonding” among coworkers and the benefits and disadvantages  At about 52:00, Jamal and his versatile work is discussed At about 53:10, Meredith's drinking and the root causes are discussed  At about 56:00, “Found families” through the foster system are discussed At about 56:50, Pete cites some of the book's vast profundity  At about 58:00, Rachel talks about the treatment of LGBTQ+ young people in the system At about 1:01:23-AXE Body Spray profundity! At about 1:02, Medreith and being part of the system as a mother are discussed, and Pete asks Rachel about her views on the state of the “system”        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 345 with Devin Thomas O'Shea is the author of The Veiled Prophet, publishing with Haymarket Books in June 2026. His writing appears in The Nation, The Iowa Review, Slate, Jacobin, Boulevard, and elsewhere.    The episode airs on June 23, Pub Day for The Veiled Prophet.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Steven Thrasher's Work      Dr. Steven Thrasher is an American journalist and academic. In 2019, he became the inaugural Daniel H. Renberg Chair of social justice in reporting and an assistant professor of journalism at Northwestern University's Medill School of Journalism. In 2012, he won the National Lesbian and Gay Journalists Association Journalist of the Year award.   Buy The Overseer Class: A Manifesto   Stephen Thrasher's Website   Review of The Overseer Class from Publisher's Weekly   At about 1:15, Steven talks about book events and the book's May 19 publication At about 2:40, Steven shares interesting and “clarifying” feedback from readers on The Overseer Class At about 4:00, Steven details his childhood reading and writing and creative pursuits At about 7:40, Steven and Pete discuss the horrible news about the attacks on book choice, a high number of higher education institutions and their “capitulation,” but also the wonderful ways in which Oxnard, CA, and other “low ed” institutions have helped foster community and safety At about 11:45, Steven responds to Pete's asking about the three quotes that start the book by sharing his gratitude to the three writers/estates who allowed him to use the words; he talks about the quotes setting up “tension” in his book At about 18:00, The two discuss the way the book starts and reflect on dynamics of the repression of Gaza as both singular and as representative of all “imperial force,” such as Tyre Nichols' killing in early 2023 At about 22:00, the two discuss Martin Luther King and Malcolm X's legacies and the stories told about them, and their work to make connections with international struggles  At about 24:35, Steven expands on cases in which Black men have been killed by the police, and the changing dynamics and populations around US police forces At about 26:00, Steven notes the “rehabilition” of the Black cop in media in recent years, and the ways in which Black chiefs  At about 27:10, Pete references a possible thesis for Steven's book and asks Steven to talk about distinguishing (or not) between the overseer class and individuals outside the system At about 30:40, Steven recounts the history of Denmark Vecsey in furthering his point of the overseer class and its role At about 33:10, Steven discusses his short-lived plans to become a police officer and its connection to employment  At about 34:30, Steven cites Black in Blue as a pivotal book in his research At about 36:00, Steven reflects on needs for jobs and connections to jobs that people may be ideologically opposed to police work or similar work At about 37:00, Steven responds to Pete asking about the idea of “changing the institution (policing) from within” At about 40:00, Steven talks about power dynamics, levels of power, and historical links to the “overseer” trope At about 42:40, Steven breaks down terms coined to show the engineering of Black cops and female cops as tools of “freedom” At about 44:20, The two discuss the overseer trope in the military, including “feel good stories” involving Condoleezza Rice and Colin Powell At about 46:45, Pete and Steven reflect on the power of a “No” for those resisting overseer status At about 48:10, Steven gives background on being in solidarity with his students and how he has stood up for his ideals; he also talks about the wonderful work by protestors on various college campuses  At about 51:45, Steven reflects on his unforgettable five days on campus at Northwestern and evolving campus protests  At about 56:10, Steven talks about the importance of “being a Toni”        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 344 with Rachel León, a writer, editor, and social worker, who has worked in child welfare for nearly two decades. She serves as Managing Director for Chicago Review of Books.     The episode airs on May 15, Pub Day for How We See the Gray, their first novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Zzz . . . Doze off to this snoozy short story by Ernest Hemingway – "In Another Country" zzz For an ad-free version of Sleepy, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sleepyradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: GreenChef: GreenChef.com/50sleepy and use code "50sleepy" to get fifty percent off your first month, then twenty percent off for two months.  Avocado: AvacadoGreenMattress.com/SLEEPY for 15% off.  Quince: Go to Quince.com/sleepy for free shipping and 365-day returns BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Kerri Schlottman's Work   Kerri Schlottman is a writer of literary fiction novels, most recently Daytime Moon, out with Unnamed Press as of May 12, 2026. Her novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, a 2023 American Book Fest Best Literary Fiction Book Finalist, and a Shelf Awareness Best Book This Week.  She works to support artists, performers, and writers in creating new projects and is a part-time graduate professor at NYU in arts administration. Previously, she was a massage therapist, a factory worker, a copy editor, and briefly enrolled in law school.  Buy Daytime Moon   Kerri Schlottman's Website At about 2:00, Kerri talks about early feedback for Daytime Moon At about 3:00, Kerri outlines her arts administration university job At about 5:00, Kerri gives background on her early reading and writing  At about 6:20, Kerri talks about transformational and formational works and writers At about 7:20, Kerri expands on the particular greatness of Vonnegut At about 8:30, Kerri responds to Pete asking about Detroit and Michigan and any connections to “Midwest Nice” At about 9:30, Kerri cites contemporary writers who push her own work forward, include Charlotte McConaghy and Christie Hodgen At about 11:20, Kerri shoots out publisher Unnamed Press and places to buy her book, as well as book events, one with Meagan Woods At about 13:35, Kerri talks about seeds for the book and gives interesting background on the history of the Salton Sea At about 16:30, Kerri details a New Yorker article about Hannah Upp and its influence on her work At about 18:45, Pete shouts out Tod Goldberg's stellar Salton Sea writing, and Kerri expands on the “fascinating” life in the Salton Sea “plots”/flat and Slab City and “off the grid” living  At about 21:50, Pete outlines the book's exposition, and Kerri responds to Pete's questions about the symbolism of this part and its setting up later plot At about 25:50, Pete outlines more of the book's opening and main characters, and Kerri speaks to the combination of the “artsy, countercultural" Isa and the business-oriented Merce At about 30:00, Kerri expounds on connections between Isa and her brother  At about 32:30, Kerri responds to Pete's questions about Ella, Isa's sister, and the reason for Isa's fleeing the Salton Sea At about 34:45, Kerri talks about Isa's “culture shock” in NYC, and talks about Dane's sending them on a quest with letters left behind At about 36:00, Pete highlights the later age for the coming-of-age in the book-a resounding success At about 36:55, Kerri responds to Pete's question about different expectations for men and women and their treatment and/or neglect of their children At about 41:10, Isa's Lizzie and her cancer diagnosis are discussed, as Kerri discusses her last days and promises At about 45:00, Pete asks Kerri about ideas of tarot and the future and belief in some or all of the process/precepts; Kerri talks about “escapism” in its many forms At about 48:00, The two discuss Isa's sadness after her friend's death and Isa's interactions with her father At about 49:00, Kerri gives background on a tarot reading scene that Pete highlights as so well-drawn At about 49:50, Pete stumbles into a classic Faulkner quote and the two discuss the past's impact on the characters' present At about 52:15, Pete references a great Alice Elliott Dark line when talking about the book as a moving “elegy” At about 53:40, Kerri discusses the “cascading effect” as Isa and Cole begin to meet new/undiscovered family members At about 55:10, Pete mentions the book as a great “road trip book” in response to Kerri's reflection on “found families” At about 57:45, Pete remarks on how masterfully Kerri deals with time span, and she reflects on her mindset in writing about this as she did At about 1:00:00, Kerri talks about “allusion[s]” in the book to environmental dangers happening in real time At about 1:02:45, Pete gives kudos to Kerri for the book's pathos and overall greatness    You can now subscribe to the podcast on Apple Podcasts, and please leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 342 with Isaac Fitzgerald, the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His next book, American Rambler, is out now.    The episode airs on May 12, Pub Day for American Rambler.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Isaac Fitzgerald's Work     Isaac Fitzgerald is the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His writing has appeared in The New York Times, The Atlantic, Esquire, GQ, The Guardian, The Best American Nonrequired Reading, and numerous other publications. He lives with his wife, Kelly Farber, and their two dogs on the North Fork of Long Island. His next book, American Rambler, is forthcoming from Knopf. Buy American Rambler: Walking the Trail of Johnny Appleseed    Isaac Fitzgerald's Website   Review for American Rambler in The Boston Globe     At about 3:20, Isaac talks about the book as “braided” and positive feedback he's gotten from independent booksellers At about 4:40, Isaac gives background on his rich reading and writing life from childhood At about 7:00, Isaac talks about a few catalysts for American Rambler, including Bill Bryson's A Walk in the Woods… Another Bullshit Night in Suck City by Nick Flynn, and An American Story by Howard Means At about 8:55, Pete shouts out Matt Bell's Appleseed, and Isaac reflects on the “mythification” of Johnny Appleseed  At about 13:20, Pete cites a beautiful quote on the connection between parents and storytelling and expands on how his parents and their travels and their storytelling thrilled him At about 17:00, Pete tells about his own experience with childhood stories, and Isaac shares his thoughts on oral storytelling and its connection to real-life experiences for children winning out over continued screen time At about 19:10, Isaac responds to Pete's asking about his mother and father as opposites in many ways At about 23:00, Pete compliments the book's first line and asks Isaac about the book's first hike: Isaac refers to the book as a “coming-of-middle-age” At about 28:10, Isaac responds to Pete's questions about Swedenborgism and its influence on Johnny Appleseed At about 33:10, The two discuss the balance between the social and the solitary  At about 35:50-John Freeman shoutouts! Isaac talks about important advice/editing from John Freeman with AA Knopf At about 38:20, The two discuss reading as a collaborative pursuit-a “two-person technology” At about 39:00, Pete and Isaac talk about Old Man and the Sea and the idea of a “comfort read” At about 40:15, Pete cites two examples of Isaac's work in connection to David Foster Wallace's work in complimenting Isaac's work in opposition to the “flyover country” ethos; Isaac cites Rabin's Old Glory: An American Voyage   At about 45:40, Pete and Isaac highlight a particularly charismatic person who was featured in the book At about 48:25, Isaac talks about his great experience with the Fort Wayne Tin Caps in the book At about 50:50, Isaac responds to Pete asking about the passages from the book where he shared profundity with Ashley C. Ford and Saeed Jones At about 51:25, It gets defecatory!  At about 52:15, Isaac expands on how his time staying with writer friends is in a Kerouac-ian tradition  At about 55:40, Isaac talks about his process that allowed him to  “writing conversationally” and the importance of reading his work aloud At about 57:20, Pete and Isaac reflect on the idea of the public intellectual and the balance between social media communities and authentically celebrating exploration and wonderful art    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 343 with Steven Thrasher, whose writing has been widely published by Scientific American, The New York Times, Nation, The Journal of American History, BuzzFeed News, Esquire and New York magazine. In 2019, Out Magazine named him one of the 100 most influential and impactful people of the year and in 2020, the Ford Foundation awarded him a grant for Creativity and Free Expression. The Viral Underclass, his first book, was widely-awarded and acclaimed, and his second book, The Overseer Class: A Manifesto, will be the focus of the podcast conversation.    The episode airs on May 14, and the book has a May 19 Pub Date.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Donna Minkowitz's Work     Donna Minkowitz is a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Science fiction great Terry Bisson called her writing “rich and wild, dark and funny, as fearless as her legendary journalism and as scary as a fairy tale.” And she's proud that Kirkus has praised the “defiant and playful energy” of her work.    Her memoir Growing Up Golem, a finalist for both a Lambda Literary Award and the Judy Grahn Nonfiction Award, is being republished by Indolent Books after 13 years!    Buy Growing Up Golem   Donna Minkowitz's Website   Review of Growing Up Golem from Kirkus Reviews     At about 1:30, Donna and Pete highlight the pending reissue of Growing Up Golem  At about 2:30, Pete asks Donna about how she sees Growing Up Golem 13 years later, and she gives a summary of the book At about 4:10, Donna expands on the idea set forth in the Writer's Note that the book is “88% true” At about 7:15, Donna talks about the general idea of the “golem” and the providence of the book's conceit At about 9:00, Donna reflects on the idea of “memory” and the science behind it, as well as the memoir as a “work of art” At about 10:10, Donna responds to Pete's asking about the book's opening referencing Donna's mom and her creating a “Donna Doll” At about 12:40, Donna expands on ideas of guilt and selfishness and psychosomatic pain that came with her Repetitive Strain Injury At about 14:40, Donna responds to Pete asking about her mother's health struggles and ideas of impending death At about 17:00, The two talk about Donna's mother's artistic prowess and Donna's feelings of “twoness” At about 19:45, Donna examines the idea of her mother that lying could be correct, and what the philosophy said about her mother and her morality At about 22:40, Donna expands on feelings of “twoness” in connection to W.E.B. DuBois At about 24:10, Donna reflects on her early writing with The Village Voice and her motivations and mindset in writing for the publication  At about 27:00, Donna outlines her mother's health problems and connections to her sexuality and sensuality  At about 29:00, Pete asks Donna how she balances the fact that her mother was a victim of sexual violence  At about 32:05, Donna expands on The Village Voice and her reporting around ACT Up and its advocacy and activism, as well as Queer Nation  At about 34:35, Donna tells Julio Rivera's story, as she did for the publication  At about 36:20, Donna talks about her father's death and his “scari[ness]” before his death and the “strange dynamic" of him as a “scapegoat” and her mother's behavior after his death At about 39:20, Pete wonders about a sort of "competition" between Donna and her mother, particularly with regard to a 1991 Thanksgiving interaction  At about 41:45, Donna responds to Pete asking about her mother's often making fun of her mother's body  At about 44:25, Donna speaks about the “competing therapists” At about 48:15, Donna speaks on the idea of the golem as being built and possibly destroyed by the same person, as well as the classic legend of the golem  At about 51:30, Donna talks about a familial way of acting when threatened and confronting that reaction At about 52:25, Pete cites some “beautiful moments” from her therapist and mother, and Donna reflects  At about 53:20, The two reflect on ideas of control and freedom in Donna's personal life and connections to therapy and her mother's influence  At about 55:25, Donna talks about connections between early and later relationships and the ways she was treated  At about 58:20, Pete and Donna discuss the book's juxtapositions and her concerns and struggles with her chronic pain          You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. You can also buy single episodes for $3 each.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 341 with Kerri Schlottman, whose novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, and a 2023 American Book Fest Best Literary Fiction Book Finalist. She is a part-time graduate professor at NYU in arts administration.    The episode airs today, Pub Day for her latest gem, Daytime Moon, May 12.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

