Podcasts about Magnum Photos

Abbas Attar El Fotógrafo que Capturó el Alma del Mundo fue más que un fotoperiodista: fue un cronista visual de los conflictos, la fe y la condición humana. En este video, exploramos su legado, sus imágenes más impactantes y cómo logró, a través de su cámara, mostrar la espiritualidad, el sufrimiento y la resistencia de las personas alrededor del mundo. Con una trayectoria en Magnum Photos y una sensibilidad única para documentar religiones y guerras, Abbas nos dejó una lección inolvidable: la fotografía puede ser un puente entre culturas. Prepárese para un viaje visual y emocional que revela cómo una imagen puede cambiar nuestra forma de ver el mundo. Si usted es amante del fotoperiodismo, la fotografía documental o simplemente busca inspiración, este video está hecho para usted. No olvide dejar su comentario, suscribirse al canal y compartir con otros amantes de la imagen.

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair's highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya's fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair's highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya's fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair's highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya's fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair's highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya's fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair's highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya's fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Every photographer dreams of publishing a book of their photographs. But what exactly does that entail? In today's show, we're going to peek behind the scenes of this complex and daunting process in a chat with two complementary figures who've spent their respective careers helping to redefine what a photo book can be. Starting with three basic questions—Why a book? Why now? And what is the role of a book in your career at this time?—our discussion expands to cover a broad range of concerns. From distinguishing between the many different publishing models available today, to insights on sponsorship and publishing contracts, to tips about marketing and getting people onboard with your project, you'll come away with inventive strategies for publishing your work in book form. We've envisioned this show as an impromptu master class, so get ready to take some notes! Guests: Mary Virginia Swanson & Rick Smolan Episode Timeline: 4:45: Mary Virginia Swanson's basic advice to photographers interested in publishing their photographs in book form, plus the different publishing models available today. 10:22: Rick's start as a freelance photographer and the story behind his shift in roles to launch the Day in the Life book series. 15:04: The importance of sponsorship or in-kind donations, plus innovative strategies for negotiating such deals. 23:04: The two different categories of photo books: greatest hits with the photographer as subject and a book that has a separate subject and overarching story. 27:55: Tips for going on press, advice about publishing contracts, and suggestions for buying back a book before it gets remaindered. 34:54: The issue of vanity presses, and the matter of requiring a subvention from authors to help cover the publisher's costs. 43:03: Publicity and marketing: You are the best salesperson for your book. Tips for getting your book seen and heard about, from magazines to podcasts. 49:08: Episode Break 50:02: Should you create a full mock-up version of a book or just show a publisher a selection of photos? 59:22: Benefits to working with a literary agent when seeking to publish a photo book. 1:01:44: Slicing up the pie by hiring freelaners or finding a partner to share in the work. 1:07:38: The importance of publishing deadlines and many important markers tied to a calendar, plus the cover photo and book blurbs. 1:14:22: Swanson and Smolan on their picks for memorable photo books. 1:25:19: Parting advice about getting other people excited about your project.   Guest Bios: Mary Virginia Swanson has spent her career helping artists find the strengths in their work, identify receptive audiences, and present their personal vision in an informed, professional manner. Her broad background as a photo educator, author, entrepreneur and advisor spans areas of exhibiting, collecting, licensing, and marketing photographs. A few career highlights include working with Ansel Adams to manage education offerings at the Friends of Photography in California, heading Special Projects for Magnum Photos in New York, and founding and directing Swanstock as a unique licensing agency for fine art photographers. Swanson is the recipient of many awards, including the Society for Photographic Education's Honored Educator Award and the FOCUS Award for Lifetime Achievement in Photography from the Griffin Museum in Boston to name just two. In 2011, Swanson co-authored Publish Your Photography Book with Darius Himes, which is now in its third edition. Currently, Swanson works independently from her home base in Tucson, offering classes, workshops and consulting services to artists and arts organizations, serving as an advisor for multiple nonprofits, and giving back through other community-minded activities.  Rick Smolan is both a photographer and an entrepreneur. A former contributor to Time, Life, and National Geographic, he is perhaps best known as creator of the Day in the Life book series, plus subsequent book projects of massive scope. As CEO of the multi-modal company Against All Odds Productions, Smolan designs and executes crowd-sourced, global projects that combine compelling storytelling with state-of-the-art technology. These projects capture the human face of emerging topics while engaging a wide range of media platforms to result in books, TV specials, social media apps, exhibitions, and hundreds of millions of media impressions. One such project, based on Smolan's 1977 National Geographic cover story about Robyn Davidson's solo travels across the outback has enjoyed continued life in multiple books, plus the feature film Tracks, with Adam Driver cast in the role of Smolan. Other recent projects include The Human Face of Big Data, which looks at how all our devices are creating a planetary nervous system, and The Good Fight: America's Ongoing Struggle for Justice, which became one of Amazon's top 100 books within a week of its release.   Stay Connected: Mary Virginia Swanson Website Instagram Rick Smolan Instagram Facebook YouTube  Against All Odds Website   Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

On this week's show, we sit down with photo agent and industry veteran Tim Paton for an unflinchingly honest look at life behind the lens — and the spreadsheets. From running a successful agency through the digital revolution to helping launch careers at Magnum Photos, Tim shares war stories, hard-won wisdom, and practical insights for navigating the unpredictable world of commercial photography. We discuss everything from creative authenticity and career pivots to why AI might not just be the future — it could be your competition. Whether you're a seasoned pro or just starting out, this episode is a goldmine of real-world advice, told with humour, humility, and heart.Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative). Thank you for your support! Here are the shownotes;Nick Turpin: https://nickturpin.com/Alan Clarke: https://alanclarke.com/Benedict Redgrove: https://benedictredgrove.com/Allan Schaller: https://www.alanschaller.com/Martin Parr: https://www.martinparr.com/Russell Miller | Magnum: Fifty Years at the Front line of History: https://amzn.to/45yKeorJosef Koudelka: https://www.magnumphotos.com/photographer/josef-koudelka/To get in contact with Tim: www.ourfriendtim.comTim@timpaton.co.ukInstagram: timpaton1Desert Island CameraRicoh GRIIDesert Island BookAlex Webb - The Suffering of Light: https://amzn.to/4dV1o1yJoel Sternfield - American Prospects: https://amzn.to/446HMUJ

Der Bildband verspricht verborgene Einblicke in die Hintergründe der Arbeit bei der US-Fotoagentur "Magnum Photos".

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. The expert guest is Dr Mirjam Brusius, a research fellow in colonial and global history at the German Historical Institute.First, we hear about Martín Chambi - Peru's pioneering documentary photographer.Then Amaize Ojeikere talks about his father, JD 'Okhai' Ojeikere, who created an iconic collection revealing the elaborate ways African women styled their hair.Plus, the story of Magnum Photos – the picture agency started up by World War Two photographers.And, Vivian Maier, the nanny who - since her death - has been hailed as one of the best street photographers of the 20th century.Finally, the mystery behind Lunch Atop a Skyscraper – the famous photograph showing 11 ironworkers eating lunch nearly 70 storeys high.Contributors:Roberto Chambi – grandson of photographer Martín Chambi Dr Mirjam Brusius - research fellow in colonial and global history at the German Historical Institute Amaize Ojeikere – son of photographer JD 'Okhai' Ojeikere Christine Roussel – Rockefeller Center archivist Jinx Rodger - widow of George Rodger, one of the founders of Magnum Photos Inge Bondi - Magnum Photos employee(Photo: Two books of photographs in the exhibition 'Martin Chambi and his contemporaries'. Credit: Getty Images)

In the aftermath of World War Two, a group of famous photographers brought their individual styles into one powerful collaboration, over a celebratory bottle of champagne. On 22 May 1947 the agency, Magnum Photos was founded, going on to represent some of the world's best photographers. In 2017, Louise Hidalgo spoke to Jinx Rodger, the widow of one of the founders, and Inge Bondi one of the very first staff members.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: French photographer Raymond Depardon who become a partner at Magnum Photos. Credit: Raph GATTI / AFP via Getty Images)

In deze aflevering van De Donkere Kamer podcast ontmoet je Sakir Khader: Palestijns-Nederlands fotograaf, filmmaker en het jongste lid van Magnum Photos. Bekend om zijn rauwe, indringende beelden uit conflictgebieden zoals Palestina, geeft Sakir met zijn werk een stem aan het persoonlijke en politieke lijden van zijn volk. We spreken hem te midden van zijn eerste solotentoonstelling in Foam Amsterdam – Yawm al-Firak – over zijn drijfveren, de dood, activisme, moederschap, en zijn eigen worsteling met afstand en machteloosheid. Een openhartig gesprek over beeld, verlies en hoop.website van De Donkere Kamer: www.donkerekamer.cominstagram De Donkere Kamer: @dedonkerekamer_bemasterclasses: donkerekamer.com/masterclasseswebsite Sakir: https://sakirkhader.com/instagram Sakir: sakirkhader

