Podcasts about Verity

Influencer trips are dead and they're killing your organic brand advocacy.This episode is your permission slip to stop burning budget on one-off influencer posts and replace them with an advocacy engine that compounds over time and generates serious EMV.In this advocacy masterclass, we break down a clear 3-step system to build organic brand advocates: the customers, creators, and community members who talk about you relentlessly without a pay cheque in sight. If you're deep in your influencer strategy and unsure how to switch that to building real brand advocacy, this episode is for you.In this episode, we cover:Why the traditional influencer marketing model is broken in 2026The 3 steps to building a customer-powered advocacy engineHow to turn brand customers into high-impact brand ambassadorsThe difference between one-off “influencer trips” and scalable advocacy systemsHow to calculate EMV so you can prove ROI to your CMO, CFO, or boardIf you want to build a brand that customers proudly talk about, this 3-step strategy is your new advocacy playbook.CHAPTERS00:00 Why influencer marketing is broken04:29 The problem with influencer trips & brand dinners06:10 Building an organic advocacy engine: map your brand network07:41 Activating advocates: channels, CRM, and ROI of marketing to fans11:14 The 3-part framework: Who → Activities → Rewards (airline loyalty lessons)14:13 Advocacy is a feeling: experiences, founder hustle, and early community building16:43 From influencer pyramid to advocate segments (pro vs amateur vs semi-pro)19:23 Measuring real brand advocacy: real EMV, revenue, and content value24:05 The most untapped opportunity: employees & retail teams as advocates26:36 90-second tactical recap + wrap-up

Tonia Krügers „Love Songs in London“-Reihe hat mich durch meine Trennung begleitet. Dann habe ich „Kisses in the Snow“* und „Snow Flakes and Heartbeats“* von ihr in Zusammenarbeit mit Leonie Lastella und Valentina Fast gehört und mich gefragt: Wer hat was geschrieben? Wie geht das, die Arbeit von drei Autorinnen unter einen Hut zu bekommen, sodass auch alles wie aus einem Guss erscheint? Wie kam es zu dem Projekt, und was ist noch geplant? All das, aber auch alles über die individuellen Schreibroutinen der drei, über ihre Anfänge als Autorinnen, und auch zu ihrem eigenen Podcast mit Schreibfokus erfahrt ihr in diesem Interview. Dabei erwähnen wir: „I give you my body: How I write sex scenes“ von Diana Gabaldon „Somewhere in summer“ von Tonia Krüger „Two steps away“ von Valentina Fast Die „Outer Banks“-Saga von Emma Cole und Joanne St. Lucas bzw. Leonie Lastella und Jana Lukas „Das Licht von tausend Sternen“ von Leonie Lastella „Ein Leben aus Glas“ von Valentina Fast „All I (don't) want for Christmas“ von Tonia Krüger „Found“ aus der „Lake of Lies“-Reihe von Leonie Lastella Die „Secret Academy“-Reihe von Valentina Fast Die „Royal“-Reihe von Valentina Fast Die „Meereswelten“-Saga von Valentina Fast „Mate“ und „Problematic Summer Romance“ von Ali Hazelwood „Miss Moons höchst geheimer Club für ungewöhnliche Hexen“ von Sangu Mandanna „Regretting you/All das Ungesagte zwischen uns“ und „Verity“ von Colleen Hoover „Three words unspoken“  und „Four nights together“  aus der „London Hearts“-Reihe von Valentina Fast und Lorena Schäfer Ein audible-Original von Leonie Lastella „Bitten“ von Jordan Stephanie Gray „Heartless Hunter“ von Kristen Ciccarelli „A duet of fear and trust“ von Jenny Krone Den „Bookish Delight Bookclub“ Viel Spaß beim Hören des Interviews mit Leonie Lastella, Tonia Krüger & Valentina Fast! Wenn ihr mehr über die Autorinnen erfahren wollt, hört unbedingt auch mal in ihren Podcast „The Book Hangover“ rein. Eure Ilana Entschuldigt bitte, dass die Tonqualität leider nicht auf dem üblichen Niveau ist, da das Interview digital geführt und aufgenommen wurde. *Das Buch wurde mir als Rezensionsexemplar vom Verlag oder dem Autor/der Autorin zur Verfügung gestellt. Ich benutze teilweise Affiliate Links von Amazon.de. Näheres siehe "Impressum und Rechtliches".

https://www.rwbmagazine.com/Rachel Writeside Blonde joins Matt Geiger and Scott Stone to discuss clues left in time and current events. TruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081https://veritymetals.com/

Meeting God in Exodus Chapters 13-14 Sunday 15th February 2026 Verity Lowe Preaching

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we cover Adam Adamant Lives! (1966).

Send a textJoin Tim Gerdeman, Vice Chair & Co-Founder and Chief Marketing Officer at WTR, and Peter Gastreich, Senior Energy Transition and Sustainability Analyst, as they break down WTR's latest deep-dive report on Gevo including financial forecasts. Gevo is a leading renewable fuels and chemicals company focused on producing low-carbon alternatives to fossil fuels, including low-carbon ethanol, sustainable aviation fuel (SAF), and renewable natural gas. Its integrated carbon strategy features biogenic CO₂ capture and permanent storage, digital carbon tracking via the Verity platform, and modular Alcohol-to-Jet (ATJ) technology. The North Dakota Red Trail acquisition added a profitable ethanol plant, a large and scalable carbon capture system, and prime location for ATJ (SAF) expansion. In the longer-term, third-party CCS and ATJ-30 technology sales are significant drivers. 

Tonight, on The Panel, Wallace Chapman is joined by panellists Verity Johnson and Peter Field. First up, the Government has confirmed it will hold its own inquiry into the Bay of Plenty landslides. A risk assessment expert examines what the terms of reference should be and if anything will come of it. Then, the government says a Liquefied Natural Gas import facility in Taranaki will save New Zealanders about $265 million a year. hang on, says our guest, shouldn't the power companies be paying for this?

In part two, Auckland Mayor Wayne Brown pulled a stunt in protest at the incoming ceiling on rates - putting on his so-called 'rates cap' during discussions of the topic. Christchurch councillors approved their draft annual plan this week. How re they faring with the rates cap breathing down their neck? Then, Hannah is on a mission to find love after ditching the dating apps. just how difficult is it to meet potential paramours?

It's Gallifrey One time! While the Canadian contingent in Los Angeles this year was low (including both Warren and Chris, who like many Canadians chose not to frequent the environs of our troubled neighbours), Steven represented both the Embassy of Radio Free Skaro, and the nation of Canada (the latter unofficially). Erika from Verity! and Chip from 2MTL join Steven in recapping this weekend's convention, including talks of panels, and going inside with the many main stage interviews that Steven performed. Links: Support Radio Free Skaro on Patreon Gallifrey One

The Sisterhood Rules by Kathy Lette, who must be one of the funniest women in the world. It's about twin sisters who have been estranged for five years, ever since Verity stole Isabel's husband - but they come together to take their mother in hand when they discover that she's taken up with a much younger man and is having a fabulous time, running through the money which might otherwise be their inheritance. It's full of jokes, puns and Kathy's trademark wit but she's making a serious point - that the bonds between women are what keep us all sane, and that we need to have one another's backs. Seed by Elizabeth Easther, who is a New Zealand journalist, book reviewer, playwright and author. This is also about the bonds between women - in this case between four women, each of whom is struggling with conception or pregnancy and the various modern ways by which those things might happen - fertility treatments, dating apps, autonomy over decisions affecting their own bodies and the impacts of these things with the people in their lives. It will speak very strongly to readers of a certain age - specifically, women who find themselves in the midst of those years, and it feels very true, and very real. LISTEN ABOVESee omnystudio.com/listener for privacy information.

My guest this week is Julia Quinn and we are talking about, of course, JQ Editions, a new subscription service creating special limited editions of historical romances. I've been writing about this since it was announced, and so I got to ask all my questions – and some of yours.Along the way we talk about the historical romance genre, administrative mayhem, and the practicalities of creating special editions of beloved books. Plus you get to hear my reaction when Julia shares some of the 2027 titles.Thank you to Verity, Sue, and Alanna for the questions!You can find Julia Quinn on her website, JuliaQuinn.com, and on Instagram @JuliaQuinnAuthor, and on Facebook at AuthorJuliaQuinn.You can find out more about JQ Editions at JQEditions.com.We also mentioned:Germ and Worm - a travel health podcastEvery Library Jeni's Ice Cream: Bridgerton Collection! Julia Quinn on The Today Show Episode with former romance author and CDC specialist Dr. Jennifer McQuiston122. Ponies, Ebola, and Historical Romance: An Interview with Jennifer McQuiston171. Once More with Ebola and Romance: An Interview Jennifer McQuiston...Do you like to listen to your favorite podcasts on YouTube? Find our latest episodes at on YouTube @SmartPodcastTrashyBooks - and please subscribe. I had to start the channel over.Music: purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Julia Quinn and we are talking about, of course, JQ Editions, a new subscription service creating special limited editions of historical romances. I've been writing about this since it was announced, and so I got to ask all my questions – and some of yours.Along the way we talk about the historical romance genre, administrative mayhem, and the practicalities of creating special editions of beloved books. Plus you get to hear my reaction when Julia shares some of the 2027 titles.Thank you to Verity, Sue, and Alanna for the questions!You can find Julia Quinn on her website, JuliaQuinn.com, and on Instagram @JuliaQuinnAuthor, and on Facebook at AuthorJuliaQuinn.You can find out more about JQ Editions at JQEditions.com.We also mentioned:Germ and Worm - a travel health podcastEvery Library Jeni's Ice Cream: Bridgerton Collection! Julia Quinn on The Today Show Episode with former romance author and CDC specialist Dr. Jennifer McQuiston122. Ponies, Ebola, and Historical Romance: An Interview with Jennifer McQuiston171. Once More with Ebola and Romance: An Interview Jennifer McQuiston...Do you like to listen to your favorite podcasts on YouTube? Find our latest episodes at on YouTube @SmartPodcastTrashyBooks - and please subscribe. I had to start the channel over.Music: purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

Send us a textThis week's enterprise software news highlights a widening gap between glossy innovation narratives and the hard operational and governance realities shaping buyer risk. On the innovation side, BlackLine's launch of Verity for the Office of the CFO, Tray.ai's Agent Hub, Genstore's $10M seed round, and Blue Yonder's new TMS features underscore the accelerating push toward AI-enabled automation and orchestration layers across finance, integration, and supply chain. Versori's partnership with Fluent Commerce and Acumatica's 2025 R2 update further signal growing emphasis on ecosystem connectivity and incremental platform modernization. At the same time, the darker counterpoint is impossible to ignore: Zimmer Biomet's $172M ERP lawsuit against Deloitte, a major European city council's continued delays in fixing a failed Oracle system, and the EU Commission's investigation into SAP's practices reinforce how execution risk, vendor governance, and regulatory scrutiny are now front-and-center issues for enterprise buyers. Taken together, these developments reflect a market bifurcating between rapid AI-driven experimentation and escalating consequences for large-scale ERP missteps—raising the strategic stakes for both technology selection and transformation leadership.In today's episode, we invited a panel of industry analysts for a live discussion on LinkedIn to analyze current enterprise software stories. We covered many grounds including the direction and roadmaps of each enterprise software vendors. Finally, we analyzed future trends and how they might shape the enterprise software industry.Video: https://www.youtube.com/watch?v=_tFlYu6W_iwQuestions for Panelists?

New York Times best-selling author Don Martin joins me on the podcast for a wonderful episode full of laughs, learning, and beautiful words. We kick things off by talking about his podcast, Head on Fire. Don talks about how and why he started it, and what you can expect to find by listening or watching his episodes. He interviews experts in overlooked fields, searching for answers to life's biggest and smallest questions. From there, we talk about some of his early fandom influences. From the X-Men, to a focus on the Animorphs series by Katherine Applegate. We discuss how his time spent with family in West Virginia and the history and stories that come out of Appalachia formed the foundations for his future work. Don then talks about how he started writing poetry when he was 10-12.  Under the guidance of his uncle as his poetry & writing mentor, Don continued to develop and hone his craft. If you haven't found a poet you like, Don says you just haven't found the right one and recommends a number of poets and poetry to read. Link are at the end of the show notes. Then we talk about Don's novel, Verity Vox and The Curse of Foxfire. As mentioned previously, Don talks about how the idea for the novel started with a real town and story in West Virginia. From there, Verity Vox can be described as Kiki's Delivery Service meets Old Gods of Appalachia. We talk spoiler free about the book, and Don talks about how he infused the book's town and characters with his personal history with West Virginia and the family that resides there. We also talk about what's coming next for his work, and some projects that we hinted at are out now, including Hexes and Heroes. You can find Don at:  https://bydonmartin.com/ https://www.instagram.com/bydonmartin/ https://www.threads.com/@bydonmartin Verity Vox and The Curse of Foxfire - https://amzn.to/4qf4FNL Don Martin's catalog on Amazon - https://amzn.to/3M1hixS You can find Hexes and Heroes at: https://www.youtube.com/@hexesnheroes You can find Head on Fire Podcast at:  https://www.youtube.com/@HeadOnFirePod Don's Poetry Recommendations Include: Clint Smith - Above Ground - https://amzn.to/4t6Tvgx Andrea Gibson - Lord of the Butterflies - https://amzn.to/3NPX62t Franny Choi - https://amzn.to/3Ogjzps Maggie Smith - Good Bones - https://amzn.to/49RmPjI Maggie Smith - The Well Speaks Of Its Own Poison - https://amzn.to/3M1gmJS Staceyann Chin - https://amzn.to/49YGVak Beau Sia - https://amzn.to/4ann5qN Taylor Mali - https://amzn.to/4ann5qN Saul Williams - https://amzn.to/4ar4OsD Danez Smith - https://amzn.to/3NRul5G Morgan Parker - Other People's Comfort Keeps Me Up At Night - https://amzn.to/4kcF0DX Maya Popa - Wound Is the Origin of Wonder - https://amzn.to/3LPgj3Q

Get your copy of our 2026 Annual Read: Tozer on the Son of God by A.W. Tozer.First Time?Start Here: https://bit.ly/MarinersconnectcardCan we pray for you? https://bit.ly/MarinersPrayerOnlineYou can find information for all our Mariners congregations, watch more videos, and learn more about us and our ministries on our website https://bit.ly/MarinersChurchSite.FIND US ON SOCIAL MEDIA• Facebook: https://www.facebook.com/marinerschurch• TikTok: https://www.tiktok.com/@marinerschurch• Twitter: https://twitter.com/marinerschurch• Instagram: https://www.instagram.com/marinerschurchSupport the ministry and help us reach people worldwide: https://bit.ly/MarinersGive

