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2 episodes with cixous
2 episodes with cixous
In this episode, I sit down with poet, essayist and academic Natalie Rose Dyer to explore the ideas behind her groundbreaking book The Menstrual Imaginary in Literature: Notes on a Wild Fluidity.We begin with Natalie's own journey into this work - what drew her to menstruation as a site of philosophical, political, and creative inquiry, and how her doctoral research evolved into a call to reimagine menstrual experience beyond pathology, shame, and silence.Together we explore the menstrual imaginary as a "wild zone of unacknowledged creativity," discussing menstrual knowledge, embodied knowing, feminist writing, and the cyclical body as a source of softly rebellious wisdom. We linger with writers such as Hélène Cixous and the tradition of women writing through and from the body, tracing how poetry, blood, creativity, and sexual difference intertwine.The conversation then turns toward Natalie's more recent work and the posthuman horizons emerging from her thinking. We explore what becomes possible when menstruation is understood not only as a bodily process, but as a site of connection with matter, ecosystems, non-human life, and new forms of becoming.A rich conversation on embodiment, creativity, feminist resistance, wildness, and the futures that become imaginable when we learn to listen to the wisdom of cyclical life.More about Natalie: Natalie teaches into the Creative Writing Program at The University of Melbourne where she is Honorary Research Fellow. Natalie is the recipient of The Peter Steele Poetry Award 2021, and was highly commended for the 2024 Vincent Buckley Poetry Prize. She is presently completing work on her first collection towards publication this year. Natalie's poetry is widely published in literary journals including Meanjin Quarterly, Australian Poetry and Cordite Poetry Review. Her book Notes on a Wild Fluidity was published with Palgrave (2020). Nothing But a Fine Nerve Meter; New Maps at the Planetary Turn was recently published (2025) with Revolutionaries Press. Natalie issues a call to re-write ourselves as planetary players, tethered to place yet attuned to fault lines of poetic rupture, care, and resistance.Enjoy!---
durée : 00:34:24 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Viaje comigo, Vogel e Barbarussa pra Grécia e Roma! Link: partiu.vip/historiaecinema2026Uma das criaturas mais antigas da história da civilização humana é reinterpretada e usada como uma prova da desigualdade de gênero que, pelo menos desde a Antiguidade, ronda o mundo ocidental. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a história e a mitologia da górgona Medusa-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- OVÍDIO. Metamorfoses. Tradução: Domingos Paschoal Cegalla. São Paulo: Cultrix, 2010.- HESÍODO. Teogonia: a origem dos deuses. Tradução: Jaa Torrano. São Paulo: Iluminuras, 2009.- HAMILTON, Edith. Mythology. Boston: Little, Brown & Company, 1940.- HILGERT, Luiza Helena. O arcaico do contemporâneo: Medusa e o mito da mulher. Lampião — Revista de Filosofia, UFAL, v. 1, n. 1, p. 41-70, 2020.- BEAUVOIR, Simone de. O segundo sexo. Fatos e mitos. São Paulo: Difusão Europeia do Livro, 1970.- BEAUVOIR, Simone de. O segundo sexo. A experiência vivida. São Paulo: Difusão Europeia do Livro, 1967.- CIXOUS, Hélène. O riso da Medusa. In: CIXOUS, H.; CLÉMENT, C. The newly born woman. Minneapolis: University of Minnesota Press, 1986.- FREUD, Sigmund. A cabeça de Medusa. Tradução: Ernani Chaves. Clínica & Cultura, v. II, n. II, p. 91-93, 2013.- KAROGLOU, Kiki. Dangerous Beauty: Medusa in Classical Art. The Metropolitan Museum of Art Bulletin, New York, v. 75, n. 3, 2018.
Mariano Peyrou nos presenta Flecha de nosotros (Ed. Pre-Textos), su nuevo, precioso y erotiquísimo poemario, en el que aborda la experiencia del enamoramiento sin pretender explicarlo y ni siquiera entenderlo, simplemente captando su energía. Luego, Ignacio Elguero nos propone otras lecturas: Poesía lírica (Ed. Visor), volumen que, entre otras cosas, recoge todos los sonetos del celebrado vate inglés John Milton y Contra la gravedad de los poetas (Ed. Plataforma de poetas por Teruel), manifiesto en el que Enrique Cabezón defiende la necesidad de desembarazarse de la solemnidad y de la pose intelectual que tantas veces acompaña y lastra la poesía. Además, Javier Lostalé nos lee unos versos de otro poeta insigne, Rainer María Rilke, del que la editorial Linteo acaba de recuperar su obra temprana coincidiendo con el centenario de su muerte. En su sección, Sergio C. Fanjul nos habla de Juvencolía (Ed. Debate), un extraño ensayo en el que Silvia Herreros de Tejada reflexiona sobre nuestra resistencia a hacernos mayores entreverando su experiencia personal con ideas tomadas de otras obras, como Peter Pan, de la que ella es una experta. Peyrou regresa, esta vez ya en su faceta de divulgador, para hablarnos de La risa de la Medusa (Ed. Cátedra), de Hélène Cixous, un documento esencial del pensamiento feminista contemporáneo que data de 1975 y que aporta algunas ideas sobre la poesía y el arte que siguen invitando a pensar.Escuchar audio
Joana Masó joins the podcast to talk about the life and work of Francesc Tosquelles. Tosquelles was a radical psychiatrist, veteran of the Spanish Civil War, and a hugely influential figure in the lives of figures such as Frantz Fanon, Felix Guattari and Jean Oury. Joana explains how his life unfoleded and developed, from the co-operatives of Catalonia, to resisting nazi occupation in France, to his relatioship with other parts of the radical psychiatry movement. Joana Masó is a professor of French literature at the University of Barcelona. She is a researcher with the UNESCO Chair on Women, Development and Cultures, and works at the intersection of literature, critical thinking, contemporary art, and curating exhibitions. She has co-edited Jacques Derrida's text on aesthetics, Thinking Out of Sight: Writings on the Art of the Visible (University of Chicago Press, 2020), and on architecture, in French, Les arts de l'espace: Écrits et interventions sur l'architecture (La Différence, 2015). She has also coedited Hélène Cixous's essays dedicated to art, Poetry in Painting: Writings on Contemporary Arts and Aesthetics (Edinburgh University Press, 2012). Since 2017, she has led the research project “The Forgotten Legacy of Tosquelles” at the University of Barcelona, under the ADHUC—Research Center for Theory, Gender, Sexuality. She has published Tosquelles. Healing Institutions (Semiotext(e) and Divided, 2026), and Tosquelles. Avant-garde psychiatry, Radical Politics and Art (2024), the American Folk Art Museum in New York exhibition catalogue. SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/
Sophie Lewis is a London-born translator and editor. With Gitanjali Patel, she co-founded the Shadow Heroes translation workshops enterprise. Lewis's translations have been shortlisted for the Scott Moncrieff and Republic of Consciousness prizes, and longlisted for the International Booker Prize. She won the 2022 French-American Foundation prize for non-fiction translation with Nastassja Martin's anthropology memoir In the Eye of the Wild.
Medusa, Medea, Artemis… we've all heard their stories before but what do they sound like when not told by (or centred on) men? Mara Gold, the sapphic scholar, is here to tell us all about these figures and about how there is always more than one side to a story and more than one reading to a myth. Come for the lesbian legends, stay for the witty witches and follow us @queerlitpodcast and @sapphic_scholar. ReferencesMara Gold's Ancient Myths and Legends Without Men (2025)Mara Gold's “Rebels Against the Tyranny of Men': Women Performing Greek Comedy in Early Twentieth-Century Britain” in Women Creating Classics (2025) https://mara-gold.com/@sapphic_scholarBeyond the Binary Pitt Rivers Museumhttps://www.prm.ox.ac.uk/beyond-the-binaryAshmolean MuseumRebellious Bodies audio tour https://app.smartify.org/en-GB/tours/ashmolean-rebellious-bodies-tour?utm_campaign=ashmoleansmartifywebpage&utm_medium=webpagelink&utm_source=ashmoleanwebsite&utm_content=rebelliousbodiestourSmartifyHélène Cixous' “The Laugh of the Medusa” (1975)Femme fataleGorgonsApotropaic figureAthenaHeraNatalie Haynes' Stone BlindMadeleine Miller's CirceRosie HewlettPat BarkerMadeleine Miller's CirceSirensOdysseyDurham CastleHans Christian AndersenSelkieDemeterPenelopeMedeaMaenadDionysusBacchusTrue BloodAmazonAtalantaNataly BarneyLesbos-en-SeineArtemisDouble Slicehttps://doubleslice.studio/ActaeonCallistoZeusAphroditeJasonArgonautsGlauceSuranne JonesDoctor FosterGentleman JackChildren of Srikandi (2012)Hector and HephaestusRadical Book FairLighthouse Books EdinburghThe Bookish TypeCaper bookshopThe MagiciansPersephoneCassandra Questions you should be able to respond to after listening: What is sapphism? What is classical reception? How is this relevant to Mara's work? What are the archetypes that Mara uses to structure the book? Which one are you most interested in and why? What does Mara say about Srikandi and Srikandi's role in LGBTQIA+ activism in Indonesia? How can we draw on ancient myths for queer activism today? What does Mara say about this? What are your thoughts? Do you have a favourite figure from mythology or legends?
In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Crowned ‘the defender of female awesomeness' by Cooler magazine, everything Lisa creates is an invitation home to yourself. To your voice, your rhythms + your own reality. A reality that's remembered + respelled by you. She writes, teaches + shares in the sweet spot between feminine philosophy, sensual creativity + personal myth-making. Her work is rooted in the depth of Hélène Cixous, the erotic truth-telling of Anaïs Nin + the accessible ritual of Julia Cameron's The Artist's Way. She is the best-selling author of Witch, Code Red, Love your Lady Landscape, Self Source-ery + Venus. www.lisalister.com/Instagram @sassylisalisterJoin us for the Creative Magic Book Club www.patreon.com/lucyhpearceToday we talked about:The Importance of Writing and Telling Our own storiesCyclical intelligenceHer mutism as a childThe witch wound – women being silenced down through lifetimes, ancestral fear of speaking outBeing seen – and discernment as to who we share our skills withCreating the most magical version of ourselves that our soul most longs forNavigating paradoxEDS (hypermobility) and magical womenNeurodivergent women and maskingPublishing and self-publishingBeing too muchProlificWomen in creative processJoin us for a deeper dive in the extended episode – just $3 on www.patreon.com/lucyhpearce Where we get raw and real, and share our personal experiences of publishing and self-publishingAn extract from her book, Witch.We mentionedWomancraft PublishingCode Red Love Your Lady LandscapeWitch Hosted on Acast. See acast.com/privacy for more information.
Guillermo Busutil analiza desde 'La Ventana del Nautilus' la situación de los docentes, su desmotivación y los retos a los que se enfrenta este colectivo, que denuncia desde hace décadas bajos salarios, escasez de recursos y el desapego social hacia su labor. Previamente, conversamos con Joan Matabosch, director artístico del Teatro Real, que nos cuenta las principales novedades para la nueva temporada y opina sobre la situación de la ópera en España. Además, Íñigo Picabea nos presenta a la mujer que acerca la lectura a los rincones más remotos de Paquistán, y Ángela Núñez recoge las reflexiones de Hélène Cixous, Premio Formentor de las Letras 2025.Escuchar audio
Tradwives, the divine feminine, and “that girl” on social media. In episode 141 of Overthink, Ellie and David discuss femininity. They look to Simone de Beauvoir's famous claim that one is not born but rather becomes a woman, and discuss how the process of feminization is crucial to this becoming. They explore the association between femininity, mystery, and docility. Is the return to traditional gender roles an attempt to move away from capitalism? How do contemporary beauty standards shape women's self-understanding. And is there such thing as “feminine writing”? In the Substack bonus segment, your hosts discuss 90s cultural feminism and spirituality, and question whether it is possible to find liberation through the divine feminine image. Works Discussed:Sandra Bartky, “ Foucault, Femininity, and the Modernization of Patriarchal Power”Pierre Bourdieu, La domination masculineSimone de Beauvoir, The Second SexHélène Cixous, “The Laugh of the Medusa”Manon Garcia, We Are Not Born SubmissiveSupport the showSubstack | overthinkpod.substack.comWebsite | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week, Shingai brings Erin Brown, Yvette Lisa Ndlovu, Sarah A. Macklin and Bri Stokes to the table to talk about The Laugh of the Medusa by Hélène Cixous. Links mentioned during the show: The Laugh of the Medusa Erin Brown Yvette Lisa Ndlovu Sarah A. Macklin Bri Stokes Shingai Njeri Kagunda –Twitter –Instagram –Voodoonauts Support the Show: Patreon Kofi Indie Bound Contact us! JustKeepWriting.org Discord Facebook Instagram YouTube Marshall: Website: www.marshallcarr.com Email: marshall@marshallcarr.com Twitter: @darthpops Nick: Website: www.brightinks.org Email: nicholasbright@brightinks.org Twitter: @BrightInks Wil: Email: wil@justkeepwriting.org Instagram: @wilsartrules Brent: Twitter: @BrentCLambert www.brentclambert.com LP: Email: lpkindred@wandering.shop Twitter: @LPKindred Linktr.ee/lpkindred Now, just keep writing!
Jeffrey Gibson talks to Ben Luke, welcome to A brush with… about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Gibson—born in 1972 in Colorado Springs, in the US, and based today in Germantown, New York—has created a visual language which fuses text, high colour and rich pattern, and a diverse materiality to evoke joy and exuberance as well as critique and resistance. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Jeffrey brings together Indigenous languages and histories, queer aesthetics, an abiding concern with broader ancient, historic, Modern and contemporary visual culture, and a profound engagement with popular music and literature. His works range from painting, in which he trained, to myriad sculptural forms, performances and installations and video. With this interdisciplinary practice, he deliberately confronts orthodoxies in the art world and art history, questioning biases regarding taste, value and legitimacy, confronting and subverting stereotypes of Indigenous people and culture, and proposing a radical interaction with the objects and spaces he creates. He reflects on his work's overarching collage aesthetic, the deliberate confrontation in his work with decorative and craft traditions, and the role of colour in his work generally and in his new works for an exhibition at Hauser & Wirth in Paris. He discusses the early impact of Henri Matisse, his love of Magdalena Abakanowicz's textile sculptures, the importance to him of Frank Bowling and David Hammons. He talks about his connection with the poet Layli Long Soldier, whose poem inspired the title for his US pavilion presentation at the Venice Biennale in 2024, and recalls a remarkable and formative encounter with the writer and critic Hélène Cixous. He also discusses the experience of encountering the music of Goldie and drum and bass in London in the 1990s and how it is reflected in his work today. Plus, he gives insight into his studio life and answers our usual questions, including the ultimate, what is art for?Jeffrey Gibson: THIS IS DEDICATED TO THE ONE I LOVE, Hauser & Wirth, Paris, 20 October-20 December; The Genesis Facade Commission, Jeffrey Gibson: The Animal That Therefore I Am, Metropolitan Museum of Art, New York,12 September–May 2026; Jeffrey Gibson: the space in which to place me, The Broad, Los Angeles, until 28 September; Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT, MASS MoCA, North Adams, US, until September 2026; Jeffrey Gibson: boshullichi / inlʋchi / we will continue to change, Kunsthaus Zürich, Switzerland, until December 2026; An Indigenous Present, co-curated by Jeffrey Gibson, ICA Boston, 9 October-8 March 2026; Frist Art Museum, Nashville, 26 June-27 September 2026, Frye Art Museum, Seattle, 7 November 2026-14 February 2027. Hosted on Acast. See acast.com/privacy for more information.
durée : 00:41:17 - Les Nuits de France Culture - par : Mathias Le Gargasson - La comédienne Edith Scob prête sa voix à l'écrivaine Hélène Cixous pour partager le texte de "Tombe" paru en 1973. Dans "Un livre des voix" en juin 1973 Pierre Sipriot et Arlette Dave reçoivent Hélène Cixous qui explique son travail d'écriture, une analyse illustrée par de nombreuses lectures. - réalisation : Thomas Jost - invités : Hélène Cixous Écrivaine et dramaturge française; Edith Scob Comédienne et amie d'Adamov.
There Is Nothing Outside the Text: Poppy, Derrida, and the White Cube Where I've Lived My Entire Working LifeI am 55 years old, and I was today years old when I finally grasped what should have been obvious the moment I read Of Grammatology at 19: my entire career — every late-night site map, every Google Business profile, every crisis press release, every SEO audit, every mercenary ORM gig — has been a direct, living enactment of Derrida's maxim: Il n'y a pas de hors-texte. There is nothing outside the text. There never was. There never will be.It took a glitchy, bleach-blonde YouTube idol called Poppy to snap me awake. She is the perfect test case. The algorithm wants you to chase the “real” Poppy: Who is she really? What's her birth name? Who handled her? Did she erase her old brown-haired videos? Is she a puppet, a victim, an MKUltra plant? But the answer, if you believe Derrida, is simple: none of that matters. Poppy is the text. She's the white cube — a sealed, immaculate terrarium for your sign-chasing mind. Everything you need is inside: the deadpan eyes, the soft ASMR glitch, the “I'm Poppy” loop that's half cult chant, half perfect feedback signal. You want to peek behind the glass? Good luck. There is no outside. Poppy is the biosphere.It hit me then: she's the mirror of what I do, every day, for decades. My whole working life has been about building, tending, re-indexing, defending white cubes for people who desperately need them. I bury the stalker's blog, the mugshot, the ancient scandal, the rumor that will not die. I don't just patch holes — I re-landscape the garden so the text stays sealed, balanced, self-sustaining. I make sure the air does not leak.This is not like Derridean deconstruction. It is Derridean deconstruction — with bots and link juice instead of Paris cafés and chain-smoking grad students. I learned the truth between 1989 and 1993: meaning is never final. There is no Author-God. Meaning lives in the signs, inside the text. It is an ecosystem. If you go hunting for the “real” truth outside — the secret trauma, the hidden backstory — you're already lost. The more you dig, the more the center slips.People flip this backwards. They say “nothing outside the text” means context is everything. It's the opposite. If you can't find your answer inside the sealed cube, you're just myth-hunting. Poppy does not exist outside Poppy. My clients don't exist outside the sealed sign-system I build for them. This is what ORM truly is: deconstruction at scale. I re-signify people. I build the biosphere. If Google sees you quacking like a duck, migrating like a duck, eating like a duck — Google believes you are a duck. That is the work.But the illusion is fragile. It costs. The moment someone stops tending the system, the desert blows in. The mugshot pops up. The rumor crawls back through the cracks. Context always wants to leak in. And once you open the glass, it rots fast. You can't fake the cube forever. If you're a goose, you'll honk eventually. If you're a sociopath wrapped in twelve charities, the cost of ductification goes up forever. It's like blood thinners: miss a dose, you stroke out.This is what I wish they'd teach every reputation client: once you commit to the cube, you are committing forever. It's like daily meds, not a one-time booster shot. The worst dads throw a Porsche at the kid's birthday but never show up. The best show up daily, boring, steady. That's good SEO. That's how you keep the biosphere alive. If you want your white cube to hold, you have to become the duck you asked me to build. The smartest do. That's not deconstruction anymore — that's metanoia. Transformation.So here I stand at 55, realizing that every lecture on Saussure, Lacan, Cixous, Derrida was never wasted. It was the blueprint for the whole garden. Il n'y a pas de hors-texte — but you'd better tend the text.
In 1966, at Johns Hopkins University in the US, a little-known glamorous French philosopher called Jacques Derrida took to the stage and eviscerated the prevailing philosophy of the day, making him an overnight sensation.The following year, he published three hugely influential books making the case for his theory of “deconstruction”, which questioned the foundations of Western thought and knowledge.Deconstruction's influence can still be felt today: from calls to decolonise the curriculum, to experimental architecture, to feminist retellings of the classics. While the word “deconstruct” has become widely used. On his death in 2004, The Guardian newspaper wrote: "Derrida's name has probably been mentioned more frequently in books, journals, lectures, and common-room conversations during the last 30 years than that of any other living thinker.”Hélène Cixous is one of France's most influential writers and a lifelong friend of Derrida. She speaks to Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.
Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry
Feminist and literary theorist, playwright, philosopher, memoirist and novelist Hélène Cixous returns to the show to discuss her latest genre-defying hybrid work of prose. Written during the first year of the pandemic, Rêvoir explores the effect of pandemic confinement on time, the effect of pandemic time on writing, and what plagues and confinement show us about […] The post Hélène Cixous : Rêvoir appeared first on Tin House.
durée : 01:19:59 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Dans l'ambiance sonore de l'université de Vincennes, sont réunis l'écrivaine Hélène Cixous et le philosophe Gilles Deleuze pour un cours sur la forme marchande de la littérature. Ce sont les étudiants qui prennent d'emblée la parole et interrogent sur le code et les contre-codes de la littérature. - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français; Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
durée : 00:26:58 - Les Nuits de France Culture - par : Mathias Le Gargasson - Hélène Cixous a fait partie de l'aventure du théâtre du soleil avec Ariane Mnouchkine. En effet, l'écrivaine, philosophe, poète et théoricienne de la littérature est aussi une dramaturge. En 1999, dans le cinquième volet de la série "A voix nue", elle évoque la naissance de son oeuvre théâtrale. - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:25:55 - Les Nuits de France Culture - par : Mathias Le Gargasson - L'autrice, poète, dramaturge et théoricienne Hélène Cixous développe des concepts qui lui sont chers : le visage, le corps, la frontière, l'exil, Dieu, autant de thèmes qu'elle fait vivre de manière singulière. Ce 4ème volet d'une série de cinq entretiens a été enregistré en 1999 pour "A Voix nue". - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:26:59 - Les Nuits de France Culture - par : Mathias Le Gargasson - Hélène Cixous se souvient du choc de son premier contact avec la misogynie lors de son arrivée en France en 1955. Dans l'entretien 3/5 qu'elle donne pour "A Voix nue" en 1999, elle raconte ses différents exils : de l'Algérie à la France, de Shakespeare à Joyce, d'une langue à une autre. - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:27:27 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Un père mort de la tuberculose alors qu'elle avait tout juste dix ans : ce drame originel est l'un des moteurs de l'écriture d'Hélène Cixous. En 1999, l'écrivaine donnait cinq entretiens pour l'émission "A Voix nue", dans le second elle revient sur la figure idéalisée de son père. - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:27:54 - Les Nuits de France Culture - par : Mathias Le Gargasson, Antoine Dhulster - Une enfance du côté d'Oran, dans les années 1930. L'écrivaine, philosophe et dramaturge Hélène Cixous donnait cinq entretiens pour l'émission "A Voix nue" en 1999. Dans le premier elle se penche sur son enfance algérienne, marquée par le drame de la mort de son père. - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:44:36 - Les Nuits de France Culture - par : Mathias Le Gargasson - En 1997, Hélène Cixous publie "OR, les lettres de mon père". Ce livre est né de la découverte de 600 lettres écrites par son père à sa mère quand ils étaient jeunes. Il est mis en lumière dans ce numéro de l'émission "Du Jour au lendemain" diffusé en juillet 1997. - réalisation : Thomas Jost - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
Filmmaker Daviel Shy joins us to share about her upcoming project, The Lovers, which serves eroticism and queerness in equal parts. Daviel's creative mindset is akin to an arousal state. In creative flow, she takes in her experiences with heightened awareness and incorporates them into her work. Daviel also integrates the unique lived experiences of her collaborators into her work and allows space for the work to be changed by those both in front of and behind the camera. The Lovers web series is a semi-autobiographical work that integrates the ways Daviel and her collaborators sought connection through the pandemic and how the isolation, separation and strange interconnectedness of the pandemic changed them (and all of us). In revisiting the experience of the pandemic, audiences are able to process and integrate their lingering grief and trauma from living through similar experiences. The series premieres September 21st at the LA Gay and Lesbian Center. Tickets can be reserved at givebutter.com/SsGRphYou can also register for the Shameless Sex Couples Retreat that Sarah has been talking about and will be co-facilitating Nov 12-17.Please find us on IG, TikTok and support the show on Patreon.Daviel Shy wrote and directed THE LADIES ALMANACK, starring Guinevere Turner, Hélène Cixous, and Eileen Myles. She created and stars in the seven episode series, THE LOVERS, and her fiction appears in the 2024 Anthology, SLUTS, edited by Michelle Tea and published by Dopamine/Semiotext(e). She is currently co-founding a porn production company called DAYLiGHT FiLMs.www.davielshy.comFb, LinkedIn, X, substack: @davielshyIg:@solsticetits@thelovers_series@xdaylightfilms
durée : 00:25:06 - Les Nuits de France Culture - par : Albane Penaranda - Dans ce dernier épisode de "Entre chien et loup", Fanny Deleuze et Hélène Cixous explorent les défis de traduire l'œuvre complexe et inventive de Lewis Carroll, notamment "Sylvie et Bruno". Découvrez les subtilités d'un travail où chaque mot est une énigme.
durée : 00:24:13 - Les Nuits de France Culture - par : Albane Penaranda - Découvrez les paradoxes de "Sylvie et Bruno", roman de Lewis Carroll. Ce 2ème épisode de la série "Entre chien et loup" analyse l'absence de rêve et l'ambiguïté onirique de l'œuvre avec Fanny Deleuze et Hélène Cixous. Diffusé en décembre 1972, ce débat passionnant est à redécouvrir. - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 00:25:13 - Les Nuits de France Culture - En 1972, on doit à Fanny Deleuze une nouvelle traduction de "Sylvie et Bruno" de Lewis Carroll, dernier roman de l'écrivain britannique après "Les Aventures d'Alice au pays des merveilles" et sa suite "De l'autre côté du miroir". Analyse avec Hélène Cixous dans l'émission "Entre chiens et loups". - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature
durée : 03:27:55 - Les Nuits de France Culture - D'Oran en Algérie à la France, en passant par les pays traversés par sa famille juive, l'écrivaine Hélène Cixous partage dans "Le Bon plaisir", en 1987, les questionnements qui entourent son œuvre plurielle. À sa parole, se joint celle de sa mère et d'amis, dont Jacques Derrida et Ariane Mnouchkine. - invités : Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature; Jacques Derrida; Sonia Rykiel; Daniel Mesguich Acteur, metteur en scène et professeur de théâtre; Ariane Mnouchkine Metteuse en scène, réalisatrice et scénariste, fondatrice du Théâtre du Soleil
Trust a French literary theorist to think creatively about whether AI can think creatively. Laurent Dubreuil is a professor of French literature at Cornell and the author of the intriguing Harper's piece, Metal Machine Music, which asks both if AI and we humans can think creatively. Using ChatGPT, Dubreuil ran a test at Cornell asking a bot and humans to compete poems written in English and then invited people to guess which were authored by AI and which by humans. The results of this creative literary experiment were surprising, particularly in terms of the common assumption that we humans are more creative than machines.Laurent Dubreuil is Professor of French, Francophone and Comparative Literature at Cornell University. In his research, Laurent Dubreuil aims to explore the powers of literary and artistic thinking at the interface of social thought, the humanities and the sciences. Dubreuil's scholarship is broadly comparative and makes use of his reading knowledge in some ten languages. Professor Dubreuil is the founding director of the Cornell Humanities Lab, a place for reflexive dialogues between practitioners from the sciences and the discursive disciplines who wish to eschew reductionism. At the École normale supérieure, Paris, and in other French universities, Prof. Dubreuil received training in most fields pertaining to the humanities, with a particular emphasis on French, Francophone and Comparative Literature (doctorate: 2001), Philosophy (doctorate: 2002), and Classical Philology. His professors and advisors included Jacques Derrida, Hélène Cixous, Umberto Eco and Pierre Judet de La Combe. In his years as a Mellon New Directions Fellow, Dubreuil acquired further competencies in Cognitive Science. Dubreuil is the author of thirteen books. Among his scholarly essays, five are available in English, most recently Poetry and Mind (Fordham UP: 2018) and Dialogues on the Human Ape (U of Minnesota P: 2019: co-authored with primatologist Sue Savage-Rumbaugh). Five other volumes have been released in French, including (in 2019) Baudelaire au gouffre de la modernité (Hermann), La dictature des identités (Gallimard). Dr. Dubreuil also authored three “creative” literary essays in French. In 2016, Anthony Mangeon edited L'empire de la littérature, an anthology of previously unreleased texts on and by Dubreuil.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
durée : 01:57:19 - Les Nuits de France Culture - par : Albane Penaranda - Par Maria Klonaris et Katerina Thomadaki - Avec Hélène Cixous (écrivaine et philosophe), Leonor Fini (artiste), Catherine Millot (psychanalyste), Serge Sanchez, Bernard Teyssèdre (écrivain et philosophe) et Stuart Schneidermann (psychanalyste) - Lectures de Colette Garrigues et René Farabet - Réalisation Marie-Ange Garrandeau, Marcel Créis, Monique Burguière, Annie Delers, Marie-Dominique Bougault et Jean-François Néollier
Abby and Patrick welcome writer, academic, and cruciverbalist Anna Shechtman, author of The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle, a book that's part personal memoir, part cultural history, and part meditation on what it means to care about meaning in the first place. In typically overdetermined fashion, the three talk about the complex interweaving of language, sexual difference, and the vicissitudes of our appetites for food, clues, accomplishments, “solutions,” and more. Along the way, they unpack the écriture feminine of Hélène Cixous, Julia Kristeva's idea of the semiotic, Luce Irigaray's critique of phallogocentrism, the writing of Jane Gallop, and more. Whether on paper or otherwise, why do people love to create problems for ourselves, and how does the pleasure of solving any given puzzle relate to our apparently limitless hunger for new ones? How does the latent, overdetermined, and unconscious structure what's manifest on a grid in a newspaper, magazine, or online? What did Lacan mean when he advised young psychoanalysts to “do more crosswords”? And how exactly does a crossword get made, anyway? Plus: plenty of puns, both punishing and pleasurable, frank talk about psychotherapy, and more!Anna's book The Riddles of the Sphinx is available here: https://bookshop.org/p/books/the-riddles-of-the-sphinx-anna-shechtman/20143426Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music
Abby and Patrick welcome scholar and literary critic Rebecca Ariel Porte of Dilettante Army and the Brooklyn Institute for Social Research to talk about the key Freudian concept of the pleasure principle. Starting with Freud's 1911 essay, “Formulations Regarding Two Principles of Mental Functioning,” Rebecca, Abby, and Patrick probe the complicated question of what, exactly “pleasure” (German: Lust) means for Freud. At the end of the day, is “pleasure” simply the avoidance of pain, relative movement along a stimulus gradient, an object towards which we turn reflexively like sunflowers towards the sun, or something else? How does Freud's notion of pleasure relate, on the one hand, to its apparent opposite, AKA “unpleasure” (German: Unlust), and to the “reality principle” on the other? What is the status and function of the different ways we imagine pleasure and find pleasure in imagining, from daydreams to fantasies to “hallucinatory satisfactions” in general? Plus: what Freud's theories of pleasure miss and other analytic thinkers don't (with reference to Heinz Kohut and Melanie Klein); the relationship between ego instincts and sexual instincts; flights into illness and the meanings of neurosis; and a reading of an incredibly Freudian sequence in Milton's Paradise Lost!Rebecca's recent essay on Cixous is here: https://www.thenation.com/article/culture/helene-cixous-well-kept-ruins/Her recent essay on Proust in translation is here: https://www.bookforum.com/print/2904/a-new-translation-of-proust-s-late-masterpiece-25166The latest Dilettante Army is here: https://dilettantearmy.com/Dilettante Army merch is here: https://store.dilettantearmy.com/And her upcoming courses are available here: https://thebrooklyninstitute.com/current-courses/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music
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