Podcasts about Ernest Hemingway

In this far-reaching conversation, Greg Olear talks to Joseph Kelly, a professor and director of the Irish & Irish American Studies program at the College of Charleston, and the author of “The Biggest Lie: The Pre-History of Fascism: 1818-1915.” They discuss James Joyce, “Ulysses,” Christopher Nolan's “The Odyssey,” Ernest Hemingway, Rick Blaine, the Lincoln assassination, Irish immigration, “Southern Horrors,” “Birth of a Nation,” the origins of the “great replacement” narrative, ICE, American fascism, and much more. Make America Great Gatsby Again!https://bookshop.org/p/books/the-great-gatsby-four-sticks-press-centennial-edition/e701221776c88f86?ean=9798985931976&next=tSubscribe to The Five 8:https://www.youtube.com/channel/UC0BRnRwe7yDZXIaF-QZfvhACheck out ROUGH BEAST, Greg's new book:https://www.amazon.com/dp/B0D47CMX17ROUGH BEAST is now available as an audiobook:https://www.audible.com/pd/Rough-Beast-Audiobook/B0D8K41S3T Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a bonus #amwriting podcast episode, host Jennie Nash talks with academic writing coach Kathy Mazak of Scholar's Voice (and host of Academic Writing Amplified) about how writers keep going after completing a blueprint and finish what they start. Mazak explains her mission-based work helping academics—especially women and non-binary scholars—publish their research by aligning time management and writing with an academic mission statement. She argues that big blocks of time are unrealistic and that one to two hours once or twice a week can be enough if protected and supported by project management systems. They discuss common obstacles like not honoring writing time, fear of disappointing oneself, and harsh peer review, and emphasize mindset work as at least half the solution. Mazak describes managing multiple projects by focusing on a top three, letting others “sleep,” and “killing” stalled “zombie projects,” plus recognizing stage transitions and solving the right problem at the right level. She shares details on her 12-week Navigate program (scholarsvoice.org/navigate) and why members stay for years.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Learn more at http://scholarsvoice.org/.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hey everyone, it's Jennie, and I'm here with a bonus episode of the podcast because a lot of our community has been working on their blueprints this summer to begin a new project, find momentum for one that's gotten derailed, or to work on a revision.And obviously stopping to think before you write is critical, but then the question is, what next? And how, how do we keep going? How do we finish what we started? And I invited my friend Kathy Mazak to join me today to have a conversation about this and to get her insights on this topic. Kathy, we're in a business mastermind together.That's how we met, [00:01:00] and we, um, immediately connected because Kathy runs a company called Scholar's Voice, which you can find at scholarsvoice.com. She has an incredible strategic mind, and her work focuses on helping tenured professors get their research and writing out of the endless backlog and actually submitted and published.So it's a different kind of writing than we normally talk about on the podcast, but I know we have a lot of a- academics in our audience, um, who are trying to write nonfiction or fiction or memoir, but also probably trying to publish the papers that are sitting on their desk. And Kathy helps so many people do that work and do it well, and she has really Amazing systems for doing that.And so she's gonna talk a little bit about her program and what she offers at the end, um, or maybe at the beginning too. But, [00:02:00] um, welcome Cathy.Cathy: Yay. Thank you so much for having me. So I know that we met in the business mastermind, but I've been following you for many years before that, and been listening to this podcast, and been subscribed to this podcast for, like, at least since 2019 when I started to, like, look at other writing podcasts.Jennie: Yeah.Cathy: And so it is ... It actually has been, like, a dream of mine to be on this podcast, so it's, like, so- Look at us ... great that we're doing this here today. Yes.Jennie: I completely forgot to say that you have a podcast as well. What is, what is the name of that?Cathy: Yeah. The podcast is called Academic Writing Amplified.It has, like, we're headed towards 350 episodes all about, like, getting your, uh, academic papers out there in the world when you're a busy professor. So yeah.Jennie: One of the things that I most like about your business is the way you describe it as it's really mission based. Yeah. It's, it's [00:03:00] really about helping academics take control of the narrative.Yeah. Right? Do you- Yeah ... do, will you tell us about that, ‘cause I love that.Cathy: Yeah. So for me, right, like, as a writing coach, so I was a full professor, like I went through, I have a PhD. I, I, I got my tenure track job. I went all the way through all the ranks, um, before I left and started this, uh, academic adjacent business.But I do it because, like, my big, like, mission is that the more, especially women and non-binary academics who get their papers out in the world, like, the more those voices are changing fields, and influencing research, and influencing thinking. And I just think, like, that is just so important. That's why the business is called Scholar's Voice, ‘cause it's about getting more diverse, typically marginalized voices out in these research spaces.Um, so [00:04:00] to me that's my mission, and when I have ... You know, when, when scholars come and do my program they write an academic mission statement, and really their whole time management, um, and writing project management, and sustainable writing practice is designed to, like, support that academic mission. So it's a very mission based, uh, business for me.But it's also, like, a, like my clients, like w- who take my programs are also, like, putting their academic missions, like, right at the center of their work. Which also puts writing at the center. Because to me, like, the writing is absolutely, is, is, like, the path to creating this better career, this focus on writing.Jennie: Well, and an academic has courses to teach and committees to go to, meetings to go to, and, you know, so many other demands on their time. And somebody trying to write a book has- Yep ... not [00:05:00] exactly those things, but probably a day job, and kids, and, you know, aging parents they have to care for, and the dog, and the car, and, you know, it's, it's writing in, in the real world.Mm-hmm. And the way you set your program up is you've honed this over so many years, i- and it's designed to, to help people actually get the work done. Yeah. So can you tell us a bit about how you structure that program? ‘Cause I think it'll be instructive to helping folks. Like, okay, here, you've finished your blueprint, now what?So- Yeah ... how do you, how do you get people to do it?Cathy: Yeah, yeah. So the first part is that I think that many people, when they think about writers, right, like if they just imagine themselves as a writer, they think that the ideal is, oh, I have like eight hours a day to dedicate to writing, or all my life, or whatever, you know, dreamy scenario we have in our minds.And I [00:06:00] think, like, for academics, i- the, the... it's like, oh, I need to be on a sabbatical, or I need to not be teaching. I need to... I cannot be doing any other thing. Um, or I can be doing other things, but I need like these big blocks of time to write. And the problem is, like you're saying, like writing in real life, like that just doesn't happen.And then when it might happen for academics is over the holiday breaks, like the semester breaks or the summer, but that also isn't true because you're also like, you know, being a mom and, and th- you know, doing things with your family, and managing your house, and maybe your aging parents, and whatever else.Like there's never a time where there's like nothing going on. So we have to stop thinking that that's the ideal and rather think, like what I tell my people, and they- Fight me on this, but at the beginning. But I tell them, actually one to two hours once or twice a [00:07:00] week is enough.Jennie: Ah. AndOutro: they'll be like, “No,Cathy: no,Outro: no,Cathy: IOutro: need-” Say that again.Cathy: Yeah, no. Say that again. One to two hours once or twice a week is enough, ‘cause remember, like, the low end of that means one hour a week, and the high end of that is four hours a week. And so a lot of times people come in and, and I'm, you know, for your, for the audience here, like, think about are you doing one hour a week consistently?Are you doing two hours a week consistently? If you're not, then let's just, like, back up and go there instead of thinking like, “Oh no, I need these big blocks of time that I can never actually get and hold.” ‘Cause that's the other thing, it's so hard to hold a big block. Um, like a four-hour block is hard to o- to hold.Uh, and alsoOutro: hard- Oh my gosh, four hours? ... to maintain your energy through.Cathy: No, no, people- What? No ... people haveOutro: all kinds of ideas.Cathy: And I'm like, and, and the other thing too I think is related to this idea, like for my people, right, that the work day is, like, this eight-hour day. [00:08:00] Like, but you can't ... I'm thinking you're not knowledge work for eight hours a day.Like, your brain can't do that, you know? So we really have to start, just, like, dial it back and start with, like, can I get consistency? Consistency doesn't have to mean every day. Could I get consistent with one or two hours once or twice, or twice a week, and actually do writing during that time so I have project management skills that mean when I sit down I know what to work on, and see how that works?Because guess what? If you did that, you would be ... Like, everything would be moving towards publication, and there would be many more words on the page.Jennie: Well, I love that so much because one of the things that I find is- Well, with writing or business or anything is I'll say, “Oh, I'm working so hard, and I'm so busy on it, and I'm spending all this time on it,” but really what I'm doing is sitting down at my desk and- Yeahrearranging, you know, [00:09:00] the folders on my desktop again. Or- Yeah ... um, you know, oh, I'll just go take a little peek over on Instagram, uh, to transition from... You know, like, it's just- Yeah ... I waste so much time. And-Cathy: Yeah ...Jennie: the- it's- if the, if the idea is, “Well, I got one to two hours, I'm gonna, I'm gonna use that time.”Cathy: Yeah. Yeah, I mean, and that's why you have a blueprint, right? Like, this is why you do the blueprint because every time you sit down, you are faced with either the blinking cursor, right, the blank page, or you're faced even before that with maybe, like, what do I wanna work on? And so for academics, we're always working on more than one project at once.We always have, like, most academ- some academics are book writers. Many academics are... Almost all academics are article writers, and so you always have... Like, you never just, like, start the research for an article and [00:10:00] then just only do that until it's submitted and out in the world. You always have things at these different stages, like I call it your publication pipeline, but, like, you have things that are in the idea stage, in the data collection stage, in the analysis stage, the writing up stage, things that are submitted, you're waiting to get editorial feedback on them.All of that is happening all the time. So you, when you sit down, you're making a choice between all of these possible projects, unless you have a great project management system, you know? Or unless you have a roadmap that says like, “Okay, well, here's my roadmap. Let me... You're my blueprint. Like, let me sit down and start here.”You know? You ha- you need to have that place to start, or you'll just wheel spin with those, uh, one or two hours once or t- once or twice a week.Jennie: So I'm curious about what other objections people bring to your method. You said the first- Mm-hmm ... objection was, “Well, I, I need these giant blocks of time.” Yeah.What are some of the other objections that you hear to it?Cathy: Yeah. I think a lot of them, and [00:11:00] I think this is so common in, in writers of all kinds, is like, “I'm, I'm gonna let myself down.” Like, the, the, the biggest kind of mental thing is like, “Oh, I've tried it. I've tried to hold that time before, but I've never been successful at it, so if I keep trying, I'll just keep disappointing myself.”Um, whereas, like, the more structures and systems you put into place, the better those things can hold up those one to two hours once or twice a week, and then potentially grow them even. But you have to have, like, it, it can't be just I put it on my calendar- Because there has to be, the mindset has to be in the right place.You have to be honoring that time. Like, you- finding the time on your calendar is problem one for sure, like, because people are booked up. But the second part of that problem is I found it, I [00:12:00] put it there, and then when a student tried to make an appointment with me and they just couldn't possibly find any other time, I put them right on top of my writing.Or what many of the other possible scenarios where you would just schedule over what you had held for writing, and I think that's a That's a situation that's common among everybody with a life, right? Like, “Oh, the plumber said they could come during that time, and here I am just writing.” Just writing. You know, like, that's the first thing that has to change.Like, you have to f- to honor that writing time just like you would honor that really hard to get dermatologist appointment.Outro: That's what it needs to be. That's the level of honoring that we're, that we're talking about.Jennie: I'm laughing- Am I- ... ‘cause I'm looking, I, like, literally have been thinking whilst on this, we're looking at video while we're recording this at how beautiful your skin is, so it's hilarious that you mention that.I'm like, “Oh, wait. Maybe I need to be centering the dermatologist more.” [00:13:00]Cathy: Listen, I don't have a dermatologist appointment. If I did, I would, I would hold that. The one that really resonates for me, and maybe with some other moms of, like, kids, like, school-aged kids, is the freaking dentist. Like, I can't get a freaking kid's dentist appointment.Like, I call and they're like, “Yeah, we're just all booked up.” I'm like, “How is this possible?” You know, and so if there's a dentist appointment, I hold on to that. That's the kind of tenacity we want around the honoring the writing appointments.Jennie: So I wanna stick with this concept a little bit more, because I, I actually was writing about this for the Write Big, uh- Mmbook that I'm working on. Mm. And this idea that the reward of writing is way down the road. It- Mm. We don't really have any evidence that it's gonna actually pay off. Yeah. And I think that that tends to be the reason why it's so easy to say, “Well, this doesn't really matter,” or, [00:14:00] “I c- shouldn't really commit to this,” or, “I shouldn't go all in on this.”And some of that pressure comes from our own selves, as you mentioned. Yeah. But a lot of it comes from the people who love us, who are in our homes even, or, you know- Yeah ... the pressure, like, if you're trying to protect that hour or that four hours in your week and it's, you know, “Well, can you do this errand?”Or, “This kid got sick,” or this. To be, to say, “Well, no, that's my writing time”-Cathy: Yeah ...Jennie: it, it's like, well, what evidence do you have that that's worth anything? Yeah. Right? Is ... Do you find that with academics too?Cathy: Uh, I think that, yes, 100%, um, because the payoff is really far away. Um, but even, like, I would argue that another thing happening in people's heads is that the payoff might be somebody read it and hated it.