Rhys and Jesse dive into the wild life of Red Ryan, a Toronto-born hooligan who grew into one of Canada's most notorious early 20th‑century criminals. From leading street gangs at 10, to hard labor in Kingston Penitentiary, to a wartime desertion and a “most daring” prison break that even inspired Ernest Hemingway, Ryan's story is packed with chaos.They unpack how Ryan pulled off a decade‑long scam as a “reformed” model prisoner—writing a book, sculpting Virgin Mary statues, charming a prison chaplain, and emerging as a media darling with his own radio show—while secretly robbing banks on the side. It all ends in a bloody liquor store shootout in Sarnia that shocks a country that thought it had found its redemption poster boy.Plus, in the STD (Small Talk Dimension) zone, Jesse recounts a ridiculously elaborate 1745 powdered‑wig dinner party, complete with questionable Scottish accents, Jacobite plotting, and a near “diplomatic incident” over a misunderstood signature.For premium content, socials, merch, to leave a voicemail or message us go to canadaisboring.com Hosted on Acast. See acast.com/privacy for more information.

In our fourth episode celebrating the centenary of The Sun Also Rises, we examine the theme of religion and its role in the novel.From the title, the epigraphs, the pilgrims on the train, Jake's self-conscious prayer, the festival of San Fermín, and the idea of fishing as a religious experience, Larry Grimes guides us through this vast topic and shows Hemingway's religious design in The Sun Also Rises. Grimes also discusses the minor roles of Harris and Montoya and explains why Jake is such a rotten Catholic.Listening to Larry Grimes talk about such a crucial topic in this great novel is our idea of a divine pleasure. We hope you'll enjoy it, too!Also, in these Sun Also Rises episodes, we enjoy the legendary actor William Hurt reading from Jake's fascinating prayer in chapter 10, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.Thank you for supporting One True Podcast, from Mark and Michael (each with a hell of a Biblical name!)

Zzz . . . Sleep deep to this Ernest Hemingway short story – "Hills Like White Elephants" zzz For an ad-free version of Sleepy, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sleepyradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: GreenChef: GreenChef.com/50sleepy and use code "50sleepy" to get fifty percent off your first month, then twenty percent off for two months.  Avocado: AvacadoGreenMattress.com/SLEEPY for 15% off.  Quince: Go to Quince.com/sleepy for free shipping and 365-day returns BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

Thank you to everyone subscribing to Somehow UN-Related! Lawrence Mooney is on the most recent episode and Peter Rowsthorn (Brett Craig) is coming up! Get it here, on Apple Podcasts or go to Nearly.com.au It's a three way! Link to the answer Wikipedia Support the podcasts you enjoy - check out Lenny.fm More about the show - www.nearly.com.au/somehow-related-podcast-with-glenn-robbins-and-dave-oneil/ Somehow Related is produced by Nearly Media. Original theme music by Kit Warhurst. Artwork created by Stacy Gougoulis. Looking for another podcast? The Debrief with Dave O'Neil - Dave's other podcasts with comedians after gigs. The Junkees with Dave O'Neil & Kitty Flanagan - The sweet and salty roundabout! Junk food abounds!Support on Lenny.fm: https://www.lenny.fm/See omnystudio.com/listener for privacy information.

What do Goethe, Ernest Hemingway, Pablo Picasso, Paul Gauguin and so many other writers and artists have in common? They all reached the apex of their creative output while living outside their countries of birth. An email from a listener, who also happens to be a member of indie band Trash Can Dream, inspired this episode from our archives. Emma Grace Stephenson is one of two Aussie expats who make up the band that is now based in New York City. Her email sparked a discussion on how travel, and specifically living abroad, can inspire art and creativity—and why we think that is. The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy! PS Learn more about the famous foreign writers who lived and worked in Rome on Tiffany's audio tour Rome For Readers: A Literary Tour of the Eternal City. ------------------------------------- COME TO ROME WITH US: Our third annual Bittersweet Life Roman Adventure is in the books! If you'd like to join us in 2026, and be part of an intimate group of listeners on a magical and unforgettable journey to Rome, discovering the city with us as your guides, find out more here. AD-FREE LISTENING: After well over 10 years on the air with little-to-no advertising, in 2026 we have finally made the difficult decision that this completely independent and self-funded show is no longer sustainable without it. HOWEVER! If you join us on Patreon, for as little as $3 per month, you will have access to all new episodes completely ad-free! ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. GET TWO BONUS EPISODES PER MONTH: Pledge your monthly support of The Bittersweet Life at the $5 per month level or above, and you will have access to two all-new (and sometimes wacky) bonus episodes every single month. As well as ad-free listening, occasional live meet-ups, and access to our chat community. Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Legendary scholar Jackson Bryer joins us once again, this time to discuss one controversial moment in Hemingway's career, his vicious “poor Scott Fitzgerald” swipe in the original publication of “The Snows of Kilimanjaro.”We discuss the publication history of this graceless insult, what it says about Hemingway and what it says about Fitzgerald. We go on to discuss “The Snows of Kilimanjaro” as a story and the ways that wealth emerges as one of Fitzgerald's central themes. We explore the nature of the Hemingway-Fitzgerald relationship in the 1930s, Fitzgerald's “The Rich Boy,” and other works where the very rich emerge as important characters.Join us in our romantic awe of Jackson Bryer as he guides us through this notorious moment in Hemingway's career! 

Por Yaiza SantosLe contrarió que Santos no le hubiera dicho nada más entrar "mi caballero más matón,mi dragón más ardiente, mi rosa más erguida, mi leyenda de amor", pero enseguida se repuso. Llegó contento, en fin, imaginando que el viento de abril que hace este día se llevaba todas las páginas expuestas en las calles de Barcelona hasta producir un tsunami de inanidad.Extraña esta noticia que dice que España es uno de los mercados más dinámicos para el libro. Pero claro, que cada vez se vendan más libros no quiere decir que se lean, como demuestran el minoritario éxito del formato digital, cuya única función es la de ser leído, y la escasísima presencia de citas textuales en el periodismo, la política y la conversación social. En este país, el libro es un objeto de regalo. Y, sospecha, sin el prestigio que tuvo alguna vez.Elogió a Morante, monísimo en su camisón de clínica, y reflexionó sobre las implicaciones sociolingüísticas de usar en la cama “tenir la figa ballarina”, “anar botifarró” o “tenir el conillet fent tombarelles”.Y fue así que Espada yiró.Bibliografía:- Ernest Hemingway, París era una fiesta (trad. Gabriel Ferrater, Seix Barral, 1981).- Eduardo Mendoza, La intriga del funeral inconveniente.- Para ver: Machos Alfa.- Banda sonora. Hosted on Acast. See acast.com/privacy for more information.

Notes and Links to Sarah Aziza's Work     Sarah Aziza (she/هي ) is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of The Hollow Half. Winner of the Palestine Book Awards, The Hollow Half is a genre-bending work of memoir, lyricism, and oral history exploring the intertwined legacies of diaspora, colonialism, and the American dream. It is available wherever books are sold.    Sarah's award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, Best American Essays, The Baffler, Harper's Magazine, Mizna, The Washington Post, The Guardian, and The Nation, among other publications. The recipient of fellowships from Fulbright, MacDowell, the Asian American Writers Workshop, Tin House Writers' Workshop, and numerous grants from the Pulitzer Center for Crisis Reporting, she has lived and worked in Saudi Arabia, Algeria, Jordan, South Africa, Palestine, and the United States.  Buy The Hollow Half   Sarah Aziza's Website   Review of The Hollow Half from Kirkus Reviews   Sarah on Democracy Now Discussing Her Memoir     At about 2:30, Sarah talks about her language and reading life growing up At about 5:10, Sarah expands upon readings that inspired and challenged her At about 13:00, Pete and Sarah discuss ideas of writing as “political,” inspired by Marwan Makhoul, and Sarah cites a gripping poem by Noor Hindi At about 15:20,  At about 17:30, Sarah responds to Pete asking about the book's title and ideas of generational trauma and Sarah's Americanness  At about 20:30, Sarah talks about his father “pouring his hope” into her and sheltered and open pain  At about 22:20, Pete uses a Hasan Minhaj routine and Sarah expands on ideas of first generation and immigrant parents' relationships  At about 23:20, Sarah reflects on ideas of love's multiple meanings and connects these myriad ideas to much of the book and calls the book “an offering…in a time of suffering” At about 28:00, The two discuss the vagaries of Arabic and translation and its challenges and beauty  At about 33:20, Pete recounts the book's opening, and Sarah expands on her grandmother's life and struggles and joys and how Sarah is connected to her grandmother-”Sittoo” At about 37:25, The two meditate on the “small victories” of Sarah's grandmother  At about 39:05, Sarah explains how she sees her recovery/”recovered” and her present and past with anorexia At about 41:45, Sarah responds to Pete asking about an emblematic scene from the memoir where an IpHone asks to verify her identity  At about 43:05, Sarah discusses the idea of “better than what?” especially as a child At about 45:15, Sarah talks about her family's connections to ‘Ibdis, Gaza, and the fact that so much stolen and ethnically-cleansed land in Palestine is open/unused At about 48:15, Sarah talks about her time recovering from prolonged anorexia  At about 50:45, Pete notes the specific and universal in the book, as he and Sarah discuss the impulse to bury oneself in work At about 53:10, Sarah expands on reasoning for writing the book and in particular “put[ting] into place” her family history and finding a place to publish a story like hers that she feels is rarely published At about 55:20, Sarah talks about her grandmother's time living with Sarah and her family At about 57:30, Sarah responds to Pete's questions about the anorexia ward and how she saw and sees the employees there At about 1:00:45, Sarah talks about the ways in which photos opened up ideas and research and thoughts of her grandmother and her history  At about 1:03:20, Pete talks about ideas of misogyny that is specific to non-white women  At about 1:03:50, Sarah reflects on and outlines two pivotal and damaging experiences in which white neighbors showed surprise and revulsion At about 1:06:45, The two discuss Sarah's parents and their foundation and Foundation  At about 1:08:45, Sarah responds to Pete's questions about research for the book At about 1:11:00, Sarah expands on connections between the personal and the geopolitical in her work and research At about 1:11:30, Sarah recounts the story of some early involvement with pro-Palestine efforts and emotional and physical assaults At about 1:13:00, Sarah talks about being in Middle East and ideas of “humanizing” and “a political awakening” in the US and Middle East At about 1:17:10, Sarah talks about connections between resistance and love At about 1:20:25, Pete cites Ernest Hemingway in citing Sarah's family connections to Gaza At about 1:22:00, Sarah talks about the idea of “yes” and a meaningful part of the book and interpretations of being “half…” Palestinian, etc. At about 1:27:10, Sarah talks about parallels between her partner's love for her and her choice to love Palestine on a daily basis At about 1:28:00, Pete asks Sarah about ways forward, and how we get people to not “look away,” and she talks about inspiration       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 340 with Donna Minkowitz, a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Her first book, Ferocious Romance, won a Lambda Literary Award for Best Book On Religion/Spirituality. She is also the author of the novel DONNAVILLE, published in 2024.    She and Pete will be revisiting her memoir Growing Up Golem, a finalist for both a Lambda Literary Award and Judy Grahn Nonfiction Award.     The episode airs on May 5.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

"Homecoming" Ernest Hemingway once wrote, “I regarded home as a place I left behind in order to come back to it afterward.” That is exactly the sentiment that has fueled Mark Crozer's marvelous new album Homecoming. The Oxford-bred Crozer left home as a young man and in many ways he never looked back because he was always moving forward. And that forward thing worked pretty well. The singer/songwriter and guitarist had been in several bands as a teenager, but his two solo albums 1999's Shining Down On Me and 2002's Unnatural World really put hin on the map. He joined the Jesus and Mary Chain back in 2007 and he's been a member of the band ever since. And he's quietly been packing his CV with other highlights like collaborating with Consequence, working with Mitch Easter playing in Mark Crozer and the Rels and the International Jetsetters with Loz Colbert of Ride and his song "Broken out in Love" was bought the WWE, renamed "Live In Fear" and used as an entrance theme. His new album, the aformentioned Homecoming, is a stirring and deeply atmospheric song cycle that confronts getting older, the quality of love, the devastation of loss and the definition of what home really is. Filled with undulating rhythms, sneaky grooves and ghostly jangle, Homecoming is a subtle and moving melodic wonder. www.markcrozer.bandcamp.com www.bombshellradio.com (www.bombshellradio.com) www.stereoembersmagazine.com (www.stereoembersmagazine.com) www.alexgreenbooks.com (www.alexgreenbooks.com) Stereo Embers The Podcast: Threads + BLUESKY + IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

Notes and Links to Adam H. Johnson's Work     Adam H. Johnson is co-host of the Citations Needed podcast. His writing can also be found in his Substack titled ‘The Column.' His book, How to Sell a Genocide: The Media's Complicity in the Destruction of Gaza, is out as of today, April 21, through Pluto Press.   Buy How to Sell a Genocide: The Media's Complicity in the Destruction of Gaza   12 Page Excerpt from How to Sell a Genocide…   Adam H Johnson, Website for The Intercept   Column Blog: Adam's Media and political analysis (with contributions from Sarah Lazare)  At about 1:30, Adam gives a summary of the book's subject matter and his aim in writing the book At about 5:00, Adam cites “liberal” media institutions and how they have laundered and perhaps “incited” the genocide At about 6:45, Adam expands on his aim in using data and research to point out the media and educational institutions who have used diction that has aided/incited the Gaza genocide; he talks about making the information searchable to aid other researchers and institutions  At about 11:00, Adam talks about pessimism for the Democrats' role in the genocide and their “accountability” At about 13:00, Adam talks about liberal podcasters and media members and think tanks who have been silent or complicit  At about 16:00, Adam argues that an accounting and a lack of “moving on” is absolutely necessary, such that the “milieu” of Biden's time will be repeated otherwise At about 18:00, Adam talks about effective ways of quieting criticism in the face of overwhelming evidence of a genocide in Gaza  At about 19:20, Adam talks about using the map of Gaza atrocities and obfuscation in the future for imperial ends At about 22:00, Adam identifies the “template” used for further atrocities in Gaza and beyond, especially with regard to stereotypes and othering of Muslims and Middle Eastern cultures  At about 26:30, Pete cites numbers from the book that shows the preponderance of violent and incendiary language used in describing Palestinians versus Ukrainian victims At about 27:30, Adam responds to Pete's sarcasm over Joe Biden's niceties in funding the genocide and Adam talks about a broken system and articles that stated the same thing over and over again  At about 33:05, Adam talks about the “tote bag” set and justifying racist and colonial systems and genocide  At about 34:40, Adam and Pete discuss the alarming dearth of Palestinian guests on political talk shows and other media At about 36:55, Pete and Adam reflect on the “chilling” cover of the book, designed by Melanie Patrick, and the “uniformity of the elite consensus” in masking/inciting genocide and being so “chummy” with Benjamin Netanyahu, as shown in the standing ovation given to him by Congress      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.      Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 339 with Sarah Aziza, a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of The Hollow Half. Winner of the Palestine Book Awards, The Hollow Half is a genre-bending work of memoir, lyricism, and oral history exploring the intertwined legacies of diaspora, colonialism, and the American dream.     The episode airs on April 22, the one-year anniversary of the publication of The Hollow Half.       Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Send us Fan MailAnd now for something completely different.  In its 38th episode, the Great American Novel Podcast throws away its foundational genre with no more regard for decorum than cats and dogs shacking up in sheer defiance of the apocalypse. In this episode we instead consider a host of short story collections held to be so coherent, so cohesive, and so excellent that they are often considered as novels.  We ponder: are these books novels?  Are they greater than the sum of their parts?  Are they worthy of their places in the canon? Your hosts consider and discuss Wineberg, Ohio, by Sherwood Anderson; In Our Time, by Ernest Hemingway; Cane, by Jean Toomer; Pale Horse, Pale Rider by Catherine Anne Porter; Go Down, Moses by William Faulkner; Love Medicine, by Louise Erdich; and The Things They Carried, by Tim O'Brien.  All opinions are the hosts' own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.

Lenny's Podcast: Product | Growth | Career ✓ Claim : Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Keith Rabois was an early executive at PayPal (part of the famous PayPal Mafia), COO at Square, VP of Corporate Development at LinkedIn, and an early investor in Stripe, DoorDash, Airbnb, YouTube, Ramp, and Palantir. Currently he's managing director at Khosla Ventures. Also, he hasn't touched a computer since September 2010 (he does everything from an iPad).In our in-depth conversation, Keith shares:1. The barrels vs. ammunition hiring framework (and how to spot barrels)2. Why talking to customers is actively harmful for consumer products3. How to identify undiscovered talent4. Why the PM role is dying5. The three traits of the best-performing companies right now6. The specific interview question he asks every senior candidate7. Why CMOs (not engineers) are becoming the #1 consumer of tokens—Brought to you by:WorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUsVanta—automate compliance, manage risk, and accelerate trust with AI—Episode transcript: https://www.lennysnewsletter.com/p/hard-truths-about-building-in-the-ai-era—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Keith Rabois:• X: https://x.com/rabois• LinkedIn: linkedin.com/in/keith• Website: https://www.khoslaventures.com—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Keith Rabois(01:59) Why Keith hasn't used a computer since 2010(04:52) The team you build is the company you build(07:40) How Keith learned to identify talent at PayPal(10:05) Tactics for getting better at hiring(15:31) The barrels vs. ammunition framework(18:52) What makes someone a barrel(22:36) How to attract the best talent(26:18) Building companies on undiscovered talent(27:53) Why better performance requires more pressure(32:36) Career advice in the age of AI(35:14) The future of the product triad(41:03) Why design and code are merging(49:35) What practicing law taught Keith about entrepreneurship(51:22) Contrarian takes on customer feedback(1:02:33) Identifying great AI opportunities(1:05:13) Advice for evaluating statrups (1:12:36) Criticizing in public vs. private(1:15:05) Failure corner(1:17:29) Lightning round—Referenced:• Square: https://squareup.com• Jack Dorsey on X: https://x.com/jack• Head of Claude Code: What happens after coding is solved | Boris Cherny: https://www.lennysnewsletter.com/p/head-of-claude-code-what-happens• Simon Willison's Weblog: https://simonwillison.net• Vinod Khosla on X: https://x.com/vkhosla• Peter Thiel on X: https://x.com/peterthiel• Max Levchin on X: https://x.com/mlevchin• David Sacks on LinkedIn: https://www.linkedin.com/in/davidoliversacks• Tony Xu on X: https://x.com/t_xu• David Sze on X: https://x.com/davidsze• Faire: https://www.faire.com• Max Rhodes on X: https://x.com/MaxRhodesOK• Jeffrey Kolovson on LinkedIn: https://www.linkedin.com/in/jeffreykolovson• Uncapped | Comparative Advantages w/ Keith Rabois: https://www.khoslaventures.com/posts/uncapped-comparative-advantages-w-keith-rabois• Lattice: https://lattice.com• Taylor Francis on LinkedIn: https://www.linkedin.com/in/taylor-francis-4ba49640• Building product at Stripe: craft, metrics, and customer obsession | Jeff Weinstein (Product lead): https://www.lennysnewsletter.com/p/building-product-at-stripe-jeff-weinstein• The art of hiring: insights from Khosla Ventures, Airbnb, Ramp and Traba: https://ramp.com/velocity/the-art-of-hiring-insights• Eric Glyman: Seek out super individual contributors (ICs): https://ramp.com/velocity/the-art-of-hiring-insights#Eric-Glyman:-Seek-out-super-individual-contributors-(ICs)• Eric Glyman on X: https://x.com/eglyman• Mike Moore on LinkedIn: https://www.linkedin.com/in/mike-moore-802223177• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• Why you should work much harder RIGHT NOW: https://marginalrevolution.com/marginalrevolution/2026/03/why-you-should-work-much-harder-right-now.html• Opendoor: https://www.opendoor.com• The Craft of Early Stage Venture | Peter Fenton, General Partner at Benchmark | Uncapped with Jack Altman: https://www.youtube.com/watch?v=vRiblwiXt-Q• Lovable: https://lovable.dev• The rise of the professional vibe coder (a new AI-era job) | Lazar Jovanovic (Professional Vibe Coder): https://www.lennysnewsletter.com/p/getting-paid-to-vibe-code• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (co-founder and CEO): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• Marc Andreessen: The real AI boom hasn't even started yet: https://www.lennysnewsletter.com/p/marc-andreessen-the-real-ai-boom• Jeremy Stoppelman on X: https://x.com/jeremys• The design process is dead. Here's what's replacing it. | Jenny Wen (head of design at Claude): https://www.lennysnewsletter.com/p/the-design-process-is-dead• Andy Warhol: https://en.wikipedia.org/wiki/Andy_Warhol• Curation and Algorithms: https://stratechery.com/2015/curation-and-algorithms• Ernest Hemingway: https://en.wikipedia.org/wiki/Ernest_Hemingway• William Shakespeare: https://en.wikipedia.org/wiki/William_Shakespeare• Evan Moore on X: https://x.com/evancharles• Andrew Mason on X: https://x.com/andrewmason• Read Taylor Swift's Full Viral Speech After Record-Breaking Awards Sweep: https://www.newsweek.com/entertainment/read-taylor-swift-full-acceptance-speech-record-breaking-awards-sweep-11745941• The Chainsmokers: Stories Behind the Songs, AI's Impact on Music, and Venture Investing | Uncapped with Jack Altman: https://www.youtube.com/watch?v=9GMSC-2pYnw&list=PLtpH7YnTL8ihy0nR2BV32n5VkRtqlDAS1&index=16• How to spot a top 1% startup early: https://www.lennysnewsletter.com/p/how-to-spot-a-top-1-startup-early• David Weiden on LinkedIn: https://www.linkedin.com/in/davidweiden• Alfred Lin on LinkedIn: https://www.linkedin.com/in/linalfred• Keith's post about vertical integration on X: https://x.com/rabois/status/870673635375104000• Jon Chu on X: https://x.com/jonchu• Kanu Gulati on X: https://x.com/KanuGulati• Rogo: https://rogo.ai• Profound: https://www.tryprofound.com• Basis: https://www.getbasis.ai• Spellbook: https://www.spellbook.legal• Roelof Botha on X: https://x.com/roelofbotha• Delian Asparouhov on LinkedIn: https://www.linkedin.com/in/delian-asparouhov-87447742• Lessons From Keith Rabois, Essay 1: How to become a Venture Capitalist: https://delian.io/lessons-1• Velocity over everything: How Ramp became the fastest-growing SaaS startup of all time | Geoff Charles (VP of Product): https://www.lennysnewsletter.com/p/velocity-over-everything-how-ramp• Nuremberg on AppleTV+: https://tv.apple.com/us/movie/nuremberg/umc.cmc.3sg4y0382byupy76bfy7307k4• Eight Sleep: https://www.eightsleep.com• “NO DAYS OFF”—Bill Belichick on X: https://x.com/SNFonNBC/status/829036279069364224—Recommended books:• Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration: https://www.amazon.com/Creativity-Inc-Overcoming-Unseen-Inspiration/dp/0812993012• The Jordan Rules: The Inside Story of One Turbulent Season with Michael Jordan and the Chicago Bulls: https://www.amazon.com/Jordan-Rules-Sam-Smith/dp/0671796666• The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It: https://www.amazon.com/Upside-Stress-Why-Good-You/dp/1101982934—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

