Podcast appearances and mentions of Bill Hader

Feature: Bleak Week returns for Year 4, we talk to programmers behind the festival This year marks the 4th year of the American Cinematheque’s Bleak Week: Cinema of Despair, a weeklong festival dedicated to screening films with dark and bleak themes. In this year’s lineup, you’ll find screenings of Michael Haneke’s English adaptation of Funny Games, the Soviet anti-war film Come and See, and Studio Ghibli co-founder Isao Takahata’s Grave of the Fireflies. You’ll also find that the Year 4 lineup includes introductions/Q&As with the likes of Bill Hader, Elliot Gould, and Brady Corbet. Outside of the usual festival screenings here in Los Angeles, the American Cinematheque has partnered with other arthouse theaters across the country, and even The Prince Charles Cinema in London. Joining us to discuss this year’s iteration of the festival is Chris LeMaire, lead programmer on the American Cinematheque’s Bleak Week, and Grant Moninger, American Cinematheque’s Artistic Director. We also have our critics, Charles Solomon, Claudia Puig and Peter Rainer, commenting on what about the festival has allowed it to garner interest. Bleak Week runs from June 1-7. You can find this year’s Bleak Week lineup by clicking here or on bleakweek.com

Tom Broecker is the costume designer of the legendary NBC sketch show Saturday Night Live. Broecker, who has been with the show for over three decades, is responsible for the design and creation of all of the costumes for the show—sometimes creating up to 200 for just one episode. Today on the podcast, he joins Who What Wear Co-Founder and Chief Content Officer Hillary Kerr to discuss the intricate process of creating iconic character costumes under tight weekly deadlines. He shares behind-the-scenes stories about the show's 50th anniversary, the massive costume archive, and the blend of psychology and resourcefulness needed to dress characters from Bill Hader as Stefon to Bowen Yang as the iceberg that sank the Titanic.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tom Broecker is the costume designer of the legendary NBC sketch show Saturday Night Live. Broecker, who has been with the show for over three decades, is responsible for the design and creation of all of the costumes for the show—sometimes creating up to 200 for just one episode. Today on the podcast, he joins Who What Wear Co-Founder and Chief Content Officer Hillary Kerr to discuss the intricate process of creating iconic character costumes under tight weekly deadlines. He shares behind-the-scenes stories about the show's 50th anniversary, the massive costume archive, and the blend of psychology and resourcefulness needed to dress characters from Bill Hader as Stefon to Bowen Yang as the iceberg that sank the Titanic.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick shines a light on Shia LaBeouf's two turns as Saturday Night Live host—both surprisingly strong, both likely his last. Packed with standout sketches and offbeat moments, the episodes featured Shia as a bizarrely delightful version of magician Doug Henning on a twisted Match Game, and as one half of a duo of underage knuckleheads scheming to score beer with Andy Samberg. There's also a nod to Indiana Jones and a solid lineup of SNL regulars including Bill Hader, Kristen Wiig, Kenan Thompson, Maya Rudolph, and Fred Armisen. Nick shares behind-the-scenes stories from the tapings and wraps things up with Shia's wild retelling of his late-night Walgreens arrest on The Late Show with David Letterman. A look back at a talented, unpredictable host who nailed it—and probably won't be back. [EP 124]

Singer Cassie is testifying in court against Sean "Diddy" Combs, recounting her involvement in his "freak-offs." Jack, Nate, and Becky dive into and discuss the frightening details. Jack also features audio from a TMZ report who caught up with Cassie's lawyer, posing a question that should have the most obvious answer - Will Cassie seek therapy when this is all over? READ MORE: Cassie Testifies About First 'Freak-Off' With Diddy Also discussed in this episode: TouchTunes, or how music-loving dad's duke it out at the local bar The worst possible last names to have Is ChatGPT a suitable replacement for therapy? Taste-testing Lay's Korean-style fried chicken, and bacon grilled cheese chips. Which one is more disgusting? When did Twix candy bars become political? Bill Hader does a mean David Lee Roth impression on Conan O'Brien's podcast Resurrecting the careers of James Franco and Kevin Spacey FOLLOW HARDLY FOCUSED! http://hardlyfocused.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

LOOK OUT! It’s only Films To Be Buried With! A REWIND CLASSIC! Join your host Brett Goldstein as he talks life, death, love and the universe with the always awesome and funny writer, comic and actor BILL HADER! Below will be the original writeup for this episode which originally aired on 30th June 2022. It's me on the intro/outro (your producer Buddy Peace), so don't be alarmed. I mean you no shock or surprise. A great episode on all counts! Have fun. ––––––––––––––––––––––––– You may have been newly acquainted to Bill via his incredible show 'Barry' (link below), which will surely be drawing more and more people in as word spreads. But you may be very well acquainted with Bill already through his hugely varied and awesome career involving tons of films, shows, and Saturday Night Live among more bits and pieces. So it's a treat to hear he and Brett kick it on the subject of everything up to now, including career highlights, process, his 'life sizzle-reel', wisdom, films that you may not have heard of, and so much more besides. It's a great one, folks. BARRY IMDB SETH & BILL on SNL –––––––––– BRETT • X BRETT • INSTAGRAM TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film)See omnystudio.com/listener for privacy information.

We're joined by (Hot) Ron Iver (@ronnui_) to talk about the Lonely Island's bizarre and beloved debut movie, 2007's HOT ROD. HOT RODDIRECTED BY: Akiva SchafferRELEASED: August 3, 2007STARRING: Andy Samberg, Isla Fisher, Jorma Taccone, Bill Hader, Danny McBride, Ian McShane, Sissy SpacekBUDGET: $25M BOX OFFICE: $14.4M ESTIMATED LOSS: $20M NEXT EPISODE: We're going to the future with George Clooney or something. IDK I never saw it. It's TOMORROWLAND. 0:00 Intro 4:52 Show & tell11:34 This week's movie

We Raid the Algorithm to listen to more uses of rawdogging, ASAP Rocky on the red carpet at the Met Gala, and Bill Hader tells a story about David Lee Roth.

We Raid the Algorithm to listen to more uses of rawdogging, ASAP Rocky on the red carpet at the Met Gala, and Bill Hader tells a story about David Lee Roth.See omnystudio.com/listener for privacy information.

This week's episode is a HUGE one for Marvel fans! To kick things off, we have our full interview with the iconic Julia Louis-Dreyfus. We're diving into all things THUNDERBOLTS*, including the new direction Marvel is headed in, why this might be one of the best post-Endgame entries, and our top 5 Marvel films since Avengers: Endgame. We also have a review of THE UNINVITED starring Walton Goggins. We wrap things up with all the biggest movie and TV news of the week, including our thoughts on the trailer for THE SMASHING MACHINE, Bill Hader's Kool-Aid movie, and so much more.Time stamps:00:40 Intro00:48 FULL Interview with Julia Louis-Dreyfus04:53 NON-SPOILER 'THUNDERBOLTS*' (2025) Review11:53 SPOILER-FILLED 'THUNDERBOLTS*' (2025) Review32:17 'THE UNINVITED' (2025) Review35:52 Movie and TV news (our thoughts on the trailer for THE SMASHING MACHINE, Bill Hader's Kool-Aid movie, and so much more)48:13 Watch Recommendations for the Week

We are thrilled to welcome Josh to the show for the first time. Right from the start, he and Todd dive into an in-depth discussion on gear, covering topics like GAS, Allan Holdsworth gear, the EVH Wolfgang, the EVH Frankie, and the '78 Eruption Guitar. They also touch on Rock and Pod, Tora Tora, Salty Dog, music separation, "November Rain" and Matt Sorum, the Bissonette Brothers, Eddie Van Halen on bass, the "More Than Words" curse, Mr. Big, praise for Alex Van Halen's drum work and the Van Halen story, Bill Hader, Eddie Van Halen Shreds, and an interesting Yngwie Malmsteen story. #podcast #gear #music #Josh #Todd #indieLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksMerch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

FULL COMPLEMENT OF GEEKS! Pol, Kirsten, Bud, Art, AND BRYAN (at various times) chat about spoops, laughs, vampires, and lawsuits, and review & recommendaysh Sinners, Andor, The Last of Us, and Adolescence. Bud’s Weekly Geek-out 05:19 – AutoZipper Coming Soon 08:58 – Weapons (in theatres August 8) 12:14 – One Battle After Another (in theatres September 26) 14:59 – Murderbot (an inside look, Apple TV+ series, May 16) 15:58 – The Smashing Machine (A24 biopic, in theatres October 3) 18:38 – Conan O’Brien: The Kennedy Center Mark Twain Prize for American Humor (Netflix special, May 4) 21:35 – LOVE DEATH + ROBOTS (title reveal Netflix anthology series, volume 4, May 15) titles: 400 Boys, For He Can Creep, Golgotha, How Zeke Got Religion, Smart Appliances, Stupid Owners, Close Encounters of the Mini Kind :heart_eyes_cat:, Spider Rose, The Other Large Thing, The Screaming of the Tyrannosaur, Can’t Stop starring: Mr. Beast, John Oliver, Amy Sedaris, Red Hot Chili Peppers, Chris Parnell, Kevin Hart, Rhys Darby, Brett Goldstein, Niecy Nash-Betts, John Boyega 23:49 – Heads of State (Prime Video movie, July 2) 26:01 – Sirens (Netflix film, May 22, Meaghann Fahy, Milly Alcock, Julianne Moore, Kevin Bacon) 27:45 – Fountain of Youth (Apple TV+ film, May 23) 30:03 – Predator: Badlands (in theatres November 7) 33:05 – The Sexiest Man in Winnepeg (Prime Video documentary, May 9) 34:18 – Stardew Valley’s iconic video game soundtrack is getting a real-life orchestral concert in Victoria 36:13 – Bill Hader to Co-Write, Potentially Star in Jonestown Series in Development at HBO 42:36 – Stranger Things: Tales From ’85 spin-off coming to Netflix 51:10 – What the hell, sure: Toys ‘R’ Us Is Getting a Movie NOT Coming Soon 56:27 – 2033 Blade‘s former costume designer affirms it could have been a period piece Geek News Proper 58:24 – Patrick Starship Enterprise (Paramount+ ad) 58:54 – Disney & Marvel don’t want to play Nicepool with Justin Baldoni over Deadpool in Blake Lively legal battle 1:00:34 – A petition is up to get the Until Dawn creators credited in the movie Reviews and Recommendayshes 1:01:15 – Sinners 1:09:43 – Andor 1:14:09 – The Last of Us S02E03 – The Path related: How The Battle of Jackson was filmed 1:28:00 – Adolescence Join The Geek-out Podcast’s Facebook page (where we’ll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone’s Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast

Actor, comedian, and director Bill Hader feels grateful about being Conan O'Brien's friend. Bill sits down with Conan once more to discuss ideas from the SNL writers' room that never made it past Lorne, his personal experience evacuating during the Palisades fire, anxiety as an occupational hazard in the entertainment industry, and more. Plus, Sona reveals how she avoided a scam by a fake Conan O'Brien. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Chris and Andy talk about some TV news that cropped up during the week, including Bill Hader making a Jonestown series for HBO (3:28) and the just-released trailer for Jesse Armstrong's new TV movie, ‘Mountainhead' (12:36). Then Chris talks about the show ‘Sandbaggers,' which he discovered while researching ‘Andor' (28:18), before they discuss ‘The Narrow Road to the Deep North,' an under-the-radar show starring Jacob Elordi that was just released on Prime Video (39:14). Hosts: Chris Ryan and Andy Greenwald Senior Producer: Kaya McMullen Video Production: Marcelino Ortiz Video Editing: Stefano Sanchez Learn more about your ad choices. Visit podcastchoices.com/adchoices

D&P Highlight: Bill Hader to star in a new movie. full 336 Thu, 24 Apr 2025 18:58:00 +0000 3F58aXrunwoY8ARfrEqRxS5EOtjnNJJq news The Dana & Parks Podcast news D&P Highlight: Bill Hader to star in a new movie. You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! 2024 © 2021 Audacy, Inc. News False https://player.amperwavepodcasting.com?feed