[00:15:00]Like, so you're also avoiding it because- You know, like the end result might be that you, like turn it into your book coach, and the book coach says you have to redo it all. Right. You know? Or like- You missedJennie: the mark. Right ...Cathy: you missed the mark. Exactly. And so, but like we just don't think of that, or so that fear of that we're gonna do this work, we're gonna hold our writing time, which feels very selfish and feels like who do you think you are that you're gonna hold time for your writing, you know?Like, who are you, Ernest Hemingway? Like, like, you know what I mean? Like we, we have these thoughts in our head, and then we, and then, um, the, the great payoff of all of that hard work of holding the time and actually doing the writing might be, in the case of my people, like that some real A-hole reviewer tears you apart.And-Jennie: Because your- Yeah ... people have to have peer reviews- That's right ... for everything, right?Cathy: For [00:16:00] everything. Even books. Yeah, yeah, yeah. So everything is peer reviewed, and I mean, I was just coaching somebody yesterday on like why are, why we have, I call it like submission friction. Like I talk about all these different points in the writing process, and how- Every point, there's like, there's friction to move the work from one kind of thing to another kind of thing.So there, like when you go from draft to like submitted article, y- it's becoming something different, and your job and your relationship to the, that piece of writing is different between when you've drafted it and when you've submitted it to a journal. Um, there's lots of other transition points, but I was coaching somebody yesterday who was like, “Yeah, I got all this really bad feedback,” like really badly worded feedback, right?Like, it wasn't just critical, it was also delivered poorly because peer review in academia is blind, so you don't know who read it, and so people say all kinds of things [00:17:00] without you, you know, without fear that you're g- they're gonna see you at a conference. So you know, supposedly they don't know who you are, you don't know who they are.And it can be like really horrible, and this, this client, she was like, “I just can't... I have trouble, I'm having trouble submitting anything from that study because that person's words are in my head.” Oh. So like, so we also have like for the great effort of holding the writing time and doing, we might get these terrible things that like stop us in our tracks, and then we have to like coach our own minds through like, okay, why is it true that submitting again won't necessarily have those same results, you know, and whatever else you need to, you know...Like I work with my clients on different things they can think to get over that friction of submitting and that fear. But, but yeah, like sometimes there's a payoff, and sometimes the payoff is like, “Congratulations, we're g- people are really mean.”Jennie: [00:18:00] Yeah. Yeah,Cathy: yeah. Yeah,Jennie: so how much time do you spend in your program, would you say, on You know, so there's the tactics and the- Mm-hmmsetting up the systems- Yeah ... versus mindset. Yeah. Like, what's the balance?Cathy: Yeah, yeah. Yeah. So my program is set up so that you do the program in 12 weeks, and guess how long it takes to do the program every week? One to two hours. And you do it once or twice a week. So, like, if you take the program, it forces you to hold, like, an hour to do the material and an hour for a live call.So the live call is where we're really getting into the coaching stuff. Like, I, you know, there's only so much coaching you can do on, like, a prerecorded lesson, right? But we do talk about mindset, um, throughout the whole thing. But on the coaching calls is really when we talk about mindset and, and get to figure out, like, [00:19:00] is the problem that you're having actually a strategy problem, or are you having a mindset problem?Is it, like, something that's happening, or is it the way you're thinking about what's happening? So I would say it's, like, a half and half, um, kind of breakdown between strategies and, um, techniques and, like, here's processes, and let's get your mind right.Jennie: Well, I mean, that's, to me, a, a giant revelation. I, I believe that mindset is at least 50% as well.Yeah, yeah. And I think most writers don't have any idea that, how important mindset is. And the program you and I are in together, the business mastermind that we're in together, is hugely mindset focused, and it- Yeah ... it's hard to show up with your mindset stuff. It's embarrassing. Mm. Mm. And, you know, it's hard to get coaching on it, at least for me anyway, because it's, oftentimes it's like, “You're saying the same thing in a different way.[00:20:00] Like, that's just the same story, different words,” you know? You really have to confront the narratives that you have in your head, and where they came from, and what they're serving, and that's work too, right? Yeah,Cathy: absolutely. Yeah. Yeah,Jennie: absolutely. And I mean, that's, to me, the thing that I've, I've really learned, and your program honors that idea by half the time that people are spending is the, the mindset.Cathy: Yeah. Yeah, absolutely. And, and then we also... Like, the program is designed so that you take it once, and then you can keep taking additional rounds of the program. The content of the program doesn't change, but you continue to have these mi- these, these coaching calls, right? Where we talk about, there's kind of two part- like, two themes of the coaching calls.Like, one theme is like, oh, now I- my whole calendar is really mission aligned, and I'm holding my writing time and whatever. And then what is the series of problems that happens after that, [00:21:00] right? Like, what's the next level? Like, now that we've solved these things, ‘cause there's never no, there's never no problems.Like, like, the next set of problems, uh, presents itself. Um, so we coach on those things. But also, like, I've just been, especially this, in this next group, I've told people, like, I'm like, “We're gonna do more mindset than ever.” Like, we're just gonna really coach your brains on, um, you know, on perfectionism, on procrastination, on transition friction, on zombie projects, on like, um-Jennie: What's a zombie project?Cathy: Ooh, those are those things that are like, they're not going anywhere. They're dead, but you're holding onto them in your mind, like someday I'm gonna get back to that. And it is not healthy to do that. So we, I, when I talk about, like, um, how to manage multiple projects at once, like so think multiple articles that you're writing at once, people [00:22:00] have...Like, academics have, I don't know, like 10, 20 articles that they have, like that they're holding in their mind as like these are possible articles that I could work on or these are projects that... I call them projects in play, right? Well, a lot of times like five of those are like, “Oh, this is a project I started.There might be words on the page, but it stalled out.” We needed to do a reanalysis, and we didn't n- and, and it was gonna be a lot of work to go back and do that, so it's just kind of like alive but dead, right? Like a zombie. Yeah. So I tell people, and again, they fight me on this, like I'm like, “You need to kill them.”Like you need... Zombie projects aren't for resuscitating. They are for blessing and releasing. They are for like this is done. This is not going to... Because they're in the way of all of the other living projects. So I talk about the projects as like we have a top three that are kind of, that we're maybe rotating between or [00:23:00] that like once we, we, we submit something from the top three we can like promote something else, and then everybody else is sleeping.You know? Just tell them they need to take a nap. And then the zombie projects we're just, we kill them. You can, if you must, have a folder on your computer and put them there, but you need to get them out of like your working mind. They shouldn't be in your pipeline. They should be like they... Because we can only hold so many things, and we can only manage so many projects at once, so we have to create systems and processes to make it feel like we're only working on one thing at a timeJennie: Well, I think this idea, which I adore now that I know what it is-um, applies to book writers as well. Everybody has more than one book idea, and they have the book idea that they wanna write after the book that they're working on, or they started three at a time or s- you know, oftentimes there's a thing that happens, I think it happens about two-thirds of the way through a [00:24:00] book- Hmmwhere suddenly you have a great idea for another book that is shinier and prettier and brighter and better- Yes ... than the one you're working on.Outro: Yep.Jennie: And so this idea, I think, really applies to book writers, and most of us who are writing and sharing anything are also writing other content like- Yes. YesSubstack and, um, or a newsletter or a podcast or whatever th- whatever the content that we're working on is. So do you think that this idea of the zombie project- Mm-hmm ... or folder can apply there as well?Cathy: For sure, because here's the thing, right? The shiny object syndrome is really real be- and it, and it relates actually to the submission friction that I was talking about.Like, I did a call about that just yesterday. Like, it relates because- Before your project is done, right, before it's submitted, before it's turned in, whatever, [00:25:00] it has the potential to be the very most amazing, best book that has ever been written by anyone. And as long as I don't submit it, it is holding that potential.Jennie: Yes. Okay.Cathy: And so once the, so the more, but the more done the book gets, the less po- Like, almost like the less that po- the, the more that potential is kind of decreasing because it, it's not that it's not great, maybe it is that book, but like the potential of what it could become when it actually has become something is less, right, than the new shiny idea because the new shiny idea then has like all of this potential.So, so I think that's the, the newness of something like is, i- is very attractive, and it has so much to do with like our brains trying to avoid the hard work of the finishing and trying to... Like, [00:26:00] w- when something is new, you don't know what the writing problems are yet. Yeah. But what, what's existing, you have a lot of problems to solve.There's a ton of decisions to make.Jennie: Yeah.Cathy: And, um, and, and that, that feels hard and heavy.Jennie: So for our listeners who are finishing up their blueprints, they're coming across one of those friction points you talked about, where you're going from planning your book, thinking about it, solving some problems, to you're going back to writing ‘cause the- Yeahblueprint is a kind of a pause. Not kind of, it's a pause, and now you're going back to the writing, and that s- transition is something a lot of writers don't acknowledge- that it's a different thing. So that idea- Right ... you were talking about of, um, when your academic writers are shifting from, you know, one thing to another.They have a lot more shifts in a lot [00:27:00] more compressed period of time. But writers absolutely go through this, and then when they, when they call it done and get it to beta readers, and then they get it back and get it to, you know, going to pitch, those are all transition points. So a lot of our listeners are at one of those right now.Yeah. What is, what is the mindset work to, that you guide people for shifting from one, um, process to another?Cathy: Yeah. Yeah. Yeah. So your job changes. Like, that's the, that, that's the, you know ... Like, the job of, like, when you're doing the blueprint, right? It's a planning, it's a pausing, it's a thinking, it's aRight? The same thing we do, like, I teach a writing planning process, and that process is one kind of job, right? The job of, like, making decisions- And executing on those decisions. So the making decisions is another job, and the [00:28:00] executing on the decisions is another job. So just realizing, like, what is my job in this moment, that is a really powerful thing to think about and think like, “No, in the scope of this whole project, my job right now is to make decisions that then I can execute on.”Jennie: Yes.Cathy: And also... Yes. And not, and remember then, like, you execute on the decisions, and you might have to go back and make new decisions and execute differently. Like, that's what composition, that's what composing is, right? But you, you know, keep the job that you're, for the stage that you're at, and stop trying to solve the problems of another stage in the process.Jennie: So bleeding into other jobs sounds like it's a energy suck. So for, uh, a, somebody finishing the blueprint, it might be, “Well, now I'm gonna start researching agents and conferences I can go to to pitch at.” And it's like, “No, you gotta write the book,” right? Yes. Is that-Outro: Exactly, [00:29:00] exactly ...Jennie: is that the kind of thing- Yesyeah.Cathy: Yeah, and so, like, a- and it's also, I talk a- I talk in the program about, like, you're solving the wrong problem at the wrong level, right? Like, that's an in- perfect example of I'm solving the wrong problem. Like, I don't, I don't need to be, like, thinking about pitching agents. I need to be figuring out what my book idea is.Like, you know what I mean? And so for, like, in, in, in our, in my program, there's, you know, let's say I think that what I have is a writing time problem, but if I don't have writing project management, like if I don't know how to plan a paper and I don't know what the stages it needs to go through are, and I don't know how to manage it in relation to other papers that I have, I can have two hours of writing, and I will sit there and not know what to do with it.Jennie: Yes.Cathy: So, like, there has to be, you know, you ha- so solving, you have to solve the right problem. You know? Like I, okay, I have a backlog of papers. I think it's ‘cause I don't have enough time. Like, you probably don't have enough time, but that's not the [00:30:00] only problem, you know? And that might not be the most pertinent problem to solve first.Jennie: Right. I love this. I love this for our people finishing Blueprint. Um, and w- I'm curious just to sort of wrap up our conversation, why do you think... ‘Cause something that's remarkable about the program that you run, which is again at scholarsvoice.com-Cathy: It's actually .org, but yeahJennie: Oh, dang.Outro: Dot org.Jennie: I said it wrong. Don't worry about it. It's fine. Scholarsvoice.org. We'll put it down in the show notes. It'll go in the show notes. Yeah. Um, well, the remarkable thing is that people love your program. Like, once they find it, they don't leave. Yeah. They, they stay for a long time. Years. Yeah. Years and years and years.Yeah, yeah, yeah. Why do you think that is?Cathy: Because we're never done. We're never done as writers.Jennie: Yeah.Cathy: Right? Like, we're always developing, and we're always [00:31:00] changing, and we're always responding to new situations. And I just think, like, I think it would be terrible to think, like, “I've learned how to write a novel or a book or an article, and now I'm done.Like, and now I just, like, rinse and repeat for 30 years.” Like, no, that's not how it works. First of all, it's just not how it works, and also, would you really want it to work like that? Don't you want it to get more interesting, different, better? Like, and so that's why people stay, ‘cause the, the, the curriculum is...I- it's called, like, a spiral curriculum, where you could just, like, keep doing it again and again. And as you are going through your career, you are changing, and your situation is changing, and actually the demands of your career are changing. And so you can just continue to do this work over and over again, and, and many people do it and then come back after they've had, like, a little career change, and they realize, “Ooh, now all of these things have [00:32:00] shifted, and I need to, like, go back and figure all of this out again.”And that's normal and natural and fine and actually amazing.Jennie: Um, so how can... If people are listening to this, and they're like, “Wait, I wanna get in on this academic writing-” Yeah ... thing, I... So it's only for tenured professors. It's not- So- ... for people who want to be that, right? No.Cathy: Yeah, so we... It is really for academics.It's really geared towards people who are in academic careers, tenured or hoping, you know, tenure-track professors or whatever they call it in the country that you live in, ‘cause it's called different things. Um, it- we have a lot of people who are mid-career. Like, so it's not just for early career. Um, but we, we have people at all different career stages, including post-docs, including full-time researchers, and so...And even sometimes people from industry, like, or nonprofit who are doing research work and need to put out publications [00:33:00] into academic journals. So yeah, and you can go to scholarsvoice.org, and at the top navigation it says, “Publish your backlog,” and that is my Navigate program, which is really focused on helping you publish that backlog of papers and keep papers, like, flowing out into the world.Um, scholarsvoice.org/navigate is where you'll find all the information, and you can apply, and it's open until, open for applications until August 28th.Jennie: That is awesome. Well, if you're, if you're listening, um, now and that speaks to you, you can jump on that. If you're listening in the future, uh, there will be another opportunity, uh, to get into- YeahCathy's program. And if you're listening to the hashtag amwriting, uh, podcast and you're not an academic, and- You're finishing a blueprint or you're realizing after this conversation, “Gosh, I'm doing the wrong job at the wrong [00:34:00] time,” or, “I don't have a time problem, I have a mindset problem,” or any of these, these ideas that Cathy has shared with us.Put them into practice and, and I think that for writers listening to podcasts like this is part of the mindset work because- Yes ... you're listening to bigger conversations and bigger ideas, and you're getting something in your ear that counteracts that story you're telling your own self. So, um, I'm just grateful for you, Cathy, for sharing those stories and thoughts with us today, and for doing this amazing work that you're doing out in the world.So thank you for joining us.Cathy: Thank you for having me on the podcast.Jennie: And for our listeners, thanks for being here. Now let's get back to work and finish what matters most.Outro: The #amwriting podcast is produced by Andrew Perilla. Our intro music, [00:35:00] aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us Fan MailThis week on the ole pod john: A trip to Austin, Jackmaxxing, Rosie O'Donnell's Kimmel monologue as a master class in stand-up, John Crowley's fantasy fiction, and wisdom from Ernest Hemingway.Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta:@dannypalmernyc@thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.)And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be:https://www.patreon.com/thedannypalmershow

Join us for the final installment of One True Book Club '26! In this series of episodes, we are reading the Hemingway-relevant selection, Under Fire by Henri Barbusse, the classic French WWI novel published in 1916.This episode covers the final chapters of the novel. We discuss how Barbusse balances graphic, grotesque depictions of the dead with artistic restraint; we analyze anti-war themes throughout this section, including Corporal Bertrand's powerful speech; and we reflect on the "ray of light" symbolism at the end of the book.Throughout the discussion, we connect our reading to other works by Hemingway: “Chapter X” of In Our Time [They whack-whacked the horse…], A Farewell to Arms, For Whom the Bell Tolls, Men at War, “A Natural History of the Dead," and “Soldier's Home.” We also draw connections to other non-Hemingway works, among them J'accuse (dir. Abel Gance), Stephen Crane's The Red Badge of Courage, Bob Dylan's “Blowin' in the Wind,” Joseph Heller's Catch-22, Siegfried Sassoon's Memoirs of an Infantry Officer, and Saving Private Ryan (dir. Steven Spielberg).We are using the Penguin Classics edition with an Introduction written by Professor Jay Winter. In the second half of this episode, Winter kindly sits down with us to share his wisdom about this spectacular book!Thank you for listening to One True Podcast! Consider donating to the Hemingway Society, including to the recently created One True Podcast Fund or the Hemingway Café Club!

The ninth episode of our season on the awesome movie year of 1946 features Jason's personal pick, Robert Siodmak's The Killers. Directed by Robert Siodmak and starring Burt Lancaster, Ava Gardner, Edmond O'Brien and Sam Levene, The Killers is based on the 1927 short story by Ernest Hemingway.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1946/08/29/archives/the-screen.html), James Agee in The Nation, and Variety (https://variety.com/1945/film/reviews/the-killers-2-1200414672/).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring the Venice International Film Festival Golden Lion winner, Jean Renoir's The Southerner.

Send us Fan MailDrums and Rums is back — from Key West!Paul takes the show on the road for a special conversation from Papa's Pilar Rum Distillery in Key West with distiller, rum enthusiast, musician and newly published author Shawn Martin, who writes under the name Shawn Michael Dean.Shawn's path to making rum wasn't exactly planned. With a background in marine biology, he came to Key West working as a scuba instructor and boat captain before what was supposed to be a temporary job at a new distillery turned into nearly a decade of making and experimenting with rum.In this episode, Paul and Shawn dig into how the rum industry has evolved, why rum is often misunderstood, and why the spirit deserves the same appreciation given to bourbon, Scotch and whiskey.Shawn also takes us inside the creative side of distilling — experimenting with fermentation, different distillation techniques, barrel finishes and small-batch Distillery Reserve releases. And since we're recording at the distillery, we don't just talk about them…we taste a few along the way.The conversation goes well beyond rum, too.We explore the history of the building and its connections to old Key West and Ernest Hemingway, the creation of the Hemingway Social Club, Key West's music scene, tiki culture, and Shawn's newest creative adventure: becoming an author.After nearly 10 years of writing on and off, Shawn recently released his first novel, Coral Bay, under the name Shawn Michael Dean — and he's already thinking about what comes next.It's rum, science, history, music, writing, Key West and a few good laughs along the way.In other words, exactly what Drums and Rums is supposed to be:Where the Backbeats Meet the Spirits.

Angelo Petrella"La valigia perduta di Hemingway"Neri Pozza Editorewww.neripozza.itParigi, 1929. È un mattino di una primavera letargica e insolitamente fredda quello in cui il giovane Marcel, agente semplice di polizia e aspirante scrittore, è costretto a interrompere la sua ronda. Le grida di una donna che provengono da un vecchio palazzo popolare non possono essere ignorate e lo zelante novellino, insieme al suo collega, deve intervenire. Ma una volta sedata la lite furibonda tra un uomo e la sua cocotte, qualcosa trattiene Marcel: un gatto che gratta contro una porta chiusa e un odore dolciastro che filtra dalla soglia. Dietro quella porta, li accolgono una musica jazz che suona a vuoto e il corpo senza vita di una donna. Per i piani alti, il caso andrebbe archiviato come suicidio, anche se per Marcel troppe sono le incongruenze, troppo poco credibile la lettera d'addio, per tacere del volto esangue e magnetico di quella donna che gli chiede giustizia. Deciso a indagare da solo, si ritrova invischiato nella Parigi pulsante e scapestrata – tra atelier fumosi e caffè letterari, spettacoli sabotati dai surrealisti e lunghe notti per familiarizzare con le anime belle e inquiete di Man Ray e James Joyce, Kiki de Montparnasse e Henry Miller, Luis Buñuel e Zelda Fitzgerald. E poi c'è Ernest Hemingway, coi suoi baffoni, il viso bonario e lo sguardo indecifrabile, che ha mentito sul suo rapporto con la vittima: l'indiziato perfetto, se non fosse per quell'aura da scrittore affermato che colpisce Marcel proprio nel suo punto debole. Mentre la città danza sull'orlo degli anni Trenta ignara della catastrofe incombente, Marcel capisce che quello che sta seguendo è solo un filo nella trama di una ossessione letale. E che i nostri miti possono nascondere segreti oscuri, punti ciechi che non siamo disposti a illuminare.Gli anni cupi stavano per arrivare, a presentare il conto di tutta quella gioia di vivere nell'incoscienza del futuro, tra fiumi di alcol e scazzottate notturne. Avrei passato anch'io, come tutti, i miei anni di fughe, miseria e incontri clandestini. Avrei atteso l'alba della grande vittoria, le speranze di un nuovo inizio, e il premio Nobel conferito a Hem alla fine di una carriera lunga e produttiva. Ma quella mattina, seduto al freddo sui gradini di Montmartre, non avevo alcuna idea di ciò che mi attendeva.Angelo Petrella è nato a Napoli nel 1978. Scrittore, sceneggiatore e traduttore, ha pubblicato tra gli altri i romanzi Cane rabbioso, Pompei. L'incubo e il risveglio, Le api randage, La fine dei fagioli e La città perfetta, Fragile è la notte, La notte non esiste, tradotti anche in Francia. Lavora per il cinema e la tv, firmando soggetti e sceneggiature per film o serie televisive tra cui I bastardi di Pizzofalcone, Mare fuori, Resta con me, La rosa dell'Istria, Noi del Rione Sanità e Il commissario Ricciardi.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

El primer tema, El robot "Curiosity" logró descender con éxito en Marte para llevar a cabo una exploración de al menos dos años", fue emitido originalmente el viernes 10 de agosto de 2012, con Matilde Rodríguez Larreta, Mauricio Rosencof, Carlos Maggi y Juan Grompone.El segundo tema,"Se cumplieron 112 años del nacimiento del escritor estadounidense Ernest Hemingway", fue emitido originalmente el 22 de julio de 2011, con Carlos Maggi, Mauricio Rosencof, Lincoln Maiztegui, Juan Grompone

Salve, salve, literatos! No Minipod Especial de hoje, falamos sobre a Geração Perdida dos anos 20 e seu maior expoente: o escritor americano Ernest Hemingway, autor de clássicos como "O Velho e o Mar" e "Paris é uma Festa". Neste programa, conheça o contexto histórico da época, aprenda (afinal) o que é arte moderna, descubra os principais artistas desse período, veja por onde começar a ler as obras do Hemingway e confira os melhores filmes sobre o assunto. Como convidado, temos hoje o João Gouvêa, anfitrião dos podcasts Terra de Gigantes e Literanálise.

