Podcast appearances and mentions of jen harvie

When Saved was banned in 1965 by the Lord Chamberlain's office, the Royal Court theatre turned itself into a private club to allow performances of Edward Bond's drama to be staged. This may be the most famous incident in the career of the playwright, who has died aged 89, but he was the author of over 50 plays, including several written for young people to perform, and others designed for broadcast on BBC Radio and he also worked on film scripts, wrote poems and long prefaces to his works. Joining Matthew Sweet to discuss his life and writing are the playwright Mark Ravenhill, actor Kenneth Cranham who starred in a 1969 production of Saved, Jen Harvie who is a Professor of Contemporary Drama at Queen Mary, London, Tony Coult, a writer and teacher of drama who has run Edward Bond's website for the past five years and written introductions to his play texts, and Claudette Bryanston, who commissioned The Children for a performance in a local Cambridge school with teenagers acting alongside adults. Producer: Robyn Read

Director Agnieszka Holland assembles a cast including James Norton and Vanessa Kirby to tell the story of Welsh journalist Gareth Jones who in 1933 travelled to Soviet Russia and told the truth about the famine in Ukraine. At the National Theatre, Clint Dyer directs the play he has co-written with Roy Williams, Death of England, starring Rafe Spall as a white working-class man whose father has died and who has to face up to his conflicted feelings about his country and the people who live in it. Ta-Nehisi Coates has earned a great reputation as a writer and thinker on race in America. His first novel, The Water Dancer, is the story of Hiram Walker who becomes involved in a struggle to leave slavery and save those close to him. British Baroque at Tate Britain takes a look at art from the restoration of the monarchy in 1660 until the death of Queen Anne in 1714, highlighting the jostling for power at court and beyond and illustrating the creation of the great buildings of the age. And This Life returns to BBC4, a drama of young people entering the world of work in the law, perhaps best remembered for the simmering sexual tension between Miles and Anna. Will its fans from 1996 stick with it - and can it draw a new audience? Tom Sutcliffe's guests this week are Jen Harvie, Carl Anka and Terence Blacker. Podcast Extra recommendations Carl: YouTube Channel SB Nation and Brian Phillips' obit of Kobe Bryant available here: https://www.theringer.com/nba/2020/1/30/21114600/kobe-bryant-legacy Jen: film, Parasite on general release; Tate Britain's exhibition Terence: the music of Paolo Conte Tom: Edmund de Waal's book The White Road, and Zadie Smith's essay on Kara Walker in the NY Review of Books Photo: James Norton and Vanessa Kirby, (c) Signature Entertainment

Caryl Churchill's C21st Bluebeard, the fragility of a glass girl and other myths reworked in 4 new short dramas. Jen Harvie discusses the storytelling on stage of one of Britain's leading dramatists. Hetta Howes looks back at American author Rachel Ingalls who died earlier this year aged 78. Her novel Mrs Caliban depicts a lonely housewife who befriends a sea monster.The German born US based artist Kiki Smith has produced sculptures, tapestries and artworks looking at pain and bodily decay and real and imaginary creatures in bronze, glass, gold and ink for her first solo UK exhibition in a public institution in 20 years. Gerald Scarfe has just published Long Drawn Out Trip: My Life moving from his early days at Punch and Private Eye to his designs for Pink Floyd’s The Wall and Disney’s Hercules. He's also putting together an illustrated coffee table book Scarfe: Sixty Years Of Being Rude which will be published in November. Glass, Kill, Bluebeard, Imp 4 short dramas by Caryl Churchill, directed by James MacDonald run at London's Royal Court Theatre from September 18th - October 12th. Kiki Smith: I Am A Wanderer runs at Modern Art Oxford from September 28th to January 19th 2020. Hetta Howes is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council which puts academic research onto the radio. She presents our podcast New Thinking which showcases new research. You can find past episodes on topics ranging from the philosophy of pregnancy to the links between dentistry and archaeology by signing up for the BBC Arts&Ideas podcast or looking on the Free Thinking website collection New Research. Producer Zahid Warley

There Is A Light That Never Goes Out, Scenes From The Luddite Rebellion has just opened at Manchester Royal Exchange. Combining verbatim recreations and imagined encounters, it looks at Manchester and England at the beginning of industrialisation Animals is a new film based on the novel by Emma Jane Unsworth. Two friends messily drift along and apart and back together in Dublin Colson Whitehead's new novel The Nickel Boys fictionalises the true story of a reform institution in Florida where cruelty, abuse and violence were the norm Olafur Eliasson: In Real Life is at Tate Modern in London - showing 27 years of the output of the Norwegian Icelandic artist This Way Up is a new sitcom on Channel 4 starring Aisling Bea and Sharon Horgan Tom Sutcliffe's guests are Henry Hitchings, Patrice Lawrence and Jen Harvie. The producer is Oliver Jones PodcastExtra recommendations: Jen: Burgerz by Travis Alabanza Shit Theatre's Drink Rum with Expats, and Fair Fringe /Cost Of The Fringe/ Fringe of Colour Henry: Jonathan Gibbs - The Large Door Patrice: Anthony Joseph - Kitch and Sam Selvon- The Lonely Londoners

Matthew Sweet and a panel of experts stand-up for their emotion of choice in a debate about the most pertinent emotion for understanding Britain today. Is it Joy? Anger? Anxiety? Schadenfruede or shame? The panel express their feelings and an audience vote at the 2019 Free Thinking Festival at Sage Gateshead has the final say. Kehinde Andrews is Professor of Black Studies at Birmingham City University. His books include Back to Black: Retelling Black Radicalism for the 21st Century and Resisting Racism: Race, Inequality and the Black Supplementary School Movement. Denise Mina’s crime novels include The Long Drop, The DI Alex Morrow series, the Paddy Meehan series which were filmed by BBC TV, The Garnetthill series, and graphic novels. She has been inducted into the Crime Writer’s Association Hall of Fame. Tiffany Watt Smith is the author of The Book of Human Emotions and Schadenfreude: The Joy of Another’s Misfortune and was one of the BBC Radio 3 New Generation Thinkers in 2014. A bout of chicken pox prevented her from promoting her ideas about schadenfraude so her husband, the writer Michael Hughes took her place in this debate. Jen Harvie is Professor of Contemporary Theatre and Performance at Queen Mary University of London, the author with Paul Allain of The Routledge Companion to Theatre and Performance and with Professor Dan Rebellato (Royal Holloway, University of London), she co-edits Palgrave Macmillan’s large series of small books Theatre & Hetta Howes is a Lecturer in English at City University in Medieval and Early Modern Literature and is a BBC Radio 3/AHRC New Generation Thinker You can find short films by Tiffany and others at https://www.bbc.com/ideas/playlists/the-story-of-human-emotions Producer: Debbie Kilbride

Simon Amstell directs his first cinema release - Benjamin. The title character is a thinly-disguised version of himself with nervous lack of self esteem who is directing a film about himself. It's all very meta but is it marvellous? Milton Keynes has just reopened its art gallery. Much enlarged and architecturally improved, the first exhibition there is The Lie Of The Land, charting how the British landscape was transformed by changes in free time and leisure The bicentenary of Queen Victoria's birth has seen lots of artistic projects to mark the moment. Norther Ballet has commissioned a work by choreographer Cathy Marston which looks at the Queen's life through her relationship with her youngest daughter. Sadie Jones won the Costa First Novel award for her book The Outcast and her latest The Snakes is set in contemporary London and Burgundy. BBC4 marks the 30th anniversary of the creation of the World Wide Web with programmes including Me My Selfie and I presented by Ryan Gander and How To Go Viral: The Art of the Meme With Richard Clay Tom Sutcliffe's guests are Ellen E Jones, Jen Harvie and Toby Lichtig . The producer is Oliver Jones PodcastExtra recommendations Jen: Carolee Schneemann and Katherine Araniello Ellen: The Dropout podcast Toby: Max Cooper and Country by Michael Hughes Tom: James Mays' BBC documentary on Hornby Trains

Alison Bechdel's graphic memoir 'Fun Home' on stage at the Young Vic in London reviewed by Jen Harvie from Queens Mary University of London, a novel inspired by Kathy Acker from Olivia Laing, Film historian and broadcaster Ian Christie on the 40th anniversary of Michael Cimino's film, 'The Deerhunter' and a new biography by Michèle Mendelssohn on Oscar Wilde's time in America. Mathew Sweet presents. Fun Home - which explores family, memory and sexuality, runs at the Young Vic in London from June 18th to September 1st 2018. Jen Harvie, Professor of Contemporary Theatre & Performance, at Queen Mary University of London Olivia Laing is the author of 'The Lonely City' and her new novel is called 'Crudo'. 'Making Oscar Wilde' by Michèle Mendelssohn is out now. 'The Deer Hunter' is in cinemas from July 4th.Producer: Fiona McLean

‘Stop supporting the death of the earth! Know it when you see it!’As part of her series Stage Left, Jen Harvie interviews performance artist Reverend Billy. "I met the Reverend Billy – also known as Bill Talen – at Artsadmin’s Toynbee Studios in east London near the end of his Trump Depression Hotline Tour across England in October 2017. Based in New York since the 1990s, the Reverend Billy and his secular-political Church of Stop Shopping use public preaching and singing to protest against rampant consumerism, corporate greed, ecological injustice, and Trump. Reverend Billy and I discussed what’s important in using the arts to change the world, including local activism, collaboration, music, and love." The Trump Depression Hotline Tour is directed by Savitri D; the musical director is Nehemiah Luckett. www.revbilly.comStage Left is presented by Jen Harvie, Professor of Contemporary Theatre and Performance at Queen Mary, University of London, and is produced by Deb Kilbride. See acast.com/privacy for privacy and opt-out information.

Artists Brian Catling RA and Pablo Bronstein join Tate Senior Curator Catherine Wood and Dr Jen Harvie to explore the evolution of performance art in museums and its entrance into the contemporary art market.

Iconic lesbian feminist performance company Split Britches’ Peggy Shaw and Lois Weaver talk with Jen Harvie about the forty years they’ve worked with – and loved – each other. We discuss how they met, how they’ve sustained collaboration and communication, and how changes in cultural attitudes to sexuality and gender affect Retro(per)spective, the joyous cocktail of greatest-hits scenes from past work they are touring. We consider the importance of performing with love and care, and when to shout and when to whisper. https://splitbritches.wordpress.com/

Jen Harvie talks with performance maker and artist Scottee whose work consistently addresses the experiences of being an outsider – affected by class, race, and/or sexuality. We discuss his move from London to the Essex seaside, mental health, neurodiversity, hospitality, and class, and how all these things relate to his performance, especially Bravado, which is touring in 2017.

Jen Harvie talks with performance makers Nic Green and Rosana Cade about Cock and Bull, created with Laura Bradshaw for the eve of the 2015 UK General Election and touring in spring 2017 including to London’s Southbank, 25-30 April. We discuss how the show sampled rhetorical language and gestures from the 2014 Conservative Party Conference, then broke them down in a precisely scored and choreographed exorcism towards a hoped-for new future. We talk about politics, inequality, formalism, bodies, music, anger, people, work, task-based performance, and how to make performance without funding, and with passion.

Jen Harvie talks with performance maker Lucy McCormick about her show, Triple Threat – a pop-tune-powered, dirty-dancing, hour-long, queer, feminist takeover of the epic story of Jesus. We explore the aesthetics of geekiness, the body politics of queer clubs, sensuality in the New Testament, grief, belief, comedy, collaboration, and creative energy. Triple Threat is at London's Soho Theatre from 28 March to 22 April 2017.

Jen Harvie talks with Rebecca Biscuit and Louise Mothersole of Sh!t Theatre about what inspires them and how they devise performance. We hear about their current show, Letters to Windsor House, previous shows including Women’s Hour, and next show DollyWould, and cover topics from love to death, gentrification, friendship, money, and cardboard comets.

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices