Podcasts about Jonathan Swift

Denne udgivelse af Gullivers Rejser indeholder 1. bog - Rejse til Lilliput og 2. bog - Rejse til Brobdingnag kæmpernes land. Oprindeligt tæller Gullivers Rejser flere bøger, men det er kun de to første, der er udgivet på dansk.Jonathan Swift beskriver i nøje detaljer sine rejser, dette som en parodi på rejsebeskrivelsen som genre. Skønt Gullivers Rejser i Danmark er udgivet som børnebog, er den ikke kun en fantasifuld fortælling, men også et samfundssatirisk spejlbillede af datidens England. (Summary by Lulularsen)

Jonathan Swift (1667 - 1745)Translated by Franz Kottenkamp (1806 - 1858)Einer der Klassiker der Weltliteratur, der seit Generationen Groß und Klein fesselt: Lemuel Gulliver bereist ferne Länder und erlebt dabei unerhörte Abenteuer, er trifft auf phantastische Einwohner unbekannter, ferner Gegenden, wobei alle diese skurrilen Erlebnisse immer wieder satirisch die damalige (und auch unsere heutige) Gesellschaft reflektieren. Eine ungemein phantasiereiches Buch, das überaus unterhaltsam ist, allerdings auch jede Menge Stoff zum Nachdenken bietet und über ein reines Kinderbuch weit hinausgeht.

Philip Larkin was terrified of death from an early age; Thomas Hardy contemplated what the neighbours would say after he had gone; and Sylvia Plath imagined her own death in vivid and controversial ways. The genre of self-elegy, in which poets have reflected on their own passing, is a small but eloquent one in the history of English poetry. In this episode, Seamus and Mark consider some of its most striking examples, including Chidiock Tichborne's laconic lament on the night of his execution in 1586, Jonathan Swift's breezy anticipation of his posthumous reception, and the more comfortless efforts of 20th-century poets confronting godless extinction.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrldIn other podcast apps: https://lrb.me/closereadingsldRead more in the LRB:Jacqueline Rose on Plath:⁠https://www.lrb.co.uk/the-paper/v24/n16/jacqueline-rose/this-is-not-a-biography⁠David Runciman on Larkin and his father:⁠https://www.lrb.co.uk/the-paper/v43/n03/david-runciman/a-funny-feeling⁠John Bayley on Larkin⁠https://www.lrb.co.uk/the-paper/v05/n08/john-bayley/the-last-romantic⁠Matthew Bevis on Hardy:⁠https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare Hosted on Acast. See acast.com/privacy for more information.

Jo and Adam warmly welcome you to their Eggztra Special Easter Eggstravaganza, which they hope will make you hoppy and not (hot)cross. It's (hotcross) bun a funny old couple of weeks for satire, so leave it to our Eggsperts to pick out a few Eggstremely interesting Eggxamples to discuss. In this episode, Jo and Adam reflect of their Eggsperiences of watching the new series of Charlie Brooker's dystopian sci-fi satire show, Black Mirror and Apple TV's new cinema skewering satire The Studio and discuss the unexpected but highly welcome return of the hilarious podcast Dear Joan and Jericha. They also survey the satirical responses to J D Vance's first and very final meeting with the late Pope Francis, consider a very appropriate Eggstract from Jonathan Swift's Gulliver's Travels, and share notes on the best ways to eat an Easter Egg. Happy Easter, one and all!

Dans cette féérie lyrique, Cendrillon, Barbe-Bleue ou encore la fée Morgane se rencontrent dans une mise en scène de Valérie Lesort. Un condensé d'une dizaine de contes de Charles Perrault. Tout commence dans une forêt un peu inquiétante où le Petit Poucet raconte à ses parents, éplorés, comment il s'est sauvé des griffes du méchant ogre Croquemitaine ! C'est alors que la fée Morgane apparaît et transforme notre héros en Prince charmant qui rencontrera Cendrillon, laquelle devra affronter Barbe-Bleue ou le démoniaque Holibrius… et se cacher sous une Peau d'âne pour leur échapper !  À l'origine, les contes de Charles Perrault ont été écrits entre 1691 et 1697. Ce sont des contes de tradition orale fortement inspirés par des contes populaires issus du patrimoine italien tel que le Pentameron. Les contes de fée sont alors très populaires dans les milieux mondains aristocratiques, mais il existe peu de versions pour enfants. Charles Perrault a l'idée d'« édulcorer » quelque peu ces contes, à l'origine affreusement cruels, et de les moraliser pour en faire des contes pour les enfants. Oubliés quelques décennies à la faveur des contes orientaux (Les Mille-et-une Nuits) ils connaissent un regain d'intérêt pendant la première moitié du XIXᵉ siècle : la mode est alors de lire des histoires aux enfants. Puis, les ballets, opéras, opérettes et plus tard les dessins animés inscrivent définitivement les contes dans le patrimoine.  Cette mise en scène loufoque et burlesque s'inscrit dans la tradition de l'opéra-comique du début du vingtième siècle. Elle est adaptée des livrets de Paul de Choudens et Arthur Bernède et de la musique de Félix Fourdrain.(début du XXᵉ siècle). À la manière d'un livre, les titres des chapitres défilent. Les personnages portent des costumes colorés créés en 2D aux couleurs vives. Quand on a cherché comment on allait raconter l'histoire de façon digeste, on était comme deux petites filles qui jouaient. J'aime bien aller vers la dérision et rire de certaines choses, mais j'aime aussi garder intact ce côté enfant.Le spectacle est produit par les Frivolités Parisiennes, une compagnie créée en 2012 qui allie danse, théâtre, chant et musique au service du répertoire lyrique léger français.  ► Invitée : Valérie Lesort, metteuse en scène, plasticienne, autrice et comédienne née en 1975. Elle a participé à de nombreuses créations au théâtre comme au cinéma ou à la télévision.   En 2015, elle adapte le roman de Jules Verne Vingt mille lieues sous les mers à la Comédie française et la Mouche de George Langelaan, en 2019, des spectacles qui obtiennent le Molière de la création visuelle. En 2022, les voyages de Gulliver de Jonathan Swift et en 2023, le Bourgeois Gentilhomme de Molière décrochent également plusieurs Molière dont celui de la mise en scène !  Son spectacle Les contes de Perrault est à voir à l'Athénée théâtre Louis Jouvet jusqu'au 17 avril Valérie Lesort produit également le spectacle-cabaret Que d'espoir ! au théâtre de l'Atelier à partir du 24 avril prochain.Programmation musicale :Les artistes Stranded Horse et Boubacar Cissokho avec le titre Le feu qui nous rend las. 

Dans cette féérie lyrique, Cendrillon, Barbe-Bleue ou encore la fée Morgane se rencontrent dans une mise en scène de Valérie Lesort. Un condensé d'une dizaine de contes de Charles Perrault. Tout commence dans une forêt un peu inquiétante où le Petit Poucet raconte à ses parents, éplorés, comment il s'est sauvé des griffes du méchant ogre Croquemitaine ! C'est alors que la fée Morgane apparaît et transforme notre héros en Prince charmant qui rencontrera Cendrillon, laquelle devra affronter Barbe-Bleue ou le démoniaque Holibrius… et se cacher sous une Peau d'âne pour leur échapper !  À l'origine, les contes de Charles Perrault ont été écrits entre 1691 et 1697. Ce sont des contes de tradition orale fortement inspirés par des contes populaires issus du patrimoine italien tel que le Pentameron. Les contes de fée sont alors très populaires dans les milieux mondains aristocratiques, mais il existe peu de versions pour enfants. Charles Perrault a l'idée d'« édulcorer » quelque peu ces contes, à l'origine affreusement cruels, et de les moraliser pour en faire des contes pour les enfants. Oubliés quelques décennies à la faveur des contes orientaux (Les Mille-et-une Nuits) ils connaissent un regain d'intérêt pendant la première moitié du XIXᵉ siècle : la mode est alors de lire des histoires aux enfants. Puis, les ballets, opéras, opérettes et plus tard les dessins animés inscrivent définitivement les contes dans le patrimoine.  Cette mise en scène loufoque et burlesque s'inscrit dans la tradition de l'opéra-comique du début du vingtième siècle. Elle est adaptée des livrets de Paul de Choudens et Arthur Bernède et de la musique de Félix Fourdrain.(début du XXᵉ siècle). À la manière d'un livre, les titres des chapitres défilent. Les personnages portent des costumes colorés créés en 2D aux couleurs vives. Quand on a cherché comment on allait raconter l'histoire de façon digeste, on était comme deux petites filles qui jouaient. J'aime bien aller vers la dérision et rire de certaines choses, mais j'aime aussi garder intact ce côté enfant.Le spectacle est produit par les Frivolités Parisiennes, une compagnie créée en 2012 qui allie danse, théâtre, chant et musique au service du répertoire lyrique léger français.  ► Invitée : Valérie Lesort, metteuse en scène, plasticienne, autrice et comédienne née en 1975. Elle a participé à de nombreuses créations au théâtre comme au cinéma ou à la télévision.   En 2015, elle adapte le roman de Jules Verne Vingt mille lieues sous les mers à la Comédie française et la Mouche de George Langelaan, en 2019, des spectacles qui obtiennent le Molière de la création visuelle. En 2022, les voyages de Gulliver de Jonathan Swift et en 2023, le Bourgeois Gentilhomme de Molière décrochent également plusieurs Molière dont celui de la mise en scène !  Son spectacle Les contes de Perrault est à voir à l'Athénée théâtre Louis Jouvet jusqu'au 17 avril Valérie Lesort produit également le spectacle-cabaret Que d'espoir ! au théâtre de l'Atelier à partir du 24 avril prochain.Programmation musicale :Les artistes Stranded Horse et Boubacar Cissokho avec le titre Le feu qui nous rend las. 

The foundations of modern copyright law were laid on 10th April 1710, when the Statute of Anne came into effect. Before the Act, anyone could copy and sell books without giving a penny to the author; now, writers would be protected from being completely exploited by (British) publishers for an initial period of 14 years. Writers like Jonathan Swift and Daniel Defoe had earned respect as professionals, pushing for more control over their own work, and leading to a shift away from the Stationers' Company—a powerful guild that previously held a monopoly over publishing and censorship. In this episode, Arion, Rebecca and Olly explore how later writers like William Wordsworth would campaign for longer copyright duration; revisit the milestones that allowed the law to be applied to other creative endeavours, such as music and film; and reveal why you won't be hearing Martin Luther King Jr.'s "I Have a Dream" speech in many adverts for a few years yet… Further Reading: • ‘The Statute of Anne' (British Parliament, 1710): https://ipmall.law.unh.edu/sites/default/files/hosted_resources/lipa/copyrights/Statute%20of%20Anne%20_1710_.pdf • ‘Whose line is it anyway?' (The Sunday Times, 2012):  https://www.thetimes.com/article/7c5efe43-97d5-4d9f-b53f-5444bca12a2a • ‘IP BASICS: What is Intellectual Property?' (Intellectual Property Office UK, 2015): https://www.youtube.com/watch?v=AYiXTKbdNr4 #Publishing #1700s #UK #Legal Love the show? Support us!  Join 

SUBCRIBE TO READING THE CITYOrder Tyler Wetherall's novel AmphibianAbout Reading the City "Reading the City" is a weekly newsletter of bookish events in and around NYC, a weekly diary of upcoming New York literary life on a need-to-know basis. No long blurbs, no reviews, just book events of all stripes. "Reading the City" links to the author's books, website, or social pages when possible. Tyler Wetherall, the founder and editor, is a believer in the  power of the literary community to raise each other up, champion one another, and help make the site an inclusive and welcoming space for all writers and readers. Tyler Wetherall is a  Brooklyn-based writer, editor, and teacher, and the author of No Way Home: A Memoir of Life on the Run (St. Martin's Press) and Amphibian (forthcoming from Virago).   She arrived in New York from London in 2014, knowing just three people. She  carried with her a manuscript she had  written alone in a Victorian outhouse at the end of her mother's garden in Devon. Her entire experience of the writerly life thus far was solitary—and pretty cold. She found herself in a  very special place called the Oracle Club (RIP) in Long Island City, and there  she met real life authors for the first time. After staying up late and  talking craft, drinking gin, and playing records, or reading poetry and howling into the night, she had  found her community, and through that community the practical and intellectual resources she needed to become an author myself. Photo credit:  Sammy DeighElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on InstagramThe Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.The goal of The Arts Fuse is to treat the arts seriously, to write about them in the same way that other publications cover politics, sports, and business — with professionalism, thoughtfulness, and considerable attitude. The magazine's motto, from Jonathan Swift, sums up our editorial stance: “Use the point of your pen … not the feather.” The Arts Fuse has published over 7,000 articles and receives 60,000+ visits a month. This year they are celebrating their 5th birthday, a milestone for a small, independent magazine dedicated to covering the arts.Why The Arts Fuse? Its birth was a reaction to the declining arts coverage in newspapers, magazines, radio, and television. When the number of news pages shrink in the mainstream media, attention is paid. But the continual whittling down of arts coverage has been passed over in silence. Editor-in-Chief Bill Marx started the magazine to preserve the craft of professional arts criticism online, while also looking at new and innovative ways to evolve the cultural conversation and bring together critics, readers, and artists.Serious criticism, by talking about the strengths, weaknesses, and contributions of the arts, plays an indispensable role in the cultural ecology. Smaller, newer organizations need a response. When they are ignored as they are by the mainstream media, they fail to gain an audience. And without an audience, they fold, further weakening the entire ecosystem.Assist The Arts Fuse in their  mission: to keep arts and culture hale and hearty through dialogue rather than marketing.SUBSCRIBE to the weekly e-newsletterLIKE The Arts Fuse on Facebook, FOLLOW  on TwitterHELP  The Arts Fuse thrive by providing underwriting for the magazine. Even better — make a tax deductible donation.  

Na estante desta semana temos “Luto Sem Bússola”, o ensaio para uma despedida da viúva do escritor Javier Marías, Carme López Mercader; “Destroçados”, de Hanif Kureishi, o escritor tetraplégico que tem de ditar os seus textos; a “Singela Proposta e Outros Textos Satíricos”, de Jonathan Swift, na edição da Antígona, como forma de homenagem a Luís Oliveira, que morreu esta semana e que fundou uma das editoras de referência do panorama editorial português; e “Mania”, de Lionel Schriver, uma sátira às guerras culturais em curso.See omnystudio.com/listener for privacy information.

What is the MAGA movement's aesthetic? According to the New York Times' Dan Brooks, it's an aesthetic captured by the generative AI video “Trump Gaza”. Childishly absurd, it's an aesthetic, Brooks suggests, of “bearded belly dancers, an Elon Musk look-alike on the beach and a golden statue of President Trump”. It's not reality, of course. There are neither bearded belly dancers nor golden statues of Trump in Gaza right now. It doesn't even resemble actual MAGA America. But as Brooks notes, the MAGA aesthetic - driven by AI generated visuals - is social and cultural “posturing”. It's the post-ironic irony of social media. Unseriously serious. Designed for Instagram and TikTok. Here are the five KEEN ON AMERICA takeaways in our conversation with Dan Brooks:* The MAGA style employs a unique form of irony - Brooks describes it as "unstable irony" rather than the "stable irony" of traditional satirists like Jonathan Swift or Stephen Colbert. This style mixes sincere statements with exaggerations and jokes in a way that makes it difficult to determine what's meant seriously.* Generative AI has been embraced by MAGA communities - The conversation highlights how conservative online communities have adopted AI technology for creating content (like the Gaza video discussed) at a higher rate than other groups, enabling them to produce visually impressive media quickly that aligns with their messaging style.* The relationship between politics and morality is shifting (duh) - Brooks contrasts his earlier writing about how social media "weaponized morality" with the MAGA approach, which he characterizes as "anti-moral" rather than amoral—a deliberate rejection of or reaction against perceived moralism in American politics.* Politics increasingly operates on "vibes" rather than facts - Brooks suggests that the "fact-based era in politics" may have been an illusion, with voters making decisions based on associations and cultural identity rather than policy specifics or factual information.* Contemporary American culture is saturated in irony - The conversation traces how irony has become embedded in American communication since the mid-90s, when even institutional messaging began adopting an ironic stance. Brooks notes that in current culture, "the worst thing you can be is cringe or overly sincere."Dan Brooks is a contributor to the New York Times Magazine, The Guardian, Harper's, Pitchfork, and other publications. He lives in Montana with his handsome dog.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Merriam-Webster's Word of the Day for March 14, 2025 is: bamboozle • bam-BOO-zul • verb To bamboozle someone is to deceive, trick, or confuse them. // The salesperson bamboozled us into getting a more expensive item than we had planned to buy. See the entry > Examples: "'We're not trying to make a perfect film that's, like, got a twist: Oh my God, the coach is a ghost! We're not out to bamboozle audiences or get awards or anything,' [Taika] Waititi told Polygon. The director continued, 'We want to make a nice movie, a true story about a football team, and the only message is, "Be happy and don't live in the past."'" — Monica Mercuri, Forbes, 20 Feb. 2024 Did you know? In 1710, Irish author Jonathan Swift wrote an article on "the continual Corruption of our English Tongue" in which he complained of "the Choice of certain Words invented by some pretty Fellows." (Note that pretty originally meant "artful, clever.") Among the inventions Swift disliked was bamboozle, which was used by contemporary criminals. Beyond those who favored the word, little is known of its early days, but the word has clearly defied Swift's assertion that "All new affected Modes of Speech ... are the first perishing Parts in any Language." With its first syllable like a sound effect, bamboozle hints at mystification or magic when it is used to mean "to confuse, frustrate, or perplex," as in "The batters were bamboozled by the pitcher's dazzling curveball."

The life of this week's final Scriblerian, Thomas Parnell, rounds out the picture of the entire Scriblerus club as a fraternity of wildly brilliant men all carrying some great pain or wound. Some of them clearly write out of that wound, while others seem to write in spite of it. Parnell straddles the line, and today's poem is a fine example of his blending of bright energy with a sharp edge. Happy reading.Thomas Parnell (11 September 1679 – 24 October 1718) was an Anglo-Irish poet and clergyman who was a friend of both Alexander Pope and Jonathan Swift.He was born in Dublin, the eldest son of Thomas Parnell (died 1685) of Maryborough, Queen's County (now Portlaoise, County Laois), a prosperous landowner who had been a loyal supporter of Oliver Cromwell during the English Civil War and moved from Congleton, Cheshire to Ireland after the Restoration of Charles II. His mother was Anne Grice of Kilosty, County Tipperary: she also owned property in County Armagh, which she left to Thomas at her death in 1709. His parents married in Dublin in 1674. Thomas was educated at Trinity College, Dublin and collated as Archdeacon of Clogher in 1705. In the last years of the reign of Queen Anne of England he was a popular preacher, but her death put an end to his hope of career advancement. He married Anne (Nancy) Minchin, daughter of Thomas Minchin, who died in 1712, and had three children, two of whom died young. The third child, a girl, is said to have reached a great age. The marriage was a very happy one, and it has been said that Thomas never recovered from Nancy's early death.He spent much of his time in London, where he participated with Pope, Swift and others in the Scriblerus Club, contributing to The Spectator and aiding Pope in his translation of The Iliad. He was also one of the so-called "Graveyard poets": his 'A Night-Piece on Death,' widely considered the first "Graveyard School" poem, was published posthumously in Poems on Several Occasions, collected and edited by Alexander Pope and is thought by some scholars to have been published in December 1721. It is said of his poetry, "it was in keeping with his character, easy and pleasing, enunciating the common places with felicity and grace."-bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Today's poem throws unambiguous shade on one of 18th-century England's most divisive politicians, and marks out Swift as one of the gutsiest Scriblerians. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Satire is a way to indirectly draw attention to societal issues, often through over the top humor. Join Dave and Greg as they discuss Swift's “A Modest Proposal” which served as the solution to the Irish Famine. The solution was so horrifyingly taboo that it may have changed the course of history.

Hello Interactors,From election lies to climate denial, misinformation isn't just about deception — it's about making truth feel unknowable. Fact-checking can't keep up, and trust in institutions is fading. If reality is up for debate, where does that leave us?I wanted to explore this idea of “post-truth” and ways to move beyond it — not by enforcing truth from the top down, but by engaging in inquiry and open dialogue. I examine how truth doesn't have to be imposed but continually rediscovered — shaped through questioning, testing, and refining what we know. If nothing feels certain, how do we rebuild trust in the process of knowing something is true?THE SLOW SLIDE OF FACTUAL FOUNDATIONSThe term "post-truth" was first popularized in the 1990s but took off in 2016. That's when Oxford Dictionaries named it their Word of the Year. Defined as “circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief”, the term reflects a shift in how truth functions in public discourse.Though the concept of truth manipulation is not new, post-truth represents a systemic weakening of shared standards for knowledge-making. Sadly, truth in the eyes of most of the public is no longer determined by factual verification but by ideological alignment and emotional resonance.The erosion of truth infrastructure — once upheld by journalism, education, and government — has destabilized knowledge credibility. Mid-20th-century institutions like The New York Times and the National Science Foundation ensured rigorous verification. But with rising political polarization, digital misinformation, and distrust in authority, these institutions have lost their stabilizing role, leaving truth increasingly contested rather than collectively affirmed.The mid-20th century exposed truth's fragility as propaganda reshaped public perception. Nazi ideology co-opted esoteric myths like the Vril Society, a fictitious occult group inspired by the 1871 novel The Coming Race, which depicted a subterranean master race wielding a powerful life force called "Vril." This myth fed into Nazi racial ideology and SS occult research, prioritizing myth over fact. Later, as German aviation advanced, the Vril myth evolved into UFO conspiracies, claiming secret Nazi technologies stemmed from extraterrestrial contact and Vril energy, fueling rumors of hidden Antarctic bases and breakaway civilizations.Distorted truths have long justified extreme political action, demonstrating how knowledge control sustains authoritarianism. Theodor Adorno and Hannah Arendt, Jewish-German intellectuals who fled the Nazis, later warned that even democracies are vulnerable to propaganda. Adorno (1951) analyzed how mass media manufactures consent, while Arendt (1972) showed how totalitarian regimes rewrite reality to maintain control.Postwar skepticism, civil rights movements, and decolonization fueled academic critiques of traditional, biased historical narratives. By the late 20th century, universities embraced theories questioning the stability of truth, labeled postmodernist, critical, and constructivist.Once considered a pillar of civilization, truth was reframed by French postmodernist philosophers Michel Foucault and Jean Baudrillard as a construct of power. Foucault argued institutions define truth to reinforce authority, while Baudrillard claimed modern society had replaced reality with media-driven illusions. While these ideas exposed existing power dynamics in academic institutions, they also fueled skepticism about objective truth — paving the way for today's post-truth crisis. Australian philosophy professor, Catherine (Cathy) Legg highlights how intellectual and cultural shifts led universities to question their neutrality, reinforcing postmodern critiques that foreground subjectivity, discourse, and power in shaping truth. Over time, this skepticism extended beyond academia, challenging whether any authority could claim objectivity without reinforcing existing power structures.These efforts to deconstruct dominant narratives unintentionally legitimized radical relativism — the idea that all truths hold equal weight, regardless of evidence or logic. This opened the door for "alternative facts", now weaponized by propaganda. What began as a challenge to authoritarian knowledge structures within academia escaped its origins, eroding shared standards of truth. In the post-truth era, misinformation, ideological mythmaking, and conspiracy theories thrive by rejecting objective verification altogether.Historian Naomi Oreskes describes "merchants of doubt" as corporate and political actors who manufacture uncertainty to obstruct policy and sustain truth relativism. By falsely equating expertise with opinion, they create the illusion of debate, delaying action on climate change, public health, and social inequities while eroding trust in science. In this landscape, any opinion can masquerade as fact, undermining those who dedicate their lives to truth-seeking.PIXELS AND MYTHOLOGY SHAPE THE GEOGRAPHYThe erosion of truth infrastructures has accelerated with digital media, which both globalizes misinformation and reinforces localized silos of belief. This was evident during COVID-19, where false claims — such as vaccine microchips — spread widely but took deeper root in communities with preexisting distrust in institutions. While research confirms that misinformation spreads faster than facts, it's still unclear if algorithmic amplification or deeper socio-political distrust are root causes.This ideological shift is strongest in Eastern Europe and parts of the U.S., where institutional distrust and digital subcultures fuel esoteric nationalism. Post-Soviet propaganda, economic instability, and geopolitical tensions have revived alternative knowledge systems in Russia, Poland, and the Balkans, from Slavic paganism to the return of the Vril myth, now fused with the Save Europe movement — a digital blend of racial mysticism, ethnic nostalgia, and reactionary politics.Above ☝️is a compilation of TikTok videos currently being pushed to my 21 year old son. They fuse ordinary, common, and recognizable pop culture imagery with Vril imagery (like UFO's and stealth bombers) and esoteric racist nationalism, religious fundamentalism, and hyper-masculine mythologies. A similar trend appears in post-industrial and rural America, where economic decline, government distrust, and cultural divides sustain conspiratorial thinking, religious fundamentalism, and hyper-masculine mythologies. The alt-right manosphere mirrors Eastern Europe's Vril revival, with figures like Zyzz and Bronze Age Pervert offering visions of lost strength. Both Vril and Save Europe frame empowerment as a return to ethnic or esoteric power (Vril) or militant resistance to diversity (Save Europe), turning myth into a tool of political radicalization.Climate change denial follows these localized patterns, where scientific consensus clashes with economic and cultural narratives. While misinformation spreads globally, belief adoption varies, shaped by economic hardship, institutional trust, and political identity.In coal regions like Appalachia and Poland, skepticism stems from economic survival, with climate policies seen as elitist attacks on jobs. In rural Australia, extreme weather fuels conspiracies about government overreach rather than shifting attitudes toward climate action. Meanwhile, in coastal Louisiana and the Netherlands, where climate impacts are immediate and undeniable, denial is rarer, though myths persist, often deflecting blame from human causes.Just as Vril revivalism, Save Europe, and the MAGA manosphere thrive on post-industrial uncertainty, climate misinformation can also flourish in economically vulnerable regions. Digital platforms fuel a worldview skewed, where scrolling myths and beliefs are spatially glued — a twisted take on 'think globally, act locally,' where fantasy folklore becomes fervent ideology.FINDING TRUTH WITH FRACTURED FACTS…AND FRIENDSThe post-truth era has reshaped how we think about knowledge. The challenge isn't just misinformation but growing distrust in expertise, institutions, and shared reality. In classrooms and research, traditional ways of proving truth often fail when personal belief outweighs evidence. Scholars and educators now seek new ways to communicate knowledge, moving beyond rigid certainty or radical relativism.Professor Legg has turned to the work of 19th-century American philosopher Charles Sanders Peirce, whose ideas about truth feel surprisingly relevant today. Peirce didn't see truth as something fixed or final but as a process — something we work toward through questioning, testing, and refining our understanding over time.His approach, known as pragmatism, emphasizes collaborative inquiry, self-correction, and fallibilism — the idea that no belief is ever beyond revision. In a time when facts are constantly challenged, Peirce's philosophy offers not just a theory of truth, but a process for rebuilding trust in knowledge itself.For those unfamiliar with Peirce and American pragmatism, a process that requires collaborating with truth deniers may seem not only unfun, but counterproductive. But research on deradicalization strategies suggests that confrontational debunking (a failed strategy Democrats continue to adhere to) often backfires. Lecturing skeptics only reinforces belief entrenchment.In the early 1700's Britain was embroiled in the War of Spanish Succession. Political factions spread blatant falsehoods through partisan newspapers. It prompted Jonathan Swift, the author of Gulliver's Travels, to observe in The Art of Political Lying (1710) that"Reasoning will never make a man correct an ill opinion, which by reasoning he never acquired."This is likely where we get the more familiar saying: you can't argue someone out of a belief they didn't reason themselves into. Swift's critique of propaganda and public gullibility foreshadowed modern research on cognitive bias. People rarely abandon deeply held beliefs when confronted with facts.Traditionally, truth is seen as either objectively discoverable (classical empiricism) — like physics — or constructed by discourse and power (postmodernism) — like the Lost Cause myth, which recast the Confederacy as noble rather than pro-slavery. It should be noted that traditional truth also comes about by paying for it. Scientific funding from private sources often dictates which research is legitimized. As Legg observes,“Ironically, such epistemic assurance perhaps rendered educated folk in the modern era overly gullible to the written word as authority, and the resulting ‘fetishisation' of texts in the education sector has arguably led to some of our current problems.”Peirce, however, offered a different path:truth is not a fixed thing, but an eventual process of consensus reached by a community of inquirers.It turns out open-ended dialogue that challenges inconsistencies within a belief system is shown to be a more effective strategy.This process requires time, scrutiny, and open dialogue. None of which are very popular these days! It should be no surprise that in today's fractured knowledge-making landscape of passive acceptance of authority or unchecked personal belief, ideological silos reinforce institutional dogma or blatant misinformation. But Peirce's ‘community of inquiry' model suggests that truth can't be lectured or bought but strengthened through collective reasoning and self-correction.Legg embraces this model because it directly addresses why knowledge crises emerge and how they can be countered. The digital age has resulted in a world where beliefs are reinforced within isolated networks rather than tested against broader inquiry. Trump or Musk can tweet fake news and it spreads to millions around the world instantaneously.During Trump's 2016 campaign, false claims that Pope Francis endorsed him spread faster than legitimate news. Misinformation, revisionist history, and esoteric nationalism thrive in these unchecked spaces.Legg's approach to critical thinking education follows Peirce's philosophy of inquiry. She helps students see knowledge not as fixed truths but as a network of interwoven, evolving understandings — what Peirce called an epistemic cable made up of many small but interconnected fibers. Rather than viewing the flood of online information as overwhelming or deceptive, she encourages students to see it as a resource to be navigated with the right tools and the right intent.To make this practical, she introduces fact-checking strategies used by professionals, teaching students to ask three key questions when evaluating an online source:* Who is behind this information? (Identifying the author's credibility and possible biases)* What is the evidence for their claims? (Assessing whether their argument is supported by verifiable facts)* What do other sources say about these claims? (Cross-referencing to see if the information holds up in a broader context)By practicing these habits, students learn to engage critically with digital content. It strengthens their ability to distinguish reliable knowledge from misinformation rather than simply memorizing facts. It also meets them where they are without judgement of whatever beliefs they may hold at the time of inquiry.If post-truth misinformation reflects a shift in how we construct knowledge, can we ever return to a shared trust in truth — or even a shared reality? As institutional trust erodes, fueled by academic relativism, digital misinformation, and ideological silos, myths like climate denial and Vril revivalism take hold where skepticism runs deep. Digital platforms don't just spread misinformation; they shape belief systems, reinforcing global echo chambers.But is truth lost, or just contested? Peirce saw truth as a process, built through inquiry and self-correction. Legg extends this, arguing that fact-checking alone won't solve post-truth; instead, we need a culture of questioning — where people test their own beliefs rather than being told what's right or wrong.I won't pretend to have the answer. You can tell by my bibliography that I'm a fan of classical empiricism. But I'm also a pragmatic interactionist who believes knowledge is refined through collaborative inquiry. I believe, as Legg does, that to move beyond post-truth isn't about the impossible mission of defeating misinformation — it's about making truth-seeking more compelling than belief. Maybe even fun.What do you think? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

De liliputiense no tenía nada. Jonathan Swift fue un gigante de la literatura y de la crítica social y política del siglo XVIII. A él, al autor de Los viajes de Gulliver, dedicamos el cronovisor de Jesús Callejo. Luego nos embarcamos en la recreación de los espectáculos romanos con fieras y gladiadores. Néstor Marqués, autor de Gladiadores. Espectáculos y ocio en la antigua Roma (Espasa 2024) nos lo cuenta. Celebramos este año 2025 el centenario del nacimiento de Paul Newman. Guillermo Balmori, editor de Notorius, la editorial de cine que cada pocas semanas nos propone sus novedades, nos acerca a la figura de este icono del séptimo arte. Y acabamos viajando a la Italia del Renacimiento para conocer a Leonardo Da Vinci. Acaba de ver la luz la biografía Vida de Leonardo (Alfaguara 2025) de Carlo Vecce quien nos cuenta en primera persona su visión del genio italiano

Este escritor irlandés escribía muchos de sus trabajos con seudónimo. Él era clérigo y no quería que lo identificaran, no por cobardía sino porque su vida corría peligro, con las mordaces críticas que aparecían en la prensa sobre políticos y personajes de la cultura de su época, a caballo entre el siglo XVII y XVIII. Jesús Callejo nos cuenta su historia en este nuevo viaje del cronovisor

Financial innovation often outpaces regulators' ability to keep up. This was the case in the 1700s, when the Irish satirist Jonathan Swift decided to give away no-interest, peer-to-peer loans which immediately bore fruit, spawned imitators, and provided liquidity to parts of Ireland where there had been none. Despite these benefits, it took more than a hundred years for Parliament to formalize the network that had sprung up. A similar phenomenon has happened recently in the U.S., where crypto's rise caught regulators unprepared. But now, as a pro-crypto President and Congress reshape Washington, the industry is hopeful that it can finally achieve what it needs for sustainable flourishing: regulatory clarity.We'll explore Swift's innovation before turning our attention to the regulatory and legal issues that have plagued the current crypto space, learning why America has had a uniquely difficult path to regulatory clarity, what's changing now that there's a new administration, and the many opportunities — for investors, businesses, and consumers — that regulatory clarity will unlock.

It's raining cats & dogs......but not actual cats and dogs, right? Sources used during this research: https://www.historyextra.com/period/early-modern/why-do-we-say-raining-cats-and-dogs/ https://www.britannica.com/biography/Jonathan-Swift

Jonathan Swift, "Falsehood flies, and truth comes limping after it.” … never truer than in 2025 This week on the Colombia Calling podcast Emily Hart and Richard McColl tackle the issue of disinformation and fact-checking in Colombia and fortunately, we don't have to take on this task alone but are joined by two experts in the field. Laura Sarabia Rangel is the Editor of El Detector de Mentiras at La Silla Vacia and Jose Felipe Sarmiento joins us from ColombiaCheck and we get to pick their brains about the need for fact-checking, disinformation in Colombia and how one undertakes the process of finding the truth.  There have been so many circumstances where people and politicians have been saying things that are simply untrue, in Colombia specifically, about the health reform, the stigmatisation of indigenous communities or the denialism of the False Positives, to name a few.  So, we get to hear how Laura and Jose Felipe work, put some rumours and untruths to bed and discuss what readers and consumers can do to make sure they're consuming high quality media.  The Colombia Briefing is reported by Emily Hart. 

Jonathan Swift's 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it's read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not'? In this episode Marina and Anna Della discuss Gulliver's Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Terry Eagleton:https://www.lrb.co.uk/the-paper/v23/n16/terry-eagleton/a-spot-of-firm-governmentClare Bucknell: Oven-Ready Childrenhttps://www.lrb.co.uk/the-paper/v39/n02/clare-bucknell/oven-ready-childrenThomas Keymer: Carry Up your Coffee Boldlyhttps://www.lrb.co.uk/the-paper/v36/n08/thomas-keymer/carry-up-your-coffee-boldlyNext episode: Marco Polo's Il Milione and Italo Calvino's Invisible Cities.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin's study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

Unser Nachbarplanet Mars strahlt hell im Sternbild Zwillinge. Mars hat nur gut den halben Durchmesser der Erde. In einem Punkt aber ist er aber unserem Planeten voraus – Mars hat zwei Monde: Phobos und Deimos, Furcht und Schrecken. Lorenzen, Dirk www.deutschlandfunk.de, Sternzeit

Read by Christopher Kendrick Production and Sound Design by Kevin Seaman

The Thousand and One Nights is an ‘infinite text'; it has no fixed shape or length, no known author, and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories taken from Yasmine Seale's new translation of the Nights. ‘The Porter and the Three Ladies of Baghdad' highlights the pleasures of dreaming, the power of language and the imagination's essential role in eroticism. ‘Abdullah of the Sea and Abdullah of the Land' demonstrates how the fantastic can help us imagine new ways of living.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrffIn other podcast apps: https://lrb.me/closereadingsffFurther reading in the LRB:Marina Warner: Travelling Texthttps://www.lrb.co.uk/the-paper/v30/n24/marina-warner/travelling-textSteven Connor: One's Thousand One Nightinesshttps://www.lrb.co.uk/the-paper/v34/n06/steven-connor/one-s-thousand-one-nightinessesWilliam Gass: A Book at Bedtimehttps://www.lrb.co.uk/the-paper/v16/n21/william-gass/a-book-at-bedtime Marina Warner: ‘The Restless One'https://www.lrb.co.uk/blog/2024/june/the-restless-oneNEXT EPISODE: ‘Gulliver's Travels' by Jonathan Swift, out on Monday 10 February.Get the book: https://lrb.me/sealenightsffMarina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin's study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.The first episode will come out on Monday 13 January, on The Thousand and One Nights.Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.Anna Della Subin's study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.The first four texts:The Thousand and One Nights (Yasmine Seale's translation)Jonathan Swift, Gulliver's TravelsThe Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)Lewis Carroll, Alice's Adventures in Wonderland and Through the Looking-Glass Hosted on Acast. See acast.com/privacy for more information.

#354The Intersection of Puzzle and StoryInterview2024.07.05Narrative designer and pal of the program Beth Korth fills in for Ellen as guest host this week and next!Your nice hosts welcome famed designer Ron Gilbert (Monkey Island, Thimbleweed Park) into the clubhouse to discuss the virtues of inexperience, friction for its own sake, how it's all about story, and it's puzzles all the way down.The Intersection of Puzzle and StoryGame DesignNarrativeProductionReturn to Monkey Island will have a hint system because the internet exists now - Joshua Rivera, PolygonVerdant Skies - SteamClassic Game Postmortem: Maniac Mansion - GDC, YouTubeThe phrase "confederacy of dunces" derives from a Jonathan Swift quote.Examples of movies that feature a poorly-received genre twist include Serenity (2019), Remember Me (2010), and Safe Haven (2013).Ron GilbertGuestOwner of Terrible Toybox, the designer/creator of Monkey Island, The Cave, Pajama Sam and the designer/co-creator of Maniac Mansion, DeathSpank and Thimbleweed Park. Co-designer of Return to Monkey Island.External linkMastodon - @grumpygamer@mastodon.gamedev.placeBlog - Grumpy GamerStudio - Terrible Toybox

“He was a bold man who first ate an oyster,” observed Jonathan Swift; and in fact the first human interaction with the Atlantic Ocean was probably eating shellfish, traces of which can be found along the Western Cape of South Africa dating back 160,000 years ago. When humans began to finally live in numbers along the ocean coast, their culture changed. They took their food from it, and from the shoreline, and their metals from the rocks and marshes along its coast. In time they built boats capable of venturing along those coasts, and then gradually farther and farther out. All of this, my guest John Haywood argues, was foundational for what was to come. He writes:  The history of the pre-Columbian Atlantic is…the where and when that Europeans served their apprenticeships in ocean navigation, commerce and colonialism, and that saw them formulate the ideologies they used to justify their territorial claims and their exploitation of colonized peoples. When Europeans finally broke out onto the world's oceans in the sixteenth century, they already had everything they needed to secure global domination. John Haywood is a historian of the Vikings, and of the early maritime history of the North Atlantic. The author of numerous books, his latest is Ocean: A History of the Atlantic before Columbus.  

True Crime Tuesday presents Murder By Mail: A Global History of the Letter Bomb with Prof. Mitchel P. Roth! A late package from Amazon or USPS would be the least of your troubles on Christmas Eve! Imagine a deadly Yuletide greeting from a not so Christian fellow! The book, "Muder By Mail", unfolds the gripping history of weaponized mail, offering the first ever comprehensive exploration of this sinister phenomenon. Spanning two centuries, the book unveils the history of postal bombs, describing the evolution of both explosives and the postal services that facilitated their deadly use. From an eighteenth-century incident involving Jonathan Swift to modern acts of terror by groups like the IRA and the suffragettes and lone wolves such as the Unabomber, it uncovers the surprising ubiquity of mail bombs. This chronological account meticulously covers each decade, from early anarchists and world wars through the Cold War to the rise of the serial bomber. Astounding in scope, this book sheds light on the psychopathy, motivations and political implications behind murder by mail. On Today's TCT, Prof. Roth highlights some of the grizzly moments in human history where people have made that fateful decision to not only open these deadly "infernal machines", but also construct and send them!  He also talks about some of the most famous bomb builders in history and the psychology behind what makes one person want to blow another apart from far away and through the mail system, where innocents have a greater chance of getting hurt, than the actual target! Get your copy of "Murder By Mail..." here:   https://bit.ly/3DvijJW Check out Mitchel on X:  https://x.com/roth_mitchel PLUS: ALL-NEW DUMB CRIMES/STUPID CRIMINALS W/JESSICA FREEBURG! Order the three new books from Jessica here:  https://jessicafreeburg.com/books/ Jessica Freeburg and Ghost Stories Ink have a special holiday gift for you! If you sign up for their Manifestation Retreat at the Palmer House in Sauk Centre, MN. now, they will give you 30 percent off!  The event is family friendly and the tickets make a great holiday gift!  Sign up for the ghost Stories Inc. Paranormal Event here: https://jessicafreeburg.com/upcoming-events/ There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/ #crime #truecrime #truecrimepodcasts #truecrimetuesday #mitchelproth #murderbymail #aglobalhistoryoftheletterbomb #reaktionbooks #letterbombs #infernaldevices #serialkillers #mailbomnbs #unabomber #tedkaczynski #roymoody #smileyfacebomber #cesarsayoc #alfrednobel  #IRA #suffragette #dynamite #c4 #semtex #murder #dumbcrimesstupidcriminals #TimDennis #jessicafreeburg #ghoststoriesink #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes  #sexcrimes

True Crime Tuesday presents Murder By Mail: A Global History of the Letter Bomb with Prof. Mitchel P. Roth! A late package from Amazon or USPS would be the least of your troubles on Christmas Eve! Imagine a deadly Yuletide greeting from a not so Christian fellow! The book, "Muder By Mail", unfolds the gripping history of weaponized mail, offering the first ever comprehensive exploration of this sinister phenomenon. Spanning two centuries, the book unveils the history of postal bombs, describing the evolution of both explosives and the postal services that facilitated their deadly use. From an eighteenth-century incident involving Jonathan Swift to modern acts of terror by groups like the IRA and the suffragettes and lone wolves such as the Unabomber, it uncovers the surprising ubiquity of mail bombs. This chronological account meticulously covers each decade, from early anarchists and world wars through the Cold War to the rise of the serial bomber. Astounding in scope, this book sheds light on the psychopathy, motivations and political implications behind murder by mail. On Today's TCT, Prof. Roth highlights some of the grizzly moments in human history where people have made that fateful decision to not only open these deadly "infernal machines", but also construct and send them!  He also talks about some of the most famous bomb builders in history and the psychology behind what makes one person want to blow another apart from far away and through the mail system, where innocents have a greater chance of getting hurt, than the actual target! Get your copy of "Murder By Mail..." here:   https://bit.ly/3DvijJW Check out Mitchel on X:  https://x.com/roth_mitchel PLUS: ALL-NEW DUMB CRIMES/STUPID CRIMINALS W/JESSICA FREEBURG! Order the three new books from Jessica here:  https://jessicafreeburg.com/books/ Jessica Freeburg and Ghost Stories Ink have a special holiday gift for you! If you sign up for their Manifestation Retreat at the Palmer House in Sauk Centre, MN. now, they will give you 30 percent off!  The event is family friendly and the tickets make a great holiday gift!  Sign up for the ghost Stories Inc. Paranormal Event here: https://jessicafreeburg.com/upcoming-events/ There are new and different (and really cool) items all the time in the Darkness Radio Online store at our website! . check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/ #crime #truecrime #truecrimepodcasts #truecrimetuesday #mitchelproth #murderbymail #aglobalhistoryoftheletterbomb #reaktionbooks #letterbombs #infernaldevices #serialkillers #mailbomnbs #unabomber #tedkaczynski #roymoody #smileyfacebomber #cesarsayoc #alfrednobel  #IRA #suffragette #dynamite #c4 #semtex #murder #dumbcrimesstupidcriminals #TimDennis #jessicafreeburg #ghoststoriesink #floridaman #drugcrimes #foodcrimes #stupidcrimes #funnycrimes  #sexcrimes

This bookunfolds the gripping history of weaponized mail, offering the first ever comprehensive exploration of this sinister phenomenon. Spanning two centuries, the book unveils the history of postal bombs, describing the evolution of both explosives and the postal services that facilitated their deadly use. From an eighteenth-century incident involving Jonathan Swift to modern acts of terror by groups like the IRA and the suffragettes and lone wolves such as the Unabomber, it uncovers the surprising ubiquity of mail bombs. This chronological account meticulously covers each decade, from early anarchists and world wars through the Cold War to the rise of the serial bomber. Astounding in scope, this book sheds light on the psychopathy, motivations and political implications behind murder by mail.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

Jonathan Swift, 1667 -1745.  

The myriad legacies of Jonathan Swift; and the mass hunger strike of 1923.

Gerry Mullins, Jim Lucey and Brendan Twomey join Myles to discuss Jonathan Swift.

In today's poem, while everyone else is dressing up to become something terrible, the acerbic Jonathan Swift gives us a domestic horror story in reverse. Happy reading.Anglo-Irish poet, satirist, essayist, and political pamphleteer Jonathan Swift was born in Dublin, Ireland. He spent much of his early adult life in England before returning to Dublin to serve as Dean of St. Patrick's Cathedral, Dublin for the last 30 years of his life. It was this later stage when he would write most of his greatest works. Best known as the author of A Modest Proposal (1729), Gulliver's Travels (1726), and A Tale Of A Tub (1704), Swift is widely acknowledged as the greatest prose satirist in the history of English literature.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Jonathan Swift's enduring satire Gulliver's Travels was first published on October 28, 1726 - though the true identity of the book's author was concealed from readers. A spoof of Daniel Defoe's popular Robinson Crusoe, the novel bleakly satirised British society, colonialism, and the monarchy, shocking as many readers as it entertained. In this episode, Arion, Rebecca and Olly reveal the tale's rebellious origins in Swift's social oeuvre; consider why children still relate to (abridged versions of) this highly specific political satire; and explain why Swift's creation lead directly to Yahoo! Mail…  Further Reading: • ‘Why Jonathan Swift wanted to ‘vex the world' with Gulliver's Travels' (The Conversation): https://theconversation.com/why-jonathan-swift-wanted-to-vex-the-world-with-gullivers-travels-94972 • 'Letter to Jonathan Swift' (John Gay, 1726): https://walleahpress.com.au/communion8-John-Gay.html • ‘Gulliver's Travels' (Paramount, 1939): https://www.youtube.com/watch?v=rehNT9wIjUg Love the show? Support us!  Join 

Vigilantes Inc. - America's New Vote Suppression Hitmen2 days agoTwo family dynasties, one Black, one White, on a 3-century collision course. Operatives of Georgia Gov. Brian Kemp secretively challenged Major Gamaliel Turner's right to a ballot, launching an investigative reporter's hunt to uncover and expose an astonishing vote suppression scheme that threatens to overturn the outcome of the 2024 presidential election.Greg Palast and his hat have been seen on over 2000 media appearances. Pacifica Radio Network broadcasts his weekly Election Crimes Bulletin.Palast is known for complex undercover investigations, spanning five continents, from the Arctic to the Amazon, from the Congo to California, using the skills he learned over two decades as an investigator of corporate fraud on behalf of the US Dept of Justice, 20 attorneys general and governments from England to Brazil.Palast, who earned his degree in finance at the University of Chicago studying under Milton Friedman, has led investigations of multi-billion-dollar frauds in the oil, nuclear, power and finance industries for governments on three continents, has an academic side: he is the author of Democracy and Regulation, a seminal treatise on energy corporations and government control, commissioned by the United Nations and based on his lectures at Cambridge University and the University of Sao Paulo.Palast is Patron of the Trinity College Philosophical Society, an honor previously held by Jonathan Swift and Oscar Wilde. His writings have won him the Financial Times David Thomas Prize.Palast won the George Orwell Courage in Journalism Award for his BBC documentary, Bush Family Fortunes. He has received the “Global Editors Award for Data Journalism” and “International Reporter of the Year” from the Association of Mexican Reporters.His bestsellers have been translated into two dozen languages and films broadcast worldwide.He has received the “Global Editors Award for Data Journalism” and “International Reporter of the Year” from the Association of Mexican Reporters.IMDB For movieRotten TomatoesMartin Sheen ArticleSave Your VoteGreg Palast WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Vigilantes Inc. - America's New Vote Suppression Hitmen4 hours agoTwo family dynasties, one Black, one White, on a 3-century collision course. Operatives of Georgia Gov. Brian Kemp secretively challenged Major Gamaliel Turner's right to a ballot, launching an investigative reporter's hunt to uncover and expose an astonishing vote suppression scheme that threatens to overturn the outcome of the 2024 presidential election.Greg Palast and his hat have been seen on over 2000 media appearances. Pacifica Radio Network broadcasts his weekly Election Crimes Bulletin.Palast is known for complex undercover investigations, spanning five continents, from the Arctic to the Amazon, from the Congo to California, using the skills he learned over two decades as an investigator of corporate fraud on behalf of the US Dept of Justice, 20 attorneys general and governments from England to Brazil.Palast, who earned his degree in finance at the University of Chicago studying under Milton Friedman, has led investigations of multi-billion-dollar frauds in the oil, nuclear, power and finance industries for governments on three continents, has an academic side: he is the author of Democracy and Regulation, a seminal treatise on energy corporations and government control, commissioned by the United Nations and based on his lectures at Cambridge University and the University of Sao Paulo.Palast is Patron of the Trinity College Philosophical Society, an honor previously held by Jonathan Swift and Oscar Wilde. His writings have won him the Financial Times David Thomas Prize.Palast won the George Orwell Courage in Journalism Award for his BBC documentary, Bush Family Fortunes. He has received the “Global Editors Award for Data Journalism” and “International Reporter of the Year” from the Association of Mexican Reporters.His bestsellers have been translated into two dozen languages and films broadcast worldwide.He has received the “Global Editors Award for Data Journalism” and “International Reporter of the Year” from the Association of Mexican Reporters.IMDB For movieRotten TomatoesMartin Sheen ArticleSave Your VoteGreg Palast WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Idiotas, imbéciles, cretinos, lelos, percebes o apollardaos, entre otras lindezas, para definir a esos individuos que consiguen complicar nuestras vidas conjurándose para lograrlo."La Conjura de los Necios” (“La Confederación de los Imbéciles”en realidad), de John K. Toole podria ser su libro de cabecera. Su autor no logró publicarlo en vida -se suicidó en parte por ello,- pero años despues arrasó en ventas antes de conseguir el Pulitzer. La estulticia no entiende de edades ni sectores pero el politico encuentra su oximorón en la palabra idiota (de “idiotes", individuo al que lo público le importa un bledo). De canciones sobre la torpeza amorosa como “Something Stupid”, a la idiotizacion mediática como Televisión (La Lógica demente)" en la BSO. "La inequívoca señal del genio: todos los necios se conjuran contra el" (Jonathan Swift). Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

This week the guys are back to discuss Jonathan Swift. Everyone has heard of Gulliver's Travels and A Modest Proposal, but he has another work worth looking at: The Battle of the Books. Plus: the audience has voted on who the funniest co-host is. 

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new. William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

En empruntant l'artère principale d'Expo 64, on rencontre un géant en veste rouge et pantalon jaune avec ses bottes et son grand chapeau. Impossible de rater ce géant de fête foraine, c'est un passage obligé de l'exposition qui fait couler beaucoup d'encre. C'est Gulliver de passage en Suisse. Le Gulliver inventé par Jonathan Swift au XVIIIe siècle pour critiquer la société britannique. Au cours de ses voyages extraordinaires, Gulliver débusquait les paradoxes et les dysfonctionnements de sa propre civilisation. Un dispositif de satire repris pour la Suisse en 1964, par Charles Apothéloz et ses complices. Avec : Alexandra Walther, autrice de La Suisse s'interroge ou l'exercice de l'audace, paru aux éditions Antipodes, Olivier Lugon, historien, spécialiste de l'histoire des expositions et François Vallotton, historien tous deux co-directeurs de l'ouvrage Revisiter l'Expo 64 : acteurs, discours, controverses.

Today's episode on the Great Political Fictions is about Jonathan Swift's Gulliver's Travels (1726) – part adventure story, part satire of early-eighteenth-century party politics, but above all a coruscating reflection on the failures of human perspective and self-knowledge. Why do we find it so hard to see ourselves for who we really are? What makes us so vulnerable to mindless feuds and wild conspiracy theories? And what could we learn from the talking horses?Tomorrow: Friedrich Schiller's Mary StuartFind out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening. Hosted on Acast. See acast.com/privacy for more information.

With capital punishment in the offing, how can Gulliver escape the land of Lilliput?  Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “The Machine Stops”, by E.M. Forster. Be sure to check out this science fiction classic on Tuesday. If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content. Go to http://classictalesaudiobooks.com and become a supporter today.   And now, A Voyage to Lilliput, part 3 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:    Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:    

How can Gulliver stop a war without any bloodshed? Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “Leave It To Jeeves”, by P.G. Wodehouse. Be sure to check it out on Tuesday.  If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories. Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content.  Go to http://classictalesaudiobooks.com and become a supporter today.  And now, A Voyage to Lilliput, part 2 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:    Follow this link to subscribe to our newsletter   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:    

How can Lemuel Gulliver escape from the Lilliputians? They're only six inches tall – should be a cinch, right? Jonathan Swift, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  The Vintage Episode for the week is “The Yellow Wallpaper”, by Charlotte Perkins Gilman. Be sure to check it out on Tuesday.  If you enjoy the show, please become a monthly supporter, and help us continue to highlight these amazing stories.  Please go to http://classictalesaudiobooks.com and become a monthly supporter for as little as $5 a month. As a thank you gesture, we'll send you a coupon code every month for $8 off any audiobook order. Give more, and you get more! It's a great way to help us keep producing sparkling audiobook content.  Go to http://classictalesaudiobooks.com and become a supporter today.  I've been having fun designing the specials for our Kickstarter for the next Arsène Lupin book – The Golden Triangle. Things are moving along nicely. Keep an ear open for when we pull the trigger, hopefully in a couple of weeks!   And it's time for the Classic Tales Book Club to meet again! Keep an eye on your inboxes on Tuesday for our monthly newsletter which will contain the zoom link. Our zoom meeting will be on Wednesday, April 10th at 4:00 PM Pacific time, 7:00 PM Eastern. We'll talk about the satirical nature of Gulliver's Travels, and the power of satire. See you then! Follow the link in the show notes to subscribe to our newsletter, and get the zoom link on Tuesday. Mark Twain is quoted as saying that, “a classic is a book which people praise and don't read”. Gulliver's Travels likely fits into this category for a lot of us. We've seen the Max Fleisher cartoon, or the Ray Harryhausen film in the 70s, or the film with Jack Black in 2010. But we've probably never read it. Or we tried, and gave it up. So, what is the lasting appeal of this difficult book? Gulliver's Travels was originally published in 1727. Swift's novel is a satire of British monarchy and Imperialism. He succeeds in taking the mundane, or something we largely take for granted, and pushing it to the extreme to show its absurdity. This goes for everything from governments to our own physical bodies. And yeah, nothing is safe, so get ready for some bodily functions we'd rather not talk about to come front and center.   Gulliver records his travels to several different lands of adventure. Instead of going through the entire book now, we'll tackle them one voyage at a time. Then we'll take a breather. This first stint will be the first part of the book – A Voyage to Lilliput in three parts. Gulliver travels to the land of Lilliput, as well as a land of giants, and also visits the dystopian world of the Houyhnhnms (hoo-IH-nims), among others. I hope you like it. And now, A Voyage to Lilliput, part 1 of 3, from Gulliver's Travels by Jonathan Swift. Follow this link to become a monthly supporter:   Follow this link to subscribe to our newsletter and join us on Zoom for the Classic Tales Book Club:    Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:   Follow this link to follow us on TikTok:            

Rapping on the top headlines and topics affecting the nation. First, Savage discusses President Biden's continued mental decline, reflecting on his important work with Alzheimer's. He summarized his research in his 1987 book Reducing the Risk of Alzheimer's. He concludes that any medical student could recognize that Biden's condition has progressed significantly since his inauguration. Why has Jill Biden allowed this to continue? How can we recover from Biden's rupturing of our borders and cities? Is America shot? How can we deport over 10 million illegal aliens? Then, Savage offers his coverage of the Super Bowl. He explains how we've devolved from Jonathan Swift to Taylor Swift... He recalls his own firsthand experience of the Super Bowl and how he walked out during Beyoncé's halftime performance in New Orleans. Don't miss Savage's hilariously funny take on the Taylor Swift drama and the media storm surrounding the pop star and football phenom's romance. Learn more about your ad choices. Visit podcastchoices.com/adchoices