Bill Hader is making a Jonestown movie, and life imitates art as the new Seth Rogen show The Studio has the same plot! Page Six goes after Meghan and Harry for their security detail in NYC; Meghan gives a reason why the Netflix show doesn't film in her own house; Ocean discovery found an entire car in a WWII shipwreck; Kevin Costner seen with a "mystery woman" who is obviously just his assistant. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul McGuire Grimes is here to fill in for Bradley for the next two days! Fire Sale on Fyre Festival! It's cancelled, but you can buy the brand; Dirt alert with Stormer: new shows in development, including a project by Bill Hader; Blinded by the Item: This White Lotus Celebrity was truly a diva. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paul McGuire Grimes is here to fill in for Bradley for the next two days! Fire Sale on Fyre Festival! It's cancelled, but you can buy the brand; Dirt alert with Stormer: new shows in development, including a project by Bill Hader; Blinded by the Item: This White Lotus Celebrity was truly a diva. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bill Hader is making a Jonestown movie, and life imitates art as the new Seth Rogen show The Studio has the same plot! Page Six goes after Meghan and Harry for their security detail in NYC; Meghan gives a reason why the Netflix show doesn't film in her own house; Ocean discovery found an entire car in a WWII shipwreck; Kevin Costner seen with a "mystery woman" who is obviously just his assistant. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Worth knowing. I operated on a public server using Google as my. Main browser, our of incognito— This meant everything I search on Google I knew to be public, and did so soaringly, and cautiously. I told you more than once not to mess with that fucker! I wasn't! For the most part; however— That fucker was messing with me! Why! Who are you?! I don't know! Ugh. Ten seconds on the ground and I wanted to die. Fuck this place. Just get in the boat, Keenan. No, I won't. Just get— in the boat. Forget it. I'm not going to your— You don't dont even know what it is! Whatever is is. It's a function! If I didn't start making decisive moves around the map— and quick— I could be made to look like anything, or anyone. The media had ways of turning things into monsters—assuming all in all that the political agenda had overall become some short of holy war. I wasn't safe, especially sitting still— entire crowds moved around me as I emerged from days long stretches of speaking to and looking at no one; the more I resisted to conform, the more hostile the monster became— I was vanishing decently from one world and into the next, and on my absence there was a gaping hole needing to be filled but instead, opening into an inescapable void: being something for others as I presumed that I presently was not: I was not a pawn, or a worker, or a sim— I had escaped a matrix that was nearly entirely built on perception, and had adjusted to the understanding of the illusion of this grid. It was an impractical solution, silence and isolation; eventually I had to communicate with other people, and could not hide. But I would not be forced to do anything or speak to anyone I didn't want to— and so I began tricking the system before it could gather information to go about tricking me. After all, I was keeping more to myself than I was sharing or even writing about— I wrote often about race and sociopolitical injustice; however; these things were at a surface level. The things I pondered upon deeply, I kept to myself— I knew that my Google documents were comprised by the way that on the ground level— the simulation level— people had been hacked and sorted based on things I had put into the aglogithmic clouds. Anyone with a cell phone had become a biohazard, because they were socially and psychologically compatible with being technologically programmed to be moved about in any way the controllers saw fit— and who were the controllers using such as humans as devices? The very war mongers who saw this level as none other than that of a game, and people in no sense more than as numbers—a place which my conciousness did lie, and however— my physical body, almost entirely seperate, risided here amongst the all too common. And it was here that I was more likely to die, physically, anyway, than anywhere else because i wanted to. The frequency shift was severe enough that it bubbled and spewed inside of me not as hatred, but anxiety. Not fear, but nautiousness; I was no longer so compatible with the masses that I could normally function as such; an elitist mindset, but only out of elitist practice. I ate well, trained hard, and focused my energy on a higher mindset— It became obvious that if I didn't decide what I was, I was going to be told what I was, or painted in a certain way as percepted, and this I found limiting. If I decided what I was and made it somehow apparent so that others could not cast any judgement upon me, then I could at the very least, later, change it— if it differed too drastically from whatever it was my true purpose and intention. Easily enough, I found the devil worked through almost all things and people around me in such a way that it was best to remain apart from these things and people and to find my way to being surrounded by others who were in fact, shielded by light. Strength in numbers, and what was here something dark enough had torn through that almost all of them were dark as well, and so almost any time at all with that force made me ill. I'm so sorry. No, you're not— but that's okay, Because I'm sorry enough for the both of us. A SPECIAL DETECTIVE, recently promoted to captain from VICE gives the go-ahead on the immidiate detention of a subject with whom multiple units have been preoccupied with over the course of several months. This is… pure cocaine. It appears so… I've— I've never seen anything like it. — that pure? Like— pharmaceutical. In fact… It was pharmaceutical. Ah great. Why is Tom Hanks back in the movie? [breaking forth wall] Uh— because I was in the front of the movie— And in the middle of the movie— And because this is the same movie. Uh… Oh, by the way, you're in a movie. No!!! Wake up. Fuck. COSMIC AVENGER Snapdragons! Double fuck. Double double indeed. The cosmic avenger has a way of not swearing that is almost trademark to his— What does he do again? Nothing. Oh. You're so fucked now…! JIMMY FALLON is arrested and charged with MANSLAUGHTER. WHY! WHAT DID I DO? …nothing. What were his other catchphrases? I have no idea. Well, get a fucking idea. Why is it That you're so— fucking mean. What? I'm supposed to be what you think, the little man in the box is? I was hoping? At all times? Sometimes, at least. Joke's on you. No Fallon, the joke's on you. You're supposed to be funny. Haha. Goddammit, I hate you. You fucking suck. That's my sparring partner. Yep. What did I do?! You fought like a man— And won. Agh. Good luck, kid. What other way is it to fight? MEANWHILE, on BAD GIRLS CLUB Stop pulling my hair! TANISHA I'mon pull these tracks out whether you like it or noT! U THESE AINT TRACKS! That's my hair! The whole room stops for a moment, frozen in a silent confusion. TANISHA Whatchu say? U This— is my HAIR. It's ATTACHED TO MY HEAD. TANISHA Wh—how'd you get on bad girls club?! I don't know! I must have wished for it at some point or something? Wishes?! WHAT THIS GOT TO DONWITH MY ISNES. Witches? She said wishes. Hm. I'm stuck in the tv in like a movie or something? I don't know, it's very meta— all my wishes get granted— its fucked up. That is fucked up. [everyone just kind of agrees] — but that's your hair? Yeah, or— whatever's left of it and not under your fingernails. But these is acrylic. I figured. And these is BRAZILLIAN REMY. Okay. — and my eyelashes came off a Clydesdale! Why! Cause that shit is majestic as fuck! I…agree with you. Alright. Now sense we agree on this— um…comradrie. — agreement. Let's figure out about this— what you say it was? A movie. A movie— but this is a show. A show inside a movie. Okay. Okay. Okay. …so let's…cut to commercial, or—? I don't know I thought No wonder I'm fucking depressed… And now, it was obvious that someone in the media— the actual media, had read my work. I had deconstructed the Strike force 5 as such Hmmm. CBS HBO NBC NBC … That's 3 of the big five but I'm almost entirely sure I ‘ missing something. Where's Kimmel? CBS Colbert? HBO The NBC twins are on my last and ever living but still dying nerve So.. So— So I'm missing precisely one strike force member And arguably two out of the big five… That's— a relief. Considering I think Fox is in the big 5, sure. Don't want to attract the wrong attention. Or the right attention, with pun Intended. Whatever. If anything at all from this last election and current growth spurt slash quarter life crisis, I was a moderate conservative however benefitting more than probably from liberalized… Actually? The more I thought about it, this seemed private. I knew that most people who had spent any time at all in New York homeless shelters ended up in equally fitting project housing, but somehow, I had been spared— and though I had picked up two pairs of decent walking shoes, and maybe even raving shoes—definitely skateboarding shoes— But no running shoes, And I needed new running shoes to actually run; my current running shoes had been used nearly to their fullest extent… Not that I was running anywhere. My treadmill seemed just as entirely sick of my apartment as I was becoming… STEFON Batatas. Suddenly I had remembered with some strain of course, that Bill Hader existed in a legendary and almost mythical sense. Way more mythical than anyone else in this story— even Seth Rogen, who was apparently at some point eventually OH MY GOD. WHAT IS THIS. HOW DID THIS HAPPEN? — like, what, hot glued to each other at that party. SETH MEYER(S)? I said no. What. SETH MEYERS I'm not doing it. See, the greatest thing about the festival project, besides it being a corporate sponsored money grab that was growing in value enough to be competable against the superhero franchises DISNEY Hahaha, you wish. That's who I'm missing—Disney. DEADMAU5 No, you're not. I'm not. DEADMAU5 —no…. There's a reason why that dude, in his fragile old age is still touring. DEADMAU5 I'm literally like ten years younger than literally everyone else you just mentioned. (But still touring.) (Read: ☠️ ) —so, you were saying. Oh— the best thing about this whole thing is Wait, how is this Disney? BEFORE: DISNEY You can't Mickey Mouse. MAU5 CAN. DISNEY CAN NOT, and we'll sue you, then kill you, then cryogenically freeze you, bring you back to life — THEN— when your catalogue has doubled in value, sue you again, and then kill you again— And repeat that process infinitely until the end of what is known on earth as “time” Oh, is that what happened to him? I've been wondering. DISNEY Unless… CUT BACK TO: Besides that, The best thing about this project is it features so many standard white savior type protagonists, that if anybody disagrees to this project( they can just be replaced and or characterized by an actor that looks and sounds just like them and their name slightly changed or altered to reflect one which doesn't technically trigger any copyright claims. Can you do that? Yep. 0.0 what's up Seth ROGONE, JOMMY FALOON Sup. Sup. See. [The Festival Project ™] lol Stefon's dungeon. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Worth knowing. I operated on a public server using Google as my. Main browser, our of incognito— This meant everything I search on Google I knew to be public, and did so soaringly, and cautiously. I told you more than once not to mess with that fucker! I wasn't! For the most part; however— That fucker was messing with me! Why! Who are you?! I don't know! Ugh. Ten seconds on the ground and I wanted to die. Fuck this place. Just get in the boat, Keenan. No, I won't. Just get— in the boat. Forget it. I'm not going to your— You don't dont even know what it is! Whatever is is. It's a function! If I didn't start making decisive moves around the map— and quick— I could be made to look like anything, or anyone. The media had ways of turning things into monsters—assuming all in all that the political agenda had overall become some short of holy war. I wasn't safe, especially sitting still— entire crowds moved around me as I emerged from days long stretches of speaking to and looking at no one; the more I resisted to conform, the more hostile the monster became— I was vanishing decently from one world and into the next, and on my absence there was a gaping hole needing to be filled but instead, opening into an inescapable void: being something for others as I presumed that I presently was not: I was not a pawn, or a worker, or a sim— I had escaped a matrix that was nearly entirely built on perception, and had adjusted to the understanding of the illusion of this grid. It was an impractical solution, silence and isolation; eventually I had to communicate with other people, and could not hide. But I would not be forced to do anything or speak to anyone I didn't want to— and so I began tricking the system before it could gather information to go about tricking me. After all, I was keeping more to myself than I was sharing or even writing about— I wrote often about race and sociopolitical injustice; however; these things were at a surface level. The things I pondered upon deeply, I kept to myself— I knew that my Google documents were comprised by the way that on the ground level— the simulation level— people had been hacked and sorted based on things I had put into the aglogithmic clouds. Anyone with a cell phone had become a biohazard, because they were socially and psychologically compatible with being technologically programmed to be moved about in any way the controllers saw fit— and who were the controllers using such as humans as devices? The very war mongers who saw this level as none other than that of a game, and people in no sense more than as numbers—a place which my conciousness did lie, and however— my physical body, almost entirely seperate, risided here amongst the all too common. And it was here that I was more likely to die, physically, anyway, than anywhere else because i wanted to. The frequency shift was severe enough that it bubbled and spewed inside of me not as hatred, but anxiety. Not fear, but nautiousness; I was no longer so compatible with the masses that I could normally function as such; an elitist mindset, but only out of elitist practice. I ate well, trained hard, and focused my energy on a higher mindset— It became obvious that if I didn't decide what I was, I was going to be told what I was, or painted in a certain way as percepted, and this I found limiting. If I decided what I was and made it somehow apparent so that others could not cast any judgement upon me, then I could at the very least, later, change it— if it differed too drastically from whatever it was my true purpose and intention. Easily enough, I found the devil worked through almost all things and people around me in such a way that it was best to remain apart from these things and people and to find my way to being surrounded by others who were in fact, shielded by light. Strength in numbers, and what was here something dark enough had torn through that almost all of them were dark as well, and so almost any time at all with that force made me ill. I'm so sorry. No, you're not— but that's okay, Because I'm sorry enough for the both of us. A SPECIAL DETECTIVE, recently promoted to captain from VICE gives the go-ahead on the immidiate detention of a subject with whom multiple units have been preoccupied with over the course of several months. This is… pure cocaine. It appears so… I've— I've never seen anything like it. — that pure? Like— pharmaceutical. In fact… It was pharmaceutical. Ah great. Why is Tom Hanks back in the movie? [breaking forth wall] Uh— because I was in the front of the movie— And in the middle of the movie— And because this is the same movie. Uh… Oh, by the way, you're in a movie. No!!! Wake up. Fuck. COSMIC AVENGER Snapdragons! Double fuck. Double double indeed. The cosmic avenger has a way of not swearing that is almost trademark to his— What does he do again? Nothing. Oh. You're so fucked now…! JIMMY FALLON is arrested and charged with MANSLAUGHTER. WHY! WHAT DID I DO? …nothing. What were his other catchphrases? I have no idea. Well, get a fucking idea. Why is it That you're so— fucking mean. What? I'm supposed to be what you think, the little man in the box is? I was hoping? At all times? Sometimes, at least. Joke's on you. No Fallon, the joke's on you. You're supposed to be funny. Haha. Goddammit, I hate you. You fucking suck. That's my sparring partner. Yep. What did I do?! You fought like a man— And won. Agh. Good luck, kid. What other way is it to fight? MEANWHILE, on BAD GIRLS CLUB Stop pulling my hair! TANISHA I'mon pull these tracks out whether you like it or noT! U THESE AINT TRACKS! That's my hair! The whole room stops for a moment, frozen in a silent confusion. TANISHA Whatchu say? U This— is my HAIR. It's ATTACHED TO MY HEAD. TANISHA Wh—how'd you get on bad girls club?! I don't know! I must have wished for it at some point or something? Wishes?! WHAT THIS GOT TO DONWITH MY ISNES. Witches? She said wishes. Hm. I'm stuck in the tv in like a movie or something? I don't know, it's very meta— all my wishes get granted— its fucked up. That is fucked up. [everyone just kind of agrees] — but that's your hair? Yeah, or— whatever's left of it and not under your fingernails. But these is acrylic. I figured. And these is BRAZILLIAN REMY. Okay. — and my eyelashes came off a Clydesdale! Why! Cause that shit is majestic as fuck! I…agree with you. Alright. Now sense we agree on this— um…comradrie. — agreement. Let's figure out about this— what you say it was? A movie. A movie— but this is a show. A show inside a movie. Okay. Okay. Okay. …so let's…cut to commercial, or—? I don't know I thought No wonder I'm fucking depressed… And now, it was obvious that someone in the media— the actual media, had read my work. I had deconstructed the Strike force 5 as such Hmmm. CBS HBO NBC NBC … That's 3 of the big five but I'm almost entirely sure I ‘ missing something. Where's Kimmel? CBS Colbert? HBO The NBC twins are on my last and ever living but still dying nerve So.. So— So I'm missing precisely one strike force member And arguably two out of the big five… That's— a relief. Considering I think Fox is in the big 5, sure. Don't want to attract the wrong attention. Or the right attention, with pun Intended. Whatever. If anything at all from this last election and current growth spurt slash quarter life crisis, I was a moderate conservative however benefitting more than probably from liberalized… Actually? The more I thought about it, this seemed private. I knew that most people who had spent any time at all in New York homeless shelters ended up in equally fitting project housing, but somehow, I had been spared— and though I had picked up two pairs of decent walking shoes, and maybe even raving shoes—definitely skateboarding shoes— But no running shoes, And I needed new running shoes to actually run; my current running shoes had been used nearly to their fullest extent… Not that I was running anywhere. My treadmill seemed just as entirely sick of my apartment as I was becoming… STEFON Batatas. Suddenly I had remembered with some strain of course, that Bill Hader existed in a legendary and almost mythical sense. Way more mythical than anyone else in this story— even Seth Rogen, who was apparently at some point eventually OH MY GOD. WHAT IS THIS. HOW DID THIS HAPPEN? — like, what, hot glued to each other at that party. SETH MEYER(S)? I said no. What. SETH MEYERS I'm not doing it. See, the greatest thing about the festival project, besides it being a corporate sponsored money grab that was growing in value enough to be competable against the superhero franchises DISNEY Hahaha, you wish. That's who I'm missing—Disney. DEADMAU5 No, you're not. I'm not. DEADMAU5 —no…. There's a reason why that dude, in his fragile old age is still touring. DEADMAU5 I'm literally like ten years younger than literally everyone else you just mentioned. (But still touring.) (Read: ☠️ ) —so, you were saying. Oh— the best thing about this whole thing is Wait, how is this Disney? BEFORE: DISNEY You can't Mickey Mouse. MAU5 CAN. DISNEY CAN NOT, and we'll sue you, then kill you, then cryogenically freeze you, bring you back to life — THEN— when your catalogue has doubled in value, sue you again, and then kill you again— And repeat that process infinitely until the end of what is known on earth as “time” Oh, is that what happened to him? I've been wondering. DISNEY Unless… CUT BACK TO: Besides that, The best thing about this project is it features so many standard white savior type protagonists, that if anybody disagrees to this project( they can just be replaced and or characterized by an actor that looks and sounds just like them and their name slightly changed or altered to reflect one which doesn't technically trigger any copyright claims. Can you do that? Yep. 0.0 what's up Seth ROGONE, JOMMY FALOON Sup. Sup. See. [The Festival Project ™] lol Stefon's dungeon. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Worth knowing. I operated on a public server using Google as my. Main browser, our of incognito— This meant everything I search on Google I knew to be public, and did so soaringly, and cautiously. I told you more than once not to mess with that fucker! I wasn't! For the most part; however— That fucker was messing with me! Why! Who are you?! I don't know! Ugh. Ten seconds on the ground and I wanted to die. Fuck this place. Just get in the boat, Keenan. No, I won't. Just get— in the boat. Forget it. I'm not going to your— You don't dont even know what it is! Whatever is is. It's a function! If I didn't start making decisive moves around the map— and quick— I could be made to look like anything, or anyone. The media had ways of turning things into monsters—assuming all in all that the political agenda had overall become some short of holy war. I wasn't safe, especially sitting still— entire crowds moved around me as I emerged from days long stretches of speaking to and looking at no one; the more I resisted to conform, the more hostile the monster became— I was vanishing decently from one world and into the next, and on my absence there was a gaping hole needing to be filled but instead, opening into an inescapable void: being something for others as I presumed that I presently was not: I was not a pawn, or a worker, or a sim— I had escaped a matrix that was nearly entirely built on perception, and had adjusted to the understanding of the illusion of this grid. It was an impractical solution, silence and isolation; eventually I had to communicate with other people, and could not hide. But I would not be forced to do anything or speak to anyone I didn't want to— and so I began tricking the system before it could gather information to go about tricking me. After all, I was keeping more to myself than I was sharing or even writing about— I wrote often about race and sociopolitical injustice; however; these things were at a surface level. The things I pondered upon deeply, I kept to myself— I knew that my Google documents were comprised by the way that on the ground level— the simulation level— people had been hacked and sorted based on things I had put into the aglogithmic clouds. Anyone with a cell phone had become a biohazard, because they were socially and psychologically compatible with being technologically programmed to be moved about in any way the controllers saw fit— and who were the controllers using such as humans as devices? The very war mongers who saw this level as none other than that of a game, and people in no sense more than as numbers—a place which my conciousness did lie, and however— my physical body, almost entirely seperate, risided here amongst the all too common. And it was here that I was more likely to die, physically, anyway, than anywhere else because i wanted to. The frequency shift was severe enough that it bubbled and spewed inside of me not as hatred, but anxiety. Not fear, but nautiousness; I was no longer so compatible with the masses that I could normally function as such; an elitist mindset, but only out of elitist practice. I ate well, trained hard, and focused my energy on a higher mindset— It became obvious that if I didn't decide what I was, I was going to be told what I was, or painted in a certain way as percepted, and this I found limiting. If I decided what I was and made it somehow apparent so that others could not cast any judgement upon me, then I could at the very least, later, change it— if it differed too drastically from whatever it was my true purpose and intention. Easily enough, I found the devil worked through almost all things and people around me in such a way that it was best to remain apart from these things and people and to find my way to being surrounded by others who were in fact, shielded by light. Strength in numbers, and what was here something dark enough had torn through that almost all of them were dark as well, and so almost any time at all with that force made me ill. I'm so sorry. No, you're not— but that's okay, Because I'm sorry enough for the both of us. A SPECIAL DETECTIVE, recently promoted to captain from VICE gives the go-ahead on the immidiate detention of a subject with whom multiple units have been preoccupied with over the course of several months. This is… pure cocaine. It appears so… I've— I've never seen anything like it. — that pure? Like— pharmaceutical. In fact… It was pharmaceutical. Ah great. Why is Tom Hanks back in the movie? [breaking forth wall] Uh— because I was in the front of the movie— And in the middle of the movie— And because this is the same movie. Uh… Oh, by the way, you're in a movie. No!!! Wake up. Fuck. COSMIC AVENGER Snapdragons! Double fuck. Double double indeed. The cosmic avenger has a way of not swearing that is almost trademark to his— What does he do again? Nothing. Oh. You're so fucked now…! JIMMY FALLON is arrested and charged with MANSLAUGHTER. WHY! WHAT DID I DO? …nothing. What were his other catchphrases? I have no idea. Well, get a fucking idea. Why is it That you're so— fucking mean. What? I'm supposed to be what you think, the little man in the box is? I was hoping? At all times? Sometimes, at least. Joke's on you. No Fallon, the joke's on you. You're supposed to be funny. Haha. Goddammit, I hate you. You fucking suck. That's my sparring partner. Yep. What did I do?! You fought like a man— And won. Agh. Good luck, kid. What other way is it to fight? MEANWHILE, on BAD GIRLS CLUB Stop pulling my hair! TANISHA I'mon pull these tracks out whether you like it or noT! U THESE AINT TRACKS! That's my hair! The whole room stops for a moment, frozen in a silent confusion. TANISHA Whatchu say? U This— is my HAIR. It's ATTACHED TO MY HEAD. TANISHA Wh—how'd you get on bad girls club?! I don't know! I must have wished for it at some point or something? Wishes?! WHAT THIS GOT TO DONWITH MY ISNES. Witches? She said wishes. Hm. I'm stuck in the tv in like a movie or something? I don't know, it's very meta— all my wishes get granted— its fucked up. That is fucked up. [everyone just kind of agrees] — but that's your hair? Yeah, or— whatever's left of it and not under your fingernails. But these is acrylic. I figured. And these is BRAZILLIAN REMY. Okay. — and my eyelashes came off a Clydesdale! Why! Cause that shit is majestic as fuck! I…agree with you. Alright. Now sense we agree on this— um…comradrie. — agreement. Let's figure out about this— what you say it was? A movie. A movie— but this is a show. A show inside a movie. Okay. Okay. Okay. …so let's…cut to commercial, or—? I don't know I thought No wonder I'm fucking depressed… And now, it was obvious that someone in the media— the actual media, had read my work. I had deconstructed the Strike force 5 as such Hmmm. CBS HBO NBC NBC … That's 3 of the big five but I'm almost entirely sure I ‘ missing something. Where's Kimmel? CBS Colbert? HBO The NBC twins are on my last and ever living but still dying nerve So.. So— So I'm missing precisely one strike force member And arguably two out of the big five… That's— a relief. Considering I think Fox is in the big 5, sure. Don't want to attract the wrong attention. Or the right attention, with pun Intended. Whatever. If anything at all from this last election and current growth spurt slash quarter life crisis, I was a moderate conservative however benefitting more than probably from liberalized… Actually? The more I thought about it, this seemed private. I knew that most people who had spent any time at all in New York homeless shelters ended up in equally fitting project housing, but somehow, I had been spared— and though I had picked up two pairs of decent walking shoes, and maybe even raving shoes—definitely skateboarding shoes— But no running shoes, And I needed new running shoes to actually run; my current running shoes had been used nearly to their fullest extent… Not that I was running anywhere. My treadmill seemed just as entirely sick of my apartment as I was becoming… STEFON Batatas. Suddenly I had remembered with some strain of course, that Bill Hader existed in a legendary and almost mythical sense. Way more mythical than anyone else in this story— even Seth Rogen, who was apparently at some point eventually OH MY GOD. WHAT IS THIS. HOW DID THIS HAPPEN? — like, what, hot glued to each other at that party. SETH MEYER(S)? I said no. What. SETH MEYERS I'm not doing it. See, the greatest thing about the festival project, besides it being a corporate sponsored money grab that was growing in value enough to be competable against the superhero franchises DISNEY Hahaha, you wish. That's who I'm missing—Disney. DEADMAU5 No, you're not. I'm not. DEADMAU5 —no…. There's a reason why that dude, in his fragile old age is still touring. DEADMAU5 I'm literally like ten years younger than literally everyone else you just mentioned. (But still touring.) (Read: ☠️ ) —so, you were saying. Oh— the best thing about this whole thing is Wait, how is this Disney? BEFORE: DISNEY You can't Mickey Mouse. MAU5 CAN. DISNEY CAN NOT, and we'll sue you, then kill you, then cryogenically freeze you, bring you back to life — THEN— when your catalogue has doubled in value, sue you again, and then kill you again— And repeat that process infinitely until the end of what is known on earth as “time” Oh, is that what happened to him? I've been wondering. DISNEY Unless… CUT BACK TO: Besides that, The best thing about this project is it features so many standard white savior type protagonists, that if anybody disagrees to this project( they can just be replaced and or characterized by an actor that looks and sounds just like them and their name slightly changed or altered to reflect one which doesn't technically trigger any copyright claims. Can you do that? Yep. 0.0 what's up Seth ROGONE, JOMMY FALOON Sup. Sup. See. [The Festival Project ™] lol Stefon's dungeon. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

They weren't going to hire me for EDC anyway1- not based off of that mix! But it had been a long week, and a long day, and of all the excuses in the world o had to make, the greatest excuse was this: it just wasn't my best mix( I simply wasn't ready. In fact, my entry was more like a spoof— I hadn't any pictures on my laptop and instead included a photo of my logo; my entry included a bio that was short and direct, vague and said more about my invisible cat than I did me. I didn't include a soundcloud, because I didn't have one, and when it came down to it, I wasn't a fan of the mix; it didn't sound as well as I knew I could do, or even as good as some of my past entries. I was going off the top of my head, with no tracks analyzed to sync—which meant I was wasting valuable playtime selecting tracks, and pitchyhingbthen manually to be exact, which made my mix not sound like me at all. I sounded like an amatur/- and with this being my first on-camera appearance, I certainly was an amatuer. The top of the line technology was foreign to me— and I knew EDC was at a loss; I hadn't handed in my best work or even looked my best, not understanding how fat the camera would make me look. Still, I hadn't even given them the video, and with every bit of my might leading up to the very deadline, I still made a ridiculous effort to hand in something— because it was some thing. I was already on somebody's radar in the DJ world for a very long time— this was my way of showing I was still doing as much as I could to actually catch up to speed with the kids, the hot girl DJ's, and the prostitots who at least could figure out how to analyze and sync their pre-recorded sets and press play on time. My set was janky, and it made it look like I couldn't even do that. But I could. As I had learned by spending that amount of time at the decks, I had actually become quite the technical DJ— little use of effects by choice means that I had precision focused in speed and ability— how many tracks can I get up and down and to stay in line? It was harder than ever without the ability to use sync at all, but I was learning by hand a skill enough DJ's didn't have to make it a skill worth having. Then, there was more I needed not just to learn, but for it to become second nature. For it to be easy to do not just in a room myself, but potentially in front of hundreds and thousands of people. I didn't want to be the average disc jokey. I wanted to play EDC— and not on a little controller on a side stage at 3:30 PM; I was sure I would one day start there, but this year was a wash. I had been thrown off by trying and failing to record the mixed I needed to enter the contest on my birthday and then all that accumulated in the pressure of anxiety, disappointment, and movements I hadn't made in months under the circumstances— for about four days in a row it seemed unlikely that it would happen at all, and when it did, it was at the very last moment, at the literal deadline, with a mix I wasn't particularly proud of and a track which was technically unreleased without using “unlicensed content”— I had selected it in hopes that the judge of the contest, SLANDER might hear something from it. A bass music DJ— and this was bass music, however, with somewhat outdated samples and a rare and very unique technique, I would hope that someone would listen to the track before the mix— and hear something special in it. It was a special song, at least to me— but these people were hard to impress to say the least, still I wanted to at least be on the radar, and I had an Insomniac tattoo that pleaded with me at times to just do whatever it takes. Besides, they had opened up another contest, which meant I had four tracks to present in total— three more tracks and three more mixes, and I was determined that with each passing day I would do better. For now, I was recovering from being out in New York on a rolling basis; my collected self confidence and poise from isolation had dwindled into the rotting core of depression of just being “just another poor black girl in Brooklyn” not an identity I wore on me at all times, but something like a badge that was placed on me by location, and the color of my skin. I hated my apartment, and I hated everything about my circumstances— because it separated me from the other DJs and producers. I wasn't safe, supported, popular, pretty, or well-to-do— and I didn't have the access to thentechnology on a whim, through a friend, or with privelege. Everything I did in the DJ world was a fight, a push, a breakthrough from a world that had no such luxuries— and for the most part, what wasn't going into my music, was going into my mouth. When I wasn't excersising, I was working, and when I wasn't working, I still was. I spent my time writing, and reading, and there was no such thing as a waste of time when I was learning about my predecessors— J.K. Rowling, George Lucas, and even Jim Henson, who I'd learned had made the very first muppet from scratch and by hand! Besides the play on words, I wasn't just a DJ; I was a writer, and a filmmaker, and I was trying to figure out how somehow also I was this strange puppeteer man, coming to the conclusion with the fact that I was also sort of always just obsessed with TV and wanted something to do with it. But I was stamping my foot, and heavily— I didn't just want to be an actor! I didn't just want to be a comedian. And certainly, because it sometimes seemed as if anybody could do it and with the sync button and pre-recorded mixes in mind, any bikini clad hot girl or basic bitch Chad boy could and were very most often DJs—I certainly did not want to nor did I have the choice of being just a DJ, or JUST a producer— because it seemed nothing made sense without being any of the others. But the problem remained that I was still not making any money from anything really worthwhile, and I was sick of subsisting, with the limited choices I had for nutrition and vitamins because of my government subsidies; the foods I wanted were out of reach— the energy sustaining, clean and organically sourced best foods and vitamins were just simply unavailable to people with food stamps, and even on the days I should have felt happiest, I became depressed. How was I going to escape the system— and why was no strawberry flavored vegan protein available to people on EBT?! I was almost a comedian, but lately too depressed to perform. All I wanted was my music world to be real— and it was real— I was doing just about as much as anyone else in the industry was, despite my limitations, and just not getting paid for it. My neighbors banged on the walls when I played music and slammed doors even even I didn't— and when I sang or rapped it sounded like they were slamming things around like they were throwing tantrums and fits. It might have been easy to look past if I were inebriated in some sort of way like most rappers, singers, and performers— but I was stone cold sober. Even in ear plugs, I heard every slam, every bang, every boom— and not to mention the motorcycles and the rest of the idiots outside. It seemed like I was being trapped by an energy that just simply never wanted me to make the best music I knew I could make, and so the best music I knew I could make wasn't going to be in this place. But how would I escape it? IT STARTS NOW. Agh. I promised myself that on my next Instacart subscription I would brush up on my Saturday a Night Live and whatever Which included but wasn't exactly limited to— Seth Meyers, 30 Rock, And almost dreadedly The Tonight Show, starring . Oh look. There he is. What was that dude's name again? Fixed it, You're welcome. What was wrong with it. Just needed some adjustments. Uhh. Wow, I never saw that before. A very strange man has appears to have affixed a giant pair of television antennas to his oddly specific television-shaped house. Hm. Aha, I see… I told you before, Marty. I don't like you hanging out with that old man. He is— — he's strange, Marty! He's strange, Well, maybe I'm strange. I don't think so! Remember this? LORRAINE points at a picture on the refrigerator; Her son, MARTY is clean cut, smiling and well dressed— almost the opposite of his newly adopted Whatever, I just got bored. But mom, he's a genius! Genius my patatootie! Let's not— [The Festival Project ™] Ugh, Mom! —say, “patootie” alright? Especially when I'm watching TV! I can say patootie all I want, especially if it's my patootie! Eww, mom!! Patatootie, patootie, patootie! Alright. I only got two weeks to learn everything I can about Saturday night Live… For whatever reason. WHY! I don't know. WHY! I don't know. WHYYYYYYYYYY?! I don't know, Kenan, shut the fuck up! Woah woah woah. Hold the phone. KENAN cries out into the universe inconsolably about his newly entirely totaled Beamer. KEL can't seem to console him, but doesn't really try. He seems preoccupied with twisting up the perfect blunt, licking it from the sidewalk as KENAN, hunched over the crumpled hood and completely totaled vehicle cries out once more, WHYYYYYYYYYYYYYY?! There appears to have been a hit-and-run. L E G E N D S Earlier: Well, for… Wait who did I write Flowers for? Bill Hader. That's right. I never found Bill Hader. I was trying to avoid— Oh look, a penny. Aurumph. —oddly enough, I also promised myself a Rick and Morty marathon. Oh, that's right; it was Was I right? I can bet. CHRIS PARNELL seems to have awakened from a very deep sleep. As he lie on his back in the middle of the floor in an unknown room, the location becomes familiar ; he appears to be at Rockerfeller Center— however, not in a usual setting. PARNELL Oh, Jesus Christ… I don't know how I had him and sudakis mixed up. I don't even think they were on the same cast. Also, explain to me why. EXPLAIN TO ME WHY THIS DUDE: [Apparently Rob Riggle] SHOT ME. Shot— yo, wait. And you said— I'm waiting. He was wearing some kind of cloak . A cloak of invisibility. Everything was hidden besides— whatever he was drinking. He was drinking something . Yes, that is correct, apparently! “Apparently” Apparently! “Apparently” Do you remember what he was drinking. Ah, yes. I remember exactly…apparently. Apparently? Yes, exactly—apparently. It appeared to be a strawberry milkshake. A—a strawberry milkshake . A strawberry milkshake! Exactly! Not apparently? Exactly, apparently! Alright… thanks. -_- Now, where were we with the actual celebrities ! I thought this was a Star-studded cast! We are star studded. Where are they then. The who?! The stars ! The what! The people! You said this movie had real star power! It does! Where! Right here, see ?! At some point I had seen all I thought that I could of one man's price — The thing to pay in response to one great, cosmic ask; And then, like nothing ; I dissappeared, and went away with it all, into my cavern, trapped like a madman; To know so much and yet, nothing at all. Shh. K. Take this. *sighs, but almost silently* Shh. *sighs even more deeply, but even more silently* The Legend of Ascencia Yo. Yo what. Yo what the fuck. What the fuck. What the fuck. It's Skrillex. No, I'm not. Dont tell me— Idiot . You look confused. Do it again. I am— confused. Mortals. Where's deadmau5. I'm not playing deadmau5; These speakers are loud. Play the deadmau5 No, not that. There is it. Aha. See, I found it. —noo. That's better. I'll take it from here. From where. I don't see anything. I don't feel. I don't know anything. I don't say. I lost focus. I go home drunk. I think I called the wrong number. I think I caught a cold on the tour bus. I think I brought the whole road back with me. I think I got more starstruck not watching. I think I ran out of luck— On a four leaf clover. I think I woke up to Conan at Four in the morning Like “top of the morning to ya” And it was too much It was too much. It was too much. Smile. Camera one Camera 3 Run a mile Smile Admire on in 1, 2– Why are we counting up? Somehow my whole world backwards Backend, black tights, Black dress That's right But I don't like rice and my fritters is fried I am fried I am High I guess High I guess High I guess High I guess Hi, I guess. I like his eyes, I guess. Starting to cry I guess, Will ferrel is wild, I guess But why Don't look at the thigh meat I'm high as a kite I guess I just smiled and sung my goodbyes And just stopped trying to try I guess I wasted all my good years On a poor fat boy I wasted all my goo ears on bad songs that Still blow my mind Subliminal messages And as high as I am I still see tides, I guess Whole worlds of oceans and Starting to fly, I guess Yess I'm a bird Fuck this bird All I wanted was water A kite I guess Look, mom, I still cry I guess I digest life by the light and the smiles I get Almost none of them, Retreat to the forest Where I don't see none of them To go downstairs, No hair No make up Ugly girl Black girl Broke girl New York Going downstairs Undressed, Not made up Ugly girl Black girl Nappy girl Fat girl New York Scowl like you mean it Scowl like you mean it Nobody loves be because I'm not famous And no, I don't want you Because you're not famous And no, I don't want you Because you got famous And now I don't want you Because you're too famous Yes Do wah diddy Down by the boardwalk Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Dave and Chuck the Freak talk about Dave’s hot jam about potatoes, Grilled Cheese Day tomorrow, S’more and oyster mashup for dessert, battery charge % when we feel like we need to start charging, how men feel wearing a suit, helicopter crashed during tour in NYC, plane clipped wing of another plane at airport, house collapsed on firefighter, gator attack, Detroit gas station busted for illegally selling weed, woman claimed to be assaulted by tenant but cameras showed she was lying, orphan cougar cub, cat stood down coyote, man arrested after Florida Gators victory, golfer peed in creek at The Masters, memorial bricks outside of PNC Park ripped out, Pirates fan wore paper bag over head, sign from 1984 World Series gets returned to Detroit bar, update on Weezer bassist’s wife, Betty White ate a hot dog every day, Bill Hader was fired from movie theater job for spoiling Titanic, celebs that are nice, Mark Hoppus claims to be responsible for capture of Sadam, assistant principal arrested for making a student rub her feet, police chase with a U-Haul with people inside, woman fights off carjacker, man causes 3 car collision reaching for donut, woman called AAA for flat tire during standoff with police, guy robs a place with finger guns, man drove off bridge because of Google Maps error, man had fungal infection in lungs from smelling dirty socks, what is the nastiest habit your partner has?, man got his girlfriend’s entire fist stuck in his mouth, Ask Dave & Chuck, using apps to track wife, called waiter the R-word, step cousin thinks he wants to date her, potluck food, illegal fireworks thrown into home, guy did destruction theft, update on old woman stranded in Puerto Rico with parrot, man crashed int gas station because of his Crocs, penguin caused a helicopter crash, Publishers Clearing House files for bankruptcy, woman beats up daughter for banging a guy, and more!

