Podcasts about contemporary theatre

00:00 Show open/ Harry Yeprem Jr., Resource Development Coordinator for The Open Shelter in Columbus on urgent needs the shelter has and a matching program that can increase monetary donations. 11:49 Leda Hoffman, Artistic Director for The Contemporary Theatre of Ohio on the beginning of their season and other programs the organization offers. 20:34 Face the State: Ohio Sen. Sherrod Brown endorses Kamala Harris for President. University of Cincinnati Political Science professor David Niven on the upcoming November election. 30:31 Face the State: Ohio Supreme Court race on November's ballot. Ohio Governor Mike DeWine on the constitutional amendment on November ballot to change the way legislative maps are drawn with University of Cincinnati Political Science professor David Niven and Chris Davey from Citizens not Politicians. Zoning changes approved by Columbus City Council with Carlie Boos from the Affordable Housing Alliance of Central Ohio and Columbus City Council member Rob Doran. A report on the first 3D printed house in Columbus with Columbus City Council member Emmanuel Remy.

On this episode, we hear about:Dr. Peggy Shannon shares her inspirational journey to become a university president and leader in academiaAdvice on managing work-life balance, including tips for traveling and self-carePerspectives on creativity in work and how the arts impact societyDiscussion of overcoming barriers as a woman in leadership Strategies for leading change, communication, mentorship, and personal growth  About our Guest: Dr. Peggy Shannon (NSCAD University)Appointed as NSCAD University President in 2022, Dr. Peggy Shannon has a lengthy career serving in teaching and leadership roles in many post-secondary institutions. Prior to joining NSCAD University, she was Dean of the College of Professional Studies and Fine Arts at San Diego State University, with prior roles at the University of California at Davis, and Toronto Metropolitan University (formerly Ryerson University).With a PhD from Royal Holloway, University of London and a Masters of Fine Arts from the University of Washington, Dr. Shannon's career is a robust blend of administrative and sector roles, having served as Artistic Director of the Sacramento Theatre Company and A Contemporary Theatre in Seattle, and directed multiple plays and productions in Canada and internationally in the U.S., Greece and Australia. This combined focus has developed a desire to prepare students for careers in the creative economy, with real-world problem solving. This also translated into strong connections between post-secondary institutions and wider communities.Dr. Shannon is the recipient of several research grants, notably a Social Sciences and Humanities Research Council of Canada grant while at Toronto Metropolitan University, and various Arts Council Grants in Canada and the U.S. She is a Fulbright Senior Specialist and has received several accolades in leadership and arts education.  Our Patreon: https://www.patreon.com/womendontdothatRecommend guests: https://www.womendontdothat.com/How to find WOMENdontDOthat:Patreonhttps://www.patreon.com/womendontdothatInstagram - http://www.instagram.com/womendontdothat/TikTok- http://www.tiktok.com/@womendontdothatBlog- https://www.womendontdothat.com/blogPodcast- https://www.womendontdothat.com/podcastNewsletter- https://www.beaconnorthstrategies.com/contactwww.womendontdothat.comYouTube - http://www.youtube.com/@WOMENdontDOthatHow to find Stephanie Mitton:Twitter/X- https://twitter.com/StephanieMittonLinkedIn - https://www.linkedin.com/in/stephaniemitton/beaconnorthstrategies.comTikTok- https://www.tiktok.com/@stephmittonInstagram- https://www.instagram.com/stephaniemitton/Interested in sponsorship? Contact us at hello@womendontdothat.comOur Latest Blog: https://www.womendontdothat.com/post/who-takes-their-kids-to-las-vegas-we-did

00:00 Show open/ Angela Damon, Executive Director of LOSS Community Services on the programs they have to help loved ones of those who die by suicide and an upcoming fundraiser they have planned. 16:25 Leda Hoffman, Artistic Director of The Contemporary Theatre of Ohio (formerly CATCO) on the reason for the organization's name change, their current production, and the shows they are putting up for the 2024-2025 season. 26:30 Ray Santos- team captain and setter for the Columbus Fury professional women's volleyball team. 34:51 Face the State: Updates on House Bill 68 which would ban gender-affirming healthcare for minors and prohibit transgender girls and women from playing on girls and women's scholastic sports teams, the re-introduction of Aisha's law, and a report on the housing crisis in Ohio. 46:35 Face State: Discussion of Governor Mike DeWine's Outcomes Acceleration for Kids Learning Network with Maureen Corcoran, Director of the Ohio Department of Medicaid, Dr. Bruce Vanderhoff, Director of the Ohio Department of Health and Dr. Jeffrey Anderson, Chief Population Health Officer at Cincinnati Children's Hospital. Also, a report on a new gun violence task force at the Statehouse.

Nathan Kessler-Jeffrey  is Executive Artistic Director of the San Juan Community Theatre and has been teaching, directing, and acting in theatres, colleges, and high schools for over two decades. He holds an MFA in Directing from Rutgers University, and his teaching specialties include directing, acting, stage combat, and rehearsal techniques. He is the former Education and Outreach Director for Taproot Theatre Company in Seattle, and has been a guest instructor at high schools, colleges, and universities.Nathan's directing work includes productions for San Juan Community Theatre, Taproot Theatre Company, Driftwood Players, A Contemporary Theatre, American Globe Theatre, Abilene Shakespeare Festival, Transparent Storytellers Theatre, and the Seattle Play Series. In January of 2018, he joined San Juan Community Theatre as Executive Artistic Director and now divides his time between directing, acting, teaching, and leading SJCT's team of staff and volunteers. 

Multi award winning, leading stage & audio dramatist, and Professor of Contemporary Theatre at Royal Holloway University, Dan Rebellato, joins Paul for lively conversation about the value of audio drama.  They examine the history of audio drama, tell the stories of their different pathways to a love of the genre and look at ways schools can use audio drama to great effect. They talk about how audio drama can enhance imagination, promote empathy and be useful across many school areas, including Careers Education. Audio drama is an inexpensive underrated resource that boosts imagination, creativity and enjoyment. Dan is most generous with his wisdom, insight and views and his website is goldmine for teachers. https://www.danrebellato.co.uk/ Dan can also be found on Twitter (or is it X) - @DanRebellato As usual you can get me on there as @Arkle123

The Contemporary Theatre of Ohio (Formerly CATCO) is dedicated to harnessing the transformational power of theatre that engages with the current moment to inspire a community of empathy for adults and young people.

GRACE CAVALIERI reviews four world-premiere plays at The American Contemporary Theatre Festival in Shepherdstown, W.V.

Christy Farnbauch serves as executive director of the Contemporary Theatre of Ohio. If that name's not familiar to you, perhaps you might know the organization by its former brand: CATCO.The just-completed and revealed rebranding is one of the first major projects undertaken by Farnbaugh since she joined amid the uncertainty of Spring 2020.She recently visited our office to talk about that experience, what's on the schedule for this year, and much more.

This episode's guest is Danny Romeo! Danny is an international theatre maker, director, performer, designer, and educator. He is originally from Maryland, and has worked in the US in regional theatre, national tours, and off-Broadway. He is currently working in London as an interactive immersive theatre creator and performer. He is an Artistic Associate with COLAB Theatre Productions as well as an adjunct lecturer at the Institute for Contemporary Theatre in Brighton, and is currently performing in a brand new interactive show, Phantom Peak. He is also founding a new immersive theatre company in the US, Ludens Theatre Company. IG: @DannyTRomeo www.DannyRomeo.com www.LudensTheatreCompany.com --- Support this podcast: https://anchor.fm/tim-heller/support

Very excited to welcome Tim Crouch, one of British Theatre's 'great innovators', with plays that have disturbed and challenged the passive theatrical experience to The Good Listening To 'Clearing'.A wonderfully rich and textured conversation indeed.  As Tim said:  "I talked with Chris about Tony Brightwell, my dad, my dog, randy airline captains, theatre, sailing little boats, my family - but mostly the dog..."Tim Crouch is a world renowned British experimental Theatre Maker, Actor Writer & Director.  He specialises in rejecting theatrical conventions - especially realism - and prefers a form whereby the audience is invited to help image and create the work. Tim is very warmly regarded and much respected as being an "Actor's Actor"."Theatre in its purest form is 'conceptual': No need for sets, costumes & props. All exists inside the audience's head".This is particularly relatable for me because of my own love of all things Comedy Improvisation and INSTANT WIT whereby an empty stage is brimming and charged with potential where 'anything is possible', with the audience all set to colourise the scene and fill in the gaps of all the silly proceedings with their imaginations. Tim's seminal 'centre piece' play from which he says all else has evolved was My Arm, the story of an 'empty gesture'.  It's about the confession of a man who lived for thirty years by the courage of his lack of conviction.  "At the age of 10, for want of anything more meaningful to do, I put my arm above my head and kept it there".Other work includes "An Oak Tree"; TV series "Don't Forget The Driver" which he co-wrote with actor Toby Jones (as Tim's homage to his home town of Bognor Regis) plus numerous world tours with a series of plays making Shakespeare more accessible through the eyes and perspective of single characters "I, Malvolio"; I, Banquo"; I, Caliban"; "I, Peaseblossom"Stephen Bottoms, Professor of Contemporary Theatre and Performance at the University of Manchester said of Tim Crouch:"I can think of no other contemporary playwright who has asked such a compelling set of Questions about theatrical form, narrative content and a spectators's engagement".‘One of the smartest artists making theatre in Britain now.‘Kulturflash on Tim Crouch

Dennis J. Arcano has played for several dozen shows including the national tour of Tick, Tick,...Boom! as drummer and assistant music director.  He is also frequently a sub on drums and percussion for Broadway productions such as Follies, Jagged Little Pill, and The 25th Annual Putnam County Spelling Bee.  We talk about all of that, the high quality work he's doing as the house drummer and contractor for A Contemporary Theatre of Connecticut, and the wealth of fun and helpful videos he's been creating at his YouTube channel: http://www.youtube.com/user/dennisjarcano   This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial. Follow the podcast on Instagram, Facebook, or Twitter @LifeInThePitPod.  Feel free to subscribe to our YouTube Channel. Visit www.lifeinthepitpod.com for more info or to send feedback regarding the podcast.  Donations are also gratefully accepted.  Please leave a rating and a review on your podcast app.  Thank you for listening.