“Jean Gaumy et la mer”au Musée national de la Marine, Parisdu 14 mai au 17 août 2025Entretien avec Marion Veyssière, directrice adjointe du musée national de la Marine, et commissaire générale de l'exposition,par Anne-Frédérique Fer, à Paris, le 12 mai 2025, durée 22'53,© FranceFineArt.https://francefineart.com/2025/05/22/3622_jean-gaumy_musee-national-de-la-marine/Communiqué de presseCommissariat scientifique de l'exposition Jean Gaumy et la merMarion Veyssière et Matthieu Rivallin, chef du département de la photographie de la Médiathèque du patrimoine et de la photographieCommissariat scientifique de l'exposition La pêche au-delà du cliché, inédits de la collectionMarine Désormeau, chargée de collections du musée national de la Marine Le musée national de la Marine à Paris propose une immersion fascinante dans l'univers de la photographie maritime de la seconde moitié du XIXe siècle à nos jours.L'exposition Jean Gaumy et la mer célèbre une figure majeure de la photographie contemporaine, membre de l'agence Magnum Photos, de l'Académie des beaux-arts et peintre officiel de la Marine. Première grande exposition dédiée aux photographies maritimes de Jean Gaumy, elle réunit près de 150 tirages issus des collections de la Médiathèque du patrimoine et de la photographie (MPP).L'exposition La pêche au-delà du cliché, inédits de la collection révèle la manière dont la mer et les communautés de pêcheurs ont été perçues par les photographes du milieu du XIXe siècle au début du XXIe siècle, à travers près de 130 pièces issues de la collection du musée, dont certaines sont présentées au public pour la première fois.En faisant dialoguer deux collections photographiques aux univers complémentaires, cette double exposition porte un regard captivant sur la vie quotidienne des gens de mer du XIXe siècle à nos jours.L'exposition Jean Gaumy et la mer, réalisée en partenariat avec la Médiathèque du patrimoine et de la photographie (MPP) où est aujourd'hui conservé ce fonds exceptionnel, met en lumière le travail d'une figure majeure de la photographie contemporaine. Membre de l'agence Magnum Photos, de l'Académie des beaux-arts et peintre officiel de la Marine, Jean Gaumy est un amoureux de la mer et de ses rivages, qu'il n'a de cesse de sillonner depuis le début de sa carrière dans les années 1970. Le parcours dévoile comment le photographe saisit, avec une intensité rare, des thématiques maritimes aussi diverses que la pêche, la pleine mer, le traumatisme des marées noires, le huis clos des sous-marins ou encore l'exploration des pôles. De la Normandie au Groenland, en passant par l'Andalousie, Long Island ou la Gironde, du reportage documentaire à une poésie plus contemplative, le « style Gaumy » se dévoile aux yeux du public à travers des photographies emblématiques mais aussi d'autres plus confidentielles, dont certaines sont présentées au public pour la première fois.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Ferdinando Scianna"Mare Magnum"Da Ferdinando Scianna a Martin Parr. I fotografi Magnum e le spiaggeFerdinando Scianna, Riccione, 1989Fino al 05 Ottobre 2025Riccione | RiminiLuogo: Villa MussoliniCatalogo mostra: Silvana EditorialeCuratore: Andréa Holzherrhttp://www.civita.art“Da fotografo è soprattutto questo che mi ha affascinato delle spiagge: la vanità, l'esibizione, lo specchio sociale, le relazioni umane, la volgarità, il gioco dei corpi, il rito di massa. Ho fotografato spiagge dappertutto: lo spettacolo era sempre assicurato.” Ferdinando SciannaIl mare e la spiaggia, simboli di evasione e libertà, si trasformano in palcoscenico per una straordinaria nuova e inedita mostra fotografica: MARE MAGNUM. Da Ferdinando Scianna a Martin Parr. I fotografi Magnum e le spiagge, che sarà allestita dal 19 aprile al 5 ottobre 2025 negli spazi espositivi di Villa Mussolini, a Riccione.Curata da Andréa Holzherr, organizzatrice di progetti espostivi internazionali e responsabile della promozione dell'Archivio Magnum, la mostra presenta le opere di otto grandi fotografi dell'agenzia Magnum Photos: Ferdinando Scianna, Bruno Barbey, Bruce Gilden, Harry Gruyaert, Trent Parke, Olivia Arthur, Newsha Tavakolian e Martin Parr.Attraverso gli obiettivi di questi grandi maestri della fotografia internazionale, il pubblico potrà esplorare le molteplici sfaccettature della vita in spiaggia: momenti di felicità e gioco si alternano a istanti di isolamento e riflessione, dando vita a un racconto visivo che svela la condizione umana in uno scenario universale.Riccione, che ha già ospitato in questi ultimi anni le mostre di alcuni dei più grandi maestri della fotografia, da Elliott Erwitt a Steve McCurry, da Robert Capa a André Kertesz e Henry Lartigue, diventa oggi il crocevia ideale di queste visioni, il luogo in cui le spiagge di tutto il mondo, ritratte dai fotografi Magnum, trovano una nuova e suggestiva dimensione. Qui, in questa mostra, i mari lontani dialogano con il mare Adriatico, le immagini raccolte in angoli diversi del pianeta si intrecciano con la storia e l'identità di una città che da sempre vive il rapporto con il mare come elemento essenziale della sua cultura. Con Mare Magnum, Riccione si trasforma in un crocevia culturale, dove le fotografie dei più grandi maestri della Magnum fissano per sempre le suggestioni, le contraddizioni e la bellezza delle spiagge di tutto il mondo. Non è un caso che la città abbia scelto di candidare la propria spiaggia a Patrimonio Immateriale dell'UNESCO: la sua tradizione di accoglienza e condivisione rende questo il contesto ideale per un racconto visivo che attraversa luoghi, epoche e sensibilità diverse, trovando qui una sintesi unica e significativa. Riccione, la Perla Verde dell'Adriatico, è da sempre crocevia di sguardi e suggestioni, e proprio qui, in questo luogo dove il mare ha una sua intimità profonda e accogliente – quel Mare Adriatico che Predrag Matvejević ha definito il mare dell'intimità – prende vita Mare Magnum, una mostra che trova in questo contesto il suo respiro più autentico. Perché se ogni spiaggia racconta una storia, è a Riccione che queste storie si incontrano, si fondono e si rivelano in tutta la loro potenza espressiva.La genesi di questa esposizione nasce da un dialogo creativo tra il Comune di Riccione, Civita Mostre e Musei, Magnum Photos e Rjma Progetti Culturali, un incontro di visioni che ha permesso di portare a Riccione un progetto espositivo unico e ambizioso. Mare Magnum si inserisce perfettamente nel tessuto di questa città, che da sempre intreccia il suo legame con il mare e la sua capacità di accogliere storie provenienti da ogni angolo del mondo. La fotografia, in questo contesto, diventa uno strumento privilegiato per esplorare le molteplici sfumature della vita in spiaggia, attraverso un racconto visivo che non conosce confini.Il mare non è solo un orizzonte geografico, ma una dimensione che appartiene all'anima. Come scrive l'autore romagnolo Fabio Fiori, «la spiaggia è un diario di sabbia su cui ogni onda scrive e cancella storie», un luogo di continua trasformazione dove ogni passaggio lascia traccia e, al contempo, si rinnova, come la risacca che modella incessantemente la riva. È proprio questo respiro, fatto di attimi fugaci e gesti che la fotografia riesce a rendere eterni, a nutrire l'esposizione. Le immagini raccolte dai grandi maestri della Magnum creano un legame profondo con l'immaginario di Riccione, facendo di questa mostra una riflessione universale sulla condizione umana, raccontata attraverso il paesaggio marino e la sua ineluttabile capacità di trasformare ogni incontro in una storia unica e irripetibile.La mostra prende vita in un luogo emblematico, Villa Mussolini, un punto di osservazione privilegiato sul mare, che, con la sua posizione, permette di godere della vista su quello che è considerato uno dei più bei terrazzi sull'Adriatico, creando una perfetta sintonia con l'anima della mostra e il legame che la città ha da sempre con il mare.La spiaggia è da tempo un soggetto interessante nella fotografia, in quanto palcoscenico perfetto per la grande “commedia umana”, che si riflette nel mare, eterno e impassibile. Sotto un vasto cielo indifferente, le persone vanno e vengono come attori di uno spettacolo senza fine. Quello che i fotografi trovano sulla spiaggia è il genere di spontaneità, libertà ed emozioni intense che raramente si possono trovare altrove. La spiaggia spoglia le persone, sia fisicamente che psicologicamente, dei normali strati di vita quotidiana. Quando ci si toglie i vestiti, ci si libera anche di alcune inibizioni sociali.Nel corso della storia, i fotografi di Magnum hanno catturato la spiaggia in modi sorprendentemente diversi, riflettendo sia i momenti culturali che le esperienze umane senza tempo. Che sia a colori o in bianco e nero, che ritragga gioia, solitudine o la sublime potenza della natura, la fotografia di spiaggia continua a essere un tema ricco ed evocativo, invitando gli spettatori a vedere la riva non solo come una destinazione, ma come una tela per l'espressione visiva.La mostra è promossa dal Comune di Riccione, con il patrocinio della Regione Emilia - Romagna e organizzata da Civita Mostre e Musei in collaborazione con Magnum Photos e Rjma Progetti Culturali.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Award-wining travel photographer Susan Seubert has completed photography assignments for National Geographic, The New York Times, Smithsonian Magazine, Travel and Leisure and many others.She's the recipient of the prestigious Life Magazine's Alfred Eisenstaedt Award  and has been recognized with awards by the North American Travel Journalists Association for excellence in editorial photography. Susan travels and teaches with National Geographic - Lindblad Expeditions, has had her photographs exhibited in galleries all over the world, and she divides her home time between Portland, Oregon and Maui, Hawaii.Notable Links:Susan Seubert WebsiteSusan Seubert Fine ArtTED Talk: Travel Photography: Do It Alone, But Not By YourselfSusan Seubert Instagram*****This episode is brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.And now you can receive a 15% discount on Luminar Neo by using BEYONDTHELENS discount code at checkout when visiting skylum.com.*****This episode is brought to you by Lexar.For more than 25 years, Lexar has  been trusted as a leading global brand of memory solutions so they know first-hand just how quickly content is transforming our world.Their award-winning lineup performs second-to-none and includes professional memory cards, card readers, and solid-state drives for creators of all skill levels.Whether shooting photos, capturing video, or transferring content on the go, Lexar provides the quality and performance you can rely on to get the shot with confidence.I've been using the Lexar Professional CFexpress Type B GOLD memory cards with my Canon mirrorless cameras for years and they deliver the blazing speed and durability for the extreme weather conditions I encounter anywhere in the  world.To learn more about Lexar memory solutions, visit www.lexar.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit. beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting   Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global   Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography.  She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.

