Podcast appearances and mentions of brandon ross

John Pollock and Brandon Thurston discuss the latest filings in the ring boy lawsuit, and welcome Brandon Ross and Richard Deitsch. Richard Deitsch from The Athletic joins the show to speak about WWE's transition to Netflix, the impact of the first WrestleMania on the platform, and the brand's popularity while transferring its leadership away from Vince McMahon. Brandon Ross of LightShed Partners discusses the economic impact on the media industry, specifically TKO, as it shops the UFC and WWE streaming rights. 00:00:00 Start00:03:48 WWE, Vince & Linda McMahon respond to ring boy lawsuit00:13:57 Brandon Ross of LightShed Ventures00:41:12 Richard Deitsch from The AthleticRELATED:Vince McMahon & WWE respond to ring boy lawsuitLinda McMahon files motion in ring boy suit Music courtesy: “Panic Beat” by Ben TramerPOST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingBluesky: https://bsky.app/profile/postwrestling.comWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsSubstack: https://wrestlenomics.substack.com/Twitter/Facebook/Instagram/YouTube: @WrestlenomicsBluesky: https://bsky.app/profile/wrestlenomics.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Pollock and Brandon Thurston discuss the latest filings in the ring boy lawsuit, and welcome Brandon Ross and Richard Deitsch. Richard Deitsch from The Athletic joins the show to speak about WWE's transition to Netflix, the impact of the first WrestleMania on the platform, and the brand's popularity while transferring its leadership away from Vince McMahon. Brandon Ross of LightShed Partners discusses the economic impact on the media industry, specifically TKO, as it shops the UFC and WWE streaming rights. Plus: WWE, Vince, and Linda McMahon issue a motion to dismiss in the Ringboy lawsuit; what effect could the economy have on WWE and UFC; AEW Dynasty notes; merchandise estimates from March; viewership figures; and more.VIDEO VERSION: https://youtube.com/live/dxefGWqDwE8RELATED:Vince McMahon & WWE respond to ring boy lawsuitLinda McMahon files motion in ring boy suit Music courtesy: “Panic Beat” by Ben TramerPOST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingBluesky: https://bsky.app/profile/postwrestling.comWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsSubstack: https://wrestlenomics.substack.com/Twitter/Facebook/Instagram/YouTube: @WrestlenomicsBluesky: https://bsky.app/profile/wrestlenomics.comSupport this podcast at — https://redcircle.com/wrestlenomics-radio2532/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Selección del más reciente e interesante jazz vocal con Lucía Domínguez, Kokayi, Sara Serpa, Fay Victor, Sinikka Langeland, Sofia Jernberg, Amy Gadiaga, Enji, Brandon Ross y Libérica. Temas que suenan en el programa: 01 2024 Lucía Domínguez & Noel Redolar - I'll Be Seeing You (3' 30'') 02 2025 Ambrose Akinmusire - Honey from a winter stone 03 MYanx Kokayi Mivos Chiquitamagic Sam Harris Justin Brown [fragmento] (8' 15'') 03 2024 Sara Serpa - Encounters and Collisions 04 Between Worlds - Ingrid Laubrock Erik Friedlander Angelica Sanchez (4' 59'') 04 2024 Fay Victor - Herbie Nichols Sung Life Is Funny That Way 06 Shuffle Montgomery - Michaël Attias Anthony Coleman Ratzo Harris Tom Rainey (5' 32'') 05 2022 Sinikka Langeland - Wind and Sun 05 Hands That Held - Mathias Eick Trygve Seim Mats Eilertsen Thomas Strønen (4' 01'') 06 2023 Sofia Jernberg & Alexander Hawkins - Musho 01 Adwa (6' 07'') 07 2024 Amy Gadiaga - All Black Everything 05 Petite - Joseph Oti Tom Waters Christ-Stéphane Boizi Luke Bacchus Simon Lamb (5' 47'') 08 2023 Enji - Ulaan 05 Vogl - Joana Queiroz Paul Brändle Munguntovch Tsolmonbayar Mariá Portugal (4' 16'') 09 2024 Brandon Ross - Phantom Station Off The End 03 The Gate Is Open - Graham Haynes David Virelles JT Lewis (3' 59'') 10 2025 Libérica - Alé Iberian Chants 02 Sant Joan Feu-lo Ben Gran - Pere Martínez Antonio Lizana Manel Fortià Oriol Roca (3' 11'') Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

Space is the place_jazz e dintorni Festeggiando il Black History Month all`insegna della musica, questa puntata è dedicata all`Africa della diaspora. Con DAvid Murray, Brandon Ross, Vanisha Gould, Savannah Harris, Makaya McCraven, Burnt Sugar, Aja Monet e la Sun Ra Arkestra Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-4-febbraio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

John Pollock and Brandon Thurston discuss AEW closing in on its media rights deal with guest Brandon Ross of LightShed Partners.Earlier this week, Puck's John Ourand reported that an announcement of AEW's media rights deal with WBD could be coming as early as next week. Pollock & Thurstom welcome analyst Brandon Ross to discuss the details, AEW's place within WBD's portfolio, SmackDown's exit from Fox, and the success of this past weekend's Noche UFC event at Sphere in Las Vegas.Plus: Return of Saturday Night's Main Event on NBC, SmackDown tops Friday's cable rankings on USA Network, UFC sets its all-time gate record for Sphere event, and NXT moves locations for its October 8 show on CW. RELATED:Zaz On The Ropes (John Ourand, Puck)WWE SmackDown tops prime-time cable rankings (POST Wrestling)UFC sets commercial records at Sphere event (SBJ)NXT St. Louis show relocates to Chesterfield (POST Wrestling)Music courtesy: “Panic Beat” Ben Tramer”POST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsTwitter/Facebook/Instagram/YouTube: @WrestlenomicsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Pollock and Brandon Thurston discuss AEW closing in on its media rights deal with guest Brandon Ross of LightShed Partners.Earlier this week,  Puck's John Ourand reported that an announcement of AEW's media rights deal with WBD could be coming as early as next week. Pollock & Thurstom welcome analyst Brandon Ross to discuss the details, AEW's place within WBD's portfolio, SmackDown's exit from Fox, and the success of this past weekend's Noche UFC event at Sphere in Las Vegas.Plus: Return of Saturday Night's Main Event on NBC, SmackDown tops Friday's cable rankings on USA Network, UFC sets its all-time gate record for Sphere event, and NXT moves locations for its October 8 show on CW. VIDEO VERSION: https://youtube.com/live/sOJjQYcWUggRELATED:Zaz On The Ropes (John Ourand, Puck)WWE SmackDown tops prime-time cable rankings (POST Wrestling)UFC sets commercial records at Sphere event (SBJ)NXT St. Louis show relocates to Chesterfield (POST Wrestling)Music courtesy: “Panic Beat” Ben Tramer”POST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsTwitter/Facebook/Instagram/YouTube: @WrestlenomicsSupport this podcast at — https://redcircle.com/wrestlenomics-radio2532/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

S&P 500 posted its best day of the year as markets claw back from Monday's drop. Another earnings parade with Dropbox, Expedia, Gilead, Paramount, Take-Two, Capri, Unity and e.l.f. LightShed's Brandon Ross breaks down the outlook for video games. Skylar Capital's Bill Perkins on the energy trade, volatility and how traders are reacting to geopolitical strife. Plus, Waystar CEO Matthew Hawkins on the latest quarter and AI in health care. 

TOMEKA REID QUARTET 3+3 New Haven, CT, August 20 & 21, 2023Sauntering with Mr. BrownMary Halvorson (g) Tomeka Reid (cello,comp) Jason Roebke (b) Tomas Fujiwara (d TRÍO POKAZ VOICES c 2023Intro, Leading Home, Interlude, Waiting for the snow, VoicesAndrew Pokaz (p, elctrncs), comps, Eugene Myrmyr (b), Alex Poliakov (dr) HENRY THREADGILL & MAKE A MOVE EVERYBODY'S MOUTH'S A BOOK Brooklyn, NY, February 25-27, 2001Don't turn around, Biggest crumbHenry Threadgill (as,fl) Bryan Carrott (vib) Brandon Ross (g,el-g) Stomu Takeishi (b-g,el-b) Dafnis Prieto (d) Continue reading Puro Jazz 12 de Julio 2024 at PuroJazz.

TOMEKA REID QUARTET 3+3 New Haven, CT, August 20 & 21, 2023Sauntering with Mr. BrownMary Halvorson (g) Tomeka Reid (cello,comp) Jason Roebke (b) Tomas Fujiwara (d TRÍO POKAZ VOICES c 2023Intro, Leading Home, Interlude, Waiting for the snow, VoicesAndrew Pokaz (p, elctrncs), comps, Eugene Myrmyr (b), Alex Poliakov (dr) HENRY THREADGILL & MAKE A MOVE EVERYBODY'S MOUTH'S A BOOK Brooklyn, NY, February 25-27, 2001Don't turn around, Biggest crumbHenry Threadgill (as,fl) Bryan Carrott (vib) Brandon Ross (g,el-g) Stomu Takeishi (b-g,el-b) Dafnis Prieto (d) Continue reading Puro Jazz 12 de Julio 2024 at PuroJazz.

Space is the place_jazz e dintorni Puntata dedicata alle novità discografiche, con Maria Faust, Brandon Ross, Luke Stewart, Amaro Freitas, Alina Bzhezhinska, Alice Coltrane. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-21-maggio-2024 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

The New York residency of Graham Haynes at FourOneOne offers an opportunity to look back at his seminal album "The Griot's Footsteps" and at his recent collaboration with Brandon Ross. Before that, a playlist rich in remarkable new releases! The playlist features Chief Keegan; Triad; Raffi Garabedian; Rodrigo Recabarren, Pablo Menares, Yago Vazquez; Brandon Ross Phantom Station; and Graham Haynes [pictured]. Detailed playlist at https://spinitron.com/RFB/pl/18712354/Mondo-Jazz [from "Shallow Gander" to "Enlightenment"].

Composer, pianist, educator Angelica Sanchez in commentary alongside excerpts from performances with bassist Michael Formanek, drummers Billy Hart and Hamid Drake, composer/percussionist Susie Ibarra with violinist Jennifer Choi, and a solo at the tribute to jaimie branch. Sanchez returns to Roulette in a new trio with guitarist Brandon Ross and drummer Chad Taylor on 16 January 2024. https://roulette.org/ 

Composer, pianist, educator Angelica Sanchez in commentary alongside excerpts from performances with bassist Michael Formanek, drummers Billy Hart and Hamid Drake, composer/percussionist Susie Ibarra with violinist Jennifer Choi, and a solo at the tribute to jaimie branch. Sanchez returns to Roulette in a new trio with guitarist Brandon Ross and drummer Chad Taylor on 16 January 2024.

This episode of Comes a Time featured an insightful discussion with tech and media analyst Brandon Ross of LightShed Ventures. As an expert on new technologies like AI, Ross provided a nuanced perspective on both the positives and potential pitfalls. He emphasized that while AI is advancing rapidly, authentic human artistry and creativity connecting with an audience remains irreplaceable. The conversation explored how technology immersing our lives can make shared live experiences more valued. Ross drew an analogy to professional wrestling, where improvisation and crowd connection can enable performers to creatively rise above limitations. Similarly, as industries like music and comedy navigate disruption, adapting with flexibility and seizing new opportunities is key. Overall, Ross struck an optimistic tone about human resilience, believing technology may drive people back to nature and real connections. With balanced wisdom, he maintains we can thoughtfully guide technology's double-edged potential. https://twitter.com/BrandoLightShed https://signal.nfx.com/investors/brandon-ross A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. https://twitter.com/BrandoLightShed https://signal.nfx.com/investors/brandon-ross Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Comes a Time featured an insightful discussion with tech and media analyst Brandon Ross of LightShed Ventures. As an expert on new technologies like AI, Ross provided a nuanced perspective on both the positives and potential pitfalls. He emphasized that while AI is advancing rapidly, authentic human artistry and creativity connecting with an audience remains irreplaceable. The conversation explored how technology immersing our lives can make shared live experiences more valued. Ross drew an analogy to professional wrestling, where improvisation and crowd connection can enable performers to creatively rise above limitations. Similarly, as industries like music and comedy navigate disruption, adapting with flexibility and seizing new opportunities is key. Overall, Ross struck an optimistic tone about human resilience, believing technology may drive people back to nature and real connections. With balanced wisdom, he maintains we can thoughtfully guide technology's double-edged potential. https://twitter.com/BrandoLightShed https://signal.nfx.com/investors/brandon-ross A Time Podcast and content posted by Comes A Time is presented solely for general informational, educational, and entertainment purposes. The use of information on this podcast or materials linked from this podcast is at the user's own risk. It is not intended as a substitute for the advice of a physician, professional coach, psychotherapist, or other qualified professional, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical or mental health condition they may have and should seek the assistance of their healthcare professionals for any such conditions. https://twitter.com/BrandoLightShed https://signal.nfx.com/investors/brandon-ross Learn more about your ad choices. Visit megaphone.fm/adchoices

John Pollock and Brandon Thurston are joined by Brandon Ross of LightShed Partners to assess the early results of the TKO merger, SmackDown's TV deal, and AEW's TV rights.Plus: John & Brandon react to AEW Collision's all-time low viewership against NXT No Mercy, “Super Tuesday” on October 10, and the impact of Adam Copeland moving to AEW. POST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsTwitter/Facebook/Instagram/YouTube: @WrestlenomicsOur Sponsors:* Check out TickPick: https://www.tickpick.com/* Check out eBay: https://www.ebay.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Pollock and Brandon Thurston are joined by Brandon Ross of LightShed Partners to assess the early results of the TKO merger, SmackDown's TV deal, and AEW's TV rights.Plus: John & Brandon react to AEW Collision's all-time low viewership against NXT No Mercy, “Super Tuesday” on October 10, and the impact of Adam Copeland moving to AEW. VIDEO VERSION: https://youtube.com/live/Njjf24_rwHYPOST WrestlingSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingWrestlenomicsSubscribe: https://wrestlenomics.com/podcast/Patreon: https://patreon.com/wrestlenomicsTwitter/Facebook/Instagram/YouTube: @WrestlenomicsSupport this podcast at — https://redcircle.com/wrestlenomics-radio2532/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode #83 is up! Check it out!!!Special Guest Dr. Brandon Ross, High School Principal in South Carolina, joins Matt to talk about his experiences and role as a first year building principal, his 5 cornerstones for success, and the idea of the Millennial Principal.Connect with Dr. Ross via instagram and Twitter @BrandonRoss

John Pollock and Brandon Thurston welcome Brandon Ross of LightShed Partners with his reaction to the WWE-UFC merger, reaction from Wall Street & the major questions moving forward.The two go over the merger announcement, the many personalities involved, the value Nick Khan has brought to WWE, the volatility of Vince McMahon, WWE's streaming and domestic television rights, the impact the NBA rights could have, the PLE strategy, and next month's WWE earnings call. The LightShed Podcast with Brandon Ross is available on SpotifySubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John Pollock and Brandon Thurston welcome Brandon Ross of LightShed Partners with his reaction to the WWE-UFC merger, reaction from Wall Street & the major questions moving forward.They go over the merger announcement, the many personalities involved, the value Nick Khan has brought to WWE, the volatility of Vince McMahon, WWE's streaming and domestic television rights, the impact the NBA rights could have, PLE strategy, and next month's WWE earnings call.YouTube version: https://youtube.com/live/j9FMcNZ-kB0The LightShed Podcast with Brandon Ross is available on SpotifyPOST WRESTLINGSubscribe: https://postwrestling.com/subscribePatreon: http://postwrestlingcafe.comForum: https://forum.postwrestling.comDiscord: https://discord.com/invite/Q795HhRMerch: https://store.postwrestling.comTwitter/Facebook/Instagram/YouTube: @POSTwrestlingWRESTLENOMICSPatreon: https://patreon.com/wrestlenomicsWebsite: https://wrestlenomics.com/Support this podcast at — https://redcircle.com/wrestlenomics-radio2532/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Mentre un po' per volta continua il nostro work in progress di ricostruzione cronologica della carriera di Wadada Leo Smith, dedichiamo una puntata extra al suo album più recente, Fire Illuminations: Wadada lo ha ha appena pubblicato - solo in digitale - con la Kabell, l'etichetta personale con cui mezzo secolo fa il trombettista fece uscire i primi album a suo nome. Il 5 e 6 maggio Waddada Leo Smith sarà al festival Angelica, a Bologna, per le sue prime due (e per il momento uniche) date europee dopo il covid: a ottantun anni, Wadada è in piena attività e ad alto livello, come testimonia già il tenore della formazione impegnata in questo album, denominata Orange Wave Electric: Nels Cline, Brandon Ross e Lamar Smith alle chitarre elettriche, Bill Laswell e Melvin Gibbs ai bassi elettrici, Pheeroan AkLaff alla batteria, Mauro Refosco alle percussioni, Hardedge all'elettronica. Album autorevole e lucido, Fire Illuminations sta dalle parti del Wadada Leo Smith le cui radici artistiche affondano nel blues del Delta e poi affascinato dal Miles Davis elettrico: è il prodotto di una serie di sedute di incisione condotte con diverse configurazioni della formazione, e di un intenso lavoro di post-produzione, il tutto nell'arco di quattro anni. Fire Illuminations è la prima di diverse uscite di Leo Smith previste per il 2023. Uno dei brani dell'album è dedicato al grande Tony Williams, due portano nel titolo Muhammad Ali: "Muhammad Ali's Spiritual Horizon" e "Muhammad Ali and George Foreman's Rumble in Zaire Africa".

Terry Jenoure: The Legacy VariationsComposer, violinist, vocalist, poet, visual artist, and educator Terry Jenoure traces the arc of a spiritual, artistic, and ancestral journey across nearly four decades of performances at Roulette. From an early fascination with folk music, to the church, to working alongside Leroy Jenkins, to exploring a Puerto Rican, Jamaican, and African heritage, Jenoure's musical explorations and creations are a testament to tradition and imagination. We hear stories and excerpts from collaborative projects with Brandon Ross, James Kamal Jones aka Kamal Sabir, Pheroan Ak Laff, Gene Torres, Maria Mitchell, and others in this compelling musical tale. Jenoure returns to Roulette April 16, 2023, livestreamed and archived. https://roulette.org/ 

Composer, violinist, vocalist, poet, visual artist, and educator Terry Jenoure traces the arc of a spiritual, artistic, and ancestral journey across nearly four decades of performances at Roulette. From an early fascination with folk music, to the church, to working alongside Leroy Jenkins, to exploring a Puerto Rican, Jamaican, and African heritage, Jenoure's musical explorations and creations are a testament to tradition and imagination. We hear stories and excerpts from collaborative projects with Brandon Ross, James Kamal Jones aka Kamal Sabir, Pheroan Ak Laff, Gene Torres, Maria Mitchell, and others in this compelling musical tale. Jenoure returns to Roulette April 16, 2023, livestreamed and archived.

In today's episode I'm joined by Dr Brandon Ross, Principal at Newberry High School in Newberry, SC. He was able to join us while traveling on a busy Friday afternoon. Hear Brandon talk about how Newberry's EOC Academy keeps students focused on instruction first. He also shares how his school builds leadership capacity with administrator interns and how they use data from Power School's Performance Matters to inform decisions. You can find Brandon on Twitter at @DrBrandonRoss sharing how  @Newberry_HS uses the word Dominate to help students, staff and the community focus on achievement in all areas. Brandon was the ‘21 @SCASANews APOY  and is a  @SCASCD AND @ASCD Emerging Leader

Matt is joined by Brandon Ross, partner at Lightshed Partners, to discuss the shifting balance of power for regional sports networks, where you can watch your favorite local teams when their games are not airing nationally. The current media landscape is shifting under the RSNs; consolidation and competition from streaming services are threatening the economic viability of their business. Can the local sports networks for the NBA, MLB, and other sports leagues survive this monumental shift in sports viewership? Then, Matt and Craig finish with a prediction about the upcoming comedy ‘Cocaine Bear.' For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' click this link: puck.news/thetown Email us your thoughts! thetown@spotify.com Host: Matt Belloni Guests: Brandon Ross Producer: Craig Horlbeck Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Americana-tinged guitarists, cinematic moods, a cast of London-all-stars chasing the electric-Miles-voodoo down, inflections of Jimi Hendrix, and music that may help you with meditation, introspection, or even state alteration... This and more in this week's set! The playlist features Thomas Naïm; Stephen Ulrich; Rob Mazurek, Exploding Star Orchestra, Jeff Parker; London Brew; Alessia Obino; Phil Ranelin, Wendell Harrison, Adrian Younge, Ali Shaheed Muhammad; Jasmine Myra; Oren Ambarchi; Holsen & Cassiers; Brandon Ross. Detailed playlist at https://spinitron.com/RFB/pl/16982901/Mondo-Jazz (from "Panama Red" onward). Happy listening!

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 2nd February 2023 Artist - Track - Album - Year Eddie Palmieri    Alemendra    presents Sonido Solar    2022 Jay Lawrence and the Platinum Jazz Orchestra    Cai Dentro    Payin' My Dues    2022 The Heavy Hitters    Hub    The Heavy Hitters    2022 Ben Wolfe    Bob French    Unjust    2023 Eric Goletz    Jungle Juice    STANDARD-ized!    2023 The Dave Stryker Trio    Mac    Prime    2022 Paul Carrack & The SWR Big Band    Ain't Nothin' You Can Do    Don't Wait Too Long    2023 Ed Cherry    Ding Dong    Are We There Yet?    2022 Delfeayo Marsalis & Uptown Jazz Orchestra    Midnight at the Zulu Ball    Uptown on Mardi Gras Day    2023 Richie Goods & Chien Chien Lu    Treasure Mountain    Connected, Vol. 1    2023 Metropolitan Jazz Octet    5:15 The Angels Have Gone    The Bowie Project    2023 Steve Shapiro    I Am Not a Robot    Plan to Be Spontaneous    2022 Wolfgang Lackerschmid    At the Park    Never Stop Playing    2022 Aubrey Johnson & Randy Ingram    Quem É Vocé (Close to Home)    Play Favorites    2022 Diane Marino    Ain't No Use    I Hear Music    2022 Aimée Allen    Worlds Collide    Love and the Catalyst    2022 Jay Hoggard    In the Beginning/Praise God    Raise Your Spirit Consciousness    2023 Alan Braufman    Forshadow    Live in N.Y.C., Feb. 8, 1975    2021 Brandon Ross    Black Prelude    Of Sight and Sound    2022 Brandon Ross    Black Illumination    Of Sight and Sound    2022 The post The Creative Source (#CreativeSource) – 2nd February 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

The S&P 500 snapping a 5-day losing streak, it's longest since October, as investors hunt for bargains. The FTC suing Microsoft to block its nearly $70B acquisition of video game publisher Activision Blizzard. Former FTC Commissioner Mozelle Thompson explains why this could be a tough fight in court for Microsoft. Lightshed's Brandon Ross discusses what will happen to Activision's stock if this deal is broken up. Commerce Secretary Gina Raimondo discusses how the government is deciding which semiconductor stocks will get money from the Chips Act and whether there are plans to expand China export controls on next generation chips. Etsy CEO Josh Silverman weighs in on the outlook for consumer demand amid increasing fears of a recession.

The major averages were mixed in Thursday trading as a stronger-than-expected GDP report and solid blue chip earnings offset Meta's share meltdown. Lerer Hippeau managing partner Eric Hippeau and LightShed's Brandon Ross join to discuss Mark Zuckerberg's big bet on the metaverse, and if it will ever pay off. Matthew Ball, who founded the metaverse ETF, weighs in on the future use cases for the technology. Cantor's Eric Johnston discusses if the broader equity comeback can last in the face of disappointing tech results. Plus Lazard's Peter Orszag on the midterm impact on the market, DA Davidson's Tom Forte on Apple and Amazon, and the buzz on why Credit Suisse just took a major leg lower.

The major averages fell hard in Friday trading, with the selloff sparked by Fed Chair Powell's speech in Jackson Hole. Fed watchers David Zervos and Peter Boockvar parse through the speech for clues about the Fed's rate policy. Evercore's Mark Mahaney breaks down the pain for big tech. Canaccord's Tony Dwyer discusses the outlook for the markets. And LightShed's Brandon Ross joins to talk about EA – which bucked the downtrend on M&A rumors.

I have said two things all season long. The first is that we're going to be exploring a single topic for ten episodes, and that topic is fusion. But the second thing I've been saying is that what I'm talking about when I say the word fusion isn't a style or a genre, but a state of mind. It's not what you play, it's how you approach music-making.In previous episodes, we've talked about what people typically think of as fusion, which drummer Lenny White, who appeared in episode two of this series, prefers to call jazz-rock. That's the version that more or less starts with Miles Davis's Bitches Brew and Tony Williams' Lifetime and branches out to include Mahavishnu Orchestra and Return To Forever and Weather Report. But my version of that continuum also includes early Seventies Santana, it includes the Fania All Stars collaborating with Jan Hammer and Billy Cobham, it includes adventurous funk and R&B fusion, like P-Funk and Earth, Wind & Fire and the Ohio Players and Slave, and it includes jazz-funk acts like Donald Byrd and Freddie Hubbard and George Duke.Vernon Reid is a guitarist who was born in England but grew up in New York. He's best known as the leader of Living Colour, and one of the co-founders of the Black Rock Coalition along with the late writer Greg Tate, but he's got a long and varied discography that encompasses solo material, duo and trio work with other guitarists like Bill Frisell, David Torn and Elliot Sharp, and guest appearances with a ton of groups from Public Enemy to the Rollins Band, Mick Jagger, Janet Jackson, Mariah Carey, Santana, and many, many more. His solo album Mistaken Identity from 1996 is the only album to carry co-producer credits from Prince Paul and Teo Macero. Back in 2012, he made an album with a group called Spectrum Road which featured John Medeski on keyboards, Jack Bruce on bass, and Cindy Blackman Santana on drums — it was conceptually a tribute to Tony Williams Lifetime, but it's very much its own thing as well, so definitely check that out.Reid got his start, though, with drummer Ronald Shannon Jackson's band the Decoding Society. He played guitar, banjo, and guitar synth with that group, which had two bassists: Melvin Gibbs, who was on this podcast a couple of years ago, and Reverend Bruce Johnson, and then some horn players, mostly Zane Massey on saxophones and Henry Scott on trumpet. It's high-energy music that's also really melodic in a kind of post-Prime Time way — jazz, funk, rock, Texas blues and West African music all swirled together and thrown straight at your face at a hundred miles an hour. Their albums Nasty, Street Priest, Mandance, Barbeque Dog, Montreux Jazz Festival and Earned Dreams are all incredible. They're all out of print right now, too, but some of them are on streaming services, so dig up whatever you can. Reid has a new record out with the group Free Form Funky Freqs, a trio with bassist Jamaaladeen Tacuma, who's also been on this podcast before, and drummer Calvin Weston, and as he explains in this conversation, it's full-on improv, starting from zero every time they play together, and because it's so limited – no rehearsals, no soundchecks with all three members – they know exactly how many times they've played together. The album represents their 73rd encounter. It's called Hymn Of The 3rd Galaxy, sort of a tribute to Return To Forever there, who had an album called Hymn Of The Seventh Galaxy, and you'll hear a little bit of the music late in the podcast. I think you'll really enjoy this episode. I've been a fan of Vernon Reid's music for about 35 years. The first Living Colour album came out when I was in high school, and I saw them play on the first Lollapalooza festival in the summer of 1991. And I interviewed him once before, about 10 years ago, when he was doing a multimedia presentation called Artificial Africa. So in this conversation, we talk about his work with the Decoding Society, about the Free Form Funky Freqs, about the whole wave of guitarists who came up at the same time he did, including Michael Gregory Jackson and Kelvyn Bell and Jean-Paul Bourelly and Brandon Ross, as well as older players like James "Blood" Ulmer and Pete Cosey and Sonny Sharrock… we talk about a lot of things, and I'm just gonna end this introduction here, so you can dive in.MUSIC IN THIS EPISODE:Living Colour, “WTFF” (from Stain)Ronald Shannon Jackson and the Decoding Society, “Iola” (from Mandance)Vernon Reid & Bill Frisell, “Size 10 1/2 Sneaks” (from Smash & Scatteration)Free Form Funky Freqs, “Outer Arm” (from Hymn of the 3rd Galaxy)

Brandon Ross is a partner and analyst for LightShed, which covers WWE stock and numerous other technology, media, and telecom companies.He joins Brandon Thurston and Jesse Collings to talk about WWE business following the exit of Vince McMahon amid investigation into the former CEO's misconduct. WWE shares have risen coinciding with speculation WWE could be acquired with Vince out of the picture. And both WWE and AEW have U.S. media rights negotiations on the horizon.

Brandon Ross: Essences The composer/guitarist Brandon Ross in several projects with commentary from the artist on guitar tech, collaboration, and tradition. Excerpts include the duo For Living Lovers with Stomu Takeishi, bass; duos with Zeena Parkins, electric harp and Terry Jenoure, voice; and two iterations of his band, Blazing Beauty with Stomu, JT Lewis, and alternately Steph Richards and Graham Haynes. Recorded at Roulette between 1989 and 2021. https://roulette.org/

The composer/guitarist in several projects with commentary from the artist on guitar tech, collaboration, and tradition. Excerpts include the duo For Living Lovers with Stomu Takeishi, bass; duos with Zeena Parkins, electric harp and Terry Jenoure, voice; and two iterations of his band, Blazing Beauty with Stomu, JT Lewis, and alternately Steph Richards and Graham Haynes. Recorded at Roulette between 1989 and 2021.

The latest episode of the Burning Ambulance podcast features an interview with tuba player Bob Stewart.I have said all season long that we're going to be exploring a single subject for ten episodes, and that subject is fusion. But as I hope has become clear over the course of the five previous episodes, during which I interviewed techno pioneer Jeff Mills, drummer Lenny White, trumpeter Randy Brecker, pianist Cameron Graves, and guitarist Brandon Ross, most of whom come from different musical generations and are not peers, when I say the word fusion, I'm talking about a state of mind, not a style or a genre. It's not what you play, it's how you approach music-making.I understand that when most people hear the word fusion, they think of the big name bands from the 1970s: the Mahavishnu Orchestra, Return to Forever, and Weather Report. Those groups, and the Miles Davis bands from 1969 to 1975, and many other less immediately recognizable groups, all did a particular thing, playing extremely complex music that blurred the lines between progressive rock and jazz. We talked about those acts in the second and third episodes this season, with Lenny White and Randy Brecker, both of whom were around then and were actively participating in making some of that music.If you think of fusion as a mindset, though, rather than a style, the discussion gets a lot more interesting. And that's really how I prefer to think about it. Because the people who fall into the latter category are the ones who I find to be the most interesting, and the ones who are more likely to have careers where almost every record they play on is at least worth hearing, worth giving a chance. You may not like all of it. But they're creative enough that they've earned the benefit of the doubt.A perfect example of this is Bill Laswell, the bassist and producer. He doesn't use the term fusion. He calls what he does “collision music,” bringing together players from wildly disparate areas — stylistic areas, and literal geographical ones, putting African players together with guys from Southeast Asia and New York rock artists and whoever else he thinks has something to say — and seeing what comes out when they all work together toward a common goal. And sometimes you get something glorious, that you never could have predicted or imagined beforehand. Like pairing Pharoah Sanders with a troupe of Gnawa musicians from North Africa. Or putting improvising guitarist Derek Bailey together with drummer Jack DeJohnette, DJ Disk from the Invisibl Skratch Piklz, and Laswell himself on bass. I heard a recording of that group just a few days ago, and you might not expect it to work, but it really, really did.Bob Stewart is a fusion artist in that he takes an instrument that has had a relatively low profile in jazz for decades — the tuba — and created a variety of fascinating contexts for it. Not only on his own albums, but particularly in partnership with the late alto saxophonist Arthur Blythe. They began working together in the early 1970s, and Stewart's playing on some of Blythe's albums, most notably Bush Baby, where it's just the two of them and a percussionist, and on Lenox Avenue Breakdown and Illusions, where they had some incredible bands that included at different times James “Blood” Ulmer on guitar, Cecil McBee on bass, Jack DeJohnette on drums, James Newton on flute, and Abdul Wadud on cello. On the album Blythe Spirit, Blythe and Stewart record a version of the spiritual “Just A Closer Walk With Thee,” with Amina Claudine Myers on organ, that's absolutely amazing. We talk about that piece a little bit in this interview.He's worked with a lot of other artists over the course of his career, too, including Charles Mingus, McCoy Tyner, Carla Bley, Gil Evans, the Jazz Composers Orchestra, Bill Frisell, the David Murray Big Band, Lester Bowie's Brass Fantasy, and on and on. The reason he's able to do so many different things is that his approach to the tuba is really expansive, conceptually speaking. He treats it as much more than a substitute bass. He understands its full range, and the subtleties it's capable of expressing, and he uses it in ways lots of other people would never even think of. On his own albums First Line, Then & Now, and Connections — Mind the Gap, he puts together really unorthodox collections of personnel. For example on Then & Now, which was originally released in 1996 but just recently popped up on Bandcamp, some of the tracks feature two trumpets, trombone, French horn, and drums, while another is a duo with pianist Dave Burrell, and others have trumpet, alto sax, guitar, and drums. And Connections — Mind the Gap, which is from 2014, features tuba, guitar and drums, with trumpet and trombone on two tracks, but then on five others it's the core trio plus a string quartet. Now that's very much a kind of fusion — jazz which is already in an avant-garde zone, combined with chamber music.Bob Stewart is a fascinating guy, an endlessly creative spirit who has done a tremendous amount to change the image of his instrument in order to pave the way for guys like Theon Cross, who plays tuba with Sons of Kemet, or with Jose Davila, who plays with Henry Threadgill's Zooid. I really enjoyed this conversation, and I hope you enjoy listening to it.Music in this episode:Bob Stewart, “Bush Baby” (Connections – Mind The Gap)Arthur Blythe, “Lenox Avenue Breakdown” (Lenox Avenue Breakdown)Bob Stewart, “The Rambler” (from Then & Now)

Brandon Ross is back and we talked about feeling hopeless about the state of the world, politics, comparing Evangelical Protestant Christianity to Roman Catholicism, and what we can possibly do about the state of the world. I say many things that can be controversially taken out of context in this episode, and it's up to you to make sure that you pay attention to the whole context so that you fully understand what I am and am not advocating for. You can find Brandon's band, Grandpa Vern, here: https://www.instagram.com/grand_pa_vern/ The song playing at the end is “Stomp Out” by Grandpa Vern: https://open.spotify.com/track/1f1gXGeifINHG51LSYvZMT?si=2d9d4fde063340ca Bit Depth: https://santiagoramones.com/podcast Music: https://santiagoramones.com/music Discord: https://santiagoramones.com/discord The song by me that is playing at the end is not released yet. --- Support this podcast: https://anchor.fm/santiagoramones/support

Brandon Ross is the front person of Grandpa Vern, a local punk band. We talked about Grandpa Vern, the name of it, how they got started in music, spirituality, Brandon's journey out of the church, morality, politics, and more! Get to know Brandon! You can find Brandon's band, Grandpa Vern here: https://www.instagram.com/grand_pa_vern/ The song playing at the end is “Flawed” by Grandpa Vern: https://open.spotify.com/track/0huRiF4Ntm8I22646DcOaM?si=92070b4d02a04c54 Bit Depth: https://santiagoramones.com/podcast Music: https://santiagoramones.com/music Discord: https://santiagoramones.com/discord The song by me that is playing at the end is not released yet. --- Support this podcast: https://anchor.fm/santiagoramones/support

As you know if you've been listening this season, we have a single subject we're going to be exploring across ten episodes, and that subject is fusion. Fusion means much more, I think, than just the music that most people think of when they hear the word. I'm not talking exclusively about the big-name bands from the 1970s: the Mahavishnu Orchestra, Return to Forever, and Weather Report. Those groups, and the Miles Davis bands from 1969 to 1975, and many other less immediately recognizable groups, all did the classic fusion thing, playing extremely complex music that blurred the lines between progressive rock and jazz. We talked about those acts in the second and third episodes this season, when I interviewed drummer Lenny White and trumpeter Randy Brecker, both of whom were around then and were actively participating in making that music.If you think of fusion as a mindset, though, rather than a style of music, the discussion gets a lot more interesting. And that's really how I prefer to think about it. It's not just a specific narrow slice of music, it's a way you approach any kind of music you make. KRS-One said rapping is something you do, hip-hop is something you live. And that's kind of close to what I'm talking about here, conceptually speaking. Fusion can be a style of music, or it can be a way you approach the making of music. And the people who fall into the latter category are the ones who I find to be the most interesting, and the ones who are more likely to have careers where almost every record they play on is at least worth hearing, worth giving a chance. You may not like all of it. But they're creative enough that they've earned the benefit of the doubt.Brandon Ross is one of those guys. He's been on a hell of an artistic journey over the course of the last forty-some years. His first recording was on an Archie Shepp album from 1975, There's a Trumpet in My Soul. He worked with violinist Leroy Jenkins. He worked with saxophonists Marion Brown and Oliver Lake. He worked with Henry Threadgill for something like ten years, in multiple bands or one evolving band. He worked with Cassandra Wilson on her breakout album, Blue Light Til Dawn, and the follow-up, New Moon Daughter. He's made albums under his own name. The reason a lot of people probably know his name right now is he's the guitar player in Harriet Tubman, with bassist Melvin Gibbs, who's been on this podcast before, and drummer JT Lewis.And now here's the really interesting part – Brandon Ross has an album coming out a little later this year on my label, Burning Ambulance Music. He's got a new group, see, called Breath Of Air, which is a trio featuring violinist Charles Burnham and drummer Warren Benbow. Something I learned in this interview, by the way, is that Brandon has done the guitar-violin thing several times, with Leroy Jenkins and also with Terry Jenoure, a very interesting violin player who isn't nearly as well known as she ought to be. When I was researching Brandon to come up with questions for this interview, I learned about her and now I'm gonna be diving into her catalog, and I suggest you do the same. Some of her music is on streaming services; she released a 3CD set called Portal last year that's fantastic. Anyway, Breath Of Air has a self-titled debut, most of which was recorded live in February 2020, right before the pandemic started and live music went away, and like I said it'll be out a little bit later this year.In the meantime, enjoy this conversation between me and Brandon Ross. We talk about his work with Henry Threadgill, about his work with Cassandra Wilson, about Archie Shepp and Oliver Lake and Marion Brown, about Harriet Tubman, about the sort of No Wave punk-funk jazz scene of the late '70s and early '80s that included Ornette Coleman's Prime Time and Ronald Shannon Jackson's Decoding Society and all the other guitarists that came out of that scene, including Michael Gregory Jackson and Kelvyn Bell and Jean-Paul Bourelly and James "Blood" Ulmer and Vernon Reid… we also talk about his particular approach to the guitar and to sound. There's a lot to learn and a lot to think about in the hour or so of conversation you're about to hear. I hope you enjoy listening to it.Music in this episode:Breath Of Air, “No One On Earth Can See You Anymore” (from Breath Of Air)Henry Threadgill, “Little Pocket Size Demons” (from Too Much Sugar For A Dime)Harriet Tubman, “Farther Unknown” (from The Terror End Of Beauty)

Matt's playing hooky so Gabe and Enrique do a deep dive into Facebook stock with special guests Brett Williams of Unique& and Brandon Ross of Lightshed Partners. Make sure to check out their prior conversation on our Twitter spaces for a limited time only and of course check out the newsletter and our new Mr. Market section.  

This week: Lahsen Akhtab; Fatna Bent l'Houcine; James Brandon Lewis; NEW LIFE (Steve Reid, Brandon Ross, David Wertman); Mamy Kouyate; Burhan Öçall  Les Espoirs de Corinthe; Etoiles de Boulintet; Laba Sosseh; Dexter Johnson; Vanessa de Mata; Dona Onete; Teresa Cristina; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/14974319/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Link to article: https://bit.ly/3FVT0MABobby Kotick will remain chief executive of Activision Blizzard while Microsoft closes its deal to acquire the embattled publisher of Call of Duty, World of Warcraft, and Overwatch. When the $68.7 billion deal is finalized in 2023, “the Activision Blizzard business” will report to Microsoft Gaming CEO Phil Spencer, Microsoft said.But it remains unclear what Kotick's position at Activision Blizzard, if he still has one, will be after the proposed buyout is completed. The companies say only that Kotick will remain CEO through Microsoft's 2023 fiscal year, which ends June 30, 2023. Kotick told The New York Times that he “will be available as needed” after the closing.A new Wall Street Journal report Tuesday, citing sources familiar with the deal, says that the companies have agreed that Kotick will leave “once the deal closes.” If he's no longer with Activision afterward, his employment contract calls for him to receive a severance package worth nearly $293 million should he lose his job to a corporate takeover, according to financial documents. Reached for comment, a Microsoft representative told Polygon that, “given the extended close time,” the company has nothing more to add, instead pointing to Spencer's initial statement announcing the deal.What we know for sure is that for Kotick will remain Activision Blizzard's CEO until the Microsoft deal is signed — something that could take more than a year to do. “This is going to get a lot of regulatory scrutiny,” LightShed Ventures analyst and partner Brandon Ross told Polygon. It will need to be evaluated in the United States, but also in Europe, Ross said, where merger and acquisition standards are high. For instance, U.K. regulators are trying to block the $400 million acquisition of GIF search engine Giphy by Meta (the company formerly named Facebook).Support the show (https://bit.ly/2XdAlJC)

This week im breaking a hunt down with Brandon Ross, well 2 hunts where him and his dad laid two dandy bucks down!

**Warning** It's our most seizure-inducing episode yet. Bobby is the boss, he really is the boss. Rick takes umbrage with 'it's 5 O'Clock Somewhere'. Khalyla is the sit-down-to-pee coach. We talk Jim Baker's apocalypse food, a Japanese yam, trade Jewish and Korean fables, and give the "loudest animal in the sea" punchline. Listen to TigerBelly Singing Competition winner Brandon Ross at the end of the episode. Sponsors: Today Hims is giving you their best offer yet! You can get your first visit absolutely free! Go to www.forhims.com/belly Start WASHING with a TUSHY bidet for a BETTER clean.  Go to www.hellotushy.com/tigerbelly to get TEN PERCENT OFF PLUS FREE SHIPPING. This podcast is sponsored by BetterHelp and TigerBelly listeners get  10% off their first month at www.betterhelp.com/belly ZenBusiness has helped hundreds of thousands of people get their business off the ground by guiding them every step of the way and making it easier to launch a successful business. Get started today for as low as $49 at zenbusiness.com/BELLY. See omnystudio.com/listener for privacy information.

Nick gives a summary and detailed analysis of all the games that happened in Week 1 Some of the key points to take away from last week's games: -Devin Whitlock scored 5 touchdowns which led Belle Vernon to a 49-14 road win against Chartiers Valley. -Troy Volpatti rushed for 267 yards which helped Bethel Park beat Baldwin 35-0. -The Thomas Jefferson Jaguars defeated the Gateway Gators 21-16. -West Allegheny defeated Trinity 43-34 as both team's starting quarterbacks combined for 646 passing yards. -Graham Hancox threw a 24-yard TD pass to Brandon Ross with 0:09 left to help Seneca Valley beat Pine-Richland 24-20. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/coverthree-athletics/support

California voters will decide whether or not to recall Governor Gavin Newsom on September 14, 2021. In this episode of Candidates' Corner Vote-USA intern Sam speaks with Brandon Ross, a Democratic candidate for Governor of California if the recall measure succeeds. All candidates' views are their own and do not express or represent the values or beliefs of Candidates' Corner or Vote-USA.org.

Can the Cardinals salvage a win in Chicago and what's up with Gallegos' hat? Mike Shildt goes on a tirade but does he have a point? Brandon Ross, Broadcast and Media Relations Director for the Gateway Grizzlies, stops by to talk about the new MiLB plan, what fans can expect this year at GCS Ballpark and much more. Plus, a recap of the day in the NHL and NBA Playoffs and is the Minnesota Timberwolves sale in jeopardy? Make sure to join us nightly on Facebook and Youtube as we break down the day in sports on Crunch Time! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Brandon Ross, from Lardas Organization (owners of the McDonald’s in Geneva), joined Bob Sirott to talk about some new menu items McDonald’s is offering this spring, giving back to the community and much more!

A band cannot be a great band if it doesn't have its own distinctive sound. The sonorities of the instruments and the writing are part of it but it's really the character of the players and how they blend, how they respond to one another. Ellington had it, of course; Mingus had it; Ornette always had it, no matter how far flung the instrumentation but... What is it exactly?! It's ineffable, yes, but Brandon Ross spreads light in this edition of Mitch Goldman's Deep Focus from 2015 on Keith Jarrett's American Quartet. #WKCR #DeepFocus #MitchGoldman #BrandonRoss #KeithJarrett #KeithJarrettAmericanQuartet #JazzRadio #JazzInterview #jazzpodcast   Photo credit: Enid Farber

A band cannot be a great band if it doesn't have its own distinctive sound. The sonorities of the instruments and the writing are part of it but it's really the character of the players and how they blend, how they respond to one another. Ellington had it, of course; Mingus had it; Ornette always had it, no matter how far flung the instrumentation but... What is it exactly?! It's ineffable, yes, but Brandon Ross spreads light in this edition of Mitch Goldman's Deep Focus from 2015 on Keith Jarrett's American Quartet. #WKCR #DeepFocus #MitchGoldman #BrandonRoss #KeithJarrett #KeithJarrettAmericanQuartet #JazzRadio #JazzInterview #jazzpodcast   Photo credit: Enid Farber

A band cannot be a great band if it doesn't have its own distinctive sound. The sonorities of the instruments and the writing are part of it but it's really the character of the players and how they blend, how they respond to one another. Ellington had it, of course; Mingus had it; Ornette always had it, no matter how far flung the instrumentation but... What is it exactly?! It's ineffable, yes, but Brandon Ross spreads light in this edition of Mitch Goldman's Deep Focus from 2015 on Keith Jarrett's American Quartet. #WKCR #DeepFocus #MitchGoldman #BrandonRoss #KeithJarrett #KeithJarrettAmericanQuartet #JazzRadio #JazzInterview #jazzpodcast   Photo credit: Enid Farber

A band cannot be a great band if it doesn't have its own distinctive sound. The sonorities of the instruments and the writing are part of it but it's really the character of the players and how they blend, how they respond to one another. Ellington had it, of course; Mingus had it; Ornette always had it, no matter how far flung the instrumentation but... What is it exactly?! It's ineffable, yes, but Brandon Ross spreads light in this edition of Mitch Goldman's Deep Focus from 2015 on Keith Jarrett's American Quartet. #WKCR #DeepFocus #MitchGoldman #BrandonRoss #KeithJarrett #KeithJarrettAmericanQuartet #JazzRadio #JazzInterview #jazzpodcast   Photo credit: Enid Farber

816 Basketball presents The Greatest Games Podcast. Join us for Episode 99 as Mr Brandon Ross, Assistant Principal at Ridge View High School, joins us for today's episode.     Mr. Ross is the current South Carolina Association of School Administrators Assistant Principal of the Year!  Hear his thoughts on what up and coming coaches as well as seasoned coaches can do to help administration and more in this episode.  Mr. Ross is a former basketball coach, guidance counselor and will soon have his doctorate.  Coaches of all levels will benefit from what he shares in this episode.   Visit TeachHoops.com/816basketball for incredible basketball coaching content and resources from Coach Steve Collins.  Sign up for the two week free trial, learn and grow as a coach and support the show all at the same time.   Share, subscribe and leave us a 5 star review if you enjoy. Follow us on Twitter at @816Basketball.

In this episode, I add some orange to my blue winter and chat with a buddy of mine Brandon Ross. Brandon is a Syracuse grad and a former play by play announcer for the Burlington Royals (a former low-A affiliate for the Kansas City Royals).Brandon covers the Orange for Syracuse's own WAERSports and Z89Sports. We chat about the brisk pace to the Rangers start of winter, the world of broadcasting, name drop some Syracuse alums, and some great baseball stories. I also ask Brandon about the development among the minor leagues getting into the big leagues and how time in the majors in 2020 may effect the Rangers' minor leaguers in 2021.

Pr. Bramwell continues two conversations from a previous episode (which you can listen to here). Rev. Brandon Ross returns to explain social marxism and our resident Imagineer, Rev. Sam Schuldheisz discusses the fallenness of our imaginations. In the final segment of the show Pr. Bramwell discusses how we can act like men without stockpiling toilet paper.  Host Rev. Tyrel Bramwell, Admission Counselor at Concordia Theological Seminary in Fort Wayne, Indiana, and author of the book Come in, We are Closed, talks about curious topics to excite the imagination, equip the mind, and comfort the soul with God’s ordering of the world in the Law and Gospel. Send him your questions on Facebook, Instagram, or Twitter @tyrelbramwell, or at tyrelbramwell.com. You can find his videos at youtube.com/c/tyrelbramwell.

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Episode 1 What's Poppin LA's host, Angie Churn (@xo_yours.truly) interviews Brandon Ross (@flyguy_connection) IG: @_whatspoppinla Merch: whatspoppinlosangeles.bigcartel.com/products --- Support this podcast: https://anchor.fm/whatspoppin-la/support

Beginning with a special guest intro, this week's episode features Chris and Paul discussing breakfast foods, restroom incidents, and some recent adventures in inebriation. Following the episode is a special airing of the the complete track -- Knockout, by friend of the podcast and Maine rapper, Brandon Ross. Remember to rate, review, and send a screenshot of said review to the email address below for an entry for free brewery merchandise! Featured Beer: SoMe; Cinnamon Toast Look for new episodes of BFLN weekly. Please follow @beersfromlastnight on Instagram and email beersfromlastnight@gmail.com with any questions and/or recommendations. Remember to subscribe, rate, and review the podcast on your favorite platform. All musical credit to Brandon Ross

Pr. Bramwell speaks with Rev. Brandon Ross regarding socialism and why it’s evil. Then he turns to regular guest, Rev. Sam Schuldheisz, for a look at the imagination in light of Genesis 1 and 2. Finally, Rev. Marcus Williams rounds out the show for a conversation on 1 Peter 1:3-5 and a message of comfort and hope.   Host Rev. Tyrel Bramwell, Admission Counselor at Concordia Theological Seminary in Fort Wayne, Indiana, and author of the book Come in, We are Closed, talks about curious topics to excite the imagination, equip the mind, and comfort the soul with God’s ordering of the world in the Law and Gospel. Send him your questions on Facebook, Instagram, or Twitter @tyrelbramwell, or at tyrelbramwell.com. You can find his videos at youtube.com/c/tyrelbramwell.

Rumors are swirling that conferences are getting ready to cancel fall sports seasons, all the while players start up a movement so their voices can be heard in the conversation. Brandon Ross and Tara Lynch return from their summer hiatus and discuss the outlook for the 2020 CFB season.

After multiple college episodes, hosts Brandon Ross and Tara Lynch are back talking NFL and pick out which teams they think are bound to take big strides in 2020. Plus, the show predicts winners in each division.

Brandon Ross and Tara Lynch come back from a Memorial Day break to address the college football transfer market.

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Melvin Gibbs is hearing things that I am not hearing yet. I know this from the choices he makes as a bassist, his work as a composer and especially what he does leading bands like Harriet Tubman, his collaboration with Brandon Ross and JT Lewis. So what is he hearing in the music of one of my favorite bands, the Art Ensemble of Chicago? Is it the knowing improvisation? the distinctive sonorities of the compositions? maybe the theatricality? the posts, slants and buttonhooks of their fast and far-ranging live shows? I can’t wait to find out!

Brandon Ross and Tara Lynch talk about the recently dropped NFL schedule. What're the big games to watch? Who's got it easy? Who drew the short stick?

This week's episode features our VERY special (as in, he's crazy and needs lots of prayer) friend J. Brandon Ross! We know ya'll are about to lose your minds being stuck in the house, so grab your earphones and enjoy our most hilarious episode yet! We talk about everything, from Sister Rona to marriage to what it means to be cautious but NOT fearful in this trying time. This is a good one -- we hope you love it! *** This week's Homecoming feature is Renee Nesby, owner of Renesby Originals! Follow her @renesbyoriginals on Facebook & Instagram. And if you want to order some of her AMAZING work, simply email her at renesbyoriginals@yahoo.com -- she'll be happy to talk to you! *** Don't forget to email us at theseasonspod@gmail.com -- we want to hear from you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Throw guitarist Ben Tyree some meat.*  He wants to hear a band that will shred the genres and categories, explode expectations, have the spiritual force to avow its zeal and its fury.  Who is going to do that?  Are you going to do that?  Am I going to do that? Harriet Tubman is going to do that.  Brandon Ross, Melvin Gibbs and JT Lewis have all been guests on Deep Focus but now its their band under the lens. TURN IT UP!  STAND BACK!   *(I said “meat,” not “flesh.”   You know Ben Tyree ain’t messing with none of that).

Throw guitarist Ben Tyree some meat.*  He wants to hear a band that will shred the genres and categories, explode expectations, have the spiritual force to avow its zeal and its fury.  Who is going to do that?  Are you going to do that?  Am I going to do that? Harriet Tubman is going to do that.  Brandon Ross, Melvin Gibbs and JT Lewis have all been guests on Deep Focus but now its their band under the lens. TURN IT UP!  STAND BACK!   *(I said “meat,” not “flesh.”   You know Ben Tyree ain’t messing with none of that).

Swimmer Frederica Kizek, a senior at Morton Ranch High School, whose hard work is paying off big time...Free stuff and other deals for nurses and teachers this week...and Brandon Ross, the 1-year old boy who was shot in a road rage incident, reunites with the nurse who saved his life...

Matthew Freedman and Ian Hartitz are joined by special guest Cynthia Frelund, Analytics Expert at the NFL Network, to discuss AAF Week 5. Cynthia leverages her data science to offer insight on team power rankings and the AAF’s best offensive and defensive units. Our experts speculate about a changing of the guard between Birmingham running backs Trent Richardson and Brandon Ross. Cynthia also hammers home her love for Sherman Badie, and everyone mixes in some NFL talk by discussing Antonio Brown’s potential landing spots if the Steelers indeed trade their All-Pro receiver. Top Team Units (5:20) Potential NFL Talent on AAF Rosters (12:25) Orlando Apollos at Birmingham Iron (15:05) Salt Lake Stallions at San Diego Fleet (24:22) Memphis Express at Atlanta Legends (32:06) San Antonio Commanders at Arizona Hot Shots (41:41) DFS Strategy (48:03) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Melvin Gibbs is the bassist for the avant-rock/jazz/metal/dub trio Harriet Tubman, whose new album The Terror End of Beauty is out now and sweeping up rave reviews everywhere. Before forming Tubman with guitarist Brandon Ross and drummer JT Lewis in 1998, Gibbs was a founding member of Defunkt and of Ronald Shannon Jackson's Decoding Society (alongside future Living Colour guitarist Vernon Reid); he played in Sonny Sharrock's band; he appeared on John Zorn's Spillane and The Big Gundown; he was a member of Arto Lindsay's band Ambitious Lovers; and from 1994 to 1998, he was the bassist for the Rollins Band. In this episode of the Burning Ambulance podcast, Gibbs talks about his time with Jackson, with Rollins, and with Harriet Tubman; about whether his music is jazz, and how one even defines such a thing; and much, much more. This is the standard, free version of this episode, and runs 64 minutes. There is an extended, 92-minute version of the podcast available exclusively to Patreon subscribers; join at patreon.com/burningambulance for $5 a month to hear it. Future episodes of the podcast will be similarly expanded, and additional subscriber-only stories will also show up from time to time.

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

Atteso da qualche anno, pubblcato dalla Enja su licenza della American Clavé, Crescent Moon Waning è il nuovo album di Kip Hanrahan, uno dei più originali protagonisti della scena contemporanea, geniale regista di fascinose situazioni sonore. L'album presenta brani frutto di incisioni effettuate tra il 2015 e il 2016, ma Hanrahan ha incorporato nella musica anche registrazioni dal vivo effettuate in Francia nell'84 e a New York nel '94. Come avviene sempre con Hanrahan, nell'album troviamo un grande - in tutti i sensi - assortimento di musicisti: da Brandon Ross a Charles Neville, da Chico Freeman a Steve Swallow, da Fernando Saunders, noto per la sua lunga collaborazione con Lou Reed, alla cantante cubana Xiomara Laugart, nonché, come nelle abitudini di Hanrahan, uno stuolo di rinomati percussionisti latini, Ignacio Berroa, Luisito Quintero, Robbie Ameen, Anthony Carrillo, Richie Flores, e il compianto Milton Cardona.

Dr Brandon Ross joins us to talk about how farming inside a building works... and sometimes doesn't. This episode features design principles, interdisciplinary culture clashes, cannabis engineering, and more.

A lo largo de las últimas semanas el trompetista Wadada Leo Smith y la pianista Satoko Fujii han publicado cuatro nuevas grabaciones, dos lideradas por cada uno de ellos, coincidiendo en una de ellas ambos músicos. En HDO 332 suenan Solo: Reflections and Meditations On Monk (Wadada Leo Smith. TUM Records, 2017) cuyo título indica bien a las claras el contenido musical de esta obra; Najwa (Wadada Leo Smith junto a Michael Gregory Jackson, Henry Kaiser, Brandon Ross, Lamar Smith, Bill Laswell, Pheeroan akLaff y Adam Rudolph; TUM Records, 2017), en una formación posiblemente inédita con cuatro guitarristas, bajo eléctrico, batería, percusión y trompeta con composiciones de Wadada Leo Smith; Aspiration (Wadada Leo Smith, Natsuki Tamura, Satoko Fujii, Ikue Mori; Libra Records, 2017) con otra formación inusual de dos trompetistas, piano y electrónica (magnífico el papel de Mori); Live At Jazz Room Cortez (Satoko Fujii Quartet con Keisuke Ohta, Natsuki Tamura, Satoko Fujii, Takashi Itani; Cortez Sound, 2017). Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

The Randy O. Show Host:Randy Otterbridge Guest: Brandon Ross, Grand Apps Topic of Discussion: Planting The Seeds of Business Just Right This is a great episode to start 2016 off with as we sit back, listen, and learn from online visibility expert Brandon Ross of Grand Apps talk about the importance of making sure you have a presence online with your business. Not only do entrepreneurs need to be thinking about being online but also making sure that our businesses are available through smartphone technology as well. Visit Grand Apps Online http://grandapps.com http://grandappsweb.com

EP.34 - Brandon Ross Pendulum Live At Nublu Classic - 04,20,2015 - New York Brandon Ross (Guitar) Kevin Ross (Bass) Chris Eddleton (Drums) Hardedge (Sound Design)

In Episode 24 of Accredited Investor Markets Radio, Brendan Ross of Direct Lending Investments and host Chris Cahill discuss how Direct Lending Investments' fund pools high-yielding, 6-18 month business notes and what approaches may help diversify and mitigate risks in the pool. Mr. Ross also comments on peer-to-peer lending in general, including how, and why, the investment method attracts borrowers once served by community banks. Additionally, the discussion touches on what the consequences may be for P2P in a new period of severe financial distress.     You can learn more about Brendan Ross and Direct Lending Investments here.   Or you can find him here: Twitter: @brendan_ross LinkedIn Facebook YouTube     About Brendan Ross   Brendan Ross is the President of Direct Lending Investments LLC, the general partner of the oldest and largest short-term, high-yield, small business loans fund. An expert in alternative assets, Brendan has directed the purchase of more P2P-originated U.S. small business loans than any other institutional investor. Previously, Brendan was a turnaround CEO and ran a number of companies, including ReserveAmerica and Fanfare Media Works. Brendan began his career at Mercer Management Consulting (now Oliver Wyman), where he worked for a variety of clients including United Airlines, Bank of America and AOL. He left Mercer to join MediaOne’s newly formed Strategy Group. Brendan’s business experiences also include leading a product management team at Ticketmaster, where he received two patents for Ticketmaster Auctions. He has served as CEO of a number of companies, including ReserveAmerica, the world’s largest outdoor recreation reservation company, and local advertising leader Fanfare Media Works. Regularly cited by top-tier media outlets such as the Wall Street Journal, Investment News, Bloomberg, Fox Business News and others, Brendan is a go-to source for information and analysis concerning the growing P2P and small business lending sectors.   Brendan graduated with honors from Brown University with a double major in economics and sociology. He lives with his wife and two children in La Canada, located just north of Los Angeles.