"A Biscotti Family Christmas" written and directed by Richard FrohlichRecorded in front of a studio audience at the Arlington Museum of Art - December 2005. Produced by Shannan Frohlich and the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art and the Contemporary Theatre of Dallas. Featured in the cast were: Luis Alford, Lee Dunkelberg, Cynthia Matthews, Susan McMath-Platt, Reg Platt and Ken Raney.Live Sound effects were performed by Alex Boyd Rodgers, and Sarah MoralesKen Raney was the program announcer.Recorded December 2005. Sam is the boss of the Biscotti family business, a shady organization in the city. Sam is dropped off at this nightclub where he believes his annual Christmas party is about to take place. He had left all the planning to Frankie, his son. Frankie is using the opportunity to get rid of his father and take over the family business. All the plans are suddenly âmessed upâ when Amaretta, a disoriented old lady, wanders onto the scene and changes everyoneâs lives forever.  Learn more about your ad choices. Visit megaphone.fm/adchoices

"A Biscotti Family Christmas" written and directed by Richard FrohlichRecorded in front of a studio audience at the Arlington Museum of Art - December 2005. Produced by Shannan Frohlich and the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art and the Contemporary Theatre of Dallas. Featured in the cast were: Luis Alford, Lee Dunkelberg, Cynthia Matthews, Susan McMath-Platt, Reg Platt and Ken Raney.Live Sound effects were performed by Alex Boyd Rodgers, and Sarah MoralesKen Raney was the program announcer.Recorded December 2005. Sam is the boss of the Biscotti family business, a shady organization in the city. Sam is dropped off at this nightclub where he believes his annual Christmas party is about to take place. He had left all the planning to Frankie, his son. Frankie is using the opportunity to get rid of his father and take over the family business. All the plans are suddenly âmessed upâ when Amaretta, a disoriented old lady, wanders onto the scene and changes everyoneâs lives forever.  Learn more about your ad choices. Visit megaphone.fm/adchoices

"A Trailer Trash Christmas Carol" by Jamie and Eric KnappRecorded in front of a studio audience at the Contemporary Theatre of Dallas. Produced by Shannan Frohlich and the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art and the Contemporary Theatre of Dallas. Directed and Engineered by Richard Frohlich. Featured in the cast were: Adam Dietrich, Kevin Grammer, David Grant, Cyndi Matthews, Alice Montgomery, Dona Safran, Dixie Sedgwick and Kevin Thrasher. Live Sound effects were performed by Jenifer Parson, Hina Padhiar and Angie Payne.Ken Raney was the program announcer.  Learn more about your ad choices. Visit megaphone.fm/adchoices

"A Trailer Trash Christmas Carol" by Jamie and Eric KnappRecorded in front of a studio audience at the Contemporary Theatre of Dallas. Produced by Shannan Frohlich and the Texas Radio Theatre Company in cooperation with the Arlington Museum of Art and the Contemporary Theatre of Dallas. Directed and Engineered by Richard Frohlich. Featured in the cast were: Adam Dietrich, Kevin Grammer, David Grant, Cyndi Matthews, Alice Montgomery, Dona Safran, Dixie Sedgwick and Kevin Thrasher. Live Sound effects were performed by Jenifer Parson, Hina Padhiar and Angie Payne.Ken Raney was the program announcer.  Learn more about your ad choices. Visit megaphone.fm/adchoices

For Video Edition, Please Click and Subscribe Here: https://youtu.be/a8lqwXTrY6g JOHN PIELMEIER began his career as an actor, working at Actors Theater of Louisville, the Guthrie Theater, Milwaukee Rep, Alaska Rep, Baltimore's Center Stage, and the Eugene O'Neill National Playwrights' Conference. It was at the O'Neill that his play Agnes of God was first staged. A co-winner of the Great American Play contest, Agnes premiered professionally at Actors Theater of Louisville, which production was followed by several regional productions and a seventeen month run on Broadway. His other plays include Voices in the Dark, produced on Broadway and winner of the 1999 Edgar Award for Best Play (published by Broadway Play Publishing); Haunted Lives, a collection of one-acts published by Dramatists Play Service; Courage, a one-man show about J.M. Barrie, produced at the Lambs' Theatre off-Broadway, published by Playscripts, Inc. and filmed for public television; The Boys of Winter, produced on Broadway and published by Playscripts, Inc.; Sleight of Hand, produced on Broadway; Jass, presented at the O'Neill Playwrights' Conference and workshopped at the New Harmony Project; Impassioned Embraces, a collection of short plays and monologues, published by Dramatists Play Service; Steeplechase the Funny Place, a musical (with music and lyrics by Matty Selman) workshopped at the New Harmony Project; Young Rube, a musical (also with Mr. Selman), workshopped at the Gathering at Bigfork in Bigfork, Montana and first produced at the Repertory Theatre of Saint Louis; Willi, a one-man show based on the speeches of mountaineer Willi Unsoeld, which premiered (and was performed by the author) at A Contemporary Theatre in Seattle (breaking box office records); The Classics Professor, workshopped at The Gathering at Bigfork and at CAP21, New York City.