04-11-25 - Entertainment Drill - FRI - Bill Hader Got Fired From Movie Theater Job For Spoiling A Movie - Mark Hoppus From Blink 182 Credits Himself For Capturing Sadaam HusseinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

E News: Betty's White secret recipe to life, John Mellencamp's daughter, Who are the nicest celebrities?, Bill Hader is funny, A funny Masters story, and more. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

04-11-25 - Entertainment Drill - FRI - Bill Hader Got Fired From Movie Theater Job For Spoiling A Movie - Mark Hoppus From Blink 182 Credits Himself For Capturing Sadaam HusseinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After we shared a crazy story from comedian Bill Hader, we got the most epic text that will inspire our (totally made up, unless you want it) merch line!

Welcome to our first ever “Minisode” – where we zoom in on individual moments or facets of rejection we've come across in our research. This week, we tell the story of Bill Hader's Saturday Night Live anxiety and what happens when you come face to face with your biggest hater. Hosted on Acast. See acast.com/privacy for more information.

CLOSE ENCOUNTERS OF THE NERD KIND!! Paul Full Reaction Watch Along!! https://www.patreon.com/thereelrejects With Seth Rogen Starring in & Executive Producing The Studio for Apple TV+, Andrew Gordon & John Humphrey give their Reaction, Recap, Commentary, Analysis, & Spoiler Review for 2011's PAUL!! Visit https://huel.com/rejects to get 15% off your order Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Join Andrew Gordon and John Humphrey as they dive into the offbeat sci‑fi comedy, Paul. Written by and starring Simon Pegg and Nick Frost (best known for their work in Shaun of the Dead and Hot Fuzz), this cult favorite follows two irreverent British friends on a cross-country road trip who unexpectedly encounter Paul—the wise-cracking, otherworldly visitor with a penchant for mischief, voiced by Seth Rogen (celebrated for his roles in Superbad and Pineapple Express). In this zany adventure, Simon Pegg's character brings his signature charm and wit as he navigates bizarre encounters alongside Nick Frost's lovable everyman persona. The film also features standout appearances by Jason Bateman (known for Arrested Development and Ozark), Jo Lo Truglio (from 30 Rock), Bill Hader (famed for Saturday Night Live and Barry), as well as the legendary Sigourney Weaver (the iconic star of Alien) and Blythe Danner (celebrated for her roles in Meet the Parents). Andrew & John break down every hilarious and unforgettable moment—from Paul's jaw-dropping introduction and the wild road trip escapades to the film's clever meta-references and satirical nods to classic sci‑fi tropes. Whether you're a longtime fan or discovering this quirky gem for the first time, join us for an in‑depth reaction and review that captures all the humor and heart of Paul! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's get swept away by the Catalina Breeze! We're taking a swim in the chill waters of the Documentary Now's two-parter, "Gentle and Soft: The Story of the Blue Jean Committee," starring Fred Armisen and Bill Hader. What may have started as a simple mockumentary based on 2013's "The History of the Eagles" came out as a hilarious and accurate survey of the various "soft-rock" sounds of the 1970s, and we're calling out all the connections we heard. Plus, we get into the band's true origin on SNL.

Ever feel like you're the only one who doesn't have it all figured out? You're not alone. In this episode, I share the surprising story of how Saturday Night Live stars Bill Hader and Andy Samberg met for the first time—each one secretly convinced that the other was the one "doing it right". Spoiler alert: they both were.This story perfectly captures one of the biggest lies we tell ourselves in business, creativity, and life: that everyone else knows what they're doing while we're somehow lost or that we need to follow what *they're * doing in order to be more successful in our businesses. The truth? Most people are figuring it out as they go—just like you and me. In this episode, you'll hear…✅ The Bill Hader & Andy Samberg SNL story and what it reveals about imposter syndrome✅ Why the belief that “other people have it all figured out” is keeping you stuck✅ How to shift your mindset and stop waiting until you feel “ready”✅ BIG NEWS! A new 4-part podcast series starts Monday, March 3, 2025✅ Other big news: My book, When I Start My Business, I'll Be Happy, is available for pre-order and releases on April 15, 2025!

Susan Morrison author of 'Lorne: The man who invented SNL'Susan talks:-"Lorne likes to say 'Everyone's favorite cast was when they were in High School'"-SNL 50th, they threw out Steve Martin's monologue Sunday morning and started over-Who is Lorne Michaels - "this is a man who's never used an exclamation point!"-How does Lorne stay relevant with today's comedy -Who is the most successful cast member to come out of SNL-Lorne is 80.  Who succeeds him to take over SNL To subscribe to The Pete McMurray Show Podcast just click here

Andrew Buss has carved out a niche for himself as a pop culture expert, with a heavy emphasis on comedy. He has written for publications like Vanity Fair, New York Magazine's Vulture, The Daily Beast, Consequence of Sound, and The Laugh Button, where he served as editor for five years. As a journalist, Andrew has conducted interviews with some of the most prominent names in entertainment, including Mel Brooks, Seth Rogen, Nikki Glaser, Conan O'Brien, Ben Stiller, Jack Black, Emma Stone, Bill Hader, Andy Samberg, Brendan Fraser, Jonah Hill, Bo Burnham, and countless others. In this interview, we talk about his writing and journalism journey, his new book I AM MCLOVIN, the legacy of SUPERBAD. When Superbad was released on August 17th in 2007, it proved itself to be a massive success right out of the gate, especially for those in the film's target millennial demographic. The film wound up dominating at the box office, bringing in $170 million dollars worldwide, against a $20 million dollar budget. It also launched the careers of Jonah Hill, Michael Cera, Emma Stone, Bill Hader, Christopher Mintz-Plasse, and Seth Rogen whose careers are all thriving to this day. It further proved that Judd Apatow is now one of the most successful film producers of his generation, bringing the world hit after hit. Superbad remains, to this day, a beloved comedy film for millennials who grew up with it. This is because, unlike other comedies of that era, it embraced the awkwardness of the characters, particularly with someone like Michael Cera. Unlike the cartoonish representations of an 80s comedy like Revenge of the Nerds, Superbad presented itself with depth to the characters that enabled millennials (and other generations) to bond with the movie in a more meaningful way. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

This week, Kat and Jocelyn are revisiting Amy Schumer's TRAINWRECK! We discuss an over reliance on cameos, a confusing central relationship, and praise Bill Hader for being, well, Bill Hader.   Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, video series, web comics, and more.