Send us a textThis cluster of announcements illustrates how enterprise software vendors are converging on monetizable AI, composable ecosystems, and domain-specific depth rather than headline platform reinvention. Product expansions such as BillingPlatform's RevenueIQ suite, Epicor's outcomes-based ERP AI agent, and BlackLine's Verity for the CFO signal a shift toward AI that is tightly anchored to measurable financial and operational outcomes. At the same time, M&A and alliances—including IFS acquiring 7bridges, Salesforce's planned acquisition of Regrello, QAD partnering with Esker, and Versori partnering with Fluent Commerce—reinforce a strategy of filling execution gaps through targeted capabilities rather than broad-suite sprawl. Underpinning much of this activity, Oracle's deployment of GPT-5 across its database and SaaS portfolio underscores how foundational AI services are becoming embedded infrastructure, while workforce and go-to-market expansions from ActivTrak and Capacity's acquisition of KLaunch highlight continued investment in productivity, adoption, and execution at the edges of the enterprise stack.In today's episode, we invited a panel of industry analysts for a live discussion on LinkedIn to analyze current enterprise software stories. We covered many grounds, including the direction and roadmaps of each enterprise software vendor. Finally, we analyzed future trends and how they might shape the enterprise software industry.Video: https://www.youtube.com/watch?v=KdCqxl1NXBIQuestions for Panelists?

Tonight, on The Panel, Wallace Chapman is joined by panellists Verity Johnson and Phil O'Reilly. First up, The disasters that killed people and destroyed property has already generated at lest two investigations. in the recent weather events has generated a list of questions. But a number of commentators, have noted that officials appear cautious to connect the dots between climate change policy and what happened in Mt Maunganui, Welcome Bay and Warkworth. The Panel talks to Professor Bronwyn Hayward and expert on why we need to connect the dots between natural disasters and climate change policy. Then, say goodbye to your handy little NZ Post cubicle in the corner of the local stationary shop. NZ Post company says it will close 142 service counters around the country. The Panel talks to a grocery store in Kapiti who will lose their postcentre about how it will affect their business and their customers.

In part two, the US has pulled out of the World Health organisation, Winston Peters seems to be leaning the same way, calling it a bloated entity. The Panel asks public health expert Michael Baker: what exactly does the WHO do? Then, Noelene Lane is the organiser of the Whanganui Mobility Scooter Group. The group of 20 regularly tear up the pavement and they've recently had a wheely big rally.

Medaya Ocher is joined by writer Lauren Rothery to discuss her novel Television, which follows an aging movie star named Verity, his on and off lover Helen, and Phoebe a screenwriter and filmmaker. One day, on a whim, Verity decides to hold a lottery, giving away his earnings from a massive superhero movie to one lucky filmgoer. Rothery discusses the relationship between failure and success, the current state of Hollywood and why she thinks television is a good metaphor for romance. 

Medaya Ocher is joined by writer Lauren Rothery to discuss her novel "Television," which follows an aging movie star named Verity, his on and off lover Helen, and Phoebe a screenwriter and filmmaker. One day, on a whim, Verity decides to hold a lottery, giving away his earnings from a massive superhero movie to one lucky filmgoer. Rothery discusses the relationship between failure and success, the current state of Hollywood and why she thinks television is a good metaphor for romance.

Matt Geiger and Scott Stone and Joe Rosati discuss the explosive silver breakout and where it will lead the economy. Trump at Davos and more. Verity metals. TruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081http://veritymetals.com/

Este episódio poderia ter sido ao vivo, mas não foi. Ou melhor, foi, mas não estava ninguém a ver. Para os fãs da Criada um livro relativamente parecido. Contém spoilers de filme que ainda não saiu.Bilhetes para nova data no Porto: https://www.ticketline.pt/evento/livros-da-pica-ao-vivo-100321E Viseu: https://www.ticketline.pt/evento/livros-da-pica-ao-vivo-101085Bilhetes para o Mundo está Top do nosso projecto Jovem Conservador de Direita em: https://ticketline.sapo.pt/evento/o-mundo-esta-top-10-anos-jcd-99267Poderão subscrever o nosso patreon para apoiar o projecto e conteúdo extra:https://www.patreon.com/jcdireitaInstagram: https://www.instagram.com/livrosdapica/twitter: https://twitter.com/livrosdapicaimagem: https://www.instagram.com/tiagom__/Genérico da autoria de Saint Mike: https://www.instagram.com/prod.saintmike/

Unlock the secrets to writing and publishing your book with expert insights from Verity Craft and Melanie Johnson. This episode quickly covers common struggles authors face, the realities of using AI in book creation, and how to organize content with the reader in mind.You'll also learn the difference between shortcuts and truly original work, the importance of understanding copyright when using AI, and key guidance on selecting the best publishing path for your goals.

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we cover Out of the Unknown (1965).

Matt Geiger Joe and Scott discuss the explosive silver breakout and where it will lead the economy. Verity metals. TruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081http://veritymetals.com/

Just a reminder to all of those who signed up for the Verity Village Wait List -- your Founding Member discount expires TONIGHT at midnight Central time. If you have not signed up yet, NOW is the time! Don't wait and risk forgetting. Go to your email to find your code (email will be from lori@morriswellnessservices.com) and then go to https://www.morriswellnessservices.com/verityvillage If you have questions, email the address above!  

Is Influencer Marketing officially dead in 2026? The era of paying for posts and chasing reach is breaking down. Influence hasn't disappeared, but it has shifted, out of platforms and into people. In this episode, we unpack why the traditional digital marketing playbook is no longer fit for purpose, and how leading brands are reorganising around Brand Advocacy activating customers, creators, and communities as a measurable growth engine, not a one-off tactic.We discuss the huge shift from "buying attention" to "earning trust" and reveal the exact team roles you need to hire (and fire) to succeed in this new landscape. If you are a CMO or marketing leader still relying on 2024 tactics, you might be wasting your budget.In this episode, we cover:The "Death" of traditional influencer marketingThe current state of brand advocacy in 2026Why your digital marketing team structure is failing youHow to pivot from paid reach to community led growthActionable steps to turn customers into your best marketersListen to the full conversation to future-proof your brand strategy.CHAPTERS00:00 Introduction to Brand Advocacy in 202600:46 Reflecting on 2025: The Rise of Advocacy02:35 The Decline of Influencer Marketing05:01 The Future of Marketing Teams07:27 The Importance of Community Building09:58 The Shift in Social Commerce13:09 Unlearning Old Marketing Strategies17:10 Effective Brand Advocacy Approaches20:35 The Difference Between Paid Influencers and Earned Advocates21:09 Top of Funnel vs. Bottom of Funnel Advocacy22:04 The Importance of Culture and Commercial Creators23:10 Brands Underutilizing Their Advocates23:45 Understanding and Activating Advocates26:22 Channel Strategies and Creator Engagement29:12 The Role of CMOs in Advocacy36:19 Building a System for Compounding Growth

Matt Geiger and Scott Stone discuss the explosive silver breakout and where it will lead the economy. Verity metals. TruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081http://veritymetals.com/

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this special Christmas episode, we talk about The Avengers episode "Too Many Christmas Trees" (1965).

MEMORIALS is Verity Susman (Electrelane) and Matthew Simms (Wire, Better Corners, It Hugs Back, Uuuu, Fitted). Their newest single In The Weeds is out now via Fire Records. This is their first release since the acclaimed debut album, Memorial Waterslides. The duo tell us how both film scoring and the band Sterolab brought them together and why the formation was an accident in reverse.  Verity and Matthew share how their recording approach has changed and how physical space and concision play a role on the new recordings.   They discuss the beauty of imperfect instruments verses digital tools and what's right about the wrong way of creating. We learn why their lyrics don't always come from a preconceived idea, how they translate their songs into the live performance, and we dip our ears in the new single. MEMORIALS FIRE RECORDS SPECIAL REQUEST FROM JOE ..."if you like this podcast, please subscribe and tell all your friends. also, if you love, hate or kinda sometimes like Tour Stories/The Check In, please express yourself loudly in the comments . Lovingly, Joe Please visit and support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Schecter⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for continued exclusive listener discounts. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the leader in audio repair, mixing and mastering. Ruinous uses ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Izotope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you should too. Trust us. Check out Ozone 12 now! Ep supported by @distrokid. Distro now connects direct to TikTok!!!!! with exclusive access to your tiktok artist account.  @thetourstories listeners get 30% off at distrokid.com/vip/tourstories. GET YOUR MUSIC OUT THERE! ITS EASY WITH ⁠⁠⁠⁠⁠⁠⁠⁠⁠Distrokid⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Schecter Guitar Research ⁠is one of the world's premier guitar companies, offering electric guitars and basses, acoustic guitars, and USA Custom Shop instruments to musicians around the world. Its continually evolving and expanding line of guitars and basses appeals to a broad spectrum of players and diverse musical styles. They offer high-quality instruments with professional components at an affordable price. Go to ⁠https://www.schecterguitars.com/⁠ for holiday deals and all your guitar needs.

We see greenwashing everywhere — from product labels to fossil fuel ads. But it goes even deeper than that. Greenwashing gets in the way of climate policy changes too!On this episode of Second Nature, we're hearing how our community dodges greenwashing, talking through 4 questions to ask yourself to see if a brand is greenwashing, and we're talking to Dr. Mara Einstein about how greenwashing has evolved with the rise of social media.   

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we cover both Bleep and Booster, and The Crunch (1964).

Welcome to the final edition of our Sober Stories!After the overwhelming response to a recent writing competition during which we asked you to share your JOURNEYS to sobriety (the good, the bad and the ugly!), we felt compelled to take things a step further.We asked, you wrote, and now we're sharing the incredible, hilarious, and heartwarming stories you sent us. Get ready to be inspired by your fellow listeners, one story at a time!Happy Saturday, y'all.Sober Awkward Tools and LinksJoin Cuppa – our alcohol-free communityA kind, no-pressure space to connect with others navigating sobrietywww.cuppa.communityRead Vic's memoir – A Thousand Wasted SundaysA brutally honest and hilarious look at booze, motherhood, and self-discoveryhttps://amzn.asia/d/fanNMhaBook a one-on-one session with VicWriting mentorship, sobriety support, or just a good old chathttps://www.soberawkward.com/storeExplore the full podcast archiveCatch up on all the messy, funny, honest episodes of Sober Awkwardhttps://open.spotify.com/show/4qXlSc9lDGStYLeYIjrWPH?si=ece6e75ae4f041f9Follow us on InstagramBehind-the-scenes chaos, awkward moments, and sober inspo@soberawkwardThanks for listening. Your support means everything. Whether you've been here since day one or this is your first toe-dip into the awkward, we're so glad you found us. Hosted on Acast. See acast.com/privacy for more information.

Q3 reporting left investors with a familiar challenge: hundreds of stocks traded lower after earnings, and only a few are worth deeper attention. Ben Silverman explains how he narrows that universe by looking at post-earnings insider behavior, focusing on where management actions diverge from prior patterns. He walks through cases such as Norwegian Cruise Line's first executive purchase since 2016, the Sonos CEO buying again after a 45 percent rally, and Chubb's 1.2 billion dollar buyback executed as management called shares "well below intrinsic value."Then Christine Short, Director of Research, TMX Datalinx, examines what companies signaled before they reported through changes in their confirmed earnings dates, a form of corporate "body language." She highlights real Q3 moves including Verizon delaying its date by eight days (shares down about 3 percent after earnings) and Regeneron moving up by two days (shares up about 12 percent after results), illustrating how timing decisions can hint at the tone of upcoming announcements.A concise look at how pre- and post-earnings behavior can shape positioning into year-end.Verity was acquired by TMX Group in October 2025.

www.HermsForCali.comhttps://syronastore.org/?ref=TRUTHSTREAMTruthStream links https://linktr.ee/truthstreamVerity Metals reach out directly to Matthew@veritymetals.com orcel # 480-717-9081http://veritymetals.com/

Who Knew It with Matt Stewart is a comedy game show podcast hosted by Australian comedian Matt Stewart. Episode 169 features comedians Alasdair Beckett-King, James Shakeshaft and Verity Babbs!Check out Matt's new stand up special: https://youtu.be/ZgukEPerWZc?si=SW8PttGAB-ly_GF8And his last stand up special: https://youtu.be/cWStRpI-BhESupport the show via http://patreon.com/dogoonpod and you can submit questions for the show!See the podcast/Matt live: https://www.mattstewartcomedy.com/Check out Matt's podcast network: https://dogoonpod.com/Theme song by Evan Munro-Smith, logo by Murray Summerville and edited by Connor Schmidt! Hosted on Acast. See acast.com/privacy for more information.

In part two, a music lecturer says streaming platform Spotify is ghosting local music, as listener stats plummet. Jesse Austin-Stewart joins the panel. Finally, a 92 year-old Te Awamutu local has proven it's never too late to try something new, getting his first ever tattoo for his birthday. Peter Judson explains why he wanted to get inked.

Tonight, on The Panel, Wallace Chapman is joined by panellists Ed McKnight and Verity Johnson. First up, a Palmerston North based tenancy advocate was appalled to discover a local property for rent with stained walls, peeling carpet and filthy kitchen tops. Then, should street names be privatised? Dunedin councillor Benedict Ong thinks so, as a method to lower rates.

Send us a textToday we're bringing you a special bonus episode of Art Wank to celebrate the graduation exhibition of our very own co-host, Fiona Verity. Fiona has been knee-deep in her studies, working tirelessly to create an incredible body of work, and you can see it on display tonight at the National Art School BFA Graduation Exhibition — Thursday, 4 December from 6pm. Get yourself down there and take in everything that's on show. Julie spoke to Fiona about the development of her drawing practice over her three years at NAS, how it has steadied her, focused her work, and made it quieter. Fiona talks about how much she used the NAS library, especially the drawing section, where she believes she may have borrowed more books than any other student! She also reflects on the importance of peer support and peer learning at the National Art School, and how it shapes and extends your work. Fiona has dedicated her degree show to her stepmother, who passed away earlier this year. Her grief has been worked through print, stitch, paint, and drawing based on her stepmother's garden.Fiona was also chosen as a finalist in the Kedumba drawing Award 2025!We are very proud of you Fiona, cant wait to see what you do next!  

What do you get when a kindness-led skincare founder & a community-first haircare CMO sit down together? An honest & instructive conversation on Brand Advocacy.Live from the Brand Advocacy Summit: New York, Verity is joined by Dr. Brent Ridge (Co-Founder @ Beekman 1802) & Nilofer Vahora (Chief Marketing Officer @ Amika) to unpack how two very different beauty brands built lasting customer love – by making stylists, neighbours, and Advocates the centre of their businesses.This isn't about follower counts or funnel hacks. It's a behind-the-scenes look at the values, trade-offs, and systems that turn brand belief into million-dollar growth. If you've ever struggled to scale connection without losing credibility, this conversation will help.What You'll Learn:

Day 1,377.Today, on a national day of mourning in Ukraine after a single ballistic missile strike killed four people and injured forty more, we report on the arrival of the US delegation in Moscow as the latest round of peace talks gets under way. Then we hear from our Washington Correspondent on the mood in the United States toward Ukraine – and the current strength of President Trump – and take a deep dive into how Russian soldiers are being sent into combat without helmets or body armour.ContributorsFrancis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor, Defence). @DomNicholls on X.Verity Bowman (Foreign Correspondent). @VerityBowman on X.Connor Stringer (Washington Correspondent). @connor_stringer on X.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Russian troops sent to slaughter with no helmets or armour (Verity in The Telegraph):https://tinyurl.com/yc4aysxrUkraine strikes Chechen special forces unit ahead of Putin-Witkoff talks (The Telegraph):https://tinyurl.com/3f9s4vu5Zelensky warns US not to reward Putin (The Telegraph):https://tinyurl.com/y685hcpcEx-British soldier ‘helped Russia assassinate prominent Ukrainians' (The Telegraph):https://tinyurl.com/bdft3f7mECB refuses to provide backstop for €140bn Ukraine loan (Financial Times):https://www.ft.com/content/616c79ee-34de-425a-865e-e94ba10be788Ukraine has brought back 1,859 Russia-abducted children, Zelenska says in Paris (Kyiv Independent):https://kyivindependent.com/ukraine-says-1-859-abducted-children-have-been-returned-zelenska-tells-paris-summit Five South Africans in court over alleged recruitment for Russia's war in Ukraine (The Guardian):https://www.theguardian.com/world/2025/dec/01/south-africans-court-alleged-recruitment-russia-war-ukraine Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

File on 4 Investigates discovers a world of lies and blame within adoption in the UK. The BBC has conducted the most extensive Freedom of Information request ever into adoptions that have broken down, finding that more than 1,000 adopted children in the UK have returned to care in the past five years. That is much higher than the figure in a recent government report - but the true number is likely to be even larger, as only a third of authorities said they collected this data as standard practice. Some adoptive parents say they've been given so little support that they've been forced to return their children to the care system. This programme explores the scale of the crisis as we hear from parents pushed to the limit, a teenager returned to care and a social worker giving a rare view of the system from the inside.Producer: Ashley Kennedy & Claire Kendall Reporter: Judith Moritz Sound designer: Richard Hannaford Production coordinator: Hattie Valentine Editor: Tara McDermott(Photo: Close-up portrait of couple Verity & Ian standing outdoors. Credit: Brij Patel)

En nuestro episodio 370 Christal Risol, Gabriel y El Watcher recomiendan los libros "The Housemaid" (2022) escrito por Freida McFadden, "Verity" (2018) escrito por Colleen Hoover y "The Love Hypothesis" (2021) escrito por Berkley Books en el segmento "Loot Semanal", brindan su "First Reaction" de la película "Zootopia 2" (2025) y conversan sobre lo que esperan de la quinta y última temporada de "Stranger Things" (2016) y su experiencia viendo "Avatar: The Last Airbender" (2005) y los episodios nuevos de "Pluribus" (2025) y "Palm Royale" (2024) en el segmento "Wachin' con Wacho!" y hablan sobre todo lo relacionado a el estreno de la película "Wicked: For Good" (2025).¡Se la diferencia en la vida de los niños de la Fundación de Niños de Puerto Rico! Aporta con tu donativo aquí: https://www.extra-life.org/participant/Cultura-Secuencial-2025¡Descubre la mejor manera de transmitir y grabar tu contenido! Comienza a usar "StreamYard" con nuestro "Referral Link" y obtén $10 de descuento: https://streamyard.com/pal/c/5302337768259584¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial

Mama Bear Care walks with Mamas carrying to term despite a prenatal life-limiting diagnosis. This show tells the stories of three moms, including Barbara Jacobson and her daughter Verity. With fierce love and tender care, MBC changes stories from heartache to hope.” www.mamabearcare.org/See omnystudio.com/listener for privacy information.

Welcome to the Art, Life, Faith Podcast, and I’m your host, Roger Lowther. Today, I’m excited to share with you a project that our team has been working on for quite some time now. Our new children’s book, The Tsunami Violin, comes out on November 24, 2025. Back in 2020, I wrote my first children’s book called “Pippy the Piano and the Very Big Wave”. Based on a true story, it tells how a church finds their beloved piano upside down and covered in mud and debris. But rather than throw it out, they decide to spend the enormous amounts of time and money necessary to fix it, and they give the piano new life. And even today, the church continues to tell this story through the many concerts they host there. Now we are releasing our second children’s book, which this time tells the story about a violin. A young tree protects her town from the cold and harsh ocean winds. But when the tsunami comes, everything is washed away: family, friends, town. She's lost everything, but then a master craftsman comes, a violin maker from Tokyo, and transforms her into something beautiful. Through her music and through her story, she brings encouragement and healing to all who hear it, a story of hope out of despair, life out of death, and new beginnings. Like Pippy the Piano, this book too is based on a true story. I'm fortunate to know Nakazawa-sensei, the violin maker, and also to have had the privilege of being involved in quite a few concerts with that violin. It’s such a powerful story of redemption that I had to get it out there. This is a story worth telling. In this episode, I have a conversation with some of the members of our team who made this book possible, the beginnings of the book and the process along the way, and especially with the very talented Holly Rose Wallace, whose images and illustrations so powerfully tell this story. So anyway, I know you’re going to love the book, and I hope this conversation into some of the background will help you enjoy it even more. Roger Well, today we are excited to share with all of you about this project we’ve been working on for quite some time now called The Tsunami Violin. And we have a number of us who are key players in getting this project together with us on the podcast. Can you all introduce yourselves one by one? Maybe Diane, you served as the project manager for this. Can you tell us a little bit about yourself? Diane Yes, I’m Diane Bakelaar, and I live in Nagoya, Japan. My husband and I run an arts ministry through an art gallery and meet people through the art gallery. I served as the project manager for this book. Roger Awesome. Now, most importantly, Holly Rose Wallace as the illustrator. Can you introduce yourself? Holly I don’t know about most important, but I’m Holly. I’m from Cleveland, Ohio. I did about a two-year internship in Nagoya, Japan, working with Diane and Peter Bakelaar, and then working on this project with Roger and others. This is my first illustration project, so it was really exciting to get to add this to my resume and work with the team on this project. But I’m a self-taught illustrator, and I’ve always loved the arts, so this is an exciting project for me. Roger Awesome. And, Verity, you’re on this call. Can you tell us your role in this project? Verity Hi, I’m Verity. I’m a London-based illustrator and designer specializing in book design. And I’m also preparing to move to Tokyo next year to work with Community Arts Tokyo as an arts missionary. Roger Very cool. Last but not least, we also have Tsumugu Misugi on the call. Can you introduce yourself? Tsumugu Yeah. Hello. My name is Tsumugu. I’m a violinist and a composer living in Japan. I write music and record for Japanese animation and Korean dramas and things like that. I was happy and so privileged to be able to play on the tsunami violin with Roger a couple of years ago. Roger Now, in the introduction to this episode, I’ve given a little summary of what this book is about. But really to capture the essence of it, I wanted all of us here together because I think there’s something really special about this project, in how it all came together. There were many pieces. It wasn’t like I wrote this story and then passed it on to Holly to illustrate and then published it, but there were so many moving parts. And as each part came in, it made the book all that much more special. So why don’t we just start right at the beginning? So, Tsumugu, why don’t you tell us a little bit about how you were first introduced to the tsunami violin? Tsumugu I served as a volunteer in Ishinomaki from 2012 and went back every summer until 2016. And so I had first-hand experience helping with relief work. And then I went to the States for college, and then I decided to move to Japan after college to pursue my work. And that was when I reconnected with Roger. And within the first, I think, maybe three months of me moving back to Japan, Roger was like, “Hey, there’s this project where we want to give about 10 concerts in Japan, and it would be awesome if you could play on this tsunami violin.” And that was the first time I had heard of the violin, but it’s very famous here in Japan, and I was very honored to be asked to play on the violin. Roger Yeah, I had gotten to know it at previous concerts, and then there was this church, a group of churches actually, up in Iwaki, who asked us to come and give concerts on the violin. And it really wasn’t until that time that it came together. I was like, “this is an amazing story to be told.” I mean, everywhere the violin goes, it doesn’t just give a concert, but its story is an essential part of that concert. Just bringing that hope, bringing that idea that there’s life out of death, that all things can be redeemed, even when you’re in the pit of despair. And to continually bring that violin into any crowd of people, really, it spoke, it said something. And I was like, “How can we tell this to more people, not just those at the concerts. What would that look like?” And that was when the idea came forth about making a children’s book. Now, of course, I am not a visual artist. I don’t have the means to do that, but it just so happened that God provided Holly at just the right time to begin having this conversation. Holly, what do you remember about those early conversations about this book? Holly I remember the first time that I met you, I was showing you some of my work, and you looked really excited. You’re like, I have an idea for my next children’s book, and I’ve been looking for an illustrator. And you asked if I do that. I was like, “Well, I haven’t, but it’s always been a dream of mine.” And so it was this perfect partnership of you needed an illustrator, and I wanted to illustrate. It all came together from there. Roger It started first with the two of us working on this project, but then I think things really got special when we brought in Anna, who isn’t on this call, and Diane to be part of the process as well. Actually, Diane, just before we started recording, you said something about that, just the idea of having more people involved in the project somehow made it better. Diane Yes, I’ve always been fascinated with the idea, the wisdom of the group, and how it’s statistically shown that when people as a group, when they’re working together well, they can make better decisions than an individual, even if that individual is an expert in the area. I certainly saw that with this project. Everybody was bringing their strengths to the table, and everyone in the group was able to listen and not hold on to their parts so tightly that they weren’t able to hear suggestions and improvements. That was really impressive to me how everyone was very humble and very willing to work together, and it just made the project so much better. Roger Yeah, I really enjoyed our times together. Once every two weeks or so, we all had our roles. Mine was officially words. Holly was images. Verity was, I think, everything artistic. Verity Not at first… Roger At first, what was your role? Verity At first, I was thinking when I came in that I'd be taking on a design role of doing stuff with how the text looked and how the cover looked. Then my input grew from there, for sure. Roger Yeah, it sure did. It was fun to see this project be born out of our time together. The idea was, how do we tell this story in the best possible way? What words do we use? What images? Are there things we can do with the text? Maybe we should add a frame here or take one out here. To be talking about that creatively as a group was some of the magic of this project, I think. Verity Yeah, definitely. I think the first ever meeting we had about this project, Diane was there on Zoom, we were sitting on the floor in this apartment which had no furniture, which is why we were sitting on the floor. But we were going through some of the sketches that Holly had done and some of the writing and stuff. For a while, I’d been working in the creative industries. In the creative industries, I definitely feel like your role gets isolated from the rest of the creative process, particularly as a designer, where you do your thing that you’re told to do, but you don’t have any input in how the rest of a creative project, a book, for example, looks like. I was coming from that into this project where we were all like, you were asking my opinion on the text and stuff, and I was a little bit worried about stepping on your toes. That was a really special moment for me. It was, I think, maybe my first week or two in Japan. I was like, Oh, this is something different here. What the team is doing here is different. It was a good moment. Roger Yeah, it was. Anna said you can’t publish a book without a cat in it. And that was just so much better. So we had this cat, and there’s this yellow bird that flies through the scenes and came to represent the Holy Spirit flying through and having a presence all throughout the story. And I think we were just having fun with it. It wasn’t just about practical things, but about what we can creatively do that would be fun, not just for us, but for the reader as well. Verity For me, I feel like it is something that’s natural to the creative process, but I feel like it came together in quite a non-linear way. I remember we brought in the idea of the music as in the images of music in the text, not right at the beginning, one of the opening paragraphs of the book is about the music of nature that the tree hears, which obviously it’s a book called the Tsunami Violin, so it makes sense to have those musical images. But it wasn’t something that we came up with until we talked through the project a little bit, and then we started thinking about how we could bring in those images and make it flow more cohesively. Roger Yeah, it became a theme throughout the whole book. It was actually someone else who wasn’t on this call who came up with an idea. They said, “One of the special things about children’s books is when phrases are repeated over and over.” It has a special power when you’re reading a children’s illustrated book. And I was like, oh, that’s like choruses in songs, right? I mean, you sing the verse and then the chorus, verse, chorus, verse, chorus, and the chorus keeps getting repeated. And I think that’s one of the beauties of this book now. It didn’t start that way at all, but to have this repeating course of the music of the town. In fact, we have it on the back cover here, “The rhythm of the waves, the song of the birds, the whistling of the wind, and the hum of the town,” She has it in the beginning, and then she loses it because of the tsunami. And then how does she get that back? And it’s through the work of this master craftsman, this violin maker who makes her into this beautiful thing that she didn’t know was possible. Through her music and through her story, the people are hearing the music of her town again. Verity I think that was another thing that I found quite exciting about working on The Tsunami Violin. I've never done a kid’s book before. Community Arts is not like a publishing house that specializes in children’s books. But it was quite exciting to just be like, “Well, let’s figure out how to do this,” exploring all of these ideas. I guess, I think for me, coming into that, I felt like I was breaking new ground creatively, having to think outside of the box that I find it easy to put myself in, having to think more broadly about what could I do and what can we do as a team. Diane Two creative challenges that I remember: the one in particular was when the violin maker looks into the box and visually how to do that and how poor Holly was trying so hard to do this. Verity Yeah, we really messed her up. Diane But anyway, and I think that is an example of where the group working together really helped. The page, I think, is very successful looking. But boy, that was a lot of hard work. Then the other aspect was because this is both in English and Japanese and how when it’s translated into Japanese, the words are longer, takes that much more space. Then again, having to adjust visually for creating more room. Anyway, there are just a lot of challenges along the way. Roger Holly, what do you think about all that as the illustrator of this book? Holly It’s all true! It was hard, but it’s all part of the creative process, is the back and forth and trying to work out how to make it look best. I think for me, it was a challenge because I wouldn’t really consider myself a digital artist, primarily. That’s not really my preferred medium. So this was a new experience for me in that sense. I had done digital work before, but I have very little experience and all self-taught. So that was one learning curve for me. And then the theme of the book being with a violin, but she starts out as a tree. For me, that was another challenge because I haven’t spent much time drawing trees. And so I’m like, Okay, I need to figure out the anatomy of a tree, and not just any tree, but specifically a Japanese pine. So there was a lot of back and forth trying to figure out what style to use and how to translate that into a children’s style. And then when she becomes the violin, coming up with that character design was a lot of fun for me. I had to watch a documentary on how violins are created because that was another thing. I don’t usually draw violins for fun. So that was another challenge to overcome, but it’s so much fun to do. And I think the cat, too, was a lot of fun to incorporate. And I went back and forth a lot with thoughts and ideas of how to design the cat and the bird. But I think what I finally came down to was just designing the cat to look like my cat, especially since I was living in Japan at the time, and my cat was back in America. So it was a fun way to feel connected to my cat. Verity My favorite is at the back when the cat is actually playing the violin. Roger It’s like one of my favorite scenes in the whole book. Holly That was one of my favorites to draw. Roger Actually, to the right of the cat is a young man that looks like Tsumugu to me. I don’t know, Holly, if you were actually looking at a picture of Tsumugu at the time, but it looks really like him. So that makes me happy. Verity Your moment of fame, Tsumugu. Tsumugu Yes, just happy to make a cameo in the book. Verity Yeah, you’re not getting any commission for this, by the way. We’re just using your image. Tsumugu That’s fine. I give full consent. Verity How generous. Actually, one of the things that I really like that you did, Holly, is the illustration of the tsunami. And that was something that we went back and forth on quite a lot. But there’s a scene in the book where the tsunami first appears, and it’s quite scary. I’m holding up a picture for these guys. It’s supposed to be quite a scary moment of this huge wave towering on the horizon. We went back and forth a lot on how to… First of all, how to make it look scary, but also should this tsunami be sentient? Should it be anthropomorphic the way that the tree and the violin are? We ended up settling on a design that references the Great Wave, the Hokusai famous woodprint. I think that it’s a really effective image as a result because it’s a very clear reference. The image in the Great Wave is also tsunami, I think. But then I think it’s interesting to how that connects people who aren’t as familiar with Japan and with Japanese culture because it’s such an internationally recognized image. I was speaking in front of a church on Sunday and I showed them the cover. People came up to me at the end and they were like, Oh, yeah, the wave. We reused the image in a composite with some other illustrations on the cover. And people were like, Oh, yeah, the wave is really cool. They remembered the connection with the great wave. And I feel like it’s just an interesting way of how you can connect with different audiences through those visual references. Holly Yeah, I agree. I’m so glad that people recognized it and saw that that was the inspiration. That panel was so challenging because I didn’t want to do a direct copy of the Hokusai wave, but I definitely wanted to draw inspiration from it. And it’s also the angle that it’s at, the wave is coming right at you. And I think that adds to make it scarier, make it more frightening for readers because it’s like, Oh, the wave is coming directly at me, off the page in a sense. But typically when you see illustrations of waves, like when I was looking for references, there are no pictures of waves coming directly at you. It’s always at some angle. And so that was something that took a lot of time to figure out, Okay, how do I interpret this into a visual representation of just this? But I’m really happy with how it turned out and happy for all of your guys’ input. Roger When I’ve shown that image to beta readers, they’re like, wow. I mean, wow. They were just speechless because it’s just so effective. But my favorite image is the one where you only did the two big eyes, where she’s at the low point of her life. She’s lost everything, and now she’s been cut up, and she’s thrown in this box, and doesn’t know where she’s going. The way you’re able to express all of that in just the two eyes, I think, is so effective. When I’ve been showing it to people, that’s always the page I show first. Like, look at these eyes. They’re like, oh, it’s just so cool. In this whole medium of children’s illustrated art, how you’re not trying to be literal. You can through the medium, through the language of children’s art, you can tell something in different ways. I think just looking at the eyes tells the whole story. Holly That’s so funny that’s your favorite page because that was the easiest one to do. That was one of the things in the character design for me that it’s so important, the eyes, because that’s what people are going to look at the most and what’s really going to bring the character to life. So I spent a lot of time trying to design those eyes and the eyelashes specifically, I was inspired by the F hole on the violin, so you could see that on the eyelashes of the character. But I thought that that was a fun little thing to add. Diane Holly, I was wondering about the colors that you chose. I love the colors in the book. Just what was your hope or thinking behind how you chose your colors? Holly I feel like it was really a team effort choosing the colors. But then, of course, some of the colors just come naturally. Because this is based on a true story, I was pulling colors a lot from just the reference images, but then trying to brighten them to make it more visually pleasing and more exciting for children. And all readers. But it was really interesting how naturally a palette came to be. It was a lot of browns and blues and greens, and just looking at them all side by side, it was like, yeah, there’s definitely a clear palette. But that came about really naturally, which was cool. Roger Yeah. Verity I have the actual physical book with me now, and the colors feel very alive. So it’s really nice to see it. Very vibrant. Tsumugu Nice. Can I talk a bit about the audience? I find it really interesting that you picked a children’s book as the medium to publish this because people who are older than teenagers would have experienced or would have seen the tsunami. But children, the target audience for this book, are people who’ve never experienced. They haven’t seen the tsunami. Roger They weren’t alive when it happened. Tsumugu Yeah, exactly. I think it’s so interesting that you picked children to spread this story and this message. I feel like it’s a good way for them to learn about the tsunami as well as the aftermath of what happened. Also, especially for international audiences, I feel like it might be something that is so far away and so detached from them, but there’s still such a powerful story in the aftermath of it. Roger Yeah, the violin maker, he met with the Emperor himself, and the Emperor said, “Oh, I’m so glad that you’re doing this because people are going to forget, and they need to remember what happened.” And that is essentially what his project, the violin, tsunami violin, continues to do, and that’s what we’re trying to do through this. Diane I was telling one of my Japanese friends that this was in the middle of the project, and I’m working on this project. She’s Japanese, and she had no idea about the tsunami violin. She didn’t know what it was. So I explained the story. She just looked at me and said, This is such an important story. This is part of our history. We’ve got to keep it alive. That was her reaction to the whole thing. Verity I think that it’s interesting. Perhaps we haven’t talked about this as a group, but it’s interesting to think about how this being a real event that really shapes people’s lives, all of the tragedy. And also, I feel like shapes the Japanese consciousness as well. I feel like it’s very much something in the minds and hearts of Japanese people. When we think about going through such a traumatic event, even as children, when children go through traumatic events, then there is this process of not being able to go back to what you were before. So experiencing something that is irreversible and coming out of that as a changed person. And that’s what happens to the tsunami violin is that the story is of her, not like she’s able to go back to the way she was when she was a happy and innocent child, but that she goes through something and she becomes something beautiful and something recognized by other people, but that she’s not able to go back to the way that she was. I feel like that’s actually a realistic view of trauma. I think that that’s quite a good thing to acknowledge, even for children, that just because you go through something doesn’t mean that you’re irreversibly broken, but that you can become something else. Roger Yeah, so good. I think we better end our time here. Thank you all so much for sharing with me and with our listeners. It’s just really a special project. We are excited to be able to launch it to all of you on November 24, and I hope that you’ll be able to pass it on to your friends as well. This story of redemption in a way that I think can reach audiences in any culture, any country, is just so important and we need to be repeating this story to others as well. You’ve been listening to the Art, Life, Faith podcast. The Tsunami Violin is available for sale on November 24 wherever you buy your books online. Please pick up a copy for yourselves and tell your family and friends about it as well. In fact, maybe it will also make a great Christmas present. As we say in Japan, “Ja, mata ne!” We’ll see you next time. BUY “THE TSUNAMI VIOLIN”

Day 1,363.Today, after a 17-year-old girl was killed and 9 others injured in an overnight Russian missile attack in Kharkiv Oblast, we return to the dire situation in Pokrovsk, before asking why Vladimir Putin is targeting his own war cheerleaders in his latest clampdown. Then we look at the First World War medical condition being reported on the frontlines in Ukraine, and hear from an American serving in the Ukrainian army.ContributorsFrancis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Verity Bowman (Journalist). @VerityBowman on X.Hamish de Bretton-Gordon (Chemical Weapons Expert and former Tank Commander). @hamishdbg on x.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Gas gangrene returns to Ukraine in echoes of First World War trench warfare (Verity in The Telegraph):https://www.telegraph.co.uk/global-health/terror-and-security/gas-gangrene-ukraine-war-russia-trenches-europe/ ‘Coffin on wheels' saves wounded Ukrainian soldier from no-man's land (Verity in The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/robot-coffin-on-wheels-saves-ukrainian-soldier-trapped/ Russia suspected of blowing up Polish railway line (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/russia-suspected-of-blowing-up-polish-railway-line-ukraine/ Putin goes after his own war cheerleaders (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/16/putin-goes-after-his-own-war-cheerleaders/ Putin is eating his own supporters. This is how dictators fall (Hamish in The Telegraph):https://www.telegraph.co.uk/news/2025/11/17/putin-z-bloggers-suppression-supporters-russia-war-ukraine/ Key government representatives advise Zelensky to release Yermak (Ukrainian Pravda):https://www.pravda.com.ua/news/2025/11/18/8007753/ EU eyes €90 Billion Ukraine grant (Bloomberg):https://www.bloomberg.com/news/articles/2025-11-17/eu-pitches-90-billion-ukraine-grant-if-russian-asset-loan-fails Construction Accelerates at Planned Russian Navy Base (Bellingcat):https://www.bellingcat.com/news/uk-and-europe/2024/07/30/construction-accelerates-at-planned-russian-navy-base-in-disputed-abkhazia/LISTEN TO THIS PODCAST IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Paul Cornell (Doctor Who, Elementary) and Lizbeth Myles (Big Finish, Verity!), discuss the Science Fiction and Fantasy television made in the UK every year from 1953 to the present day.   In this episode, we break format a bit and discuss the entirety of classic Doctor Who, which began in 1963.

This week the girls are spiraling through: kid eczema (gut talk, steroid drama, mom guilt), sports-mom sidelines when you don't know the plays (but you are the loudest), and a Louvre heist hot take no one asked for. We debrief Verity, argue about waking sleeping babies, and settle the eternal debates: is sharing toothbrushes disgusting or a part of being in a comitted relationship?The episode closes with an Is It Karma or Is It Chaos? where a listener is worried about karma after potential infidelity?It's cozy. It's unhinged. It's home. It's the chaos you know and love.MERCH IS HERE!! Shop now www.killrentertainment.com/shopTo submit a Is It Karma Or Is It Chaos story email us at info@karmachaospodcast.comFor full videos head to patreon.com/kaillowry Follow Becky at Hayter25 and subscribe to For The HaytersThank you for supporting the show by checking out our sponsors! BetterHelp: Visit betterhelp.com/KARMA to get 10% off your first month.Hiya: For 50% off their best selling children's vitamins head to hiyahealth.com/KARMA.OPositiv: take proactive care of your vaginal health head to opositiv.com/karmaQuince: Go to quince.com/karma for free shipping on your orderand 365-day returns. Perelel: Exclusive for our listeners, new customers can enjoy 20% off their first order with code: KARMRA Visit perelelhealth.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Are you ready to rethink what it means to study God?In this inspiring episode of the Collide Podcast, we sit down with Phylicia Masonheimer to talk about breaking stereotypes around theology and helping everyday women engage deeply with the Bible. She shares her journey from knowing “Christianese” without understanding it, to discovering how the gospel transforms every area of life. Whether you're navigating faith in a post-Christian world or simply want to live your beliefs boldly, this episode will remind you that deep faith isn't just for scholars—it's for every woman, in every season of life.Meet Phylicia MasonheimerPhylicia is the founder of Every Woman a Theologian, a ministry dedicated to helping Christians—especially women—understand, live, and share their faith. She's an author, blogger, and host of the chart-topping podcast Verity with Phylicia Masonheimer. Phylicia is passionate about equipping women to become students of the heart of God, showing that theology isn't confined to libraries or lecture halls—it's for real life, whether you're single, parenting, or building a career. Her story is a powerful example of living faith boldly and thoughtfully in a complex world.In This Episode, You'll LearnHow Phylicia redefines what a theologian is and why stereotypes limit our understanding of GodThe danger of belief without grounding it in ScriptureHow to become a student of the heart of God in everyday lifePractical ways to see the Bible come alive in real-world situationsHow This Episode Will Encourage YouIf you've ever felt like theology or deep Bible study is “not for you,” this episode will empower you to take ownership of your faith. You'll be reminded that every woman can study God, live her beliefs boldly, and share her faith graciously—one step at a time.Connect with Phylicia - Website | Instagram | FacebookFollow Willow - Website | Instagram | Facebook

Wild speculation abounds as rumours of the BBC and Bad Wolf “it's not you, it's me” -ing each other surface given the somewhat mid (as the kids say) reception to the latest iteration of Doctor Who, The Three Who Rule have theories a-plenty as to the show's next steps, anchored by nothing but their half-formed notions of media literacy (and some inside knowledge). Besides that, we have more exciting Big Finish previews, a Verity! mention on UK game show “The Chase” and the first part of our Class Series Commentary for seminal 1970s serial “The Sun Makers!” Links: Support Radio Free Skaro on Patreon Film is Fabulous now able to accept donations as a charitable trust Film is Fabulous on Doctor Who missing episodes Verity! appears as a clue to a question on The Chase BBC seeks to exit agreement with Bad Wolf? Legendary Location Hunting with Tia Kofi – The Whoniverse Show The Missing Episodes Podcast returns after a long hiatus The Peter Purves podcast debuted Big Finish: Doctor Who – The Ninth Doctor Adventures: The Last Days of the Powell Estate out now Big Finish: Doctor Who – The Ninth Doctor Adventures: Dare You due Dec 2025 Big Finish: Doctor Who – The First Doctor Unbound: Return to Marinus due Jan 2026 Titan Comics: Doctor Who: The Prison Paradox, issue 1 due Nov 5 Titan Comics: Doctor Who: The Prison Paradox, issue 2 available for pre-order Commentary: The Sun Makers