Actors Collaborative Toledo. Our mission is produce superior quality live theatre in the Greater Toledo area. ​ Actors Collaborative Toledo is committed to equal opportunities for actors and encourages and promotes a casting policy without regard to race or ethnicity. Actors Collaborative Toledo (ACT) is a 501 (c) (3) nonprofit organization formed in August 2013 with the staged reading of "Walter Cronkite is Dead" by Joe Calarco at the historic Mansion View Inn. Since that time our company has performed at The Toledo Museum of Art, Trinity Episcopal Church, The Village Players Theatre, The Collingwood Arts Center, The Moxie Live!, Delightful Art with Dee, Pam's Corner, Owens Community College, The Franciscan Center at Lourdes University and The Center for Performing Arts at the University of Toledo. ACT is a group of local theatre artists dedicated to bringing contemporary theatre to Toledo, with a focus on the importance of new and seldom performed plays, thus educating audiences to the power of live theatre. Through collaborative and fundraising efforts with other non­profits around town, we are bringing awareness to important social issues. We have formed collaborations with other theatres in the area to promote a sense of community; including The Village Players Theatre, Cutting Edge Theatre Company, The Toledo Repertoire Theatre, Glacity Theatre Collective and Hawk and Handsaw Theatre. Company members have served as mentors for local students as they prepared for their senior acting projects, as well as participated in summer day camp programs. ACT also has collaborated with students from the Drama Society at Lourdes University. ACT has produced benefits for other charitable organizations including: Music & Arts at Trinity Episcopal Church ("The Testament of Mary"), Episcopal Relief and Development ("Speak Truth to Power"), The Zepf Center ("'night, Mother"), Equality Toledo ("Standing on Ceremony: the Gay Marriage Plays", "Mr. Charles; currently of Palm Beach" and "Gay Shorts"), The Perrysburg Chorale ("The Christians") Jewish Family Services ("The Velocity of Autumn") and the Ella P. Stewart Academy for Girls ("Pretty Fire"). ​ The founding members of ACT are Jeffrey Albright, Barbara Barkan and John DuVall.

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.
 · https://ouc.academia.edu/AvraSidiropoulou
· http://persona.gr
· www.creativeprocess.info

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.· https://ouc.academia.edu/AvraSidiropoulou· http://persona.gr· www.creativeprocess.info

The Paris Commune lasted less than 100 days, yet this populist movement had extraordinary impact and offers a fascinating comparison to populist turbulence in 2021. Having survived the horrors of the Siege of Paris, winter of 1870-71, Parisians refused to accept the terms of French surrender after the Franco-Prussian war and declared independence. For ten weeks, the Communards experimented with alternative living: revolutionising education, political representation, the role of women, the upbringing of children, even parts of the landscape. The Commune was crushed brutally at the end of May, but it caught the attention of conservatives and radicals across the world. 150 years later, what does the Commune still have to say to us? Have we lost its legacy or, just maybe, are we all Communards now? Dan Rebellato, writer and thinker, is inspired by personal observation of the modern legacy of the commune: “In 2016, my wife and I moved to Paris and we had a baby. In London, walking along a narrow pavement with a buggy, people generally get out of your way. In Paris, there's often a stand-off. In London, the public space is not really public at all; we carry with us a portable sphere of private space that should not be invaded. In Paris, if you're on the street, you're in the debate. Although French society is in many ways very deferential and hierarchical, this is not true on the streets. Anyone can speak to anyone - in Paris, every encounter is a debate. And so I found myself looking into the history of those Parisian streets; the way they've been remodelled and remade, the way the famous cobblestones have been torn up as weapons, the way the boulevards are ghosted by barricades and street battles. It's a story that has markers in 1968 and 1961 and 1945 and 1940 but ultimately this contested Paris, where the very streets are sites of battle and debate, takes us back to 1871 and the Commune.” These essays will bring the Commune to life with vivid description of key moments, entering into history, to explore how it shaped French society and beyond, through personal connection with the facts and the sense of a city Dan knows well. Essay 5: Women 23 May 1871: As the French army poured into Paris to end the Commune, Parisians set light to some major buildings in a vain effort to stop their advance. On 23 May 1871, the Tuileries Palace was ignited. Amid the smoke and fire a new figure was born: the ‘petroleuse', the woman communard with a bottle of petrol, glorying in the destruction she wreaked. In fact, there is very little evidence that such determined incendiarists existed, yet reports spread, ironically, like wildfire. The destructive woman became a cautionary tale and an icon of the Commune, haunting generations to come. The complexity and contradiction of women gaining independence is still resonant – the demonisation and vilification of over strident women is ubiquitous. The Commune genuinely offered women new ways of being, new models and roles. Yet this new woman is ghosted in the figure of the petroleuse, a horrified and horrifying response to repudiating a conventional domesticity. Dan Rebellato is a leading British radio dramatist, as well as a Professor of Contemporary Theatre at Royal Holloway London. He has written extensively for BBC Radio 3 and 4, most recently Killer for Radio 3, as well as theatres such as Plymouth Drum, Suspect Culture and Graeae, and Pitlochry Festival Theatre. He has won Sonys and BBC Audio Awards for his radio dramas. He was lead writer on the blockbuster BBC Radio 4 Series, Emile Zola; Blood Sex and Money, starring Glenda Jackson. He has published several books, most recently co editing Contemporary European Playwrights in 2020, and is currently writing a practical playwriting guide for the National Theatre, due out in 2021/22. Director/Producer, Polly Thomas Executive Producer, Eloise Whitmore A Naked Production for BBC Radio 3

