Podcast appearances and mentions of Chris Kraus

Travel through time with the Breaking Form ladies as we revisit some queer times and places.Support Breaking Form by reviewing the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books.  Notes:Check out Felice Picano's website https://www.felicepicano.net/, and this tribute to the writer, who died in 2025 at the age of 81. For more about how Saint Sebastian became a queer icon, read here. Leslie Feinberg's Stone Butch Blues is available in many formats on Feinberg's website: https://www.lesliefeinberg.net/In addition to publishing poetry and prose, Darrell g.h. Schramm writes for national and international rose publications, especially on heritage roses. He edits Rose Letter, a small quarterly of the Heritage Roses Group, and a newsletter The Vintage Rose for The Friends of Vintage Roses. For many years, he taught rhetoric at the University of San Francisco.Member of the Family: Gay Men Write About Their Families was edited by John Preston and published by Plume in 1994.Check out "The Truth That Must Be Told: Gay Subjectivity, Homophobia, and Social History in "Cat on a Hot Tin Roof'" by Dean Shackleford in The Tennessee Williams  Annual Review (available through jstor). Read more of Richard McCann's poem "Days of 1990" from Ghost Letters (buy it from Alice James Books here).The book David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side was edited by by Sylvère Lotringer, Giancarlo Ambrosino, Chris Kraus, Hedi El Kholti, Justin Cavin, and Jennifer Doyle, and it was published by Semiotext(e). The book resulted from Wojnarowicz's meetings with Lotringer; they'd arranged to meet In February 1991 to conduct a long-awaited dialogue on Wojnarowicz's work. Wojnarowicz was then at the peak of his notoriety as the fiercest antagonist of morals crusader Senator Jesse Helms–a notoriety that Wojnarowicz alternately embraced and rejected. Already suffering the last stages of AIDS, David saw his dialogue with Lotringer as a chance to set the record straight on his aspirations, his personal history, and his political views. Check out this video of Wojnarowicz reading "All I Can Feel Is the Pressure" 

The episode #010 of our podcast series '5tracks' is presented by Spanish DJ JAY CASTELLI who made a collaboration with German artist CHRIS KRAUS for producing 5 tracks of independent music. This 'B-side' release - oriented house music - comes right after the 'A-side' episode (#009) - oriented techno. Five tracks mixed by JAY CASTELLI, after being produced by both artists. More information on each track and/or order online for fans willing to support these two independent artists: 1. JAY CASTELLI - Eyieyieh (5:17) 2. CHRIS KRAUS - Oh my gosh (7:03) - [info & order: chriskraus.bandcamp.com/track/oh-my-gosh ] 3. CHRIS KRAUS - “How are you?!” (5:53) - [info & order: chriskraus.bandcamp.com/track/how-are-you ] 4. JAY CASTELLI - Dah Dah (5:32) 5. JAY CASTELLI - All in (5:06) © Jay Castelli & Chris Kraus, 2026 More information about Chris Kraus:
 @minimalicous
 www.instagram.com/chris_kraus_music/ Get the music of Chris Kraus now!
 chriskraus.bandcamp.com/ More information about Jay Castelli
 @jaycastelli
 www.instagram.com/jaycastelli/ Get the music of Jay Castelli now!
 https://djlink.me/a/JayCastelli More electronic music & podcasts on Odiolab's website: www.odiolab.ch/series/5tracks/ #Call4Artists are you an independent artist willing to showcase your techno track(s) ? Please send your music here : uzic.ch/submit-music/ 
Our team will review and provide feedback to every track submitted! Want to support 5tracks podcast ? Help the Odiolab association broadcast it free of charge with a donation: donorbox.org/podcast-donation-en