Magnum Photos, en colaboración con Fujifilm y la Biblioteca de Fotografía y Patrimonio de París (MPP), ha iniciado un proyecto histórico para digitalizar su archivo de fotografías en color en París, que ha estado inactivo durante décadas. Utilizando la avanzada cámara Fujifilm GFX 100 II, este esfuerzo busca preservar y revitalizar imágenes inéditas capturadas por fotógrafos de Magnum en todo el mundo. Paralelamente, Blackmagic Design ha lanzado "La Guía para Coloristas de DaVinci Resolve 18", un recurso educativo gratuito de 400 páginas que ofrece ejercicios prácticos para dominar las herramientas de corrección de color de DaVinci Resolve. Este libro está disponible en formato PDF gratuito o en versión impresa paga. Estas iniciativas representan avances significativos en la preservación y edición de imágenes, proporcionando a fotógrafos y editores herramientas modernas para explorar y compartir historias visuales.

Alec Soth is one of the most important fine-art photographers working today. Beginning with his groundbreaking projects "Sleeping By The Mississippi" and "Broken Manual" to his most current books like "A Pound of Pictures" and "Advice For Young Artists," For decades Alec has deftly created work of great emotional depth. It was an honor to welcome him to the podcast. Links:Alec Soth websiteAlec Soth on YouTubeAlec Soth at Magnum Photos

US president-elect Trump has begun forming his new cabinet. We examine what the White House hopefuls could bring to their roles. Then: world leaders descend on Lima for the Apec summit. Plus: we dig through the archives at Magnum Photos.See omnystudio.com/listener for privacy information.

In this episode of PhotoWork with Sasha Wolf, Sasha has a warm and deeply personal conversation with photographer Gregory Halpern. They discuss his latest book, "King, Queen, Knave," published by MACK, and also revisit "ZZYZX," the 2016 monograph that significantly elevated Greg's career. Together, they emphasize the importance of knowing when to assume the roles of photographer and editor, and when to let the audience engage with the work on their own terms. http://www.gregoryhalpern.com/ ||| https://www.mackbooks.us/products/king-queen-knave-gregory-halpern Gregory Halpern is an American photographer born in Buffalo, New York. He is the author of eight monographs, including King, Queen, Knave (2024), Omaha Sketchbook (2019), and ZZYZX (2016), his fantastical book of photographs of Los Angeles, now in its fourth edition. Halpern is the recipient of a Guggenheim Fellowship and a member of Magnum Photos. His photographs are held in the collections of several major museums, including The Museum of Modern Art, the San Francisco Museum of Modern Art, The Museum of Fine Arts, Houston, Fondation Henri Cartier-Bresson, Fondation d'entreprise Hermès, and the Fotomuseum Antwerpen. His work has been featured in group exhibitions at the International Center of Photography, the Museum of Fine Arts Houston, the George Eastman Museum, the Cincinnati Art Museum, the Fotomuseum Antwerpen, and Pace/MacGill in New York. He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. He lives in Rochester, New York with his wife, Ahndraya Parlato, and their two daughters. He is a professor of photography at the Rochester Institute of Technology. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

La presidenta de Magnum Photos, premio Princesa de Asturias de la Concordia 2024, ha estado en Oviedo charlando con Josep Cuní en el especial de Las Mañanas de RNE por la ceremonia de entrega de los premios, que se produce hoy: "Una de las riquezas, y de los problemas, que plantea la fotografía es que la realidad evoluciona, pero la imagen se queda congelada en el tiempo", ha dicho. Escucha la entrevista completa en RNE Audio. Escuchar audio

The “girlie shows” are long gone from the county fairs. Former clubs like Planet Rock in Barre and Club Fantasy in South Burlington have all shut down. Vermont is now the only New England state without strip clubs. One stripper who grew up in Vermont reached out with a simple question: Why?For photos from our reporting, check out the web version of this story.Thanks to Susan Meiselas and Magnum Photos for the materials from Carnival Strippers and Carnival Strippers Revisted. This episode was reported by Sabine Poux. It was produced and edited by Josh Crane and Burgess Brown. Additional support from Sophie Stephens. Angela Evancie is Brave Little State's Executive Producer. Our theme music is by Ty Gibbons; other music by Blue Dot Sessions.Special thanks to Liam Elder-Connors, Jeff Haig, Steve Taylor, Scott Rogers, Fern Strong, Elaine Howe, Gail Weise, Jordan Mitchell, Matt Sutkoski, Lydia Flanagan and The Mutual Zine Society, as well as everyone we spoke to at the Tunbridge World's Fair: Gary and Martha Howe, Baxter Doty, Dave Smith, Louise and Frank Mier, Elliot Morse, Betsy and David Race and Gary YoungAs always, our journalism is better when you're a part of it:Ask a question about VermontSign up for the BLS newsletterSay hi on Instagram and Reddit @bravestatevtDrop us an email: hello@bravelittlestate.orgMake a gift to support people-powered journalismTell your friends about the show!Brave Little State is a production of Vermont Public and a proud member of the NPR Network. 

Welcome to De Donkere Kamer podcast! Today, we spoke with the brilliant Jonas Bendiksen. Jonas shared his journey from his start at Magnum Photos to his in-depth projects in Russia and his life in Norway. In this fascinating conversation, we discussed the impact of AI technology on photography, his pioneering project ‘The Book of Veles', his life as a photojournalist and the balance between creativity and family, among other things. Don't miss the exhibition at Museum Hilversum - th story of fake news - and keep following us for more inspiring stories. Until next time! website of De Donkere Kamer: www.donkerekamer.com Museum Hilversum: https://www.museumhilversum.nl/nl website Jonas Bendiksen: https://www.jonasbendiksen.com/ instagram: @dedonkerekamer_be masterclasses: donkerekamer.com/masterclasses instagram Jonas: @jonasbendiksen

-> This episode is an extract from an interview. You will find the entire interview on this same account.With Chris Boot, we talked about political engagement to create a more diverse world through his work experience at Magnum Photos, Aperture, and as an independent publisher. In this conversation, we explore the beginning of his career in London, working for a co-op selling photographs and developing Magnum's presence in London and New York, and his work with Phaidon and Aperture. We discussed inclusivity in the photography industry, both in magazine pages and within companies, as he worked on at Aperture. He also gave us advice to clarify the purpose and narrative of the story we want to tell because if we find that clarity, nothing will stop us.Subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterStay updated with the podcast: https://bit.ly/lesvoixdelaphotowebsiteYou can also find the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

With Chris Boot, we talked about political engagement to create a more diverse world through his work experience at Magnum Photos, Aperture, and as an independent publisher. In this conversation, we explore the beginning of his career in London, working for a co-op selling photographs and developing Magnum's presence in London and New York, and his work with Phaidon and Aperture. We discussed inclusivity in the photography industry, both in magazine pages and within companies, as he worked on at Aperture. He also gave us advice to clarify the purpose and narrative of the story we want to tell because if we find that clarity, nothing will stop us.3'11 – He worked as a coordinator in a photo co-op and was part of a socialist community.10'30 – Started working for Magnum as a salesperson with Neil Burgess.17'15 – Became the director in London when Neil Burgess went to NY.19'10 – Went to NY to find economic routes.21'56 – The first book he worked on was a history of Georges Rodger.30'50 – He returned to London, worked for Phaidon, created many books, and stayed for 10 years.36'45 – In 2000, he started his own publishing house.46' – When he started at Aperture, they were considering stopping the publication of magazines and books, but he doubled the price of the magazine, made it more luxurious, with themes, and focused on social justice. It was a gamble.54' – He aimed to create a more inclusive company, both in the magazine and in the company itself.56'30 – Income at Aperture at that time: 10% from exhibitions, 30% from sponsorships and grants (individual gifts), and the remaining from book and magazine sales.59'25 – He moved back to London, got ill, and continued to work on books.1'01 – Evolution in photography: social media. Before, there were no emails. You did things with people you could meet in person. Now it's a tyranny.1'04'10 – His advice for photographers and publishers: Clarify the purpose and narrative. If you find that clarity, nothing can stop you.Subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterStay updated with the podcast: https://bit.ly/lesvoixdelaphotowebsiteYou can also find the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Rozhovory nedává a své fotky zásadně nevysvětluje. Fotograf Josef Koudelka však právě vydává knihu, ve které jsou nejen jeho fotky, ale také vyprávění jeho i kolegů o něm. „Snažil jsem se nefotografovat jen jednu věc a jedním způsobem, naopak dívat se na svět a fotografovat všechno, nejen válku nebo módu, nebo jenom ulici nebo jenom zvířata. Probudil jsem se ráno a šel jsem se dívat,“ vzpomíná legendární světový fotograf a člen agentury Magnum Photos.Všechny díly podcastu Host Radiožurnálu můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Rozhovory nedává a své fotky zásadně nevysvětluje. Fotograf Josef Koudelka však právě vydává knihu, ve které jsou nejen jeho fotky, ale také vyprávění jeho i kolegů o něm. „Snažil jsem se nefotografovat jen jednu věc a jedním způsobem, naopak dívat se na svět a fotografovat všechno, nejen válku nebo módu, nebo jenom ulici nebo jenom zvířata. Probudil jsem se ráno a šel jsem se dívat,“ vzpomíná legendární světový fotograf a člen agentury Magnum Photos.

Am 10. Juli ist der Fotograf Thomas Hoepker im Alter von 88 Jahren gestorben. Geboren 1936, lichtet er Hamburger Trümmerkinder ab, erringt 1956 seinen Ersten Preis ("Jugend photographiert"), wird von der "Münchener Illustrierte" entdeckt, dann von "Kristall", vom "Stern", "Geo" unter Vertrag genommen. (Wdh. vom 26.10.2010)

Impacto Mundial: Las Fotos del Atentado Contra Trump Reveladas muestra el coraje y la valentía de los fotoperiodistas que capturaron momentos cruciales durante un evento histórico. En este video, analizamos estas impactantes imágenes y discutimos cómo estos profesionales arriesgan sus vidas para brindar al mundo una visión auténtica y cruda de la realidad. Además, exploraremos la nueva convocatoria mundial de Polaroid x Magnum Photos y compartiremos las mejores aplicaciones gratuitas para editar video. No te pierdas esta oportunidad de entender más sobre el mundo del fotoperiodismo y cómo estas fotos cuentan una historia más allá de las palabras. Hashtags #AtentadoTrump #Fotoperiodismo #FotosImpactantes #FotografíaHistórica #PolaroidMagnum #FotografíaValiente #ReporterosGráficos #EdiciónDeVideo #AppsGratisVideo #NoticiasImpactantes

Eli Reed, a renowned photographer, is a very special guest to the show. Paris emphasizes his impressive career and noting a previous show they did together featuring a photo of Tyra Banks and John Singleton. Reed joins the show while in Los Angeles for the Milken conference, where he participated in a panel with other photographers. Sharing stories from his career, including photographing Tupac Shakur. He recalled meeting Tupac on the set of "Poetic Justice," asking him for a personal portrait, and taking the iconic photo that now hangs in the Smithsonian. Reed also talked about his early life in New Jersey, his move to Texas, and his teaching stint at the University of Texas, where he was invited to speak and subsequently offered a teaching position. Reed discusses his experience at Magnum Photos, the prestigious photo agency, and how his work in Central America gained attention, leading to his association with Magnum. He emphasized the importance of critique in his work and his desire to understand different perspectives through his photography. The conversation also touches on societal changes, representation in media, and the impact of Reed's work on the photography world. Reminiscing about his time at the San Francisco Examiner in the late 1970s and early 1980s, describing the vibrant and sometimes chaotic environment. He recalls meeting the legendary photographer Jim Marshall and shares a story about Marshall trying to sell his equipment after his wife left him. Reed mentions his transition from still photography to film, recounting a project he did on gangs in Detroit, which won an award for Best Short Documentary from the Black Filmmakers Hall of Fame. He also talks about a recent assignment in New Orleans for Human Rights Watch, photographing the impact of industrial pollution on African American communities. During this assignment, a colleague was shot at but fortunately not injured. His work on the film "The Five Heartbeats" where he directed a part involving black and white still images. He also shares an incident where he was hit on the head by another photographer in New York, highlighting the competitiveness and sometimes aggressive nature of the profession. Looking ahead, Reed is working on a new book and planning to make a feature film. He speaks fondly of his teaching experience in Austin and expresses his appreciation for Lauren, who helps him manage his extensive archives. Reed concludes by mentioning some upcoming projects he can't discuss in detail but promises more exciting work in the future. CHAPTERS (00:00:00) Intro (00:01:10) Milken Conference (00:02:48) Tupac Photo Story (00:07:50) Tough New Jersey Neighborhood (00:09:34) Janet Jackson Story (00:12:52) Moving to Texas (00:16:15) San Fran Examiner Work (00:19:05) Getting Recognized For Your Work (00:22:50) PhotoJournalism in South America (00:27:13) Most Important Work in Photography (00:29:34) Bucket List & New Work (00:34:27) Another Book, Austin, & Assistants (00:38:34) How did you meet Bruce? (00:41:52) Outro

Martin Parr CBE (born 23 May 1952) is a British documentary photographer, photojournalist, and photobook collector. He is known for his photographic projects, which take an intimate, satirical, and anthropological look at aspects of modern life. He particularly documents the social classes of England and, more broadly, the wealth of the Western world. Since 1994, Parr has been a member of Magnum Photos. He has published around 40 solo photobooks and been featured in around 80 exhibitions worldwide, including the international touring exhibition ParrWorld and a retrospective at the Barbican Arts Centre, London, in 2002. The Martin Parr Foundation, founded in 2014 and registered as a charity in 2015, opened premises in his hometown of Bristol in 2017. It houses his archive, his collection of British and Irish photography by other photographers, and a gallery. Martin Parr's latest book if Fashion Faux Parr. Resources Martin Parr Foundation Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Contribute a one-time donation to the show thru Buy Me a Coffee Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

One of many prominent guest of this year's Light Leaks Festival in Luxembourg was Richard Kalvar, an American photographer known for his street photography and unique artistic style. Based in New York City, Kalvar has been a member of Magnum Photos since 1977. His work often features humorous and thought-provoking moments captured in everyday life, showcasing his keen observational skills and ability to find beauty in the ordinary. Kalvar's photographs have been exhibited worldwide and are part of numerous prestigious collections. Have a listen to his chat with Luxembourg Streetphoto Collective Member Paulo Lobo.