Join Jewish Comedians Rachel Creeger & Philip Simon for their comedy podcast, a chat show about all things Jewish, produced by Russell Balkind. This week's guests are Canadian actor and podcaster Kerry Shale and performer, writer and pickle aficionado Rachel Mars.Follow them on social media, follow US on social media and don't forget to let us know what you think about the show.Facebook: @JewTalkinTwitter: @JewTalkinInstagram: @JewTalkinLots more fantastic episodes waiting to be released every Friday morning, so don't forget to subscribe and leave us a 5* review - it really helps other people find the show. Go on… it's what your mother would want!--------------------------------------------------------------------- Kerry ShaleTwitter: @IsItRollingPodWebsite: www.kerryshale.comKerry is a London-based Canadian actor who has worked extensively in theatre, film and television and voice over. His theatre work includes productions at The National Theatre and The Donmar Warehouse and he has appeared in the West End in The Normal Heart and Frost/Nixon.His film & TV credits include Barbra Streisand's Yentl, Little Shop of Horrors, Labyrinth, playing Ronnie Corbett's godson in Sorry! and Mr Beaver in BBC's The Lion, The Witch and The Wardrobe. More recently he has been seen in Patrick Melrose and The Trip To Spain, as well as New Tricks, Mr Selfridge, The Trip, Life's Too Short, Not Going Out, Dr Who and Steven Poliakoff's Gideon's Daughter. For BBC Radio, Kerry has acted in hundreds of plays including his own adaptations of Dr Strangelove and A Confederacy of Dunces. He has been the voice of Bill Bryson and Woody Allen, F. Scott Fitzgerald and Mark Twain, as well as the far more serious Gnasher in Dennis and Gnasher, Sir Topham Hatt (The Fat Controller) in Thomas and Friends (USA) and Diesel in Thomas and Friends (UK). He plays dozens of characters in the BAFTA and Emmy-winning series The Amazing World of Gumball (Cartoon Network).Links:The Film Programme Kerry and two actor friends discuss being in Yentl. Lots of Barbra stories!The Kubrick TestThe radio play about Stanley Kubrick that was talked about at great length in the episode, written by Kerry and starring Henry Goodman.Rachel MarsTwitter: @RachelOfMarsInstagram: @RachelOfMarsWebsite: www.rachelmars.orgRachel describes herself as a performance maker and writer with a background in theatre, live art and comedy. She explores the idiosyncratic cultural and political constructs that inform the way we are together, as people, just trying to figure it all out. Her work wrestles with female, Jewish and Queer identities and their intersections.She makes performance work as a solo artist and collaborates with a range of artists including Greg Wohead [Story #1 / Gaping Hole] and nat tarrab as mars.tarrab - the 2017 Oxford Samuel Beckett Theatre Trust Award Winners. Recent commissions have included HOME Manchester/The Entertainment Group, Leeds Playhouse, The Junction, Cambridge; Royal Court Tottenham; Fuel Theatre and Ovalhouse. She's been on residencies recently including The Orchard Project and Asylum (NY), Playwrights Centre (Minneapolis) and Playwrights' Workshop (Montreal) and Cove Park (UK) She is a fellow at the Birkbeck Centre of Contemporary Theatre, have taught workshops on University courses in the UK and artist development programmes in the UK, Canada and the US. Rachel is also a regular contributor to 'Pause for Thought' on BBC Radio 2. Rachel is also the brains behind a fantastic YouTube series called PickleWatch where she quite literally reviews pickles.--------------------------------------------------------------------- *This episode was recorded under lockdown conditions. See acast.com/privacy for privacy and opt-out information.

Harry McCarthy explores the relationship between theatre history and contemporary performance as a way of learning about the past.

It's time to talk international verse drama with none other than Dr. Kasia Lech! Her new book, Dramaturgy of Form: Performing Verse in Contemporary Theatre looks at new fusions of verse drama, hiphop, slam poetry, multilingual artists and more. H2H LISTENERS: Use the code FLY21 for a discount code when you buy the book today! Learn more at: hamlettohamilton.com Follow Dr. Kasia Lech on Twitter

In this episode we discuss new models and ideas for the training of actors with Principal Thomasina Unsworth and Head of Acting Phillip Edgerley of Brighton's new Institute for Contemporary Theatre.    Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=EKHEKXBAZBQG6¤cy_code=GBP)

Jamie Pachino is currently the Co-Executive Producer on The Right Stuff for Disney+. She always thought that she’d be an actor for her career, but she fell in love with writing plays and scripts along the way. Her work has been produced in four countries, honored with numerous awards, and she’s written for major studios like DreamWorks, Disney, Lionsgate and more. Jamie shares how she did it and the lessons she learned along the way. It’s an inspiring story of someone who followed her passion into a career of her dreams, and the script on that career is not even close to finished!Meet the GuestJamie Pachino is an award winning playwright, screenwriter and TV writer. Her plays have been seen in four countries, published and named the winner of the Kennedy Center Fund for New American Plays production grant, the Laurie Foundation Theatre Visionary Award, Chicago’s Joseph Jefferson Award for Best New Work, and the Francesca Primus Prize by the American Theatre Critics Association, among many others. Jamie’s plays have been produced, developed and read at Steppenwolf, Long Wharf, Hartford Stage, LCT3 (Lincoln Center), American Conservatory Theatre, Roundabout, Geva, San Jose Rep, Pasadena Playhouse, Northlight, Florida Stage, A Contemporary Theatre, and the Women’s Playwright Conference in Athens, Greece, among many others. Jamie has written on the staffs of TV series for Amazon (SNEAKY PETE, CHARLOTTE WALSH LIKES TO WIN), AMC (HALT AND CATCH FIRE), NBC (CHICAGO PD, THE BRAVE), TNT (FRANKLIN & BASH) and USA (FAIRLY LEGAL). She has written features for DreamWorks, Disney, Lionsgate, Walden Media, Vanguard Films and others, and teleplays for Amazon, the Hallmark Hall of Fame, Lifetime, Up, and the Hallmark Channel. She is currently writing on the staff of THE RIGHT STUFF for Disney+, a pilot for Bad Robot Productions, and her screenplay MASTERPIECE has been optioned. Jamie has served on the faculties of Northwestern University (her alma mater), University of California Irvine, National Louis University, Columbia College and The Chicago Academy of the Arts. She is a proud member of the WGA, The Playwrights Center, and the International Center for Women Playwrights, and is represented by Kaplan Stahler Agency, APA (theatre), Harden Curtis (London), and Cartel Entertainment. She lives in Los Angeles with her husband Lindsay Jones and their two children. LinksMore at www.jamiepachino.com.

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.· https://ouc.academia.edu/AvraSidiropoulou· http://persona.gr· www.creativeprocess.info

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.
 · https://ouc.academia.edu/AvraSidiropoulou
· http://persona.gr
· www.creativeprocess.info

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Timothy Hampton's Bob Dylan: How the Songs Work (Zone Books, 2020) is a fascinating and meticulous study of Bob Dylan's songwriting craft. Hampton discusses how Dylan incorporated and then transcended the Greenwich Village folk music tradition, how he reinvented himself as a visionary poet in the mid sixties, how he learned from poets as diverse as Rimbaud, Brecht, and Petrarch, and how his late-career work draws on and extends the themes he's been pursuing for his whole life. Hampton's book is written in a clear and accessible style and should appeal to anyone interested in the technique of this master songwriter. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Terry Baum's book One Dyke's Theater: Selected Plays 1975-2014 (Exit Press, 2019) collects plays and solo scripts from throughout the career of a “slightly world-renowned lesbian playwright.” The plays range from outlandish comedies like Bride of Lesbostein to the historical drama Hick: A Love Story. This book will be of interest to anyone interested in the history of queer theatre, solo performance, and feminism. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent studies have tied gun ownership to the startling high rates of teen suicides in the U.S. In this episode, we meet some of the Cry Havoc actors as they conduct their first interviews about gun violence — self-directed gun violence. We learn they have skin in this game: One cast member has lost a friend to suicide. To the actor's surprise, that heartbreaking trauma becomes part of their play. Related Links: Summary and Transcript Moms Demand Action for Gun Sense in America The Grace Loncar Foundation Every Gun Death Is Personal Youth Suicide Rates Are Higher In States With High Gun Ownership, According To A New Study Student Actors Take On The July Shooting of Five Dallas Police Officers The CDC Downplays Guns' Role in Suicide Prevention Messages The Crisis in Youth Suicide Grace Loncar, Booker T. Student and Contemporary Theatre of Dallas Artist, Dies at 16 Why Teen Suicide Is So Unpredictable

In The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (Columbia UP 2020), Jill Richards radically rewrites our understanding of first-wave feminism by demonstrating its proximity to international avant-garde movements including surrealism, Dada, and futurism. Using case studies including the movement for a proletarian birth strike, the anti-Nazi pranks of Claude Cahun, and the theatre of Ina Cesaire, Richards shows that our understanding of early 20th-century women activists as stodgy and conservative is woefully inadequate. While some among the turn of the century feminist movement saw suffrage as the primary goal, others dreamed of revolution, decolonization, and a world where art was life and life was art. Richards also shows how these forgotten feminisms sharply depart from the liberal understandings of human rights taking shape alongside them. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (Columbia UP 2020), Jill Richards radically rewrites our understanding of first-wave feminism by demonstrating its proximity to international avant-garde movements including surrealism, Dada, and futurism. Using case studies including the movement for a proletarian birth strike, the anti-Nazi pranks of Claude Cahun, and the theatre of Ina Cesaire, Richards shows that our understanding of early 20th-century women activists as stodgy and conservative is woefully inadequate. While some among the turn of the century feminist movement saw suffrage as the primary goal, others dreamed of revolution, decolonization, and a world where art was life and life was art. Richards also shows how these forgotten feminisms sharply depart from the liberal understandings of human rights taking shape alongside them. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.

In The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes (Columbia UP 2020), Jill Richards radically rewrites our understanding of first-wave feminism by demonstrating its proximity to international avant-garde movements including surrealism, Dada, and futurism. Using case studies including the movement for a proletarian birth strike, the anti-Nazi pranks of Claude Cahun, and the theatre of Ina Cesaire, Richards shows that our understanding of early 20th-century women activists as stodgy and conservative is woefully inadequate. While some among the turn of the century feminist movement saw suffrage as the primary goal, others dreamed of revolution, decolonization, and a world where art was life and life was art. Richards also shows how these forgotten feminisms sharply depart from the liberal understandings of human rights taking shape alongside them. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance (Sense Publishers, 2015) (Sense Publishers, 2015), Telory Arendell creates a revolutionary fusion of disability studies and performance studies. Arendell touches on the work of autistic poet and librettist Christopher Knowles, portrayal of autism in film, and the use of theatre as a therapy for those on the autism spectrum. In so doing she overturns ableist assumptions about autistics' inability to connect with others or communicate effectively, showing how an autistic sensibility can actually be deeply attuned to theatrical modes of play and storytelling. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Judy Garland's Judy at Carnegie Hall (Bloomsbury Academic, 2020), Manuel Betancourt explores what makes Judy Garland's landmark album great, and why it holds such a central place in queer culture. A hit when released in 1961 (it was the first album by a woman ever to win the Grammy award for Best Album), Judy at Carnegie Hall quickly came to occupy a central place in the gay imaginary. And yet by 1967 characters in the play The Boys in the Band would mock Judy fandom as the height of outdated cliché. What accounts for Judy Garland's strange temporality, somehow always so ten years ago? Why is there such an intense association between Garland and nostalgia, and between Garland and nostalgia's twin, failure? Why can we accept Judy Garland as a comeback kid but not as a success? Betancourt's book explores these questions and more in a deep dive into the nature of queer fandom. Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture (University of North Carolina Press), Grace Elizabeth Hale tells the epic story of the Athens, Georgia music scene. Hale explains how a small college town hard to get to even from Atlanta gave rise to dozens of great bands. Some of them are household names like R.E.M. and The B-52's, but perhaps more interesting is the great music you might not know: the jittery dance-punk of Pylon, or the anguished, poetic songwriting of Vic Chesnutt. Hale also explores how these bands negotiated questions of race, class, sexuality, and authenticity. Cool Town shows how Athens, Georgia created a model of how you could “make it” without ever leaving your small town, and how a homegrown scene could feel like the biggest thing in the world. Grace Elizabeth Hale is the Commonwealth Professor of American Studies and History at the University of Virginia. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached atandyjamesboyd@gmail.com.

In Staged: Show Trials, Political Theater, and the Aesthetics of Judgment (Columbia University Press, 2020), Minou Arjomand provides a startling account of the many intersections between theatre and trials in Germany and the United States from the 1930s to the 1960s. Through case studies of Hannah Arendt, Bertolt Brecht, and Edwin Piscator, Arjomand explores the use of trials as a theatrical form, as well as what theatre theory might tell us about political justice. In doing so, Arjomand demonstrates that calling a trail theatrical is not a criticism but merely a starting point. In considering what type of justice is possible in a trial, we must ask what theatrical conventions are being used, and to what ends. Arjomand's book both allows us to see pivotal theatrical artists in a new light and poses profound questions about the nature of theatre itself. Andy Boyd  is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.· https://ouc.academia.edu/AvraSidiropoulou· http://persona.gr· www.creativeprocess.info

Avra Sidiropoulou is the author of two monographs Directions for Directing: Theatre and Method, published by Routledge, and Authoring Performance: The Director in Contemporary Theatre. She is an assistant professor at the MA Program in Theatre Studies at the Open University of Cyprus. She holds a PhD in Directing Theory, an MFA in Directing, MPhil in American Literature, and MA in Text & Performance. She is the Artistic Director of Athens-based Persona Theatre Company, for which she has directed work from a Classical and Contemporary repertory and lectured and conducted directing workshops in Greece, Cyprus, Turkey, the United States, UK, Japan, Israel, Bulgaria, Estonia, and Iran.
 · https://ouc.academia.edu/AvraSidiropoulou
· http://persona.gr
· www.creativeprocess.info