Today, we chop it up with one of only TWO Canadian Division 1 head coaches, Stonehill College's Chris Kraus. Chris has a deep lineage of basketball; his father was a coach at legendary Markham High School, and Chris followed the team around at a young age.  Because of that situation, it seemed like basketball was always going to be, and although Chris was involved in a bunch of sports he couldn't break the passion for hoops.  He excelled at the game and even found himself playing in the historical grassroots program alongside the likes of Denham Brown and Jermaine Anderson.  After a couple of attempts at pro hoops, Chris realized it was time, and he dove right into the coaching world. His story is great, and even took a flyer on how he started out! He now finds himself back at Stonehill, the same place he played and is having success while navigating the move to Division 1. A great episode for all aspiring coaches and hoop heads, tap in! #Canadabasketball #ahoopsjourneypodcast   Chris Kraus - Guest https://en.wikipedia.org/wiki/Chris_Kraus_(basketball) https://x.com/CoachChrisKraus https://stonehillskyhawks.com/sports/mens-basketball/roster/coaches/chris-kraus/1324   Aaron Mitchell - Host Instagram: https://www.instagram.com/a_a_mitch/ Instagram: https://www.instagram.com/ahoopsjourney/

Randl, Lola www.deutschlandfunkkultur.de, Lesart

Randl, Lola www.deutschlandfunkkultur.de, Lesart

Randl, Lola www.deutschlandfunkkultur.de, Lesart

our 1990s season continues with i love dick by chris kraus and a slew of 1997 facts, including lots of titanic talk. the big question, right off the bat: how did they make this a tv series? (shreds plans to investigate.) we discuss the text's format and two (very different) halves, the reference to kathy acker, and the inherent sadness and embarrassment in this novel and in sylvere leaving her. we attempt to refilter chris's obsession through a modern lens, and we also try to contextualize the feminism of the text. what is chris kraus's impression of this world? it's unclear, which we struggle with. we hear from the egg and read youtube comments we missed. reading list for season seventeen vineland by thomas pynchonmao ii by don delilloall the pretty horses by cormac mccarthytrainspotting by irvine welshnotes of a crocodile by qiu miaojinsabbath's theater by philip roththe atlas by william t. vollmanni love dick by chris krausthe poisonwood bible by barbara kingsolverfrom hell by alan moore

Since 5tracks is a collaborative podcast showcasing independent electronic music only, we're back with “A-side”, an episode “apart” as it gives you the opportunity to listen to the fruit of a recent collaboration between Chris Kraus (@minimalicous), a Cologne-based producer and DJ influenced by “House” (deep/tech-house as we like it, made in Germany, underground and rhythmic) and DeepSpud a.k.a. @SickSpud , a techno artist who has been a long-standing presence on UZIC. Five tracks mixed by DeepSpud, after being produced in a Swiss / German duplex. More information on each track and/or order online for fans willing to support these two independent artists: 1. DEEPSPUD - Orientale Face (7:48) - [info & order: https://sickspud.bandcamp.com/album/face-ep?t=1 ] 2. CHRIS KRAUS - Oh my gosh (7:03) - [info & order: https://chriskraus.bandcamp.com/track/oh-my-gosh ] 3. DEEPSPUD - Minimal bal (7:19) - [info & order: https://sickspud.bandcamp.com/album/face-ep?t=3 ] 4. CHRIS KRAUS - “How are you?!” (7:03) - [info & order: https://chriskraus.bandcamp.com/track/how-are-you ] 5. DEEPSPUD - Funky Face (7:43) - [info & order: https://sickspud.bandcamp.com/album/face-ep?t=2 ] © SickSpud & Chris Kraus, 2026 More information about Chris Kraus:
 https://soundcloud.com/minimalicous
 https://www.instagram.com/chris_kraus_music/ Get the music of Chris Kraus now!
 https://chriskraus.bandcamp.com/ More information about DeepSpud a.k.a. SickSpud:
 https://soundcloud.com/sickspud
 https://www.instagram.com/sickspudofficial/ Get the music of SickSpud now!
 https://sickspud.bandcamp.com/ More electronic music & podcasts on Odiolab's website: https://www.odiolab.ch/series/5tracks/ #Call4Artists are you an independent artist willing to showcase your techno track(s) ? Please send your music here : https://uzic.ch/submit-music/ 
Our team will review and provide feedback to every track submitted! Want to support 5tracks podcast ? Help the Odiolab association broadcast it free of charge with a donation: https://donorbox.org/podcast-donation-en

Join the NEC's Ron Ratner for the inaugural NEC Coach's Call as he sits down with Stonehill men's basketball head coach Chris Kraus. They discuss his journey from Stonehill player to head coach, his approach to Xs and Os and the use of analytics, building a program rooted in community and culture, developing student-athletes on and off the court, navigating roster construction, the challenges and opportunities of competing in the NEC, and what makes Stonehill a truly special place.

Chris Kraus is one of the most well-known contemporary art writers. She is also an important taste-maker, co-editor of independent publisher Semiotext(e), which played a key role in introducing French theory to U.S. audiences. But Kraus is probably best known today as a novelist. Her 1997 autobiographical novel I Love Dick became a buzzy literary reference in the 2010s, and a model for autofiction. It was even made into an Amazon show. This fall, Kraus put out a new novel, titled The Four Spent the Day Together. It has a cryptic three-part structure that I think I should set up. The first part focuses on a young woman named Catt Greene. Drawing heavily on Kraus's own life, it describes a childhood growing up in Connecticut, being bullied, and dreaming of leaving the hardships of her depressing lower-class life behind through experiments with drugs and sex, activism and art. The second part focuses on Catt many decades later, now an art critic and novelist who has found unexpected success with a novel called I Love Dick, which is being made into an Amazon show. But it also focuses on the character of Paul, Catt's husband, an addiction councilor who struggles with addiction himself, which slowly tears the two apart. Like the real-life Kraus, the character Catt Greene owns properties in Albuquerque, New Mexico, which she rents out. Like Kraus, Greene is attacked by online critics in the late 2010s for being a landlord. This leads to Part 3 of the book. Feeling demonized, and that her own life is running out of raw material to turn into literature, Catt Greene finds herself drawn to investigating a real-life murder in bleak rural Minnesota. The character of Catt Greene, and Kraus through her, attempt to reconstruct the grisly facts of the case, and try to make sense of it. That's probably enough set-up. Chris Kraus joins national critic Ben Davis to talk about her writing, her life, and her new book.

Chris Kraus is one of the most well-known contemporary art writers. She is also an important taste-maker, co-editor of independent publisher Semiotext(e), which played a key role in introducing French theory to U.S. audiences. But Kraus is probably best known today as a novelist. Her 1997 autobiographical novel I Love Dick became a buzzy literary reference in the 2010s, and a model for autofiction. It was even made into an Amazon show. This fall, Kraus put out a new novel, titled The Four Spent the Day Together. It has a cryptic three-part structure that I think I should set up. The first part focuses on a young woman named Catt Greene. Drawing heavily on Kraus's own life, it describes a childhood growing up in Connecticut, being bullied, and dreaming of leaving the hardships of her depressing lower-class life behind through experiments with drugs and sex, activism and art. The second part focuses on Catt many decades later, now an art critic and novelist who has found unexpected success with a novel called I Love Dick, which is being made into an Amazon show. But it also focuses on the character of Paul, Catt's husband, an addiction councilor who struggles with addiction himself, which slowly tears the two apart. Like the real-life Kraus, the character Catt Greene owns properties in Albuquerque, New Mexico, which she rents out. Like Kraus, Greene is attacked by online critics in the late 2010s for being a landlord. This leads to Part 3 of the book. Feeling demonized, and that her own life is running out of raw material to turn into literature, Catt Greene finds herself drawn to investigating a real-life murder in bleak rural Minnesota. The character of Catt Greene, and Kraus through her, attempt to reconstruct the grisly facts of the case, and try to make sense of it. That's probably enough set-up. Chris Kraus joins national critic Ben Davis to talk about her writing, her life, and her new book.

