Podcasts about Michael Cimino

Et on parle aussi de Michael Cimino, William Friedkin, Jacques Prévert ou Antonioni. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Analizamos sin spoilers Motorheads, el nuevo drama adolescente de Amazon Prime Video con Michael Cimino y Ryan Phillippe, que combina carreras callejeras, misterios familiares y amistades improbables. Ya Disponible. Sinopsis: Motorheads explora el mundo de las carreras ilegales desde una óptica adolescente, con una estética heredera del cine clásico de acción estadounidense. En Ironwood, los coches no solo son una vía de escape o una competición: representan el legado, la identidad y las heridas no cerradas de toda una comunidad. Únete a nuestro chat de telegram en el que miles de personas hablamos cada dia de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Twitter: https://twitter.com/fueradeseries Facebook: https://twitter.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

We review the survival horror film starring Ella Rubin, Michael Cimino, and Odessa A'zion

Until Dawn (2025) Screams After Midnight, a horror movie podcast. Until Dawn is directed by David F. Sandberg and stars Ella Rubin, Michael Cimino, Odessa A'zion, Ji-young Yoo, Peter Stormare patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy email: mftvquestions@gmail.com Audio version: https://screams-after-midnight.pinecast.co/

Spoiler Free: 0:00 - 33:48Spoilers: 33:48 - 55:42In this episode we delve into Until Dawn (2025), the cinematic adaptation of Supermassive Games' interactive horror title. Directed by David F. Sandberg, the film introduces a new set of characters trapped in a deadly time loop, facing different horror scenarios each night. While the concept offers a fresh take on the source material, the execution has garnered mixed reactions.We discuss the film's attempt to blend various horror subgenres, from slasher to supernatural, and how this approach impacts the narrative cohesion. The ensemble cast, including Ella Rubin and Michael Cimino, delivers commendable performances, yet the character development often feels secondary to the film's stylistic choices. Join us as we dissect Until Dawn (2025), exploring its strengths and shortcomings, and discussing whether this adaptation successfully brings the game's terror to the big screen or gets lost in its own narrative loop.Follow Us on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannasMusic by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The Five Count recently had a chance to speak with actor Michael Cimino. Michael is best known for his role as "Victor Salazar" on the TV show Love, Victor. He's also appeared on TV shows like Hamster & Gretel, How I Met Your Father and Never Have I Ever. His new film Until Dawn is in theaters now! https://youtu.be/2b3vBaINZ7w?si=hT8AQPJiJaH4qor0

Every night a different nightmare.Until Dawn is a 2025 American survival horror film directed by David F. Sandberg from a screenplay and a story by Gary Dauberman and Blair Butler. It is derived from the 2015 video game published by PlayStation Studios, and is set in the same universe while featuring an original standalone story that expands upon the game's mythology.It stars Ella Rubin, Michael Cimino, Odessa A'zion, Ji-young Yoo, Belmont Cameli, and Peter Stormare, who reprises his role from the game.A group of friends trapped in a time loop, where mysterious foes chase and kill them in gruesome ways, must survive until dawn to escape it.00:00 Intro 13:15 Horror News 26:16 What We've Been Watching51:05 Film Review2:10:10 Name Game 2:16:43 Film Rating2:19:07 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Ash - https://x.com/ashmillmanAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Actor and voice actor Michael Cimino joins Frank Mackay on this episode of The Frank Mackay Show!

Text the Popcorn Pundits Podcast and let us know what you think! We'd love to hear from you.**

On this New Movie Monday we must survive Until Dawn. We discuss the idea of horror in a time loop, facing a greatest hits of horror monsters from slasher clown to a CPAP Witch and the murky ending of the film. Until Dawn is a Messed Up fun theater experience and instantly one of the best live action video game movies we've ever seen. Check out the film and enjoy this discussion.  Synopsis: A group of friends trapped in a time loop, where mysterious foes chase and kill them in gruesome ways, must survive until dawn to escape it. Starring: Ella Rubin, Michael Cimino, ODessa A'zion, Peter Stormare Directed by David F. Sandberg Join the Misfit Parade: https://www.misfitparade.com/ Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

On this episode, Matt & Eric review Until Dawn starring Ella Rubin, Michael Cimino, Odessa A'zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell and Peter Stormare.

On this episode of the podcast Phillip is joined by his friend Albert Roncal to discuss Michael Cimino's 1978 masterpiece, The Deer Hunter. They start the show by talking about the general information about the movie. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then they start talking about Robert De Niro, Christopher Walken, John Savage, Meryl Streep, and the G.O.A.T. John Cazale performances, and this great movie. It's a very fun discussion. It's then time for Phil's Film Favorite of the Week; The Naked Spur (1953) (4 stars). Then Albert gives his movie recommendation; Showdown in Little Tokyo (1991). Phillip then promotes next week's solo show that will be The Water Margin (1972). Thanks for listening.

This week we dive into the wild and intense Russian Roulette scene from Michael Cimino's debut film about a group of young men from Pennsylvania getting shipped to Vietnam and realizing that war is not everything they signed up for. Fascinating scene and conversation. Enjoy!

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This episode swings open some metaphorical and literal portals as we explore our Top 5 Gates in film and TV, take aim with the tense WWII drama Enemy at the Gates, and finish off with an animated sci-fi detour through Stargate Infinity.

Paul and Erin review new films from Bong Joon-ho, Steven Soderbergh and Errol Morris, plus a host of older titles featuring the likes of Clint Eastwood, Jeff Bridges, Gene Tierney, and Jackie Chan.

This week's pick was made supporter Dylan, who's previous picks have ranged from the gritty realism of Training Day to the surreal comedy The Big Lebowski. And this pick is going back to 1978 on on the serious side of the scale with, The Deer Hunter.The Deer Hunter was an ambitious and challenging endeavor, driven by director Michael Cimino's meticulous vision. Initially conceived as a smaller war film, the project expanded dramatically as Cimino rewrote the script, emphasizing the emotional and psychological toll of war. The film's harrowing Russian roulette sequences, which became its most infamous hallmark, were not based on historical accounts but rather intended as a metaphor for the randomness and brutality of war. The production faced difficulties from the start, with Cimino's insistence on authenticity leading to grueling shoots in both the U.S. and Thailand, where the Vietnam War sequences were filmed. The cast, led by Robert De Niro, Christopher Walken, and John Savage, underwent intense training to embody their roles convincingly, even immersing themselves in the culture of steelworkers in Pennsylvania before filming.The film's Thailand shoot was particularly grueling, with cast and crew working under extreme conditions to capture the harrowing war sequences. Controversy also surrounded the film's depiction of the Vietnam War, with critics arguing that its portrayal of the Viet Cong was one-sided and sensationalized. Additionally, Cimino's perfectionism led to a chaotic production schedule, frequently going over budget and over time. However, despite these challenges, The Deer Hunter became a landmark film, earning widespread critical acclaim and winning five Academy Awards, including Best Picture and Best Director for Cimino. The film's haunting themes, striking cinematography, and raw performances solidified its place as one of the greatest war films ever made, though its troubled production foreshadowed the excesses that would later plague Cimino's career.If you enjoy the show we have a Patreon, so become a supporter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Trailer Guy Plot SummaryIn a world where friendship is forged in steel and tested by war… three men embark on a journey that will change them forever. From the quiet streets of a Pennsylvania mill town to the unforgiving jungles of Vietnam, they will face horrors beyond imagination. Captured. Tortured. Forced to play a deadly game where the stakes are their own lives. As they return home, shattered and haunted, one man will risk everything for the brother he left behind. Starring Robert De Niro, Christopher Walken, and Meryl Streep—this is The Deer Hunter. A story of survival, sacrifice, and the unbreakable bonds of friendship.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

The Worthy Boys are trading their tuxedos for camouflage as we break down one of the most harrowing Best Picture winners—The Deer Hunter! Directed by Michael Cimino and starring Robert De Niro, Christopher Walken, and Meryl Streep, The Deer Hunter is a haunting exploration of war's psychological toll. From the steel mills of Pennsylvania to the horrors of Vietnam, the film delivers gut-wrenching realism and unforgettable performances. Its infamous Russian roulette sequences remain some of the most intense moments in cinematic history, symbolizing both the chaos of war and its devastating effects. At the 51st Academy Awards, The Deer Hunter won five Oscars, including Best Picture, Best Director, and Best Supporting Actor for Christopher Walken. But its win wasn't without controversy—some hailed it as a masterpiece, while others criticized its depiction of the Vietnam War. So, is The Deer Hunter one of the greatest war films ever made? Or is it too emotionally punishing to revisit? Let us know your thoughts!

Controversial, brutal, long... sexy? Let's find out on this week's episode where the fellas talk about Michael Cimino's The Deer Hunter. Brendan and Jason talk all about the controversial Russian Roulette scenes, Meryl Streep wrangling an Oscar nomination out of a paper-thin role, the struggle to get John Cazale in the film, the wedding scene that seemed to bore most people... does it hold up better today? All this and more in this week's show! Next week: We hate-drich! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) The Deer Hunter stars Robert DeNiro, Christopher Walken, Meryl Streep, John Savage, George Dzundza, Chuck Aspegren and John Cazale; directed by Michael Cimino. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final part of a trilogy of episodes featuring regular guest Farages Fucked Face, Jack, Geraint and FFF review Michael Cimino's 1985 crime drama YEAR OF THE DRAGON, a film about how the Chinese invented the concept of the mafia a thousand years ago and have been perfecting it ever since, starring Mickey Rourke as the aptly named Captain Stanley WHITE - or, alternately, Agent Jack Decker - on a one-man crusade against the Chinese peril.

The much-ballyhooed "CHINA CUT" of our most recent episode. ORIGINAL EPISODE DESCRIPTION: In the final part of a trilogy of episodes featuring regular guest Farages Fucked Face, Jack, Geraint and FFF review Michael Cimino's 1985 crime drama YEAR OF THE DRAGON, a film about how the Chinese invented the concept of the mafia a thousand years ago and have been perfecting it ever since, starring Mickey Rourke as the aptly named Captain Stanley WHITE - or, alternately, Agent Jack Decker - on a one-man crusade against the Chinese peril. FULL EPISODE: https://soundcloud.com/reelpolitikpodcast/episode-321-year-of-the-dragon / https://www.patreon.com/posts/episode-321-year-121053719

SUBSCRIBE AT PATREON.COM/REELPOLITIK AND HEAR THE FULL BONUS EPISODE HERE: https://www.patreon.com/posts/rp321-extra-deep-121057412 Whilst our potted run through Mickey Rourke's "imperial phase" appeared in the main Year of the Dragon episode, I thought it would be a tighter episode if these discussions of Rourke's more variable-in-quality later work, as well as Michael Cimino's tragically brief filmography, came out as their own thing. This bonus episode also features another classic RP Skype screen-share moment as FFF shows Geraint and I a clip from a movie where Matthew Perry teaches some inner-city kids about America's early presidents through the medium of rap music (I, in turn, recommend Bulworth to him, following my earlier recommendation of Cimino's Clint Eastwood-starring directorial debut Thunderbolt & Lightfoot). - JFR

Welcome to the jungle and welcome to the ‘70's. This week on HOAP we're going best picture hunting with the 1978 classic The Deer Hunter. Andrew opens the show talking about Michael Cimino, the film's director, and his dubious war record, while Dave tells us about the difficulties of filming during a military coup. The guys debate the need for historical accuracy on screen, the central metaphor of Russian roulette in the film, and the significance of the ending.

 Quando dirige il suo primo film, ha già vissuto mille vite. È stato apprendista di alcuni dei più grandi registi, da Federico Fellini a Michael Cimino. Ha lavorato in teatro e scritto libri. Il suo obiettivo è sempre stato uno: raccontare storie. In quest'intervista a Malcom Pagani, il regista Roberto Andò ricorda l'infanzia e l'adolescenza in Sicilia, ripercorrendo i passi della sua carriera, da quando, per caso, si è trovato sul set con Vittorio De Sica fino al suo ultimo film “L'abbaglio”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Demandez à n'importe quel Belge quel reste l'évènement récent qui a le plus marqué le pays, il y aura de fortes chances pour qu'il réponde l'affaire Dutroux. Du nom de celui qui enleva et séquestra une dizaine d'enfants dans les années 90, en assassinant certains. Un cas resté un traumatisme national, notamment dans les errements de son enquête, ayant révélé un système policier et judiciaire défaillant, puis mené à sa profonde réforme. Quasiment trente ans plus tard, Fabrice Du Welz rouvre cette plaie, autour de l'enquête d'un jeune gendarme sur la disparition de deux gamines, qui va virer à l'obsession. Au-delà de cette traque, Le Dossier Maldoror est un récit étonnamment intime de la dévoration d'un idéaliste, à l'âme rongée par sa quête. De Calvaire à Inexorable, Du Welz a souvent filmé des personnages borderlines, mais prend ici de l'ampleur pour ausculter ce qui est devenue une névrose collective. Le Dossier Maldoror sera donc une saga qui se déploie autour d'une société, racontant, bien plus que l'affaire Dutroux, une identité belge, de la solidarité de plusieurs générations d'immigrés à la honte de n'avoir pas pu voir ce qui se tramait dans les maisons d'à côté, ou aux vestiges d'une ville comme Charleroi, un temps parmi les plus riches du pays, désormais dévastée par la précarité. Le Dossier Maldoror déborde alors brillamment du cadre prévu, quittant les rives des grands films somatiques d'enquête (comme Zodiac, repère ici clairement assumé), pour aller ailleurs. Par exemple le temps d'une extraordinaire scène de mariage, ou d'autres scènes immersives qui se rapprochent du travail de sédimentation d'un Michael Cimino, en prenant le temps de raconter comment un tel fait divers contamine une population entière. Voire, par la galerie de protagonistes directement liés à Dutroux, devenir une perturbante étude du Mal ordinaire et de sa complexité. Elle est confirmée par le titre du film - dans la réalité, l'opération policière avait pour nom Othello - citation des Chants de Maldoror, texte du poète surréaliste Lautréamont où l'on pouvait lire le résumé le plus évident du fond de ce film cherchant ce qu'il peut rester de lumière dans la plus grande des noirceurs : "il est beau de contempler les ruines des cités ; mais, il est plus beau de contempler les ruines des humains !"Dans Babygirl, c'est Nicole Kidman qui se retrouve en ruines. Ou du moins son personnage de PDGère d'une boite de new tech de plus en plus troublée par un stagiaire qui l'initie à des jeux sexuels autour de rapports de domination. Annoncé comme une intrigante version cérébrale de thriller érotique, Babygirl est plus émoustillant dans ce qu'il cache derrière sa culotte : une vision au scalpel d'un monde contemporain où le capitalisme et ses enjeux de pouvoir seraient devenus une forme de frigidité ayant pris le dessus sur les corps. Cette veine politique palpite malheureusement moins qu'une intrigue planplan de trahison conjugale, quand ce n'est pas le frein à main qui est mis sur tout ce qui touche aux pulsions SM pour s'aseptiser autour d'un propos basique sur les valeurs du consentement. Plus intéressante, la performance de Kidman, en patronne et épouse découvrant que se laisser submerger par ses désirs est plus épanouissant que d'être en permanence dans le contrôle. Une piste intrigante qui s'évanouit toutefois quand Babygirl tend toujours plus vers un remake inversé (cette fois-ci c'est l'épouse qui s'aventure dans la transgression), y compris donc dans le casting de Kidman, d'Eyes Wide Shut, pour arriver à la même conclusion ultra-conservatrice d'un retour au foyer et d'une mise sous le tapis de tout ce qui pourrait déranger la norme conjugale.Le Dossier Maldoror / Babygirl. En salles le 15 janvier

For the first podcast of 2025, Marty and Scott study the unorthodox filmography of John Cazale, who starred in FIVE Best Picture-nominated films in the 1970s... and that's it.Your listening options are twofold: play straight through, or hop around:The Godfather (1972, Dir. Francis Ford Coppola) at 2:20The Godfather Part II (1974, Dir. Francis Ford Coppola) at 17:17Dog Day Afternoon (1975, Dir. Sidney Lumet) at 29:40The Deer Hunter (1978, Dir. Michael Cimino) at 42:00Continuity Boulevard at 56:54Lightning Round at 1:22:45NOTE: Cazale's fifth Best Picture-nominated film was The Conversation, about which we conversed in Episode 52, our Gene Hackman ep!Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Happy new year from the Reel Politik podcast and all RP Corp affiliates and subsidiaries. In this bit of stream audio from a couple of days ago, RP's Jack Frayne-Reid and Top Rope Deep Dive co-hosts Farages Fucked Face and @MarkedAsRed discuss, in no particular order: the Jekyll/Hyde dynamic of Elon and Adrian Dittmann, the music of Steven Seagal, the anti-Chinese cinematic genius of Michael Cimino's Year Of The Dragon, our attempts to game the YouTube algorithm by slagging off Thom Yorke, fatal wanking accidents, and why Joker 2 is better than "The Batman". We also break the news of Jimmy Carter's death, before any other media outlet did so. FOR ANOTHER 40 MINS FROM THIS CONVO, WHERE WE GET REAL ABOUT ISRAEL, SUBSCRIBE OVER AT PATREON.COM/REELPOLITIK

POST FACE, émission présentée par Caroline Gutmann Elle reçoit Bruno Corty pour son "Dictionnaire amoureux de la littérature américaine" aux éditions Plon. À propos du livre : « Dictionnaire amoureux de la littérature américaine » paru aux éditions Plon Bruno Corty est passionné par la littérature américaine depuis l'adolescence. Après avoir rencontré nombre de ses auteurs, il nous livre son abécédaire amoureux, un voyage dans le temps et l'espace, un hommage à celles et ceux qui l'ont fait rêver, qui l'ont bousculé et bouleversé. Il était une fois l'Amérique. Dès l'enfance, Bruno Corty a plongé dans ses espaces infinis, marché avec Thoreau, descendu le Mississippi avec Mark Twain, pris la mer avec Jack London et Herman Melville, tremblé avec Edgar Allan Poe. Pendant ses études, il s'est passionné pour les romans de Dos Passos, Faulkner, Fitzgerald, Hemingway. Devenu journaliste littéraire à la fin des années 80, il a découvert, sur les conseils d'amis éditeurs, les littératures de genre, du fantastique au polar. Il a eu la chance de rencontrer beaucoup d'auteurs : Norman Mailer, John Irving, James Ellroy, Don DeLillo, Russell Banks, Paul Auster, Richard Ford, Jim Harrison, James Salter, Stephen King... Son Amérique à lui raconte la Génération perdue, la Deuxième Guerre mondiale, la Chasse aux sorcières, la Beat Generation, les années Kennedy et Marilyn, le Nouveau Journalisme, le Viêt-Nam, Dylan prix Nobel. C'est New York et Los Angeles, San Francisco et la Louisiane, Jim Morrison et Patti Smith, Elia Kazan et Michael Cimino, des chanteurs, des poètes, des cinéastes devenus écrivains. La littérature américaine a deux siècles. C'est peu et c'est gigantesque au regard du nombre de ses chefs d'œuvres : de Moby Dick à Sanctuaire, de La Lettre écarlate à L'Attrape-cœurs, de Gatsby le magnifique au Dahlia noir, de Manhattan Transfer à L'Adieu aux armes. Bruno Corty, rédacteur en chef du Figaro littéraire, nourrit depuis toujours une passion pour la littérature américaine. Il a logiquement publié des textes sur les deux monstres que sont James Ellroy et Bret Easton Ellis. Il a également participé au manifeste L'aventure, pour quoi faire ?

