Podcast appearances and mentions of jennifer hodgson

In The Future of Songwriting, lead singer with Throwing Muses, solo artist and songwriter Kristin Hersh reflects on the status and future of her chosen genre over a long, hot Christmas in Australia. In a series of conversations, encounters and philosophical dialogues Hersh delivers a fierce, funny and existential meditation on the art of the song - and its future. She was joined at the Bookshop by writer and critic Jennifer Hodgson.Get the book: https://lrb.me/kristinhershpodFind more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Lara Pawson discusses her new book Spent Light with Jennifer Hodgson.Find out more about London Review Bookshop events: www.londonreviewbookshop.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

M. John Harrison has produced one of the greatest bodies of fiction of any living British author, encompassing space opera, speculative fiction, fantasy, magical and literary realism. Wish I Was Here is his first work of memoir – an ‘anti-memoir' – written in his mid-seventies with aphoristic daring and trademark originality and style, fresh after winning the Goldsmiths Prize in 2020 for The Sunken Land Begins to Rise Again. Harrison was joined in conversation with writer and critic Jennifer Hodgson.Find more events at the Bookshop: lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Kate Briggs in conversation with Jennifer Hodgson: Writer and translator Kate Briggs, author of This Little Art and The Long Form, speaks to Jennifer Hodgson, writer, critic and editor of Ann Quin's The Unmapped Country, about her work, touching on the generative potential of translation, the possibilities and constraints of third-person narration and the novel as a collective production. Recorded at Young Space in April 2023. Edited by Frankie Wells. Music composed by Kwes Darko.

All of us have experienced grief in one way or another or will at some point. What is it? What can cause it and what are ways to work with it?Behavioral Health Therapist Jennifer Hodgson jumps on to the podcast to answer some of these questions and explain how you may be experiencing grief and might not even know that is what you are feeling.To learn more about Jen, follow this link to her webpage: https://nlccwi.org/providers/jennifer-hodgson-m-ed-lpc/

Who gets to decide what a 'classic' is? And how and why do some books get reintroduced to us years after they were first published? This month we're continuing a conversation we started four years ago with Jennifer Hodgson and Nell Dunn about literary rediscoveries, with our guest, author and translator Lauren Elkin. Lauren joined us to talk about her translation of The Inseparables, a newly discovered novel by the influential philosopher and novelist Simone de Beavouir. Just published in English by Vintage, it tells the story of the intense friendship between two schoolgirls in turn of the century Paris. Listen in for some fascinating insight into the translation process and Simone de Beauvoir's life, plus all the usual recommendations. Recommendations on the theme, Rediscovery: Octavia: Nevada by Imogen Binnie Carrie: Maud Martha by Gwendolyn Brooks General Recommendations: Octavia: Home is Where We Start From: Essays by a Psychoanalyst by D. W. Winnicott Lauren: Translating Myself and Others by Jhumpa Lahiri Carrie: The Promise by Damon Galgut Find a list of all recommended books at: https://uk.bookshop.org/lists/may-2022-rediscovery-with-lauren-elkin Support us on Patreon: https://www.patreon.com/litfriction Email us: litfriction@gmail.com Tweet us & find us on Instagram: @litfriction This episode is sponsored by Picador: https://www.panmacmillan.com/picador

Jennifer Hodgson, Chief Executive Officer of Raymond James Trust (Canada) and Raymond James Trust (Quebec) Ltd, speaks with The Advantaged Investor host Chris Cooksey about the importance of trust services.

Rosemary Tonks is the subject of this episode of Backlisted. Our starting point is her fascinating third novel The Bloater (1968) - which is long out of print, unfortunately - but we also discuss her remarkable poetry, her friendship with Delia Derbyshire of the BBC Radiophonic Workshop, her eccentric career in fiction, radio and theatre, and her gradual retreat from the world. Joining John and Andy to discover more about this unique and enigmatic writer are two of Tonks's admirers, author and critic Jennifer Hodgson and the comedian Stewart Lee. Also in this episode Andy replenishes his enthusiasm for Elizabeth Taylor with her (bizarrely underrated) novel The Wedding Group (1968), while John shines a light on Andy Charman's Crow Court, a new novel of short stories set in Wimborne Minster, Dorset, in the 19th century, published by Unbound.

Two of Ann Quin’s admirers, novelist and essayist Deborah Levy and writer and critic Juliet Jacques, will be joined in conversation about her life and work by Jennifer Hodgson, editor of The Unmapped Country. See acast.com/privacy for privacy and opt-out information.

Why are celebrity crushes so embarrassing? Critic and editor Jennifer Hodgson joins Jessa to overintellectualize their shared crush on Bill Hader, to think about female desire, how celebrity crushes are labor, and why we suddenly find ourselves attracted to a middle aged father of three from the American midwest.  http://jessacrispin.com Support this podcast: http://patreon.com/publicintellectual

Music critic Ian Penman is back with a pioneering book of essays alluding to a lost moment in musical history ‘when cultures collided and a cross-generational and “cross-colour” awareness was born’. It Gets Me Home, This Curving Track (Fitzcarraldo) focuses on black artists, including James Brown, Charlie Parker and Prince, who were at the forefront of innovation and the white artists that followed, adapting their sounds for the mainstream. Described by Iain Sinclair as ‘a laureate for marginal places’ Penman began his career in 1970s at the NME and has since gone on to write for publications such as Sight & Sound, Uncut and the London Review of Books. Penman was in conversation with writer and editor Jennifer Hodgson. See acast.com/privacy for privacy and opt-out information.

Host Dr. Eli Karam sits with two of the leading therapists in the field of Medical Family Therapy, Dr. Angela Lamson and Dr. Jennifer Hodgson. Medical Family Therapy is a field that has its own set of competencies and interventions, with its own unique skills and training. It looks at health from a biopsychosocial/spiritual framework. In other words, it looks at health, loss, trauma, and death in the context of family and how that interfaces with different systems. Drs. Lamson and Hodgson share stories of how they first got into the field and how they first connected with each other. They  give insight on the skills needed to work in Medical Family Therapy, different training opportunities, and the future of the field.  Finally, they provide insight on how to expand the scope of your practice within Medical Family Therapy.

Host Dr. Eli Karam sits with two of the leading therapists in the field of Medical Family Therapy, Dr. Angela Lamson and Dr. Jennifer Hodgson. Medical Family Therapy is a field that has its own set of competencies and interventions, with its own unique skills and training. It looks at health from a biopsychosocial/spiritual framework. In other words, it looks at health, loss, trauma, and death in the context of family and how that interfaces with different systems. Drs. Lamson and Hodgson share stories of how they first got into the field and how they first connected with each other. They  give insight on the skills needed to work in Medical Family Therapy, different training opportunities, and the future of the field.  Finally, they provide insight on how to expand the scope of your practice within Medical Family Therapy.

Joanna Walsh’s latest book Break.up (Tuskar Rock), a feminist revisionist travelogue, and romance for the digital age, explores the spaces between lovers, between thinking and doing, between fiction and memoir, as well as ‘the sheer fragility of experience and feeling’ (Colm Tóibín). Lara Feigel’s Free Woman (Bloomsbury), ‘the bravest work of literary scholarship I have ever read’ according to Deborah Levy, is a memoir in which Feigel experiments with sexual, intellectual and political freedom while reading and pursuing Doris Lessing. Walsh and Feigel read from their books, and talked about what writing can, can’t, should and shouldn’t do. The evening was chaired by Jennifer Hodgson, writer, critic and editor of Ann Quin’s The Unmapped Country (And Other Stories). See acast.com/privacy for privacy and opt-out information.

This show is dedicated to rediscovered literature - all the neglected gems that have been reintroduced to the world by passionate publishers, writers and readers. Joining us are two wonderful guests: first, playwright and writer Nell Dunn, whose 1965 book Talking to Women is a collection of edited transcripts of conversations with nine of her female friends. Out of print until now, feminist publisher Silver Press are reviving it this May. In the book, Nell speaks to author Ann Quin, the late, little-known British writer whose work has recently been thrust back into public attention, largely because indie publisher And Other Stories have released The Unmapped Country, a new collection of her stories and fragments. The book’s editor, writer and critic Jennifer Hodgson, joins us for the second segment.

This week Andy and John are joined by Jennifer Hodgson, editor of 'The Unmapped Country', a collection of British experimental writer Ann Quin's lost work. They discuss Quin's debut novel, Berg, with its opening sentence: 'A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father. . . '. John also talks about Yorkshire: A Lyrical History of England's Greatest County by Richard Morris, and Andy has been reading Andrew Hankinson's You Could Do Something Amazing With Your Life [You Are Raoul Moat].

In the January 2018 episode, Juliet is joined by Jonathan Coe (author of 'Like a Fiery Elephant: The Story of B.S. Johnson' and many other works) and Jennifer Hodgson (editor of 'The Unmapped Country', a collection of stories and fragments by Ann Quin). They discuss Britain's fertile post-war 'experimental' literary scene: its cultural contexts, its successes and failures, and its legacy. WORKS REFERENCED NOVELS Paul Ableman – I Hear Voices (1958) Kingsley Amis – Lucky Jim (1954) Francis Booth - Amongst Those Left: The British Experimental Novel 1940-1980 (1982) John Braine – Room at the Top (1957) Alan Burns – The Angry Brigade: A Documentary Novel (1974) Robert Burton – The Anatomy of Melancholy (1621) Jonathan Coe – An Accidental Woman (1987) Jonathan Coe – Like a Fiery Elephant: The Story of B. S. Johnson (2004) Jonathan Coe – What a Carve-Up! (1994) Henry Green - Caught (1943) Rayner Heppenstall – The Blaze of Noon (1939) Rayner Heppenstall – Four Absentees (1960) Rayner Heppenstall – The Fourfold Tradition (1961) Rayner Heppenstall – The Lesser Infortune (1953) Rayner Heppenstall – Saturnine (1943) Rayner Heppenstall & Michael Innes – Three Tales of Hamlet (1950) B. S. Johnson – Aren’t You Rather Young to be Writing Your Memoirs? (1973) B. S. Johnson – Christie Malry’s Own Double-Entry (1971) B. S. Johnson – See the Old Lady Decently (1973) B. S. Johnson – Travelling People (1963) B. S. Johnson – The Unfortunates (1969) Anna Kavan – Ice (1967) D. H. Lawrence – Lady Chatterley’s Lover (1928) Rosamund Lehmann – The Echoing Grove (1953) Iris Murdoch – Under the Net (1954) George Orwell – Animal Farm (1945) John Osborne – Look Back in Anger (1956) Ann Quin – Berg (1964) Ann Quin – Passages (1969) Ann Quin – Three (1966) Ann Quin – Tripticks (1972) Ann Quin – The Unmapped Country (edited by Jennifer Hodgson, 2018) Alan Sillitoe – Raw Material (1972) Alan Sillitoe – Saturday Night and Sunday Morning (1958) Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman (1759-1766) David Storey – This Sporting Life (1960) Philip Tew, B. S. Johnson: A Critical Reading (2001) John Wain – Hurry On Down (1953) Colin Wilson – The Outsider (1956) AUTHORS (a selection) J. G. Ballard, Richard Beard, Samuel Beckett, Rosalind Belben, John Berger, Claire-Louise Bennett, Christine Brooke-Rose, Elizabeth Bowen, Anthony Burgess, William S. Burroughs, John Calder, Angela Carter, Ivy Compton-Burnett, Robert Creeley, Marguerite Duras, Eva Figes, Patrick Hamilton, Wilson Harris, James Joyce, Chris Kraus, Hari Kunzru, David Lodge, Eimear McBride, Nicholas Mosley, Thomas Nash, Jeff Nuttall, Robert Nye, Flann O'Brien, Alain Robbe-Grillet, Nathalie Sarraute, Will Self, Penelope Shuttle, Claude Simon, Stevie Smith, Zadie Smith, Jonathan Swift, Emma Tennant, Philip Toynbee, Alexander Trocchi, John Wheway, Heathcote Williams FILMS/TV B. S. Johnson on Samuel Johnson (London Weekend Television programme, 1971) Calling Mr. Smith (dir. Franciszka & Stefan Themerson, 1943) Christie Malry’s Own Double-Entry (dir. Paul Tickell, 2001) The Eye and the Ear (dir. Franciszka & Stefan Themerson, 1944) Last Year in Marienbad (dir. Alain Resnais, 1961) London Film-Makers' Co-operative Peter Whitehead Independent Group (British Pop Art collective, 1952-55) ARTICLES Hélène Cixous, ‘Le roman experimental de Grand-Bretagne’ (Le Monde, 1967)

From William Blake to Charles Dickens, authors have written or talked about experiencing auditory verbal hallucinations when writing fiction or hearing voices that others cannot hear. So is this the same when writing for radio or television? And if so, do writers hear characters as clearly as if a real person were speaking or as an external voice outside of themselves? In this podcast we hear from accomplished TV and radio writers Sarah Phelps and Al Smith and from Dr. Jennifer Hodgson, co-author of The Writers' Inner Voices project, the first ever large-scale investigation into how writers and storytellers hear voices. They discuss what it feels like to hear characters, whether there's a difference between creating characters for television, radio and written fiction and the practicalities of script writing. For more podcasts, videos and articles visit http://www.bbc.co.uk/academy/production

From William Blake to Charles Dickens, authors have written or talked about experiencing auditory verbal hallucinations when writing fiction or hearing voices that others cannot hear. So is this the same when writing for radio or television? And if so, do writers hear characters as clearly as if a real person were speaking or as an external voice outside of themselves? In this podcast we hear from accomplished TV and radio writers Sarah Phelps and Al Smith and from Dr. Jennifer Hodgson, co-author of The Writers' Inner Voices project, the first ever large-scale investigation into how writers and storytellers hear voices. They discuss what it feels like to hear characters, whether there’s a difference between creating characters for television, radio and written fiction and the practicalities of script writing. Sarah Phelps penned the demise of Dirty Den in EastEnders. She brought to life iconic Dickens characters Miss Havisham and Fagin for her TV adaptations of Oliver Twist and Great Expectations. She also wrote the World War One drama The Crimson Field and adapted JK Rowling’s The Casual Vacancy for BBC One. Al Smith has written for TV and radio. He has written for EastEnders and Holby City, co-created teen drama The Cut for BBC Two and wrote Life in the Freezer and The Postman of Good Hope for BBC Radio 4. Dr. Jennifer Hodgson is a writer and teacher. She holds a PhD in English Studies and has taught on the undergraduate Introduction to the Novel and Post-war Fiction and Poetry course at Durham University as well as postgraduate courses such as Research Methods and Resources modules. The podcast is presented by BBC Academy producer Helen Hutchinson.