Chris Kraus is the author of the novel The Four Spent the Day Together, available from Scribner. Kraus is a writer and critic. She studied acting and spent almost two decades making performances and experimental films in New York before moving to Los Angeles where she began writing. Her novels include Aliens & Anorexia, I Love Dick, Torpor, and Summer of Hate. She has published three books of cultural criticism—Video Green: Los Angeles Art and the Triumph of Nothingness, Where Art Belongs, and Social Practices. I Love Dick was adapted for television and her literary biography After Kathy Acker was published by Semiotext(e) and Penguin Press. A former Guggenheim Fellow, Kraus held the Mary Routt Chair of Writing at Scripps College in 2019 and was Writer-in-Residence at ArtCenter College between 2020–2024. She has written for various magazines and has been a coeditor of the independent press Semiotext(e) since 1990. Her work has been praised for its damning intelligence, vulnerability, and dazzling speed and has been translated into seventeen languages. She lives in Los Angeles. *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode features two new crime thrillers written by big names. First, Harlan Coben says he stopped in his tracks when Reese Witherspoon asked to collaborate on a novel. In today's episode, the co-authors speak with NPR's Mary Louise Kelly about their collaboration on Gone Before Goodbye. Then, I Love Dick author Chris Kraus took an autofiction approach to her crime novel The Four Spent the Day Together. In an interview with NPR's Elissa Nadworny, Kraus describes the protagonist as “me at the moment of the story.”To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Chris Kraus is an American writer, filmmaker and art critic whose work often mixes memoir, fiction and cultural criticism. Her latest novel, The Four Spent the Day Together (2025), continues her signature blend of autofiction and social commentary by weaving together the story of a murder in Minnesota, the ambitions of a working-class family, and the fall-out of a crumbling marriage.

Chris Kraus is our guest as we explore her new book, The Four Spent the Day Together, a riviting account of a murder in rural Minnesota that complements a novelistic reflection of Kraus's own childhood and life as a writer.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina Edited and Mixed at ATX Audio Post

Chris Kraus joins Kate Wolf to talk about her new novel, The Four Spent the Day Together. Organized into three linked sections, the book begins with a portrait of Kraus's avatar, Catt Greene, and her family, as they struggle to overcome the isolation of the suburbs after moving into their first home in Milford, Connecticut, in the late 1950s. The book's second part takes place many decades later: Catt is now a well-known novelist grappling with sudden fame and her failing marriage to an alcoholic ex-con named Paul Garcia with whom she lives part time in the woods of Minnesota. The final section finds Catt investigating a crime that has taken place near her home with Paul, in the neighboring town of Harding, when three teenagers senselessly murder a man after spending a full 24-hours together. What binds the stories together is alienation, chance, the acceleration of history and the spoils of late capitalism, the devastation of addiction, and an attempt to reconcile something even darker and more ineffable about the American project as it exists today.

Chris Kraus joins Kate Wolf to talk about her new novel, "The Four Spent the Day Together." Organized into three linked sections, the book begins with a portrait of Kraus's avatar, Catt Greene, and her family, as they struggle to overcome the isolation of the suburbs after moving into their first home in Milford, Connecticut, in the late 1950s. The book's second part takes place many decades later: Catt is now a well-known novelist grappling with sudden fame and her failing marriage to an alcoholic ex-con named Paul Garcia with whom she lives part time in the woods of Minnesota. The final section finds Catt investigating a crime that has taken place near her home with Paul, in the neighboring town of Harding, when three teenagers senselessly murder a man after spending a full 24-hours together. What binds the stories together is alienation, chance, the acceleration of history and the spoils of late capitalism, the devastation of addiction, and an attempt to reconcile something even darker and more ineffable about the American project as it exists today.

Suri is back up in the studio for Loose Reads, and today she's chatting about Chris Kraus' latest novel, The Four Spent the Day Together. Whakarongo mai nei! Thanks to Timeout Bookstore!

Suri is back up in the studio for Loose Reads, and today she's chatting about Chris Kraus' latest novel, The Four Spent the Day Together. Whakarongo mai nei! Thanks to Timeout Bookstore!

Chris Kraus hat einen Roman geschrieben, der vom Leben und vom Tod erzählt und von zwei Frauen, die früher einmal beste Freundinnen waren. Buchhändler Dennis Witton stellt "Die Sonne und die Mond" vor. Von Dennis Witton.

"Ich bin immer auf der Suche nach dem Sinn im Ganzen oder im Detail", sagt Autor und Regisseur Chris Kraus, Schöpfer vieler erfolgreicher Drehbücher und Filme. Über Erfolg und Verlust spricht er im Podcast.

Obwohl er Grafiker ist, schreibt Chris Kraus lieber Drehbücher und Romane. Mit dem Spielfilm „Vier Minuten“ schafft er auch als Regisseur 2006 den Durchbruch. Seinen neuen Roman widmet er seiner 2023 verstorbenen Ehefrau, der Filmeditorin Uta Schmidt.  Bürger, Britta www.deutschlandfunkkultur.de, Im Gespräch

Artist and curator Dana Dawud joins Disintegrator to talk about Open Secret, her touring platform for internet cinema, and her evolving film series Monad. We discuss the blur as a visual device and trend, the impossibility of representing Palestine, being trained by AI and building myth in the age of the feed. The audio is laced with reflections by collaborators orbiting Open Secret: redactedcut @redactedcut, Palais Sinclaire @palais.sinclaire, Mischa Dols @mischaapje, 0nty @the.ontological.turnt, Angel Kether @user_goes_to_kether. References mentioned:Gore Layer by Alex Quicho in Spike (July 2024): https://www.spikeartmagazine.com/articles/discourse-the-gore-layer-alex-quicho,The novel Aliens & Anorexia by Chris Kraus: https://www.semiotexte.com/aliens-anorexia-new-edition,Further reading on CoreCore by 0nty (July 2023): https://becoming.press/corecore-the-return-of-speculative-irony-by-0nty,We spoke about Serge Daney's observation that “there is no image of Palestine” (or, more precisely, that there is “no complex image of Palestinian reality”) which arises from his deep engagement with the politics and ethics of representation, particularly in the context of Jean-Luc Godard's film ‘Ici et ailleurs' (Here and Elsewhere). Read more in Serge Daney's seminal ‘Before and After the Image' (1999): https://www.jstor.org/stable/41389528.,Watch ‘The Sight is a Wound' (2025), a visual essay by Parham Ghalamdar: https://www.ghalamdar.com/tsiaw,‘The Fold: Leibniz and the Baroque' (1988). In this work, Deleuze interprets monads not as isolated points but as folds of space, movement, and time, each containing the world within itself as a unique point of view.,Jaques Rivette's almost-13hr-long-film: ‘Out 1' (1971),Sven Loven at No Gallery: https://www.nononogallery.com/exhibitions/sven-loven-humiliation-ritual/#press-release,Links to explore Dana's work:Monad+ : https://hybrida.space/monad,PalCoreCore: https://donotresearch.substack.com/p/dana-dawud-palcorecore,Pleasure Helmet Podcast: https://soundcloud.com/pleasure-helmet-977951874,https://www.instagram.com/dansdansrev/,https://www.instagram.com/_opensecrett_/

De lo local a lo universal... Es la historia de tres barrios sevillanos en los años 70, pero también es la historia de muchos otros barrios periféricos de las grandes ciudades que crecieron en la segunda mitad del siglo XX. ‘Ellas en la ciudad’, documental de Reyes Gallegos, no es solo un relato de urbanismo, sino una narración coral de quienes habitan esos espacios. Un retrato íntimo y social en el que la ciudad se construye desde sus vecinas y vecinos.Laura Fernández nos habla de una de sus autoras vivas favoritas. Le encantan A. M. Homes, Joy Williams, Lionel Shriver, Lydia Davis o Mary Robison —leed ‘Por qué haría yo’—, pero fue el humor y el juego consigo misma de Chris Kraus lo que la atrapó desde el principio. Kraus, autora de ‘Amo a Dick’, explora las relaciones, la escritura y la autoficción con una mirada provocadora que ha marcado a toda una generación de lectoras.Arranca la vigésimo novena edición de la Fira Trapezi, el festival de circo contemporáneo de Reus. Es un escaparate del mejor talento actual, y además genera espacios de creación, reflexión y diálogo entre programadores, artistas y público. Daniel Galindo se traslada hasta allí acompañado de la codirectora del festival, Cristina Cazorla, para compartir el ambiente, los montajes más destacados y el pulso escénico de esta nueva edición.Escuchar audio

Nombre: LiaLeyendo: Romance Artístico, Chris Kraus¿Por qué quisiste leer esto? Traduje y edité este libro: le tengo mucho cariño.¿Cómo te grabaste? Con un micrófono que me prestó Juan Pablo, después de bañarme, en la primera tarde lluviosa del año./Why did you want to read this? I translated and edited this book, so I'm very fond of it.How did you record yourself? With a microphone that Juan Pablo lent me, after taking a shower, on the first rainy afternoon of the year.

What you're about to hear is a conversation between writer Verônika Shülman and myself, recorded last week at a party! In honor of the release of my new zine, Pivot, I hosted a party at NOTO and invited all of my friends. It was so nice to be in the same room with everyone after being stuck inside for most of the summer with a broken leg—in that time I had put together this zine, which is about the lessons I learned in the last decade and how I learned them.My friend and neighbor Verônika hosts this episode. She begins by reading from a book we both love (I Love Dick by Chris Kraus), then reads a bit that she liked from Pivot, and asks me to read an essay from it—which I do. My friends Maddie and Dexter also ask questions and we talk about more writers we love. If you want a copy of Pivot, below is how to get yourself a hard copy. Show notes:- Find Verônika on Instagram- Find me on IG: @letitouttt + @katiedalebout | Substack- PIVOT zine: sign up for my paid Substack & we'll mail you a copy - My book on journaling | WRITE kit- Check out NOTO!  If you liked this episode, try out from the archive:Episode 458: Introducing PIVOT with Simi BoticEpisode 423: I Can't Believe I'm Still Doing This...10 Years! With Sacha Jones

Miért váltak annyira népszerűvé a különféle önsegítő könyvek, és hogyan függ össze az önismeret az olvasással? Mit tehetnek a szülők az okostelefon uralta világban, és miért fontos meséket mondani a gyerekeknek?  A Nem rossz könyvek podcast új évadának első részében Máté Gábor magyar származású kanadai orvos és addiktológus, a függőségek és stresszbetegségek kutatója volt a vendégünk. A világhírű íróval az elmúlt években több nagyinterjút is készítettünk (itt, itt és itt olvashatóak), ezért ezúttal elsősorban a podcastunk tematikájába passzoló témákról kérdeztük.  Az epizód első felében szokás szerint a saját, friss olvasmányélményeinkről beszélgettünk (szóba került Oravecz Imre A rög gyermekei trilógiája, Doris Lessingtől Az arany jegyzetfüzet és Chris Kraus regénye, az I Love Dick), míg a második felében beszélgettünk a vendégünkkel. Mivel az epizódot nem a megszokott stúdiókörülmények között rögzítettük, ezért ezúttal az interjút szerkesztett formában írásban is közöljük: https://jo.444.hu/2024/09/26/mate-gabor-ki-kell-allni-a-kultura-hatasa-ellen-hogy-a-jozansagunkat-megorizzukSee omnystudio.com/listener for privacy information.

Ep 112 - Fan Fictions w/ Olivia Kan-Sperling: https://www.patreon.com/posts/112-fan-fictions-109775024?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Paris Review assistant editor and Island Time author Olivia Kan-Sperling on Sally Rooney, Chris Kraus, fan fiction, and this n+1 essay she wrote: https://www.nplusonemag.com/online-only/online-only/toward-pop-literature/

Randl, Lola www.deutschlandfunkkultur.de, Lesart

Randl, Lola www.deutschlandfunkkultur.de, Lesart

This week, Joel's launching into a book that's been described as one of the most important pieces of 20th Century feminist literature, but it's also a book with "I LOVE DICK" in massive letters on the cover so, you know, highs and lows innit. Hosted on Acast. See acast.com/privacy for more information.

It wasn't until New Zealand playwright Eleanor Bishop was on the New York Broadway scene that she heard about Chris Kraus. 

Spätestens seit „Systemsprenger“ ist sein Name ein Household Name. Von „Berlin Alexanderplatz“ bis „Im Westen nichts Neues“ über „Fabian“ spielt sich Albrecht Schuch durch die deutsche Literatur. Aktuell ist er in Chris Kraus‘ „15 Jahre“ als Popstar zu sehen. Von wem er sich einiges für diese Figur abgeschaut hat, warum er keine Horrorfilme ansieht und welche Filme ihn glücklich machen, darüber sprechen wir in dieser Episode. Außerdem schlägt Christian Fuchs ihm vor, Florian Silbereisen zu spielen und wir denken uns „Siegfrid & Roy“-Biopics aus. Sollte man gehört haben.

In der 130. Folge von "Und was machst du am Wochenende?" ist die Schauspielerin Hannah Herzsprung zu Gast. Sie wurde 1981 in Hamburg geboren, ist auf dem bayerischen Land aufgewachsen und lebt heute in Berlin. Sie war in vielen herausragenden Filmen und Serien der vergangenen Jahre zu sehen, darunter "Die Geliebten Schwestern", "Das wahre Leben", "Traumfrauen", "Weissensee" und "Babylon Berlin". Sie wurde mit dem Deutschen und mit dem Bayerischen Filmpreis ausgezeichnet. Ihren Durchbruch im Kino hatte sie 2006 in "4 Minuten" von Chris Kraus, jetzt hat sie die Fortsetzung "15 Jahre" gedreht. Sie erinnert sich an ihre Wochenenden in Bayern, "das war wie Bullerbü". Ihre Familie war in ein kleines Dorf gezogen, weil Hannah Herzsprungs Vater Bernd Herzsprung eine Rolle in der Münchner Krimiserie "Soko 5113" angenommen hatte. "Ich habe oft die Milch mit der Kanne vom Bauern geholt", sagt sie, "auch wenn ich sie selbst gar nicht mochte." Im Podcast verrät sie Gastgeber Christoph Amend ihr Rezept für die besten Schinkennudeln, gibt zu, dass sie Online-Yoga macht – und am liebsten dreimal am Tag Käse isst. [ANZEIGE] Mehr über die Angebote unserer Werbepartnerinnen und -partner finden Sie HIER [ANZEIGE] Fall Sie uns nicht nur hören, sondern auch lesen möchten, testen Sie jetzt 4 Wochen kostenlos Die ZEIT. Hier geht's zum Angebot. [ANZEIGE] Mehr über die Angebote unserer Werbepartnerinnen und -partner finden Sie HIER[ANZEIGE] Falls Sie uns nicht nur hören, sondern auch lesen möchten, testen Sie jetzt 4 Wochen kostenlos Die ZEIT. Hier geht's zum Angebot.

JR The Bossman (⁠@JRTheBossman⁠) was joined by Stonehill Skyhawks Basketball Coach, Chris Kraus (⁠@CoachChrisKraus⁠). ⁠http://BossmanShow.com⁠ ⁠https://bossmanshow.com/12-18-23-bossman-show-chris-kraus-interview/

Stonehill Head Coach Chris Kraus joins us to talk his team's transition to D1, the opportunity to play a team like UConn, breaks down his roster, and calls out the local connections in this game.

This week Donnie and Tid are thrilled to welcome the NCAA Northeast Conference coach of the year, and the only Canadian head coach in NCAA basketball! From Stonehill University (Division 1), it's Chris Kraus. Chris is a long time friend of the show and he talks to the guys about his amazing career. From what initially inspired him to get into coaching, to the amazing run he's been on for over a decade. Sadly, between issues with Streamyard and weather patterns affecting internet quality - the last chunk of the interview is a little choppy. Definitely not the quality we are used to delivering, so we apologize for that!Regardless - check it out!

Claudia Dey's novel Daughter is a stark and beautiful portrait of the complicated dynamic between a young artist and her father. Dey joins us to talk about creating the distinct voice of the novel, complicated family relationships, writing a novel that's true and more.    I'm a Fan by Sheena Patel is a visceral look at one young woman's descent into the world of social media obsession with a sharp look at today's internet culture and what it means to exist online. Patel joins us to talk about the absurdity of internet fame, unlikable female characters, combining memes with literature and more.    Listen in as these authors speak separately with guest host Jenna Seery.    This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.           Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).    Featured Books (Episode): Daughter by Claudia Dey  I'm a Fan by Sheena Patel  Heartbreaker by Claudia Dey  Still Born by Guadalupe Nettel  I Love Dick by Chris Kraus  Motherhood by Sheila Heti  Minor Feelings by Cathy Park Hong  Life with Picasso by Françoise Gilot  Intimacy by Hanif Kureishi 

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Fournier, writer, independent curator, artist, and author of Autotheory as Feminist Practice in Art, Writing, and Criticism discusses her forthcoming book with writer, educator and philosopher McKenzie Wark (A Hacker Manifesto, Gamer Theory, Capital Is Dead, Reverse Cowgirl.) In the 2010s, the term “autotheory” began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars. Autotheory challenges dominant approaches to philosophizing and theorizing while enabling new ways for artists and writers to reflect on their lives. She argues that Kraus's 1997 I Love Dick marked the emergence of a newly performative, post-memoir “I”; recasts Piper's 1971 performance work Food for the Spirit as autotheory; considers autotheory as critique; examines practices of citation in autotheoretical work, including Maggie Nelson's The Argonauts; and looks at the aesthetics and ethics of disclosure and exposure, exploring the nuanced feminist politics around autotheoretical practices and such movements as #MeToo. Fournier formulates autotheory as a reflexive movement, connecting thinking, making art, living, and theorizing. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession.  In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession.  In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Best known for its introduction of French theory to American readers, Semiotext(e) has been one of America's most influential independent presses since its inception more than three decades ago. Publishing works of theory, fiction, madness, economics, satire, sexuality, science fiction, activism and confession.  In this interview Chris Kraus and Hedi El Kholti, who run Semitext(e) alongside Sylvère Lotringer, discuss the history of the press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We're on our end of year break, but didn't want to leave you without some LF to keep you company while you cook up your leftovers and potter around in your new socks. So, inspired by one of our new listeners, Charlotte, who tweeted to tell us how much she enjoyed an old episode, we're re-running one of our favourite conversations from way back: in 2016 we met with Chris Kraus to talk about her book I Love Dick, which was being published in the UK for the first time. It's a classic of feminist literature first published in the States in 1997, a genre-bending novel about lust, desire and making art that investigates the power of infatuation and subverts the convention of the muse. We hope you enjoy listening and we'll be back with an absolutely belting new season in 2023!

This week I spoke with Jennie Edgar, who has led (as she says) many lives, from starting a pie business to working as a freelance editorial and art director. Since 2018, Jennie has been writing and designing for thoughtful brands to refine their editorial voice and aesthetic expression. Additionally, she's a visual artist and the founder of So Textual, a platform that promotes community around reading, so we talk about her style of reading and how that varies from her husband's and mine, and how the way we read, as well as what we read, is unique to each of us. We also cover effect theory, book culture, and literary artists we love like Eve Babitz, Adrianne Lenker, her grandma, and Nora Ephron. She talks about looking at one's life like a project and answers a question from our mutual friend Maddie on what it means to be a narrative-led person. I loved this wide-ranging conversation and am eager to hear what you think of it and how you read. Show Notes:- Follow Jennie on the Web | Instagram- Check out So Textual on the Web | Instagram- I Love Dick by Chris Kraus- Amy Hempel's collected stories- Sign up for Maddie Coleman's newsletter- The Podcast Kit is 50% off through the end of July with code summer- Sign up for the waitlist for the re-imagined Creative Underdogs/In Process (coming soon)!- Subscribe to our newsletter to get show notes + essays, etc. sent to your inbox- Follow @letitouttt on Instagram. I'm @katiedalebout Sponsors:First Person cognitive supplements: get 15% percent off your first order by going to getfirstperson.com and use code letitout

Alec and Nick consider the music and cultural impact of Frank Sinatra through a discussion of his album, “Sinatra At The Sands” — recorded in 1966 at the famous Las Vegas hotel and casino. Drawing from observations about Sinatra's iconicity as a stylist of American popular song, a persisting contemporary signifier of celebration and kitchen-sink comfort and a high water mark of traditional masculinity and coolness, the conversation explores broad cultural dynamics of authenticity and “normalcy” as an aesthetics of traumatic, reparative coping. Topics include the Lindy effect, the old Hollywood/New York divide, PC Music, Jean Baudrillard's 1996 headlining appearance at the Chance Event (organized by Chris Kraus), and more.