Alison Bechdel's graphic memoir 'Fun Home' on stage at the Young Vic in London reviewed by Jen Harvie from Queens Mary University of London, a novel inspired by Kathy Acker from Olivia Laing, Film historian and broadcaster Ian Christie on the 40th anniversary of Michael Cimino's film, 'The Deerhunter' and a new biography by Michèle Mendelssohn on Oscar Wilde's time in America. Mathew Sweet presents. Fun Home - which explores family, memory and sexuality, runs at the Young Vic in London from June 18th to September 1st 2018. Jen Harvie, Professor of Contemporary Theatre & Performance, at Queen Mary University of London Olivia Laing is the author of 'The Lonely City' and her new novel is called 'Crudo'. 'Making Oscar Wilde' by Michèle Mendelssohn is out now. 'The Deer Hunter' is in cinemas from July 4th.Producer: Fiona McLean

Joy Carlin, noted actor and director, in conversation with host Richard Wolinsky. A former member of ACT's acting company and interim Artistic Director at Berkeley Rep, Joy Carlin has a noted career as both actor and director. She currently directs George Bernard Shaw's first produced play, “Widowers' Houses” at Aurora Theatre Company in Berkeley. The play, which focuses on housing, slum lords, urban development and the gap between rich and poor, was written in 1895 and produced three years later, and began a long and lengthy career for Shaw, recognized today as one of the greatest playwrights in the English language. Joy Carlin has directed several plays for Aurora and A.C.T. and has acted in television and film along with theater, including a recent role in “Blue Jasmine.” Later this spring she will star in the play “Marjorie Prime” at Marin Theatre Company. Aurora Theatre website Joy Carlin's biography: Joy Carlin was born in Boston, grew up in Chicago, was graduated from the University of Chicago, attended Yale Drama School, and studied with Lee Strasberg in New York City.  An original member of Chicago's Playwrights' Theatre, she has appeared on Broadway with FROM THE SECOND CITY, in off-Broadway productions, with regional and summer theatres and in television and films.  From 1964-69 she was a lecturer and taught acting in the Drama Department at UC Berkeley.  Since 1969 she has been a leading actress, director and teacher with the American Conservatory Theater where she was an Associate Artistic Director from 1987 until 1992, heading up their Plays-in-Progress program (producing 5 new plays a season), and organizing community outreach activities. There she directed THE HOUSE OF BERNARDA ALBA, THE LADY'S NOT FOR BURNING, THE DOCTOR'S DILEMMA, GOLDEN BOY, MARCO MILLIONS, HAPGOOD and the premiere of Jane Anderson's FOOD AND SHELTER, and she performed many roles, winning seventeen Bay Area Critics Circle and L.A. Dramalogue Awards for both her acting and directing. From 1981-84 she was an Actor and Resident Director at the Berkeley Repertory Theatre and served as its Interim Artistic Director from January 1983 to August 1984. She is the recipient of the 1997 Bay Area Critics Circle Barbara Bladen Porter award for continued excellence in her career as actor and director. A few of her favorite roles have been Bananas in THE HOUSE OF BLUE LEAVES, Birdie in THE LITTLE FOXES, Mme. Ranevskaya in THE CHERRY ORCHARD, Emily Dickinson in THE BELLE OF AMHERST, Amanda in THE GLASS MENAGERIE, Enid in THE FLOATING LIGHTBULB, Lady Wishfort in THE WAY OF THE WORLD, Big Mama in CAT ON A HOT TIN ROOF, Addie in MISSING PERSONS and Mag Folan in THE BEAUTY QUEEN OF LEENANE. Ms. Carlin has served on many panels and advisory committees, among them the California Arts Council, Educational Theatre Association, Artists Alliance, Ashland's OSFA Artistic Director Search Committee, Regional Vice President of the Literary Managers and Dramaturgs of the Americas. She has also directed for The San Jose Repertory Theatre (PASSION PLAY, THE COUNTRY GIRL, DEATH OF A SALESMAN and THE SISTERS ROSENSWEIG), the Oregon Shakespeare Festival, A Contemporary Theatre in Seattle, the Berkeley Stage Company, the Pacific Jewish Theatre, The Aurora Theatre, THE San Francisco Playhouse, The Jewel Theatre of Santa Cruz and the Shanghai Youth Drama Troupe where she directed YOU CAN'T TAKE IT WITH YOU. Most recently she appeared in Woody Allen's film  BLUE JASMINE, directed WIDOWERS' HOUSES running at TheAurora Theatre and will appear as MARJORIE PRIME at MarinTheatre Co. in May. The post Interview: Joy Carlin, director, “Widowers' Houses” at Aurora appeared first on KPFA.