Notes and Links to Daniel Tam-Claiborne's Work     Daniel Tam-Claiborne is a multiracial essayist and author of the short story collection What Never Leaves. His writing has appeared in Literary Hub, the Rumpus, SupChina, the Huffington Post, the Shanghai Literary Review, and elsewhere. He has received fellowships and awards from the U.S. Fulbright Program, the New York State Summer Writers Institute, Kundiman, the Jack Straw Writers Program, and the Yiddish Book Center. Tam-Claiborne serves as program director of partnerships and events at Hugo House in Seattle. He holds degrees from Oberlin College, Yale University, and the Program for Writers at Warren Wilson College, and is the author of Transplants, a finalist for the PEN/Bellwether Prize for Socially Engaged Fiction and longlisted for the 2026 VCU Cabell First Novelist Award. Buy Transplants   Daniel Tam Claiborne's Website   Review and Informative Article for Transplants in the Seattle Times     At about 2:30, Daniel provides background on his reading and language life, including formative works and formative teachers  At about 6:40, Daniel talks about inspiring contemporary writers At about 10:50, Daniel responds to Pete asking about seeds for Transplants; Daniel expands on how he “processes the world through [his] work” and explores ideas of identity and perception At about 16:35, Pete cites the book's epigraphs and ideas of transference and ideas of changing places At about 17:20, the book's exposition is discussed, and Daniel reflects on ideas of the collective vs. individual, especially with regard to Lin At about 20:30, Daniel talks about Liz's frustrations in connecting with others and mindset in moving to her ancestral home of China for teaching At about 24:50, Daniel talks about Lin and how she deals with her burgeoning relationship with Travis and later ideas of shame and agency At about 28:00, Liz and her “existential crisis” are discussed and her altruistic and otherwise actions are examined by Daniel  At about 31:20, The two discuss the real-life parallels involving a scene in the book that shows the back-and-forth between North Korea and China At about 37:00, Pete talks about cultural misunderstandings in the book, and Daniel talks about the dissonance in the Chinese diaspora regarding new waves of Chinese immigrants and assimilation-he emphasizes Liz's brother, Phil, and his views At about 39:45, The two reflect on Liz's budding relationship and growing pains in the beginning days of Covid in Shanghai At about 41:20, Daniel replies to Pete asking about what Lin finds in Gua, her partner in the westward road trip At about 45:10, The two reflect on ideas of “foreigners” and a caring nurse and her significance in the book At about 49:00, Pete talks about feminism and Lin being “in control of her narrative” and ideas of moral clarity At about 49:50, Daniel expands on Stephen, Liz's boyfriend, and earlier iterations  At about 51:40, Daniel responds to Pete wondering about the real-life background for the housing complex and organization for which Lin delivered groceries to elderly and isolated people, many of them former internees from the Japanese/Japanese-American internment camps At about 55:20, The two muse about Liz and her motivations-subconscious or not-in traveling to China At about 56:40, Daniel talks about the book's ending and portions of the book as “surprising” to him At about 59:00, Pete and Daniel reflect on Daniel's writing the book only a few years after the beginning of the Covid pandemic and the balance between urgency and perspective        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 338 with Adam H. Johnson, a media analyst and co-host of the Citations Needed podcast. His book is an incredibly important accounting of the malfeasance, whitewashing, and misdirection of so much of the media that has enabled the tragedies of Gaza.    The episode airs on April 21, Pub Day for How to Sell a Genocide: The Media's Complicity in the Destruction of Gaza.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Send us Fan Mail****DISCLAIMER**** The views and comments made by host and guest do not represent the views nor are they in association with the United States military.****Chief Master Sergeant of the Air Force-Attitude Reflects LeadershipChief Master Sergeant of the US Air Force (CMSAF), Kaleth Wright, is the 18th and current CMSAF. Though Chief Wright's judgment in football teams may be unfortunate, the loyalty he shows to the Dallas Cowboys echoes his commitment to the Airmen under his command and his desire to see them thrive.Chief Wright would be the first to tell you that behind his successful career, stand a series of failures that propelled him to persevere, develop the compassion, and sincerity that allow him to represent the highest enlisted level of leadership in the US Air Force today.CMSAF Wright has not forgotten where he came from.  As a result, CMSAF Wright has applied the mentorship he received along the way by utilizing emotional intelligence and wisdom to lead. He aims to develop relationships with the Airmen under his authority by taking an interest in their lives.  This ACTION STYLE of leadership is only possible when a leader is willing to have a positive influence and talk with those under their guidance.Chief Wright naturally sees the good in people and has repeatedly seen the mutual benefit in investing in them to help them achieve their goals. The leader sets the tone for his people, and as the classic movie “Remember the Titans” so wisely put it: Attitude reflects leadership.Chief Wright is a lifelong learner and is committed to deliberate personal development in a number of ways.  Examples include reading a couple of books a week and listening to podcasts during his work commute. His current top three book recommendations are: (1) “The Alchemist” by Paulo Coelho, (2) “The Old Man and the Sea” by Ernest Hemingway, and (3) “As A Man Thinketh” by James Allen.Show Notes:Thoughts on “Enlisted Jesus” Moniker (03:30)Using social media as vehicle for transparency (04:30)Advice to leaders wanting to leverage social media to connectHow to build an effective relationship with someone who wants to be isolated (05:40)What leaders can do to stay in touch with ground truth (07:15)Positive attitude and influenceBest conversations leaders can have to unleash the potential in their people (10:50)Person that inspired Chief Wright and ignited his charge (15:20)Unusual successful habits Chief Wright hasBook recommendations (17:40)Personal philosophy and Failing forward (20:30)How past failure helped him in the future (21:44)Support the showConnect with Passing The Torch: Facebook and IG: @torchmartinMore Amazing Stories:Episode 41: Lee Ellis – Freeing You From Bond That Make You InsecureEpisode 81: Kurt Warner – Perseverance, Humility, and Lighting the Way Episode 90: Michelle 'MACE' Curran – How to Turn Fear into Fuel------------© 2026 TORCH LEAP®, LLC. All rights reserved.

Keith Rabois was an early executive at PayPal (part of the famous PayPal Mafia), COO at Square, VP of Corporate Development at LinkedIn, and an early investor in Stripe, DoorDash, Airbnb, YouTube, Ramp, and Palantir. Currently he's managing director at Khosla Ventures. Also, he hasn't touched a computer since September 2010 (he does everything from an iPad).In our in-depth conversation, Keith shares:1. The barrels vs. ammunition hiring framework (and how to spot barrels)2. Why talking to customers is actively harmful for consumer products3. How to identify undiscovered talent4. Why the PM role is dying5. The three traits of the best-performing companies right now6. The specific interview question he asks every senior candidate7. Why CMOs (not engineers) are becoming the #1 consumer of tokens—Brought to you by:WorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUsVanta—automate compliance, manage risk, and accelerate trust with AI—Episode transcript: https://www.lennysnewsletter.com/p/hard-truths-about-building-in-the-ai-era—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Keith Rabois:• X: https://x.com/rabois• LinkedIn: linkedin.com/in/keith• Website: https://www.khoslaventures.com—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Keith Rabois(01:59) Why Keith hasn't used a computer since 2010(04:52) The team you build is the company you build(07:40) How Keith learned to identify talent at PayPal(10:05) Tactics for getting better at hiring(15:31) The barrels vs. ammunition framework(18:52) What makes someone a barrel(22:36) How to attract the best talent(26:18) Building companies on undiscovered talent(27:53) Why better performance requires more pressure(32:36) Career advice in the age of AI(35:14) The future of the product triad(41:03) Why design and code are merging(49:35) What practicing law taught Keith about entrepreneurship(51:22) Contrarian takes on customer feedback(1:02:33) Identifying great AI opportunities(1:05:13) Advice for evaluating statrups (1:12:36) Criticizing in public vs. private(1:15:05) Failure corner(1:17:29) Lightning round—Referenced:• Square: https://squareup.com• Jack Dorsey on X: https://x.com/jack• Head of Claude Code: What happens after coding is solved | Boris Cherny: https://www.lennysnewsletter.com/p/head-of-claude-code-what-happens• Simon Willison's Weblog: https://simonwillison.net• Vinod Khosla on X: https://x.com/vkhosla• Peter Thiel on X: https://x.com/peterthiel• Max Levchin on X: https://x.com/mlevchin• David Sacks on LinkedIn: https://www.linkedin.com/in/davidoliversacks• Tony Xu on X: https://x.com/t_xu• David Sze on X: https://x.com/davidsze• Faire: https://www.faire.com• Max Rhodes on X: https://x.com/MaxRhodesOK• Jeffrey Kolovson on LinkedIn: https://www.linkedin.com/in/jeffreykolovson• Uncapped | Comparative Advantages w/ Keith Rabois: https://www.khoslaventures.com/posts/uncapped-comparative-advantages-w-keith-rabois• Lattice: https://lattice.com• Taylor Francis on LinkedIn: https://www.linkedin.com/in/taylor-francis-4ba49640• Building product at Stripe: craft, metrics, and customer obsession | Jeff Weinstein (Product lead): https://www.lennysnewsletter.com/p/building-product-at-stripe-jeff-weinstein• The art of hiring: insights from Khosla Ventures, Airbnb, Ramp and Traba: https://ramp.com/velocity/the-art-of-hiring-insights• Eric Glyman: Seek out super individual contributors (ICs): https://ramp.com/velocity/the-art-of-hiring-insights#Eric-Glyman:-Seek-out-super-individual-contributors-(ICs)• Eric Glyman on X: https://x.com/eglyman• Mike Moore on LinkedIn: https://www.linkedin.com/in/mike-moore-802223177• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• Why you should work much harder RIGHT NOW: https://marginalrevolution.com/marginalrevolution/2026/03/why-you-should-work-much-harder-right-now.html• Opendoor: https://www.opendoor.com• The Craft of Early Stage Venture | Peter Fenton, General Partner at Benchmark | Uncapped with Jack Altman: https://www.youtube.com/watch?v=vRiblwiXt-Q• Lovable: https://lovable.dev• The rise of the professional vibe coder (a new AI-era job) | Lazar Jovanovic (Professional Vibe Coder): https://www.lennysnewsletter.com/p/getting-paid-to-vibe-code• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (co-founder and CEO): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• Marc Andreessen: The real AI boom hasn't even started yet: https://www.lennysnewsletter.com/p/marc-andreessen-the-real-ai-boom• Jeremy Stoppelman on X: https://x.com/jeremys• The design process is dead. Here's what's replacing it. | Jenny Wen (head of design at Claude): https://www.lennysnewsletter.com/p/the-design-process-is-dead• Andy Warhol: https://en.wikipedia.org/wiki/Andy_Warhol• Curation and Algorithms: https://stratechery.com/2015/curation-and-algorithms• Ernest Hemingway: https://en.wikipedia.org/wiki/Ernest_Hemingway• William Shakespeare: https://en.wikipedia.org/wiki/William_Shakespeare• Evan Moore on X: https://x.com/evancharles• Andrew Mason on X: https://x.com/andrewmason• Read Taylor Swift's Full Viral Speech After Record-Breaking Awards Sweep: https://www.newsweek.com/entertainment/read-taylor-swift-full-acceptance-speech-record-breaking-awards-sweep-11745941• The Chainsmokers: Stories Behind the Songs, AI's Impact on Music, and Venture Investing | Uncapped with Jack Altman: https://www.youtube.com/watch?v=9GMSC-2pYnw&list=PLtpH7YnTL8ihy0nR2BV32n5VkRtqlDAS1&index=16• How to spot a top 1% startup early: https://www.lennysnewsletter.com/p/how-to-spot-a-top-1-startup-early• David Weiden on LinkedIn: https://www.linkedin.com/in/davidweiden• Alfred Lin on LinkedIn: https://www.linkedin.com/in/linalfred• Keith's post about vertical integration on X: https://x.com/rabois/status/870673635375104000• Jon Chu on X: https://x.com/jonchu• Kanu Gulati on X: https://x.com/KanuGulati• Rogo: https://rogo.ai• Profound: https://www.tryprofound.com• Basis: https://www.getbasis.ai• Spellbook: https://www.spellbook.legal• Roelof Botha on X: https://x.com/roelofbotha• Delian Asparouhov on LinkedIn: https://www.linkedin.com/in/delian-asparouhov-87447742• Lessons From Keith Rabois, Essay 1: How to become a Venture Capitalist: https://delian.io/lessons-1• Velocity over everything: How Ramp became the fastest-growing SaaS startup of all time | Geoff Charles (VP of Product): https://www.lennysnewsletter.com/p/velocity-over-everything-how-ramp• Nuremberg on AppleTV+: https://tv.apple.com/us/movie/nuremberg/umc.cmc.3sg4y0382byupy76bfy7307k4• Eight Sleep: https://www.eightsleep.com• “NO DAYS OFF”—Bill Belichick on X: https://x.com/SNFonNBC/status/829036279069364224—Recommended books:• Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration: https://www.amazon.com/Creativity-Inc-Overcoming-Unseen-Inspiration/dp/0812993012• The Jordan Rules: The Inside Story of One Turbulent Season with Michael Jordan and the Chicago Bulls: https://www.amazon.com/Jordan-Rules-Sam-Smith/dp/0671796666• The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It: https://www.amazon.com/Upside-Stress-Why-Good-You/dp/1101982934—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com

In the midst of our centenary festivities around The Sun Also Rises, One True Podcast takes an opportunity to celebrate another Hemingway work published in 1926: The Torrents of Spring. Elena Zolotariov, author of "'Black and Red Laughter': Subverting Whiteness in Hemingway's The Torrents of Spring" (from the Fall 2023 issue of the Hemingway Review), joins us to offer an exploration and even defense of Hemingway's neglected satire. In this episode, we talk about how and why Hemingway satirizes Sherwood Anderson's Dark Laughter, examine the plot of Hemingway's novella and the characters we meet along the way, and finally discuss its legacy.At the end of the episode, enjoy Garnet Ungar's rendition of Chopin's Étude Op. 10, No. 4 (Torrent). For even more on The Torrents of Spring and its publication history, also check out our episode with Ross K. Tangedal on Hemingway in 1926.

Notes and Links to Rachel Khong's Work     Rachel Khong is a writer living in Los Angeles. Her debut novel, Goodbye, Vitamin, won the 2017 California Book Award for First Fiction, and was a Los Angeles Times Book Prize Finalist for First Fiction. From 2011 to 2016, she was the managing editor then executive editor of Lucky Peach magazine. With Lucky Peach, she also edited a cookbook about eggs, called All About Eggs. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco's Mission district; she retired at the end of 2021. Her second novel, Real Americans, was published by Knopf in April 2024, and was an instant New York Times bestseller. Her story collection, My Dear You, is out now from Knopf. She writes the monthly newsletter, Short Story Short. Along with her friends Meng Jin, Susanna Kwan, and Shruti Swamy, she teaches writing workshops and retreats. Find them at The Dream Side.com Buy My Dear You   Rachel Khong's Website   Rachel Khong's Wikipedia Page     At about 2:10, Rachel talks about her writing experience and philosophy involving eggs At about 4:30, Rachel responds to Pete's questions about her early language and literature background  At about 7:25, Pete and Rachel geek out about The Best American Short Stories anthologies At about 10:30, Rachel highlights wonderful writing mentors and passionate readers  At about 12:00, Rachel describes her college “independent study” that exposed her to so much great writing, and Pete and Rachel cite Aimee Bender's greatness At about 15:45, Pete recounts his experience reading The Real Americans At about 16:40, Pete lays out the story collection's first resonant line and asks Rachel about the inspiration for the first story At about 20:00, Rachel responds to Pete asking about the balance between the general and the specific, especially with regard to pathos At about 22:50, Rachel reflects on a real-life parallel to a story in the collection, and an abstract/concrete connection to others in the world At about 24:05, Cats and taking care of (literally!) their owners  At about 25:20, Pete and Rachel discuss racial dynamics and diversity with regard to the story “The Freshening” At about 27:25, Rachel reflects on the ways that Asians and Asian-Americans have reacted to racism in the past  At about 30:10, Rachel discusses ideas of a “color-blind” society  At about 31:20, Pete cites resonant and outsized lines in the collection At about 32:05, Rachel reacts to Pete's musing about her as the writer sitting in judgment or not of her characters, especially Greg from “The Family O” At about 38:45, the two discuss lost loves, missed connections, and senses of comfortability and routines At about 41:00, Rachel talks about how the beginning of the pandemic connects to looking for meanings of suffering and pain and led to some of her story collections At about 43:00, The two discuss themes of connection and alienation and loneliness in various stories At about 46:20, Pete reflects on the traumas carried in the collection, and Rachel's deft touch with her writing about miscarriage and other heavy topics  At about 48:10, Pete and Rachel discuss a story dealing with cultural change in Malaysia and shout out connections to the “beautiful book”-Rachel Heng's The Great Reclamation At about 51:20, Aihwa Ong's article on possession by ghosts and worker protests are cited as seeds for Rachel's work At about 52:20,  At about 53:20, The two discuss the “beautiful absurdity” of Rachel's work and Pete cites the profundity of friendship At about 54:30, Rachel gives out tour info and book purchasing info      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.       Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl        Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!        This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.        Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. You can also buy single episodes for $3.         This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.       The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.        Please tune in for Episode 337 with Daniel Tam-Claiborne, a multiracial writer, multimedia producer, and nonprofit director. His debut novel, Transplants (Simon & Schuster, 2025), was a finalist for the PEN/Bellwether Prize for Socially Engaged Fiction and longlisted for the 2026 VCU Cabell First Novelist Award.       He is the author of the short story collection What Never Leaves, and his writing has appeared in Michigan Quarterly Review, HuffPost, Catapult, Literary Hub, Off Assignment, The Rumpus, and elsewhere. Daniel is an award-winning producer for two public media initiatives at WNET, America's flagship PBS station, including the digital documentary series be/longing: Asian Americans Now, Between Black & White: Asian Americans Speak Out, Voices Rising: What's Next for Asian Americans in the Arts, and Climate Artists.         Daniel is an outspoken advocate for Asian American issues and increased global understanding through education, cultural exchange, storytelling, and effective philanthropy. He serves as Deputy Director at The Serica Initiative, a nonprofit organization that amplifies the impact of the Asian diaspora in America.       The episode airs on April 14.       Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Toni Ann Johnson's Work     Toni Ann Johnson won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026).    In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize.    A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021.    Short fiction and essays have been published in The Emerson Review, Hunger Mountain, Fiction Magazine, Callaloo, The Los Angeles Times, and elsewhere.    A novel, Remedy For a Broken Angel, was published in 2014 and received a nomination for a 2015 NAACP Image Award for Outstanding Literary Work by a Debut Author.    Johnson is a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).      Buy But Where's Home?   “How But Where's Home? by Toni Ann Johnson Got Made” from Publisher's Weekly Toni Ann Johnson's Website At about 1:50, Toni Ann shouts out Crystal Wilkinson and her great work in talking about Toni's newest release, But Where's Home? and awards At about 3:25, Toni Ann speaks about working with real-life events as fodder for fiction  At about 7:40, Toni responds to Pete's questions about her book's structure, especially her inclusion of a novella At about 11:00, the two discuss the book's opening story and exposition  At about 13:30, Toni Ann expands on a real-life parallel in the story collection  At about 14:20, The two discuss Livia, the narrator's sister, and her feelings of marginalization and her efforts as girl to adjust  At about 17:30, Pete and Toni Ann talk about traumas informing one's own parenting, in relation to a deep quote in the book At about 20:00, Toni reflects on a character in the book as a "generational nemesis” and a contentious neighbor's links to the family's generations and changing dynamics   At about 22:00, Toni Ann reflects on ideas of “not seeing color” as a damaging ethic in American history  At about 25:00, Pete and Toni Ann discuss changing ways of talking about race over the decades  At about 26:15, Toni Ann expands on a meaningful family heirloom, a pen, in the collection At about 27:40, The two discuss empathy and sympathy for characters whose actions the readers may not condone At about 29:10, Pete asks Toni Ann about Maddie's response to her sexual assault, and how her words towards her mother come from her traumas  At about 31:55, Toni responds to Pete's laying out of a resolution made by Maddie in discussing the actions of the children of narcissistic parents At about 36:25, Pete remarks on the importance and skill of Toni Ann's ancillary characters and veins of ancestors running through the collection  At about 37:45, The novella's opening is discussed, with Maddie interested in getting Zeke's attention  At about 39:25, Pete and Toni Ann talk about Zeke as navigating racism and tropes in a conservative town At about 41:00, Muriel, Phil's lover, and the events that lead to Velma's “having her guard down” are discussed, as well as how Velma and Maddie interact  At about 44:45, a turnabout with mother and daughter is explored  At about 46:05, Pete cites important flashbacks and confrontations between Velma and Maddie At about 47:20, Franny, a character who is in multiple of Toni's works, is discussed as a reminder of home in Monroe, NY At about 49:00, Pete and Velma highlight ideas of innocence and the traumatic experiences of childhood for Velma  At about 50:25, the two discuss Olivia and Maddie's grievances towards their parents and guilt (or lack thereof) from Maddie At about 53:20, Toni Ann responds to Pete's questions about self-esteem and the significance of the collection's title At about 57:10, Toni Ann highlights “moments of levity” in the book    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 336 with Rachel Khong, whose debut novel, Goodbye, Vitamin, won the 2017 California Book Award for First Fiction, and was a Los Angeles Times Book Prize Finalist for First Fiction. In 2018, she founded The Ruby, a work and event space for women and nonbinary writers and artists in San Francisco's Mission district. Her second novel, Real Americans, was published by Knopf in April 2024, and was an instant New York Times bestseller. Her story collection, My Dear You, is out as of today, April 7.    The episode airs on April 7, Pub Day for My Dear You.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Watch this episode on YouTube: https://youtu.be/pLLZZ2EhLaw In this episode of The Science of Creativity, Keith Sawyer sits down with Teresa Amabile, one of the world's most influential creativity researchers, to explore a deceptively simple question: How much does our social environment shape our creativity? Drawing on more than five decades of research, Amabile dismantles the myth that creativity is solely a matter of individual talent or inspiration.  The conversation traces Amabile's groundbreaking research on intrinsic vs. extrinsic motivation, including classic experiments showing how rewards, evaluation, surveillance, and competition can undermine creativity—and how, under the right conditions, external rewards can actually enhance it. The episode closes with practical advice listeners can apply immediately—from keeping a daily progress journal to a surprisingly effective technique borrowed from Ernest Hemingway. This wide-ranging conversation offers deep insights for educators, managers, creatives, and anyone interested in sustaining creativity across a lifetime.  Key Takeaways Creativity is not just individual—it's social. While creativity happens in the brain, it is powerfully shaped by social, organizational, and cultural contexts. Intrinsic motivation is essential for creativity. People are most creative when they are driven by interest, curiosity, and personal challenge—not by rewards or evaluations. Extrinsic rewards can undermine creativity—but not always. Rewards that feel controlling reduce creativity, but rewards experienced as bonuses can enhance creativity when intrinsic motivation is already high. A simple daily habit can boost creativity. Keeping a brief "progress journal" helps people recognize forward movement, sustain motivation, and navigate setbacks. Leave creative work unfinished—on purpose. Stopping at a point where you know the next step can make it easier to re-enter creative flow and benefit from overnight incubation. About Dr. Teresa Amabile Dr. Amabile's web site Teresa M. Amabile is the Edsel Bryant Ford Professor of Business Administration, Emerita, at Harvard Business School. Her most recent book, Retiring: Creating a Life That Works for You, presents insights from a decade of research on the psychological, social, and life restructuring challenges of retiring. Teresa's research has appeared in over 100 scholarly journal articles and many other outlets, including Harvard Business Review, as well as several edited books.  Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2026 Keith Sawyer

On July 2, 1961, Ernest Hemingway — the Nobel Prize–winning author whose spare, forceful prose and larger-than-life persona helped define 20th-century American literature — died at the age of 61 from a self-inflicted gunshot wound at his home in Ketchum, Idaho. A towering literary figure, Hemingway reshaped modern storytelling through works like The Old Man and the Sea, A Farewell to Arms, and For Whom the Bell Tolls, blending stoic masculinity with themes of loss, courage, and endurance. His death marked the end of a singular voice whose influence extended far beyond literature, leaving behind a legacy as mythic as the man himself. Hosts: Jason Beckerman, Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to another episode of the unSeminary podcast. Today we're joined by Jeremy Norton, Lead Pastor of Mountainview Church in Whitehorse, Yukon. Jeremy has led the church through a significant revitalization journey since 2017, helping transition it into a growing, multicultural congregation that now includes both English and Tagalog gatherings. Are you looking for a fresh way to engage Scripture in your own life or lead your church through it? In this conversation, Jeremy shares the heart behind his recent book Meeting Jesus, and how exploring the relational encounters of Jesus in the Gospel of John can reshape both personal faith and church leadership. A revitalization story shaped by people. // Originally founded in the 1940s, Mountainview Church underwent significant change beginning in 2017. Over time, the congregation not only stabilized but began to grow, including the addition of a Tagalog-speaking gathering led by a Filipino pastor. This shift reflects the demographic reality of Whitehorse, where a growing Filipino population now makes up a significant portion of the city. The result is a church that is both culturally diverse and unified around shared teaching and mission. Why focus on the relational encounters of Jesus? // Jeremy's book Meeting Jesus began as a sermon series that explored the Gospel of John through the lens of Jesus' one-on-one interactions. Rather than a traditional verse-by-verse approach, Jeremy focused on how Jesus engaged individuals, like Nicodemus, the woman at the well, and Pontius Pilate. This relational framing makes the gospel more accessible and personal, helping people see themselves in the stories. Why this approach resonates today. // Exploring Scripture through relational encounters connects deeply with modern audiences. People are drawn to stories they can see themselves in, whether as skeptics, wounded individuals, or seekers of truth. In particular, Pilate's question, “What is truth?” reflects a growing cultural tension where truth is often seen as subjective. By grounding these questions in Scripture, churches can help people navigate complex cultural conversations with clarity and conviction. A resource for churches and leaders. // Jeremy sees Meeting Jesus as more than a book; it's a ministry tool. Jeremy built this into his book by including discussion questions and action steps at the end of each chapter, making it a practical tool for both individuals and groups. Churches can use it alongside a sermon series through John, in small groups, youth ministries, or leadership development environments. It can also serve as a resource for new believers exploring faith or long-time Christians seeking deeper understanding. Turning sermons into lasting resources. // Jeremy also offers a behind-the-scenes look at why pastors should consider turning sermon series into books. Many pastors spend significant time preparing messages that are later archived and forgotten. By developing those sermons into written resources, leaders can extend their impact far beyond Sunday. Books can become tools for discipleship, outreach, and even invite culture, giving church members something tangible to share with others. A practical framework for pastors. // For pastors considering writing, Jeremy suggests starting with sermon series that span three to six months. That’s long enough to provide depth but not so long that the content becomes overly academic. You can follow along at Mountainview Church at mountainview.church. To learn more about Jeremy's book Meeting Jesus and access additional resources, visit leadbiblically.com or find the book wherever books are sold. Thank You for Tuning In! There are a lot of podcasts you could be tuning into today, but you chose unSeminary, and I'm grateful for that. If you enjoyed today's show, please share it by using the social media buttons you see at the left hand side of this page. Also, kindly consider taking the 60-seconds it takes to leave an honest review and rating for the podcast on iTunes, they're extremely helpful when it comes to the ranking of the show and you can bet that I read every single one of them personally! Lastly, don't forget to subscribe to the podcast on iTunes, to get automatic updates every time a new episode goes live! Episode Transcript Rich Birch — Hey friends, welcome to the unSeminary podcast. So glad that you have decided to tune in Really looking forward to today’s conversation. We got multiple conversations happening on multiple levels today, and we’ve got a repeat guest, which you know, when we have a repeat guest, what does that mean? This is a person I want you to listen in on and pay attention to. Today, we’ve got the privilege of having Jeremy Norton with us. He is the lead pastor of Mountain View Church. It was established in the 1940s in the Yukon, the Yukon Territory, and went through revitalization here in 2017. It is now both English and Tagalog. Did I say that correctly? Is that close? Close. Jeremy Norton — Yes, that’s great, which is which is the language of Filipino peoples.Rich Birch — Which is fantastic. He wrote most recently wrote a book called “Meeting Jesus”, which I want you to check out, which walks through the Gospel of John, highlighting Jesus’ relational encounters and how he crossed boundaries and transformed lives. You’re going to love this. Jeremy, welcome to the show. So glad you’re here.Jeremy Norton — Thanks so much for having me. Excited to be back.Rich Birch — Always good a chance to connect with you. And, you know, people, when they say I’m from the North, I’m like, no, my friend Jeremy, he really is from the North. You know, that’s a long ways away. Kind of talk to us about Mountain View. Tell us a little bit of the story, how you intersect there. If we were to arrive. You’ve been on in past episodes, but kind of update us a little bit.Jeremy Norton — Yeah, yeah. So I’m going on 11 years as lead pastor of Mountainview Church. Started as Whitehorse Baptist Church, revitalized to Mountainview Church, all sorts of different changes there. Yeah, lots of people are familiar with revitalization journeys. Went through that. It’s hard work, but it’s good work. And I’m on the back end of it and we’ve seen crazy growth. We went to two English gatherings during revitalization. And then about a year and a half ago, we added a part time Filipino pastor and he does a Tagalog gathering as well. Jeremy Norton — And so same content, same or same theme and passage as the English gatherings, but obviously he writes his own content. So we still go through the sermon series together. His name’s Byron, Pastor Byron. And so that’s been really, really great. Jeremy Norton — Most people don’t know that in Whitehorse, and I think Yellowknife as well, Canadian immigration about 10 years ago started kind of fast tracking Filipino peoples. And for those of us in Canada, all of a sudden, probably 10 years ago, we started seeing more and more Filipino people in the workforce, amazing people, joyful people, resourceful people. And it got to the point in Whitehorse where we had a lot of Filipino immigrants and And to the point where we’re about 10% of our population in our city is Filipino.Rich Birch — Wow.Jeremy Norton — And so there’s actually like there’s a Filipino Catholic, Nazarene. And for us, we’re Evangelical Baptist. So there’s a number of congregations that are Tagalog speaking. And yeah, so that’s kind of where we’re at now.Rich Birch — That’s very cool. Jeremy Norton — Yeah. Rich Birch — That’s, yeah that’s fun fun to hear. And I, yeah and I’m thinking about, man, moving from the Philippines to Whitehorse, that’s a move. That’s a move right there.Jeremy Norton — Crazy. Yeah. A country that’s constantly what over 30, over 35 degrees Celsius.Rich Birch — Yes, yes. Yeah.Jeremy Norton — And then now they’re in negative 40 Celsius. Rich Birch — Right. Jeremy Norton — Which, for Americans, negative 40 meets at Celsius and Fahrenheit. Rich Birch — Yes. Cold. Jeremy Norton — So it’s just stuff’s cold and it breaks. Rich Birch — Yes.Jeremy Norton — So yeah, crazy. And it just shows you the the desire of Filipino people to to, I guess, make life better for their family and to take opportunities. They’re willing to sacrifice a lot. It’s pretty incredible.Rich Birch — Love it. Well, we want to talk today about a book that you’ve recently released called “Meeting Jesus: the Transformational Encounters of John’s Gospel”. Why don’t you give us the the big picture first? Why did you write this book? what What’s the kind of story you’re telling here? What are you hoping for? What were you thinking as you were pulling this together?Jeremy Norton — Yeah, well, it it started as a sermon series in 2018 called Meeting Jesus. And I wanted to walk people through John’s gospel, but instead of in instead of doing a just kind of an expository preaching series, I was like, what would it look like to go through the actual relational encounters that Jesus had with different people?Jeremy Norton — You know, I guess starting with kind of Philip and Nathaniel and even working to Nicodemus, woman at the well. Anyway, all the way right through to to the to the famous moment of him and Pilate, where Pilate’s like, what is truth? You know so the whole journey. Jeremy Norton — And then after doing that in 2024, I can only assume the the Holy Spirit led me to like just opening up those notes. And I was like, I need to turn this into a book. This isn’t quite a commentary. And yet it is a commentary, and yet it’s it’s it’s a story because it’s each chapter is the story of Jesus and another person. And in the sermon series, I had expanded on like who this person is in modern culture as well.Jeremy Norton — Like, this could be you, this person. You know, whether it be the the legalist or the skeptic or like, you know, yeah, again, you have you have Nathaniel, who’s the skeptic, Philip, who’s the evangelist. You have Nicodemus, who’s the legalist. You know, anyway, ah the the woman of the well who’s wounded and and really disowned from culture. So there’s all these people. Jeremy Norton — And and then so I I started working to put the sermon series into a book. I use a publisher.Rich Birch — Right.Jeremy Norton — I have a great publisher, Ambassador International, sent it to them in…And then through 2025, it went back and forth to multiple edits.Rich Birch — Right.Jeremy Norton — They did a lot of work for me. Rich Birch — Yes, yes.Jeremy Norton — And, you know, and yeah, then it launched in March 10th. And it’s been really fun.Rich Birch — Yeah, that’s great.Jeremy Norton — So far, I’ve got amazing feedback from it. So it’s great.Rich Birch — Yeah, that’s great. I’d love to, I think the framing of kind of the relational encounters of Jesus is interesting way to look at the Gospels. And, you know, the the the incredible popularity of “The Chosen”, I think, is built on a similar premise, right? How do we see Jesus, even if you have a kind of passing knowledge of Jesus, see these stories that maybe we’ve heard of before, but from a slightly different lens, just a slightly different point of view, which is like, hey, let’s think through this at ah at a human level, for lack of a better word.Rich Birch — Why do you think that that is, an effective way to re-encounter something like the gospel of John? Why is that in a framework that you think God’s used either in your series or when you talk about it here in the book?Jeremy Norton — Yeah, I think and well, I think John’s gospel in itself is, you know, different than Matthew, Mark and Luke like how he writes it. He wrote it later right it’s the gospel that came much later. Rich Birch — Right. Jeremy Norton — And so and for whatever reason God led him to to focus so much on the conversation Jesus had with people. You know the other gospels just detail things differently. And so I don’t we’ll you know we’ll meet John one day but I imagine he he’s pretty pastoral. I I, from his writing, I I imagine that he’s kind of the, you know, for a modern term, you know, coffee shop pastor just wanting to know people’s stories… Rich Birch — Right. Jeremy Norton — …and saying like, oh, I remember this one time Jesus had this conversation with so and so and this is how it played out. And this, you know, and so that’s when I did the sermon series, which became the book like that, I just envisioned John like that. And I just thought that John’s like a lot of pastors with their congregations on those like coffee shop meetings, or like trying to help them through life and trying to point back to Jesus and the conversation he’s had. So, um yeah, that’s kind of that’s where where it all kind of started… Rich Birch — Started. Yep.Jeremy Norton — …and I just wanted to explain that well. And there is tons of scripture in it, and even going back to pointing back like for context, and it’s not like there’s not theological depth to it, or pointing back to some Old Testament stuff on what what was talked about. Yeah, especially with ah Nathaniel, who Jesus calls the true Israelite. You know, we get this picture that Nathaniel really wanted to follow God’s law. He he really he really was waiting to see the Messiah, but but desperate, you know, to see the Messiah. So anyway, yeah.Rich Birch — That’s cool. When you went through the series, was there one of these vignettes that seemed to resonate or stick out with your church more than others? Or, you know, we like to think, oh, every every message is like people just love them. But were there any of them that just kind of like, oh, that seemed to to resonate? And why do you think that resonated with your people? Because maybe that’ll continue to resonate even through, you know, the book here. Jeremy Norton — Yeah, there’s there’s there’s there’s two that I that I remember. Rich Birch — Yep. Jeremy Norton — I mentioned them slightly already. Rich Birch — Yep. Jeremy Norton — But coming out of the revitalization in 2017 and then moving into 2018 this was like one of the one of the sermon series that kind of got us in the journey. And so, you know, hashing out Nicodemus as a, as a, as a legalist who, who’s, you know, the midnight encounter with Jesus and, and, and processing like how to be born again. And we were getting a lot of visitors. And so and so that was an important thing. Jeremy Norton — And it was an important thing, I think, for a church that had been probably like a lot of churches pre-revitalization, they tend to lean towards legalism a little bit, the rules, you know, thus saith the Lord. And to understand, to just see it through Nicodemus’ eyes that that his whole religious worldview was like breaking down at midnight. Rich Birch — Right. Jeremy Norton — And and you know unfortunately, we don’t really get the end of the story with Nicodemus. Rich Birch — Right.Jeremy Norton — It’s like I’m always desperate for it. Like what happened in the end?Rich Birch — Right. Yes.Jeremy Norton — Like, did he just give up his religious position? Did he stay like a Christian spy? Like what, you know, what happened? So that was the first one to, to just really help our church understand that being born again, like that is, that is the, the point.Rich Birch — Right.Jeremy Norton — And, uh, and all the rules and all the commands like of of God’s law, they’re a beautiful thing, but they were all leading us to the trajectory of Jesus… Rich Birch — It’s good. It’s good. Jeremy Norton — …and fulfilling the law, fulfilling the prophets. And that and that we we we need to be dead to self and and born again.Jeremy Norton — And and then the the second one was, which I already slightly mentioned, was that was Pilate and what is truth. And in 2018 in particular, there was, I’m sure pastors listening will remember that we, we weren’t quite in, we weren’t at COVID yet, but the, it was like, you know, a year and a half before and, and truth was a big thing. Rich Birch — Right.Jeremy Norton — There was, there was a lot of identity stuff happening in 2018.Rich Birch — Yep.Jeremy Norton — It was just kind of really kicking off, especially in Canada. It was, it was a big deal. And so capturing truth and and what is truth that that’s actually in 2018 was when we started hearing a common phrase now where like your truth and my truth. That was just kind of starting at that time.Rich Birch — Right. Right. Yes.Jeremy Norton — And so hearing Pilate… Rich Birch — Right. …who is, you know, has so much authority and so much clout and and trying to figure out Jesus and just clearly just so frustrated that he’s in the whole mess of this and that really doesn’t want any part of it. And…Rich Birch — Yep.Jeremy Norton — And for the Greco-Roman world, like they were definitely like in a lot of ways, like modern culture, likeRich Birch — Right.Jeremy Norton — you take a little part A, a little part B… Rich Birch — And blend it together. Jeremy Norton — …and you just form your own truth. Rich Birch — Yes.Jeremy Norton — God 1, god 2, god 4 – who cares… Rich Birch — Right. Yes. Yes. Jeremy Norton — …you know. Rich Birch — Yeah. Yeah. yeah Interesting.Jeremy Norton — So so that really resonated too. And that was like the last, that was the the last message in the series. And we actually saw people come to know Christ and baptized at the end of the series and and ending doing it actually right before Easter. And yeah, it it yeah was great.Rich Birch — That’s good. Yeah, I love that. There’s, you know, it’s, I think it’s great to relook at a book like the book of John from this kind of perspective. Because I think sometimes as pastors, people, as we, you know, deal with the scripture, and it it can become routine. We don’t want it to become routine. That’s not our heart for that to happen. But I think that can happen. That’s like, I’ve said in other contexts, that’s like an occupational hazard we have with the scripture is… Jeremy Norton — Totally. Rich Birch — …you know, we’re we’re constantly just opening this book up to find, you know, I got to find nuggets to give to other people. And, you know, I miss that. Rich Birch — Speak to a pastor who might be listening in today that this book could help them because I was struck by that. This could be the kind of thing that I think even for us as we’re thinking about our own walk with Jesus, I think this kind of book could help us help us think think about this book from that perspective.Jeremy Norton — Yeah, this for a pastor that wanted to go through John, they could just grab this book and do a like, like for their church, either the whole church. Rich Birch — Right. Jeremy Norton — Hey, we’re going to be walking through John and we’ve got this book Meeting Jesus and and it’s going to be available in our small groups. Because in the back of every chapter, there’s discussion questions, action items like the the publisher really helped me flesh out the end of the chapter to make it very applicable. Rich Birch — That’s cool.Jeremy Norton — So you can walk through John’s gospel and meeting Jesus could be a discussion guide. Even for like youth, for like senior high youth, totally doable in that through all your community groups and to for for a pastor to preach through John, but then get more ah more out of it, I think would be would be quite valuable. Obviously I’m biased… Rich Birch — Yeah, yeah, yeah.Jeremy Norton — But but if you’re look if you’re looking for a resource to give your people to get the fullness out of your John series this be it for sure. Yeah.Rich Birch — Love it. One of the things I love about this is like, sidebar taking that back to school. I did a class on John. Actually, one of my favorite classes in school was on John and my prof was just amazing. And and I oftentimes when I’m reading John I hear his voice you know my prof’s voice… Jeremy Norton — Yeah. Rich Birch — …and remember he used to make, there’s all those places in John where, maybe it’s not that many, you probably would know because you’re a better preacher than me. There’s those places where John refers to John as the one who Jesus loved.Jeremy Norton — Yeah.Rich Birch — And my prof used to always make fun of that all the time and be like, you know, here, there he is. He’s like writing about himself saying, or maybe it’s the community writing about him saying, well, you know, the John, the one who Jesus loved, you know, which is just a funny story. But it is, it speaks to your point. It’s a personal text. It’s it has a relational edge to it that I think we can miss we can miss or as an opportunity for us to highlight for our people. Hey, let’s let’s think about this from a slightly different perspective. Love that.Jeremy Norton — Yeah, and even even how John talks about the discovery of the empty tomb… Rich Birch — Yes. Jeremy Norton — …and and who’s with who and who’s running back, like how he how he does it, it’s just, I’m for me, I’m always like, that’s you know, great about the New Testament writings is like God in his, wisdom didn’t take the personality out and yet kept the truths.Rich Birch — Yes. Yes.Jeremy Norton — And so you, you see a little bit like, like was John, if he really was the relational guy and, and just the the shepherd, was he also a little bit insecure?Rich Birch — Yes.Jeremy Norton — It kind of comes across a little bit. Like, I don’t know for sure. I don’t, I can’t do the full exegesis of it, but I, I often wonder that.Rich Birch — Yeah, it feels very human.Rich Birch — That part of the, that part of the the well, and even that whole story… Jeremy Norton — Yes. Rich Birch — …well, that to me is one of the most compelling reasons for why I believe the text, because it’s like, if you were trying to make up a story…Jeremy Norton — Totally. Yeah.Rich Birch — …about a guy coming back from the dead. there’s a bunch of stuff in there, including the women, including the…you’re telling me that the guys that were the closest were not here. You know, like that just doesn’t make sense. Like you, if we were writing this story, you would be like, Hey, let’s put, let’s put us all in there. Let’s put us that we, we, we stood by and maybe we beat up the centurions. Like, let’s put that in like that. That’ll make us look better.Jeremy Norton — Totally. Yeah. Rich Birch — But that to me is one of the, to me, it’s like one of the most compelling. There’s a bunch of that in the New Testament, but that’s one of them that to me is a key text… Jeremy Norton — Yeah. Rich Birch — …that speaks to why you can believe this text to be true, because you wouldn’t write it that way if, unless it actually happened. Jeremy Norton — Totally. It makes, yeah, it makes me think of Mark Clark’s book, The Problem of Jesus. Rich Birch — Yes. Yeah. Yeah. Jeremy Norton — He does an excellent job, like, explaining the resurrection and and and from, like, an investigator’s point of view. I’m like, that this is so erratic.Rich Birch — Yes. Yes. Jeremy Norton — It has to be true, you know?Rich Birch — Yes. Yes.Jeremy Norton — So, yeah, it’s good.Rich Birch — When it feels very human, feels very human, right? You’re like, like you say, like that feels like the kind of thing I can relate with for sure. Rich Birch — Think about it at a church level. You kind of mentioned this because similarly, I thought, man, this could be a great study. Jeremy Norton — Yeah. Rich Birch — I was actually struck by, I think an interesting context for it might be, hey, you’ve got a group of leaders. at the church that you’re trying to invest in. And, um you know, my friend Dan Reiland from 12 stone said, you know, the core of his leadership development over the years has been find a group of 10 people say, here’s a book, let’s read it and talk about it. To me, this is one of those ones that could be great because it’ll get, it’ll open up all kinds of other conversation.Jeremy Norton — Totally.Rich Birch — What are some other contexts that you kind of pictured this being used in the church?Jeremy Norton — Yeah, I think, well, personal devos I think would be great. Like if you’re reading through John just on your own, like the the back sections can, yeah, it can be discussion guides, can also be like a personal journal. I if people went ah into a deep dive of of this book, reading along with John’s gospel, obviously there’s lots of scripture just like right in the book. But, and then let’s say they answer the reflection questions, go through the action items. There’s just so much there’s lots of space in that end of each chapter. And I could see someone, turning it into like a journal and…Rich Birch — That’s good.Jeremy Norton — Yeah, I also think, you know, I guess it it could it could also be a great gift. I think if you’re if you’re, you know, you could keep giving people a coffee mug with your church’s logo on. You really could if you wanted to. Rich Birch — Right.Jeremy Norton — I’m I’m I think I think books are with the pen and the candy bar or whatever, you know, whatever you’re going to do I think a book as a gift is a is a good way to do it. Obviously, it’s my book. I’m biased, and there’s lots of great books out there. Rich Birch — Yeah.Jeremy Norton — But this would be a book, whether whether someone’s first coming to know Christ or exploring Christianity, or whether they’re they’ve been long discipled and mentored for a long time as you’re as a first-time guest in your church to give them a little welcome package. This this would would fit, I think.Rich Birch — Yeah, for sure. That’s good. Let’s pivot to actually that, that, ah you know, wants me to pivot to a different kind of a different conversation, but about the book… Jeremy Norton — Sure. Rich Birch — …which is even that as a pastor, so kind of the meta conversation, it’s a lot of time, effort, and energy, I can say as a a third time author who’s working on the fourth and is taking time.Jeremy Norton — Well done.Rich Birch — It’s like, it’s a lot of time to invest to put this together. As a pastor of a church, talk to me why you would invest the time, effort, and energy in writing a book like this. What how do you see that fitting in to you know the mission of what you’re doing at the church?Jeremy Norton — Yeah, well I want a lead passion out over a decade and you go through sermon series. You know there are those pastors who will do like two years in Matthew… Rich Birch — Right. Jeremy Norton — …and they’re doing like one or two verses a time…excuse me. And so you know that i can’t turning that into like that’s going to be a full-on commentary, very theologically deep.Jeremy Norton — But for a lot of us, we’re doing thematic thematic series or like this, where you’re doing an overview of a book, like catching highlights, encouraging a congregation in their personal study to read through the meat of it and the details. But, you know, maybe one chapter at a time, a highlight. So there’s lots of times pastors do that.Jeremy Norton — And so you write these sermon series and then they just get archived. And, you know, I I’ve I have them. Every pastor listening has them where you have, you know, your folders and you open your folders and it’s like you have the year and then you got the months… Rich Birch — Right. Jeremy Norton — …or or maybe you just have the sermon series. And then you open that folder and it’s like manuscripts, notes, and you don’t want to delete them. Rich Birch — Right. Jeremy Norton — Because you’ve put so much heart and soul and prayer and and work into it. And I just, I really feel it’s a ton of work, like so much work, so much work, but you get better at it. And pastors that you you can, you can let those sermon series live on in books. Rich Birch — Right. Right. Jeremy Norton — And you you can do the heart, the hardest work. You know, I’ve done both ways, having a publisher, And self-publishing, you can do the self-publishing, you know, Amazon has those tools. It gets easier over time, you know, having done a ah number of them now and some of them looking ugly and some of them now looking it’m like, okay, I got it I’ve got it locked in now.Rich Birch — Right.Jeremy Norton — And with you go a traditional publisher, you know, when you’re first getting started, you know, it it it costs money. But there is something amazing when you see your sermon series in print. Rich Birch — Sure.Jeremy Norton — And that you can give it to your, you could give it as a gift to your people, welcome gift, or you could just sell it. And, and you, you’ve got people in your congregation that will support your writing anyway. They love your sermon series.Rich Birch — Yeah. Yeah.Jeremy Norton — That’s why they’re there. The main reason they’re coming. There’s, they may come for different reasons to your church, but they’re staying for the teaching.Rich Birch — Right.Jeremy Norton — Like we just know that. The the stats are there and can enter consistent. So to have to have your teaching in a book form, they will buy it for friends. They will buy it for themselves, they especially if they really love the sermon series. Rich Birch — Yep.Jeremy Norton — So. But it’s a lot of work. Rich Birch — Yes.Jeremy Norton — I get it. It’s a lot of work.Rich Birch — Yeah, I like it from, and we said this before we started recording, but from a on the like invite culture, church growth side of work that I do, one of the tactics that I recommend that churches seriously look at is writing a book like this. Take a sermon series, do the work to, and you know, it takes time.Rich Birch — It’s not a like, you can’t pull that trigger and a month later you’ve got a book. That’s not how that works. It takes time. But it is a great tool. And we’ve seen it with the churches we work with, multiple churches, where it it is, like you’re saying, it’s a great in the new year gift. It’s a great tool for there. But it’s frankly a great tool for your people on the invite side. People will give the book to other folks. Jeremy Norton — Correct. Rich Birch — It’s a way to interact in town with other, you know, like other leaders, that sort of thing. And, you know, your people, there is still, there’s like a perceived…prestige is too strong of a word. But there’s like there’s a validation in in putting together a book that… Jeremy Norton — There is. You are totally correct. Rich Birch — …you know you’ve you’ve put the work in, and that it probably means more than it should in the culture, but it is a tool. It’s something that you could use. And so I love that you’re doing this. When you think about, if you were sitting across from a a pastor, was thinking about the kind of series that would translate well into a book based on your experience, obviously not all series could could translate well. What would be the kind of thing that you think could translate well for someone?Jeremy Norton — So there’s a, yeah, a few caveats would be like, it has to be a minimum that you’ve done. It’s gotta be in order to get it to book form, I would minimum two months, but that’s going to be a slim book. So I would say like, I guess if you really wanted to but the sweet spot is three to six months series. In a three to six months series, you’re going to have enough content for a book. But not so much content that now you’ve written a textbook.Rich Birch — Right.Jeremy Norton — That’s why I was saying like, you’re doing the year in Matthew or the two years in Matthew, which, you know, lots of, that seems to be a thing, especially with Matthew. I hear that more than anyone else is, is doing the deep dive of Matthew, probably because a lot of the touch points to the Old Testament in in Matthew for sure. But it’s too it’s too big. You’re you’re it’ll be too academic. It won’t be accessible. It’ll just be a monster. Rich Birch — Right. Jeremy Norton — So three to six months of sermon series. And and yeah, just there’s lots of there’s AI tools out there that you can use to to be cautious with the AI tools, because if you lose your voice, you’re done like it does people people will see it.Rich Birch — Right, right. It doesn’t sound like you.Jeremy Norton — If your book is full of m dashes, they will know that ChatGPT wrote it, you know.Rich Birch — Yes, yes. That’s funny. Yeah.Jeremy Norton — So yeah, it it it. Yeah, it’s it’s it’s something that I think later on I want to help pastors with. I think I really would.Rich Birch — Yeah, that’s cool. Yeah, I do I think there’s a I think there’s an opportunity there for a lot of pastors to think about that and say, hey, what is there a way for us? I like the idea of like, I think that’s a good tangible three to six months. Even if you’re, I’m thinking about even the lead pastor at at our church, we typically do four or five week series.Rich Birch — He doesn’t, we don’t typically do super long series like that.Jeremy Norton — Oh right. Yes.Rich Birch — We’re changing the channel, but he’s done a number of, he’s come back to similar topics over time. So he’s, we just finished up a series on the Holy Spirit. It’s actually the third time in, maybe three years, we’ve done a series on the Holy Spirit. You could see where maybe it’s piecing together a couple different series and say, hey, there might be a, or you could think about that on the front end, like, hey, maybe over the next two years, I’m going to do three or four series together, you know, or over this next couple of years that I eventually am going to pull together into one, you know, overarching kind of idea that we can put together in a book.Jeremy Norton — And even in that, like hearing, okay, so three years doing the Holy Spirit… Rich Birch — Yep. …you could definitely do, just take those three, if they’re like four to six weeks or whatever, a three-part book and actually separate into parts.Rich Birch — Yeah.Jeremy Norton — and And again, using AI tools, you can upload those documents and say, ah you know, anything that’s duplicate, you know, please categorize for me. Rich Birch — Right, right. Jeremy Norton — And, you know, put it into co-work or something like that. And, and then go into the docs, pull, pull that out. And yeah, it would, it it could work. It could work great.Rich Birch — Yeah. That’s similar. Like when I wrote the, the, and I don’t know if I’ve ever talked about this publicly, but the books I’ve written, I’ve similarly, like I, um, the process I’ve gone through is I write an outline and then I actually, I actually speak the chapters like a presentation. So, cause that’s my most natural form, like is I’m doing, or I do it all the time. I’m constantly like, I’m doing it later today, meeting with the church and we’re going to talk for a bunch of hours about stuff. And so I’m like very used to that. I’ll use then the transcript from that. I’ll take that. And then I write from that transcript. I’m basically editing that transcript to turn it into something that sounds like it’s written. And then I’ve done iterative back and forth processes with an actual editor.Rich Birch — So, you know, it’s like then it’s like it goes to her and then comes back to me, goes back to her… Jeremy Norton — Yeah. Rich Birch — …back and forth over time to kind of get that whittled down into, OK, here’s a text. And, you know, the thing I’ve said to other leaders, even that process gets you started, people get stuck looking at a blank page, right They get stuck at the beginning. So even finding a process to get the ball rolling is is and getting the information down on the page. I think it was Ernest Hemingway who said, which stay with me, friends, don’t hang up on the podcast. I think he said, write drunk, edit sober. And you what you should not do as a pastor, but what he’s saying there is like, just get it onto the page, like just get it out.Jeremy Norton — Yeah.Rich Birch — Like, you know, and if you take forever on that first stage, you’ll never get to a book. Right. And you’ve already done that as a, as a pastor, you’ve spoken these, but how do we get the ball rolling? Thoughts on any of that, except for the get drunk thing. Don’t comment on that, but any comments on the rest of that?Jeremy Norton — Yeah, don’t write drunk. But so I guess I so there’s some guys out there that like, you know, they’ll have just like a few little notes and they they’re not manuscript preachers. Some guys are manuscript preachers. Nothing against that. You know I’m kind of a both and guy. Rich Birch — Yep. I manuscript for like our manuscript and teleprompt for our YouTube channel. And then but then I take that like so that manuscript I just have highlights. And then when I live preach, I just have highlights. And I walk around and talk. So there’s lots of passages in different versions but if you are the guy that’s just got an an outline um you’re probably going to have an audio an audio of your sermon and you can put it into a like Otter AI, or don’t know there’s probably loads of different tools now, and run that transcript, and then just export every sermon as a as, you know, the first sermon in your series you know introduction. Right. Rich Birch — Yep. Second one in your series… Rich Birch — Yes.Jeremy Norton — …you know, chapter one. And once you have those documents, now you will you will notice, well, there’s lots of things you’re going to notice when you get a transcript. You’re going to notice how much you say and like and all these different things. Rich Birch — True. Jeremy Norton — You’re going to be just like, oh my goodness, is that how I sound like, which can be a good thing when you read that when you’re when you move from the transcript of your sermon into a book, you’re like, oh my goodness, this is would be the most awful thing to read.Rich Birch — True.Jeremy Norton — But there’s also tools now that remove all all that for you.Rich Birch — Yes. Yeah, that’s fun.Jeremy Norton — Then you go through and you edit it.Rich Birch — Right.Jeremy Norton — And yeah, yeah. And it’s a beautiful thing when it’s done.Rich Birch — Good stuff. Yeah, that’s great. Well, this been a good good conversation. Where can people i want to get people to pick up copies of this.Jeremy Norton — Sure.Rich Birch — I’m assuming they can buy it at Amazon. In fact, I know you can buy it at Amazon because that’s where books come from. But are there other places we want to send people to pick up? I think this would be, even if you’re listening in today and you’re thinking, hmm, I wonder what it looks like to have sermons transformed into a book like hey you should pick up a copy even as just a reference to get a sense of hmm I could see what that could look like even if you’re not going read it that would interesting tool… Jeremy Norton — Totally. It’s it’s a great… Rich Birch — …there. so so Amazon, where else do we want to send them? Jeremy Norton — Anywhere anywhere books are sold. Rich Birch — Right. Jeremy Norton — I don’t I don’t know if anyone buys books at anywhere else. Rich Birch — Yes. Jeremy Norton — Like does people do people still buy books at Indigo or Chapters or ChristianBook.com?Rich Birch — Yes, yes. Yes.Jeremy Norton — I don’t know who does, but if you do… Rich Birch — It’s there. Jeremy Norton — …it’s it’s there. One of the benefits of going with a publisher is they just have access to just…Rich Birch — Right.Jeremy Norton — …every book distributed. They just can get your book everywhere. Rich Birch — Right. Jeremy Norton — When you self-publish, you know, with Amazon, it’s locked in Amazon, but then again, people go to Amazon. And yeah, it’s a, it would be a great thing for pastors to, to look through and say, Hey, you know, I think I could do this.Rich Birch — Right.Jeremy Norton — I see how this works now. So that would be good. And obviously there’s print copy or a digital copy.Rich Birch — Yep.Jeremy Norton — You know, if you want more information on the book and stuff like that, you can go to my website, leadbiblically.com. There’s lots of other stuff there. My other books that I’ve written, self-published and published by Ambassador International, they’re all there too. You can have a look. Yeah.Rich Birch — That’s great. Well, Jeremy, I really appreciate that. I appreciate you being on the show today and and let us peek under the hood. There’s obviously a lot more we could talk about there, but I want to encourage people to go pick those up and and check out your website, Lead Biblically. And thanks for being here today.Jeremy Norton — Thanks so much. Love it.

In our third episode celebrating the centenary of The Sun Also Rises, we examine the novel's anti-Semitic streak and the central role of its Jewish character, Robert Cohn.We welcome the scholar Jeremy Kaye of Moorpark College for a discussion about this incendiary theme, the difference between Hemingway's anti-Semitism and his characters, Cohn's Jewish masculinity, his function as a scapegoat, the historical inspiration for Cohn, and much more. Even those who count The Sun Also Rises as their favorite novel admit to cringing at the hateful anti-Semitic slurs uttered by the characters. Enjoy Jeremy Kaye's spirited defense of Robert Cohn and his "main-character energy"! As always in these Sun Also Rises episodes, we enjoy the legendary actor William Hurt reading a memorable scene featuring Cohn, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.

Today, I'm unveiling my definitive list of what I think are the 10 greatest African hunting books ever written. This list of African safari book recommendations includes works from people like Hemingway, Roosevelt, Ruark, Capstick, and other legendary writers. These Africa hunting books have everything you could ask for: heart-pounding adventures, adrenaline soaked drama, close calls that will make your knuckles turn white and even a few deliciously scandalous tales of betrayal, courage, cowardice, possible murder, more than one love triangle, one very good dog, and lots of talk about rifles, bullets, and cartridges. Links to where you can get all these Africa hunting safari books are below. Sponsor: Get in touch with me to make your Africa hunting dreams come true on a hunt in South Africa. We offer outstanding hunting safaris, simplified hunt logistics, assistance with many of the pain points associated with a hunt, and up front pricing with no extra fees. We just opened bookings for 2027 and still have a few spots remaining for May, October, and November 2026. Visit bestsafarihunt.com or email me at john@thebiggamehuntingblog.com to learn more. Make sure to state that you're a podcast listener and I'll give you a special bonus! Please hit that "SUBSCRIBE" or "FOLLOW" button in your podcast app to receive future episodes automatically! The Man Eaters of Tsavo by John Henry Patterson African Game Trails by Theodore Roosevelt Out of Africa by Karen Blixen (aka Isak Dinesen) Green Hills of Africa by Ernest Hemingway The Complete Short Stories of Ernest Hemingway (including Snows of Kilimanjaro & The Short Happy Life of Francis Macomber) Horn of the Hunter by Robert Ruark Death in the Long Grass by Peter Hathaway Capstick African Rifles & Cartridges by John Taylor Wanderings of an Elephant Hunter by W.D.M Bell The Perfect Shot II by Kevin Robertson Jock of the Bushveld by Percy Fitzpatrick

It is good to have an end to journey toward, but it is the journey that matters in the end. —Ernest Hemingway Check out John Lee Dumas' award winning Podcast Entrepreneurs on Fire on your favorite podcast directory. For world class free courses and resources to help you on your Entrepreneurial journey visit EOFire.com

At the dawn of the twentieth century, a writer emerged who learned his craft not in a classroom, but in battlefields, bullrings, and bars. To some, Ernest Hemingway was the greatest writer of his generation. A Nobel laureate whose sparse, muscular prose changed literature forever. But to others, he was a swaggering egotist, a man addicted to danger and performance, obsessed with his own legend. His own life fuelled his work, just as his work in turn fed his own myth. But behind the mask he forged through his writing lay a man haunted by fear, violence, and the tyranny of bravery.   But why, more than sixty years after his death, does Hemingway remain a symbol of masculinity and modernism? Who were the people whose lives were swept up in the hurricane of his own? And how did the same passions that made Hemingway great also destroy him in the end? This is a Short History Of Ernest Hemingway. A Noiser podcast production. Hosted by John Hopkins. With thanks to Paul Hendrickson, author, journalist, professor, and the writer of Hemingway's Boat: Everything He Loved in Life, and Lost. Written by Sean Coleman | Produced by Kate Simants | Production Assistant: Chris McDonald | Exec produced by Katrina Hughes | Sound supervisor: Tom Pink | Sound design by Oliver Sanders | Assembly edit by Anisha Deva | Compositions by Oliver Baines, Dorry Macaulay, Tom Pink | Mix & mastering: Cody Reynolds-Shaw Get every episode of Short History Of… a week early with Noiser+. You'll also get ad-free listening, bonus material and early access to shows across the Noiser podcast network. Click the subscription banner at the top of the feed to get started. Or go to noiser.com/subscriptions ⁠A Short History of Ancient Rome⁠ - the debut book from the Noiser Network is out now! Discover the epic rise and fall of Rome like never before. Pick up your copy now at your local bookstore or visit ⁠⁠noiser.com/books⁠⁠ to learn more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

THE LIVES AND LOVES OF A SHE DEVIL by Fay Weldon, chosen by Victoria Pile THE OLD MAN AND THE SEA by Ernest Hemingway, chosen by Julian Baggini CLEAR by Carys Davies, chosen by Harriett GilbertComedy writer and director Victoria Pile joins philosopher and author Julian Baggini to talk about their favourite books with Harriett Gilbert. On the menu is a feminist revenge novel that is as dark as it is funny, a classic Hemingway novella that casts us out to sea, and an evocative short story set on a remote island off Scotland. Join the conversation on Instagram: agoodreadbbcProduced for BBC Audio Bristol by Becky Ripley

Dan Rossiter from Griffin & Howe joins me on the show to talk about the fantastic hunting rifles the company produces. Of note, Griffin & Howe produces rifles ranging from near replicas of those famous hunters like Ernest Hemingway took to Africa last century, to modern long range hunting rifles, to bespoke American made rifles on par with the "best" quality custom rifles produced by British gunmakers. We discuss all of this in more detail during this interview along with the specifics of their current production rifles and and what sets the company apart from competitors in the industry. Sponsor: Go to BigGameHuntingPodcast.com/ebook and sign up for my free e-book on the best hunting calibers at to receive the entertaining and informative emails I send out about hunting, firearms, and ballistics every weekday. Join the Big Game Hunting Podcast tribe and get access to all my bonus material at www.patreon.com/biggamehunter  Please hit that "SUBSCRIBE" or "FOLLOW" button in your podcast app to receive future episodes automatically! Resources Check out the Griffin & Howe web site & follow them on Facebook, Instagram, & YouTube Ep 404: 404 Jeffery With Phil Massaro

Ernest Hemingway (1899-1961) was one of the most famous American writers of the twentieth century. His plain, economical prose style--inspired by journalism and the King James Bible, with an assist from the Cezannes he viewed in Gertrude Stein's apartment--became a hallmark of modernism and changed the course of American literature. In this episode, Jacke and Mike take a look at an author and novel, The Sun Also Rises (1927), they've been reading and discussing for decades. Want more Hemingway? We took a new look at an old argument in Episode 47 Hemingway vs Fitzgerald. Love everything about the Lost Generation? Spend some time with the coiner of the phrase in Episode 127 Gertrude Stein. Rather be tramping through Europe? Try Episode 157 Travel Books (with Mike Palindrome). [The bulk of this episode was originally released on October 3, 2018. It has been unavailable for several years.] Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices