Podcast appearances and mentions of Patrick Hamilton

Our Hitchcock series takes us to the master's famous long-take, single-setting, real time macabre thriller Rope. Loosely inspired by the real-life Leopold and Loeb case (depending on who you ask), we follow to cold-blooded students as the host a very unusual dinner party.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Warner Bros. Picture. Released on September 25, 1948. Produced and Directed by Alfred Hitchcock. Written by Arthur Laurents and story by Hume Cronyn, based on the play of the same name by Patrick Hamilton. Starring John Dall, Farley Granger, James Stewart, Joan Chandler, Cedric Hardwicke, and Constance Collier. Cinematography by Joseph A. Valentine and William V. Skall. Ranking: 9 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Rope got 2,547 ranking points.

The word "gaslighting" comes from a play called "Gas Light." written in 1938 by Patrick Hamilton. In this play, a husband tries to make his wife think she is losing her mind. He does some tricky things, like secretly making the lights from gas lamps in their house dimmer, and then he tells her that she's just imagining these changes. This play later became a movie.  Nowadays, when we say "gaslighting," we mean when someone tries to make another person unsure about their own memory or feelings, similar to what the husband did to his wife in the story. Get the transcript here: https://speakenglishpodcast.com/341-what-is-gaslighting-understanding-manipulation-and-its-effects/

Jaume Segalés y su equipo hablan de Cómicas y de cine clásico. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "Cómicas" en el Teatro de la Zarzuela Mujeres de teatro en la España del siglo XVIII. Nos vamos al Teatro de la Zarzuela donde, sólo este fin de semana, está en cartel una propuesta muy especial: "Cómicas". Ayer 8, hoy, sábado y domingo, 9, 10 y 11 de mayo. Se trata de una nueva producción propia del templo del género chico por excelencia (ubicado en la c/ Jovellanos, 4). Esta propuesta teatral y musical, a modo de tonadilla escénica, recupera el legado de mujeres españolas que tuvieron un papel ciertamente destacado y reconocido durante la segunda mitad del siglo XVIII en los escenarios de nuestro país. La obra está protagonizada por las voces de las solistas Jone Martínez, María Hinojosa y Pilar Alva y por la narración de la actriz Cristina Medina, acompañadas por el conjunto Forma Antiqva, aclamada agrupación de música antigua que engloba oboes, trompas, violines, violonchelos, contrabajo, guitarra barroca, tiorba y clave. Entrevistamos al clavecista Aarón Zapico, que es quien tuvo la idea original de esta propuesta y quien se ocupa de la dirección musical. La dirección escénica corre a cargo de Pepa Gamboa y la dramaturgia es de Antonio Álamo. "Cómicas" - Mujeres de teatro en la España del siglo XVIII- Teatro de la Zarzuela (c/ Jovellanos, 4) - Nueva producción del Teatro de la Zarzuela. 8, 9 y 10 de mayo a las 19:30 y el 11 de mayo a las 18:00 Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre La soga. Thriller psicológico criminalístico de 1948 dirigido por Alfred Hitchcock basado en la obra teatral homónima de 1929 de Patrick Hamilton. La historia fue adaptada para la película por Hume Cronyn y el guion fue escrito por Arthur Laurents. Está protagonizada por James Stewart, John Dall y Farley Granger. La trama se centra en los estudiantes Brandon (Dall) y Philip (Granger), quienes, alentados por las ideas de su profesor de filosofía (Stewart), asesinan a un antiguo compañero y celebran una fiesta con el cadáver aún oculto en su apartamento. Todo con el único propósito de probar que son intelectualmente superiores y capaces de cometer el "crimen perfecto". Tanto la película como la obra de teatro original guardan importantes similitudes con el mediático caso real del asesinato de Bobby Franks a manos de los estudiantes Nathan Leopold y Richard Loeb, cometido en Chicago en 1924.

Inspired by true events, Orlando Wells' irreverent and anarchic comedy tells the story of two scientists tasked with embalming the body of Vladimir Ilyich Lenin for public display.It's 1924. Lenin is dead. Stalin has seized power and his shadow falls over the lives of millions of Russians. A group of senior Bolsheviks, the self-proclaimed Immortalisation Commission, request the services of two scientists to aide their cause: ensure the Revolution's survival by building a shrine to their deceased messianic leader. The country's future hangs in the balance; the Communist regime is still in its infancy and a personality cult might be instrumental in legitimising Russia's new overlords. Although it has never been done before, the scientists are under no illusion of the consequence of failure.Vladimir . . . . . Matthew Steer Boris . . . . . Ashley Margolis Faina . . . . . Rhiannon Neads Krasin . . . . . Kenneth Collard Dzerzhinsky . . . . . David Hounslow Lenin . . . . . Gyuri Sarossy Nadya . . . . . Ruth EverettThe guitarist is Ian Dunnet Jnr.Studio managers: Peter Ringrose and Alison Craig. Sound design: Peter Ringrose. Production co-ordinator: Gaelan Davis-Connolly. Director: Sasha Yevtushenko.Orlando Wells is a writer and an actor. Lenin Forever! is his first radio play. He has also written five original theatre plays: The Winter Room (RSC fringe festival), Cold Enough, The Tin Horizon (Theatre 503), Four Days in Hong Kong (The Orange Tree) about Edward Snowden's exposure of the NSA's spy programme, and The Woodcutter's Tale. He adapted Patrick Hamilton's The Duke in Darkness for the Chiswick Playhouse; and co-wrote the libretto for the experimental opera, Triptych, at the Print Rooms and Wilton's Music Hall. He was a series-writer for the animated children programs Inspired by true events, Orlando Wells' irreverent and anarchic comedy tells the story of two scientists tasked with embalming the body of Vladimir Ilyich Lenin for public display.It's 1924. Lenin is dead. Stalin has seized power and his shadow falls over the lives of millions of Russians. A group of senior Bolsheviks, the self-proclaimed Immortalisation Commission, request the services of two scientists to aide their cause: ensure the Revolution's survival by building a shrine to their deceased messianic leader. The country's future hangs in the balance; the Communist regime is still in its infancy and a personality cult might be instrumental in legitimising Russia's new overlords. Although it has never been done before, the scientists are under no illusion of the consequence of failure.Vladimir . . . . . Matthew Steer Boris . . . . . Ashley Margolis Faina . . . . . Rhiannon Neads Krasin . . . . . Kenneth Collard Dzerzhinsky . . . . . David Hounslow Lenin . . . . . Gyuri Sarossy Nadya . . . . . Ruth EverettThe guitarist is Ian Dunnet Jnr.Studio managers: Peter Ringrose and Alison Craig. Sound design: Peter Ringrose. Production co-ordinator: Gaelan Davis-Connolly. Director: Sasha Yevtushenko.Orlando Wells is a writer and an actor. Lenin Forever! is his first radio play. He has also written five original theatre plays: The Winter Room (RSC fringe festival), Cold Enough, The Tin Horizon (Theatre 503), Four Days in Hong Kong (The Orange Tree) about Edward Snowden's exposure of the NSA's spy programme, and The Woodcutter's Tale. He adapted Patrick Hamilton's The Duke in Darkness for the Chiswick Playhouse; and co-wrote the libretto for the experimental opera, Triptych, at the Print Rooms and Wilton's Music Hall. He was a series-writer for the animated children programs Xolight and Noksu.

You are invited back into the Talking Hitchcock screening room! Joining me this month is special guest actor Jack Hammett who starred in the role of Brandon in Theatre Clwyds adaptation of Patrick Hamilton's ROPE which I saw earlier this year. As listeners may know by now, ROPE is a firm Hitchcock favourite of mine and therefore I was thrilled to have the opportunity to speak with Jack! In the first part of the podcast, we get underneath the charming, controlled and pristine exterior of Brandon, as Jack shares details of how he brought the character life in performance, including his research, preparation and readings of the role. In the second part of our discussion, Jack shares his exclusive thoughts and initial responses to Hitchcock's ROPE which he watched for the first time ahead of our discussion. To get such fresh and new takes on ROPE was such a treat for me indeed and I am so pleased to bring you this episode of Talking Hitchcock!    Where to find Talking Hitchcock and Links to Rebecca's Work Find Talking Hitchcock on X @hitch_pod and Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email me on talkinghitchpod@gmail.com Read Rebecca's editorial for FANGORIA to mark ROPE's 75th anniversary-Cat And Mouse: Who Is The Real Villain Of Hitchcock's ROPE? Find Out More and Access Talks from HITCH CON 23 including Rebecca's talk ‘Rooting for Rupert-How Hitchcock Complicates Our Responses to the Hero/Anti-Hero of ROPE' here-  HitchCon 23 Home — HitchCon International Alfred Hitchcock Conference Find Rebecca and her work on X and Instagram @PendlePumpkin   Links to Jack and his work X: JackHammet Instagram: Jack_Hammet   Find out More About Theatre Clwyd Home | Theatr Clwyd References     Rope-play- Patrick Hamilton Rope-film -(1948) dir Alfred Hitchcock   Rope -play-(2024) dir Francesca Goodridge at Theatre Clwyd       Music used from Trailer for Rope at Theatre Clwyd

In space no one can smell rotten eggs! One small step for man. One giant leap of terror! This year, the past, the present and the future will all meet at the crossroads of hell! Are the Pillow Fright Girls off their rockers, or is this a special bonus on sequels in space? If you guessed the latter, you are correct! But not just any sequels - Elissa is joined by writer, podcast host, and fellow horror trivia team member Patrick Hamilton to help her discuss a trifecta of franchise sequels she's been long prepared to discuss since the beginning of time* (*the start of the podcast) - Critters 4, Leprechaun in Space, and Hellraiser: Bloodline. Are you ready to go off the rails on a crazy train (spaceship)? Grab your Krites, gold, and Lament Configuration and let's get to it! Check out Patrick and the Kill by Kill podcast on Instagram!Support the showSubscribe to our YouTube channel for visual podcast episodes and more! If you enjoy our content and would like to support us, join our Patreon where you will find uncut episodes, bonus content and more!Follow us on socials:InstagramTikTokLetterboxd Pillow Fright theme by Brandon Scullion

Answer that insomnia study ad and beware of griffins because we are checking back into Hill House for our second Jan de Bont film in as many weeks: 1999's "don't call it a remake," The Haunting. Joining us for an episode that immediately goes off the rails and into angry rant territory are five-time returning champions, Patrick Hamilton and Gena Radcliffe of Kill By Kill podcast. We have *lots* of questions: where's the bisexuality? Why is the body count so low? How much should Steven Spielberg be blamed? If Crain is part of the house, then why isn't he everywhere? Oh, and who the hell called Eleanor in the first place?! Poor Lili Taylor...and poor us! Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Kill By Kill: @KillByKillPod & @genadoesthings Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada    Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest is Patrick Hamilton Walsh, who as a teenager in Tyrone realised he wasn't actually much good at anything - but he had some dreams, and a plan, and nothing was going to get in his way. Since then he has visited more than 150 countries and is now based in Sweden with his family in the midst of a life that touches on sport, business and experiencing all that the world has to offer. There's also news of Claire O'Halloran's new restaurant and FREE TICKETS for Sweden v Ireland, and a live podcast in the works! Support the show: patreon.com/ourmaninstockholm

A student goes on a day trip to the seaside with his mum, and ends up learning a great deal more about himself - and her. This story was written and read by Simon Roberts. Simon Roberts is currently based in West London and writes short stories and flash fiction. He was longlisted for the 2022 Fish Short Story Prize. He has read his work on Riverside Radio, London's largest community radio station. Simon also writes for the theatre; his adaptation of Patrick Hamilton's 1947 novel The Slaves of Solitude will be produced by the Questors Theatre in 2024. This episode was produced by Tabitha Potts, writer and podcaster. She recently received an Honourable Mention in the Alpine Fellowship Writing Prize. She has an MA in Creative Writing from Birkbeck University and a First in English Language and Literature from Oxford University. Read her short story collection here or visit her website. Photo by Tabitha Potts. Seaside sounds used in the recording were courtesy of Yarmonics on Freesound.org. This episode contains some sexual swearwords so has been marked as explicit.

Today, on the Christian History Almanac, we remember the Scottish martyr Patrick Hamilton. Show Notes: Support 1517 1517 Podcasts The 1517 Podcast Network on Apple Podcasts 1517 on Youtube What's New from 1517: Remembering Rod Rosenbladt New 1517 Academy Course: The Early Church: Christ, Controversies and Characters with Bruce Hillman Preorder: Encouragement for Motherhood Edited by Katie Koplin Preorder: Be Thou My Song by Kerri Tom Here We Still Stand 2023 Videos are Available on YouTube Last Chance: NWA Conference May 3rd-4th More from the hosts: Dan van Voorhis SHOW TRANSCRIPTS are available: https://www.1517.org/podcasts/the-christian-history-almanac CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (gillespie.media).

Strap in for a wild and goopy good time with Ted Nicolaou's TERRORVISION, a weird and funny satire of suburban 80s excess with one of Empire's strangest monsters! We're joined this week by Patrick Hamilton, one half of the absolutely essential Kill By Kill podcast, as we dissect this silly and fun little gem.  And be sure to tune in later this week when we have an interview with the director of TERRORVISION, the SUBSPECIES series (and about a dozen other Full Moon/Empire classics) Ted Nicolaou! Our full interview is dropping this Tuesday, and you won't want to miss it! Hosted by Jarrod Hornbeck and Steve Guntli  Theme song by Kyle Hornbeck  Logo by Doug McCambridge  Email: puppetmasterscastlefreaks@gmail.com Instagram/Threads: @puppetmasters_castlefreaks  YouTube: @PuppetMastersCastleFreaks  Next week's episode: Intruder 

It's WOMEN IN CRISIS all month long and our classic film discussion today is a little bit different. Most of our selections actually have women going through a detrimental mental change Our heroine in this movie is being completely manipulated into thinking she is crazy. Based on a play by Patrick Hamilton, this tale coined a very common term to signify emotional and mental manipulation in a relationship. Of course we're referencing the term “gaslighting” and term was popularized by George Cukor's 1944 film adaptation of the play, “GASLIGHT”. It stars Ingrid Bergman in full range of love and despair, an impressively villainous Charles Boyer and an extremely intuitive Joseph Cotton. It also features Angela Lansbury in her peak “would” era. Let's be honest, we'd hit it in her “Murder She Wrote” era as well. She'd probably go crazier. Wilder. More experience there. Think about it, man. Here's a link we found to this movie: https://www.dailymotion.com/video/x8i5me5 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

¿Qué llevó a Patrick Hamilton a sacrificar su vida por la verdad del evangelio? En este episodio de 5 Minutos en la Historia de la Iglesia, Stephen Nichols nos sitúa en el contexto del inicio de la Reforma protestante en Escocia. Lee la transcripción: https://es.ligonier.org/podcasts/5-minutos-en-la-historia-de-la-iglesia-con-stephen-nichols/1528-la-reforma-escocesa-1 Una iniciativa de Ministerios Ligonier apoyada por donantes. Haz tu donativo: https://gift.ligonier.org/1119/spanish-outreach

Let's take a trip back to 2004 against the backdrop of a whole lot of bad stuff happening in the world, but a great time at the air-conditioned cinema. Patrick Hamilton stops by to talk Spider-Man 2, one of Dunst's last significant blockbuster movies. Does Dunst elevate Mary-Jane from being a really hot redhead? Is it hard to write a Spider-Man screenplay? Is this the last time emo will ever make it to a blockbuster OST? We detail the best parts of this movie, the few things that fall flat (James Franco, we're lookin' at you) and learn all about Midori sours.

Welcome to this week's episode of “Friday Night Noir” on Vintage Classic Radio, where we dive into the thrilling world of Patrick Hamilton's gripping play, "Rope." Originally written in 1929, Hamilton's play is a masterpiece of suspense and psychological drama, capturing the essence of the noir genre with its dark themes and intricate characters. Patrick Hamilton, born in 1904 in England, was a renowned playwright and novelist, widely celebrated for his ability to portray the stark realities of urban life and the complexities of the human psyche. His works often delved into the grim aspects of existence, making him a prominent figure in the literary world of the early 20th century. Hamilton's life, marred by personal tragedies and struggles with alcoholism, significantly influenced his writing style, imbuing it with a sense of realism and depth that resonated with his audience. "Rope," one of Hamilton's most famous plays, is set in a single room and unfolds in real-time, a testament to his innovative narrative techniques. The story revolves around two young men, Brandon and Granillo, who, in a macabre quest for thrill and a demonstration of their perceived intellectual superiority, commit a heinous crime. They strangle a fellow student, hide his body in a chest, and then host a dinner party with the chest as the centerpiece, inviting the victim's friends and family. This act sets off a tense and gripping narrative, exploring themes of morality, guilt, and the psychology of crime. The play is a chilling exploration of the consequences of unchecked arrogance and the dangerous allure of intellectual vanity. It questions the boundaries of morality and the ease with which one can be swayed by charismatic but flawed logic. Hamilton's writing is sharp, with dialogues that cut to the core of the human condition, making "Rope" a compelling and thought-provoking piece. While the play was later adapted into a film by the legendary director Alfred Hitchcock, starring Jimmy Stewart and Farley Granger, the essence and impact of Hamilton's original play remain undiluted. Hitchcock's adaptation brought its own flavor to the story, but it's Hamilton's original play that we celebrate today, appreciating its contribution to the noir genre and acknowledging its lasting impact on both theater and film. Join us as we delve into the dark, enthralling world of "Rope," uncovering the layers of this classic noir masterpiece and paying homage to the brilliant mind of Patrick Hamilton. Stay tuned for an episode filled with suspense, psychological intrigue, and a deep dive into one of the most captivating plays of the 20th century.

I had a wonderful time chatting to Spike and Fran who are both members of Leeds Arts Cenrtre. Spike and Fran tell me about their upcoming play ROPE, a play by Patrick Hamilton that was further immortalised by the Alfred Hitchock film. ROPE is Spike's directorial debut and he tells me all about what the experience has been like. Fran only moved to Leeds in April and she tells me more about the community aspect of being a LAC member and the character she is peforming as, Leila Arden.Fran chose to feature the really beautiful song "Princess Nokofia" by her good friend Alex Rushfirth.ROPE is on at The Carriageworks Theatre in Leeds from 8th to the 11th November. Tickets for Friday and Saturday night have now sold out.The amazing ROPE poster was designed and created by Mitchell Perry (link to his IG below).  https://www.leedsartscentre.org.uk/https://www.youtube.com/@LeedsArtsCentre-fn9fkhttps://www.facebook.com/LeedsArtsCentreLAChttps://soundcloud.com/alexrushfirthhttps://www.instagram.com/alexrushfirth/?hl=enhttps://alexrushfirth.bandcamp.com/https://www.youtube.com/user/alexrushfirthhttps://open.spotify.com/artist/2mQvMxB2F3nLezmhFwCxNuhttps://www.instagram.com/perrysketches/?hl=en-gbI make no money from this podcast and all I ask is that you enjoy it, tell your friends and if you could leave me a review I would be most grateful.If you know of someone you think would make a great guest, do get in touch - hazelmillichamp@gmail.com.Do send an mp3 or a wav if you would like your track featuring on an episode.

In this darkly comic and moving story, two young flatmates prepare and eat their favourite comfort food, dirty chicken and rice, at a time when there isn't much comfort to be had. Simon Roberts is currently based in West London and writes short stories and flash fiction. He was longlisted for the 2022 Fish Short Story Prize. He has read his work on Riverside Radio, London's largest community radio station. Simon also writes for the theatre; his adaptation of Patrick Hamilton's 1947 novel The Slaves of Solitude will be produced by the Questors Theatre in 2024. Photo Credit: Jerry Pank Cookipedia.co.uk Copyright: https://creativecommons.org/licenses/by/4.0/

Transcript: Have you ever wondered if someone intended to make you doubt your own perceptions, experiences, or understanding of events? We call this gaslighting. Get the transcript at: SpeakEnglishPodcast.com/podcast Today I will talk about this word that is becoming more and more popular. And with a point-of-view story, you will improve your grammar in context, without memorizing rules. Where does "gaslighting" come from? The word "gaslighting" comes from a play called "Gas Light." written in 1938 by Patrick Hamilton. In this play, a husband tries to make his wife think she is losing her mind. He does some tricky things, like secretly making the lights from gas lamps in their house dimmer, and then he tells her that she's just imagining these changes. This play later became a movie. Nowadays, when we say "gaslighting," we mean when someone tries to make another person unsure about their own memory or feelings, similar to what the husband did to his wife in the story. I'll explain a little more about gaslighting, as it is a subtle, powerful form of manipulation intended to make you unsure of what is real. When someone tries to make you doubt yourself, gaslighting occurs. They want to control how you think, feel, and remember things. For instance, imagine your friend insists they never said something you clearly remember them saying. Over time, this can lead you to doubt your own memories. It's not a one-time occurrence; instead, it's a slow, ongoing process. This manipulation can occur in various relationships – with your family, friends, or coworkers. The individual using gaslighting intends to make you unsure about what is true and have you rely on their version of events. You need to be able to recognize gaslighting. Look out for signs like someone denying they said something. They might also blame you or minimize your feelings. It's like they're trying to change your story, to make you see the world differently. If you suspect gaslighting, it's essential to seek support. You can talk to someone you trust, like a good friend, family member, or counselor. Sharing what you're going through can give you a better idea of the situation and help you feel more confident again. Always remember that your feelings and memories are valid. Gaslighting aims to make you doubt yourself, but you have the power to stand firm in your reality. By recognizing the manipulation and seeking assistance, you can protect yourself from its harmful effects. [END OF THE EXTRACT] Get the transcript at: SpeakEnglishPodcast.com/podcast    

Imagine being trapped in a reality distorted by your partner's manipulation techniques, where every concern you raise is trivialized, every memory countered, and your experiences conveniently forgotten. This episode uncovers these abusive techniques, giving them their rightful names: withholding, countering, blocking, diverting, trivializing, forgetting, and denial. But it's not all doom and gloom. We empower you with knowledge, equipping you with the tools you need to identify signs of gaslighting such as unexplained depression, self-doubt, constant lying, and the exploitation of your fears. Get ready for an episode that's as informative as it is empowering.**********************NATIONAL DOMESTIC VIOLENCE HOTLINE 800-799-7233Text "START" to 88788PO Box 90249 Austin, Texas 78709Administrative Line: 737-225-3150**********************DISCLAIMER: This podcast is for educational purposes only and does not replace the advice you may be receiving from a licensed therapist.This podcast and website represents the opinions of KathyDan Moore, Licensed Marriage and Family Therapist, Grief Coach Jess Lowe, and their guests to the show and website. The content here should not be taken as medical advice. The content here is for informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions.Views and opinions expressed in the podcast and website are our own. While we make every effort to ensure that the information we are sharing is accurate, we welcome any comments, suggestions, or correction of errors.Privacy is of utmost importance to us. All people, places, and scenarios mentioned in the podcast have been changed to protect patient confidentiality.This website or podcast should not be used in any legal capacity whatsoever, including but not limited to establishing “standard of care” in a legal sense or as a basis for expert witness testimony.  No guarantee is given regarding the accuracy of any statements or opinions made on the podcast or website.In no way does listening, reading, emailing or interacting on social media with our content establish a doctor-patient relationship.If you find any errors in any of the content of  these podcasts or blogs, please send a message to kdandjess@spillingthetheratea.com.Podcast Music by:  Lemon MusicImage: Snap/Rex/Shutterstock- from Patrick Hamilton's 1938 play- Gaslight Have a question for our Asked and Answered Segment? Email Us!AskUs@spillingthetheratea.comFollow us on Instagram! https://www.instagram.com/spillingthetherateapodcastFollow us on Facebook!https://www.facebook.com/Spilling-the-Thera-Tea-103883072393873/Check out our website!

Patrick Hamilton visits Palmetto Mornings.

Becky Wilson and Patrick Hamilton, the brains behind the "We Write Good" creative content shop, write promos and taglines for some of the biggest shows on television, such as “Abbot Elementary,” “Jeopardy!,” and “Dancing with the Stars.” Here, they talk about their wild ride from Universal Studios tour guides to marriage to running their own creative shop. They also explain their creative approach to writing TV and film promos and taglines. Key Takeaways:- Becky and Patrick's journey from Universal Studios tour guides to founders of a creative shop- Finding the "essence" of a TV program- How to write in other people's voices- The lack of female POV in the entertainment industryEpisode Timeline:2:00 How Becky and Patrick met3:00 How Becky discovered her talent in copywriting at an ad agency6:30 The birth of We Write Good7:30 Tod and Becky's similar early career8:30 What are the elements that make a TV promo work?10:30 Distilling the "core" of the show into one line12:45 Dealing with feedback from clients14:10 The difficulty writing promos for "House"17:10 What's the hardest type of show to write a promo for?19:00 Becky's ability to pick up "character" and "cadence"23:00 Becky's Baby TV storyThis episode's guest:• Becky Wilson and Patrick Hamilton of We Write Good• We Write Good's Website, Kill By Kill PodcastSubscribe and leave a 5-star review: https://pod.link/1496390646Contact Us!• Join the conversation by leaving a comment!• Follow us on Facebook, Twitter, Instagram, and LinkedIn!Thanks for listening! Hosted on Acast. See acast.com/privacy for more information.

Lyn is joined by Andrew J Peters, to talk about the appalling behaviour of 'gaslighting' - what it means and how to spot the signs that it may be happening to you... KEY TAKEAWAYS The term 'gaslighting' comes from a Patrick Hamilton stage play named Gaslight, which is a dark tale of a husband committed to convincing his wife that she is going mad by repeatedly deceiving and tricking her to believe a false sense of reality. Gaslighting can take place in any kind of relationship - partner, family, friends, work, associates - although it is most prevalent in romantic relationships. If something feels off and is raising a red flag inside you, then the chances are that you intuition is right. Trust yourself always - you are your own best friend. BEST MOMENTS 'Gaslighting is manipulating someone into thinking they're crazy' 'What they're seeing and experiencing is not real' 'It's all 20/20 with hindsight'  VALUABLE RESOURCES Hearts Entwined Podcast Apple Podcasts (iTunes)SpotifyStitcher   ABOUT THE GUEST Andrew J Peters -  Anonymous Andrew Podcast Host At the time of publishing April 2023, Andrew is a 63-year-old single male, 6 months post breakup of a very difficult relationship. He is a recovering alcoholic with 8 years of sobriety and involved with causes such as Suicide Prevention and Mental Health. Andrew also facilitates a peer-to-peer support group for people with mood disorders. Andrew himself has struggled with depression and anxiety. Since his last relationship, which stripped him of his self-worth, self-love, and trust in people, he has been battling to get back on his feet. Andrew started his podcast "AnonymousAndrew - Life and the choices we make" early in 2023. He realised he had been repeating the same pattern of choosing to get into poor relationships and decided to take his life back. Andrew used to see himself as a victim, however today he sees all the mistakes he has made, and with the help of his podcast - talking and interviewing many people - including Life Coaches, and Mental Health professionals, and turning to the 12-step program, he does not have the victim mentality anymore. He now chooses to see all the past mistakes as an opportunity to learn and grow. There was a time when one relationship ended, Andrew would jump right into another one. Not stopping to heal and do any self-care, or retrospective analysis of these relationships, he was repeating the same pattern over and over and getting his heart broken. Feeding his depression. While Andrew is healing and shifting his outlook on life, he hopes to help others who are in the same position as himself. Life is too short and in his case at 63 years old, to not enjoy what the Universe and his higher power has given him. He now has a gratitude list. He is grateful today, not bitter. Podcast Website: https://rss.com/podcasts/anonymousandrew/Podcast YouTube: https://www.youtube.com/channel/UCMYH5hXpS94ORITIy_AyclQ+ Instagram: @anonymousandrewpodcast Twitter:AAndrewpodcast anonymousandrewpodcast@gmail.com At the time of publishing April 2023, Andrew is a 63-year-old single male, 6 months post breakup of a very difficult relationship. He is a recovering alcoholic with 8 years of sobriety and involved with causes such as Suicide Prevention and Mental Health. Andrew also facilitates a peer-to-peer support group for people with mood disorders. Andrew himself has struggled with depression and anxiety. Since his last relationship, which stripped him of his self-worth, self-love, and trust in people, he has been battling to get back on his feet. Andrew started his podcast "AnonymousAndrew - Life and the choices we make" early in 2023. He realised he had been repeating the same pattern of choosing to get into poor relationships and decided to take his life back. Andrew used to see himself as a victim, however today he sees all the mistakes he has made, and with the help of his podcast - talking and interviewing many people - including Life Coaches, and Mental Health professionals, and turning to the 12-step program, he does not have the victim mentality anymore. He now chooses to see all the past mistakes as an opportunity to learn and grow. There was a time when one relationship ended, Andrew would jump right into another one. Not stopping to heal and do any self-care, or retrospective analysis of these relationships, he was repeating the same pattern over and over and getting his heart broken. Feeding his depression. While Andrew is healing and shifting his outlook on life, he hopes to help others who are in the same position as himself. Life is too short and in his case at 63 years old, to not enjoy what the Universe and his higher power has given him. He now has a gratitude list. He is grateful today, not bitter. Podcast Website: https://rss.com/podcasts/anonymousandrew/Podcast YouTube: https://www.youtube.com/channel/UCMYH5hXpS94ORITIy_AyclQ+ Instagram: @anonymousandrewpodcast Twitter:AAndrewpodcast anonymousandrewpodcast@gmail.com ABOUT THE HOST Lyn Smith – (The Queen of HEARTS) – Love, Dating & Relationship Expert Lyn's personal story is a very inspirational and harrowing one of how she went from having unhealthy and unfulfilling relationships with men (on the back of several serious traumatic sexual assaults in her teens) to now being in a soul fulfilling relationship which makes her feel alive, is full of passion and gives her inner peace. She has a proven track record as a Love Solutions - Relationship Expert / Trainer / Inspirational Speaker and Best-Selling Author based upon her own vast personal research, experiential learning and training with the world's leading industry experts. Understanding the polarisation of masculine & feminine energy resulted in her creating massive attraction and a passionate, intimate, fulfilling relationship – that inspired her to design & present her own course programmes to share these break-through relationship techniques with women across the globe. HEARTS Entwined is a world-class service based on care and understanding, which is committed to providing step-by-step high-value love, dating and relationship solutions. Lyn makes a difference by helping you make a difference; she has a vision of contributing back on a global scale – to create a lasting legacy of safety, dignity and opportunity for children and women who have survived rape, abuse and severe trauma as a result of war crimes and sex trafficking – through the setting up of worldwide – ‘you can heal your life' centres. CONTACT METHOD lyn@hearts-entwined.comThis show was brought to you by Progressive Media

For the first film of Raph's "Keep Rolling" theme, we take a look at Alfred Hitchcock's 1948 film, Rope. Based on the Patrick Hamilton play, the film tells the story of two men who murder for philosophical reasons, then host a party in the apartment where the body is hidden. Starring John Dall, James Stewart, Farley Granger and Constance Collier, this psychological thriller is littered with great performances. On this one, we discuss how Rope stands out as a daring work that pushes the boundaries of cinema, its notable use of long takes & hidden cuts (lol "hidden") creating the continuous shot, as well as its exploration of taboo subjects such as homosexuality and murder. We also delve into the themes of the film, including the Nietzschean concept of the "superman or ubermensch" and the idea of intellectual arrogance leading to moral corruption. Additionally, we analyze the performances of the cast, including James Stewart's portrayal of a former teacher who suspects that his students may be responsible for the murder. Join us as we explore themes of morality, guilt, and obsession in this classic Hitchcock masterpiece.Temps Rising @ Behind This Wall on 30/04/23Donation Link: https://www.justgiving.com/fundraising/tjx3peaks***JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music and radio as Rei.do.Nada, some video content and some writing as well. Instagram: https://instagram.com/__jabriel__Website: https://www.jabrielalsuhaimi.comIf you're looking to start your own podcast and need an editor or producer please follow:https://www.jabrielalsuhaimi.com/podcastingservices/ RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting. Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta. Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/omangham92 Hosted on Acast. See acast.com/privacy for more information.

In this special preview of the BBC Radio 4 series Opening Lines, John Yorke looks at Patrick Hamilton's 1938 stage play Gaslight. To hear more episodes from the series, just search for Opening Lines on BBC Sounds.A big hit on London's Shaftesbury Avenue and an even bigger success on Broadway, Patrick Hamilton's drama of the mental abuse of Bella Manningham by her husband Jack lives on, sometimes unacknowledged, as the source of the term Gaslighting - one person's attempt to make another doubt their sanity.  Best known for his novels such as Hangover Square and The Slaves of Solitude, Hamilton drew on his own miserable childhood memories of being terrified of his own abusive father for this taut, chilling thriller.  John Yorke has worked in television and radio for nearly 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised on BBC Radio 4. From EastEnders to the Archers, Life on Mars to Shameless, he has been obsessed with telling big popular stories. He has spent years analysing not just how stories work but why they resonate with audiences around the globe and has brought together his experience in his bestselling book Into the Woods. As former Head of Channel Four Drama, Controller of BBC Drama Production and MD of Company Pictures, John has tested his theories during an extensive production career working on some of the world's most lucrative, widely viewed and critically acclaimed TV drama. As founder of the hugely successful BBC Writers Academy John has trained a generation of screenwriters (his students have had 17 green-lights in the last two years alone).   Contributors: Brigid Larmour, Artistic Director and Chief Executive, Watford Palace Theatre Sean French, author of Patrick Hamilton: A Life and one half of the writing duo Nicci French Readings by Sam Dale Credits: Gaslight by Patrick Hamilton. Acting Edition published by Constable, 1970 Angel Street by Patrick Hamilton, Acting Edition published by Samuel French, 1942 Clip from Angel Street (1952), The NBC Presents Best Plays radio adaptation starring Vincent Price and Judith Evelyn Produced by Caroline Raphael Executive Producer: Sara Davies Sound by Matt Bainbridge, Redlight Studios and Sean Kerwin A Pier production for BBC Radio 4

Have you ever wondered where the term 'gaslighting' comes from? Listen to Gaslight from Radio 4. A dark reimagining of the classic 1938 stage thriller by Patrick Hamilton. To hear the series in full, just search for Gaslight in BBC Sounds.

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May. Have you ever wondered where the term 'gaslighting' comes from? Find out in episode 1 of this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton. To hear the series in full, just search for Gaslight in BBC Sounds. Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel. Jack Manningham has used his wife's recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times. In this first episode, Jack and Bella find a house that suits them and there's a lot riding on the screening of their latest film. Cast in order of appearance: Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard Lintern Written by Jonathan Holloway, based on the original play by Patrick Hamilton Music: Imelda May with Tim Bran Produced by Sally Harrison with James Purefoy Directed by Johnny Vegas A Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.In this bonus scene, Jacks starts a property negotiation with a twist. The Foundry... and accessories?Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May.Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.Jack Manningham has used his wife's recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times.In episode 1, Jack and Bella find a house that suits them and there's a lot riding on the screening of their latest film.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.In this final bonus scene, Christopher De Jeanne has a visitor.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May.Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.Jack Manningham has used his wife's recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times.In episode 2, pressure mounts within the walls of The Foundry. Is Jack's film going to make its money back?Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May.Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.Jack Manningham has used his wife's recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times.In episode four, the light is still playing tricks and Bella is about to meet an interesting stranger.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Atmospheric drama from BBC Radio 4 with bonus scenes for BBC Sounds, featuring original music by Imelda May.Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.Jack Manningham has used his wife's recently inherited money to buy a huge period property - a former bell foundry - which they will renovate. They occupy a small habitable part of the ground floor and basement. This previously neglected ramshackle building is lit by gas, as it was in Victorian times.In episode 3, the story takes another turn. We meet Detective Chief Inspector Rawe, who is about to receive some life-changing news.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.In another bonus scene, Bella sends Jack a voice note from The Foundry. Is it home sweet home?Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Have you ever wondered where the term 'gaslighting' comes from? Find out in this dark reimagining of the classic 1938 stage thriller by Patrick Hamilton.Jonathan Holloway's modern adaptation is set in the present, with a deliciously vintage feel.In another bonus scene, we hear a recording of an audition at Howell University.Cast in order of appearance:Tippi Griffiths ..... Lacey Turner Jack Manningham ..... James Purefoy Bella Harding ..... Rebecca Night Ishani Rawe / Izzy ..... Macadie Amoroso DCI Nina Rawe ..... Cathy Tyson DI Reynolds / Michael McLennon / Chris De Jeanne ..... Richard LinternWritten by Jonathan Holloway, based on the original play by Patrick HamiltonMusic: Imelda May with Tim BranProduced by Sally Harrison with James Purefoy Directed by Johnny VegasA Woolyback production in association with Darling Pictures, for BBC Radio 4 and BBC Sounds

Dr. Allan Austin, Professor of History, & Dr. Patrick Hamilton, Professor of English, at Misericordia University in Dallas, PA, coauthors of the study, "All New, All Different? A History of Race & the American Superhero," issued by the University of Texas Press, speaking about trends in pop culture in 2022. Their podcast on pop culture is titled, "Even More Mashed Up," at mashedup.podbean.com/

Welcome back to the 114th episode of episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 114th episode we bring you “Screened Plays,” episode in which we pay tribute to the late great Angela Lansbury. We review her debut feature film appearance in Gaslight (1944), directed by George Cukor, and based on the play by Patrick Hamilton. Enjoy as host Mackenzie Horner along with Jillian Robinson, Ryan Borochovitz and our amazing panelist Jamie Knox breakdown their thoughts on Ms. Lansbury's Oscar nominated performance and how well this film as aged among other topics. Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat Apple Podcasts: https://apple.co/3aYbBeN Spotify: https://spoti.fi/3sAbjAu Jamie Knox – Instagram: @jamieknoxfilms // Follow his film on Instagram: @thepinesstillwhisper Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

In this episode I revisit the Murder and a Movie format with an examination of Alfred Hitchcock's underrated 1948 film Rope, and the so-called "crime of the century" which inspired it. The murder in question was that of 14-year-old Bobby Franks in 1924, by two affluent young men with genius-level IQs and an entirely dispassionate motive: the two young men simply wanted to prove that they were above traditional morality, and therefore, above everyone else. The murder of a child by a pair of wealthy, well-to-do white students, who claimed philosophical motives shocked the nation. The horror of the crime juxtaposed with the image of the criminals being anything but stereotypical made it all the more macabre and fascinating, inspiring works of film, theatre, and fiction, including the 1929 play Rope by Patrick Hamilton, which was performed on BBC television in 1939, and a film by the same name which was produced by none other than the master of the macabre himself, Alfred Hitchcock, in 1948. Why examine the history of this particular case and this particular movie? Because to many, this case is responsible for the trope of the “perfect crime,” one committed by self-professed geniuses just to prove that they could; a murder that was utterly dispassionate, cold, and calculated, and therefore Creeptastic! Advertise on Creeptastic! Support Creeptastic on Patreon! Contact me and find links to social media at Creeptastic.com!

What happened at COP27? In November, nearly 200 countries will come together in Egypt for the global climate summit, or COP27, the United Nations Climate Change Conference. Join Fresh Energy's J. Drake Hamilton and members of the Minnesota delegation including Patrick Hamilton of the Science Museum and Dr. Nfamara K. Dampha of the University of Minnesota for a webinar on November 30, 2022, at 12 p.m. Central to debrief COP and dig into discussions around climate finance, mitigation, and adaptation and the role Minnesota and the Midwest can play in decarbonization.

In episode #131 of Productivity Mastery we talked with Patrick Hamilton Walsh – prior head of talent for the City of Stockholm and co-founder of Glotal and the Sweden Talent Foundation about his newly published book – “Talent Cities”, and we explore the topic of a holistic approach to talent and its value for societies. Patrick shared many things, some of which are:

SCREAM Drafts 2022 comes to a terrifying conclusion as Wynter Mitchell (Waiting to X-Hale), Renée Bever (Queer for Fear), Patrick Hamilton (Kill By Kill) and the spirit of April Wolfe (Black Christmas) rank the 13 best horror movies ever made about high schoolers! This episode is sponsored by Magic Mind! Go to magicmind.co/draft and use code DRAFT20 for 40% off of your order for the next 10 days!

What are Alison and Tod talking about this week? A grandmother has a hilarious handout for everyone who came to her funeral and non-Americans are sharing the things they think every American has in their kitchen. Plus, Patrick Hamilton from the “Kill By Kill” podcast stops by to share some horror films that are uplifting enough to be deemed “Upworthy.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The tide is high but we are holding on for the next volume of CREEPSHOW, talking Something To Tide You Over with filmmaker, YouTuber, and Returning Champion, Patrick H. Willems!! Along the way, we discuss the artistic merits of fart machines, consider AV snobbery, formulate some sand burial escape plans, fawn over Leslie Nielsen, and discover our secret connection to Ted Danson and the BJ & the Bear Universe! All this, plus we expand Choose Your Own Deathventure to include near Creepshow-like deaths we encounter in real life, and we finally outline Patrick (Hamilton's) policy on getting naked in front of house plants! It's a very revealing episode of Kill By Kill you've got to soak up immediately!! This episode of the Kill By Kill podcast is brought to you in part by The Visitor, the latest horror-thriller film from Blumhouse Productions. When Robert and his wife Maia move back into her childhood home, he discovers an old portrait of a man with his likeness - a man referred to only as 'The Visitor'. Soon he finds himself descending down a frightening rabbit hole in an attempt to discover the true identity of his mysterious doppelgänger, only to realize that every family has its own terrifying secrets. The Visitor is available to buy or rent on digital now. Never fear - new episodes of Kill By Kill are made available every other Friday! Dish By Dish: A Hannibal Rewatch on the Fridays in-between.  Our linker.ee Our TeePublic shop for killer merch is right here: https://www.teepublic.com/stores/kill-by-kill-podcast?utm_campaign=18042&utm_medium=affiliate&utm_source=Kill%2BBy%2BKill%2Bpodcast%2B      Have something to say? Find us on Twitter @KillByKillPod Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast  Check out the films we've covered & what might come soon on Letterboxd! Get even more episodes exclusively on Patreon!   Follow our station on vurbl: https://vurbl.com/station/2bdTISeI3X/ Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!

Originally released as part of the 2022 Sonic Summerstock Playhouse series, Sole Twin Audios brings Patrick Hamilton's play to life in this recreation of a "lost" episode of Suspense, "Rope." In the confines of a single apartment, Brandon and Tom have committed murder and have brazenly invited over the victim's sister and their sophisticated author-friend, Rupert Cadell. Will they escape the noose, or is the classic phrase true: Murder Will Out.    CAST: Conner Howard as the Announcer  Justin Fife as Brandon Theodore Perez as Tom Rachel Schumacher as Leila  Adam Blanford as Rupert Cadell   CREW: Directed and Produced by Rachel Pulliam Music by Ross Bernhardt Suspense Re-imagining by David Krause Artwork by Joshua Mongardini    Sole Twin Audios Network Youtube: https://www.youtube.com/channel/UCVr7i77UhXoJndazF61sfBw Anchor: anchor.fm/soletwinaudios Apple: https://podcasts.apple.com/us/podcast/sole-twin-audios-network/id1584499329 Spotify: https://open.spotify.com/show/3qai0RAq48iQG2JJJwAy4K

Sole Twin Audios brings Patrick Hamilton's play to life in this recreation of Suspense's "lost" episode, "Rope." In the confines of a single apartment, Brandon and Tom have committed murder and have brazenly invited over the victim's sister and their sophisticated author-friend, Rupert Cadell. Will they escape the noose or is the classic phrase true: murder will out. Sole Twin Audios Network; Youtube: https://www.youtube.com/channel/UCVr7i77UhXoJndazF61sfBw Anchor: anchor.fm/soletwinaudios Apple: https://podcasts.apple.com/us/podcast/sole-twin-audios-network/id1584499329 Spotify: https://open.spotify.com/show/3qai0RAq48iQG2JJJwAy4K CAST: Conner Howard as Announcer - https://www.connerhowardvo.com/ Justin Fife as Brandon - https://twitter.com/JustinBFife Theodore Perez as Tom - https://twitter.com/TheodorePerezVO Rachel Schumacher as Leila - https://www.castingcall.club/rachel-schumacher Adam Blanford as Rupert Cadell - https://abvoiceartist.carrd.co/ CREW: Directed and produced by Rachel Pulliam - https://twitter.com/SoleTwinAudios Music by Ross Bernhardt - https://www.bernhardtmusic.com/ Suspense theme by David Krause - https://www.facebook.com/JitterSuperhero Artwork by Joshua Mongardini - https://fineartamerica.com/profiles/josh-mongardini

Book Vs. Movie: GaslightThe 1938 Play Vs the 1944 FilmThe expression “to gaslight” a person means to question their sanity to the point they lose control of themselves. It came into fashion in the 1940s with the 1944 George Cukor film starring Charles Boyer and is now recognized as a form of abuse. The tale of a manipulative husband trying to steal from his wife started as a play titled Gas Light by Patrick Hamilton in 1938. Hamilton, who also wrote Rope and Hangover Square, was dealing with his mother's suicide and his own disabilities and disfigurement from being run over by a drunk driver when he wrote this tale in an 1880s setting in London. Jack Manningham is married to Bella and he is so controlling and obnoxious, that he flirts with the staff in front of her. Bella is convinced she is “hearing things” but Jack tells her it is in her imagination. He also disappears for hours at a time but will not tell her where or why he leaves. A detective (Rough) meets Bella and tells her that Jack is, in fact, a murderer and is looking for jewels in an apartment connected to her building. When the “gas lights” flicker, he is searching for the loot but tells Bella later they never went on or off in the first place. She later helps him catch her husband in the act and sends him off to the police. The show moved from London to Los Angeles to New York in 1941 starring Vincent Price and Judith Evelyn with a new title--Angel Street. The show ran for over 1200 performances and was a huge hit. There was a 1940 English adaptation called Gaslight but in this episode, we focus on the more famous version which stars Boyer and Ingrid Bergman. The film was loved by critics and fans with a Best Actress Academy Award going to Bergman. The characters' names have changed but the plat remains the same and for many years “gaslighting” was a popular expression. So between the two, which did we like more? The play or the movie? In this ep the Margos discuss:The stage version and how it became a huge success.The life story of Patrick HamiltonThe different filmed versionsThe cast: Charles Boyer (Gregory Anton/Sergis Bauer), Ingrid Bergman (Paula), Joseph Cotton (Brian Cameron), Dame Mae Witty (Miss Bessie), and Angela Lansbury as Nancy Oliver. Clips used:Gregory angry at PaulaGaslight 1944 trailerPaula & Gregory/Miss Bessie on the trainGregory flirting with NancyJoseph Cotton talks sense into PaulaPaula's revengeMusic by Bronislaw Kaper Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: GaslightThe 1938 Play Vs the 1944 FilmThe expression “to gaslight” a person means to question their sanity to the point they lose control of themselves. It came into fashion in the 1940s with the 1944 George Cukor film starring Charles Boyer and is now recognized as a form of abuse. The tale of a manipulative husband trying to steal from his wife started as a play titled Gas Light by Patrick Hamilton in 1938. Hamilton, who also wrote Rope and Hangover Square, was dealing with his mother's suicide and his own disabilities and disfigurement from being run over by a drunk driver when he wrote this tale in an 1880s setting in London. Jack Manningham is married to Bella and he is so controlling and obnoxious, that he flirts with the staff in front of her. Bella is convinced she is “hearing things” but Jack tells her it is in her imagination. He also disappears for hours at a time but will not tell her where or why he leaves. A detective (Rough) meets Bella and tells her that Jack is, in fact, a murderer and is looking for jewels in an apartment connected to her building. When the “gas lights” flicker, he is searching for the loot but tells Bella later they never went on or off in the first place. She later helps him catch her husband in the act and sends him off to the police. The show moved from London to Los Angeles to New York in 1941 starring Vincent Price and Judith Evelyn with a new title--Angel Street. The show ran for over 1200 performances and was a huge hit. There was a 1940 English adaptation called Gaslight but in this episode, we focus on the more famous version which stars Boyer and Ingrid Bergman. The film was loved by critics and fans with a Best Actress Academy Award going to Bergman. The characters' names have changed but the plat remains the same and for many years “gaslighting” was a popular expression. So between the two, which did we like more? The play or the movie? In this ep the Margos discuss:The stage version and how it became a huge success.The life story of Patrick HamiltonThe different filmed versionsThe cast: Charles Boyer (Gregory Anton/Sergis Bauer), Ingrid Bergman (Paula), Joseph Cotton (Brian Cameron), Dame Mae Witty (Miss Bessie), and Angela Lansbury as Nancy Oliver. Clips used:Gregory angry at PaulaGaslight 1944 trailerPaula & Gregory/Miss Bessie on the trainGregory flirting with NancyJoseph Cotton talks sense into PaulaPaula's revengeMusic by Bronislaw Kaper Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Patrick Hamilton introduced himself to me last week while I was sitting in my van, and having lunch parked out in La Jolla, CA. Today we sat down and recorded a beautiful conversation about some of the lessons we have learned along this journey. I am always inspired by hearing people express the challenges they face, but also what grace that the work they have put in has shown them in this world. This conversation is mostly about how we have chosen to show up, navigating warriorship. We are simply mirrors of one another, a generation between us, but no separation at all. Interacting as most should, listening, learning, and affirming. I hope you enjoy it. Much love. • Follow: @patrickhamiltonartist Patrick's Website: https://www.patrickhamilton.us/ • Please give us a RATING & REVIEW if you enjoyed the episode & be sure to SUBSCRIBE! • Instagram: @eazy.does.it Email: evan.h.duvall@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Someone's having a party for the Pod Ten. Before they get to celebrate, three of them will pod in the most bizarre ways you will ever hear. Patrick Hamilton from the Kill By Kill Podcast joins us for a comfort horror episode on Happy Birthday to Me. Because of the bizarre nature of this party, pray you're not invited. Follow us on Facebook | Twitter | Instagram Psychoanalysis Patreon Music notes: "Infinite Perspective" by Kevin MacLeod "Long Note Three" by Kevin MacLeod "Emotion Picture" by Bill Ironfield Logo artwork by Jess Snively

Kurt's got a cast but he's not letting it cramp his style in an issue that compels Anna, Mav, and Andrew to question whether 1991 was a particularly sexy year for velvet (spoiler: it was). But Excalibur #44, “Witless for the Prosecution,” does more than establish the precise texture of Mr. Wagner's fur. It also compels interesting—and sometimes troubling—questions about racial representation which our guest, Dr. Patrick Hamilton, co-author of All-New, All-Different?: A History of Race and the American Superhero, is ideally equipped to tackle. We talk through Meggan's complicated quest for identity and the whiteness of the Captain Britain Corps alongside deeper meanings of Kurt's velvet fur—and whether it's ever okay to ask if you can stroke it.