Yvonne Venegas estudió en el International Center of Photography en Nueva York y obtuvo una Maestría en Artes Visuales por la Universidad de California, San Diego. Ha participado en las exposiciones colectivas Pulsions Urbaines, Rencontres d'Arles; Point Counterpoint, MOPA, y Mexican Photography, SFMOMA; individualmente en la Galería Shoshana Wayne, Santa Mónica; Museo Universitario de Arte Contemporáneo MUAC; Casa de América, Madrid; Museo de Arte Carrillo Gil, GAM en Ciudad de México, y la Galería Baxter, Nueva York. Obtuvo el premio Magnum Expression Award 2010 otorgado Magnum Photos; fue miembro del SNCA del Fonca en 2011 y 2015. Su proyecto “Gestus” fue publicado por Editorial RM con el apoyo de la beca de Fundación BBVA en 2015. Obtuvo la beca Guggenheim Fellowship 2016 para la realización de su proyecto “San Pedro Garza García” y en 2020 obtuvo el premio de adquisición de la Fundación Cuervo, el apoyo de la Fundación Jumex para su proyecto “El Lápiz de la Naturaleza” y la Beca Sistema Nacional de Creadores de Arte del Fonca 2020-2023 para su proyecto “Mar de Cortes”. Ha publicado cinco monografías de su trabajo. Vive y trabaja en la Ciudad de México.*Fotografía de la portada por Karla Lisker.Síguenos en redes:http://instagram.com/cableatierrapodhttp://facebook.com/cableatierrapodcasthttp://instagram.com/tanialicious Hosted on Acast. See acast.com/privacy for more information.

-> Cet épisode est l'extrait d'un entretien. Vous trouverez l'entretien entier sur ce même compte.À travers la carrière du directeur artistique François Hébel, on parcourt l'histoire du paysage photographique français de ces quarante dernières années. François Hébel revient sur l'ensemble de sa carrière dans différentes institutions emblématiques de la photographie : directeur des rencontres de la photographie à Arles en 1986-1987 et entre 2001 et 2014, premier directeur de Magnum Photos de 1987 à 2000, mais aussi vice-président de l'agence Corbis en 2000, directeur de la fondation HCB et cofondateur de la Biennale Foto/Industria à Bologne. On a parlé d'innovation dans le milieu culturel et de comment s'entourer de la meilleure équipe pour aller au bout de nos projets. Bonne écoute !Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour suivre l'actualité du podcast : https://bit.ly/lesvoixdelaphotowebsiteEt vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

À travers la carrière du directeur artistique François Hébel, on parcourt l'histoire du paysage photographique français de ces quarante dernières années. François Hébel revient sur l'ensemble de sa carrière dans différentes institutions emblématiques de la photographie : directeur des rencontres de la photographie à Arles en 1986-1987 et entre 2001 et 2014, premier directeur de Magnum Photos de 1987 à 2000, mais aussi vice-président de l'agence Corbis en 2000, directeur de la fondation HCB et cofondateur de la Biennale Foto/Industria à Bologne. On a parlé d'innovation dans le milieu culturel et de comment s'entourer de la meilleure équipe pour aller au bout de nos projets. Bonne écoute ! 2'36 – Né dans une famille de journalistes et de comédiens. Des études en communication après un passage à la fac de médecine.4'26 – « La direction artistique c'est un métier où on passe sa vie à dire « Non » à des projets artistiques. Et quand je disais « Oui », on me disait souvent que je n'aurais pas les moyens d'aller au bout de son projet, mais je répondais au photographe que ce n'était pas leur affaire.5'18 – Son passage aux galeries photo de la Fnac dans les années 80.7'- Son premier passage aux Rencontres d'Arles dans les années 80 et ses recherches pour avoir de nouveaux lieux d'expositions.11'20 – Son rôle en tant que premier directeur de Magnum Photos alors que l'agence était en faillite potentielle. Les projets qu'il a mis en place : relancer l'actualité, numériser les fonds de Magnum, diversifier avec des projets corporates, des bourses et des éditions.18'50 – Son passage chez Corbis en tant que vice président pour fusionner toutes les rédactions en Europe et son retour aux Rencontres d'Arles de la Photographie en 2001 jusqu'en 2014.25'30 – Sa philosophie d'ajouter des projets tous les ans (prolonger la durée des rencontres jusqu'en septembre pour avoir les scolaires et mettre en place des lectures de portfolios officiellement) hérités de l'innovation qu'il avait vue à la Fnac.33' – Ses conseils pour aller au bout des projets en ayant la meilleure équipe : Prendre des gens balaises pour les postes clefs, s'entourer de gens qui veulent piquer notre place et déléguer.35'30 – La raison qui l'a poussé à démissionner de son poste de directeur des Rencontres d'Arles et son poste à la Fondation HCB et à la Biennale de Bologne.50' - Les évolutions dans la photo :- Tous les 10 ans, il y a une transformation technique.- Les lieux de débats et d'expos se sont multipliés.- Le boom de l'édition : avant un photographe avait 3 livres dans sa carrière en 2000 exemplaire, et maintenant on peut faire son propre livre.- Avant le tirage était la fin en soi alors que maintenant il y a plus de formats.- Intérêt pour la photographie vernaculaire. 56'57 – « L'artiste ce n'est pas un marginal, il est au centre de la société. C'est une éponge de son temps et les opérateurs culturels doivent être perméables aux nouvelles possibilités des artistes ».57'57 – « La plupart des artistes pensent qu'ils sont les seuls à être en dehors du circuit auquel ils devraient appartenir. Ils sont parfois timides et les entreprenants ne sont pas les meilleurs. Il faut oser. On dira non souvent, car cela ne correspond pas à ce que la personne cherche à ce moment-là, mais il faut continuer. »Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour suivre l'actualité du podcast : https://bit.ly/lesvoixdelaphotowebsiteEt vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Marilynne Robinson is one of America's best and best-known novelists and essayists, whose award-winning works like Housekeeping and Gilead explore themes of faith, grace, and the intricacies of human nature. Beyond her writing, Robinson's 25-year tenure at the famed Iowa Writers' Workshop allowed her to shape and inspire the new generations of writers. Her latest book, Reading Genesis, displays her scholarly prowess, analyzing the biblical text not only through the lens of religious doctrine but also appreciating it as a literary masterpiece. She joined Tyler to discuss betrayal and brotherhood in the Hebrew Bible, the relatable qualities of major biblical figures, how to contend with the Bible's seeming contradictions, the true purpose of Levitical laws, whether we've transcended the need for ritual sacrifice, the role of the Antichrist, the level of biblical knowledge among students, her preferred Bible translation, whether The Winter's Tale makes sense, the evolution of Calvin's reputation and influence, why academics are overwhelmingly secular, the success of the Iowa Writer's Workshop, why she wrote a book on nuclear pollution, what she'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video. Recorded February 8th, 2024. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Photo Credit: Alec Soth, Magnum Photos

In this episode of PhotoWork with Sasha Wolf, guest Carla Williams talks about her 2023 publication, Tender, a book of 80 self portraits made between 1984-1991, and additional guest Carolyn Drake talks about her 2023 publication, Men Untitled, a book of 54 portraits, mostly of men, both published by TBW Books. Sasha, Carla, and Carolyn discuss how the books approach portraiture through personal exploration while also referencing, recontextualizing and questioning their many influences from the canon of famous works. https://www.carlajwilliams.net https://tbwbooks.com/collections/single-titles/products/tender https://carolyndrake.com https://tbwbooks.com/collections/single-titles/products/men-untitled This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com Carla J. Williams Carla J. Williams Carla Williams was born in Los Angeles in 1965 in the front seat of a ‘65 Buick station wagon. She became interested in photography in college receiving her BA in photography from Princeton University and her MA and MFA from the University of New Mexico. During her years in school her self-portraiture was made using mostly Polaroid 4 x 5 and instant 35mm film formats. The immediacy of results allowed her to interact with the images at the time of the sitting rather than wait for the darkroom process, lending both an energy and technical looseness to the photographic finish. These images reflect Williams' creative urgency, her desire to render the likeness in the moment. It would become a signature style in her work. Her professor Emmet Gowin called her graduating thesis show the best thesis show in his thirty-six years of teaching. After graduating, Carla declared her retirement feeling disillusioned with the prospect of becoming an artist. She spent the next decades working independently as a photography historian, writer, and editor. She has occasionally participated in publications and exhibitions, but never pursued a creative career. William's first monograph, Tender (TBW, 2023) is a selection of her self-portraiture made between the years of 1984 and 1999 and kept mostly to herself for more than thirty years. Carolyn Drake Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries. Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as a interactive designer for many years before departing to engage with the physical world through photography. Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects. Two Rivers (self-published ,2013) explores the connections between ecology, culture and political power along the Amu Darya and Syr Darya rivers and earned a 2010 Guggenheim fellowship. Wild Pigeon (self-published, 2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. This work was presented in a six month solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book prize. Following this, in Internat (self-published, 2017), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. This work was awarded the 2018 HCP fellowship curated by Charlotte Cotton and later exhibited in several festivals in Europe. This project was followed by Knit Club (TBW Books, 2020), which emerged from her collaboration with an enigmatic group of women in Mississippi. Knit Club was shortlisted for the Paris Photo Aperture Book of the Year and Lucie Photo Book Awards and exhibited at McEvoy Foundation in San Francisco and at Yancey Richardson Gallery and ICP in New York. Drake now lives in California and is currently developing self-reflective projects close to home. Her latest work, Isolation Therapy, was exhibited at SFMOMA's show Close to Home: Creativity in Crisis in 2021 and at Yancey Richardson Gallery in 2022. Her work has also been supported by Peter S Reed Foundation, Lightwork, the Do Good Fund, the Lange Taylor prize, Magnum Foundation, the Pulitzer Center, and a Fulbright fellowship. She is a member of Magnum Photos and represented by Yancey Richardson Gallery.

