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8 episodes with Miss Havisham
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Great Expectations by Charles Dickens follows Pip, an orphan who rises from humble beginnings after receiving a mysterious fortune, believing it will transform him into a gentleman worthy of love. As he navigates London society, Pip becomes entangled with the eccentric Miss Havisham and her cold ward Estella, while slowly uncovering the true source of his wealth. Francine Prose is the author of twenty-two works of fiction, including The Vixen, Mister Monkey, the New York Times bestseller Lovers at the Chameleon Club, Paris 1932, A Changed Man, and Blue Angel, a finalist for the National Book Award. Her nonfiction includes the modern classic Reading Like a Writer and the acclaimed memoir 1974: A Personal History. A former president of PEN America and a member of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences, she is widely regarded as one of our most insightful and versatile contemporary writers. Her latest book, Five Weeks in the Country explores a fascinating moment which Francine describes as this: “In 1857, Hans Christian Andersen visited Charles Dickens, his wife and nine children in the British countryside for five comically and heartbreakingly awkward weeks. Telling their story seemed like the perfect way to talk about writing, love, marriage, children and two brilliant authors: a public figure in crisis and a houseguest, more at home in his fairy tales than in life, who overstays his welcome.”Valentine's Claret Punch is our drink pairing, and is what Dickens and Anderson were drinking the night they met and led to the misunderstanding that led Anderson to believe he should visit the Dickens family for an extended stay!In this EpisodeGreat Expectations - John Mills FilmGreat Expectations - 1998 Version
This week, Kate and Christina spoil Twin Peaks for everyone. Again. They also discuss movies that neither of them has seen, hypothesize how Miss Havisham and John Waters are related, watch Ocean's Eleven on repeat, and brainstorm ideas on how to do a one-woman owl call musical.
fWotD Episode 3253: Dirty Dick Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 1 April 2026, is Dirty Dick.Nathaniel Bentley (c. 1735–1809), commonly known as Dirty Dick, was an English merchant who was known for his filthy and unwashed appearance. He came from a moneyed background and received a good education. He spoke several languages and dressed in a dandified manner, and was given the nickname "the beau of Leadenhall Street". He met Louis XVI of France and attended his coronation in June 1775; he was a patron of the London pleasure gardens at Ranelagh in Chelsea and Vauxhall in Kennington.When in his late thirties, Bentley became parsimonious and stopped washing and cleaning himself and his shop. He picked up the nickname Dirty Dick and his shop became known as "the dirty warehouse"; both he and his shop became well known and were lampooned in the press. People visited the outlet to see the squalor, and noted that Bentley was very polite and had impeccable manners. Rumours circulated that the cause of the dirtiness was that Bentley had not washed since his fiancée had died on their wedding eve and that he had locked the dining room, complete with the wedding feast, and left it to moulder.Bentley moved out of his shop in 1804 and the contents were sold off. One enterprising publican purchased some of the contents, including mummified rats and cats, and used them to decorate his pub, which he renamed Dirty Dicks; as at 2025 the pub is still in operation under that name. Bentley died of a fever in 1809 in Haddington, East Lothian in Scotland. Bentley's story was known by the writer Charles Dickens, and Bentley's locked dining room may have inspired the locked room of Miss Havisham in the 1861 novel Great Expectations.This recording reflects the Wikipedia text as of 00:27 UTC on Wednesday, 1 April 2026.For the full current version of the article, see Dirty Dick on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Stephen.
Però l'anello non c'è L'immagine sullo schermo ritrae Miss Havisham in un'illustrazione di Harry Furniss all rights reserved. La clip in sottofondo è un breve estratto di “Flowers” cantata da Miley Cyrus etichetta Columbia 2023 all rights reserved
Lei senza marito, io senza maritozzo La clip è tratta dall'audiolibro “Grandi speranze” di Charles Dickens letto da Piero Baldini su RaiPlaySound all rights reserved. L'immagine è un ritratto di Miss Havisham in un'illustrazione di Harry Furniss all rights reserved
Buy Caroline's book here. The Blurb: From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies. Spinster tropes, witch burnings, and nineteenth-century diagnoses of hysteria have reflected and continue to inform the stories told about society's singletons, most notoriously in the original bunny boiler, Fatal Attraction (1987), and popularized in Single White Female (1992) and Promising Young Woman (2020). In Single & Psycho, author Caroline Young explores how broader social trends such as the antifeminist backlash of the 1980s, contemporary debates about tradwives and childless cat ladies, and the absence of single women of color on-screen shape the way women are (mis)perceived and (mis)treated. Young weaves the history of a stereotype with her own fight against stigma as a single woman as well as her struggles with infertility, infusing incisive analysis with personal experience in this approachable, savvy exposé of one of mainstream media's most enduring clichés. Single & Psycho: How Pop Culture Created the Unstable Single Woman is a dynamic addition to the ongoing dialogue surrounding the #MeToo movement and societal expectations of women. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Buy Caroline's book here. The Blurb: From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies. Spinster tropes, witch burnings, and nineteenth-century diagnoses of hysteria have reflected and continue to inform the stories told about society's singletons, most notoriously in the original bunny boiler, Fatal Attraction (1987), and popularized in Single White Female (1992) and Promising Young Woman (2020). In Single & Psycho, author Caroline Young explores how broader social trends such as the antifeminist backlash of the 1980s, contemporary debates about tradwives and childless cat ladies, and the absence of single women of color on-screen shape the way women are (mis)perceived and (mis)treated. Young weaves the history of a stereotype with her own fight against stigma as a single woman as well as her struggles with infertility, infusing incisive analysis with personal experience in this approachable, savvy exposé of one of mainstream media's most enduring clichés. Single & Psycho: How Pop Culture Created the Unstable Single Woman is a dynamic addition to the ongoing dialogue surrounding the #MeToo movement and societal expectations of women. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tonight's sleep story is the continuation of Great Expectations by Charles Dickens. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodOrder your copy of the Just Sleep book! https://www.justsleeppodcast.com/book/If you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.
Tune in to hear:What can Miss Havisham, the Charles Dickens' character, teach us about the dangers of fleeing our pain?How is Miss Havisham, on some fundamental level, a potent metaphor for our own lives?What does Dr. Crosby mean by “emotional graying” and why are its effects so insidious?What did author Khalil Gibran have to say about why running from pain can also mean running from joy?Why do vulnerability and greatness often go hand-in-hand?LinksThe Soul of WealthConnect with UsMeet Dr. Daniel CrosbyCheck Out All of Orion's PodcastsPower Your Growth with OrionCompliance Code: 0988-U-25094
Fall asleep fast to the continuation of Great Expectations by Charles Dickens. Pip pays another visit to Miss Havisham. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Spotify, Apple Podcasts, or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.
Tonight, we'll read an excerpt from Charles Dickens “Great Expectations” where young Pip visits the mysterious Miss Havisham at her decaying mansion. There he meets Estella, a beautiful but scornful girl who treat him with cold disdain, making him painfully aware of his lower social status. Miss Havisham, frozen in time since being jilted at the altar, encourages Estella to toy with Pip's emotions. This encounter leaves Pip deeply ashamed of his humble background, planting the seed of his desire to become a gentleman.Miss Havisham's tragic and eerie presence has left a lasting impact on literature, film television and music. She appears in Havisham by Carol Ann Duffy, which reimagines her bitter longing, and influences characters like Norma Desmond in Sunset Boulevard and Bertha Mason in Jane Eyre. Artists like Tori Amos and Florence and The Machine reference her ghostly figure in music, while The Simpsons parody her infamous heartbreak and decay, solidifying her as a timeless gothic archetype.— read by 'N' —Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tonight, we'll read an excerpt from Charles Dickens “Great Expectations” where young Pip visits the mysterious Miss Havisham at her decaying mansion. There he meets Estella, a beautiful but scornful girl who treat him with cold disdain, making him painfully aware of his lower social status. Miss Havisham, frozen in time since being jilted at the altar, encourages Estella to toy with Pip's emotions. This encounter leaves Pip deeply ashamed of his humble background, planting the seed of his desire to become a gentleman. Miss Havisham's tragic and eerie presence has left a lasting impact on literature, film television and music. She appears in Havisham by Carol Ann Duffy, which reimagines her bitter longing, and influences characters like Norma Desmond in Sunset Boulevard and Bertha Mason in Jane Eyre. Artists like Tori Amos and Florence and The Machine reference her ghostly figure in music, while The Simpsons parody her infamous heartbreak and decay, solidifying her as a timeless gothic archetype. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices
Steven's taken up card reading with his eyes closed, Richard's throwing a guest star over Miss Havisham's wedding spread, and Brendan's setting up Patrick Macnee's latest headshots on a Lazy Susan. It's a bonus episode for the festive season, as we discover whether one can ever really have Too Many Christmas Trees. Steven wants everyone to know there really is a Santa Claus, specifically this terrifying one played by Alexei Sayle. The Three Handed Game is an Australian commentary podcast for the 1960s television classic, The Avengers. NEXT EPISODE: The Pop Explosion concludes with the most dangerous Game. Please drop us a review on Apple Podcasts, and send us your thoughts via Bluesky, Facebook, X, or by email at thethreehandedgame@gmail.com. Music Credits Faster Does It Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
There's life and health outside the dark, musty walls of hurt and bitterness.
Mentre il velo che separa i mondi va assottigliandosi, è proprio attraverso un velo che gli occhi del mostro di oggi ci guardano. Un velo nuziale, ma spettrale. La funerea figura della Sposa Cadavere ha origini antiche, sebbene in molti la conoscano per la sua apparizione più recente e famosa, la versione del film di Tim Burton. In questa puntata allungheremo il nostro sguardo da indagatori del mostruoso verso motivi e tematiche che vanno oltre la figura della sposa cadavere in senso stretto, partendo da una versione del racconto scritta da Schulze ma seguendo poi sentieri che suggeriscono intriganti collegamenti tra sposa, morte, spettralità e mostruosità. A farci compagnia, un'ospite d'eccezione, Federica Perazzini, anglista, professoressa di letteratura inglese esperta di gotico, che in un'ottica trasversale e transmediale rivelerà numerose diramazioni del nostro tema; da Bertha Mason a Miss Havisham, da Lucy Westenra alle spose di Frankenstein, tra promesse infrante, vite interrotte, inganni, desideri andati in fumo e vendetta.
Feeling stressed? Relax with tonight's bedtime story, the continuation of Great Expectations by Charles Dickens. In this episode, Pip meets Miss Havisham and later tells his sister and Mr Pumblechook about his encounter. Support the podcast and enjoy ad-free and bonus episodes. Try FREE for 7 days on Apple Podcasts. For other podcast platforms go to https://justsleeppodcast.com/supportOr, you can support with a one time donation at buymeacoffee.com/justsleeppodIf you like this episode, please remember to follow on Apple Podcasts or your favourite podcast app. Also, share with any family or friends that might have trouble drifting off.Goodnight! Hosted on Acast. See acast.com/privacy for more information.
If you've ever seen the film Stepbrothers then the behaviour exhibited by man-children Ferrell and C. Reilly isn't so far removed from today's Made Up Game. A very simple premise is put through the wringer, testing Producer Dave to his limits.There's also accusations of inter-show ideas transfer, a goat chop half marathon and Elis is slap bang in his wheelhouse for these week's global Dave.If there's anything you want to contribute to the show then your options are as follows: elisandjohn@bbc.co.uk on email or 07974 293 022 on Whatsapp.
Arnie Witkin is a seasoned investment manager and private equity professional, has led a multifaceted career. After retiring, he transitioned into a speechwriter, executive coach, and mentor. For over six decades, he diligently recorded his thoughts, and around the age of 80, he decided to compile them into a book for his grandchildren. From there it gained momentum and he decided to self-publish a book, titled It's Not a Big Thing in Life, which is a guide on how to get from anxiety to action. The book caught the attention of Portia Smit from the Western Cape Education Department, who described it as a ‘genuine blessing' for her parenting journey” and it is now part of the Department's curriculum for Life Orientation .In an interview with Biznews, Witkin said that his main philosophy is that you are responsible for yourself, no matter what your circumstances are. His silver bullet to stop being like the Charles Dickens character, Miss Havisham is to put your thoughts down on paper to transform worries into tangible steps forward. Additionally, he shares strategies for navigating social media and emphasises the importance of humour in coping with challenges.
The strange midnight mass held for ghosts and the inspiration for the Charles Dickens character Miss Havisham
The strange midnight mass held for ghosts and the inspiration for the Charles Dickens character Miss Havisham
"Dracula the Damned" is a 1960 British supernatural horror film produced by Hammer Film Productions starring ‘Big' Christopher Lee… Scratch that…Rather, the original sequel to the first Hammer Dracula film was cancelled without explanation, although Christopher Lee's decision not to return due to fear of typecasting probably led to The Brides of Dracula taking its place. #BigChrisLee did return five years later, however, when he starred in Dracula, Prince of Darkness.The Brides of Dracula is a 1960 British supernatural horror film produced by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, David Peel (who wore lifts in his shoes to make him the same height as actor Peter Cushing in the film. Peel, according to his bio at the time, was 5 foot 10. Cushing was six feet tall. To make his vampire look distinguishable from Christopher Lee's, Peel wore a full blonde hairpiece), Yvonne Monlaur, Andrée Melly, Miles Malleson (the hearse driver in the Ealing chiller compendium Dead of Night), Martita Hunt (known for her rich cluster of queens, dowagers, shrews, and evildoers—but it was her brilliant performance as the mad, reclusive Miss Havisham in the classic Great Expectations that earned her international recognition), and Freda Jackson (also an alumna of Great Expectations). Although, the character of Count Dracula does not appear in the film, and is instead mentioned only twice.After the success of Dracula, Hammer commissioned Jimmy Sangster to write a sequel titled Disciple of Dracula, about an acolyte of the vampire, with Count Dracula himself only making a cameo appearance. Sangster's script was rewritten by Peter Bryan to remove references to Dracula, while adding the character of Van Helsing. The screenplay was then further revised by Edward Percy. Filming began on January 16, 1960, at Bray Studios, and the film premiered at the Odeon Marble Arch on July 6. It was distributed theatrically on a double bill with The Leech Woman.The ending was originally planned to have the vampires destroyed by a swarm of bats, but this proved too expensive to stage and shoot, and was also vetoed by Peter Cushing, who did not think his character would perform the black magic required to summon the bats. However, the idea was recycled three years later for the climax of Hammer's The Kiss of the Vampire. The prop department put a lot of effort into making a realistic model bat, but it was lost and had to be replaced on short notice. This explains the unconvincing model bat in the movie.The front doors of Oakely Court served as the main entrance to Meinster Castle. Oakley Court has been featured in a number of classic horror films, including The Curse of Frankenstein, The Horror of Dracula, The Evil of Frankenstein, Die, Monster, Die, and The Rocky Horror Picture Show.$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$Just in case anyone has too much money and wants to give a bit to us to help with our hosting n stuff. It would be amazing if you fancied sending us some pennies - thank you.https://supporter.acast.com/general-witchfinders$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£ Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.
Eliza Donnithorne (1821-1886) was an infamous recluse. Legend has it she was abandoned on her wedding day, and she never recovered. Her story may have inspired one of literature's most famous scorned brides: Miss Havisham of Dickens' Great Expectations. This month, we're talking about Folk Heroes. People whose lives and stories took on mythic proportions. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
Azzi is known as the perfumer for the world's biggest celebrities. Her creations help Johnny Depp and Orlando Bloom get into character for movie roles and serve as personal fragrances for Kylie Minogue and Cindy Crawford. Her bespoke work starts at £15,000, but for the first time, she is making her scents more widely available with The Perfumer's Story, a limited-edition collection launching on Scentbird in October 2023.In this episode, Azzi sits down with Mariya Nurislamova, Scentbird's co-founder and CEO. She takes us behind the scenes of what it's like to work with iconic stars to develop their scents. She talks about launching the Agent Provocateur fragrance back in the early 2000s, how she bottled the smell of rain on earth, and a tip to increase your pheromones.Highlights:• The celebrity that calls Azzi a “white witch”• A behind-the-scenes look into bespoke perfumery for celebrities• What Johnny Depp is like one on one• The “stinky” fragrance that helped Helena Bonham Carter get into character• The fragrance that helped Johnny Depp play a 200-year-old vampire in a Tim Burton movie• The surprising scent for Helena Bonham Carter to play Miss Havisham in “Great Expectations”• How Azzi approaches scent creation (hint: it's not through fragrance families)• The fragrance based on poisonous flowers• Does Azzi have psychic powers?• Why creating a bespoke perfume for Cindy Crawford was a challenge• Blood, sweat, and fecal matter: the fragrance for Jude Law to play Henry VIII• Early scent memories: England, India, and the smell of rain on earth• The opposite of trendy: bringing the Agent Provocateur fragrance to life• Azzi's all-time favorite scent notes (and combinations) • The intimate dinner at Kylie Minogue's house• The celebrity that motivated Azzi to start her own brand• The story behind The Perfumer's Story• Bringing heritage and edginess to the brand's design• Why it's hard to find a perfume that truly matches you• Scent Spotlight: Sequoia Wood, Twisted Iris, and Amber Molecule• “People stop me on the streets to ask what this scent is…”• The packaging and why you'll want to keep it forever• The fragrance for fun-loving, bohemian, and eccentric people• Azzi's tips for wearing fragrance: spots, sweat, and pheromones• How to smell like Kaia Jordan Gerber• The scent Azzi used to wear for bedtime stories to her kids• Scent Connection, All-Time Favorites Edition• The scent that Benedict Cumberbatch loves: “it tells a thousand stories”• What's next for AzziFeatured Fragrances:Sequoia WoodTwisted IrisAmber MoleculeOld BooksSoak in all of our audio and video content at https://podcast.scentbird.com.
Fiction can be a historian's greatest source of contemporary information if used correctly, and the study of fashion history is no different... Bridal fashion in particular! In this episode of Silhouettes I explore: How and why we can use fiction, books, short stories, poems and more to get first-hand accounts of what people were wearing in history. The ways we can use these same skills to explore the wedding fashion of eras from the 18th century all the way to the mid century, from fictional weddings to fictional brides. The wedding fashion some of fictions most iconic brides; from Miss Havisham to the Bride of Frankenstien, in both their true novelized icarnrtions to their modern media re-imaginings. “Our mad dream is only half realized. Alone, you have created the man. Now, together, we will create his mate.” Bride of Frankenstien, 1935 Become a Patreon subscriber to support the podcast and gain access to bonus content: https://www.patreon.com/silhouettespodcast Become a Spotify Subscriber in 3 clicks to access bonus content: https://podcasters.spotify.com/pod/show/silhouettes/subscribe Thanks for listening, and stay fab everyone. Follow the show on Instagram @Silhouettespodcast for more updates
This episode is bringing the drama… Sarel and Candice return to the closet to discuss the whirlwind story of Candice's wedding dress tailor, the hamster wheel of life and why you should NEVER let your job run you into the ground. We've also got a listener confessions from ‘Miss Havisham' (don't worry, the girls skipped that GCSE lesson too, they do explain who this is…) which leads the closet girlies into talking about losing your identity as a stay-at-home-mum, how society determines breadwinners, and why your man should 100% be your biggest supporter. Don't forget, what's said in the closet, stays in the closet and send your anonymous confessions in here: forms.gle/isf8odGDSn1S3FSz7 Hosted on Acast. See acast.com/privacy for more information.
Andy Farnsworth joins KSL-TV to help audiences decipher #WhatToWatch for the weekend of March 31, 2023. Will "Dungeons and Dragons" the movie live up to Dungeons and Dragons the game? That's the big question as "Dungeons & Dragons: Honor Among Thieves" takes the iconic tabletop role-playing game to the big screen. Another game-turned-movie is "Tetris" on Apple TV+, a sort of Cold War spy movie about a video game. Over on Netflix, Adam Sandler and Jennifer Aniston are back as the charming, somewhat bumbling, yet unexpectedly effective husband/wife detective team in "Murder Mystery 2." Actor Kiefer Sutherland has a new action-thriller TV series on Paramount+ called "Rabbit Hole." And for fans of sitcoms, Rob Lowe has a comedy for you on Netflix with the quirky show "Unstable." And Finally, a new adaptation of "Great Expectations" on FX & Hulu, starring Olivia Colman as Miss Havisham. But fair warning, this ain't your parents Charles Dickens! Beyond Sci-Fi, Fantasy, Gaming, and Tech, the brains behind Fan Effect are connoisseurs of categories surpassing the nerdy. Brilliant opinions and commentary on all things geek, but surprising knowledge and witty arguments over pop culture, Star Trek, MARVEL vs. DC, and a wide range of movies, TV shows, and more. Formerly known as SLC Fanboys, the show is hosted by Andy Farnsworth and KellieAnn Halvorsen, who are joined by guest experts. Based in the beautiful beehive state, Fan Effect celebrates Utah's unique fan culture as it has been declared The Nerdiest State in America by TIME. Listen regularly on your favorite platform, at kslnewsradio.com, or on the KSL App. Join the conversation on Facebook @FanEffectShow, Instagram @FanEffectShow, and Twitter @FanEffectShow. Fan Effect is sponsored by Megaplex Theatres, Utah's premiere movie entertainment company. See omnystudio.com/listener for privacy information.
Writer and director Steven Knight, whose work includes Peaky Blinders and SAS Rogue Heroes, discusses his new BBC adaptation of Great Expectations which stars Olivia Coleman as Miss Havisham. Tom Sutcliffe is joined by critics Ben Luke and Isabel Stevens to review some of the week's cultural highlights including Spanish film The Beasts, the After Impressionism exhibition at the National Gallery and the return of TV drama Succession. Presenter: Tom Sutcliffe Producer: Sarah Johnson
Dominic is joined by the inimitable actor and Dickens descendant Harry Lloyd. Together they discuss their first impressions of FX's new Great Expectations and Harry's experience of playing Dickens characters in previous BBC dramatisations of his Great Great Great Grandfather's works, and his career more widely.This podcast is supported by FX's Great Expectations. From executive producers Ridley Scott, Tom Hardy and Steven Knight and starring Olivia Colman and Fionn Whitehead, the series follows Pip, an orphan who yearns for a greater lot in life, until a twist of fate and the evil machinations of the mysterious and eccentric Miss Havisham, show him a dark world of possibilities. FX's Great Expectations premieres in the U.S. Sunday, March 26, only on Hulu. The series is produced Support the showIf you like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardHost: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!
Dominic is joined by the inimitable broadcaster & historian Alice Loxton who takes us on a journey into the frenzied and scandalous world of London society in the Georgian Period ...Alice is a celebrated presenter on History Hit and her new book UPROAR! takes a look at the movers and shakers of the time as seen through the eyes of caricaturists such as James Gillray, Thomas Rowlandson & Isaac CruikshankYou can also follow Alice on Twitter, Instagram and TikTokThis podcast is supported by FX's Great Expectations. From executive producers Ridley Scott, Tom Hardy and Steven Knight and starring Olivia Colman and Fionn Whitehead, the series follows Pip, an orphan who yearns for a greater lot in life, until a twist of fate and the evil machinations of the mysterious and eccentric Miss Havisham, show him a dark world of possibilities. FX's Great Expectations premieres in the U.S. Sunday, March 26, only on Hulu. The series is produced Support the showIf you like to make a donation to support the costs of producing this series you can buy 'coffees' right here https://www.buymeacoffee.com/dominicgerrardHost: Dominic GerrardSeries Artwork: Léna GibertOriginal Music: Dominic GerrardThank you for listening!
Ghosts and Wedding Dresses.Miss Havisham is one of Charles Dickens most complex and unforgettable characters in all of literature. When we meet her in his novel Great Expectations, she has literally become mummified in her tattered wedding dress and in her love for the man who left her jilted at the marriage altar. The clocks in her decaying mansion stopped to the exact moment when she received the news of her groom-to-be's betrayal. The wedding cake still on the table, uneaten, no doubt decaying with rot like her skin, which has not felt the warmth of the sun in many years. Her suffering is operatic. It is one of the anchors of the book's angst-filled love story between Pip and Estella. Miss Havisham is both ghoul and tragic angel, heroine and antagonist, ultimately consumed in the flames of her lost love. It's the New Year. And we are all being inundated with memes, quotes, and advice on how we are supposed to step into 2023 with a new mojo. How we are supposed to embrace a new perspective on how we are supposed to live old lives. How this year is going to be different from all the other new years past. How our best lives are ahead of us if only we could… What? Step out of the past hurts and disappointments (I wanted to say failures, but they are making a comeback as things we should experience)? Forgive that person who we've been harboring a grudge against for years (a missing father, a cheating lover, an untrue friend)? Chase the dreams we've sacrificed for convenience and comfort sakes (write that novel, leave that soul-numbing corporate job, take salsa dancing lessons)? Marsha-Ann Donaldson-Brown breaks it down in this one phrase. “At the end of the day, know this, all you have is this one life. And you are deserving of living it fully, with intention, with peace, love, and joy unspeakable. And nothing or no one is worth it for you to be dragging through life broken.” She gives us two stark choices. We can either have a life of joy unspeakable (which somehow feels more potent than unspeakable joy when she says it), or we can drag through life broken, like Miss Havisham, our wedding finery turned into widows' weeds. And we better make a choice because it isn't about living our best lives. What we are walking through, either asleep or awake, is our only life, and time unmercifully marches on. Marsha-Ann's call is not a placid, genteel nudge into mindfulness and self-acceptance. She disruptively advocates for acts of radical self-interest, radical self-love, and radical self-awareness. The alternative she paints is too difficult to contemplate. “If we're not careful, we'll live life in a time-capsule, trapped in the dogma of what society says, or what has been said to us. I'm on a mission now to embrace that within this season we occupy that we're living it fully.”Ultimately, Marsha-Ann invites us to a life of liberation and a different kind of “wokeness.” Where we shed the imprisoning decay of expectations, self-doubt, and things past that hold us back. Deliverance. Freedom. So that we can soar like an eagle with the delicacy of a butterfly. For more information contact Patrick at patrick@patrickhueyleadership.com
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In one of Charles Dickens' most beloved stories, Philip Pirrip, known as “Pip”, narrates his own journey, from the hindsight of 50 years.Pip grows up with his older sister after losing his parents at a very early age. His sister, a tough unloving woman, rules Pip and her gentle husband Joe with an iron hand. During Pip's 7th year, while playing in the marshes, he is accosted by an escaped criminal whom he decides to help by stealing food from his own home. But the convict is caught and returned to prison.Miss Havisham, an eccentric, rich recluse, sends for Pip to come to her house to play with Estella, a haughty and rude girl about his age. Although Pip is ashamed of himself as a poor uneducated boy, he is fascinated by Estella. A few years later, he becomes apprenticed to Joe, a blacksmith, but dreams of becoming rich and clever and marrying Estella. A stranger, Mr. Jaggers, arrives to inform him that he has come into a handsome property, and will be removed from his present home to be brought up as a gentleman. The benefactor is kept secret, but Pip is sure it must be Miss Havisham.In London, he acquires a tutor, grand new clothes and the lifestyle he always wanted. However, life is complicated as a gentleman in society, and he finds himself very unhappy, as Estella remains indifferent to him, involved with someone else. Pip begins overspending his generous allowance, and worse, spurns his old friends. Then unexpected problems from his past arise, and begin to transform his attitude.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This episode talks about Vell's great expectations vs great responsibility. The Good Read for this episode is Great Expectations by Charles Dickens. Perhaps Dickens's best-loved work, Great Expectations tells the story of Pip, a young man with few prospects for advancement until a mysterious benefactor allows him to escape the Kent marshes for a more promising life in London. Despite his good fortune, Pip is haunted by figures from his past—the escaped convict Magwitch, the time-withered Miss Havisham, and her proud and beautiful ward, Estella—and in time uncovers not just the origins of his great expectations but the mystery of his own heart. A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. What's Popping in Vell's World consist of Sweetie Pie's Trial, Serena retires, Bank of America launched a pilot program and more. Follow on Facebook, Instagram, and Twitter @VellsWorldPodcast Email vellsworldpodcast@ldmonger.com with any comments, questions, or concerns you would like mentioned in our upcoming episodes. To sponsor an episode send us an email. Don't forget to subscribe, tell a friend, and follow on all social media platforms. You can leave a voice message and become a monetary supporter for as little as .99 cent on the anchor.fm. --- Send in a voice message: https://anchor.fm/vellsworldpodcast/message Support this podcast: https://anchor.fm/vellsworldpodcast/support
Join the ladies and the incomparable Robert Gwaltney as the discus his break-out debut novel The Cicada Tree. https://robertlgwaltney.com/ A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. Hosts: author Nola Nash https://nolanash.com and author Laura Kemp https://laurakempbooks.com/ Thanks to Pam Stack - Executive Producer - Authors on the Air Global Radio Network www.authorsontheair.com @Copyrighted by Authors on the Air Global Radio Network LLC.
The pale young gentleman and I stood contemplating one another in Barnard's Inn, until we both burst out laughing. “The idea of its being you!” said he. “The idea of its being you!” said I. And then we contemplated one another afresh, and laughed again. “Well!” said the pale young gentleman, reaching out his hand good-humoredly, “it's all over now, I hope, and it will be magnanimous in you if you'll forgive me for having knocked you about so.”I derived from this speech that Mr. Herbert Pocket (for Herbert was the pale young gentleman's name) still rather confounded his intention with his execution. But I made a modest reply, and we shook hands warmly.“You hadn't come into your good fortune at that time?” said Herbert Pocket.“No,” said I.“No,” he acquiesced: “I heard it had happened very lately. I was rather on the lookout for good fortune then.”“Indeed?”“Yes. Miss Havisham had sent for me, to see if she could take a fancy to me. But she couldn't—at all events, she didn't.”I thought it polite to remark that I was surprised to hear that.“Bad taste,” said Herbert, laughing, “but a fact. Yes, she had sent for me on a trial visit, and if I had come out of it successfully, I suppose I should have been provided for; perhaps I should have been what-you-may-called it to Estella.”“What's that?” I asked, with sudden gravity.He was arranging his fruit in plates while we talked, which divided his attention, and was the cause of his having made this lapse of a word. “Affianced,” he explained, still busy with the fruit. “Betrothed. Engaged. What's-his-named. Any word of that sort.”“How did you bear your disappointment?” I asked.“Pooh!” said he, “I didn't care much for it. She's a tartar.”“Miss Havisham?”“I don't say no to that, but I meant Estella. That girl's hard and haughty and capricious to the last degree, and has been brought up by Miss Havisham to wreak revenge on all the male sex.”“What relation is she to Miss Havisham?”“None,” said he. “Only adopted.”“Why should she wreak revenge on all the male sex? What revenge?”“Lord, Mr. Pip!” said he. “Don't you know?”“No,” said I.“Dear me! It's quite a story, and shall be saved till dinnertime. And now let me take the liberty of asking you a question. How did you come there, that day?”I told him, and he was attentive until I had finished, and then burst out laughing again, and asked me if I was sore afterwards? I didn't ask him if he was, for my conviction on that point was perfectly established.“Mr. Jaggers is your guardian, I understand?” he went on.“Yes.”“You know he is Miss Havisham's man of business and solicitor, and has her confidence when nobody else has?”This was bringing me (I felt) towards dangerous ground. I answered with a constraint I made no attempt to disguise, that I had seen Mr. Jaggers in Miss Havisham's house on the very day of our combat, but never at any other time, and that I believed he had no recollection of having ever seen me there.“He was so obliging as to suggest my father for your tutor, and he called on my father to propose it. Of course he knew about my father from his connection with Miss Havisham. My father is Miss Havisham's cousin; not that that implies familiar intercourse between them, for he is a bad courtier and will not propitiate her.”Herbert Pocket had a frank and easy way with him that was very taking. I had never seen anyone then, and I have never seen anyone since, who more strongly expressed to me, in every look and tone, a natural incapacity to do anything secret and mean. There was something wonderfully hopeful about his general air, and something that at the same time whispered to me he would never be very successful or rich. I don't know how this was. I became imbued with the notion on that first occasion before we sat down to dinner, but I cannot define by what means.He was still a pale young gentleman, and had a certain conquered languor about him in the midst of his spirits and briskness, that did not seem indicative of natural strength. He had not a handsome face, but it was better than handsome: being extremely amiable and cheerful. His figure was a little ungainly, as in the days when my knuckles had taken such liberties with it, but it looked as if it would always be light and young. Whether Mr. Trabb's local work would have sat more gracefully on him than on me, may be a question; but I am conscious that he carried off his rather old clothes much better than I carried off my new suit.As he was so communicative, I felt that reserve on my part would be a bad return unsuited to our years. I therefore told him my small story, and laid stress on my being forbidden to inquire who my benefactor was. I further mentioned that as I had been brought up a blacksmith in a country place, and knew very little of the ways of politeness, I would take it as a great kindness in him if he would give me a hint whenever he saw me at a loss or going wrong.“With pleasure,” said he, “though I venture to prophesy that you'll want very few hints. I dare say we shall be often together, and I should like to banish any needless restraint between us. Will you do me the favour to begin at once to call me by my Christian name, Herbert?”I thanked him and said I would. I informed him in exchange that my Christian name was Philip.“I don't take to Philip,” said he, smiling, “for it sounds like a moral boy out of the spelling-book, who was so lazy that he fell into a pond, or so fat that he couldn't see out of his eyes, or so avaricious that he locked up his cake till the mice ate it, or so determined to go a bird's-nesting that he got himself eaten by bears who lived handy in the neighborhood. I tell you what I should like. We are so harmonious, and you have been a blacksmith—would you mind it?”“I shouldn't mind anything that you propose,” I answered, “but I don't understand you.”“Would you mind Handel for a familiar name? There's a charming piece of music by Handel, called the Harmonious Blacksmith.”“I should like it very much.”“Then, my dear Handel,” said he, turning round as the door opened, “here is the dinner, and I must beg of you to take the top of the table, because the dinner is of your providing.”This I would not hear of, so he took the top, and I faced him. It was a nice little dinner—seemed to me then a very Lord Mayor's Feast—and it acquired additional relish from being eaten under those independent circumstances, with no old people by, and with London all around us. This again was heightened by a certain gypsy character that set the banquet off; for while the table was, as Mr. Pumblechook might have said, the lap of luxury—being entirely furnished forth from the coffeehouse—the circumjacent region of sitting room was of a comparatively pastureless and shifty character; imposing on the waiter the wandering habits of putting the covers on the floor (where he fell over them), the melted butter in the armchair, the bread on the bookshelves, the cheese in the coal-scuttle, and the boiled fowl into my bed in the next room—where I found much of its parsley and butter in a state of congelation when I retired for the night. All this made the feast delightful, and when the waiter was not there to watch me, my pleasure was without alloy.We had made some progress in the dinner, when I reminded Herbert of his promise to tell me about Miss Havisham.“True,” he replied. “I'll redeem it at once. Let me introduce the topic, Handel, by mentioning that in London it is not the custom to put the knife in the mouth—for fear of accidents—and that while the fork is reserved for that use, it is not put further in than necessary. It is scarcely worth mentioning, only it's as well to do as other people do. Also, the spoon is not generally used overhand, but under. This has two advantages. You get at your mouth better (which after all is the object), and you save a good deal of the attitude of opening oysters, on the part of the right elbow.”He offered these friendly suggestions in such a lively way, that we both laughed and I scarcely blushed.“Now,” he pursued, “concerning Miss Havisham. Miss Havisham, you must know, was a spoilt child. Her mother died when she was a baby, and her father denied her nothing. Her father was a country gentleman down in your part of the world, and was a brewer. I don't know why it should be a crack thing to be a brewer; but it is indisputable that while you cannot possibly be genteel and bake, you may be as genteel as never was and brew. You see it every day.”“Yet a gentleman may not keep a public house; may he?” said I.“Not on any account,” returned Herbert; “but a public house may keep a gentleman. Well! Mr. Havisham was very rich and very proud. So was his daughter.”“Miss Havisham was an only child?” I hazarded.“Stop a moment, I am coming to that. No, she was not an only child; she had a half-brother. Her father privately married again—his cook, I rather think.”“I thought he was proud,” said I.“My good Handel, so he was. He married his second wife privately, because he was proud, and in course of time she died. When she was dead, I apprehend he first told his daughter what he had done, and then the son became a part of the family, residing in the house you are acquainted with. As the son grew a young man, he turned out riotous, extravagant, undutiful—altogether bad. At last his father disinherited him; but he softened when he was dying, and left him well off, though not nearly so well off as Miss Havisham.—Take another glass of wine, and excuse my mentioning that society as a body does not expect one to be so strictly conscientious in emptying one's glass, as to turn it bottom upwards with the rim on one's nose.”I had been doing this, in an excess of attention to his recital. I thanked him, and apologized. He said, “Not at all,” and resumed.“Miss Havisham was now an heiress, and you may suppose was looked after as a great match. Her half-brother had now ample means again, but what with debts and what with new madness wasted them most fearfully again. There were stronger differences between him and her than there had been between him and his father, and it is suspected that he cherished a deep and mortal grudge against her as having influenced the father's anger. Now, I come to the cruel part of the story—merely breaking off, my dear Handel, to remark that a dinner-napkin will not go into a tumbler.”Why I was trying to pack mine into my tumbler, I am wholly unable to say. I only know that I found myself, with a perseverance worthy of a much better cause, making the most strenuous exertions to compress it within those limits. Again I thanked him and apologized, and again he said in the cheerfullest manner, “Not at all, I am sure!” and resumed.“There appeared upon the scene—say at the races, or the public balls, or anywhere else you like—a certain man, who made love to Miss Havisham. I never saw him (for this happened five-and-twenty years ago, before you and I were, Handel), but I have heard my father mention that he was a showy man, and the kind of man for the purpose. But that he was not to be, without ignorance or prejudice, mistaken for a gentleman, my father most strongly asseverates; because it is a principle of his that no man who was not a true gentleman at heart ever was, since the world began, a true gentleman in manner. He says, no varnish can hide the grain of the wood; and that the more varnish you put on, the more the grain will express itself. Well! This man pursued Miss Havisham closely, and professed to be devoted to her. I believe she had not shown much susceptibility up to that time; but all the susceptibility she possessed certainly came out then, and she passionately loved him. There is no doubt that she perfectly idolized him. He practised on her affection in that systematic way, that he got great sums of money from her, and he induced her to buy her brother out of a share in the brewery (which had been weakly left him by his father) at an immense price, on the plea that when he was her husband he must hold and manage it all. Your guardian was not at that time in Miss Havisham's counsels, and she was too haughty and too much in love to be advised by anyone. Her relations were poor and scheming, with the exception of my father; he was poor enough, but not timeserving or jealous. The only independent one among them, he warned her that she was doing too much for this man, and was placing herself too unreservedly in his power. She took the first opportunity of angrily ordering my father out of the house, in his presence, and my father has never seen her since.”I thought of her having said, “Matthew will come and see me at last when I am laid dead upon that table;” and I asked Herbert whether his father was so inveterate against her?“It's not that,” said he, “but she charged him, in the presence of her intended husband, with being disappointed in the hope of fawning upon her for his own advancement, and, if he were to go to her now, it would look true—even to him—and even to her. To return to the man and make an end of him. The marriage day was fixed, the wedding dresses were bought, the wedding tour was planned out, the wedding guests were invited. The day came, but not the bridegroom. He wrote her a letter—”“Which she received,” I struck in, “when she was dressing for her marriage? At twenty minutes to nine?”“At the hour and minute,” said Herbert, nodding, “at which she afterwards stopped all the clocks. What was in it, further than that it most heartlessly broke the marriage off, I can't tell you, because I don't know. When she recovered from a bad illness that she had, she laid the whole place waste, as you have seen it, and she has never since looked upon the light of day.”“Is that all the story?” I asked, after considering it.“All I know of it; and indeed I only know so much, through piecing it out for myself; for my father always avoids it, and, even when Miss Havisham invited me to go there, told me no more of it than it was absolutely requisite I should understand. But I have forgotten one thing. It has been supposed that the man to whom she gave her misplaced confidence acted throughout in concert with her half-brother; that it was a conspiracy between them; and that they shared the profits.”“I wonder he didn't marry her and get all the property,” said I.“He may have been married already, and her cruel mortification may have been a part of her half-brother's scheme,” said Herbert. “Mind! I don't know that.”“What became of the two men?” I asked, after again considering the subject.“They fell into deeper shame and degradation—if there can be deeper—and ruin.”“Are they alive now?”“I don't know.”“You said just now that Estella was not related to Miss Havisham, but adopted. When adopted?”Herbert shrugged his shoulders. “There has always been an Estella, since I have heard of a Miss Havisham. I know no more. And now, Handel,” said he, finally throwing off the story as it were, “there is a perfectly open understanding between us. All that I know about Miss Havisham, you know.”“And all that I know,” I retorted, “you know.”“I fully believe it. So there can be no competition or perplexity between you and me. And as to the condition on which you hold your advancement in life—namely, that you are not to inquire or discuss to whom you owe it—you may be very sure that it will never be encroached upon, or even approached, by me, or by anyone belonging to me.”In truth, he said this with so much delicacy, that I felt the subject done with, even though I should be under his father's roof for years and years to come. Yet he said it with so much meaning, too, that I felt he as perfectly understood Miss Havisham to be my benefactress, as I understood the fact myself.It had not occurred to me before, that he had led up to the theme for the purpose of clearing it out of our way; but we were so much the lighter and easier for having broached it, that I now perceived this to be the case. We were very gay and sociable, and I asked him, in the course of conversation, what he was? He replied, “A capitalist—an Insurer of Ships.” I suppose he saw me glancing about the room in search of some tokens of shipping, or capital, for he added, “In the City.”I had grand ideas of the wealth and importance of Insurers of Ships in the City, and I began to think with awe of having laid a young Insurer on his back, blackened his enterprising eye, and cut his responsible head open. But again there came upon me, for my relief, that odd impression that Herbert Pocket would never be very successful or rich.“I shall not rest satisfied with merely employing my capital in insuring ships. I shall buy up some good Life Assurance shares, and cut into the direction. I shall also do a little in the mining way. None of these things will interfere with my chartering a few thousand tons on my own account. I think I shall trade,” said he, leaning back in his chair, “to the East Indies, for silks, shawls, spices, dyes, drugs, and precious woods. It's an interesting trade.”“And the profits are large?” said I.“Tremendous!” said he.I wavered again, and began to think here were greater expectations than my own.“I think I shall trade, also,” said he, putting his thumbs in his waistcoat pockets, “to the West Indies, for sugar, tobacco, and rum. Also to Ceylon, specially for elephants' tusks.”“You will want a good many ships,” said I.“A perfect fleet,” said he.Quite overpowered by the magnificence of these transactions, I asked him where the ships he insured mostly traded to at present?“I haven't begun insuring yet,” he replied. “I am looking about me.”Somehow, that pursuit seemed more in keeping with Barnard's Inn. I said (in a tone of conviction), “Ah-h!”“Yes. I am in a countinghouse, and looking about me.”“Is a countinghouse profitable?” I asked.“To—do you mean to the young fellow who's in it?” he asked, in reply.“Yes; to you.”“Why, n-no; not to me.” He said this with the air of one carefully reckoning up and striking a balance. “Not directly profitable. That is, it doesn't pay me anything, and I have to—keep myself.”This certainly had not a profitable appearance, and I shook my head as if I would imply that it would be difficult to lay by much accumulative capital from such a source of income.“But the thing is,” said Herbert Pocket, “that you look about you. That's the grand thing. You are in a countinghouse, you know, and you look about you.”It struck me as a singular implication that you couldn't be out of a countinghouse, you know, and look about you; but I silently deferred to his experience.“Then the time comes,” said Herbert, “when you see your opening. And you go in, and you swoop upon it and you make your capital, and then there you are! When you have once made your capital, you have nothing to do but employ it.”This was very like his way of conducting that encounter in the garden; very like. His manner of bearing his poverty, too, exactly corresponded to his manner of bearing that defeat. It seemed to me that he took all blows and buffets now with just the same air as he had taken mine then. It was evident that he had nothing around him but the simplest necessaries, foreverything that I remarked upon turned out to have been sent in on my account from the coffeehouse or somewhere else.Yet, having already made his fortune in his own mind, he was so unassuming with it that I felt quite grateful to him for not being puffed up. It was a pleasant addition to his naturally pleasant ways, and we got on famously. In the evening we went out for a walk in the streets, and went half-price to the Theatre; and next day we went to church at Westminster Abbey, and in the afternoon we walked in the Parks; and I wondered who shod all the horses there, and wished Joe did.On a moderate computation, it was many months, that Sunday, since I had left Joe and Biddy. The space interposed between myself and them partook of that expansion, and our marshes were any distance off. That I could have been at our old church in my old churchgoing clothes, on the very last Sunday that ever was, seemed a combination of impossibilities, geographical and social, solar and lunar. Yet in the London streets so crowded with people and so brilliantly lighted in the dusk of evening, there were depressing hints of reproaches for that I had put the poor old kitchen at home so far away; and in the dead of night, the footsteps of some incapable impostor of a porter mooning about Barnard's Inn, under pretence of watching it, fell hollow on my heart.On the Monday morning at a quarter before nine, Herbert went to the countinghouse to report himself—to look about him, too, I suppose—and I bore him company. He was to come away in an hour or two to attend me to Hammersmith, and I was to wait about for him. It appeared to me that the eggs from which young Insurers were hatched were incubated in dust and heat, like the eggs of ostriches, judging from the places to which those incipient giants repaired on a Monday morning. Nor did the countinghouse where Herbert assisted, show in my eyes as at all a good observatory; being a back second floor up a yard, of a grimy presence in all particulars, and with a look into another back second floor, rather than a look out.I waited about until it was noon, and I went upon 'Change, and I saw fluey men sitting there under the bills about shipping, whom I took to be great merchants, though I couldn't understand why they should all be out of spirits. When Herbert came, we went and had lunch at a celebrated house which I then quite venerated, but now believe to have been the most abject superstition in Europe, and where I could not help noticing, even then, that there was much more gravy on the tablecloths and knives and waiters' clothes, than in the steaks. This collation disposed of at a moderate price (considering the grease, which was not charged for), we went back to Barnard's Inn and got my little portmanteau, and then took coach for Hammersmith. We arrived there at two or three o'clock in the afternoon, and had very little way to walk to Mr. Pocket's house. Lifting the latch of a gate, we passed direct into a little garden overlooking the river, where Mr. Pocket's children were playing about. And unless I deceive myself on a point where my interests or prepossessions are certainly not concerned, I saw that Mr. and Mrs. Pocket's children were not growing up or being brought up, but were tumbling up.Mrs. Pocket was sitting on a garden chair under a tree, reading, with her legs upon another garden chair; and Mrs. Pocket's two nursemaids were looking about them while the children played. “Mamma,” said Herbert, “this is young Mr. Pip.” Upon which Mrs. Pocket received me with an appearance of amiable dignity.“Master Alick and Miss Jane,” cried one of the nurses to two of the children, “if you go a bouncing up against them bushes you'll fall over into the river and be drownded, and what'll your pa say then?”At the same time this nurse picked up Mrs. Pocket's handkerchief, and said, “If that don't make six times you've dropped it, Mum!” Upon which Mrs. Pocket laughed and said, “Thank you, Flopson,” and settling herself in one chair only, resumed her book. Her countenance immediately assumed a knitted and intent expression as if she had been reading for a week, but before she could have read half a dozen lines, she fixed her eyes upon me, and said, “I hope your mamma is quite well?” This unexpected inquiry put me into such a difficulty that I began saying in the absurdest way that if there had been any such person I had no doubt she would have been quite well and would have been very much obliged and would have sent her compliments, when the nurse came to my rescue.“Well!” she cried, picking up the pocket handkerchief, “if that don't make seven times! What are you a doing of this afternoon, Mum!” Mrs. Pocket received her property, at first with a look of unutterable surprise as if she had never seen it before, and then with a laugh of recognition, and said, “Thank you, Flopson,” and forgot me, and went on reading.I found, now I had leisure to count them, that there were no fewer than six little Pockets present, in various stages of tumbling up. I had scarcely arrived at the total when a seventh was heard, as in the region of air, wailing dolefully.“If there ain't Baby!” said Flopson, appearing to think it most surprising. “Make haste up, Millers.”Millers, who was the other nurse, retired into the house, and by degrees the child's wailing was hushed and stopped, as if it were a young ventriloquist with something in its mouth. Mrs. Pocket read all the time, and I was curious to know what the book could be.We were waiting, I supposed, for Mr. Pocket to come out to us; at any rate we waited there, and so I had an opportunity of observing the remarkable family phenomenon that whenever any of the children strayed near Mrs. Pocket in their play, they always tripped themselves up and tumbled over her—always very much to her momentary astonishment, and their own more enduring lamentation. I was at a loss to account for this surprising circumstance, and could not help giving my mind to speculations about it, until by and by Millers came down with the baby, which baby was handed to Flopson, which Flopson was handing it to Mrs. Pocket, when she too went fairly head foremost over Mrs. Pocket, baby and all, and was caught by Herbert and myself.“Gracious me, Flopson!” said Mrs. Pocket, looking off her book for a moment, “everybody's tumbling!”“Gracious you, indeed, Mum!” returned Flopson, very red in the face; “what have you got there?”“I got here, Flopson?” asked Mrs. Pocket.“Why, if it ain't your footstool!” cried Flopson. “And if you keep it under your skirts like that, who's to help tumbling? Here! Take the baby, Mum, and give me your book.”Mrs. Pocket acted on the advice, and inexpertly danced the infant a little in her lap, while the other children played about it. This had lasted but a very short time, when Mrs. Pocket issued summary orders that they were all to be taken into the house for a nap. Thus I made the second discovery on that first occasion, that the nurture of the little Pockets consisted of alternately tumbling up and lying down.Under these circumstances, when Flopson and Millers had got the children into the house, like a little flock of sheep, and Mr. Pocket came out of it to make my acquaintance, I was not much surprised to find that Mr. Pocket was a gentleman with a rather perplexed expression of face, and with his very gray hair disordered on his head, as if he didn't quite see his way to putting anything straight. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit greatexpectations.substack.com
The dramatic moments are high in these latest chapters of Great Expectations by Charles Dickens. In the video I discuss chapters 47-50 and a lot of plot points and questions I had earlier in the novel get answered. Find out what happens as Pip finds out about Estella's history, Miss Havisham's history, Magwitch's history... pretty much everyone's backstory. So buckle up and get ready, this one is a roller coaster ride! Find Me online:Voxer: @artbookshelfodyssey Discord: https://discord.gg/8MFceV2NFe Facebook Group Page: @thebookshelfodysseyTwitter: @odyssey_podcastInstagram: @bookshelfodysseypodcastYoutube: https://www.youtube.com/c/ArtBookshelfOdysseyEmail: bookshelfodysseypodcast@gmail.comI'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod Reading Schedule: May 23: Chapters 51-54 May 30: Chapters 55-59
Welcome to part 10 of our Great Expectations read along book club as we talk about chapters 30-34. And I'm joined again this week with Carol! Today's chapters we discuss whether or not a barrel of oysters was a good gift for Pip to give Joe, we scratch our heads over Pip's experience of Hamlet as played by Mr. Wopsle, talk about Pip's constant connections to convicts and prison imagery, and then we make ourselves sad as we think about who is controlling Pip's destiny and the effects it has on both Estella and Pip. It's not all tears though, so come on in, make yourself at home, and join in on the discussion! Timestamps: 01:50 What is love?… thoughts on love and discussion of Miss Havisham's character and trauma that she is working through. 06:00 Part 19 Chapter 30 in which we get sidetracked talking about oysters… and somehow, I manage to reference A Christmas Carol. Twice. 17:45 Part 19 Chapter 31 - in which we go to the theater for a ham-fisted performance of Hamlet 23:47 Part 20 Chapter 32 - in which we visit a prison and Pip reflects on the large number of convicts connected to his life. Also I get sidetracked on trying to figure out what familiar ghost of a shadow that Pip is seeing in Estella. This might be an inconsequential thing but it's nagging me. 31:06 Part 20 Chapter 33 - in which Pip and Estella talk and see London, and we make ourselves sad thinking about the line… "We have no choice, you and I, but to obey our instructions. We are not free to follow our own devices, you and I.” 42:00 Wrapping it Up Satis House Coffee Mug: https://www.etsy.com/listing/1081083637/miss-havishams-satis-house-coffee-mug?click_key=ad977957c321cf37273ba58f73ce218f25d14920%3A1081083637&click_sum=988d69aa&ref=shop_home_active_7 Find Me online: Voxer: @artbookshelfodyssey Discord: https://discord.gg/8MFceV2NFe Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod #books #booktube #bookclub Reading Schedule April 11: Chapters 38-39 - End of Stage 2 April 18: Break and Catch up April 25: Chapters 40-42 May 2: Chapters 43-46 May 9 : Chapters 47-50 May 16: Chapters 51-53 May 23: Chapters 54-56 May 30: Chapters 57-59
In the chapters we discuss today, Pip reunites with Joe (yay!) but it's super awkward, and Pip is a bit rude (boo!) Then, Pip is invited to Satis House to have a reunion with a grown up Estella (awkward!). Also, I'm not sure why but the last 10 seconds of the video has no picture, just audio (confused?) I give us a couple of questions to think about after these chapters, so I'd love to hear what you think. Comment below or come find us on voxer! Satis House Coffee Mug: https://www.etsy.com/listing/1081083637/miss-havishams-satis-house-coffee-mug?click_key=ad977957c321cf37273ba58f73ce218f25d14920%3A1081083637&click_sum=988d69aa&ref=shop_home_active_7 Find Me online: Voxer: @artbookshelfodyssey Discord: https://discord.gg/8MFceV2NFe Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod #books #booktube #bookclub
Bio: A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. https://robertlgwaltney.com VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host/Literary horror novelist Jennifer Anne Gordon with help from her co-host/author Allison Martine, chat with some of the best authors of the day. www.jenniferannegordon.com www.afictionalhubbard.com #RobertGwaltney #CicadaTree #voxvomitus #voxvixens #jenniferannegordon #Jennifergordon #allisonmartinehubbard #allisonmartine #podcast #interview #books #hotelseries #bourbonbooks --- Support this podcast: https://anchor.fm/voxvomitus/support
A graduate of Florida State University, I presently reside in Atlanta Georgia with my partner. By day, I serve as Vice President of Easter Seals North Georgia, Inc., a non-profit organization strengthening children and their families at the most critical times in their development. Through my non-profit work, I am a champion for early childhood literacy. In all the hours between, I write. Raised alongside three feral, younger brothers in the rash-inducing, subtropical climate of Cairo Georgia, I am a lifelong resident of the South. A circumstance, no doubt, leaving an indelible mark upon my voice as a writer. Aside from sense of place, my writing is influenced and inspired by the literary work of others. As a boy, it was with great obsession, I turned the well-worn pages of Charlotte Brontë's, Jane Eyre. Wuthering Heights? Yes, another source of adoration. And Truman Capote's debut novel, Other Voices, Other Rooms, I admire with equal reverence along with everything ever written by Tennessee Williams. Charles Dickens' Miss Havisham is one of my all-time favorite characters. Many hours I spent playing her, wrapped in an old lace tablecloth borrowed from my mother's linen closet—my tattered, makeshift wedding dress. Locked away in my boyhood room, I haunted the place, plotting revenge, shooing rats from the wedding cake. “Break their hearts my pride and hope, break their hearts and have no mercy,” I would whisper into the impressionable ear of my lovely Estella. Break their hearts. As an adult, my literary palate is diverse, reading everyone from the sublime Michael Cunningham to the gifted Jesmyn Ward to the incomparable Ron Rash. Though my tastes have evolved through the years, one constant remains: the impact of literature and art and music upon my writing. And my unrelenting quest to make and find beauty in this world. https://robertlgwaltney.com VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host/Literary horror novelist Jennifer Anne Gordon with help from her co-host/author Allison Martine, chat with some of the best authors of the day. www.jenniferannegordon.com www.afictionalhubbard.com #RobertGwaltney #CicadaTree #voxvomitus #voxvixens #jenniferannegordon #Jennifergordon #allisonmartinehubbard #allisonmartine #podcast #interview #books #hotelseries #bourbonbooks --- Support this podcast: https://anchor.fm/voxvomitus/support
We follow Pip on several trips to Satis House... and I'm only left with more questions. Pip meets 6 new characters. Estella continues to be haughty and disdainful of Pip, and Miss Havisham wants to meet with Joe Gargery. Find out what happens next as we read the Victorian classic, Great Expectations by Charles Dickens! 00:00 Intro and What I'm Drinking 02:53 Follow Up on last Weeks video 05:50 Part 7 Chapter 11 19:35 Part 8 Chapter 12 23:55 Part 8 Chapter 13 32:45 The Spoiler Zone! Today's episode is brought to you by the Satis House Bed and Breakfast... :-) Buy a mug! https://www.etsy.com/listing/1081083637/miss-havishams-satis-house-coffee-mug?click_key=765112c8a246daa3bf94b2a2b91760164bf35a61%3A1081083637&click_sum=c285aaa6&ref=shop_home_active_7 Find Me online: Voxer: @artbookshelfodyssey Discord: https://discord.gg/8MFceV2NFe Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod#charlesdickens #bookclub #booktube #books #victorianlit #reading
Today we talk about chapters 8-10 of Charles Dickens' Great Expectations. We meet the icy cold Estella, the mysterious Miss Havisham, and Pip receives some very wise advice from Joe. All this and more! 00:00 Introductory thoughts 01:20 Part 5: Chapter 8 16:16 Part 6: Chapter 9 25:45 Part 6: Chapter 10 32:30 Final thoughts on the section 36:22 What's next Find Me online: Voxer: @artbookshelfodyssey Facebook Group Page: @thebookshelfodyssey Twitter: @odyssey_podcast Instagram: @bookshelfodysseypodcast Youtube: https://www.youtube.com/c/ArtBookshelfOdyssey Email: bookshelfodysseypodcast@gmail.com I'm now a bookshop.org affiliate - check out my shop and find your next great read! https://bookshop.org/shop/bookshelfodyssey https://www.buymeacoffee.com/bookshelfpod Reading the Week of: Feb 7: Chapters 11-13 Feb 14th: Chapters 14-17 Feb 21st: Chapters 18-19 Feb 28th: Chapters 20-22 March 7th: Chapters 23-26 March 14: Chapters 27-29 March 21: Chapters 30-33 March 28: Chapters 34-37 April 4: Chapters 38-39 April 11: Chapters 40-42 April 18: Chapters 43-46 April 25: Chapters 47-50 May 2: Chapters 51-53 May 9: Chapters 54-56 May 16: Chapters 57-59
This time of the year always seems to be Charles Dickens's time in the spotlight - but we figure a different Dickens classic deserves a little attention this week. For sources, visit understudiescast.wordpress.com! Follow the show on Twitter @UnderCast for updates. --- Send in a voice message: https://podcasters.spotify.com/pod/show/understudiescast/message Support this podcast: https://podcasters.spotify.com/pod/show/understudiescast/support
S02E19: Mrs. Margaret Smith-Wilkinson, nicknamed the Countess of Monte Cristo, and Lady Jane Lewson, the possible real life inspiration for Miss Havisham. Come meet a hotel mogul turned high society con artist (who probably wasn't a black widow), and the enigmatic walking fire hazard that might have inspired Dickens' fictional jilted bride; two women whose actual lives are truly the stuff of fiction. Show notes: https://www.bonesandbobbins.com/2021/09/17/season-2-episode-19
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