In celebration of the shows 50th anniversary - We give you 10 categories, a budget and castmember prices to build your best Saturday Night Live cast!Who was overpriced? Did we miss any big names?  Are there any steals?Share your casts with us on social media - @MACandGUpodcast

Bob and Brad take a deep dive into Pixar's Inside Out (2015), the groundbreaking animated film that explores emotions, memory, and mental health through the story of 11-year-old Riley and her personified feelings. Directed by Pete Docter and featuring the voices of Amy Poehler, Phyllis Smith, and Bill Hader, Inside Out remains one of the most emotionally resonant films of the 21st century.Then, in the whiskey segment, our hosts sip on BenRiach 10-Year "The Original Ten", a Speyside single malt Scotch known for its balance of orchard fruit, honeyed malt, and a subtle whisper of smoke. How does this dram compare to other 10-year-old Scotches, and is it a must-have for whiskey lovers?As always, we wrap up with Two Facts and a Falsehood, our Final Analysis, and the all-important Final Scores on both the film and the whiskey.(0:00) Intro – Setting up Inside Out and BenRiach 10-Year.(04:30) Brad Explains (06:45) Performances, Themes (28:50) BenRiach 10-Year Review (38:00) Two Facts and a Falsehood & Final Analysis (47:46) Let's Make it a Double and Final Scores Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Dana and Tom with special guest, author Andrew Buss (@andrewlbuss on Twitter, IG) discuss Superbad (2007) for Andrew's new book coming out on Tuesday, February 18th, 2025 - I Am McLovin: How Superbad Became the Biggest Comedy Hit of Its Generation (available with all major book purchasers): directed by Greg Mottola, written by Seth Rogen and Evan Goldberg, music by Lyle Workman, starring Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Emma Stone, Bill Hader, and Seth Rogen.Plot Summary: So there's this flick called 'Superbad', right? Imagine two high school seniors, Seth and Evan. They're like best buds, and of course, they're total outcasts. Anyway, they're on this mission to have the most epic night ever before they head off to college. The ultimate goal? Get booze and get the girls of their dreams.But let me tell you, everything that can go wrong does go wrong. Picture a wild odyssey that involves a fake ID, cops who are a bit too eager to party, and one awkward encounter after another. It's hilarious, it's awkward, and it's got that coming-of-age vibe that makes it an absolute riot. Oh, and it's also got a bit of heart—because, you know, it's not just about the party. It's about friendship, growing up, and all that other mushy stuff.You can find the full live video from our interview/episode on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/superbad-2007-ft-andrew-buss-special-livestream-editionFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Superbad, Andrew Buss, R-rated comedies, friendship, film analysis, comedy history, Judd Apatow, movie impact, generational comedy, cultural significance, Superbad, comedy, film analysis, cultural impact, behind the scenes, legacy, novelty, classicness, cinema, changing attitudes, law enforcement, rewatchability, R-rated comedies, film analysis, audience reception, cultural commentary, movie legacy, comedy evolution, Seth Rogen, Emma Stone, Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Greg Mottola.Ronny Duncan Studios

This is the second episode today.  There was another epsiode dropped earlier today.Johnny Mac recaps the memorable moments from Saturday Night Live's homecoming concert, including a performance by Lady Gaga and Andy Samberg. Jody touches on the musical acts and sketches that took the stage, including a medley from Will Ferrell and Anna Gasteyer and appearances by musicians like Miley Cyrus,  Eddie Vedder, and more.00:25 Lady Gaga and Andy Samberg's Performance03:08 Lazy Sunday and Other Performances03:58 Backstreet Boys and Jerry Seinfeld04:39 Jimmy Fallon and Other Highlights05:05 Will Ferrell and Anna Gasteyer's Medley05:44 Full Set List RecapUnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which says UNITERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!  You also get 20+ other shows on the network ad-free!    This podcast supports Podcasting 2.0 if you'd like to support the show via value for value and stream some sats! https://linktr.ee/dailycomedynews Contact John at john@thesharkdeck dot com  John's free substack about the media:  Media Thoughts  is mcdpod.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews You can also support the show at www.buymeacoffee.com/dailycomedynews06:51 Dan Aykroyd and Bill Hader's Absence08:18 Email Mishap hilarityBecome a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news--4522158/support.

Nick celebrates Valentine's Day with a hilarious look back at some of Saturday Night Live's best sketches, bits, and songs that poke fun at—and embrace—the holiday. Highlights include a song about the awkwardness of receiving a Valentine's Day card from your mom, a last-minute gift guide courtesy of a very honest CVS commercial, and a visit from Garth and Kat with their signature off-the-cuff holiday songs. Plus, Nick revisits the first-ever appearance of Leon Phelps: The Ladies Man, along with an unforgettable Valentine's-themed visit from Stefon. Featuring the comedic brilliance of Kate McKinnon, Fred Armisen, Kristen Wiig, Tim Meadows, Halsey, Taran Killam, Jay Pharoah, Bill Hader, and more, this episode is packed with laughs and behind-the-scenes stories. Happy Valentine's Day from That Show...! [Ep110]

Live from New York…it's a celebration of all the Saturday Night Live monologues from Drew Barrymore's hosting stints! To celebrate the show's 50th anniversary, we're ranking all 6 of Drew's monologues. Join us as we discuss moments like Bill Hader turning John Barrymore into a valley girl, Darth Vader reading a Valentine, Tom Green in a gas mask, a random monkey appearance, a declaration of love, and an iconic biographical musical number.⁠⁠⁠⁠⁠⁠⁠Join our ⁠⁠Patreon⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ All members will receive access to high resolution scans of the full magazine feature.Visit us on the web!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@howdoyoudrewpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠howdoyoudrew.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@drewseum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thedrewseum.com

In this episode, Codey chats with Jessica Zalaznik and Adrien Bindi of GSD&M, the creative minds behind the “Goldilocks and The Three Trucks” Super Bowl commercial, which features Glen Powell for RAM Trucks: . They touch on their career paths, the exciting challenges of creating a Super Bowl ad, and their insights on working with celebrities like Glen Powell and directors like David Leitch. Some of our favorite topics include: The future of advertising, Their perspectives on creativityA little career advice (as always)They also chat about some of their other notable work which includes reinventing Fruit of the Loom's “Fruit People” for a TikTok campaign and a hilarious WWDC intro starring Bill Hader.So, whether you're an advertising pro, here to learn, or just love talking Super Bowl commercials, this one's for you.Links:Jess's SiteJess's Tik Tok @goodboygonehome | Helping dogs find homes in Austin, TXAdrien's SiteRam Trucks | Big Game SpotFruit of the Loom | Fruit PeopleWWDC IntroEpisode Edited by Dylan Giovanettowww.dylangio.com | dylgio@gmail.comIf you want a shoutout in a future episode please leave us a written review on Apple podcasts. From CRY, a Creative, Production, and Post house based in New York City. Brought to you by CRY www.filmcry.com Intro mixed by Micheal Hartman - michaelhrtmn4@gmail.com

Nick welcomes fellow film critic Peter Sobczynski to the podcast for a deep dive into his Saturday Night Live memories, from his childhood introduction to the show to his favorite cast members and standout moments. They also count down Peter's five favorite SNL sketches of all time—many of which share a horror-inspired, darkly comedic streak. Highlights include Dan Aykroyd's hilariously gruesome Julia Child, Gilda Radner as a terrified child facing a closet-dwelling fiend, and Bill Hader's Vincent Price struggling to wrangle Jon Hamm's James Mason and Fred Armisen's Liberace. Peter also reveals his favorite SNL line of all time and reflects on how his freshman year of high school coincided with one of the show's strangest seasons. A fun and insightful conversation with a talented colleague, packed with great SNL nostalgia! [Ep109]

It's been ten years since Kristen Wiig and Bill Hader starred in the comedy drama The Skeleton Twins, and what better way to celebrate than talking to them both. Join my vulture colleague, Kathryn Van-Arendonk, for an onstage reunion of two friends as we look back on their years of collaboration, culminating in a true indie classic. Order Jesse's book (out now!), Comedy Book: How Comedy Conquered Culture–and the Magic That Makes It Work here: https://us.macmillan.com/books/9780374604714/comedybook Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nick welcomes the multitalented writer, producer, broadcaster, and journalist Amy Guth to the podcast to share her memories of watching Saturday Night Live as a young kid and how the show inspired her creative journey. They chat about standout moments and hilarious work from cast members like Tina Fey, Bill Hader, Gilda Radner, and Adam Sandler. Amy also reflects on the evolving representation of women, Jewish culture, and targeted commercial audiences, and how these elements have influenced comedy over the years. Together, Nick and Amy countdown her 5 favorite SNL sketches, featuring unforgettable contributions from Kate McKinnon, Fred Armisen, Vanessa Bayer, Will Ferrell, Rachel Dratch, and more. It's a lively and thoughtful conversation with a brilliant colleague, celebrating some truly special SNL moments. [Ep107]

Bill Hader joins Andy Richter to talk about going from behind the camera to in front of it, thinking everyone is mad at you, and more. This episode originally aired in February 2021. Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel.