Podcasts about just a closer walk with thee

Shari Blanchette continues with our series in Luke as she looks at chapters 21 and 22. She asks if we are restless for the things of God examining where our focus is. Today's Music: Graves Into Gardens, We Praise You, You Are the One, and Just A Closer Walk With Thee

Today, we watched a video that discusses how we can practice discipleship as part of our normal life rather than doing it as an exercise or an event that we need to do. We then had a time of comminion together. Today's Music: Death Was Arrested, Holy Forever, Build My Life, and Just A Closer Walk With Thee

The homily from Sunday, January 28th, 2024, and "Just A Closer Walk With Thee," by Cameron Dezen Hammon and The Five O'Clock Band. Produced by St. Mark's Episcopal Church, Houston, TXMixed by Luke Brawner of Odd ParliamentAdditional music: Turning on the Lights by Blue Dot Sessions

Bro. Mark Shroud presents "Just A Closer Walk With Thee" from Mark 5, during a worship service at Immanuel Baptist Church, Florence, Ky. Please visit us at 7183 Pleasant Valley Road Florence KY 41042, or call us at (859) 586-6829. Church links: Website: https://www.ibcflorence.com Daily Devotions: https://ibcflorenceky.wordpress.com/follow/ Free App: http://www.ibcflorence.com/ibc-app Our entire list of recent sermons: https://www.ibcflorence.com/recent-sermons Youtube: https://www.youtube.com/ibcflorence Facebook: https://www.facebook.com/ibcflorenceky Instagram: https://www.instagram.com/ibcflorence/ Podcasts: https://soundcloud.com/user-658781358 Live Stream: https://www.youtube.com/ibcflorence/live Instant Message: https://m.me/ibcflorenceky We would love to know how to pray for you! Romans 10:9

The homily from Sunday, July 16th, 2023, and "Just A Closer Walk With Thee," by Cameron Dezen Hammon and The Five O'Clock Band.Produced by St. Mark's Episcopal Church, Houston, TXMixed by Luke Brawner of Milieu Media GroupAdditional music: Turning on the Lights by Blue Dot Sessions

In this episode I created an Aarona Remake from one of my fave childhood church songs, "Just A Closer Walk With Thee". The Mahalia Jackson version is the most popular and a very enjoyable rendition because of how she emotes her notes. Check out this new episode!Check out my "Aarona Remakes Playlist" on my YouTube Channel: @aaronacreates.

The homily from Sunday, April 2nd, 2023, and "Just A Closer Walk With Thee," by Cameron Dezen Hammon and The Five O'Clock Band.Produced by St. Mark's Episcopal Church, Houston, TXMixed by Luke Brawner of Milieu Media GroupAdditional music: Turning on the Lights by Blue Dot Sessions

The Rev. Patrick Miller's homily from Sunday, October 23rd, 2022, and "Just A Closer Walk With Thee," by Cameron Dezen Hammon and The Five O'Clock Band.Produced by St. Mark's Episcopal Church, Houston, TXMixed by Luke Brawner of Milieu Media GroupAdditional music: Turning on the Lights by Blue Dot Sessions

Singles Going Around- Homesick WaltzFor this episode of the podcast, we created a mix for a homesick couple of friends..Eureka Brass Band- "Sing On"Professor Longhair- "Go To The Mardi Gras"Irma Thomas- "Hittin On Nothing"Bobby Charles- "See You Later Aligator"Stop, Inc- "Second Line Part One"Fats Domino- "Before I Grow Too Old"Myles & Dupont- "Loud Mouth Annie"Little Bob- "I Got Loaded"Al Johnson- "You Done Me Wrong"The Hawketts- "Mardi Gras Mambo"Lee Dorsey- "When I Meet My Baby"Sugarboy Crawford-"Jockomo"The Velvetiers- "Feelin Alright Saturday Night"Lenny Capello- "Tootles"Professor Longhair- "Big Chief Part Two"Ernie K- Doe- "'Taint It The Truth"Clarence Henry- "Country Boy"Eureka Brass Band- "Just A Closer Walk With Thee"* All selections taken from vinyl.

Congregational Singing for July 31, 2022 Hymn #'s: 349 - Where The Soul Of Man, Never Dies, 293 - Joy Unspeakable, 484 - We're Marching To Zion, 428 - When We All Get To Heaven, 565 - Just A Closer Walk With Thee, 470 - He Will Guide Me With His Eye, 19 - Revive Us Again

The latest episode of the Burning Ambulance podcast features an interview with tuba player Bob Stewart.I have said all season long that we're going to be exploring a single subject for ten episodes, and that subject is fusion. But as I hope has become clear over the course of the five previous episodes, during which I interviewed techno pioneer Jeff Mills, drummer Lenny White, trumpeter Randy Brecker, pianist Cameron Graves, and guitarist Brandon Ross, most of whom come from different musical generations and are not peers, when I say the word fusion, I'm talking about a state of mind, not a style or a genre. It's not what you play, it's how you approach music-making.I understand that when most people hear the word fusion, they think of the big name bands from the 1970s: the Mahavishnu Orchestra, Return to Forever, and Weather Report. Those groups, and the Miles Davis bands from 1969 to 1975, and many other less immediately recognizable groups, all did a particular thing, playing extremely complex music that blurred the lines between progressive rock and jazz. We talked about those acts in the second and third episodes this season, with Lenny White and Randy Brecker, both of whom were around then and were actively participating in making some of that music.If you think of fusion as a mindset, though, rather than a style, the discussion gets a lot more interesting. And that's really how I prefer to think about it. Because the people who fall into the latter category are the ones who I find to be the most interesting, and the ones who are more likely to have careers where almost every record they play on is at least worth hearing, worth giving a chance. You may not like all of it. But they're creative enough that they've earned the benefit of the doubt.A perfect example of this is Bill Laswell, the bassist and producer. He doesn't use the term fusion. He calls what he does “collision music,” bringing together players from wildly disparate areas — stylistic areas, and literal geographical ones, putting African players together with guys from Southeast Asia and New York rock artists and whoever else he thinks has something to say — and seeing what comes out when they all work together toward a common goal. And sometimes you get something glorious, that you never could have predicted or imagined beforehand. Like pairing Pharoah Sanders with a troupe of Gnawa musicians from North Africa. Or putting improvising guitarist Derek Bailey together with drummer Jack DeJohnette, DJ Disk from the Invisibl Skratch Piklz, and Laswell himself on bass. I heard a recording of that group just a few days ago, and you might not expect it to work, but it really, really did.Bob Stewart is a fusion artist in that he takes an instrument that has had a relatively low profile in jazz for decades — the tuba — and created a variety of fascinating contexts for it. Not only on his own albums, but particularly in partnership with the late alto saxophonist Arthur Blythe. They began working together in the early 1970s, and Stewart's playing on some of Blythe's albums, most notably Bush Baby, where it's just the two of them and a percussionist, and on Lenox Avenue Breakdown and Illusions, where they had some incredible bands that included at different times James “Blood” Ulmer on guitar, Cecil McBee on bass, Jack DeJohnette on drums, James Newton on flute, and Abdul Wadud on cello. On the album Blythe Spirit, Blythe and Stewart record a version of the spiritual “Just A Closer Walk With Thee,” with Amina Claudine Myers on organ, that's absolutely amazing. We talk about that piece a little bit in this interview.He's worked with a lot of other artists over the course of his career, too, including Charles Mingus, McCoy Tyner, Carla Bley, Gil Evans, the Jazz Composers Orchestra, Bill Frisell, the David Murray Big Band, Lester Bowie's Brass Fantasy, and on and on. The reason he's able to do so many different things is that his approach to the tuba is really expansive, conceptually speaking. He treats it as much more than a substitute bass. He understands its full range, and the subtleties it's capable of expressing, and he uses it in ways lots of other people would never even think of. On his own albums First Line, Then & Now, and Connections — Mind the Gap, he puts together really unorthodox collections of personnel. For example on Then & Now, which was originally released in 1996 but just recently popped up on Bandcamp, some of the tracks feature two trumpets, trombone, French horn, and drums, while another is a duo with pianist Dave Burrell, and others have trumpet, alto sax, guitar, and drums. And Connections — Mind the Gap, which is from 2014, features tuba, guitar and drums, with trumpet and trombone on two tracks, but then on five others it's the core trio plus a string quartet. Now that's very much a kind of fusion — jazz which is already in an avant-garde zone, combined with chamber music.Bob Stewart is a fascinating guy, an endlessly creative spirit who has done a tremendous amount to change the image of his instrument in order to pave the way for guys like Theon Cross, who plays tuba with Sons of Kemet, or with Jose Davila, who plays with Henry Threadgill's Zooid. I really enjoyed this conversation, and I hope you enjoy listening to it.Music in this episode:Bob Stewart, “Bush Baby” (Connections – Mind The Gap)Arthur Blythe, “Lenox Avenue Breakdown” (Lenox Avenue Breakdown)Bob Stewart, “The Rambler” (from Then & Now)

"Just A Closer Walk With Thee" presented by Ben Elgan (trumpet), George Emmanuel (piano), and Jennifer Miller (violin).

Just A Closer Walk With Thee, Where He Leads Me I Will Follow, He's So Good To Me, Nothing But The Blood

Six great worship songs by the Verity Road Band -Amazing Grace Medley, Way Maker, Farther Along, Just A Closer Walk With Thee, How Great Thou Art, Yes I Will

"Just A Closer Walk With Thee" presented by Ben Elgan (trumpet), George Emmanuel (piano), Jennifer Miller (violin), and Mike Woodruff (bass and clarinet).

Suite de notre vagabondage en compagnie du mot just, synonyme de l'infime quantité indispensable au bonheur quotidien de l'artiste. Une rémunération proportionnelle à l'utilisation de son travail par exemple. Il suffit de pas grand chose, cette semaine dans Bon Temps Rouler.      Playlist :   1. Just Because You See Me Smilin' 4:00 Little Milton Movin' To The Country   2. Just For Me 3:58 Al Green Lay It Down   3. Try (Just A Little Bit Harder) 3:57 Janis Joplin Greatest Hits C Taylor & J Ragovoy   4. Just My Kind 2:59 Howlin' Wolf The Complete Chess Masters 1951-1960 Chester Burnett   5. I Just Came To Get My Baby (Out Of Jail) 3:43 Mighty Sam Mcclain Mighty Sam Mcclain   6. Just A Little Bit 2:08 Etta James Tell Mama - The Complete Muscle Shoals Sessions Rosco Gordon   7. Just A Little Bit 2:30 Freddie King King Of The Blues Brown/R Bass/N.Washington/J.Thornton   8. Just Another Day 2:48 The Soul Stirrers I'm A Soul Man   9. People Just Love To Talk 3:17 Delbert Mcclinton & Dick50 Acquired Taste   10. Just Like A Woman 4:51 Nina Simone How Many Roads: Black America Sings Bob Dylan   11. Just Like A Woman 4:46 Richie Havens Bob Dylan - Chronicles Vol 1 (Disc 2) Bob Dylan   12. Just Keep Goin' On 2:49 Rev.Dan Smith Just Keep Goin' On   13. Just A Closer Walk With Thee 4:31 Aubrey Ghent 1st Annual Sacred Steel ConventionHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Rev. Sam Smith's homily from March 1st, 2020. "Just A Closer Walk With Thee" performed by Cameron Dezen Hammon and the 5 p.m. band.

Just A Closer Walk With Thee by Pastor Charlie Dates

The Rev. Miller's homily from July 7th, 2019. "Just A Closer Walk With Thee" performed by Cameron Dezen Hammon and the 5 p.m. band.

03 03 2019 - Just A Closer Walk With Thee by Snowmass Chapel

The Rev. Miller's homily from January 20th, 2019. "Just A Closer Walk With Thee" performed by Cameron Dezen Hammon and the 5 p.m. band.

09 23 2018 - Just A Closer Walk With Thee by Snowmass Chapel

The Reverend Patrick Miller's sermon from June 24th, 2018. "Just A Closer Walk With Thee" performed by Cameron Hammon and the 5pm band.

The Reverend Patrick Miller's sermon from March 11th, 2018. "Just A Closer Walk With Thee" performed by Cameron Hammon and the 5pm band.

By the early 1980s, “folk” was a four-letter word, and the Old Town School was nearly empty. Part four of the series explores how the school endured by broadening and redefining the meaning of “folk” throughout the 80s and 90s, under the leadership of executive director Jim Hirsch and program director Michael Miles. This is part four of a six-part documentary series on the 60-year history of Chicago's Old Town School of Folk Music, told through the voices and songs of the people who were there. Many of the stories featured were gathered in collaboration with StoryCorps this year, along with music and interviews from the archive in the school's Resource Center. Go to oldtownschool.org/StoryCorps to hear more excerpts, full interviews, and to learn more about this ongoing partnership. Original recordings featured in this episode (in order of occurrence): - “Glory of Love” performed by Big Bill Broonzy live at Circle Pines Center, circa 1950s - StoryCorps conversation between Jim Hirsch & Skip Landt, 7/6/2017 - “San Francisco Bay Blues” performed by Frank Hamilton at Holstein's, Old Town School 25th anniversary concert, 1982 - “Hey, Billie Jean” performed by Corky Siegel at Orchestra Hall, Old Town School Benefit, 1/16/1987 - “Loreta” performed by Paulinho García, La Peña at 4544 N Lincoln Ave, 11/17/1999 - StoryCorps conversation between Skip Landt & Rick Sherry, 1/25/2017 - “Hen House Blues” performed by Fran Landt, Skip Landt, Jonathan Whitier & Michelle Kaminsky, 909 W Armitage, 12/1/1988 - StoryCorps conversation between Michael Miles & Skip Landt, 10/20/2017 - “Come On In My Kitchen” performed by Michael Miles, 4544 N Lincoln Ave, 10/18/2003 - “Just A Closer Walk With Thee” performed by Elaine Moore, Old Town School of Folk Music Songbook Vol. 1, 2006 - “Sportin' Life” performed by Mary Peterson, Old Town School of Folk Music Songbook Vol. 2 & 3 [Disc 1], 2007 - StoryCorps conversation between Reggio McLaughlin & Mareva Lindo, 1/25/2017 - “Chicago Reel” (trad., from O'Neill's Music of Ireland) performed by Liz Carroll & Mike Austin, StoryCorps recording, 1/26/2017 - StoryCorps conversation between Liz Carroll & Mike Austin, 1/26/2017 - Paul Tyler interview by Mareva Lindo, 7/1/2016 - “Shady Grove” performed by The Volo Bogtrotters, Flea Market Radio Show at 909 W Armitage, 11/30/1986 Additional recordings featured: - “Is It Because I'm Black (Instrumental)” by Syl Johnson, from Light: On the South Side book and box set, 2009 -- http://www.numerogroup.com/products/light-on-the-south-side

Reverend Patrick Miller's sermon from October 1st, 2017. "Just A Closer Walk With Thee," performed by Cameron Dezen Hammon and the 5 p.m. band.

The song "Just A Closer Walk With Thee" sung by Hank Doell of The Believers.

Our Bluegrass Gospel version of the classic late 19th century hymn "Just A Closer Walk With Thee"Dobro, Fiddle, Banjo, Upright Bass, GuitarsBlessings,Shiloh Worship MusicWww.ShilohWorshipMusic.ComLYRICSJust a closer walk with Thee,Grant it, Jesus, is my plea,Daily walking close to Thee,Let it be, dear Lord, let it be.I am weak, but Thou art strong,Jesus, keep me from all wrong,I’ll be satisfied as longAs I walk, let me walk close to Thee.Through this world of toil and snares,If I falter, Lord, who cares?Who with me my burden shares?None but Thee, dear Lord, none but Thee.When my feeble life is o’er,Time for me will be no more,Guide me gently, safely o’erTo Thy kingdom's shore, to Thy shore.Composer Unknown;Traditional Hymn:Public Domain© 2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted- www.shilohworshipmusic.comJust a Closer Walk with TheeFrom Wikipedia, the free encyclopedia"Just a Closer Walk with Thee" is a traditional gospel song that has been covered by many artists. HistoryThe author of "A Closer Walk" is unknown… it dates back to southern African-American churches of the 2nd half of the 19th century, possibly even earlier. The song became better known nationally in the 1930s when African-American churches held huge musical conventions. In the 1940s, a boom of recordings in many genera recorded the number, ranging from Southern gospel to jazz and brass bands.The first known recording was by the Selah Jubilee Singers on October 8, 1941, (Decca Records 7872) New York City; with Thurman Ruth and John Ford lead vocal; Fred Baker, lead baritone; Monroe Clark, baritone; J. B. Nelson, bass vocal; and Fred Baker on guitar.[2] Rosetta Tharpe also recorded the song on December 2, 1941 (Decca 8594), with Lucky Millinder and His Orchestra.[3]The revived interest in traditional New Orleans jazz resulted in multiple recordings of the number, including a 1945 session by Bunk Johnson's Brass Band featuring numbers Johnson had played in New Orleans before he left in 1915.In 1950, it was a million-seller for Red Foley.In 1958, an unreleased home recording was recorded by Elvis Presley.[4] made in Waco, Texas on May 27.[5] Presley's studio version can be heard on Just A Closer Walk With Thee (2000) (Czech CD on Memory label).[6] Tennessee Ernie Ford made the charts with it in the late 1950s. By the end of the 1970s, more than a hundred artists had recorded the song.

Halley's Hand book on page 253 heads the chapter, “David's Prayer for Help”. He mentions that, “Prevalence of Wickedness troubled David greatly, especially their defiance of GOD.” Am I troubled about things happening in this world, the overtaking of Wickedness, Oppression, and Robbery. This Robbery could mean so many other things in today's world. What is robbing you of your joy? What is robbing you of peace?We must have faith, we can't blame the wickedness of this world for our lack of concentration, we must be as Enoch, and walk with GOD, having faith, without faith it is impossible to please GOD. (Hebrews 11:6) Did you know that Enoch, prophesied? Jude 1:14-15 read...what glorious things will you experience walking with GOD in a wicked and perverse world of today?Music recorded for this session: "Wayfaring Stranger" American Folk Hymn Public Domain, "Just A Closer Walk With Thee" American Folk Song Public Domain (Performance and arrangement by Bridget Goodwin CT ABRSM 2012 copyright)