Podcasts about Verity

What do you get when a kindness-led skincare founder & a community-first haircare CMO sit down together? An honest & instructive conversation on Brand Advocacy.Live from the Brand Advocacy Summit: New York, Verity is joined by Dr. Brent Ridge (Co-Founder @ Beekman 1802) & Nilofer Vahora (Chief Marketing Officer @ Amika) to unpack how two very different beauty brands built lasting customer love – by making stylists, neighbours, and Advocates the centre of their businesses.This isn't about follower counts or funnel hacks. It's a behind-the-scenes look at the values, trade-offs, and systems that turn brand belief into million-dollar growth. If you've ever struggled to scale connection without losing credibility, this conversation will help.What You'll Learn:

Day 1,377.Today, on a national day of mourning in Ukraine after a single ballistic missile strike killed four people and injured forty more, we report on the arrival of the US delegation in Moscow as the latest round of peace talks gets under way. Then we hear from our Washington Correspondent on the mood in the United States toward Ukraine – and the current strength of President Trump – and take a deep dive into how Russian soldiers are being sent into combat without helmets or body armour.ContributorsFrancis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor, Defence). @DomNicholls on X.Verity Bowman (Foreign Correspondent). @VerityBowman on X.Connor Stringer (Washington Correspondent). @connor_stringer on X.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Russian troops sent to slaughter with no helmets or armour (Verity in The Telegraph):https://tinyurl.com/yc4aysxrUkraine strikes Chechen special forces unit ahead of Putin-Witkoff talks (The Telegraph):https://tinyurl.com/3f9s4vu5Zelensky warns US not to reward Putin (The Telegraph):https://tinyurl.com/y685hcpcEx-British soldier ‘helped Russia assassinate prominent Ukrainians' (The Telegraph):https://tinyurl.com/bdft3f7mECB refuses to provide backstop for €140bn Ukraine loan (Financial Times):https://www.ft.com/content/616c79ee-34de-425a-865e-e94ba10be788Ukraine has brought back 1,859 Russia-abducted children, Zelenska says in Paris (Kyiv Independent):https://kyivindependent.com/ukraine-says-1-859-abducted-children-have-been-returned-zelenska-tells-paris-summit Five South Africans in court over alleged recruitment for Russia's war in Ukraine (The Guardian):https://www.theguardian.com/world/2025/dec/01/south-africans-court-alleged-recruitment-russia-war-ukraine Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

TruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081https://veritymetals.com/

Women of the Bible Ruth Sunday 31st November 2025 Baptism Sunday Verity Lowe Preaching

File on 4 Investigates discovers a world of lies and blame within adoption in the UK. The BBC has conducted the most extensive Freedom of Information request ever into adoptions that have broken down, finding that more than 1,000 adopted children in the UK have returned to care in the past five years. That is much higher than the figure in a recent government report - but the true number is likely to be even larger, as only a third of authorities said they collected this data as standard practice. Some adoptive parents say they've been given so little support that they've been forced to return their children to the care system. This programme explores the scale of the crisis as we hear from parents pushed to the limit, a teenager returned to care and a social worker giving a rare view of the system from the inside.Producer: Ashley Kennedy & Claire Kendall Reporter: Judith Moritz Sound designer: Richard Hannaford Production coordinator: Hattie Valentine Editor: Tara McDermott(Photo: Close-up portrait of couple Verity & Ian standing outdoors. Credit: Brij Patel)

This week we are joined by Verity Ockenden as we discuss her journey through running.Not often do these stories start with chasing sheep through a field, but when they do, you know you're in for a good story! Hosted on Acast. See acast.com/privacy for more information.

En nuestro episodio 370 Christal Risol, Gabriel y El Watcher recomiendan los libros "The Housemaid" (2022) escrito por Freida McFadden, "Verity" (2018) escrito por Colleen Hoover y "The Love Hypothesis" (2021) escrito por Berkley Books en el segmento "Loot Semanal", brindan su "First Reaction" de la película "Zootopia 2" (2025) y conversan sobre lo que esperan de la quinta y última temporada de "Stranger Things" (2016) y su experiencia viendo "Avatar: The Last Airbender" (2005) y los episodios nuevos de "Pluribus" (2025) y "Palm Royale" (2024) en el segmento "Wachin' con Wacho!" y hablan sobre todo lo relacionado a el estreno de la película "Wicked: For Good" (2025).¡Se la diferencia en la vida de los niños de la Fundación de Niños de Puerto Rico! Aporta con tu donativo aquí: https://www.extra-life.org/participant/Cultura-Secuencial-2025¡Descubre la mejor manera de transmitir y grabar tu contenido! Comienza a usar "StreamYard" con nuestro "Referral Link" y obtén $10 de descuento: https://streamyard.com/pal/c/5302337768259584¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial

Tonight, on The Panel, Wallace Chapman is joined by panellists Verity Johnson and Nick Leggett First up, the reverberations are still being felt from yesterday's announcement about the government's proposal to axe regional councils. After 24 hours what questions linger and what needs to be answered? Then, the Reserve Bank has made a 25-basis point cut to the official cash rate. Has obsessing over the OCR become our new national sport?

In part two, Paul Glass is a blind man who was out for a walk with his guide dog Clayton last week, when he was attacked out of nowhere by another person's dog. Clayton has been left badly injured, shaken, and potentially unable to continue as a guide dog. It wouldn't take much for attacks like these to be stopped --- so what should people do when they come across a guide dog? Then, move over dating apps, the age-old practice of Matchmaking is BACK.

Mama Bear Care walks with Mamas carrying to term despite a prenatal life-limiting diagnosis. This show tells the stories of three moms, including Barbara Jacobson and her daughter Verity. With fierce love and tender care, MBC changes stories from heartache to hope.” www.mamabearcare.org/See omnystudio.com/listener for privacy information.

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Today, I’m excited to share with you a project that our team has been working on for quite some time now. Our new children’s book, The Tsunami Violin, comes out on November 24, 2025. Back in 2020, I wrote my first children’s book called “Pippy the Piano and the Very Big Wave”. Based on a true story, it tells how a church finds their beloved piano upside down and covered in mud and debris. But rather than throw it out, they decide to spend the enormous amounts of time and money necessary to fix it, and they give the piano new life. And even today, the church continues to tell this story through the many concerts they host there. Now we are releasing our second children’s book, which this time tells the story about a violin. A young tree protects her town from the cold and harsh ocean winds. But when the tsunami comes, everything is washed away: family, friends, town. She's lost everything, but then a master craftsman comes, a violin maker from Tokyo, and transforms her into something beautiful. Through her music and through her story, she brings encouragement and healing to all who hear it, a story of hope out of despair, life out of death, and new beginnings. Like Pippy the Piano, this book too is based on a true story. I'm fortunate to know Nakazawa-sensei, the violin maker, and also to have had the privilege of being involved in quite a few concerts with that violin. It’s such a powerful story of redemption that I had to get it out there. This is a story worth telling. In this episode, I have a conversation with some of the members of our team who made this book possible, the beginnings of the book and the process along the way, and especially with the very talented Holly Rose Wallace, whose images and illustrations so powerfully tell this story. So anyway, I know you’re going to love the book, and I hope this conversation into some of the background will help you enjoy it even more. Roger Well, today we are excited to share with all of you about this project we’ve been working on for quite some time now called The Tsunami Violin. And we have a number of us who are key players in getting this project together with us on the podcast. Can you all introduce yourselves one by one? Maybe Diane, you served as the project manager for this. Can you tell us a little bit about yourself? Diane Yes, I’m Diane Bakelaar, and I live in Nagoya, Japan. My husband and I run an arts ministry through an art gallery and meet people through the art gallery. I served as the project manager for this book. Roger Awesome. Now, most importantly, Holly Rose Wallace as the illustrator. Can you introduce yourself? Holly I don’t know about most important, but I’m Holly. I’m from Cleveland, Ohio. I did about a two-year internship in Nagoya, Japan, working with Diane and Peter Bakelaar, and then working on this project with Roger and others. This is my first illustration project, so it was really exciting to get to add this to my resume and work with the team on this project. But I’m a self-taught illustrator, and I’ve always loved the arts, so this is an exciting project for me. Roger Awesome. And, Verity, you’re on this call. Can you tell us your role in this project? Verity Hi, I’m Verity. I’m a London-based illustrator and designer specializing in book design. And I’m also preparing to move to Tokyo next year to work with Community Arts Tokyo as an arts missionary. Roger Very cool. Last but not least, we also have Tsumugu Misugi on the call. Can you introduce yourself? Tsumugu Yeah. Hello. My name is Tsumugu. I’m a violinist and a composer living in Japan. I write music and record for Japanese animation and Korean dramas and things like that. I was happy and so privileged to be able to play on the tsunami violin with Roger a couple of years ago. Roger Now, in the introduction to this episode, I’ve given a little summary of what this book is about. But really to capture the essence of it, I wanted all of us here together because I think there’s something really special about this project, in how it all came together. There were many pieces. It wasn’t like I wrote this story and then passed it on to Holly to illustrate and then published it, but there were so many moving parts. And as each part came in, it made the book all that much more special. So why don’t we just start right at the beginning? So, Tsumugu, why don’t you tell us a little bit about how you were first introduced to the tsunami violin? Tsumugu I served as a volunteer in Ishinomaki from 2012 and went back every summer until 2016. And so I had first-hand experience helping with relief work. And then I went to the States for college, and then I decided to move to Japan after college to pursue my work. And that was when I reconnected with Roger. And within the first, I think, maybe three months of me moving back to Japan, Roger was like, “Hey, there’s this project where we want to give about 10 concerts in Japan, and it would be awesome if you could play on this tsunami violin.” And that was the first time I had heard of the violin, but it’s very famous here in Japan, and I was very honored to be asked to play on the violin. Roger Yeah, I had gotten to know it at previous concerts, and then there was this church, a group of churches actually, up in Iwaki, who asked us to come and give concerts on the violin. And it really wasn’t until that time that it came together. I was like, “this is an amazing story to be told.” I mean, everywhere the violin goes, it doesn’t just give a concert, but its story is an essential part of that concert. Just bringing that hope, bringing that idea that there’s life out of death, that all things can be redeemed, even when you’re in the pit of despair. And to continually bring that violin into any crowd of people, really, it spoke, it said something. And I was like, “How can we tell this to more people, not just those at the concerts. What would that look like?” And that was when the idea came forth about making a children’s book. Now, of course, I am not a visual artist. I don’t have the means to do that, but it just so happened that God provided Holly at just the right time to begin having this conversation. Holly, what do you remember about those early conversations about this book? Holly I remember the first time that I met you, I was showing you some of my work, and you looked really excited. You’re like, I have an idea for my next children’s book, and I’ve been looking for an illustrator. And you asked if I do that. I was like, “Well, I haven’t, but it’s always been a dream of mine.” And so it was this perfect partnership of you needed an illustrator, and I wanted to illustrate. It all came together from there. Roger It started first with the two of us working on this project, but then I think things really got special when we brought in Anna, who isn’t on this call, and Diane to be part of the process as well. Actually, Diane, just before we started recording, you said something about that, just the idea of having more people involved in the project somehow made it better. Diane Yes, I’ve always been fascinated with the idea, the wisdom of the group, and how it’s statistically shown that when people as a group, when they’re working together well, they can make better decisions than an individual, even if that individual is an expert in the area. I certainly saw that with this project. Everybody was bringing their strengths to the table, and everyone in the group was able to listen and not hold on to their parts so tightly that they weren’t able to hear suggestions and improvements. That was really impressive to me how everyone was very humble and very willing to work together, and it just made the project so much better. Roger Yeah, I really enjoyed our times together. Once every two weeks or so, we all had our roles. Mine was officially words. Holly was images. Verity was, I think, everything artistic. Verity Not at first… Roger At first, what was your role? Verity At first, I was thinking when I came in that I'd be taking on a design role of doing stuff with how the text looked and how the cover looked. Then my input grew from there, for sure. Roger Yeah, it sure did. It was fun to see this project be born out of our time together. The idea was, how do we tell this story in the best possible way? What words do we use? What images? Are there things we can do with the text? Maybe we should add a frame here or take one out here. To be talking about that creatively as a group was some of the magic of this project, I think. Verity Yeah, definitely. I think the first ever meeting we had about this project, Diane was there on Zoom, we were sitting on the floor in this apartment which had no furniture, which is why we were sitting on the floor. But we were going through some of the sketches that Holly had done and some of the writing and stuff. For a while, I’d been working in the creative industries. In the creative industries, I definitely feel like your role gets isolated from the rest of the creative process, particularly as a designer, where you do your thing that you’re told to do, but you don’t have any input in how the rest of a creative project, a book, for example, looks like. I was coming from that into this project where we were all like, you were asking my opinion on the text and stuff, and I was a little bit worried about stepping on your toes. That was a really special moment for me. It was, I think, maybe my first week or two in Japan. I was like, Oh, this is something different here. What the team is doing here is different. It was a good moment. Roger Yeah, it was. Anna said you can’t publish a book without a cat in it. And that was just so much better. So we had this cat, and there’s this yellow bird that flies through the scenes and came to represent the Holy Spirit flying through and having a presence all throughout the story. And I think we were just having fun with it. It wasn’t just about practical things, but about what we can creatively do that would be fun, not just for us, but for the reader as well. Verity For me, I feel like it is something that’s natural to the creative process, but I feel like it came together in quite a non-linear way. I remember we brought in the idea of the music as in the images of music in the text, not right at the beginning, one of the opening paragraphs of the book is about the music of nature that the tree hears, which obviously it’s a book called the Tsunami Violin, so it makes sense to have those musical images. But it wasn’t something that we came up with until we talked through the project a little bit, and then we started thinking about how we could bring in those images and make it flow more cohesively. Roger Yeah, it became a theme throughout the whole book. It was actually someone else who wasn’t on this call who came up with an idea. They said, “One of the special things about children’s books is when phrases are repeated over and over.” It has a special power when you’re reading a children’s illustrated book. And I was like, oh, that’s like choruses in songs, right? I mean, you sing the verse and then the chorus, verse, chorus, verse, chorus, and the chorus keeps getting repeated. And I think that’s one of the beauties of this book now. It didn’t start that way at all, but to have this repeating course of the music of the town. In fact, we have it on the back cover here, “The rhythm of the waves, the song of the birds, the whistling of the wind, and the hum of the town,” She has it in the beginning, and then she loses it because of the tsunami. And then how does she get that back? And it’s through the work of this master craftsman, this violin maker who makes her into this beautiful thing that she didn’t know was possible. Through her music and through her story, the people are hearing the music of her town again. Verity I think that was another thing that I found quite exciting about working on The Tsunami Violin. I've never done a kid’s book before. Community Arts is not like a publishing house that specializes in children’s books. But it was quite exciting to just be like, “Well, let’s figure out how to do this,” exploring all of these ideas. I guess, I think for me, coming into that, I felt like I was breaking new ground creatively, having to think outside of the box that I find it easy to put myself in, having to think more broadly about what could I do and what can we do as a team. Diane Two creative challenges that I remember: the one in particular was when the violin maker looks into the box and visually how to do that and how poor Holly was trying so hard to do this. Verity Yeah, we really messed her up. Diane But anyway, and I think that is an example of where the group working together really helped. The page, I think, is very successful looking. But boy, that was a lot of hard work. Then the other aspect was because this is both in English and Japanese and how when it’s translated into Japanese, the words are longer, takes that much more space. Then again, having to adjust visually for creating more room. Anyway, there are just a lot of challenges along the way. Roger Holly, what do you think about all that as the illustrator of this book? Holly It’s all true! It was hard, but it’s all part of the creative process, is the back and forth and trying to work out how to make it look best. I think for me, it was a challenge because I wouldn’t really consider myself a digital artist, primarily. That’s not really my preferred medium. So this was a new experience for me in that sense. I had done digital work before, but I have very little experience and all self-taught. So that was one learning curve for me. And then the theme of the book being with a violin, but she starts out as a tree. For me, that was another challenge because I haven’t spent much time drawing trees. And so I’m like, Okay, I need to figure out the anatomy of a tree, and not just any tree, but specifically a Japanese pine. So there was a lot of back and forth trying to figure out what style to use and how to translate that into a children’s style. And then when she becomes the violin, coming up with that character design was a lot of fun for me. I had to watch a documentary on how violins are created because that was another thing. I don’t usually draw violins for fun. So that was another challenge to overcome, but it’s so much fun to do. And I think the cat, too, was a lot of fun to incorporate. And I went back and forth a lot with thoughts and ideas of how to design the cat and the bird. But I think what I finally came down to was just designing the cat to look like my cat, especially since I was living in Japan at the time, and my cat was back in America. So it was a fun way to feel connected to my cat. Verity My favorite is at the back when the cat is actually playing the violin. Roger It’s like one of my favorite scenes in the whole book. Holly That was one of my favorites to draw. Roger Actually, to the right of the cat is a young man that looks like Tsumugu to me. I don’t know, Holly, if you were actually looking at a picture of Tsumugu at the time, but it looks really like him. So that makes me happy. Verity Your moment of fame, Tsumugu. Tsumugu Yes, just happy to make a cameo in the book. Verity Yeah, you’re not getting any commission for this, by the way. We’re just using your image. Tsumugu That’s fine. I give full consent. Verity How generous. Actually, one of the things that I really like that you did, Holly, is the illustration of the tsunami. And that was something that we went back and forth on quite a lot. But there’s a scene in the book where the tsunami first appears, and it’s quite scary. I’m holding up a picture for these guys. It’s supposed to be quite a scary moment of this huge wave towering on the horizon. We went back and forth a lot on how to… First of all, how to make it look scary, but also should this tsunami be sentient? Should it be anthropomorphic the way that the tree and the violin are? We ended up settling on a design that references the Great Wave, the Hokusai famous woodprint. I think that it’s a really effective image as a result because it’s a very clear reference. The image in the Great Wave is also tsunami, I think. But then I think it’s interesting to how that connects people who aren’t as familiar with Japan and with Japanese culture because it’s such an internationally recognized image. I was speaking in front of a church on Sunday and I showed them the cover. People came up to me at the end and they were like, Oh, yeah, the wave. We reused the image in a composite with some other illustrations on the cover. And people were like, Oh, yeah, the wave is really cool. They remembered the connection with the great wave. And I feel like it’s just an interesting way of how you can connect with different audiences through those visual references. Holly Yeah, I agree. I’m so glad that people recognized it and saw that that was the inspiration. That panel was so challenging because I didn’t want to do a direct copy of the Hokusai wave, but I definitely wanted to draw inspiration from it. And it’s also the angle that it’s at, the wave is coming right at you. And I think that adds to make it scarier, make it more frightening for readers because it’s like, Oh, the wave is coming directly at me, off the page in a sense. But typically when you see illustrations of waves, like when I was looking for references, there are no pictures of waves coming directly at you. It’s always at some angle. And so that was something that took a lot of time to figure out, Okay, how do I interpret this into a visual representation of just this? But I’m really happy with how it turned out and happy for all of your guys’ input. Roger When I’ve shown that image to beta readers, they’re like, wow. I mean, wow. They were just speechless because it’s just so effective. But my favorite image is the one where you only did the two big eyes, where she’s at the low point of her life. She’s lost everything, and now she’s been cut up, and she’s thrown in this box, and doesn’t know where she’s going. The way you’re able to express all of that in just the two eyes, I think, is so effective. When I’ve been showing it to people, that’s always the page I show first. Like, look at these eyes. They’re like, oh, it’s just so cool. In this whole medium of children’s illustrated art, how you’re not trying to be literal. You can through the medium, through the language of children’s art, you can tell something in different ways. I think just looking at the eyes tells the whole story. Holly That’s so funny that’s your favorite page because that was the easiest one to do. That was one of the things in the character design for me that it’s so important, the eyes, because that’s what people are going to look at the most and what’s really going to bring the character to life. So I spent a lot of time trying to design those eyes and the eyelashes specifically, I was inspired by the F hole on the violin, so you could see that on the eyelashes of the character. But I thought that that was a fun little thing to add. Diane Holly, I was wondering about the colors that you chose. I love the colors in the book. Just what was your hope or thinking behind how you chose your colors? Holly I feel like it was really a team effort choosing the colors. But then, of course, some of the colors just come naturally. Because this is based on a true story, I was pulling colors a lot from just the reference images, but then trying to brighten them to make it more visually pleasing and more exciting for children. And all readers. But it was really interesting how naturally a palette came to be. It was a lot of browns and blues and greens, and just looking at them all side by side, it was like, yeah, there’s definitely a clear palette. But that came about really naturally, which was cool. Roger Yeah. Verity I have the actual physical book with me now, and the colors feel very alive. So it’s really nice to see it. Very vibrant. Tsumugu Nice. Can I talk a bit about the audience? I find it really interesting that you picked a children’s book as the medium to publish this because people who are older than teenagers would have experienced or would have seen the tsunami. But children, the target audience for this book, are people who’ve never experienced. They haven’t seen the tsunami. Roger They weren’t alive when it happened. Tsumugu Yeah, exactly. I think it’s so interesting that you picked children to spread this story and this message. I feel like it’s a good way for them to learn about the tsunami as well as the aftermath of what happened. Also, especially for international audiences, I feel like it might be something that is so far away and so detached from them, but there’s still such a powerful story in the aftermath of it. Roger Yeah, the violin maker, he met with the Emperor himself, and the Emperor said, “Oh, I’m so glad that you’re doing this because people are going to forget, and they need to remember what happened.” And that is essentially what his project, the violin, tsunami violin, continues to do, and that’s what we’re trying to do through this. Diane I was telling one of my Japanese friends that this was in the middle of the project, and I’m working on this project. She’s Japanese, and she had no idea about the tsunami violin. She didn’t know what it was. So I explained the story. She just looked at me and said, This is such an important story. This is part of our history. We’ve got to keep it alive. That was her reaction to the whole thing. Verity I think that it’s interesting. Perhaps we haven’t talked about this as a group, but it’s interesting to think about how this being a real event that really shapes people’s lives, all of the tragedy. And also, I feel like shapes the Japanese consciousness as well. I feel like it’s very much something in the minds and hearts of Japanese people. When we think about going through such a traumatic event, even as children, when children go through traumatic events, then there is this process of not being able to go back to what you were before. So experiencing something that is irreversible and coming out of that as a changed person. And that’s what happens to the tsunami violin is that the story is of her, not like she’s able to go back to the way she was when she was a happy and innocent child, but that she goes through something and she becomes something beautiful and something recognized by other people, but that she’s not able to go back to the way that she was. I feel like that’s actually a realistic view of trauma. I think that that’s quite a good thing to acknowledge, even for children, that just because you go through something doesn’t mean that you’re irreversibly broken, but that you can become something else. Roger Yeah, so good. I think we better end our time here. Thank you all so much for sharing with me and with our listeners. It’s just really a special project. We are excited to be able to launch it to all of you on November 24, and I hope that you’ll be able to pass it on to your friends as well. This story of redemption in a way that I think can reach audiences in any culture, any country, is just so important and we need to be repeating this story to others as well. You’ve been listening to the Art, Life, Faith podcast. The Tsunami Violin is available for sale on November 24 wherever you buy your books online. Please pick up a copy for yourselves and tell your family and friends about it as well. In fact, maybe it will also make a great Christmas present. As we say in Japan, “Ja, mata ne!” We’ll see you next time. BUY “THE TSUNAMI VIOLIN”

Couch to Coached – AWARD-WINNING Running Podcast5 With The Listeners – A Brand-New Era!Our 5 With The Listeners series has been refreshed and rebooted — new questions, new logo, new vibes, and this week… a very special guest.Rob, Ben, and Emma sit down with our latest featured listener to explore their running story in a whole new way. We dig into:What their running shoes would say about themWhat's in their desert-island running survival kitWhat running has taught themAnd joining us for this exciting relaunch is Verity Ockenden — a British middle- and long-distance runner who has competed internationally and shared openly about her journey through the sport. Verity brings thoughtful insight, down-to-earth honesty, and a fresh perspective on training, resilience, and the everyday runner's experience.Rob, Ben, and Emma also check in on this week's Strava leaderboard — who's on top, who's rising fast, and of course…who gets the all-important SHOUTOUT OF THE WEEEEEEEEK!Want to support Rob & Ben?They're fundraising for North Staffordshire Combined Healthcare NHS Trust UK — follow the link to donate.Don't forget:✅ Follow us on Instagram✅ Subscribe on YouTube✅ Watch LIVE every MondayAnd while you're at it, join the Couch to Coached Run Club on Strava — just search for “Couch to Coached”. Hosted on Acast. See acast.com/privacy for more information.

Day 1,363.Today, after a 17-year-old girl was killed and 9 others injured in an overnight Russian missile attack in Kharkiv Oblast, we return to the dire situation in Pokrovsk, before asking why Vladimir Putin is targeting his own war cheerleaders in his latest clampdown. Then we look at the First World War medical condition being reported on the frontlines in Ukraine, and hear from an American serving in the Ukrainian army.ContributorsFrancis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Verity Bowman (Journalist). @VerityBowman on X.Hamish de Bretton-Gordon (Chemical Weapons Expert and former Tank Commander). @hamishdbg on x.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Gas gangrene returns to Ukraine in echoes of First World War trench warfare (Verity in The Telegraph):https://www.telegraph.co.uk/global-health/terror-and-security/gas-gangrene-ukraine-war-russia-trenches-europe/ ‘Coffin on wheels' saves wounded Ukrainian soldier from no-man's land (Verity in The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/robot-coffin-on-wheels-saves-ukrainian-soldier-trapped/ Russia suspected of blowing up Polish railway line (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/russia-suspected-of-blowing-up-polish-railway-line-ukraine/ Putin goes after his own war cheerleaders (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/16/putin-goes-after-his-own-war-cheerleaders/ Putin is eating his own supporters. This is how dictators fall (Hamish in The Telegraph):https://www.telegraph.co.uk/news/2025/11/17/putin-z-bloggers-suppression-supporters-russia-war-ukraine/ Key government representatives advise Zelensky to release Yermak (Ukrainian Pravda):https://www.pravda.com.ua/news/2025/11/18/8007753/ EU eyes €90 Billion Ukraine grant (Bloomberg):https://www.bloomberg.com/news/articles/2025-11-17/eu-pitches-90-billion-ukraine-grant-if-russian-asset-loan-fails Construction Accelerates at Planned Russian Navy Base (Bellingcat):https://www.bellingcat.com/news/uk-and-europe/2024/07/30/construction-accelerates-at-planned-russian-navy-base-in-disputed-abkhazia/LISTEN TO THIS PODCAST IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Verity dacht dat de verhalen van haar oma verzonnen waren… tot een oude ansichtkaart haar naar het echte Puffin Island voert – en naar het hart van een verborgen familiegeschiedenis. Uitgegeven door Luitingh Sijthoff Spreker: Sandra Jonkman

074 - In this podcast episode, the Head Boy and Head Girl, George and Verity, share their experiences and insights about their roles, the application process, and the responsibilities that come with leadership in their school. They discuss the importance of inspiration from role models, memorable moments in their school life, and offer valuable advice for younger students. Additionally, they reflect on their future aspirations and how their leadership experiences will shape their university life. Takeaways The application process for head boy and girl is intense and involves multiple stages.Group activities during the application help assess leadership qualities.Being a role model for younger students is a key responsibility.Inspiration often comes from family members, especially mothers.Advice from previous head leaders can be invaluable during the application process.Memorable moments in school often revolve around sports and camaraderie.It's important for students to embrace failure as a learning opportunity.Students should explore their passions and take advantage of opportunities.Leadership experiences can enhance public speaking and organisational skills.Future aspirations often include continuing education and pursuing careers in politics.Berkhamsted onlineWebsite: www.berkhamsted.comFacebook: BerkhamstedSchoolInstagram: berkhamstedschools

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we break format a bit and discuss the entirety of classic Doctor Who, which began in 1963.

What are the biggest red flags in today's marketing strategies? In this episode of Building Brand Advocacy, recorded live at our New York Brand Advocacy Summit, Verity hosts a panel of six social strategists and brand leaders to battle it out over what's real, what's noise, and what's next in social, culture, and creators.What You'll Learn:

This week the girls are spiraling through: kid eczema (gut talk, steroid drama, mom guilt), sports-mom sidelines when you don't know the plays (but you are the loudest), and a Louvre heist hot take no one asked for. We debrief Verity, argue about waking sleeping babies, and settle the eternal debates: is sharing toothbrushes disgusting or a part of being in a comitted relationship?The episode closes with an Is It Karma or Is It Chaos? where a listener is worried about karma after potential infidelity?It's cozy. It's unhinged. It's home. It's the chaos you know and love.MERCH IS HERE!! Shop now www.killrentertainment.com/shopTo submit a Is It Karma Or Is It Chaos story email us at info@karmachaospodcast.comFor full videos head to patreon.com/kaillowry Follow Becky at Hayter25 and subscribe to For The HaytersThank you for supporting the show by checking out our sponsors! BetterHelp: Visit betterhelp.com/KARMA to get 10% off your first month.Hiya: For 50% off their best selling children's vitamins head to hiyahealth.com/KARMA.OPositiv: take proactive care of your vaginal health head to opositiv.com/karmaQuince: Go to quince.com/karma for free shipping on your orderand 365-day returns. Perelel: Exclusive for our listeners, new customers can enjoy 20% off their first order with code: KARMRA Visit perelelhealth.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Sarah sits down with Verity Noble, co-founder of Nude Foods Market, a groundbreaking zero-waste grocery store based in Denver. Verity shares her journey from startup founder to sustainability advocate, diving into what inspired her to create a grocery model that eliminates single-use packaging and reimagines how we shop for food.The conversation explores the challenges of building a mission-driven business, the logistics of operating a returnable container system, and how community support has helped Nude Foods grow in a convenience-driven culture. Verity also opens up about her personal motivations for pursuing environmental impact, the realities of being a female entrepreneur, and her hopes for the future of sustainable living in Colorado and beyond.This episode is an inspiring look at how one woman's vision and persistence are transforming the way we think about food, waste, and local business

Send us a textEver watch your favorite book turn into a movie and feel both seen and slightly betrayed? We dive straight into that delicious tension with Regretting You and a wave of upcoming adaptations like Verity, The Housemaid, and Reminders of Him, unpacking why certain casts nail the voice in your head while others miss the mark. From there, the conversation widens into memory itself: how All the Colors of the Dark earns its big ending by building layer after layer, and how memoirs get written from fragments, ghostwritten structure, and the artifacts we keep.Then the ground shifts. One of us is losing the family home—the place of Christmas mornings, tornado scares, daycare noise, and a deck built with a dad's hands. We talk about the ache of letting go, the sibling politics of heirlooms, and why an Oreo tin can hold more meaning than a million-dollar remodel. At the same time, we celebrate small-house joy and local pride, trading notes on Anoka's clean streets, historic houses, bookstores, and quietly excellent coffee. Practicality threads through it all: remote-work reset spots, budget beauty that doesn't insult your wallet, and how to turn “pantry panic” into resourceful cooking and smart donations.Pop culture interrupts with a jolt: a chilling Ed Gein series as actor's masterclass and cautionary tale, and a Love Is Blind season where no one says “I do.” We debate money, image, and values that only reveal themselves under everyday pressure—service staff, work hours, family habits. Finally, we get honest about addiction. Memoirs remind us dependency can grow anywhere, genetics included. Our family policy is simple and firm: if you feel unsafe, text a pin, and we'll come—no lectures, no questions, just the ride. We close with small abundance: backyard eggs with sunset-orange yolks, coffee you'll side-eye then love, and the relief of friends who show up.If this mix of story, home, pop culture, and practical care speaks to you, tap follow, share with a friend who needs it, and leave a quick review. Your notes keep this little community growing.www.magicmind/best50Support the showhttps://linktr.ee/onourbestbehavior

Send us a textEver watch your favorite book turn into a movie and feel both seen and slightly betrayed? We dive straight into that delicious tension with Regretting You and a wave of upcoming adaptations like Verity, The Housemaid, and Reminders of Him, unpacking why certain casts nail the voice in your head while others miss the mark. From there, the conversation widens into memory itself: how All the Colors of the Dark earns its big ending by building layer after layer, and how memoirs get written from fragments, ghostwritten structure, and the artifacts we keep.Then the ground shifts. One of us is losing the family home—the place of Christmas mornings, tornado scares, daycare noise, and a deck built with a dad's hands. We talk about the ache of letting go, the sibling politics of heirlooms, and why an Oreo tin can hold more meaning than a million-dollar remodel. At the same time, we celebrate small-house joy and local pride, trading notes on Anoka's clean streets, historic houses, bookstores, and quietly excellent coffee. Practicality threads through it all: remote-work reset spots, budget beauty that doesn't insult your wallet, and how to turn “pantry panic” into resourceful cooking and smart donations.Pop culture interrupts with a jolt: a chilling Ed Gein series as actor's masterclass and cautionary tale, and a Love Is Blind season where no one says “I do.” We debate money, image, and values that only reveal themselves under everyday pressure—service staff, work hours, family habits. Finally, we get honest about addiction. Memoirs remind us dependency can grow anywhere, genetics included. Our family policy is simple and firm: if you feel unsafe, text a pin, and we'll come—no lectures, no questions, just the ride. We close with small abundance: backyard eggs with sunset-orange yolks, coffee you'll side-eye then love, and the relief of friends who show up.If this mix of story, home, pop culture, and practical care speaks to you, tap follow, share with a friend who needs it, and leave a quick review. Your notes keep this little community growing.www.magicmind/best50Support the showhttps://linktr.ee/onourbestbehavior

On this episode of the show I am joined by this years Great South Run winner, Verity Ockenden. Verity has previously finished in 2nd and 3rd at this race and so to come back, after injury, and be crowned champion of 2025 was a big deal and huge motivator moving forward. This episode really follows on well from our previous show with Chris Thompson as Verity is coached by Chris. Alongside that fact, Verity also brought some family history and ties to Portsmouth, making the whole weekend a dream come true.As always, to kick the episode off, Daniel and Dave hook up for a warm up chat, discussing Dave's recent 3rd place finish at the epic Lon Las (253 miles!), the upcoming Smogathon (world's greatest race!) and of course a bit about the Great South Run!As always, thank you for listening and happy running everyone x

Podfic Text-to-Speech (TTS) reading of it follows (you into the bedroom) by The_VeritySummaryThe Marauders have a scary movie night, but Sirius is facing something far scarier than any film: he's decided to finally make a move on Remus.He thinks he is very nonchalant.He is not.CreatorsThe_Verity | Tumblr | AO3BurningAurora | Tumblr | AO3 | Linktree Kaleana | Tumblr | AO3 flowerhawk_highinthesky | Tumblr | AO3   

In this episode of Jo's Art History Podcast, Jo McLaughlin is thrilled to welcome back to the podcast art historian, writer and comedian Verity Babbs, who is here to talk to me about her brand-new book, The History of Art (In One Sentence).The book's synopsis is as follows:What's so special about Dutch paintings of cheese? When does Art Nouveau become Art Deco? Why were the Pre-Raphaelites obsessed with gingers? Who thought it was a good idea to put a big dead shark on display? In this book, comedian and art historian Verity Babbs journeys through 50 key art movements across history, answering 10 questions for each in just one sentence. Within these fascinating, and sometimes hilarious, nuggets of art wisdom, Verity covers everything from who inspired the movement and its impact on history, to the key artists and artworks for each. Spanning 500 years – from the Renaissance to the Young British Artists – this wonderfully illustrated book is for anyone who wants to learn more about art and also have a little giggle along the way.Guest Details:Verity Babbs - UK-based Find Verity online:Website: https://www.veritybabbs.com/Instagram: https://www.instagram.com/veritybabbsartHost Details:Jo McLaughlin is the creator and host of Jo's Art History Podcast, an art historian, writer, and passionate storyteller dedicated to making art history accessible and engaging for all.Find Jo online:Website: ⁠www.josarthistory.com⁠Instagram: @josarthistoryLinkedIn: Jo McLaughlinResources & References:You can purchase the book from all good retailers. Support the Podcast:If you enjoyed this episode, please leave a review and rating on whatever platform you are listening on. Your support helps us reach more art lovers!Follow Jo's Art History Podcast for more episodes on Itunes, Spotify or wherever you listen to podcasts.Let's keep the conversation going! Share your thoughts on social media using #JoArtHistoryPod and tag us @josarthistory.If you would like to purchase a book from my Amazon wish list as a gift to say thank you and support a future episode, please do so here:https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_shareThanks for listening!

In part two, small businesses say the closure of GrabOne will be a huge hit. Then, who doesn't like a good rock? Thousands of collectors will be descending on New Plymouth this weekend for the Rock, Mineral and Crystal show.  

Tonight, on The Panel, Wallace Chapman is joined by panellists Verity Johnson and Patrick Phelps.

It's episode 183, but even more importantly, it's our 7th Anniversary Hangout Episode! We can't believe it's already been seven years. It's been a blast and we can't wait for another seven more!Show NotesWe've read so many incredible books over the past seven years and recorded so many fun episodes. Stay tuned for a blog post of our personal favourites coming soon!Speaking of favourites, or at least popularity, our most-listened to episode is still The Rural Diaries by Hilarie Burton Morgan, followed by Joan Didion's Slouching Towards Bethlehem in second place, and Colleen Hoover's Verity sliding in at third.Shout out to our fourth most-listened to episode, Another Country by James Baldwin because it was our very first Baldwin and kicked off our annual tradition and life long love of his work.There's a new Jedidiah Jenkins books coming out in 2026, so you know we'll be reading that. If you're in Toronto and you love science fiction, fantasy, and/or children's books make sure to check out the Lillian H. Smith library branch. They have small exhibits set up showcasing books from their extensive collection.Did you know there's a Ouija museum in Salem?If your in Europe and want to check out some cute books store cafes, these are the ones Gen went to: Paludan Bog Cafe in Copenhagen, Minoa in Berlin, and Bookstor in The Hague. In our next episode we'll be talking about Mariana Enriquez's new book, Somebody Is Walking on Your Grave. And then it's time for our next book club discussion! We're reading Jette's pick, Atmosphere by Taylor Jenkins Reid.Books MentionedElsie Silver's Chestnut Spring SeriesLaurie Gilmore's Dream Harbor SeriesExquisite Corpses by James Tynion IVYou Weren't Meant to Be Human by Andrew Joseph WhiteThe Most Unusual Haunting of Edgar Lovejoy by Roan ParrishThe Dead Romantics by Ashley PostonHappy Medium by Sarah AdlerMorbidly Yours by Ivy FairbanksLost in the Garden by Adam S. LesliePart of Your World by Abby JiminezHarriet Tubman Live in Concert by Bob the Drag QueenWorldtree by James Tynion IVMinor Arcana by Jeff LemireMake Me a Mixtape by Jennifer WhiteheadThe Bewitching by Silvia Moreno-GarciaBoys Weekend by Matty LubchanskyThe Late Night Witches by Auralee WallaceEat the Ones You Love by Sarah Maria GriffinThe Sparrow by Mary Doria RusselIt by Stephen KingMapping the Interior by Stephen Graham JonesBlessed Water by Margot DouaihySunrise on the Reaping by Suzanne Collins

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss episodes from both Fireball XL5 and Out of This World, both of which premiered in 1962.

This week, we're diving into the dark and twisted world of Verity by Colleen Hoover—and trust us, it's not your typical romance. From jaw-dropping plot twists to moral dilemmas that mess with your mind, Verity had us questioning everything. 

Are you ready to rethink what it means to study God?In this inspiring episode of the Collide Podcast, we sit down with Phylicia Masonheimer to talk about breaking stereotypes around theology and helping everyday women engage deeply with the Bible. She shares her journey from knowing “Christianese” without understanding it, to discovering how the gospel transforms every area of life. Whether you're navigating faith in a post-Christian world or simply want to live your beliefs boldly, this episode will remind you that deep faith isn't just for scholars—it's for every woman, in every season of life.Meet Phylicia MasonheimerPhylicia is the founder of Every Woman a Theologian, a ministry dedicated to helping Christians—especially women—understand, live, and share their faith. She's an author, blogger, and host of the chart-topping podcast Verity with Phylicia Masonheimer. Phylicia is passionate about equipping women to become students of the heart of God, showing that theology isn't confined to libraries or lecture halls—it's for real life, whether you're single, parenting, or building a career. Her story is a powerful example of living faith boldly and thoughtfully in a complex world.In This Episode, You'll LearnHow Phylicia redefines what a theologian is and why stereotypes limit our understanding of GodThe danger of belief without grounding it in ScriptureHow to become a student of the heart of God in everyday lifePractical ways to see the Bible come alive in real-world situationsHow This Episode Will Encourage YouIf you've ever felt like theology or deep Bible study is “not for you,” this episode will empower you to take ownership of your faith. You'll be reminded that every woman can study God, live her beliefs boldly, and share her faith graciously—one step at a time.Connect with Phylicia - Website | Instagram | FacebookFollow Willow - Website | Instagram | Facebook

Wild speculation abounds as rumours of the BBC and Bad Wolf “it's not you, it's me” -ing each other surface given the somewhat mid (as the kids say) reception to the latest iteration of Doctor Who, The Three Who Rule have theories a-plenty as to the show's next steps, anchored by nothing but their half-formed notions of media literacy (and some inside knowledge). Besides that, we have more exciting Big Finish previews, a Verity! mention on UK game show “The Chase” and the first part of our Class Series Commentary for seminal 1970s serial “The Sun Makers!” Links: Support Radio Free Skaro on Patreon Film is Fabulous now able to accept donations as a charitable trust Film is Fabulous on Doctor Who missing episodes Verity! appears as a clue to a question on The Chase BBC seeks to exit agreement with Bad Wolf? Legendary Location Hunting with Tia Kofi – The Whoniverse Show The Missing Episodes Podcast returns after a long hiatus The Peter Purves podcast debuted Big Finish: Doctor Who – The Ninth Doctor Adventures: The Last Days of the Powell Estate out now Big Finish: Doctor Who – The Ninth Doctor Adventures: Dare You due Dec 2025 Big Finish: Doctor Who – The First Doctor Unbound: Return to Marinus due Jan 2026 Titan Comics: Doctor Who: The Prison Paradox, issue 1 due Nov 5 Titan Comics: Doctor Who: The Prison Paradox, issue 2 available for pre-order Commentary: The Sun Makers

It is a pleasure to welcome the wonderful comedian and art historian Verity Babbs to the podcast. Verity's book 'The History of Art in One Sentence' is released this week in all bookshops everywhere, reputable, or otherwise. Verity talks us through the creation of this impressive book, the interweaving of comedy and history and some of the less serious takes on Pre-Raphaelitism art history.   For more information and to subscribe to the Pre-Raphaelite Society, please visit www.pre-raphaelitesociety.org    All donations towards the maintenance of this podcast are gratefully received: https://gofund.me/60a58f68 

Today we're talking to Verity Babbs, who has just published a book, where she traces 500 years of art history, but in a very unique way.Welcome, Verity! Get Verity's Book:https://www.bloomsbury.com/uk/history-of-art-in-one-sentence-9781526686893/https://www.hatchards.co.uk/book/the-history-of-art-in-one-sentence/verity-babbs/9781526686893Find Verity:https://www.veritybabbs.com/https://www.instagram.com/veritybabbsart/Find Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

Most brands are looking at the wrong data. Worse still? You don't know what to do with it.This week, Verity sits down with Jazmin Griffith (Social Strategist, Content Creator, and Founder @ Social Listening Studio, queloque?). Jazmin pulls back the curtain on what real listening looks like today – and why it's about far more than sentiment & mentions.From decoding niche communities to spotting Reddit-born Super Bowl ideas, Jazmin reveals how brands can shift from ‘monitoring' to meaningful intelligence. If you've ever asked, "what do we actually do with this data?", this chat delivers your answers, fast.Listen to learn how to:Use The 5 Cs to Guide Listening: Jazmin's framework covers Content, Culture, Community, Creators, and Channels; and shows how to unlock insights across all of them.Get Past Vanity Metrics: Surface-level engagement doesn't tell the whole story. Hear how to uncover what's really working.Spot What Creators Aren't Saying: Jazmin explains how the most valuable signals are often hidden in broadcast channels, DMs, Substacks, and Slack groups.Build Listener-Led Briefs: Why reactive brands are losing, and what it takes to create culturally relevant, high-performing content today.Think Beyond the Grid: Why Threads, Reddit, and even Substack might be the whitespace you're overlooking – and how to know if it's time to pivot your channel strategy.This one's sharp, strategic, and packed with takeaways.If you're in social or strategy, do not skip it.Chapters00:00 – You Think You're Listening. You're Not.02:04 – The Reddit Insight That Sparked a Super Bowl Ad07:46 – Why Most Social Teams Still Get This Wrong12:35 – The 5 Cs That Should Shape Every Strategy18:00 – What Creators Know That Brands Miss22:00 – Listener-Led Briefs > Brand-First Briefs27:56 – Culture Is Not Your Playground30:02 – Community Isn't Comments36:17 – Where Your Brand Should Actually Show Up41:00 – 3 Signals Smart Marketers Are Already TrackingRate & review Building Brand Advocacy:Apple PodcastsSpotifyConnect with Jazmin:On LinkedIn | On Instagram | On TikTokOn queloque?'s WebsiteSubscribe to the ‘Scroll & Tell' Newsletter

In this episode, Verity Craft of Intelligent Inc. sits down with Melanie Johnson to break down what it really takes to turn expertise into a powerful book. They cover everything from the importance of upfront strategy and planning, to the different ways to get support—like ghostwriting or book coaching—and why building your book's audience should start long before publication. If you're a purpose-driven leader, entrepreneur, or professional considering writing a book, you'll get straightforward advice to make your ideas shine and expand your impact.

0:00 - How is Geoff's bloodwork? 10:55 - Geoff's camera and mic quality 13:15 - Thought on Paul Carter 16:35 - How to know you're too focused on the logbook? 22:45 - Where does GVS disagree with Lyle McDonald 25:25 - Was progress linear or was there a point where things took off? 33:15 - When was the first time you received a PEDs accusation?40:45 - How do you avoid injuries with beyond failure training? 44:15 - Atlaspowershrugged trolling 45:55 - Advice for advanced naturals who want to stay lean and not sacrifice progress? 49:45 - What would you say to OHP purists? 55:15 - How to address muscle imbalancesWebsite and Coaching: https://brainsandgainspodcast.com/Instagram: https://www.instagram.com/dave_maconi/

0:00- Intro   1:00- Our most recent diets 8:30- The Jeff Nippard Controversy   20:30- High dose creatine  24:30- How to train with high volume without getting injured 28:50- Thoughts on current full body hype/fad 34:10- How much progress should an advanced lifter expect on a yearly basis? 41:30- How do you compare HIT training to GVS's training 44:40- Calisthenics skills while trying to optimize bodybuilding 46:30- What are GVS's weak points and does he require specialization? 52:30- Do you every struggle with muscle stiffness or recurring joint pain? Website and Coaching: https://brainsandgainspodcast.com/Instagram: https://www.instagram.com/dave_maconi/

Tonight, on The Panel, Wallace Chapman is joined by panellists Verity Johnson and Ed McKnight. First up, a new Reserve Bank governor has been appointed and Dr Anna Breman will be the first women in the role in New Zealand. How significant is this and how important is the appointment for women in economics? Then, Auckland Council is voting on whether to keep going with what's known at Plan Change 78 which allows for three story houses to be put up anywhere, or a revised plan which incorporates 10-15 storey buildings. Simon Wilson brings us the latest from a very contentious debate.

In part two, a prime block of land has been left vacant. It's right across the road from a popular beach in Nelson and now will become ... a car wash. Some locals are worried that such pieces of prime land can be used in such a "low value" way. Then, those big carrots and L&P bottles look great and are fun, but need money. Riverton/Aparima in Southland has been protected by a giant 4 metre tall Paua shell for years and the local community board has been hit by an unexpected and unbudgeted for repair bill.

In this episode of the L.A.M.E. Book Club Podcast, Ellie and Melissa dive into the biggest book-to-movie and book-to-TV adaptations coming in 2025 and 2026. From thrillers like The Housemaid and Verity to highly anticipated blockbusters like Project Hail Mary and the next Hunger Games, we're breaking down which stories we think will smash on screen and which ones might flop. We share our honest reactions, casting hot takes, and of course, whether we'll be reading the books before watching the movies. If you're wondering what to add to your TBR before Hollywood takes over, this is the episode for you!   Website→ https://www.lamebookclubpod.com/ Merch → https://www.lamebookclubpod.com/category/all-products Patreon → https://www.patreon.com/c/lamebcpod IG → https://www.instagram.com/lamebookclubpod/ Spotify → https://open.spotify.com/show/2exV4FVCLeN7mYfxcNs9cB?si=36805589642e442c Apple → https://podcasts.apple.com/us/podcast/l-a-m-e-book-club-podcast/id1703598706 PODCAST BUSINESS ENQUIRES: lamebcpodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss episodes from both A For Andromeda and The Avengers, both of which premiered in 1961.

In this episode of the Summer Reading Book Club, Charlie Higson is looking at a book which explores art history in a unique way.It's called the History of Art in One Sentence: 500 years of art - but funny, written by Verity Babbs. Verity has carved out her own cultural space as an art historian, comedian and presenter. To quote from her website, Verity's work focuses on making the art world more accessible and bringing laughter into cultural spaces. Hosted on Acast. See acast.com/privacy for more information.

En este episodio de Crazy Stupid Podcast me lanzo con la guía definitiva de adaptaciones de libros que llegan al cine y streaming en 2025 y 2026. Sí, vienen con todo: Colleen Hoover, Emily Henry, Ali Hazelwood y hasta Emily Brontë entran a la conversación.Todo lo que necesitas saber pero SIN SPOILERS sobre Verity, A Pesar de Ti, No Te Olvidaré, La Hipótesis del Amor, Gente que Conocemos en Vacaciones y, por supuesto, la más polémica de todas: Cumbres Borrascosas. Cast, fechas de estreno, detalles jugosos y mi análisis de por qué pienso que estos libros serán una gran película. ¡No te lo pierdas!

Not Hot Take: Marketing shouldn't feel like a meeting. It should move you.This week, Verity sits down with Henry Hayes – Head of Marketing @ Passionfruit and the comedic content machine reshaping how brands build attention, internally & externally.Whether you know Henry from his LinkedIn comedy bits or his unconventional marketing strategies at Passionfruit, this conversation peels back the layers on what today's brand teams really need to nail.Think funny's overdone, or simply isn't for you? Think again.Press play to hear:Brand vs. Performance? That's Old News: Henry shares why separating the two is a risk in 2025 and beyond – and what should be done differently.Behind the ‘Comedy Content Machine': From Stan parodies to ‘The Bear for Marketers', Henry breaks down how he ideates – and why truth always trumps polish.Why Passionfruit Doesn't Spend on Ads: And what their founder said that changed everything.How to Unlock Employee Creators: Why leadership's job is to get out of the way, and let their teams build personal brands that fuel business growth.D2C Brands, You're Still Playing It Too Safe: Henry names names, shares what works, and dissects why brands still treat Instagram like a shop window.This one's part tactical teardown, part creative permission slip.Listen in. Rethink the rulebook. And maybe… be funnier.Chapters:00:00 – From Creator to Head of Marketing05:10 – Building Advocacy Internally10:20 – Marketing at the Speed of Culture14:40 – Why Passionfruit Doesn't Spend on Ads20:15 – D2C Brands Are Still Playing It Safe25:55 – Let Employees Create (Then Get Out of the Way)31:25 – Comedy Is a Marketing Tactic42:35 – You Are Not the CustomerRate & review Building Brand Advocacy:Apple PodcastsSpotifyConnect with Henry:On LinkedInOn InstagramOn TikTokVia Passionfruit's LinkedIn

Jung Chang's Wild Swans, the epic family memoir that followed the lives of Jung, her mother and grandmother through China's 20th century, was banned in mainland China, but was a smash hit worldwide upon publication in 1991. Now Jung's sequel, Fly, Wild Swans, brings her family's story up to date. She joins Nuala McGovern.The Labour deputy leadership race could be an all-woman affair, with all current declarations coming from female MPs. Nuala gets the lowdown from Kitty Donaldson, chief political commentator for The i Paper.The All Party Parliamentary Group report on PCOS - or polycystic ovary syndrome - has found that women face prolonged delays in diagnosis, fragmented care, and limited access to treatments. The condition is also expected to undergo a name change later this year to more accurately reflect what it is. Nuala hears from Chair of the APPG, Labour MP Michelle Welsh and Caroline Andrews from PCOS charity Verity.Royal Artillery Gunner Jaysley Beck took her own life in 2021, after filing a complaint against Battery Sergeant Major Michael Webber. He had pinned her down and tried to kiss her at a work social event. An inquest into her death earlier this year determined the Army's handling of the complaint played "more than a minimal contributory part in her death". Webber has now pleaded guilty to sexual assault at a pre-trial hearing, and is awaiting sentencing. Jaysley's inquest in February this year heard that her line manager also harassed her, with the Army failing to take action. Jaysley's mother Leighann McCready and her solicitor Emma Norton, from the Centre for Military Justice, join Nuala.Janet Willoner, aka the Tree growing granny, has grown more than 4,000 trees in her garden. She forages for seeds, grows them, and they eventually grow in forests in her local area of North Yorkshire. She has been nominated in the BBC's Make a Difference Awards in the Green category. She speaks to Nuala.

In this episode of The New Warehouse Podcast, Kevin chats with Michael DeLeonardis, Chief Revenue Officer at Verity, about how the company is transforming warehouse operations through autonomous drones, computer vision, and AI-driven insights. Verity positions itself as a warehouse intelligence platform that goes beyond traditional cycle counting to uncover lost goods, increase accuracy, and boost operational resilience. With more than 150 deployments worldwide across industries like retail, 3PL, and manufacturing, Verity is setting a new benchmark for warehouse inventory accuracy and supply chain efficiency. Michael also shares details about a recent RFID pilot project with Maersk, highlighting how drones can deliver even greater precision in environments with high-value goods.Find EPG at IntraLogistex Miami in September! Get your free ID Label sample right here. Follow us on LinkedIn and YouTube.Support the show

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we discuss the first episodes of both Pathfinders in Space and Pathfinders to Mars (1960).

Welcome to Start The Beat—a podcast documenting the Pittsburgh music scene's past, present, and future. This episode is available on YouTube, Spotify, Apple, and wherever you listen to podcasts. Links available at https://briansikeshowe.com/startthebeat. Start The Beat is proudly sponsored by Hellbender Vinyl.

Send us a textWith the development of artificial intelligence on the rise, we are at a crossroads. How will we continue our innovations and regulations of this new technology? But, this is more than a technological question. As my guest, Verity Harding states, “AI needs you.”In this episode, I sit down with Verity Harding to discuss her book, AI Needs You: How We Can Change AI's Future and Save Our Own. How we apply AI is a multi-disciplinary issue. We need everyone, from tech people to teachers, to students, to nurses and doctors, and to everyone else.  Topics:Why AI Needs EveryoneTechnology's Shadow SelfThe Socio-Technical Approach to AI"What books have had an impact on you?""What advice do you have for teenagers?Bio:One of TIME's 100 Most Influential People in AI, Verity Harding is director of the AI & Geopolitics Project at the Bennett Institute for Public Policy at the University of Cambridge and founder of Formation Advisory, a consultancy firm that advises on the future of technology and society. She worked for many years as Global Head of Policy for Google DeepMind and as a political adviser to Britain's deputy prime minister.Socials -Lessons from Interesting People substack: https://taylorbledsoe.substack.com/Website: https://www.aimingforthemoon.com/Instagram: https://www.instagram.com/aiming4moon/Twitter: https://twitter.com/Aiming4Moon