En el universo visual de nuestra primera invitada del año a ‘Creativos, con Toni Segarra' tienen cabida lo absurdo, lo irónico y una suerte de representación mágica de la realidad. La fotógrafa y actual presidenta de la agencia Magnum Photos, Cristina de Middel, ha redefinido la manera de entender la fotografía documental. Con numerosas exposiciones, fotolibros y premios a sus espaldas, sus proyectos hacen uso de la ficción como herramienta para deconstruir la verdad.Más información de este acto

Ambiguity is at the forefront of Richard Kalvar's photography. Richard, who describes context as the “enemy”, seeks mystery and multiple meanings through surprising framing and meticulous timing. He describes his approach as “more like poetry than photojournalism – it attacks on the emotional level.”Richard has done extensive personal, assignment and commercial work in the United States, France, Italy, England, and Japan, among others, has published a number of solo books including Earthlings (Terriens) in 2007 and his most recent title, Selected Writings, published in 2023 by Damiani, and he has had important exhibitions in the US, France, Germany, Spain and Italy.His work has appeared in Geo, The Paris Review, Creative Camera, Aperture, Zoom, Newsweek, and Photo, among many others. Editorial assignments and even commercial work have given Richard an additional opportunity to do personal photography. He did many documentary stories that allowed him to disengage from documentary mode when the occasion arose.Richard joined Magnum Photos as an associate member in 1975, and became a full member two years later. He subsequently served several times as vice president, and once as president of the agency. In episode 221, Richard discusses, among other things:How he ended up settling in ParisHis introduction to photographyHow humour is an intrinsic element of his photographshow he is playing with things he has trouble dealing withWhy he called up Robert DelpireVU agency becoming VivaHow he ended up in MagnumHis favourite cities to shoot inThe legal restrictions on shooting in public in different placesPublic attitudes towards taking photographs of strangers in publicHis new book, Selected WritingsWhy his interest is in single images that stand alone Referenced:Jérôme DucrotAndré KerteszHCBRobert FrankLee FriedlanderElliott ErwittRobert DelpireViva AgencyGuy LeQuerecGilles PeressMary Ellen MarkAlex MajoliJonas BendiksenPaolo PellegrinOlivia ArthurWebsite | Instagram“I'm most interested in having pictures stand alone, and each one is something you can get into and is a story in itself and is also an imaginary story. I'm working with reality, that's what's really interesting to me and it's also what's interesting about photography in general, that you're doing something that looks like real life but obviously isn't. that's the edge I like to work on. Where you have the impression that things are going on and not necessarily going on. If I have to tell a story, I feel a certain moral obligation to respect the truth or respect the feelings of the people that are in it. I think that's a noble thing but for my kind of work it's a break.”

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim's work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship. https://jimgoldberg.com/ https://www.mackbooks.us/collections/frontpage/products/coming-and-going-br-jim-goldberg Jim Goldberg's innovative and multidisciplinary approach to documentary makes him a landmark photographer and social practitioner of our times. His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness. A prolific and influential bookmaker, Goldberg's recent books include Ruby Every Fall, Nazraeli Press (2014); The Last Son, Super Labo (2016); Raised By Wolves Bootleg (2016), Candy, Yale University Press (2017), Darrell & Patricia, Pier 24 Photography (2018) and Gene (2018). Goldberg has exhibited widely, including shows at the Museum of Modern Art, New York; SFMOMA; the Museum of Fine Arts, Boston; the Corcoran Gallery of Art; the Los Angeles County Museum of Art; and the Yale University Art Gallery. His work is also regularly featured in group exhibitions around the world. Public collections including MoMA, SFMOMA, the Whitney Museum of American Art, the Getty, the National Gallery, LACMA, MFA Boston, The High Museum, Nelson-Atkins Museum of Art, Library of Congress, MFA Houston, National Museum of American Art, and the Art Institute of Chicago. Goldberg has received three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize, among many other honors and grants. Goldberg is Professor Emeritus at the California College of the Arts. He is represented by Casemore Kirkeby Gallery in San Francisco. Goldberg joined Magnum Photos in 2002. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

An encore presentation celebrating the life of Joan Liftin, who passed away earlier this year.  We had a wonderful conversation back in season one.  Sharing this as the dust settles from my recent trip to Paris Photo 2023.Joan Liftin had an illustrious career in photography. Besides being a photographer with three monographs under her belt, Joan spent many years as a teacher at the ICP and a photo editor at the esteemed Magnum Photos. Plus, she was married to photographer Charles Harbutt. I really enjoyed this conversation, I hope you do, too.Joan Liftin at the ICPCharles Harbutt at ArtnetMagnum Photos

Max Pam is an Australian photographer born in 1949 in suburban Melbourne, which as a teenager he found to be grim, oppressive and culturally isolated. He found refuge in the counter-culture of surfing and the imagery of National Geographic and Surfer Magazine and became determined to travel overseas.Max left Australia at 20, after accepting a job as a photographer assisting an astrophysicist. Together, the pair drove a VW Beetle from Calcutta to London. This adventure proved inspirational, and travel has remained a crucial and continuous link to his creative and personal development. As Gary Dufour noted in his essay in Indian Ocean Journals (Steidl, 2000): “Each photograph is shaped by incidents experienced as a traveller. His photographs extend upon the tradition of the gazetteer; each photograph a record of an experience, a personal account of an encounter somewhere in the world. Each glimpse is part of an unfolding story rather than simply a record of a place observed. While travel underscores his production Pam's photographs are not the accidental evidence of a tourist.”Max's work takes the viewer on compelling journeys around the globe, recording observations with an often surrealist intensity, matching the heightened sensory awareness of foreign travel. The work frequently implies an interior, psychic journey, corresponding with the physical journey of travel. His work in Asian counties is well represented in publications as are his travels in Europe, Australia, and the Indian Ocean Rim cultures including India, Pakistan, Myanmar, Yemen, The Republic of Tanzania, Mauritius, Madagascar, the Cocos and Christmas Islands. The images leave the viewer, as Tim Winton said in Going East (Marval 1992), “grateful for having been taken so mysteriously by surprise and so far and sweetly abroad.”Max's first survey show was held at the Art Gallery of Western Australia in 1986, and was followed by a mid-career retrospective at the Art Gallery of New South Wales in 1991. He was also the subject of a major exhibition at the Comptoir de la Photographie, Paris in 1990, which covered the work of three decades. He has published several highly acclaimed photographic monographs and 'carnets de voyage', including Going East: Twenty Years of Asian Photography (1992), Max Pam (1999), Ethiopia (1999) and Indian Ocean Journals (2000). Going East won Europe's major photo book award the Grand Prix du Livre Photographique in 1992. In the same year Max held his largest solo show to date at the Sogo Nara Museum of Art, Nara. He has published work in the leading international journals and is represented in major public and private collections in Australia, Great Britain, France and Japan.In episode 217 Max discusses, among other things:How he adopted the visual diary as his photographic approach.The influence of Diane Arbus.Why he chose such a specific period of his life to explore in his new memoir.How Arbus inspired him to shoot 6x6.How surfing in Australia introduced him travelling.How he ended up in India and why it fascinates him.The magic of film vs. digital.Working with book designers… or not.The time he failed to get into Magnum Photos.Surviving financially, teaching, and the importance of ‘marrying up'.Travel and family.Returning to Australia in a poor mental state, post typhoid.His wife's Alzheimer's and eventual death.Referenced:Philip Jones-GriffithDon McCullenLarry BurrowsDavid BaileyDiane ArbusEdward WestonTina ModottiRoger BallenGeorge OrwellBernard PlossuRamon PezSarah MoonOne Flew Over The Cuckoos NestPeter Beard Website | Instagram“I'm a very curious person and ultimately having the camera amplifies that curiosity in a really profound way. And it also gives you carte blanche to stick your head into areas where normally you'd think ‘ah, it's a bit dodgy, maybe not, I could get my head cut off it I stuck it in the hole…' But often then you think, ‘well come on man, you've got a camera there, isn't this part of your self image?' And so it's like this ticket to ride on something that is actually quite dangerous.”

Bruce Gilden is a street-photography icon. With summer in full swing and International Street Photography Day (otherwise known as Henry Cartier-Bresson's birthday) looming on the horizon, what better time to feature a lively chat with the master himself, recorded at B&H's 2023 Depth of Field Conference, just before the Magnum photographer's keynote lecture. Gilden's emotionally fraught depictions of real people up close are an acquired taste, and we address this aspect of his work during our chat, with Allan admitting that Gilden's work has terrified him in the past. We also touch on a somewhat surprising facet of Gilden's career—fashion photography—as he discusses making pictures for high-end clients such as Balenciaga, Dolce & Gabana, and Diesel. From the influence of early 20th-century mugshots on Gilden's aesthetic to the importance of making, and living with, visual choices to keep the photography fresh, our discussion covers a lot of ground. Stay to the end to learn about Gilden's long held photographic wish—photographing murder in a beautiful way. And for anyone who's ever fantasized about a taking workshop with Gilden, check out the link below to his upcoming street photography workshop in New York! Above photograph © Bruce Gilden Guest: Magnum photographer Bruce Gilden For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/closer-look-bruce-gilden Stay Connected: Bruce Gilden Website: https://www.brucegilden.com Bruce Gilden Facebook: https://www.facebook.com/BruceGilden Bruce Gilden Instagram: https://www.instagram.com/bruce_gilden Bruce Gilden Twitter: https://www.twitter.com/brucegilden Bruce Gilden's Magnum page: https://www.magnumphotos.com/photographer/bruce-gilden/ Bruce Gilden's Upcoming New York Workshop: miamistreetphotographyfestival.org/bruce-gilden

Steven McCurry is an American photographer who has captured some of the world's most iconic photographs of the 20th and 21st centuries. From the war-ravaged landscapes of Afghanistan to the vibrant, colorful streets of India, his ability to capture the raw emotions and the spirit of humanity over the course of five decades has made his work both timeless and universally revered.His most famous photograph, the  haunting portrait of the 'Afghan Girl,'  first graced the cover of National Geographic Magazine in June of 1985 and is considered one of the most recognized photographs of all time.McCurry has photographed many assignments for National Geographic and has been a member of Magnum Photos since 1986McCurry is the recipient of many prestigious awards, including the Robert Capa Gold Medal, the Magazine Photographer of the Year, awarded by the National Press Photographers Association, the Centenary Medal for Lifetime Achievement from the Royal Photographic Society in London, and induction into the International Photography Hall of Fame.Notable Links:Steve McCurry WebsiteTwitter/XInstagramThis episode is brought to you by Lexar.For more than 25 years, Lexar has  been trusted as a leading global brand of memory solutions so they know first-hand just how quickly content is transforming our world.Their award-winning lineup performs second-to-none and includes professional memory cards, card readers, and solid-state drives for creators of all skill levels.Whether shooting photos, capturing video, or transferring content on the go, Lexar provides the quality and performance you can rely on to get the shot with confidence.I've been using the Lexar Professional CFexpress Type B GOLD memory cards with my Canon mirrorless cameras for years and they deliver the blazing speed and durability for the extreme weather conditions I encounter anywhere in the  world.To learn more about Lexar memory solutions, visit www.lexar.com.

This week, I'm thrilled to bring back my friend Dr. Sabina Stent. A freelance writer & speaker from Birmingham, UK, who specializes in women artists, surrealism, & visual culture, Sabina's interests include the feminist surrealist avant-garde, artists' lives & legacies, cinematic subversion, historical true crime, & surrealism in Los Angeles. She has lectured online & in person for the Philosophical Research Society, Morbid Anatomy Museum, The Last Tuesday Society, & The London Drawing Group. Her bylines include Magnum Photos, Crime Reads, & AnOtherMagazine. Additionally, Sabina has contributed chapters to academic textbooks, & written liner notes essays for Blu-rary releases from the film distributors Indicator & Vinegar Syndrome. And she is also the author of the substack newsletter Love Letters During a Nightmare. Here Sabina Stent joins me to discuss a knockout quartet of heist movies in Watch With Jen's first episode on the crime subgenre since our very first season when Nikki Dolson & I took it on. In this great conversation, we open by championing our underseen 2018 favorite AMERICAN ANIMALS & then go back in time in time to take a look at the rest of our films in reverse chronological order, including THE BLING RING, OCEAN'S ELEVEN, & RESERVOIR DOGS. From the way that even the most perfect plans seem to go awry when you're dealing with variables you can't control in real life to acknowledging that these films seem to thrive thanks to the magical alchemy of outstanding ensembles, original screenplays, & visionary directors, fans of heist movies will cherish our return to the scenes of their favorite cinematic crimes. Originally Posted on Patreon (8/9/23) here: https://www.patreon.com/posts/87437899 Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Logo: KateGabrielle.com

Moises Saman is widely considered to be one of the leading documentary and conflict photographers of his generation and has been a full member of Magnum Photos since 2014. His work has largely focused on the wars in Iraq and Afghanistan, and the Arab Spring and its aftermath.Moises was born in Lima, Peru, from a mixed Spanish and Peruvian family and grew up in Barcelona, Spain. He studied Communications and Sociology in the United States at California State University, graduating in 1998. It was during his last year in university that Moises first became interested in becoming a photographer, influenced by the work of a number of photojournalists that had been covering the wars in the Balkans.After graduating, Moises moved to New York City to complete a summer internship at New York Newsday and joined as a Staff Photographer, a position he held until 2007. During his 7 years at Newsday Moises' work focused on covering the fallout of the 9/11 attacks, spending most of his time traveling between Afghanistan, Iraq, and other Middle Eastern countries. In the Autumn of 2007 Moises left Newsday to become a freelance photographer represented by Panos Pictures. During that time he become a regular contributor for The New York Times, Human Rights Watch, Newsweek, and TIME Magazine, among other international publications.Over the years Moises' work has received awards from the World Press Photo, Pictures of the Year and the Overseas Press Club and his photographs have been shown in a several exhibitions worldwide. In 2015 Moises received a Guggenheim Fellowship to continue his work.In 2011, Moises relocated to Cairo, Egypt, where he was based for three years while covering the Arab Spring for The New York Times and other publications, mainly The New Yorker. His first book, Discordia, on which he colloaborated with artist Daria Birang, documents the tumultuous transitions that have taken place in the region. The work featured in Discordia has received numerous awards, including the Eugene Smith Memorial Fund.Moises's latest book, Glad Tidings of Benevolence, was published earlier this year by GOST books to coincide with the twentieth anniversary of the US-led invasion of Iraq. It brings together Moises's photographs taken in Iraq during this period and the following years, with documents and texts relating to the war. Exploring the construction—through image and language—of competing narratives of the war, the book represents the culmination of Moises's twenty years of work across Iraq.Moises currently lives in Amman, Jordan with his wife and their young daughter. In episode 210, Moises discusses, among other things:The catalyst that was 9/11NewsdayHis introduction to photography via his studie in sociologyThe Balkans conflictLearning the ropes in AfghanistanHow his attitude towards photojournalism evolved over timeThe impact of spending eight days in Abu Ghraib prisonSurviving a helicopter crashThe myth of objectivityTrying to show a more nuanced pictureEvery day life continuing amidst war“The framing of the frame”Covering The Arab SpringCollaborating with artist Daria Birang on DiscordiaFacts, truth and questioningVictim vs. perpetratorHis current project in Amman Referenced:Judith ButlerStuart SmithDaria Birang “One thing I've realised is, at least for me, that perhaps this other approach to the work, the one that's a little bit quieter and more nuanced, more human really, where you're also celebrating humanity rather than the lack thereof in this very difficult context, that perhaps is a little more effective. I like to think that.

Shannon Taggart is an artist and author exploring the mystery of photography and the representation of belief. Her images have been exhibited and featured internationally, including within the publications Time, New York Times Magazine, Discover, Newsweek, and CNN. Her work has been recognized by Nikon, Magnum Photos, the Inge Morath Foundation, American Photography, and the … Continue reading "Art and the Invisible World of Parapsychology with Shannon Taggart"

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Carolyn Drake discuss her celebrated book Knit Club, published by TBW Books, as well as her other bodies of work. Carolyn talks about her complex reasons for leaving and then returning to the United States, after many years, and the importance of being connected to the place you are photographing. https://carolyndrake.com/ Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, and challenging entrenched binaries. Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as an interactive designer for many years before departing to engage with the physical world through photography. Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects. Two Rivers (self-published ,2013) explores the connections between ecology, culture and political power along the Amu Darya and Syr Darya rivers and earned a 2010 Guggenheim fellowship. Wild Pigeon (self-published, 2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. This work was presented in a six month solo exhibition at SFMOMA in 2018 and earned the Anamorphosis Book prize. Following this, in Internat (self-published, 2017), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. This work was awarded the 2018 HCP fellowship curated by Charlotte Cotton and later exhibited in several festivals in Europe. This project was followed by Knit Club (TBW Books, 2020), which emerged from her collaboration with an enigmatic group of women in Mississippi. Knit Club was shortlisted for the Paris Photo Aperture Book of the Year and Lucie Photo Book Awards and exhibited at McEvoy Foundation in San Francisco and at Yancey Richardson Gallery and ICP in New York. Drake now lives in California and is currently developing self-reflective projects close to home. Her latest work, Isolation Therapy, was exhibited at SFMOMA's show Close to Home: Creativity in Crisis in 2021 and at Yancey Richardson Gallery in 2022. Her work has also been supported by Peter S Reed Foundation, Lightwork, the Do Good Fund, the Lange Taylor prize, Magnum Foundation, the Pulitzer Center, and a Fulbright fellowship. She is a member of Magnum Photos and represented by Yancey Richardson Gallery. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Women photographers take center stage in this week's show, in celebration of International Women's Day and Women's History Month. We reveal the blind spot of photo history in a chat about the book A World History of Women Photographers, with photo historian and co-author Luce Lebart and contributing writer Pauline Vermare. Gracing the pages of this book's 500-page heft are images and stories behind 300 women photographers, spanning both photo history and geographic reach. Listen in to learn about the exhaustive process Lebart and co-author Marie Robert undertook to find this range of talent and then commission essays from 160 women writers and curators. We also discuss how the position of women within photography has changed over time and across cultures. There are fresh discoveries to be made by even the most ardent photography devotees, as illustrated by the many photographer names and related resources we mention during the episode, also listed below in our show notes.  Guests: Luce Lebart and Pauline Vermare Top shot © The National Museum of Iceland, Reykjavik Episode Timeline   4:17: Luce Lebart describes the editorial statement behind the book A World History of Women Photographers as a manifesto to complete a history that already exists.   10:14: Back stories about women working as picture editors, art directors, designers, and art buyers in photo industry trenches, with male photographers as hunter gathers in the field.  13:32: The international network behind the research for this book. Which came first—the contributing writers or featured photographers?   21:21: The matter of women photographers who stayed in the shadow of a master or did not receive equal recognition as her spouse.   26:45: Avoiding the pitfall of a western centered approach in the geographical representation of photographers selected for the book   30:56: Additional book projects and databases of women photographers.   33:44: Episode break   34:38: Pauline Vermare describes differences between France and America in their respective approaches to photography.   38:36: Pauline discusses the Japanese women photographers she wrote about for the book.   45:00: American photographer Nancy Burson's stature as a forerunner of current trends for AI generated photographs. 49:40: How A World History of Women Photographers encourages questions of readers, inspiring Pauline to create a forthcoming book on Japanese women photographers. Guest Bios: Luce Lebart is co-author, with Marie Robert, of A World History of Women Photographers. A photography historian and curator currently based in Paris, she is a researcher for the Archive of Modern Conflict, a collection and publishing house based between London and Toronto. Luce served as director of the Canadian Institute of Photography from 2016 to 2018, after spending five years directing the collections of the French Society of Photography in Paris. Pauline Vermare is a French photography curator and historian based in New York. A contributing writer to A World History of Women Photographers, she was formerly the cultural director of Magnum Photos in New York, a curator at the International Center of Photography and the Museum of Modern Art. From 2002 to 2009, she worked at the Henri Cartier-Bresson Foundation, in Paris.  Stay Connected: A World History of Women Photographers English language edition: https://www.thamesandhudsonusa.com/books/a-world-history-of-women-photographers-hardcover A World History of Women Photographers French edition: https://www.editionstextuel.com/livre/une-histoire-mondiale-des-femmes-photographes Luce Lebart Website: https://lucelebart.org/ Luce Lebart Facebook: ? Luce Lebart Instagram: https://www.instagram.com/lucelebart Luce Lebart Twitter: https://twitter.com/lucelebart?lang=en Mauvaises Herbes (Weeds) exhibit: https://www.cpif.net/ Photo Europea Photo Festival: https://www.fotografiaeuropea.it/fe2023/en/concept-2023/ Pauline Vermare curated Kunie Sugiura Exhibit at Alison Bradley Projects: https://www.alisonbradleyprojects.com/kunie-sugiura-show/ Recently curated exhibition of Northern Ireland photos by women photographers: https://photomuseumireland.ie/pauline-vermare-protest Co-curated exhibition of 10 contemporary Japanese women photographers: https://matterport.com/discover/space/LQT8wCUrWuE Recent interview on Pauline's Japanese women photographers project: https://www.truthinphotography.org/japanese-women-photographers.html Women Photographers mentioned in the podcast: Anna Atkins - United Kingdom, 1799 - 1871 Amilie Guillot-Saguez -1810, France – 1864, Algeria Constance Talbot - United Kingdom, 1811 - 1880 Julia Margaret Cameron - 1815, India – 1879, Sri Lanka Alice Seeley Harris – United Kingdom, 1870 - 1970 Clara Sipprell - 1885, Canada – 1975, United States Tsuneko Sasamoto – Japan, b. 1914 Tokyo Tokiwa – Japan, b. 1930 Claudia Andujar - Switzerland, b. 1931 Yildiz Moran - Turkey, 1932 - 1995 Sara Facio - Argentina, b. 1932 Hilla Becher - Germany, 1934 - 2015 Abigail Heyman - United States, 1942 – 2013 Nancy Burson - United States, b. 1948 Lesley Lawson – South Africa, b. 1952 Marilyn Nance - United States, b. 1953 Pushpamela N. - India, b. 1956 Pior Arke - Greenland, 1958 - 2007 Angele Etourdi Essamba - Cameroon, b. 1962 Dina Templeton - United States, b. 1969 Zanele Muholi – South Africa, b. 1972  Databases featuring Women Photographers: WOPHA, Women Photographers International Archive: https://wopha.org/ Women Photograph database (and new book): https://www.womenphotograph.com/ 10x10 Photobooks: https://10x10photobooks.org/ Fast Forward: https://fastforward.photography/

Weegee is often cited as having been an influence on artists like Diane Arbus and Andy Warhol. He also influenced the world in how New York was viewed, because of his stark, black and white photos of the city. Research:  Smith, Roberta. “He Made Blood and Guts Familiar and Fabulous.” New York Times. Jan. 19, 2012. https://www.nytimes.com/2012/01/20/arts/design/weegee-at-international-center-of-photography-review.html Cotter, Holland. “'Unknown Weegee,' on Photographer Who Made the Night Noir.” New York Times. June 9, 2006. “Weegee.” Jewish Virtual Library. https://www.jewishvirtuallibrary.org/weegee Britannica, The Editors of Encyclopaedia. "Weegee". Encyclopedia Britannica, 8 Jun. 2022, https://www.britannica.com/biography/Weegee Vermare, Pauline. “New York City, by Weegee the Famous.” Magnum Photos. Feb. 10, 2020. https://www.magnumphotos.com/arts-culture/society-arts-culture/new-york-city-by-weegee-the-famous/ Mallon, Thomas. “Weegee the Famous, the Voyeur and Exhibitionist.” The New Yorker. May 21, 2018. https://www.newyorker.com/magazine/2018/05/28/weegee-the-famous-the-voyeur-and-exhibitionist Weegee. “Weegee: The Autobiography (Annotated).” The Devault-Graves Agency. 2016. Bonanos, Christopher. “Flash: The Making of Weegee the Famous.” Henry Holt and Company. 2018. Weegee. “Naked City.” Da Capo Press. 2002. Kilston, Lyra. “Weegee's Naked Hollywood.” Time. Nov. 28, 2011.  https://time.com/3783214/weegees-naked-hollywood-at-moca/ See omnystudio.com/listener for privacy information.