In all the annals of Hollywood flops, Heaven's Gate stands tall. Michael Cimino's follow-up to The Deep Hunter, a film beloved by seemingly everyone other than Jane Fonda at the time, it bankrupted its studio and became a byword for commercial failure. But what if we told you... it was good? Admittedly you might not be as surprised as people once were. Since its 1980 release, Heaven's Gate has been restored and reassessed, and now Graham and Mark are teaming up to give it a few more flowers. We also pay tribute to its star, the late, lamented Kris Kristofferson, a man who practically exemplifies the concept of a solid dude. From a film about hate comes an episode about love. It's gettin' dangerous to be poor in this country, but if you've got the money to spare we'd love to get your support over on Patreon. We're just about to launch our review of the original Twilight Zone, to add to our ongoing written series about Red Dwarf, The X-Files and classic Asian genre cinema. All this plus our end-of-month round-up podcast Last Night... - follow us at Facebook, Instagram and Twitter to find out more.

Today for the Film Buff Podcast is Michael Cimino's last film Sunchaser the 1996 film starring Woody Harrelson and Jon Seda.

Today for the Film Buff Podcast is Michael Cimino's last film Sunchaser the 1996 film starring Woody Harrelson and Jon Seda.

On avait presque peur que Juré n°2 le dernier film de Clint Eastwood soit mauvais tant son studio l'a maltraité à domicile...Il n'en est évidemment rien.On en profite pour causer aussi de Music by John Williams de Laurent Bouzereau histoire de conjurer le mauvais sort qui pourrait s'abattre sur ces fringants jeunes hommes à qui l'on doit tant...A vos agendas !La prochaine séance MONUMENTAL au Cinéma Arvor sera consacrée à La Porte du Paradis deMichael Cimino.Le prochain Film du Dimanche Soir sera exceptionnel à plus d'un titre puisqu'il s'agira d'une totale exclusivité : A l'Origine de la Classe de Romain Mullard, documentaire consacré au Grand Détournement : La Classe américaine de Michel Hazanavicius et Dominique Mézerette que l'on regardera aussi tous ensemble pour l'occasion, pourquoi s'en priver.

Hello ! Dans cet épisode 5 de la saison 16 nos chroniqueurs partageront leur coups de coeur du moment, malgré la distance, les examens de mi-semestre et la fatigue automnale. En dessert vous pourriez déguster : Voyage au bout de l'enfer de Michael Cimino, présenté par Juliette & Arthur Les Belles cicatrices de Raphaël Jouzeau, présenté par Loane Terrifier 3 de Damien Leone, adoré par Julien Demoiselles de Rochefort de Jacques Demy, concocté par Dasha Nous espérons que vous allez savourer cet épisode !

Fred e Alexandre recebem Fábio Rockenbach (Curso "A Experiência do Cinema") e a estreante no PFC, Renata Teófilo (uma de nossas fiéis ouvintes), para debater um dos filmes mais controversos da história do cinema americano.  Acusado de ser o responsável por quase falir a lendária United Artists, execrado pela maioria dos críticos como "lixo fílmico", o épico de Michael Cimino sobre um dos aspectos mais sórdidos da formação dos Estados Unidos, "O Portal do Paraíso" (Heaven's Gate, 1980) é na verdade um excelente filme, que sofreu por conta de problemas da produção e por ter sido usado por alguns para esvaziar o poder de diretores que faziam sucesso na indústria nos anos 70.  Aos poucos, com a restauração e relançamento do filme, ele vem sendo redescoberto como um clássico genuíno do cinema de Hollywood. ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, I talk with author and novelist about his recent hybrid memoir and cultural exploration, Always Crashing in the Same Car. We discuss his fascination with figures who faced creative crises in Hollywood, from F. Scott Fitzgerald, filmmaker Hal Ashby or musician Warren Zevon to more overlooked but similarly brilliant figures like Carole Eastman, the screenwriter of the 1970s classic Five Easy Pieces.We also explore the realities of growing up in LA, including being “celebrity-adjacent.” That's perhaps best illustrated by the time Marlon Brando left an incredible monologue in the form of a voicemail. We do a deep dive into the attraction of hybrid memoir for fiction writer, Matthew's approach to research, and whether it's possible any longer to be a middle-class creative in Hollywood.--------------------------“All of those kind of impulses fused in me, and eventually, and I sort of realized, like, oh, this is what I want to write. I want to write a book that's a memoir that isn't about me, or a memoir that's only kind of, you know, partly about me.”--------------------------Key Takeaways* Always Crashing In the Same Car pays homage to figures who've faced both genius and marginalization in Hollywood, including Thomas McGuane, Renata Adler, Carole Eastman, Eleanor Perry, Hal Ashby, Michael Cimino, Warren Zevon & more. The book is about “those who failed, faltered, and whose triumphs are punctuated by flops...”* Matthew shares his fascination with Carol Eastman, best known for Five Easy Pieces. He was deeply touched by her prose writings, comparing her to poets like Hart Crane and Wallace Stevens.* The book and the interview also delves more deeply into women's contributions to Hollywood, focusing on other overlooked talents like Eleanor Perry and Elaine May. Matthew reflects on his mother, a one-time screenwriter, and how her generation had less opportunity to develop their skills.* Why a hybrid memoir? Matthew was reading, and inspired by, writers like Hilton Als, Heidi Julavits, and Olivia Laing. He wanted to create a narrative that wasn't limited to—or rather moved beyond—the self, weaving together cultural criticism about Hollywood and creative crises.* We talk a lot about voice, which Matthew says is crucial for him to discover early on. “Once I can locate the voice for any piece of writing... I have it in the pocket,” he says. The narrator of this book blends personal reflections with a noir quality, he says.* Matthew sees himself as a novelist at heart. He considers the narrative tools of a novelist indispensable, even when writing memoirs and cultural critiques: “I am fundamentally a novelist….I think that's part of being a fiction writer or novelist is, you know, anything that you write is a kind of criticism in code. You're always responding to other texts.”* Matthew begins by explaining his unique research style: "I'm kind of ravenous and a little deranged about it…” His research process involves intuitive dives, like a two-day blitz through Carol Eastman's archives.* The discussion also touched on Matthew's upbringing with a mom who was a one-time screenwriter and who crossed the picket line during one writer's strike, and his father, who had modest beginnings but went on to become a famous Hollywood “superagent” representing Marlon Brando, Morgan Freeman, Helen Mirren & many others.* At the same time, Matthew explores misconceptions around Hollywood glitz, addressing the middle-class reality of many involved in the film industry. For a long-time, Hollywood could support such middle-class creatives, Matthew contends, something that is no longer really possible.* Addressing the evolution of the entertainment industry, Matthew notes the shift towards debt servicing, influenced by corporate acquisitions. This financial pragmatism often overrides the creative impulse, squeezing the middle class out.* Another takeaway? The creative world, especially in Hollywood, is fraught with periods of drift and struggle. In one sense, Always Crashing In the Same Car is a love letter to that state of things.--------------------------"I still kind of think of [Always Crashing…] as being secretly a novel. Not because it's full of made up s**t…but because I think sometimes our idea of what a novel is is pretty limited. You know, there's no reason why a novel can't be, like, 98% fact."--------------------------About Matthew SpecktorMatthew Specktor's books include the novels That Summertime Sound and American Dream Machine, which was long-listed for the Folio Prize; the memoir-in-criticism Always Crashing in The Same Car: On Art, Crisis, and Los Angeles, California, and The Golden Hour, forthcoming from Ecco Press. Born in Los Angeles, he received his MFA in Creative Writing from Warren Wilson College in 2009. His writing has appeared in the New York Times, GQ, The Paris Review, Tin House, Black Clock, and numerous other periodicals and anthologies. He is a founding editor of the Los Angles Review of Books.Resources:Books by Matthew Specktor:* Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California* American Dream Machine* That Summertime Sound* Slow Days, Fast Company by Eve Babitz, introduction by Matthew SpecktorReferenced on this episode:* The Women, by Hilton Als* Low, by David Bowie* The Great Gatsby, This Side of Paradise, The Last Tycoon, The Pat Hobby Stories, and The Crack-Up, by F. Scott Fitzgerald* F. Scott Fitzgerald on Writing, edited by Larry W. Phillips* The Folded Clock: A Diary, by Heidi Julavits* The Lonely City, by Olivia Laing* 300 Arguments, by Sarah Manguso* “Bombast: Carole Eastman,” by Nick Pinkerton* “The Life and Death of Hollywood,” by Daniel Bessner, Harper's, May 2024.CreditsThis episode was produced by Magpie Audio Productions. Theme music  is "The Stone Mansion" by BlueDot Productions. Get full access to The Book I Want to Write at bookiwanttowrite.substack.com/subscribe

Send us a Text Message.Why talk about good films when we could talk about spectacularly bad ones? This week we discuss four infamous films that left their directors and studios in financial and/or reputational ruin. On the chopping block is Francis Ford Coppola's One From The Heart, Michael Cimino's Heaven's Gate, Elaine May's Ishtar and, of course, Tom Hooper's Cats. Enjoy.ReferencesHulk Smash's takedown of Tom HooperSteven Soderbergh's Butcher's Cut of Heaven's Gate-----------If you love what we do, please like, subscribe and leave a review!Original music by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

Our 80s Cult Movies lap continues with one of three big movies about dance from the decade, and in this one, dance is banned! (It's Footloose.) We're joined by Brian "Late Night" Rodriguez (making a rare [?] "in front of the paywall" appearance), who bares his soul about High School Slumber Party and share's his self-proclaimed "sordid history" with this movie. We talk about Michael Cimino's idea for the film (before he was fired), compare this to Dirty Dancing and Flashdance, and talk about how Footloose is reminiscent of both Tokyo Drift and a Keanu Reeves hidden gem. We discuss what, exactly, is banned in this town, the wildest scene in the movie, and the best car-to-car transitions in the Fastiverse. Brian casts us as Sex and the City characters, for some reason. We wonder: does Tom Cruise go to weddings? Email us: family@cageclub.me Visit our Patreon page at patreon.com/2fast2forever.  Show your support at the 2 Fast 2 Forever shop! Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above! Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

Many great films came out in 1978 ... several because  Hollywood began to tell stories of what soldiers experienced both during the Vietnam war that had just ended a few years before, and also how they dealt with coming home.   The Deer Hunter was one of those films.  Director and screenwriter Michael Cimino created a layered, powerful, and very raw film about three men dealing with this situation.  The performances are incredible and it's incredible technically. However, looking back, did The Deer Hunter deserve the Oscar for Best Picture? Listen to film critic Jack Ferdman's take on it as he analyzes everything about The Deer Hunter as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 1978 to.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, InstagramShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Tags: OscarsAcademy AwardsBest PicturewinnermoviesfilmreviewRewatching Oscarpodcast

Cinnabar by Estée Lauder (1978) + Rising Sun by Michael Crichton (1992) + Philip Kaufman's Rising Sun (1993) + Michael Cimino's Year of the Dragon (1985) + Ridley Scott's Black Rain (1989) with Glen and Psi of Rare Candy  6/26/24 S6E42 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

Following praise for the cult underground filmmaker Michael Cimino, we continue this week with a focus on three films of his that share themes on the American social class system.   Is Heaven's Gate known mainly for the behind the scenes drama or have viewers actually witnessed it? Is Year of the Dragon Cimino's movie or does Oliver Stone scripting make it only partially his voice? Is the Desperate Hours remake still worth seeing despite the tonal inconsistencies?   And more praise, critiques and revisiting on another man who in a better world could've been the next Francis Ford Coppola!                           MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

The third week of June, we decide to spend that week doing tributes to varioius underrated entertainers both in-person & from afar!   First on the docket, I welcome filmbuff Joe Vestano on to discuss the once-popular turned (wrongfully) infamous filmmaker Michael Cimino (The Deer Hunter, Year of the Dragon, Heaven's Gate) and why the man's ego crippled him down the road despite many of his later films getting a real unfair treatment from critics.                         MAIN LINKS:  LinkTree: ⁠https://linktr.ee/JURSPodcast⁠ Facebook Page: ⁠https://www.facebook.com/JackedUpReviewShow/⁠ Facebook Group: ⁠https://www.facebook.com/groups/2452329545040913⁠ Twitter:⁠ https://twitter.com/JackedUpReview ⁠ Instagram: ⁠https://www.instagram.com/jacked_up_podcast/ ⁠ Blind Knowledge Podcast Network: ⁠https://www.blindknowledge.com/⁠       SHOW LINKS: YouTube: ⁠https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ⁠   iHeartRadio: ⁠https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/⁠   Podbean: ⁠https://jackedupreviewshow.podbean.com⁠   Spotify: ⁠https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M⁠   Apple Podcasts: ⁠https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218⁠   RadioPublic: ⁠https://radiopublic.com/the-jacked-up-review-show-We4VjE⁠   Overcast: ⁠https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast⁠   Google Podcasts: ⁠https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz⁠   Anchor:  ⁠https://anchor.fm/s/a46297c/podcast/rss⁠   PocketCasts: ⁠https://pca.st/0ncd5qp4⁠   CastBox:  ⁠https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222⁠   Discord:  ⁠https://discord.com/channels/796154005914779678/796154006358851586⁠         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

n this episode of Geek Freaks News, we dive into the exciting announcement from Screen Gems and PlayStation Productions about the upcoming film adaptation of the popular horror game "Until Dawn." Join us as we reveal the first wave of cast members, including Ella Rubin, Michael Cimino, Ji-young Yoo, and Odessa A'zion. We'll also discuss the involvement of director David F. Sandberg and what fans can expect from this thrilling adaptation. Stay tuned for more updates and in-depth analysis! Don't forget to like, comment, and subscribe for more geeky content and updates! Follow us on: Facebook: https://www.facebook.com/thegeekfreakspodcast Threads: https://www.threads.net/@geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Listen to our podcasts: Geek Freaks Podcast Geek Freaks Interview Challenge Accepted Visit our blog for more news: https://geekfreakspodcast.com Until Dawn, Until Dawn movie, Until Dawn film adaptation, Screen Gems, PlayStation Productions, Ella Rubin, Michael Cimino, Ji-young Yoo, Odessa A'zion, David F. Sandberg, horror game, Supermassive Games, Geek Freaks News, horror movie, game adaptation #UntilDawn #GeekFreaks #HorrorMovie TagsHashtags

Will, Mike, and Adam watched Michael Cimino's YEAR OF THE DRAGON (1985) and died of yellow fever. IMDb: https://www.imdb.com/title/tt0090350/ Trailer: https://www.youtube.com/watch?v=2M_XyRwSR70

This week Mike & Jeremy talk about some of the stuff they've been watching and listening to and for the main discussion we review Michael Cimino's Desperate Hours from 1990 starring Mickey Rourke, Anthony Hopkins, Mimi Rodgers, Kelly Lynch, Elias Koteas, David Morse, Shawnee Smith, Gerry Bamman, Dean Norris, Michael Nussbaum and Danny Gerard. Thanks for checkin us out, you can find our back catalog on Podbean.com Intro Track "Suite" conducted and composed by David Mansfield https://youtu.be/BNSaBNpE3_4?si=jaoyVbaTE70aClJN Outro Track "Point & Click" By Tomahawk https://youtu.be/eYHAzclqArc?si=BJ6SKZPMKX_zE7lo  

To wrap up their cycle on "Unique Best Picture Winners," Julian, Emilio, and Madeline take a deep dive into the life and work of the great actor John Cazale. Best known as Fredo Corleone in "The Godfather" Parts I and II, Cazale appeared in only five feature films in the 1970s before his untimely passing. However, all five of those films became iconic, both in and beyond his lifetime, and made Cazale a mainstay of the Best Picture Oscar category in the process. On top of the first two "Godfather" films, Cazale also starred in Francis Ford Coppola's "The Conversation" (1974), Sidney Lumet's "Dog Day Afternoon" (1975), and made his final appearance in Michael Cimino's "The Deer Hunter" (1978). The trio touch on all five films, focusing in depth on three of them, to appreciate the immense quality of Cazale's acting in the limited quantity of his career, and make external connections and speculations of what Cazale may have gone on to do had he lived longer.      If you enjoy our podcast, please consider writing us a positive review on your podcast platform of choice. It really helps us be shared and enjoyed by others!Follow us on IG and TikTok! @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.com!On Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats 

The Meddling Kids tried to have a nice relaxing weekend and went deer hunting with a few friends. Little did they know what they signed up for. When three best friends go to fight in the Vietnam War, they soon learn the horrors of war. How can they go back to the lives they knew before? The Deer Hunter, directed by Michael Cimino, is a war drama for the ages. Hang with your pals, the 2 Meddling Kids, as they discuss their thoughts during this Oscar season. Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/kidcut/jazz-and-hop License code: KKLNP8RUTB8LQNBT

CW: This episode discusses cinematic sexual violence and racist themes. The film critic and author Adam Nayman returns to the show for a deep dive into Michael Cimino's 1985 pulp crime thriller Year of the Dragon, starring Mickey Rourke, John Lone and introducing the fashion model Ariane Koizumi as the female lead.  Year of the Dragon was Cimino's attempt to reassert himself as an important (and commercially viable) American filmmaker after his post-Deer Hunter fall from grace in the wake of the disastrous Heaven's Gate. Rourke plays Captain Stanley White, a highly-decorated Polish-American cop (and Vietnam veteran) transferred to New York's Chinatown precinct who pursues an increasingly unhinged personal war against the young and ambitious new leader of the Triads, Joey Tai (Lone), using an ambitious Asian news reporter to do it, leading to an escalating bloodbath. MGM/UA had to add a disclaimer to the film after the release in the wake of protests and legal threats from the Chinese-American community set off by the rabble-rousing screenplay by Cimino and Oliver Stone (on the precipice of his own directing career) Adam and I discuss Year of the Dragon as a Problematic Fave: an insanely detailed example of screen artifice (including a hyper-realistic fake New York Chinatown built at Dino DeLaurentiis' studio lot in North Carolina that even fooled Stanley Kubrick) with movie star performances and spectacular filmmaking clashing against chaotic emotional (and racist) outbursts and WTF moments that mark this film as a secret highlight of eighties American cinema, influential not only on Kubrick but also Quentin Tarantino, Wes Anderson and Michael Mann. They don't make ‘em like this anymore! Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly please subscribe at ⁠⁠⁠⁠⁠https://www.patreon.com/junkfilter Follow Adam Nayman on Twitter. Enthusiastic program note for Year of the Dragon from the New Beverly Cinema's blog, by Ariel Schudson, August 2016 Roger Ebert's tv review of Year of the Dragon, August 1985 American Year of the Dragon trailer #2 Japanese Year of the Dragon trailer Italian Year of the Dragon trailer

Today, Corbin and Ellis talk about HEAVEN'S GATE, Michael Cimino's mondo flop about the economics of cattle farming and a romance between a country singer and The Piano Teacher. The Cattle Economics stuff works better.  Ellis and I watched the long version of this movie, which is available on DVD and streaming services. To the best of my knowledge, it is the superior version. Next week's episode is about Alfie Hitchie's "THE BIRDS," which can be seen on Criterion for ten or so more days. 

Paul and Drew delve into Michael Cimino's "Thunderfoot & Lightfoot", starring Clint Eastwood, Jeff Bridges, George Kennedy, and Geoffrey Lewis.WHERE CAN WE WATCH: Amazon PrimeDIRECTED BY: Michael Cimino (The Deer Hunter, Heaven's Gate)WRITTEN BY: Michael CiminoSTARS: Clint Eastwood, Jeff Bridges, George KennedyPREMISE: With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organize a daring new heist.IMDB RATING: 7.0BOX OFFICE: Budget: $2.2 Mil, Gross: $21.7 Million#aaactionpodcast #movieclassics #film #movie #moviereview #thekilling #stanleykubrick #moviepodcast #paulsoldassmovieclassics #thunderboltandlightfoot #clinteastwood #jeffbridges #heist #heistmovies 

durée : 00:54:30 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires Sensibles, La Porte du Paradis de Michael Cimino ou la fin des illusions de Hollywood.

Rivka and Frank are joined by Matthew Donovan — founder of The Future Left and co-host of the Neoliberal Hell podcast — to discuss Michael Cimino's epic  1980 Western Heaven's Gate. They discuss the film's depiction of law enforcement aligning itself with property owners in order to violently eradicate the immigrant underclass, the dichotomy of the class traitor vs. the class apologist, and the film's infamous production.