Welcome back to the fortieth edition of our favorite literary parlor game as our guests choose their favorite sentence from everything Hemingway ever wrote in prose, poetry, correspondence, or journalism. In this episode, David Morrell, prolific author and creator of the iconic John Rambo character, offers his one true sentence from “In Another Country.” Morrell – author of First Blood, The Brotherhood of the Rose, and The Successful Novelist, among many others – joins us to discuss his life in writing and reading. We discuss the importance of first sentences, Hemingway's grammar, Morrell's friendship with the legendary Hemingway scholar Philip Young, good writing as hypnotic, the creation of Rambo as a character, John Barth, Carl Jung, and much more!Thank you for listening to One True Podcast! Consider donating to the Hemingway Society, including to the recently created One True Podcast Fund or the Hemingway Café Club!Previous "one true sentences" are collected in: One True Sentence: Writers and Readers on Hemingway's Art, available here.

VOV1 - Để tưởng nhớ cuộc đời, sự nghiệp và phong cách sống của đại văn hào Ernest Hemingway, một lễ hội có tên là Hemingway Days được tổ chức thường niên tại Key West, Florida (Mỹ). Trong khuôn khổ lễ hội diễn ra cuộc thi đóng giả nhà văn Hemingway.

What if some of history's most fascinating people didn't need better marriages — they needed permission not to marry? In this re-release of a fun, historically rich Solo classic, Mary Dahm and Peter McGraw discuss people who probably shouldn't have married, using figures like Abraham Lincoln, Ernest Hemingway, and Charlotte Perkins Gilman to reveal how marriage became the expected escalator into adulthood, respectability, and belonging.Love the show? Subscribe, rate, review, and share! https://www.petermcgraw.org/solo

Retiran más de 4 mil toneladas de basura del río Alto Atoyac Avanza la rehabilitación del pozo de agua potable Rey Neza El 21 de julio de 1899 nació el novelista y periodista estadounidense Ernest Hemingway#grc

National Junk Food day. Entertainment from 1980. First major battle of civil war, Coldest temperature on the planet, Frank & Jesse James rob first train. Todays birthdays - Ernest Hemingway, Kay Starr, Don Knotts, Robin Williams, Eric Brazilian, Michael Connelly, Jon Lovits. Alan Sheppard died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/Junk Food - Kids ChannelIt's still rock and roll to me - Billy JoelBar room buddies - Merle Haggard   Clint EastwoodBirthdays - In da club - 50 Cent https://www.50cent.com/Wheel of fortune - Kay StarrAndy Griffith TV themeThrees Company TV themeAnd we danced - The HootersExit - Truckstop Betty - Jason Lee wIlson Jason Lee WilsonHistory & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

Did you know that Ernest Hemingway wrote for the Toronto Star? The iconic cigar-smoking, bull-fighting American writer spent two separate stints living in Canada. It was partly while living and working in Toronto that he developed his stripped-down, sparse writing style. Author and Hemingway expert Terry Fallis reflects on the writer's larger than life reputation and his time spent in Toronto ahead of the upcoming International Hemingway Society Conference. Plus, CBC producer Christine Pagulayan talks about the latest trend to hit the world of romance. Books discussed on this week's show include:And Then There Were None by Agatha ChristieLittle Face by Sophie HannahBefore You Go to Sleep by S. J. WatsonLife After Life by Kate AtkinsonIt's Not What You Think by Clare MackintoshCheck us out on Instagram @cbcbooks and TikTok @cbcbooks

Kämpfer aus aller Welt unterstützen die Spanische Republik nach dem Staatsstreich vom 17.7.1936. Doch die Waffenhilfe von Europas Faschisten für Franco ist zu groß. Von Thomas Pfaff.

Welcome to our fifth episode celebrating the centenary of The Sun Also Rises! On today's show, we welcome the always excellent David Wyatt to explore the way Hemingway represents “thinking” in the novel.Although Hemingway may not be as celebrated as Faulkner, Joyce, Proust, and Woolf at depicting human consciousness, in this episode David Wyatt guides us through crucial moments in The Sun Also Rises to show Hemingway's subtle power in dramatizing thought in action.Wyatt takes us from Jake's bedroom to his self-conscious prayer, to his drunken reading of Turgenev in bed, to the excitement of the bullring in order to reveal how the reader gains access to Jake's interiority, making The Sun Also Rises a psychological novel in disguise. As with all of the The Sun Also Rises episodes this year, we enjoy the legendary actor William Hurt reading—in this episode, from Jake's “I thought I had paid for everything” meditation in chapter 14, courtesy of our friends at Simon & Schuster Audio.Audio excerpt courtesy of Simon & Schuster Audio from The Sun Also Rises by Ernest Hemingway, read by William Hurt. Copyright © 1926 by Charles Scribner's Sons. Used with permission of Simon & Schuster, Inc.Consider supporting One True Podcast here: https://members.hemingwaysociety.org/podcast

2026 marks the centenary of Ernest Hemingway's novel ‘The Sun also Rises', which brought Pamplona's San Fermín festival international fame. Yet beyond its place in Hemingway's iconic novel and the yearly international news reports of tourists injured or even dying in the running of the bulls, the fiestas of San Fermín has also served as a symbolic battleground in Navarre's unresolved identity conflict. As the capital of Navarre, Pamplona sits at the intersection of two competing national projects: Basque nationalists regard the region as an inseparable part of the historic Basque homeland, while Navarrese regionalists and Spanish unionists insist on Navarre's distinct political identity and institutions. Every July, those rival visions spill into the festival through disputes over flags, language, official ceremonies and the public symbolism of the encierro. Today on Sobremesa Podcast we look to go beyond the cliches and instagram posts generated around Sanfermin and look at its deeper cultural, historical and political significance. To do so, I am joined once again by Tulane University's Brittany Kennedy - an expert in Basque culture. If you like what we are producing and want to keep the podcast sustainable, please consider donating to our buy me a coffee page. The link is the show notes. Okay, I hope you enjoy my interview with Brittany.

‘Elke oorlogscorrespondent moet alles lezen van Gellhorn. Ze is een monument', aldus Geert Mak over de door hem bewonderde oorlogscorrespondent Martha Gellhorn. Gellhorn was de belangrijkste oorlogscorrespondent van de twintigste eeuw en stond bekend als onverschrokken. Ze deinsde niet terug voor gevaar, sterker nog: ze zocht de oorlogshaarden op om nauwgezet, kritisch maar ook sociaal betrokken verslag te doen van wat zij zelf zag en meemaakte. Ze was ooggetuige in de Spaanse Burgeroorlog, de politionele acties in Indonesië en de burgeroorlog in El Salvador. Cruciaal moment in haar leven was haar bezoek aan Dachau; het tekende haar voorgoed. Ze had een stormachtige verhouding en huwelijk met de beroemde Amerikaanse schrijver Ernest Hemingway. Presentator en podcastmaker Nathan de Vries praat in deze aflevering met: *schrijver en journalist Geert Mak. Hij schreef het voorwoord van de Nederlandse vertaling van ‘The Face of War', een verzameling van de meest aangrijpende oorlogsreportages van Gellhorn. *Xandra Schutte, hoofdredacteur van de Groene Amsterdammer en betrokken bij het onderzoek naar Gellhorns ‘De ogen van miljoenen', een bundel persoonlijke brieven over oorlog, armoede, teleurstellingen in de liefde en haar frustratie over een beroep dat werd gedomineerd door mannen. *Minka Nijhuis, oorlogsverslaggever die ook wel ‘de Gellhorn van de polder' wordt genoemd. *en schrijver en filosoof Alicja Gescinska, die in haar boek ‘Vrouwen in duistere tijden' tien bijzondere vrouwen onder wie Martha Gellhorn portretteert. Wat blijft audiodoc is een podcast van HUMAN en NPO Luister, deze aflevering staat vanaf zondag 12 juli om 21 uur online op NPO Luister en is te horen in het tweede uur van Wat blijft radio op NPO Radio 1.

At the NATO summit in Ankara, President Trump declares “love and unity” with allies, and Europe signals it is taking more responsibility for its own defense. Christiane speaks with former US Ambassador to NATO Julianne Smith about what the summit revealed and growing uncertainty around the fragile Iran truce. Then, Smithsonian Secretary Lonnie G. Bunch III responds to White House broadsides accusing the institution of having a “radical, activist ideology.” Will Ripley reports from Taiwan on China's striking mock-up of a U.S. warship in the Xinjiang desert. Former British Prime Minister Theresa May joins Christiane to discuss CNN's new documentary The Salisbury Poisonings: A Spy Next Door about the Novichok attack in England in 2018, and they discuss the threat Russia still poses to the West. From the archives, Christiane looks back at Beirut in 1993, a city emerging from civil war and still symbolic of Lebanon's repeated cycle of destruction and rebirth. And finally, Spain's Running of the Bulls festivities explode across Pamplona, 100 years since Ernest Hemingway immortalized them in The Sun Also Rises. Air date: July 11, 2026 Guests: Julianne Smith Lonnie G. Bunch III Theresa May Learn more about your ad choices. Visit podcastchoices.com/adchoices

We'd love to hear from you! Please send us a Text Message!This 50th Celebrative Podcast Episode features not only songs pertinent to the subject matter, but also whistle-stop visits in a round table discussion with many of the world's great minds, experts on the subject of War & Peace. Come sit at the table with us as we discuss this pertinent subject regarding our world today. Cognoscenti like Mahatma Gandhi, Nelson Mandela, Ernest Hemingway, Herbert Hoover, Bertrand Russell, Martin Luther King, Sir Winston Churchill, Albert Einstein and more. With songs by Bob Dylan, John Lennon and Peter Link.Theater of the Imagination is presented by Watchfire Music:  watchfiremusic.com

Ana Zamora regresa a los escenarios con una nueva lectura de Farsa y licencia de la reina castiza, uno de los textos menos conocidos de Ramón María del Valle-Inclán. La directora, Premio Nacional de Teatro y Premio Ojo Crítico, conversa con el programa sobre el esperpento, ese lenguaje teatral con el que el autor gallego convirtió lo grotesco, lo absurdo y lo trágico en una forma única de mirar la realidad. La producción de Nao d'Amores y el Teatro Español podrá verse en Madrid hasta el 26 de julio.El programa se acerca también al estreno de Electra jonda en el Festival Internacional de Teatro Clásico de Mérida, un montaje que fusiona teatro, flamenco y danza para revisitar el mito clásico desde una mirada contemporánea. Además, recordamos el centenario de Fiesta, la novela con la que Ernest Hemingway inmortalizó los Sanfermines y proyectó internacionalmente la ciudad de Pamplona.La actualidad cultural nos lleva a la Biblioteca Nacional, donde se incorpora el retrato de Álvaro Pombo, pintado por Hernán Cortés; a la Casa de América, que acoge la exposición Everybody Loves Chachacha de la fotógrafa Bego Antón, dedicada al freestyle musical canino; y al IVAM, con una nueva muestra sobre La Albufera. También conocemos la historia de las icónicas Piscinas das Marés, de Álvaro Siza, junto a nuestro colaborador Pedro Torrijos.El programa rinde además homenaje a la cantante británica Bonnie Tyler, fallecida a los 75 años. Su inconfundible voz rasgada convirtió himnos como Total Eclipse of the Heart o Holding Out for a Hero en referentes del rock de los años ochenta. Admiradora de artistas como Carole King y Stevie Wonder, deja un legado que marcó a varias generaciones y al que El Ojo Crítico dedica su despedida.Escuchar audio

Afsnittet er sponseret af Gastrotools https://www.gastrotools.dk/   Stegeplade i carbonstål inkl. gratis smasher her https://www.gastrotools.dk/products/stegeplade-smasher   Tilbuddet løber til og med d. 31. juli 2026.   …………..   I dagens afsnit skal det handle om vin i ltteraturen med. Vi har en yderst kompetent gæst i Casper Thrane, som er  Ph.d., lektor i dansk og oldtidskundskab på Risskov Gymnasium i Aarhus og som guider os igennem diverse ltterære værker.    Hvilken betydning har vine haft for både forfatteren selv og i deres værker? Og hvilke vine er det mon, der bliver drukket i de værker, vi omtaler.   Vi både smager, gætter og snakker os ind i passager i værkerne samt de vine, der bliver omtalt.     Vi smager på   1) Moscatel, Lustau, Emilin, Muy dulce, Jerez-Xérés-Sherry   2) Melon B, Muscadet Sèvre et Maine, Loire, Chateu-Thébaud, Famille Lieubeau, 2022   3) Chardonnay, Macon-Villages, Joseph Drouhin, 2024     Der læses højt fra   Johannes Ewald, Levnet og Meeninger (1774-1778), Det danske Sprog- og Litteraturselskab, Borgen, 1988.   Charles Baudelaire, "Vinens sjæl", Helvedsblomsterne, oversat af Peter Poulsen, Nansensgade Antikvariat, 1998.   Homers Odyssé, oversat af Otto Steen Due, Gyldendal, 2002.   Ernest Hemingway, Der er ingen ende på Paris, oversat af Michael Tejn, Lindhardt og Ringhof, 2000.     Find Casper Thranes bog "Livretter" her   https://bibliotek.dk/materiale/livretter_casper-thrane/work-of:870970-basis:51297253   eller her   https://livretter.systime.dk/

The U.S. crashed out of the World Cup with a 4-1 defeat against Belgium. Paul Tenorio of The Athletic tells us how the match was overshadowed by a FIFA decision and a phone call from the White House. Trump arrives today at a NATO summit in Ankara, Turkey. Seung Min Kim of the Associated Press joins to discuss how the president plans to enforce spending promises from other nations. The Supreme Court recently cleared the way for Trump to strip Haitians and Syrians of humanitarian protections. The Washington Post’s Maria Sacchetti explains what the ruling means for them. Plus, new allegations surfaced against Maine Senate candidate Graham Platner, Iran held a funeral for Ayatollah Ali Khamenei, and how this year’s Pamplona running of the bulls marks 100 years since Ernest Hemingway’s The Sun Also Rises. Today’s episode was hosted by Gideon Resnick.

On this episode of Special Cloth Talk, the SCT brothers discuss the quiet emergency persisting within men's mental health.(Recorded June 9th) In honor of Men's Mental Health Month, we examine the lives of three cultural titans who battled severe psychological struggles behind their public personas: the soulful brilliance of Donny Hathaway, the hyper-masculine facade of Ernest Hemingway, and the immense artistic dedication of Heath Ledger. With men facing a suicide rate nearly quadruple that of women, the necessity of dismantling these stigmas and pursuing professional intervention has never been more pressing. Wealth, status, and talent provide no immunity, and it's time to break the societal silence. Sources: https://wordinblack.com/2025/12/mental-illness-donnita-hathaway-call-for-healing/ https://ground.news/article/progressive-nithya-raman-advances-to-november-runoff-against-los-angeles-mayor-karen-bass https://www.scstatehouse.gov/sess126_2025-2026/bills/1095.htm https://www.brut.media/us/videos/us/politics/republican-senator-got-heated-after-lawmakers-advance-near-total-abortion-ban https://www.pbs.org/newshour/health/how-mental-health-struggles-wrote-ernest-hemingways-final-chapter   Resource: https://www.nami.org/stay-connected/events/awareness-events/mens-health-month/      

durée : 00:29:52 - Les Nuits de France Culture - par : Albane Penaranda - En juillet 1966, cinq ans après la mort de l'écrivain, La Tribune des critiques consacrait l'un de ses numéros à Ernest Hemingway. L'occasion d'une discussion érudite à bâtons rompus sur la vie et l'œuvre de l'écrivain. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

As America prepares to celebrate its 250th anniversary, Carl takes listeners on a bold, unforgettable journey through the people, ideas, and moments that shaped the United States. For the sake of brevity, this special episode traces only a sample of America's heroes, innovators, and cultural icons. From the Enlightenment ideals that inspired the Founding Fathers—Jefferson, Adams, and Franklin—to the defining leadership of George Washington and Abraham Lincoln, the episode explores how liberty, courage, and conviction forged a nation. Lincoln's leadership during the Civil War, and the enduring power of the Gettysburg Address, reveal how America's moral compass was tested—and strengthened. The story expands beyond politics to honor cultural and humanitarian trailblazers, including Elvis Presley, Julia Ward Howe, and Clara Barton, whose influence reshaped music, social reform, and humanitarian care. Modern leadership comes into focus through Eisenhower, Kennedy, Reagan, and Donald Trump, examining moments that redefined America's role at home and on the world stage. The episode also celebrates American creativity and innovation—from Frank Sinatra, Marilyn Monroe, Michael Jackson, and Taylor Swift, to inventors like Thomas Edison, Henry Ford, and Steve Jobs, whose ideas transformed everyday life. Sports legends such as Babe Ruth, Muhammad Ali, Michael Jordan, Serena and Venus Williams, and Shohei Ohtani embody the spirit of perseverance and excellence that continues to inspire generations. Woven throughout is the power of storytelling, honoring literary voices like Mark Twain, Maya Angelou, and Ernest Hemingway, whose words helped shape the American identity. As the nation approaches 250 years of independence, this episode stands as both a tribute and a challenge: honor the past, protect the principles that unite us, and take part in shaping what comes next. America's story isn't finished. What will you contribute?   Connect with Carl: Instagram Facebook LinkedIn YouTube Website   NOTE: This program contains copyrighted material used under the Fair Use doctrine for purposes of commentary, criticism, education, and historical analysis.   Produced by: Social Chameleon

Join us for the second of three installments of One True Book Club '26! In this series of episodes, we are reading the Hemingway-relevant selection, Under Fire by Henri Barbusse, the classic French WWI novel published in 1916.This episode covers chapters 10-19 of the novel. We discuss how Barbusse finds moments of unexpected humanity amidst the carnage of warfare and his subtle characterization of the platoon, including the narrator himself. We also cover his  metafictional “Swear Words” chapter, where Barbusse reflects on a Realist writer attempts to describe the indescribable.We also connect this brutal novel to Hemingway's writing, to other modernist works, to Tim O'Brien's The Things They Carried… and even to The Shawshank Redemption. We are using the Penguin Classics edition with an Introduction written by future One True Podcast guest, Professor Jay Winter.

Whether or not your into fantasy sports or sports in generalor, my co-host today, Larry Schechter, has a great book out -The History of Fantasy Sports: And the Stories of the People Who Made It Happen.  This is not a text book, it is interesting and facinating stories about the history of fantasy sports.  Which also means sports stories.  It is a definate must read for the summer - get it - The History of Fantasy Sports: And the Stories of the People Who Made It Happen on AmazonWe also talked:National Disco day. Entertainment from 2007. President Garfield shot, 1st US coin with a woman on it, 1st Walmart opened, Amelia Earhart disappeared. Todays birthdays - Ken Curtis, Dave Thomas, Polly Holliday, Larry David, Julia Montgomery, Michelle Branch, Ashley Tisdale, Linsay Lohan, Margot Robbie. Ernest Hemingway died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/Disco infernal - the TrammpsNever can say goodbye - Gloria GaynorUmbrella - Rihanna   Jay-ZLucky Man - Montgomery GentryBirthdays - In da club - 50 Cent http://50cent.com/Riders in the sky - Sons of PioneersAll you wanted - Michelle BranchRumors - Lindsay LohanExit - Thank you for cheatin on me - Dianna Corcoran https://www.diannacorcoran.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio

Send Kevin a Text MessageBob Bookman, one of Hollywood's most respected literary agents, managers, and producers, joins host Kevin Goetz for a masterclass on the art of discovering stories that successfully make the leap from page to screen. Over a remarkable career, Bookman has represented authors and filmmakers including Michael Crichton, John Irving, Thomas Harris, Jonathan Demme, Cameron Crowe, and Tom Stoppard, helping bring to the screen films like Jurassic Park, The Silence of the Lambs, Hannibal, The Cider House Rules, A Beautiful Mind, and Jerry Maguire. In recent years he's brought that same eye for material to producing, including the Best Picture nominee A Complete Unknown.Running the Yale Law School Film Society (06:54): Bookman recalls building an underground film education out of 16mm prints borrowed from historian Bill Everson, bringing legends like Frank Capra, Fritz Lang, and Miloš Forman to campus for free screenings.Landing the Job, and Skipping the Mailroom (18:26): Bookman shares how a chance introduction from agent Jack Gilardi led to interviews with legends like Abe Lastfogel and David Begelman, before he landed at IFA and bypassed the mailroom.Becoming "The Book Guy" (23:24): Bookman describes how agency head Marvin Josephson handed him ICM's entire literary publications franchise,launching his decades-long reputation as Hollywood's go-to book agent.What Makes a Book Cinematic (27:09): Bookman breaks down why great novels rarely make great films, and what he actually looks for: three-act structure, character conflict, and a story that takes audiences somewhere new.The Secret to a Great Adaptation (29:15): Using John Irving's Oscar-winning adaptation of his own novel The Cider House Rules as the gold standard, Bookman explains why most authors shouldn't adapt their own books, and why Irving was the exception.The Best Adaptations, and a Hawks-Hemingway Bet (33:00): Bookman names The Silence of the Lambs and A Beautiful Mind among the best adaptations he's seen, then tells the story of how Howard Hawks turned Ernest Hemingway's self-described worst book into To Have and Have Not.Rapid-Fire on the Legends (37:43): Bookman gives quick, candid impressions of the writers and directors he's worked with — Michael Crichton, Jonathan Demme (including his own cameo in The Silence of the Lambs), Cameron Crowe, Tom Stoppard, and Paul Greengrass.Originality, AI, and What's Next (40:24): Bookman argues that algorithms can imitate stories but not replicate the human heart, and discusses his new venture producing low-budget original films.Host: Kevin GoetzGuest: Bob BookmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Bob Bookman:IMDb: https://www.imdb.com/name/nm1023283/Website: https://www.bobbookman.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

On this episode of Jrodconcerts: The Podcast, Jamie sits down with Salvadoran-American country powerhouse Angie K. From her early childhood roots in El Salvador to growing up in Marietta, Georgia, Angie has carved out a completely unique space in the independent music scene as a true Latin ambassador to country and Americana music. Angie opens up about witnessing the global explosion of Latin music, breaking through traditional industry gatekeepers, and the exact moment she decided to let go of rigid expectations to embrace pure gratitude. We dive deep into her relentless work ethic, why true courage is always rewarded in the long run, and how literary icon Ernest Hemingway inspired the spirit of her incredible new project. We also talk about her brand-new, genre-blending bilingual album, Whiskey & Hemingway (produced by founding Zac Brown Band member John Driskell Hopkins), her recent performance at CMA Fest, her upcoming return to the legendary Grand Ole Opry stage, and hitting the road with the iconic duo Brooks & Dunn this fall. Stick around until the end to hear all about her incredible bilingual summer love song, "Contigo." What We Discuss: Acting as a Latin ambassador in country music and the genre's shifting landscape. Overcoming industry gatekeepers and connecting with a global audience. Letting go of industry expectations and choosing the path of gratitude. Angie's journey from El Salvador to New Mexico, Georgia, and finally Nashville. The relentless work ethic and resilience required to thrive as an independent artist. How the spirit and grit of Ernest Hemingway inspired the new album. A deep dive into her new single "Contigo" and the rebellious joy behind "We Won't Go." __ Connect with the Artist: Follow Angie K on Instagram: https://www.instagram.com/officialangiek Visit Angie K's Official Website: https://officialangiek.com/ ___ Support The Show: Apple Pay: Whether you're shopping online for everyday needs or treating yourself, skip the hassle. Shop with Apple Pay. Terms apply. https://www.apple.com/apple-pay Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome Julia Cooke to discuss her new book, Starry and Restless: Three Women Who Changed Work, Writing, and the World, which profiles three pioneering women journalists: Rebecca West, Emily "Mickey" Hahn, and Martha Gellhorn. Cooke explores these writers' shared temperament and celebrates their work as a forerunner to New Journalism. Throughout our interview, we learn about Gellhorn: her life before Hemingway entered the scene (in a letter, she would describe her younger self as "starry and restless”), her short-lived relationship with Hemingway, and her later years in which she adopted a son and experienced a rather complicated motherhood. Cooke also immerses us in Gellhorn's writing, focusing on how her war journalism weaves together harrowing scenes with humanizing details and how her witnessing of Dachau toward the end of WWII was truly transformative.

https://www.outdoornews.com/wp-content/uploads/2026/06/June-13-long-show.mp3 Tim Lesmeister and Rob Drieslein start the show with their first and mostly positive impressions of the Minnesota DNR's new electronic licensing system, then they share final spring turkey hunting numbers from Minnesota and Wisconsin. Steve McComas, the Lake Detective, visits with Drieslein to talk about lake trends around the region as summer 2026 arrives. Special guest Curtis DeBerg jumps into the show to share the amazing tale of a signed copy of Ernest Hemingway's The Old Man and the Sea found in Rochester, Minn., that made its way to the Nobel Prize Museum in Stockholm, Sweden. Drieslein and Lesmeister wrap up the show hitting a host of topics, including Ron Schara's suggestion that dock owners pay rent on the public water they're covering, plus a couple of intense state conservation officer stories. The post Episode 596 – New ELS impressions, Lake Detective, Hemingway's last written words, dock rental fees? appeared first on Outdoor News.

He was the man who turned sparse, muscular prose into a blueprint for the 20th century. But before the Nobel Prize, the big-game hunting, and the larger-than-life legend, there was just a young man writing in the cafés of Paris.In this episode of History Ignited, we strip away the myth to find the man behind the typewriter. We explore how Ernest Hemingway's experiences in the Great War and the Lost Generation shaped his relentless pursuit of "the true sentence." From the sun-drenched rings of Spanish bullfights to the quiet complexities of his most iconic short stories, we trace the literary evolution of one of America's most polarizing figures. Tune in as we examine the man who didn't just write about life—he lived it to its breaking point.Send us Fan MailAbout History Ignited: History Ignited is the award-winning kids and family history podcast inspired by Billy Joel's We Didn't Start the Fire. Each short episode explores the real stories behind the people, events, inventions, and cultural moments that shaped the world from the 1950s through the 1980s. Winner of the 2025 Webby People's Voice Award for Best Kids & Family Podcast.

One True Podcast does its part to help your summer reading lists by covering a book that is not by Hemingway, but is Hemingway-relevant: Henri Barbusse's Under Fire, the 1916 World War I novel that Frederic Henry and Count Greffi name-drop so provocatively in between sips of icy cold champagne and smoothly fluent billiards shots. This episode covers the first nine chapters of Under Fire, where we discuss why Hemingway damned this novel with such faint praise in his Men at War anthology, how the episodic structure might remind readers of a contemporary work like The Things They Carried, the absence of instantly recognizable characters, and – controversially – whether there's more rain in this novel or in A Farewell to Arms. One True Podcast is never one to shy away from the divisive topics.We hope you'll join us in this summer's long-overdue read of Under Fire. We are using the Penguin Classics edition with an Introduction written by future One True Podcast guest, Professor Jay Winter.

What is a singular attribute that separates Oscar Wilde, Ernest Hemingway, and Edgar Alan Poe?  Their literary voices.  Here are thoughts on our own voices: if and how we should try to develop them.  Also: the strong tool of contrast, when the character contrasts with the setting.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Live from the University of Evansville campus and the Shanklin Theatre, where Rami Malek once trod the boards… One True Podcast welcomes Alex Vernon for an interview recorded live in front of a captive audience of students, faculty, and community members in Evansville, Indiana, as he discusses his magnificent new biography of Tim O'Brien, Peace Is a Shy Thing: The Life and Art of Tim O'Brien.Vernon explains his process of how to write a true biography, O'Brien's life and relationship to the Vietnam War, what distinguishes O'Brien's style as a writer, the enduring power of some of his greatest work, and much more. It is a generous, penetrating Q&A session with the world's preeminent O'Brien scholar.Vernon – who has previously joined One True Podcast for a discussion of Hemingway and War, as well as an episode devoted to “Soldier's Home” – lends his essential perspective to this essential contemporary writer.** Special thanks to the UE students for their insightful questions at the end, and to the wizardry of sound designer Jon Robertson for his assistance. ** Episode BibliographyTim O'Brien works mentioned:Going After CacciatoIf I Die in a Combat ZoneIn the Lake of the WoodsThe Things They CarriedOther works mentioned:Five-volume biography of Hemingway by Michael Reynolds (The Young Hemingway, Hemingway: The Paris Years, Hemingway: The Homecoming, Hemingway: The 1930s, Hemingway: The Final Years)

Clint Lanier and Dave McArthur discuss the Ernest Hemingway novella The Old Man and the Sea.

The whole internet has been talking about Adult Braces by Lindy West, so we decided to join the conversation. And who better to join us than Friend of the Show Margaret H. Willison (@MrsFridayNext)? You can find Margaret at Culture Study and you can find us in Key West, petting Ernest Hemingway’s polydactyl cats. Listen now to find out our legally binding ruling on whether or not Lindy West needs a divorce! Readers advisory: Here. Footnotes: Love Letters: Meredith & Margaret on Lindy West’s Adult Braces “Lindy West's How-Not-To Guide to Polyamory” by Scaachi Koul AMA: Nonmonogamy Edition from Lindy West’s Substack The Lindy West Deep Dive from Ashley Ray’s Substack “Big Love” from Jennifer Weiner’s Substack Ijeoma Oluo on Threads Coming up next: Artemis Fowl by Eoin Colfer.

Death of the Soccer God by Dimitry Elias Léger follows a young Haitian soccer prodigy's rapid rise and swift downfall as he moves through fame, politics and love across continents. Dimitry joins us to talk about research, faith, death, discipline, excellence, jazz and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Death of the Soccer God by Dimitry Elias Léger God Loves Haiti by Dimitry Elias Léger Catch-22 by Joseph Heller A Farewell to Arms by Ernest Hemingway  

Notes and Links to Rachel León's Work     Rachel León (she/they) is a writer, editor, and social worker, who has worked in child welfare for nearly two decades. She serves as Managing Director for Chicago Review of Books. Their debut novel, How We See the Gray, is out from Curbstone Books as of May 15, 2026. Buy How We See the Gray   Rachel León Website   Review of How We See the Gray from Kirkus Reviews   At about 1:45, Rachel gives a summary of How We See the Gray and information about book events and purchasing At about 4:15, Rachel talks about her writing and reading background, as well as how visual art figured in to her early publications  At about 6:30, Rachel highlights Gwendolyn Brooks' work as formative and transformative for her At about 7:50, Rachel cites Sarah Lippman and Justin Torres as contemporary writers who inspire her, including Torres' approach and “We” usage At about 10:10, Rachel responds to Pete asking about her reading life as an editor At about 16:10, Pete asks Rachel about seeds for How We See the Gray and the myriad ways in which her work in child welfare has informed her writing of the book At about 20:55, Rachel homes in on the time in the field that led her to write How We See the Gray and her current work At about 22:00, Rachel talks about her love for the band La Historia, and getting permission to use the band's lyrics in the book At about 24:00, Pete riffs on the book's collective voice and asks Rachel to talk about the usage of “We” in the book At about 26:30, Rachel responds to Pete's questions about case workers and their motivations, as well as ideas of “vocations” and working “in the trenches” At about 29:55, Pete lays out some of the book's exposition, and asks Rachel about ideas of Meredith, a main character, being too trusting/savior-ish in her work At about 33:25, The two discuss Meredith and her coparenting  At about 34:50, Rachel talks about the youth of her characters and their relationship with idealism  At about 36:50, Rachel expands on the ways in which main character Ebony has learned to “not let her guard down” At about 38:20, Rachel reflects on race and privilege and patronizing attitudes in the foster system, both outside the book and inside At about 42:30, Rachel talks about “mapping out” storylines and “microstories” and chronologies for her book At about 43:50, The two discuss double-standards regarding lack of responsibility for  At about 44:55, Rachel expands on Rockford, Illinois, and her rationale in including slightly-adapted headlines from the local papers At about 47:15, Pete talks about foster parents in the book bucks expectations  At about 48:00, Rachel responds to Pete asking about the “trauma-bonding” among coworkers and the benefits and disadvantages  At about 52:00, Jamal and his versatile work is discussed At about 53:10, Meredith's drinking and the root causes are discussed  At about 56:00, “Found families” through the foster system are discussed At about 56:50, Pete cites some of the book's vast profundity  At about 58:00, Rachel talks about the treatment of LGBTQ+ young people in the system At about 1:01:23-AXE Body Spray profundity! At about 1:02, Medreith and being part of the system as a mother are discussed, and Pete asks Rachel about her views on the state of the “system”        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 345 with Devin Thomas O'Shea is the author of The Veiled Prophet, publishing with Haymarket Books in June 2026. His writing appears in The Nation, The Iowa Review, Slate, Jacobin, Boulevard, and elsewhere.    The episode airs on June 23, Pub Day for The Veiled Prophet.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Steven Thrasher's Work      Dr. Steven Thrasher is an American journalist and academic. In 2019, he became the inaugural Daniel H. Renberg Chair of social justice in reporting and an assistant professor of journalism at Northwestern University's Medill School of Journalism. In 2012, he won the National Lesbian and Gay Journalists Association Journalist of the Year award.   Buy The Overseer Class: A Manifesto   Stephen Thrasher's Website   Review of The Overseer Class from Publisher's Weekly   At about 1:15, Steven talks about book events and the book's May 19 publication At about 2:40, Steven shares interesting and “clarifying” feedback from readers on The Overseer Class At about 4:00, Steven details his childhood reading and writing and creative pursuits At about 7:40, Steven and Pete discuss the horrible news about the attacks on book choice, a high number of higher education institutions and their “capitulation,” but also the wonderful ways in which Oxnard, CA, and other “low ed” institutions have helped foster community and safety At about 11:45, Steven responds to Pete's asking about the three quotes that start the book by sharing his gratitude to the three writers/estates who allowed him to use the words; he talks about the quotes setting up “tension” in his book At about 18:00, The two discuss the way the book starts and reflect on dynamics of the repression of Gaza as both singular and as representative of all “imperial force,” such as Tyre Nichols' killing in early 2023 At about 22:00, the two discuss Martin Luther King and Malcolm X's legacies and the stories told about them, and their work to make connections with international struggles  At about 24:35, Steven expands on cases in which Black men have been killed by the police, and the changing dynamics and populations around US police forces At about 26:00, Steven notes the “rehabilition” of the Black cop in media in recent years, and the ways in which Black chiefs  At about 27:10, Pete references a possible thesis for Steven's book and asks Steven to talk about distinguishing (or not) between the overseer class and individuals outside the system At about 30:40, Steven recounts the history of Denmark Vecsey in furthering his point of the overseer class and its role At about 33:10, Steven discusses his short-lived plans to become a police officer and its connection to employment  At about 34:30, Steven cites Black in Blue as a pivotal book in his research At about 36:00, Steven reflects on needs for jobs and connections to jobs that people may be ideologically opposed to police work or similar work At about 37:00, Steven responds to Pete asking about the idea of “changing the institution (policing) from within” At about 40:00, Steven talks about power dynamics, levels of power, and historical links to the “overseer” trope At about 42:40, Steven breaks down terms coined to show the engineering of Black cops and female cops as tools of “freedom” At about 44:20, The two discuss the overseer trope in the military, including “feel good stories” involving Condoleezza Rice and Colin Powell At about 46:45, Pete and Steven reflect on the power of a “No” for those resisting overseer status At about 48:10, Steven gives background on being in solidarity with his students and how he has stood up for his ideals; he also talks about the wonderful work by protestors on various college campuses  At about 51:45, Steven reflects on his unforgettable five days on campus at Northwestern and evolving campus protests  At about 56:10, Steven talks about the importance of “being a Toni”        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 344 with Rachel León, a writer, editor, and social worker, who has worked in child welfare for nearly two decades. She serves as Managing Director for Chicago Review of Books.     The episode airs on May 15, Pub Day for How We See the Gray, their first novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Zzz . . . Doze off to this snoozy short story by Ernest Hemingway – "In Another Country" zzz For an ad-free version of Sleepy, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sleepyradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: GreenChef: GreenChef.com/50sleepy and use code "50sleepy" to get fifty percent off your first month, then twenty percent off for two months.  Avocado: AvacadoGreenMattress.com/SLEEPY for 15% off.  Quince: Go to Quince.com/sleepy for free shipping and 365-day returns BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

Notes and Links to Kerri Schlottman's Work   Kerri Schlottman is a writer of literary fiction novels, most recently Daytime Moon, out with Unnamed Press as of May 12, 2026. Her novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, a 2023 American Book Fest Best Literary Fiction Book Finalist, and a Shelf Awareness Best Book This Week.  She works to support artists, performers, and writers in creating new projects and is a part-time graduate professor at NYU in arts administration. Previously, she was a massage therapist, a factory worker, a copy editor, and briefly enrolled in law school.  Buy Daytime Moon   Kerri Schlottman's Website At about 2:00, Kerri talks about early feedback for Daytime Moon At about 3:00, Kerri outlines her arts administration university job At about 5:00, Kerri gives background on her early reading and writing  At about 6:20, Kerri talks about transformational and formational works and writers At about 7:20, Kerri expands on the particular greatness of Vonnegut At about 8:30, Kerri responds to Pete asking about Detroit and Michigan and any connections to “Midwest Nice” At about 9:30, Kerri cites contemporary writers who push her own work forward, include Charlotte McConaghy and Christie Hodgen At about 11:20, Kerri shoots out publisher Unnamed Press and places to buy her book, as well as book events, one with Meagan Woods At about 13:35, Kerri talks about seeds for the book and gives interesting background on the history of the Salton Sea At about 16:30, Kerri details a New Yorker article about Hannah Upp and its influence on her work At about 18:45, Pete shouts out Tod Goldberg's stellar Salton Sea writing, and Kerri expands on the “fascinating” life in the Salton Sea “plots”/flat and Slab City and “off the grid” living  At about 21:50, Pete outlines the book's exposition, and Kerri responds to Pete's questions about the symbolism of this part and its setting up later plot At about 25:50, Pete outlines more of the book's opening and main characters, and Kerri speaks to the combination of the “artsy, countercultural" Isa and the business-oriented Merce At about 30:00, Kerri expounds on connections between Isa and her brother  At about 32:30, Kerri responds to Pete's questions about Ella, Isa's sister, and the reason for Isa's fleeing the Salton Sea At about 34:45, Kerri talks about Isa's “culture shock” in NYC, and talks about Dane's sending them on a quest with letters left behind At about 36:00, Pete highlights the later age for the coming-of-age in the book-a resounding success At about 36:55, Kerri responds to Pete's question about different expectations for men and women and their treatment and/or neglect of their children At about 41:10, Isa's Lizzie and her cancer diagnosis are discussed, as Kerri discusses her last days and promises At about 45:00, Pete asks Kerri about ideas of tarot and the future and belief in some or all of the process/precepts; Kerri talks about “escapism” in its many forms At about 48:00, The two discuss Isa's sadness after her friend's death and Isa's interactions with her father At about 49:00, Kerri gives background on a tarot reading scene that Pete highlights as so well-drawn At about 49:50, Pete stumbles into a classic Faulkner quote and the two discuss the past's impact on the characters' present At about 52:15, Pete references a great Alice Elliott Dark line when talking about the book as a moving “elegy” At about 53:40, Kerri discusses the “cascading effect” as Isa and Cole begin to meet new/undiscovered family members At about 55:10, Pete mentions the book as a great “road trip book” in response to Kerri's reflection on “found families” At about 57:45, Pete remarks on how masterfully Kerri deals with time span, and she reflects on her mindset in writing about this as she did At about 1:00:00, Kerri talks about “allusion[s]” in the book to environmental dangers happening in real time At about 1:02:45, Pete gives kudos to Kerri for the book's pathos and overall greatness    You can now subscribe to the podcast on Apple Podcasts, and please leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 342 with Isaac Fitzgerald, the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His next book, American Rambler, is out now.    The episode airs on May 12, Pub Day for American Rambler.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Isaac Fitzgerald's Work     Isaac Fitzgerald is the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His writing has appeared in The New York Times, The Atlantic, Esquire, GQ, The Guardian, The Best American Nonrequired Reading, and numerous other publications. He lives with his wife, Kelly Farber, and their two dogs on the North Fork of Long Island. His next book, American Rambler, is forthcoming from Knopf. Buy American Rambler: Walking the Trail of Johnny Appleseed    Isaac Fitzgerald's Website   Review for American Rambler in The Boston Globe     At about 3:20, Isaac talks about the book as “braided” and positive feedback he's gotten from independent booksellers At about 4:40, Isaac gives background on his rich reading and writing life from childhood At about 7:00, Isaac talks about a few catalysts for American Rambler, including Bill Bryson's A Walk in the Woods… Another Bullshit Night in Suck City by Nick Flynn, and An American Story by Howard Means At about 8:55, Pete shouts out Matt Bell's Appleseed, and Isaac reflects on the “mythification” of Johnny Appleseed  At about 13:20, Pete cites a beautiful quote on the connection between parents and storytelling and expands on how his parents and their travels and their storytelling thrilled him At about 17:00, Pete tells about his own experience with childhood stories, and Isaac shares his thoughts on oral storytelling and its connection to real-life experiences for children winning out over continued screen time At about 19:10, Isaac responds to Pete's asking about his mother and father as opposites in many ways At about 23:00, Pete compliments the book's first line and asks Isaac about the book's first hike: Isaac refers to the book as a “coming-of-middle-age” At about 28:10, Isaac responds to Pete's questions about Swedenborgism and its influence on Johnny Appleseed At about 33:10, The two discuss the balance between the social and the solitary  At about 35:50-John Freeman shoutouts! Isaac talks about important advice/editing from John Freeman with AA Knopf At about 38:20, The two discuss reading as a collaborative pursuit-a “two-person technology” At about 39:00, Pete and Isaac talk about Old Man and the Sea and the idea of a “comfort read” At about 40:15, Pete cites two examples of Isaac's work in connection to David Foster Wallace's work in complimenting Isaac's work in opposition to the “flyover country” ethos; Isaac cites Rabin's Old Glory: An American Voyage   At about 45:40, Pete and Isaac highlight a particularly charismatic person who was featured in the book At about 48:25, Isaac talks about his great experience with the Fort Wayne Tin Caps in the book At about 50:50, Isaac responds to Pete asking about the passages from the book where he shared profundity with Ashley C. Ford and Saeed Jones At about 51:25, It gets defecatory!  At about 52:15, Isaac expands on how his time staying with writer friends is in a Kerouac-ian tradition  At about 55:40, Isaac talks about his process that allowed him to  “writing conversationally” and the importance of reading his work aloud At about 57:20, Pete and Isaac reflect on the idea of the public intellectual and the balance between social media communities and authentically celebrating exploration and wonderful art    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 343 with Steven Thrasher, whose writing has been widely published by Scientific American, The New York Times, Nation, The Journal of American History, BuzzFeed News, Esquire and New York magazine. In 2019, Out Magazine named him one of the 100 most influential and impactful people of the year and in 2020, the Ford Foundation awarded him a grant for Creativity and Free Expression. The Viral Underclass, his first book, was widely-awarded and acclaimed, and his second book, The Overseer Class: A Manifesto, will be the focus of the podcast conversation.    The episode airs on May 14, and the book has a May 19 Pub Date.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Donna Minkowitz's Work     Donna Minkowitz is a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Science fiction great Terry Bisson called her writing “rich and wild, dark and funny, as fearless as her legendary journalism and as scary as a fairy tale.” And she's proud that Kirkus has praised the “defiant and playful energy” of her work.    Her memoir Growing Up Golem, a finalist for both a Lambda Literary Award and the Judy Grahn Nonfiction Award, is being republished by Indolent Books after 13 years!    Buy Growing Up Golem   Donna Minkowitz's Website   Review of Growing Up Golem from Kirkus Reviews     At about 1:30, Donna and Pete highlight the pending reissue of Growing Up Golem  At about 2:30, Pete asks Donna about how she sees Growing Up Golem 13 years later, and she gives a summary of the book At about 4:10, Donna expands on the idea set forth in the Writer's Note that the book is “88% true” At about 7:15, Donna talks about the general idea of the “golem” and the providence of the book's conceit At about 9:00, Donna reflects on the idea of “memory” and the science behind it, as well as the memoir as a “work of art” At about 10:10, Donna responds to Pete's asking about the book's opening referencing Donna's mom and her creating a “Donna Doll” At about 12:40, Donna expands on ideas of guilt and selfishness and psychosomatic pain that came with her Repetitive Strain Injury At about 14:40, Donna responds to Pete asking about her mother's health struggles and ideas of impending death At about 17:00, The two talk about Donna's mother's artistic prowess and Donna's feelings of “twoness” At about 19:45, Donna examines the idea of her mother that lying could be correct, and what the philosophy said about her mother and her morality At about 22:40, Donna expands on feelings of “twoness” in connection to W.E.B. DuBois At about 24:10, Donna reflects on her early writing with The Village Voice and her motivations and mindset in writing for the publication  At about 27:00, Donna outlines her mother's health problems and connections to her sexuality and sensuality  At about 29:00, Pete asks Donna how she balances the fact that her mother was a victim of sexual violence  At about 32:05, Donna expands on The Village Voice and her reporting around ACT Up and its advocacy and activism, as well as Queer Nation  At about 34:35, Donna tells Julio Rivera's story, as she did for the publication  At about 36:20, Donna talks about her father's death and his “scari[ness]” before his death and the “strange dynamic" of him as a “scapegoat” and her mother's behavior after his death At about 39:20, Pete wonders about a sort of "competition" between Donna and her mother, particularly with regard to a 1991 Thanksgiving interaction  At about 41:45, Donna responds to Pete asking about her mother's often making fun of her mother's body  At about 44:25, Donna speaks about the “competing therapists” At about 48:15, Donna speaks on the idea of the golem as being built and possibly destroyed by the same person, as well as the classic legend of the golem  At about 51:30, Donna talks about a familial way of acting when threatened and confronting that reaction At about 52:25, Pete cites some “beautiful moments” from her therapist and mother, and Donna reflects  At about 53:20, The two reflect on ideas of control and freedom in Donna's personal life and connections to therapy and her mother's influence  At about 55:25, Donna talks about connections between early and later relationships and the ways she was treated  At about 58:20, Pete and Donna discuss the book's juxtapositions and her concerns and struggles with her chronic pain          You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. You can also buy single episodes for $3 each.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 341 with Kerri Schlottman, whose novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, and a 2023 American Book Fest Best Literary Fiction Book Finalist. She is a part-time graduate professor at NYU in arts administration.    The episode airs today, Pub Day for her latest gem, Daytime Moon, May 12.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

Zzz . . . Sleep deep to this Ernest Hemingway short story – "Hills Like White Elephants" zzz For an ad-free version of Sleepy, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/sleepyradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and donate $2! Or click the blue Sleepy logo on the banner of this Spotify page.  Awesome Sleepy sponsor deals: GreenChef: GreenChef.com/50sleepy and use code "50sleepy" to get fifty percent off your first month, then twenty percent off for two months.  Avocado: AvacadoGreenMattress.com/SLEEPY for 15% off.  Quince: Go to Quince.com/sleepy for free shipping and 365-day returns BetterHelp: Visit BetterHelp.com/SLEEPY today to get 10% off your first month. ButcherBox: Sign up at butcherbox.com/sleepy and use code "sleepy" OneSkin: Get 15% off OneSkin with the code SLEEPY at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.oneskin.co/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #oneskinpod GhostBed: Go to GhostBed.com/sleepy and use promo code “SLEEPY” at checkout for 50% off! Shopify: Sign up for your one-dollar-per-month trial period at Shopify.com/otis Learn more about your ad choices. Visit megaphone.fm/adchoices

What do Goethe, Ernest Hemingway, Pablo Picasso, Paul Gauguin and so many other writers and artists have in common? They all reached the apex of their creative output while living outside their countries of birth. An email from a listener, who also happens to be a member of indie band Trash Can Dream, inspired this episode from our archives. Emma Grace Stephenson is one of two Aussie expats who make up the band that is now based in New York City. Her email sparked a discussion on how travel, and specifically living abroad, can inspire art and creativity—and why we think that is. The Bittersweet Life podcast has been on the air for an impressive 10+ years! In order to help newer listeners discover some of our earlier episodes, every Friday we are now airing an episode from our vast archives! Enjoy! PS Learn more about the famous foreign writers who lived and worked in Rome on Tiffany's audio tour Rome For Readers: A Literary Tour of the Eternal City. ------------------------------------- COME TO ROME WITH US: Our third annual Bittersweet Life Roman Adventure is in the books! If you'd like to join us in 2026, and be part of an intimate group of listeners on a magical and unforgettable journey to Rome, discovering the city with us as your guides, find out more here. AD-FREE LISTENING: After well over 10 years on the air with little-to-no advertising, in 2026 we have finally made the difficult decision that this completely independent and self-funded show is no longer sustainable without it. HOWEVER! If you join us on Patreon, for as little as $3 per month, you will have access to all new episodes completely ad-free! ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. GET TWO BONUS EPISODES PER MONTH: Pledge your monthly support of The Bittersweet Life at the $5 per month level or above, and you will have access to two all-new (and sometimes wacky) bonus episodes every single month. As well as ad-free listening, occasional live meet-ups, and access to our chat community. Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!

Keith Rabois was an early executive at PayPal (part of the famous PayPal Mafia), COO at Square, VP of Corporate Development at LinkedIn, and an early investor in Stripe, DoorDash, Airbnb, YouTube, Ramp, and Palantir. Currently he's managing director at Khosla Ventures. Also, he hasn't touched a computer since September 2010 (he does everything from an iPad).In our in-depth conversation, Keith shares:1. The barrels vs. ammunition hiring framework (and how to spot barrels)2. Why talking to customers is actively harmful for consumer products3. How to identify undiscovered talent4. Why the PM role is dying5. The three traits of the best-performing companies right now6. The specific interview question he asks every senior candidate7. Why CMOs (not engineers) are becoming the #1 consumer of tokens—Brought to you by:WorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUsVanta—automate compliance, manage risk, and accelerate trust with AI—Episode transcript: https://www.lennysnewsletter.com/p/hard-truths-about-building-in-the-ai-era—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Keith Rabois:• X: https://x.com/rabois• LinkedIn: linkedin.com/in/keith• Website: https://www.khoslaventures.com—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Keith Rabois(01:59) Why Keith hasn't used a computer since 2010(04:52) The team you build is the company you build(07:40) How Keith learned to identify talent at PayPal(10:05) Tactics for getting better at hiring(15:31) The barrels vs. ammunition framework(18:52) What makes someone a barrel(22:36) How to attract the best talent(26:18) Building companies on undiscovered talent(27:53) Why better performance requires more pressure(32:36) Career advice in the age of AI(35:14) The future of the product triad(41:03) Why design and code are merging(49:35) What practicing law taught Keith about entrepreneurship(51:22) Contrarian takes on customer feedback(1:02:33) Identifying great AI opportunities(1:05:13) Advice for evaluating statrups (1:12:36) Criticizing in public vs. private(1:15:05) Failure corner(1:17:29) Lightning round—Referenced:• Square: https://squareup.com• Jack Dorsey on X: https://x.com/jack• Head of Claude Code: What happens after coding is solved | Boris Cherny: https://www.lennysnewsletter.com/p/head-of-claude-code-what-happens• Simon Willison's Weblog: https://simonwillison.net• Vinod Khosla on X: https://x.com/vkhosla• Peter Thiel on X: https://x.com/peterthiel• Max Levchin on X: https://x.com/mlevchin• David Sacks on LinkedIn: https://www.linkedin.com/in/davidoliversacks• Tony Xu on X: https://x.com/t_xu• David Sze on X: https://x.com/davidsze• Faire: https://www.faire.com• Max Rhodes on X: https://x.com/MaxRhodesOK• Jeffrey Kolovson on LinkedIn: https://www.linkedin.com/in/jeffreykolovson• Uncapped | Comparative Advantages w/ Keith Rabois: https://www.khoslaventures.com/posts/uncapped-comparative-advantages-w-keith-rabois• Lattice: https://lattice.com• Taylor Francis on LinkedIn: https://www.linkedin.com/in/taylor-francis-4ba49640• Building product at Stripe: craft, metrics, and customer obsession | Jeff Weinstein (Product lead): https://www.lennysnewsletter.com/p/building-product-at-stripe-jeff-weinstein• The art of hiring: insights from Khosla Ventures, Airbnb, Ramp and Traba: https://ramp.com/velocity/the-art-of-hiring-insights• Eric Glyman: Seek out super individual contributors (ICs): https://ramp.com/velocity/the-art-of-hiring-insights#Eric-Glyman:-Seek-out-super-individual-contributors-(ICs)• Eric Glyman on X: https://x.com/eglyman• Mike Moore on LinkedIn: https://www.linkedin.com/in/mike-moore-802223177• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• Why you should work much harder RIGHT NOW: https://marginalrevolution.com/marginalrevolution/2026/03/why-you-should-work-much-harder-right-now.html• Opendoor: https://www.opendoor.com• The Craft of Early Stage Venture | Peter Fenton, General Partner at Benchmark | Uncapped with Jack Altman: https://www.youtube.com/watch?v=vRiblwiXt-Q• Lovable: https://lovable.dev• The rise of the professional vibe coder (a new AI-era job) | Lazar Jovanovic (Professional Vibe Coder): https://www.lennysnewsletter.com/p/getting-paid-to-vibe-code• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (co-founder and CEO): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• Marc Andreessen: The real AI boom hasn't even started yet: https://www.lennysnewsletter.com/p/marc-andreessen-the-real-ai-boom• Jeremy Stoppelman on X: https://x.com/jeremys• The design process is dead. Here's what's replacing it. | Jenny Wen (head of design at Claude): https://www.lennysnewsletter.com/p/the-design-process-is-dead• Andy Warhol: https://en.wikipedia.org/wiki/Andy_Warhol• Curation and Algorithms: https://stratechery.com/2015/curation-and-algorithms• Ernest Hemingway: https://en.wikipedia.org/wiki/Ernest_Hemingway• William Shakespeare: https://en.wikipedia.org/wiki/William_Shakespeare• Evan Moore on X: https://x.com/evancharles• Andrew Mason on X: https://x.com/andrewmason• Read Taylor Swift's Full Viral Speech After Record-Breaking Awards Sweep: https://www.newsweek.com/entertainment/read-taylor-swift-full-acceptance-speech-record-breaking-awards-sweep-11745941• The Chainsmokers: Stories Behind the Songs, AI's Impact on Music, and Venture Investing | Uncapped with Jack Altman: https://www.youtube.com/watch?v=9GMSC-2pYnw&list=PLtpH7YnTL8ihy0nR2BV32n5VkRtqlDAS1&index=16• How to spot a top 1% startup early: https://www.lennysnewsletter.com/p/how-to-spot-a-top-1-startup-early• David Weiden on LinkedIn: https://www.linkedin.com/in/davidweiden• Alfred Lin on LinkedIn: https://www.linkedin.com/in/linalfred• Keith's post about vertical integration on X: https://x.com/rabois/status/870673635375104000• Jon Chu on X: https://x.com/jonchu• Kanu Gulati on X: https://x.com/KanuGulati• Rogo: https://rogo.ai• Profound: https://www.tryprofound.com• Basis: https://www.getbasis.ai• Spellbook: https://www.spellbook.legal• Roelof Botha on X: https://x.com/roelofbotha• Delian Asparouhov on LinkedIn: https://www.linkedin.com/in/delian-asparouhov-87447742• Lessons From Keith Rabois, Essay 1: How to become a Venture Capitalist: https://delian.io/lessons-1• Velocity over everything: How Ramp became the fastest-growing SaaS startup of all time | Geoff Charles (VP of Product): https://www.lennysnewsletter.com/p/velocity-over-everything-how-ramp• Nuremberg on AppleTV+: https://tv.apple.com/us/movie/nuremberg/umc.cmc.3sg4y0382byupy76bfy7307k4• Eight Sleep: https://www.eightsleep.com• “NO DAYS OFF”—Bill Belichick on X: https://x.com/SNFonNBC/status/829036279069364224—Recommended books:• Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration: https://www.amazon.com/Creativity-Inc-Overcoming-Unseen-Inspiration/dp/0812993012• The Jordan Rules: The Inside Story of One Turbulent Season with Michael Jordan and the Chicago Bulls: https://www.amazon.com/Jordan-Rules-Sam-Smith/dp/0671796666• The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It: https://www.amazon.com/Upside-Stress-Why-Good-You/dp/1101982934—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com