Podcasts about The Wayfaring Stranger

Plastic Heart "Hear My Call" The Happys "Boss" - Listen To The Happys www.thehappysofficial.com Sove The Second "Green Hills" www.sovethesecond.com Spark Of Life "The Angry Lion" - Midnight Morning "Black Warm Tar" - Faded Colors www.midnight-morning.com Virginmarys "When The Lights Go Down" - The House Beyond The Fires www.thevirginmarys.com Ultrabomb "It's Now" - Dying To Smile The Buddy System Forever "Song 5" - The Most Famous Arena ***********************Charlie Forrest "All The Trees" - Satellite DishHollerhead "Leftovers" - Never Gonna Leave You www.hollerhead.netJeanines "What's Lost" - How Long Can It Last The Slow Harvest "Time Doesn't Matter" - Selections From The Sad Bastard Songbook www.theslowharvest.com Simon Scardanelli "Battle Ships" - www.songman.org Jay Stott "One Drink Two Drink" - Wreckage Of Now www.jaystottmusic.com Christopher Wright "Mountain Liar" - The Other Side www.christopherwrightmusic.com *********************Rod Picott "Lost In The South" - Paper Hearts and Broken Arrows www.rodpicott.com Klyma "Good Work" - Pianomandonation www.klyma.com Kenny White "Workin' On A Way" - Symphony in 16 Bars www.kennywhite.net Switchback "Fall Guy" - Birds Of Prey www.waygoodmusic.com Joy Zimmerman "Say What I Need To Say" - Where The Light Lives www.joyzimmermanmusic.com Mike Agranoff "Wayfaring Stranger" - Ain't Never Been Plugged www.mikeagranoff.com Debra Cowan "Fair Annie" (featuring Bill Cooley) - Ballads Long & Short www.debracowan.com Coco Love Alcorn "A Song To Sing - Rebirth www.cocolovealcorn.com Closing: Geoffrey Armes "Vrikshashana (The Tree)" - Spirit Dwelling Run time 4 hours, 19 minutes I hold deed to this audio's usage, which is free to share with specific attribution, non-commercial and non-derivation rules.https://creativecommons.org/licenses/by-nc-nd/4.0/

Preacher: Jeremy Pynch Text: Hebrews 11:13-16

Welcome fellow adventurers! The discussion on homeward bound, continues right here on the Masculine Journey After Hours Podcast. The clips are from "Raya The Last Dragon," and "The Wayfaring Stranger." There's no advertising or commercials, just men of God, talking and getting to the truth of the matter. The conversation and Journey continues. Be sure to check out our other podcasts, Masculine Journey and Masculine Journey Joyride for more great content!

The On a Winter's Night tour stopped at Outpost in the Burbs in January 2025, featuring Cliff Eberhardt, John Gorka, Lucy Kaplansky, and Patty Larkin—longtime friends and veterans of the folk scene for over 40 years. Each artist brings their own songs and stories to this special tour, creating a unique and powerful blend of talent. In this episode, we chat with Lucy Kaplansky and Cliff Eberhardt before the show and share a live recording of "Wayfaring Stranger" featuring John Gorka on lead vocals.

Kaily Schenker (AKA Solar Hex) is a classically trained cellist, harmonium player, singer and self-proclaimed Appalachian dirt goblin. She lives in a 150-year-old brick hut in the middle of a cow field.  We discuss how classical music education shaped her experimental cello folk compositions, how the Universe brought her a harmonium and her rendition of the ballad of the House Carpenter written in the mid 1600's.  You can learn more about Solar Hex at https://solarhex.bandcamp.com/Appalachian Vibes Radio Show from WNCW is listener nominated, you can nominate an artist by emailing Amanda at appalachianvibes@gmail.com. Appalachian Vibes Radio Show is created and produced by Amanda Bocchi, a neo soul singer-songwriter, multi instrumentalist and journalist hailing from the Appalachian Mountains of Virginia.

All kinds of stories are told at the weekly rehearsals. Some are shared for laughs. Others are merely melodies and improvisations. Some come with pictures. And some — like this one — are the tales that are many times older than all of us.As reported here earlier, traditional versions of “Pretty Polly” were on some of the first discs made by Appalachian musicians at the dawn of the recording industry. These included Eastern Kentuckian John Hammond's "Purty Polly" of 1925 and the "Pretty Polly" versions of B.F. Shelton and Dock Boggs, both in 1927.To read more about the song's fascinating origin story — it goes back nearly 300 years in Great Britain, had immigrated in the U.S. by the early 20th century to be collected by song hunter Cecil Sharp and obtained honored status in the folk song revival of the 1960s — check out the earlier Flood Watch article by clicking here.Floodifying It The Flood's version of this song lyrically follows the well-established narrative of Polly and Willie's fateful night, but melodically it takes a lot of liberties with the traditional tune. The rendition, in fact, is built on a musical idea that dates back a half century to pre-Flood days.When Charlie Bowen and David Peyton were just starting out as a duo in the early 1970s, they discovered that a repeated scale descending from an opening minor chord resonated nicely on the guitar-Autoharp accompaniment to their voices.Over the decades, each configuration of the band has found something new to contribute to this basic arrangement. And it is still happening. Just listen to what Dan Cox and Jack Nuckols brought to the song at a rehearsal earlier this month.More Folkiness?If you'd like more tunes from The Flood's dustier shelves, you can use Flood Watch's resources to find some. Visit the “Tunes on the Timeline” department; click here to reach it.Once there, scroll all the way to the bottom for links to timeless tunes and their stories, from “Barbara Allen” to “Wayfaring Stranger” listed in the Traditional category.Meanwhile, if you'd like to add even a little more Flood folkery to your wintry Friday, don't forget the free Radio Floodango music streaming service, where you can turn on the “Folk” channel for a randomize playlist of tunes.Click here to give it a spin.A Note about The GraphicsFinally, back to the video that tops this week's article, note that the graphics used to illustrate the performance were generated by artificial intelligence. As reported here earlier, nowadays we sometimes use free online AI software called ImageFX to create accommodating art for these pages. In this case, that software was asked to generate pictures that appeared to be in an old-fashioned quilt. Let us know what you think of the results. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

RICK PRICE is a bonifide Australian music legend. His new album turns his sights onto the canon of American original hymns have spanned centuries with other gospels songs being written in the early 1900's like ‘Wayfaring Stranger', ‘Amazing Grace', ‘Wade In The Water, and ‘Will The Circle Be Unbroken'. They have resonated and been covered by legends such as Johnny Cash, Bob Dylan, Elvis Presley, Eva Cassidy, Oliva Newton-John, Ray Charles, Ed Sheeran … and now Rick Price. IMOGEN CLARK is not just an artist; she's a storyteller, a fighter, and a dreamer. The powerful Australian singer-songwriter, hailing from the Blue Mountains of New South Wales, whose music ranges from arena-ready rock anthems to raw confessional indie roots music. Her songs in the new album The Art of Getting Through are laced with lyrics, imagery of independence, suicide and redemption.WoodSongs Kid:Reed Elliotte is a 14 year old pianist and singer from Corbin, KY.

Celeste Watson (MM, MS, NCTM) helps musicians achieve artistry through well-coordinated use of the body. She holds credentials in performing arts medicine, piano performance, and music education and coordinates return-to-play mentorships for keyboard musicians who have experienced injury. She owns a conservatory-model studio for pre-collegiate students in Winston-Salem, North Carolina (www.watson-music.com).For more information about the Lister-Sink Institute and teachings, visit https://www.lister-sink.org/For more information about Feldenkrais movement, visit https://feldenkrais.com/Top 5 Songs of Encouragement1) Waltzing Matilda sung by Slim Dustyhttps://www.youtube.com/watch?v=FqtttbbYfSM&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=22) "Kommt, ihr Tochter, helft mir klagen" from St. Matthew Passion (BWV 244) by Bachhttps://www.youtube.com/watch?v=-9Be9xQrWVU&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=33) French Suites, by Bach, performed by Andras Schiffhttps://www.youtube.com/watch?v=0sDleZkIK-w&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=5&t=127s4) Goldberg Variations by Bach, performed by Andras Schiffhttps://www.youtube.com/watch?v=MHFuaaGpGKQ&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=4&t=55s5) Wayfaring Stranger by Johnny Cashhttps://www.youtube.com/watch?v=Ti-FtTz8t5U&list=PLSIRqKhHhcL4nqBuFTgNJZmPqK_7YX-SH&index=1Support the show

Cuando uno intenta encontrar sentido a su vida, quiere pensar que al final de este viaje, sabremos el por qué y para qué de tantas cosas que han pasado y no entendemos. Quizás no encontremos respuesta a estas preguntas, a este lado de la eternidad, pero cuando se llega a la edad de Samuel Escobar, uno ve la vida con otra perspectiva. José de Segovia quiso tener con él una serie de conversaciones sobre su vida en un momento en que estaba todavía dando clase en la Facultad Protestante de Teología de la Unión Evangélica Bautista de España en Alcobendas (Madrid). Su mente estaba clara y lúcida, pero tenía ya una edad que no le preocupaba lo que otros pudieran pensar de lo que decía. Podía hablar sinceramente de lo que pensaba y había ocurrido. Las conversaciones en el estudio de Dynamis Radio se han intercalado con grabaciones y textos suyos, que siguen diferentes momentos de su vida. Esta vez hemos incluido, sin embargo, unas palabras suyas, grabadas tan sólo hace unos días en Valencia por su hija Lilly, para los oyentes de esta serie, ahora que está a punto de cumplir 90 años, si Dios quiere. La selección musical de este último programa se basa en dos de sus himnos favoritos, "¡Qué grande es Él!" y "Canta, oh buen cristiano", ambos del siglo XIX. El primero (How Great Thou Art) de Carl Gustav Boberg, es de 1884 y está basado en el Salmo 8:4, mientras que el segundo (Work For The Night Is Coming) de Lowell Mason en 1854, tiene una letra diferente en castellano del mexicano Epigmenio Velasco. Las versiones instrumentales del himno de Boberg, que suenan de fondo, son de The Piano Guys, Taryn Harbridge, Smitty Price y Harlan Rogers. La versión cantada es de Elvis Presley en 1967 y la del himno de Mason es del peruano Endo Fuerel del grupo de Lima INKABETHEL. La música instrumental que suena al final del programa. es la "Oración" (Prayer 1975) instrumental del pianista de jazz Keith Jarrett, ya retirado, así como la canción del ahora fallecido contrabajista de jazz, Charlie Haden con su cuarteto del oeste y una orquesta de cámara en 1999, como "Extraño caminante" (Wayfaring Stranger), así como la música "De vuelta a casa" (Goin´Home) que hizo con su Orquesta de Música de Liberación en 2004. Daniel Panduro ha unido la música y la voz de estos programas con la mayor calidad de sonido y cuidado en las mezclas.

Sintonía: "This Is Always" - Jim Hall"A-Roving" - "Nobody Knows The Trouble I´ve Seen" - "John Henry" - "Wayfaring Stranger" - "Three Blind Mice" - "Reuben, Reuben", extraídas del álbum "Folk Jazz" (Contemporary Records, 1959)"Stompin´ At The Savoy" - "Thanks For The Memory" - "Tangerine" - "Seven Come Eleven" - "This Is Always", extraídas de "Jazz Guitar" (Pacific Jazz, 1957)Todas las músicas interpretadas a la guitarra eléctrica por Jim Hall Escuchar audio

This Sounds Like Radio is bubbling over with waterlogged excitement!! The Great Gildersleeve is worried about a new water specialist showing up in this 1/26/49 classic episode.  Water though was never more musical as Sounds Like Radio shows us here. There's the watery music from Grandpa (Walter Brennan), Julie London (as depicted in this week's picture) & Bing Crosby provides the protection from being soaked.  While Dean Martin prefers wine, Helen Ward says Not For Me, Emmylou Harris will become a Wayfaring Stranger & even Steve Lawrence & Eydie Gorme show up Side By Side. Wowzers, is this a show or what?  OK, now all you have to do is enjoy!

"... Something in the sky..." Cast: Benjamin Burdick as Frank Melody Bridges as June Cat Blackard as Verge Tina Case as Diedre Camille Smicker as Trinkett Written and Directed by Joe Fisher Produced by Joe Fisher and Finlay Stevenson Music by Ian Ferguson Additional Music: Holding on Hope by Megan Wofford Art by Existentially Exhausted Bean Support the show by Subscribing! Subscribe on Patreon (The one with the bells and whistles): https://www.patreon.com/midnightburger Subscribe with Supporting Cast (The simple one): https://midnightburger.supportingcast.fm/ Subscribe on Apple Podcasts (The Apple one): https://podcasts.apple.com/us/podcast/midnight-burger/id1537653218 How about some merch? https://www.midnightburgermerch.com Sign up for our newsletter: https://weopenatsix.beehiiv.com/ For our social media and everything else: https://linktr.ee/midnightburger For more information on our sponsors go to https://fableandfolly.com/partners/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Christa Pfeiffer, Stephen Main, Piedmont Community Church, Piedmont, California

Episode Notes To support this podcast you can follow me on Patreon where there is a bunch of video content and tabs available! My guest this week on the podcast is Liam Purcell. Liam is about to be a Berklee College of Music graduate and he and his band Cane Mill Road have just released their fantastic new album “Yellow Line”. You can keep up with Liam and Cane Mill Road, as well as find links to all their socials, HERE! Songs featured in this episode: All songs from this episode are from the new Liam Purcell and Cane Mill Road album “Yellow Line” available here! Here is a link to the book “Wayfaring Stranger” that we discussed during the episode! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Acoustic Disc Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Ear Trumpet Labs

Wayfaring Stranger is the featured song in this episode of Folk Files, which explores the history of Appalachia, shape note tradition, and the difficulties of tracing the origins of early American folk music.  Host: Olivia Harding Special thanks to: Aaron J. Morton, Jo Morton, Lucas "Whiskey Richards" Husted, and Mary White-Harding Musical excerpts: ARTIST: Jack White WORK: Wayfaring Stranger SOURCE: https://www.youtube.com/watch?v=25P08So3rfI ARTIST: Cherokee National Youth Choir WORK: North Wind SOURCE: https://www.youtube.com/watch?v=0_7j3qx-Qrs ARTIST: Detlef Korsen WORK: Ich Bin Ein Gast Auf Erden SOURCE: https://www.youtube.com/watch?v=Z0ia7MiVqRc ARTIST: Ireland Sacred Harp Convention WORK: Wayfaring Stranger SOURCE: https://www.youtube.com/watch?v=4dL4AVKA6tM ARTIST: The United Shape Note Singers of West Georgia and the Associated Note Singers of Atlanta WORK: What a Happy Time SOURCE: https://www.youtube.com/watch?v=aUwHIEb19Ug ARTIST: Texas Sacred Harp Singers WORK: What Wondrous Love SOURCE: https://www.youtube.com/watch?v=aRpV9H9ZpB0 ARTIST: ARRR!!! WORK: The Ballad of Captain Kidd SOURCE: Let's Get Kraken: https://arrr-pirates.bandcamp.com/album/lets-get-kraken ARTIST: Rhiannon Giddens WORK: Wayfaring Stranger SOURCE: https://www.youtube.com/watch?v=b1Z4PAZX9Bs ARTIST: Ewan McColl WORK: Dowie Dens of Yarrow SOURCE: https://www.youtube.com/watch?v=_NfTplWa0mg ARTIST: Second Wind WORK: Wayfaring Stranger SOURCE: Deco Lounge, April 6 2024

VISIT OUR SPONSORS The Louisiana Renaissance Festival Ocean Renaissance Foundation The Ren List Happy To Be Coloring Pages RESCU The Patrons of the Podcast SONGS Been to the East, Been to the West performed by Arabesque from the album A Turk in Galway My Brother Silveste (Live) performed by Chuckawalla Rhythm Kings from the album No Bedrolls Or Backpacks www.chuckawallark.com Fathom Of The Bowl performed by Quarter Master Band from the album Quarter Master www.facebook.com/QuarterMasterBand Women, Whiskey & War performed by Whiskey Bards from the album Women, Whiskey & War www.facebook.com/whiskeybards/ All Around My Hat[5] performed by Empty Hats from the album Captured www.emptyhats.com Raging Water performed by Cast in Bronze from the album Best Day Ever www.castinbronze.net/ Ship That Never Returned[3] performed by Righteous Blackguards from the album Just The Tip www.righteousblackguards.com Wayfaring Stranger[1] performed by Dr. Harmonious Bones from the album Joyful Noise Maiden of Spring performed by Alexander James Adams from the album A Familiar Promise www.faerietaleminstrel.com/ Star of the County Down[23] performed by LandLoch'd from the album Good Rum and Bad Sheep www.landlochd.com Lanigan's Ball[4] performed by Marc Gunn from the album Soul of a Harper www.marcgunn.com Blow Ye Winds, Spoot O' Skerry,Turkey In The Straw performed by Water Street Bridge from the album Oh Death www.facebook.com/WaterStreetBridge/ Tam Lin[3] performed by Misfits of Avalon from the album Avalon Moon www.facebook.com/misfitsofavalon/ A Capitol Ship performed by Bounding Main from the album Lost at Sea - Sea Shanties and Nautical Ballads www.boundingmain.com Carrot Story performed by Side Tracked from the album Extraordinary You Fair Spanish Ladies performed by Pyrates Royale from the album Black Jack www.pyrates.com/ Lark in the Morning[5] performed by Langer's Ball from the album Hold Tight www.TheLangersBall.com Shadow of the Moon performed by Blackmore's Night from the album Shadow of The Moon www.blackmoresnight.com Stingo performed by Harper & Minstrel  from the album The Road To Lindemar www.theharperandtheminstrel.com So Early in the Morning performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com I Never Will Marry (Or Maybe Not) performed by Shillelagh Law from the album Songs from the Bridge We're The CRAIC Show performed by The Craic Show from the album Icons www.thecraicshow.com Tzigani - Icons Part 2 performed by The Craic Show from the album Icons www.thecraicshow.com Cloghden More performed by Kilted Kings from the album Name On My Soul www.kiltedkings.com Metsakukia Waltz (Forest Flower Waltz) performed by Roxlovians  from the album A Fiddler in Every Port www.gypsyrox.com Wrecked Again performed by Tippler's Way from the album Let A Light Shine I Got It From Agnes performed by MenageAMoi from the album Indulgences www.menageamoicomedy.com Health to the Company[24] performed by Majestic Reign from the album Renaissance Steel www.matthughesmusic.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

In 1934, Buts and Brother Isaac grow closer, driving a wedge between Isaac and his traveling partner Gadabout Jack. When Missus Bestfriend's magical powers are revealed, the three come to a crossroads. Meanwhile in 1957, an older, beaten-down Gadabout Jack is invited to sing at a recording studio eager to capitalize on the recent folk revival.  Created and Directed by Paul Pakler and Shane Portman. Executive Produced by Paul Pakler, Shane Portman, and David Switzer. Produced and assistant directed by Ruth Gamble. Produced by Genevieve LeDoux.  Our cast includes: Becky Poole, Jake Robertson, Corey Rieger, Bill Pullman, Dave Droxler, Corey Pepper, Dave Colan, Tom Amandes, Shane Portman, and Kyle More. Music by Maesa Pullman and engineered by Jason Hiller at Electrosound Records.  Edited by Sam Rhodes. Audio engineering by Kevin Cleland and Erik Nyquist. Audio post-production by One Thousand Birds (OTB). Original sound design and mixing by Jackie! Zhou, Torin Geller and Kal Pipal. OTB executive produced by Guin Frehling. Developmental producers: by Joey Scarillo and Genevieve Gearity. Recorded at LA Digital Recording and QED Studios Astoria.    

The American Patchwork Quartet is a group that reflects the American melting pot – the patchwork quilt of people who've come and made the U.S.A. their home. APQ features two-time Grammy winner Clay Ross, of the band Ranky Tanky, drummer Clarence Penn, and two musicians who immigrated from Asia: the singer Falu (from India) and bassist Yasushi Nakamura (from Japan). Their debut, untitled album is just out, and includes fresh, often Indian-tinged arrangements of old fiddle tunes, folk hymns, and early blues. As the famed folksong collector and producer Alan Lomax said, “America has a patchwork culture made of the dreams and songs of all its people.” The American Patchwork Quartet performs their take on old folk songs in-studio.  Set list: 1. Wayfaring Stranger 2. Lazy John 3. Shenandoah

KWR0037 – SRLC Fall 2023 Conference Session Kingdom War Room   Hosts:   Dr. Michael K. Lake:  Scholar-in-residence, Strategic Remnant Learning Center – BLA, Host of Biblical Life TV, Co-Host of the Kingdom Intelligence Briefing, and best-selling author.  http://www.kingdomintelligencebriefing.com   Dr. Mike Spaulding:  The teaching pastor of Calvary Chapel of Lima, OH, the author of Upsidedown in America, more than ten other books, and the host of Soaring Eagle Radio and Dr. Mike Live.  https://www.drmikespaulding.com/   Guest:   Pastor Paul Begley Dr. Lester Sumrall ordained Pastor Paul in the LeSEA organization of South Bend, Indiana. He hosts a weekly telecast of the "Coming Apocalypse," which reaches 45 million homes. Pastor Paul is best known for his internet ministry on YouTube as PaulBegley34, which has millions of views and thousands of subscribers. He has pastored for the last three decades in the Starke County area of Indiana and currently co-pastors with Pastor Melvin Whittington at Freedom Fellowship Church at The Villages in Florida. Pastor Paul also sings praise and worship and has recorded gospel CDs called "Pastor Paul Begley Country Gospel,” “Wayfaring Stranger,” “The Journey” and "Harmonize and Prophesy." His gifting lies in evangelizing and Bible prophecy. By the grace of God, thousands have come to Jesus Christ through this ministry. As an evangelist, Paul holds revivals across America and internationally, recently in Orissa, India. Find out more at www.paulbegleyprophecy.org  

Be careful of who you meet wandering in the woods. “The Ballad of the Wayfaring Stranger and the Dead Man's Whore” by Sean Demory. A transcript is available on the NIGHTLIGHT website. Narrated by Cherrae Stuart, Jarvis Bailey, and Tony Capone. Audio Production by Jen Zink. Executive Producer and Host: Tonia Ransom Co-Producer: Jen Zink ***** Want ad-free episodes? Bonus content? Join the NIGHTLIGHT Legion on Patreon for as little as $1 per month to help us produce more stories for you to enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices

VISIT OUR SPONSORS: Louisiana Renaissance Festival https://www.larf.net/ The Ren Cruise http://www.canigoadventures.com/ SONGS Tom A Bedlam performed by Tania Opland from the album Hunter's Moon (Formerly Bonnie Rantin' Lassie) Bonnie Ship the Diamond performed by Black Oak Shillelagh from the album Och, The Places We've Been http://www.blackoakshillelagh.com Come & Be Welcome performed by Emily Kellam from the album Waves On The Shore Mingulay Boat Song performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment https://www.facebook.com/2MerryMen/ Minstrel Boy,Rowan Tree,Wings performed by Men of Thunda from the album Men Of Thunda Il Gran Capitan's Rodoleros performed by Dogs in Doublets from the album The Dark Cutesy We Be Soldiers Three performed by Tulstin Troubadours from the album Rennies of Unusual Sound https://www.tulstintroubadoursband.com/ Wayfaring Stranger performed by Tippler's Way from the album Let A Light Shine Spirits Arise performed by Carl Asch from the album Songs Of The Open Road https://www.facebook.com/Official.CarlAsch.Page/ The Calton Weaver performed by Raggle Taggle Gypsies from the album Best Of The Raggle Taggle Gypsies https://www.facebook.com/theraggles/ The Night Pat Murphy Died performed by Whirly Jig from the album Thing A Ma Jig https://www.facebook.com/whirlyjig The Old Black Rum performed by Maguire Brothers from the album Sibling Rivalry https://www.facebook.com/maguirebrothers3 Llamia performed by Gallows Humor from the album Necrodancer http://gallowshumorband.com/ Skraeling performed by Saxon Moon from the album Forged https://www.facebook.com/saxonmoonmusic/ As Long As We Live performed by The Lost Boys from the album Heroes & Scoundrels(2008) https://www.facebook.com/TheLostBoys1599/ Dublin Girls- the Spanish Lady,Cockles and Mussles performed by Henry Martin from the album On The Salt Sea the Cat Came Back performed by Painted Trillium from the album Painted Trillium https://www.paintedtrillium.com Scotland The Brave performed by Klaxton from the album Singles https://soundcloud.app.goo.gl/iKCq4 Adaline performed by Masala Fusion from the album Primero https://www.masalafusiondance.com Raven's Call performed by Jenna Greene from the album Wings Rambles Of Spring performed by Queen's_Gambit from the album Pawn To King Four Madam I'm A Darlin' performed by Circled_by_Hounds from the album Chasing Our Tales https://myspace.com/circledbyhoundsSpanish Ladies performed by Porter & Stout from the album Uncharted Waters https://labelbooze.wixsite.com/porterandstout/ Parting Glass performed by Far From Home from the album Of Course! https://www.facebook.com/WeRFarFromHome/ SEGMENTS Festival update brought to you by The Ren List http://www.therenlist.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

An attempt at playing banjo-rhythm to the song: Wayfaring Stranger by Johnny Cash. The original YouTube backing track can be found here: https://www.youtube.com/watch?v=6dd9QWYjg1g

One of my favorite songs is, Wayfaring Stranger.” The first lines begin, “I am a poor wayfaring stranger; While traveling through this world of woe.” It's true. We are strangers in this world, set apart from the brokenness, but once in it. We are now set apart because we have been adopted into God's family by declaring our faith in him. His inheritance is our inheritance. That means, even though stated in this favorite song of mine, we aren't poor. On the contrary, we are mighty rich. Rich in the characteristics of God. So why is it we struggle to experience those things fully in our lives? What do we need to do? Surely, God's given us an answer. I can't wait to talk about this with you on Sunday as we take a look at living wholly in a broken world. Grace and peace, Ashlee

Surprise Chef "Over The Moon" - Friendship https://www.facebook.com/aristosthefunkysurprisechef/ The Pink Diamond Revue "The Fuzz Guitar" www.pinkdiamondrevue.com The Kut "Animo" - Grit www.thekut.co.uk Blue Stragglers "Last Call" - s/t https://www.facebook.com/bluestragglersuk/ Cosmo Blue "Sweet Moments" - https://www.facebook.com/CosmoBlueband/ Versus The World "The Lights Of Rome" - The Bastards Will Live Forever https://www.facebook.com/vstheworldmusic Diesel Boy "Internet Girl" - Gets Old www.diesel-boy.com Horizon Theory "December" https://www.facebook.com/profile.php?id=100087913909620 *************************** ALBUM FOCUS: A reoccurring series focusing on new and outstanding concept, compilation and tribute albums. The Legends Of Tomorrow: The Weather at World's End: 1997–2022 Northern Island's Colin Harper curates a collection of songs from fellow studio collaborators and friends over a 25-year span "Free! Free At Last" "Underachievement" "Squirrel" "Aztec Energy" ********************** Miss Tess & The Talkbacks "One Last Kiss" - The Moon Is An Ashtray www.misstessmusic.com Sarah Shook & The Disarmers "Good As Gold" - Years www.disarmers.com The Currys "Fault Lines" - This Side Of The Glass www.thecurrysmusic.com Eddie 9V "She Got Some Money" - Little Black Flies www.eddie9volt.com Twisted Pine "Amadeus Party" - Right Now www.twistedpinemusic.com Durham County Poets "Together In The Groove" - Out Of The Woods www.durhamcountypoets.com The Faux Paws "Southport" - s/t www.thefauxpawsmusic.com ***************************** Professor Louie & The Crowmatix "Golden Eagle" - Strike Up The Band www.professorlouie.com Malcolm Holcombe "Conscience Of Man" - Bits and Pieces www.malcolmholcombe.com Aaron Smith & The Coal Biters "The Way To Sam's Throne" - The Legend of Sam Davis And Other Stories of Newton County Arkansas www.aaronsmithsongs.com Terri Hendrix "Get Down River" - Pilgrim's Progress Project 5.5 www.terrihendrix.com Hymn For Her "Elders" www.hymnforher.com Moonfruits "Carousel" - Salt www.moonfruits.ca Carole Wise "Still" - The Long way home www.carolewisemusic.com Vance Gilbert "I Hope He's The One This Time" - The Mother Of Trouble www.vancegilbert.com Claudia Schmidt "Broken Glass" Reimagining www.claudiaschmidt.com Mike Agranoff "Wayfaring Stranger" - Ain't Never Been Plugged www.mikeagranoff.com ************************** Closing music: MFSB "My Mood" - Universal Love --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiocblue/message Support this podcast: https://podcasters.spotify.com/pod/show/radiocblue/support

VISIT OUR SPONSORS: Louisiana Renaissance Festival https://www.larf.net/ The Ren Cruise http://www.canigoadventures.com/ SONGS Dernière Bataille performed by Barbar 'O 'Rhum from the album Toutes les Routes Mènent au Rhum http://barbarorhum31.wix.com/barbarorhum The Gathering performed by Elflore from the album The Gathering www.elfloreofficial.com Oak, Broom & Meadowsweet by Damh The Bard from Spirit Of Albion performed by Damn The Bard from the album Spirit Of Alblon The Kopesh performed by Cu Dubh from the album The Warlord https://www.cudubhtribe.com/ Wayfaring Stranger performed by Tippler's Way from the album Let A Light Shine My Johnny Was A Shoemaker performed by Merry Wives of Windsor from the album Tales From Windsor's Tavern https://mwow.net Red Haired Boy/Jolly Beggarman performed by Carolina Ceili  from the album Fifty Shades Of Green http://www.carolinaceili.com/ The Fox performed by Three Quarter Ale from the album Three Quarter Ale https://www.facebook.com/pg/threequarterale Rockin' The Jigs performed by Klaxton from the album Singles https://soundcloud.app.goo.gl/iKCq4 Broad Black Brimmer performed by Matt Hughes from the album One October Night https://www.matthughesmusic.com A Pirate's Life performed by Fugli from the album Fugli the Less than Unauthorized Bootleg Edition http://www.povera.com The Renaissance Pirates performed by Friar Finnegan from the album New Pub Songs https://www.facebook.com/friarfinnegan Pictavia's Pride performed by Albannach from the album Eye of the Storm www.albannachmusic.com Douce Dame Jolie performed by Cantiga from the album Dreams From A Forest Garden http://www.cantigamusic.com/ Bold Riley performed by 3 Pints Gone from the album Health to the Company https://www.facebook.com/3PintsGone/ As I Rode Out performed by EznDil from the album EznDil (2017) https://frontdoorfarmmarket.com Exclamations performed by Boogie Knights from the album Cavalier Attitude https://sites.google.com/site/boogieknightsmd/ Perfectly Spherical Duck performed by Sarah Marie Mullen from the album Harper's Bizarre Strike The Bell performed by Merry Mischief from the album Scallywags http://www.merrymischief.net The Faerie Glen performed by Sandra Parker from the album Call of the Faerie https://www.reverbnation.com/sandramparker John Barleycorn performed by Water Street Bridge from the album Danse Macabre https://www.facebook.com/WaterStreetBridge/ Mingulay Boat Song performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment https://www.facebook.com/2MerryMen/Kerobushka performed by Gypsy Guerrilla Band from the album Ernie's Ottoman Health to the Company performed by Whiskey Bay Rovers from the album Broadsides and Ballads https://facebook.com/whiskeybayrovers/ SEGMENTS Festival update brought to you by The Ren List http://www.therenlist.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Intro/Outro: Weep Themselves to Sleep by Jack White75. You Are the Sunshine of My Life by Jack White74. Wayfaring Stranger by Jack White73. I Cut Like a Buffalo by The Dead Weather72. A Tree on Fire From Within by Jack White71. What's the Trick? by Jack White

Hello, Hello!    In this edition of Indie Talk, we invite guest host Lance Clark, Filmmaker, and Huntington University Ph.D. Professor of Digital Media and Film to the podcast. We talk about:    His Films Wayfaring Stranger and Patterns The heartbreaking and surprising story of how he cast Stephen Baldwin  The difference between Faith-based and Faith-aligned film Things We Should Know with Producer Papa Bear A WGA Strike related Culture Check   …and much more!   The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization).   If you like what we're doing, please donate here: https://www.bonsai.film/donate.   How you can continue to enjoy MAKE IT content:   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives!   More On Lance Clark www.lanceclark.com   LANCE CLARK (PRODUCER) Since joining the Huntington University faculty in 1993, Dr. Lance Clark has helped to grow  the Digital Media Arts Department at Huntington University into one of the truly outstanding programs within the 100+ member CCCU Colleges and Universities.    His radio, television, and film students have earned top honors at the Broadcast Educators Association convention year after year.    They also regularly land top awards at the Indiana Association of Student Broadcasters and regional Student Emmys.   Dr. Clark has produced television commercials, corporate videos, and overseas mission documentaries in Asia, Central America, Africa, and Eastern Europe.    He has also served as Executive Producer of over 100 student films, many of which have gone on to screen in festivals and win top awards. In 2016, his the film “The Gift of Hope” took national honors as a Best in Show Faculty film at the BEA's King Foundation Festival of Media Arts.    He has also received the top recognition for the best videography category since 2012 in the Fort Wayne Reader's Choice Awards and has earned two Telly Awards for his nonprofit films “Father Solanus” and “United Way of Huntington County”.   Clark also serves as a producer for Forester Film, LLC., where he has Produced two SAG Signatory films in the past two years with “Wayfaring Stranger” in 2022 and currently filming “Patterns” with three other feature films in pre-production.   Social: Lance_d_clark = Instagram

Driven by their message of "radical love," hear how Doni Zasloff and Eric Lindberg, the husband and wife duo behind the renowned bluegrass band Nefesh Mountain, combat antisemitism within the music industry and beyond. Join us as we delve into their remarkable journey of representing Jewish-American culture, tradition, values, and spirituality through bluegrass and Americana music. The band also treats us to intimate performances from their latest album, "Songs for the Sparrows." *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  ___ Episode Lineup:  (0:40) Doni Zasloff and Eric Lindberg ___ Show Notes: Learn more about:  Nefesh Mountain Take our quiz: Jewish American Heritage Month Quiz Test your knowledge of the rich culture and heritage of the Jewish people and their many contributions to our nation! Start now. Read: What is Jewish American Heritage Month? Jewish American Heritage Month Resources Faces of American Jewry Amazing Jewish Americans Listen: 8 of the Best Jewish Podcasts Right Now Sen. Jon Ossoff on Jewish Resilience Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Doni Zasloff and Eric Lindberg: Manya Brachear Pashman:     Nefesh Mountain arrived on the bluegrass and American music scene in 2014. The husband and wife duo of Eric Lindbergh and Doni Zasloff have since performed in hundreds of synagogues in the United States and around the world, representing Jewish American culture, tradition, values and spirituality in the world of bluegrass. Bluegrass Today magazine has described the duo as what happens when bluegrass and Jewish traditions meet and fall madly in love. In honor of Jewish American Heritage Month, Doni and Eric are with us now. Or I should say–we are with Doni and Eric now in their home in northern New Jersey, Doni, Eric, thank you for welcoming “People of the Pod.” Doni Zasloff:    Thank you for coming. We're so excited to have you. Eric Lindberg:     What a treat.  Manya Brachear Pashman:    So please share with our listeners how the two of you got together. Did you have individual musical pursuits? Or did you not really find your groove until you were together as a duo. Eric Lindberg:     We're both pointing at each other. You tell it. Doni Zasloff:    You tell it. Eric Lindberg:   Well, we both had individual pursuits. We met playing music in the New York kind of North Jersey area. Years ago, we met back in 2010. And we were playing music in various fashions. And the quick story is that our band is a love story. And we fell in love a few years later, and it became apparent to each of us that we were head over heels crazy about each other. And that we also had all of this stuff that needed to come out that we kind of needed the other person to help kind of embolden our feelings of Americana music and of Jewish life and of culture and all this stuff.  So I grew up in Brooklyn. And so much of my life as a kid was part of the synagogue, my after school program, and my camp, and of course, synagogue and I had a Bar Mitzvah and I grew up with this big Jewish life in Brooklyn. But at a certain point, I became kind of just a musician, I didn't know where to put this Jewish side of myself. I went to study jazz in college and all this stuff.  So when I met Doni, she kind of brought me back to this feeling of, well, you can be proud of this and you can be excited about it. And you can live a fully Jewish life, you don't have to do it, any which way. You don't have to be a quote unquote, good or bad Jew, which, we hate those terms, but people tend to use them. Even Jewish people, of course, to show how religious or observant they're being at a certain time. So she had this completely unbridled kind of cowgirl way of looking at being wild and Jewish and proud and being yourself. And ultimately, I think that is pretty much the core of our message as a band. But I guess we'll get to that a little bit later. But she brought me back to this place of really just being proud of who I was. And that was the little germ that started this band. And then I brought kind of this musical sensibility in Americana music, with the banjo, and fiddle, and all this stuff.  Manya Brachear Pashman:   And Doni, how about you? What was your journey? Doni Zasloff:    I've always loved all different kinds of music. And I've always been very, as Eric was describing, just having a very strong Jewish spirit. And I think what Eric you know, it's exactly right. When Eric and I fell in love and started to really kind of get real with ourselves and we wanted to kind of express ourselves in the most authentic way. And I think my Jewish spirit and his massive knowledge of all kinds of music, and he just kept throwing CDs into my car–listen to this, listen to this, listen to this. And he just kind of opened my mind and my heart to so many styles of music that I--some of which I loved already, some of which I learned. It was just something about the stars aligning for Eric and I that the music that we started to write from our truest selves in that moment, came out in this Nefesh Mountain kind of a way. And it turns out, it's exactly our truth. And it's exactly the thing that we were looking for, this idea of our relationship, our connection. It is our truth and it's become our whole adventure. Manya Brachear Pashman:   And are you talking about the genre of music when you say that the Nefesh Mountain sound, or something else you're referring to? Doni Zasloff:    It's not, it's like our language. It's the type of music that we play. It's the stories that we tell, it's the perspective that we have. A lot of people say, you know, where is Nefesh Mountain? Is that a place? And we always say it's a place. We made it up. But it's a place that we kind of, it's like a little dream world, that bubble that Eric and I have sort of dreamt up. Where, you know, it is a little like, the free to be you and me vibes of like, just be yourself. And it's infused with this huge range of musical styles. And Eric brings that to the table.  Manya Brachear Pashman:     Would you describe your genre or style as bluegrass? Or would you describe it as something else? I call it bluegrass. But what do you call it? Eric Lindberg:   That's a great question. Because we're right now kind of, you're catching us in the throes of exploring that. And we have been this whole time. I'm a huge fan of bluegrass music. But when I say that, like that means something to me. And it doesn't necessarily mean the same thing to everybody. Of course, it's a word out there that means different things, like being Jewish means something different to everybody. You know, is it a religion? Is it a culture? And bluegrass has the same kind of thing where there's a purest form of bluegrass, which when you're talking about Bill Monroe, Flatt and Scruggs, Stanley Brothers, etc, you know. And then you also have the Bluegrass that I grew up with, which was more of a quote, newgrass thing, and also really just ended up being kind of very fancy folk music with the likes of you know, people like Béla Fleck and Nickel Creek, and Punch Brothers and Sarah Jarosz. All these singer songwriters that are starting to write music with bluegrass instruments, and also improvising on a very high level. So bluegrass has become something that is actually more Americana. So these days, we're kind of using Americana. Manya Brachear Pashman:   Talk a little bit about the original purpose of your music, or message that you wanted to convey with your music together. Or the one that's evolved over time, perhaps? Eric Lindberg:   Well, the original purpose. I'll say, it was all an accident. You know, we fell in love. That's always an accident. A beautifully happy, you know, accident that is ever evolving and beautiful. We, um...sorry. Manya Brachear Pashman:   Stop making lovey dovey eyes at each other. Actually, you can continue, I just wanted our listeners to know. Eric Lindberg: No, no. It's a big story. We fell in love. Your question was…say it again.  Manya Brachear Pashman:  You talked about wanting to be authentic, wanting to express yourselves originally. But has that purpose or intended message of your music evolved over time? Eric Lindberg: Yes, it has evolved and the purpose in the beginning, I noticed something when we first started making this music. As a fan of course, Americana, bluegrass, all this stuff. I noticed that so many artists could go out and sing songs about, about Jesus, about Christianity, about their spirituality. And it's not necessarily called religious or overtly Christian, or anything. It's just Americana. Because they are kind of synonymous.  And the fact that gospel music is kind of at the core and like in the bedrock of what has laid the foundation for Americana music, it goes without saying. So any secular artists can go out there and kind of be themselves in all of that. If they want to sing a gospel tune, well, let's do Will the Circle Be Unbroken, everyone will love it, you know, even though it's a gospel song. Or even songs that we've kind of turned on their ear a little bit like Wayfaring Stranger or Down to the River to Pray, I Fly Away, gospel songs that we love.  So this was our answer to that– we're gonna bring a sense of Jewish spirituality to the Americana table. And our first records, or really our first record. And then a little bit into the second dealt with some of our liturgy with some of the prayers that we had grown up singing, which, for us, meant a lot. Songs, like Henei Mah Tov, which is a whole song about how great it is to have friends and be together and, you know, celebrate each other's uniqueness and beauty. To songs like, Oseh Shalom, prayer for peace, or something like that.  Through the years, we found a new purpose. And we've also, you know, been a band through a very trying time in this country. You know, no matter what side of the political fence you're on, it's been, we're all living in a world where we pretty much don't agree. And it's kind of de facto, now, that we don't agree, and we're gonna fight. And unless you see exactly eye to eye with me, I'm your enemy. And we have now kind of taken a stance, we're not politicians by any stretch. But Doni has kind of created this term that I love, and it's called radical love, which is to, regardless of our backgrounds, regardless of, our opinion on this, that, or the other, we are going to look at people in the eye and embrace them, and to put love out, because that's what the world is clearly lacking.  And it's definitely a kind of hippie sentiment, peace and love, man. But we're fighting all the same things now that everyone was in the 60s, that everyone was in the 70s and 80s. And before that, and probably beyond. And we're challenged with the same issues. We're challenged with racism, antisemitism, a lack of empathy and diversity in neighborhoods and school systems and in cities and the world is still, we want to be happy. So we pretend that it's better than it is sometimes, but it's not great for so many people. And it is a Jewish ideal that I grew up with, this idea of Tikkun Olam, to make the world a little bit better. That's what we want to do through our music.   Manya Brachear Pashman: Do you feel like you have had opportunities to share and communicate that radical love? Are you getting through to people?  Doni Zasloff:   I think every time we get on a stage that is, in front of anyone really, whether it's a Jewish crowd in front of us, or whether it's a you know, a secular, diverse crowd of people, we don't know what their backgrounds are, we really are kind of stepping into a space where we are putting out this radical love. And I think that we have been blessed with an amazing response to it. People are skeptical about a lot of things. There are Jewish communities that were very skeptical about the banjo and very skeptical about the bluegrass thing. The amount of people that come up to us at a synagogue and say, I thought I hated bluegrass. I had no interest in bluegrass, I love it. Or I thought I was gonna hate you guys. Like I didn't understand what you guys were all about. But it turns out I really love it. So we're getting a lot of love wherever we go, which is kind of why no matter what's going on, we just keep doing it because, you know, we've also had responses from people of all backgrounds just hugging us, thanking us for sharing this, you know, culture with them. People have come up to me crying like thank you I, I've never met anybody Jewish, I just didn't know, I didn't know.  I think that music is so powerful, that it can break down so many walls and just shift people's ideas. And so I do think that the response to our radical love has been great. It's not easy, it's a little scary sometimes. It's not always been embraced. There are a lot of bluegrass festivals that wouldn't put us on their stages, because they don't want a Jewish band up there. They don't know what their crowd's gonna think or how that would affect their bottom line, or I don't know. Manya Brachear Pashman:   Do they come right out and say that?  Doni Zasloff:   Pretty much, yeah, we've definitely gotten that feedback. It's hard to hear, as you can imagine, it's painful. But it's the truth, that there is antisemitism everywhere. Eric Lindberg:   Yeah, it used to be–we've been a band since about late 2014. And now, we're knee deep in 2023. And in the beginning stages maybe I was more naive. And I used to kind of think, because, again, the bluegrass world I had in my head was that of progressive music. But I will say that there is a flaw in the bluegrass world and some of the people who want to keep bluegrass being a certain way. And that explains part of our, you know, we will always play bluegrass. So it's not that we won't depart from the genre, but are exploring other areas as well, because we've had clear cut answers of: No, you will never be on this radio station. No, you will not be at this bluegrass festival. We don't have room for people that preach Jewish things. Which is not what we do at all. We have a big show,  I think we're a good band. We've done a lot. I'm proud of what we've done. You know, if the answer was no, because we don't believe you're good enough, then that'd be one thing. But the answer is clearly a Jewish issue. It's a tough thing to live with. So a little bit of me is, it's one of those things you hope as a little kid growing up, who loves music, who is crying and dancing and laughing and learning it and loving it. And it's the most exciting thing in your life, you hope that when you grow up, that it's not going to turn around and kind of kick you in the ass. And you're not going to see some of the dark underbelly of the world that you love. And unfortunately, some of that has happened. At the same time, I've gotten to play with my heroes, our heroes, Sam Bush and Jerry Douglas and Bryan Sutton. The people, the people that I've loved as musicians have all been the most beautiful, like creatures on planet Earth. They are very much beloved to us and our family.  Manya Brachear Pashman:   I'm not totally surprised. We love bluegrass as a family. But my kids do call it Jesus music occasionally. And we make sojourns to bluegrass jam sessions. There's one in Little Silver, New Jersey once a month that we've made the sojourn to at the little Methodist church there in town and I sing along with I Saw the Light. My eight year old wants to play the banjo, that's the musical instrument he has settled on to learn. That's why you guys stand out so much is that you have given to us, a sense of belonging. That like we belong in this world too, we belong in those seats as well. And so I'm not surprised that you have experienced that, but my heart is breaking a little as you talk. Eric Lindberg:   And I want to add that there's nothing wrong at all with bluegrass music, with celebrating Christianity and that spirituality, at all. And I just want to be really clear, because that's the music that I love. And I'll sing along with those songs, too. I love those songs. And it's not, as Doni was saying before, it's not like we haven't, we're playing a lot where there are folks that are saying yes, that are embracing us. But there is something about, you know, when you're Jewish, and when you get that kind of feedback, because it speaks more to antisemitism than I think the musical world or the culture that we live around us in, in this country. I hope that I am being clear in that, the music is beautiful, and the heritage is beautiful. And we're not saying we should be like, we love bluegrass culture, bluegrass music, Americana culture, all that stuff. We love our Jewish culture. And we only want to do right by both sides of that equation, you know, make sure that they're balanced and treated with love. Doni Zasloff:  But just like the world, there is, a little bit of a, not a little bit. I mean, the antisemitism that we're seeing, right now, in this country, it's everywhere, including what Eric was talking about. It doesn't just go away. We were at a big conference, and somebody came up to me, and I tell this story a lot, this guy came over to me in a big cowboy hat. And he just looked at me and he said, Why do you have to be here? Why do you have to play this music?  Eric Lindberg:   He actually said, you actually don't belong.  Doni Zasloff: Y'all don't belong here. This Jewish thing, just basically, get out. And I remember just like, taking a deep breath, walking outside, I think I cried a little bit. I think I called my dad. You know, I was just like, What am I doing here? Like, this is nuts. You know, but then I walked back in and I'm getting, hugs and like, a lot of love. So, you know, this is part of being outwardly Jewish, I think right now. Like, it's just kind of what happens. Eric Lindberg:   And that's the phrase that we haven't, we haven't said yet, because it seems like kind of a strange thing, to be outwardly Jewish. What does that mean? And I didn't grow up in a world where, where people did this, you know, and it kind of boils down to, there's a decision that we have to make that I had to make, and Doni, as musicians that are we going to be a band that is just about the music. And largely we are, actually we want to make good music first and foremost. And we also want to be a band that is, we live in this world, and we are seeing a rise in antisemitism, and we are scared about it. It troubles us and it makes my blood pressure rise and it's terrifying. And if we don't say anything about it, if we're not outwardly Jewish, if we're not openly wearing the star on our chest, you know, so to speak, or on our shoulders. I don't think we're doing ourselves a service. I think we're hiding behind something. For better or worse we're openly going out there and talking about this stuff all the time, because, you know, it won't get better if we don't. Manya Brachear Pashman:  You have recorded three albums, you're getting ready to release a fourth. Is that correct? Eric Lindberg:   Yeah, we actually have four albums out. One is a live one that we kind of snuck out at the end of 2021. Okay. But yeah, there's four that you can stream or buy or any of that stuff, and we have some new music coming out that we're really excited about. Manya Brachear Pashman: If you could talk a little bit about the inspiration behind those albums, because I know that they tell stories. And I'm curious if you could, you could share with our listeners.  Eric Lindberg:   “Songs for the Sparrows” is the most personal and adventurous recording that we've done, it was a huge undertaking. But maybe Doni, you want to tell them a little bit about the inspiration behind that record. Doni Zasloff: That record was inspired by a trip that Eric and I took with our older kids and my mother. My mom did all of this research about our family history, in Eastern Europe, and found all of this information and was able to locate the town that our families we're from. And so we did this big roots trip. It turns out I'm from Ukraine, I thought I was from Poland, but now it's Ukraine. And so we went on this trip, and we saw the town that my family was from and then we saw the forest outside of this town where some of my ancestors, we believe, were shot.  We saw so many things, this trip really kind of just rocked us. I mean, it's everything that we've learned about. But to go there and to see it, it's not in a book, it's not in black and white. It's there and to see that the history was kind of almost trying to be erased, in modern times. It was hiding, we had to dig it up to even know that it had happened. Eric Lindberg:   Literally hiding like we'd get there, we were in Lviv, this is of course before current day, this is back in 2018. And we were in this kind of great shopping area and parking lot and our tour guide had to say, you know, this was a cemetery. This was one of our flea markets. It was like a flea market and it was like what's going on? And there's vibrant life happening but at the same time, no one was… Doni Zasloff: Everything was destroyed, everything, you know, everything hundreds and hundreds of synagogues. I mean almost all of our ancestors, you know, this is where it all was at. But anyway, so we were on this trip. And while we were there I posted a picture on Facebook saying you know I'm on this roots trip. And then one of Eric's cousins like a distant cousin Reuvain, who had also done a lot of research on his family history, started sending email after email to Eric saying, Eric Eric, you are from six hours south of Lviv, you are from the Carpathian Mountains, that's where our family is from, you should go. So we turn the bus around, we ended up going six hours south to the Carpathian Mountains, so that we could see where Eric's family was from the next day. Eric Lindberg:   And just like you thought your family was from Poland, I thought my family's from Austria-Hungary. But in '91, the borders all shifted. And so my grandma grew up, you know, grandma, where we from, she spoke a little Hungarian and, and Yiddish too. It was always Austria-Hungary. That's where we were from. And now of course, it's present day Ukraine. Doni Zasloff:   Right, so we take this six hour drive south, and through the help of Reuvain, were able to find the cemetery where Eric's great grandfather was buried. Hours of looking, and we finally get there, and it had been destroyed. But somebody actually was trying to restore it. But it was little bits and pieces of stones everywhere. But at least it was kind of marked as something. So we went in there and looked for hours, we spent hours trying to find a little evidence of something with his great-grandfather's name on it. We never found anything.  But there was a moment when we were walking around the cemetery that we looked up and saw all of these little birds flying above us, these tiny little sparrows. And there was just something that kind of was very breathtaking about the whole experience and kind of weird. We went through this whole trip, kind of taking it all in. It was a very emotional as you can imagine, like, just very intense trip. We got home and we're trying to like process it six weeks after we returned home was the tree of life shooting in Pittsburgh. So it was like, you know, part of our brains would like you know, that was the past that when it happened over there, this was a terrible thing. It happened over there. Then suddenly we come home and it's happening here. And there's this hate and there's this violence and so it was just like all swirling in our heads and we just kept thinking we have to do something we have to like we just felt compelled to make Now we'll basically or to do something, we didn't know what it was gonna be, we just had to write. But then we kept coming back to that moment with the bird with the sparrows, when we were walking around the cemetery. And Eric and I had this thought, well, maybe those sparrows were our ancestors. And maybe the and then the sparrow, maybe the sparrow. And we learned that sparrows live all over the world. They're small and mighty, and they live and their sparrows everywhere, there's sparrows outside of this house, there are sparrows in Ukraine, there's sparrows everywhere. So the sparrow has become, you know, became a symbol or a totem for anyone who has been discriminated against and hated for just being themselves. You know, whether it's our ancestors, or anyone, right now who's just not being accepted for the person that they were born to be.  Manya Brachear Pashman:   Unbelievable. I want to ask you about your upbringing. And I know Eric grew up in Brooklyn, but where did you grow up? Did you have a bat mitzvah? What's your spiritual journey? Doni Zasloff:  I was born in New York. And then I lived a little bit in Boston and then I grew up in DC in the DC area and then Philadelphia and then I moved to New York so it's been you know, East Coasty.  So I grew up going to Jewish camps and Jewish schools and I had this very intense connection to my Jewish spirituality. Like, I hated it, I loved it, I challenged it. It was like, I needed it. I didn't want it, you know, it was but I was in it. You know, I had this relationship with my Jewish identity. Even as a little kid, like a little girl, I remember, I wrapped to fill in when I you know, in a Jewish Day School setting, and like the rabbis were like, you know, angry at me, you know, things like that. Like, I was just like, really rebellious in my relationship with my Jewish self and going to Jewish schools and things like that. So I don't know, I felt like a Jewish cowgirl really my whole life.  Manya Brachear Pashman:   You have a film crew that has been shadowing you for quite a while now. Six months. And tell us a little bit about “We Sing Nonetheless.” Which is the title of an upcoming documentary. Eric Lindberg:   Yeah, it's really exciting. We met this awesome gentleman, Adam, up in Boston, we were playing a show, I believe that was at his synagogue. But we were, you know, it was just after the show, and I'm like, kind of sweaty, over by the merch or something, and I just start talking to this guy. And he's like, I'm a documentary filmmaker. Little did I know, he's an Emmy award winning documentary filmmaker, and his last project,  Dawnland with the--Upstander Project is the name of the organization. And we became really kind of fast friends, so much in common. And we just kind of started texting a little and throwing around some, could this work.I'm kinda like, there's gonna be a documentary about us? I mean, what we do is really important, but I kind of forget that we're the ones that do it sometimes. And I'm like, You're gonna follow us around and, and do this thing. And he was serious about it. And it's turned into, it's happening. It's a project. It's gonna be a movie.  And the working title is We Sing Nonetheless, which is borrowed from one of our lyrics. It's from this song called Tree of Life. It's a bigger story, because we wrote it the day of the Pittsburgh shooting. But the refrain in that song is this lyric, but we sing nonetheless. Despite this pain that we've gone through with everything we've talked about with the sparrows and all this stuff, we sing nonetheless. And it's a lyric that we of course, we love, we wrote it. But when Adam came to us and said, that could be a theme. I was kind of blown away, because that's kind of one of the core messages of the band, which is that, despite history, and what history tells us and what we've learned, we are here, so we have to sing, we have to make that choice to sing. Doni Zasloff: And it's so Jewish. I mean, it's just such a Jewish like, that's what we do. So it just feels –actually he came up with the title. And I just burst out crying. I was just like, oh, yeah, that's kind of, that's just how my life has been. It's just always that, you know. Manya Brachear Pashman: I want to talk about one of my favorite songs of yours, and one of the most calming: tell us about the inspiration behind Evermore (Hashkiveinu), which is another song off your album Song For the Sparrows. Doni Zasloff: Oh, yeah. I love the gosh, every song's like another one of our babies but the song that we wrote called, Hashkiveinu, the Hashkiveinu prayer that was inspired. Eric started writing that, I think because I was having a hard time sleeping. And I think you wrote that one to try to help me get through the night.  Eric Lindberg: Yeah. Doni Zasloff:  When I was like, I just have a hard, sometimes I just can't, not sometimes, most times. Eric Lindberg:   Still some days you're just like, I didn't sleep. That's actually a great one to bring up because it's based on this ancient prayer, Hashkiveinu. It's based on this ancient idea. And then when really reading the text and we looked through a lot of different translations and it's just beautiful that we would you know, that moment at night before sleep, first of all, we all have it's universal. And the idea that these angels come and like take us to this land and like golden shores and all this kind of like cool imagery.  Doni Zasloff:   [singing, acapella] Shelter, oh shelter as night... Doni Zasloff and Eric Lindberg:   [singing, acapella] Shelter, oh shelter as night settles in  Lay us down beside tranquil shores  So we can dream of the wings  That'll bring us home again  For now, and evеrmore Eric Lindberg:   Something like that.  Manya Brachear Pashman:   Beautiful.  Eric Lindberg:   Yeah, I mean, but that's our task. You know, sometimes if we are looking at a song from a prayer, I'm glad you brought it up because, while we're not like, the word religious can mean something different to everybody, but these prayers are based in also our culture and our heritage. And it's all one if you're living a Jewish life, and I think that this is one of these beautiful, poetic, whimsical, magical prayers, that is, that is a part of our culture that we're super proud of. And we kind of wrote this folk song around it, about being able to get yourself to sleep, despite the day you've had. Manya Brachear Pashman:   Beautiful. Would you mind closing us out with another song? Doni Zasloff:   [guitar playing] This song's called Where Oh Where, it was intended to be a song of hope, inspired by nature. And it's a response to all of the not so great things that we're seeing around us, to try to comfort ourselves really. But it's called Where Oh Where. Doni Zasloff and Eric Lindberg: [singing, with guitar]  Where oh where are the sweetest songs Of Miriam and her daughters? They were sung beside the seas and tides So still must be out on the waters Still on the waters   Where oh where is the wisdom Sung by the many before us? She was there inside the tree of life So still must reside in the forest Still in the forest   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where is the innocence From our first days in Eden? They used to rest their heads on the flowerbeds So still must be there in the gardens Still in the gardens   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's the forgiveness From the age of the flood so long ago? Under all the rain the earth remained So it's still in the fields and the meadows In the fields and the meadows   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's our compassion Is it somewhere we can discover? It's never too far, it's right where you are It's always been in the arms of each other Manya Brachear Pashman:   Thank you so much.  Eric Lindberg:  Sure thing.  Manya Brachear Pashman:   It's been a jam-packed Jewish American Heritage Month here on People of the Pod: we kicked off with AJC CEO Ted Deutch, popped into the kitchen with Busy in Brooklyn food blogger and cookbook author Chanie Apfelbaum, and last week, we heard from from Georgia Senator Jon Ossoff. Thank you for joining us to close out the month with Nefesh Mountain. Tune in later this week for our sit-down with House Minority Leader Hakeem Jeffries.

“Wayfaring Stranger” comes to us from the southern Appalachian Mountains and has been traced back to the late 1700s. The song has been associated with groups living in the Southeastern United States thought to be of mixed European, African and First American ancestry. These families come from Cumberland Gap area of central Appalachia, which includes portions of East Tennessee, Southwest Virginia, and eastern Kentucky.

公众号：SMFM20162013年，一款《最后生还者》彻底改变了游戏行业的叙事模式；2023年，一部《最后生还者》美剧又证明了游戏改编影视剧依然有无限的可能性。作为《最后生还者》IP的超级粉丝，小宋和王老师这次请来了什么电台听友，毕业于纽约大学Tisch艺术学院的电影人Richard一起来好好聊聊这部现象级的美剧和游戏。本期节目将通过分集评论+解析的模式，一集一集带领听众细致的了解美剧和游戏的设定、世界观塑造、人物动机、情节设置等等细微的差异，并结合官方自己出品的podcast系列，让听众深入创作者的内心想法，品味《最后生还者》的独特魅力。3小时的节目，可以说是中文播客届最强最后生还者节目了，没有之一。00:24 前言与嘉宾介绍03:59 主创简介 09:23 游戏简介14:09 主播打分环节23:31 优缺点讨论50:08 第一集 “当你迷失在黑暗中”01:04:22 第二集 “感染”01:16:22 第三集 “天长地久”01:29:20 第四集 “请握住我的手”01:40:47 第五集 “忍耐与生存”01:50:24 第六集 “亲人”02:02:38 第七集 “遗落”02:12:32 第八集 “当我们有需要时”02:27:45 第九集 “寻找光芒”02:50:40 王老师提问环节与结语片尾曲：”Wayfaring Stranger” by Ellie and Joel想做嘉宾，联系我们：whatfmmovie@163.com孔老师微博@做着学生的孔老师王老师微博@浩浩很含蓄什么电台官方微博@什么FMB站：什么电台孔老师本期阵容：王老师 小宋 Richard

Chris Haigh

Soprano Becca Burrington sings, Stephen Main, piano. Piedmont Community Church, Piedmont, California.

Barry "Bear" Siragusa is a former musher, a vet-tech & the host of The Hunting Hound podcast residing with his Norwegian wife, kids, & dogs in the snowy mountains of eastern Norway. On this long-distance correspondence we hear descriptions of the land, archeology & mythology of Norway: the Sámi people; moose, bears & wolves; Fenrir & the berserkers; a troll-like feeling in the woods; stave churches; & hunting over ancient Viking moose pits. Then we switch topics & head back to Bear's childhood in rural Maine where he stumbled into a lifelong passion of mushing & working dogs. From Alaskan trappers to the Iditarod, Bear tells some brief mushing history followed by two of his potent sled dog stories, first a beautiful vision & then an icy brush with death! Before our episode times out, we muse a bit about true dog-people & the significance of hunting with dogs. Check out Bear's podcast series, The Hunting Hound under the umbrella of the Hound PodCast: Double U Hunting Supply.  And follow along on Bear's Instagram. Music provided by Vitali Drimbar & Bear Siragusa"Bukkehorn in D-sharp" Written by Vitali DrimbarPerformed by Vitali DrimbarCourtesy of Vitali Drimbar"Pair of Conch Shells in F Sharp"Written by Vitali DrimbarPerformed by Vitali DrimbarCourtesy of Vitali Drimbar"The Wayfaring Stranger" Traditional Folk SongPerformed by Bear Siragus on Kerry Optima Low D Whistle" Courtesy of Bear Siragus  Support Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

In this episode, we're traveling to Vienna with AFAR contributing writer Emma John.  Emma has music in her blood. She grew up in London playing classical violin, and about a decade ago, she traveled to the American South to learn to play bluegrass, a journey she chronicled in a story for AFAR, and in her book Wayfaring Stranger. But in all those years, she avoided singing, for reasons you'll soon hear about. And then one day, she decided to do something about it. So she booked a trip to Vienna, a city renowned for its singing talent—and the place where her musical odyssey begins.  Listen to Emma's books Wayfaring Stranger: https://geni.us/GWtmOcb Self Contained: https://geni.us/JUcD Follow Emma online Instagram: @foggymountaingal Twitter: @em_john Her website: https://emmajohn.com/ The story that inspired it all: https://www.afar.com/magazine/viennas-moment-learning-to-love-opera-in-the-city-of-music

Welcome to episode 135 of Activist #MMT. Today I talk with Gabie Bond. In part two, we talk about MMT, Torrens University, climate change, and the job guarantee. In hour one, however, we talk all about music. (To be clear, this first hour has little to do with economics.) As you heard before the opening music, Gabie is a classically trained violist. (Her accompanist and partner is a classically trained pianist.) I'm a classically trained singer, and for the past year have been learning guitar. Gabie and I talk about various topics, such as how the guitar has frets and the viola doesn't, and the consequences that has on our approach to the instrument and the notes. We talk about the differences between perfect and relative pitch, and how neither of us have the former. We also share some of our own experiences learning from, and teaching others. Gabie ends by describing how and why she let much of her professional music career go in order to become an activist, something which is greatly informed by MMT and ecological economics, which she learned thanks to meeting Steven Hail and Phil Lawn. In the show notes, you'll find several links to the things we mention, plus some examples of our playing. Out of my almost 140 episodes, this is the third entirely or substantially dedicated to music. Links to the other two, with Andy Berkeley and Derek Ross, can be found in the show notes. Getting to know MMTers outside of MMT, is important. It's basically an anthropological look at the background of MMTs adherents, which provides important context on the theory and movement as a whole. I was inspired to do this by Fred Lee in his 2011 book, A History of Heterodox Economics Next month in part two, Gabie and I transition to discuss MMT, Torrens University, climate change, and a job guarantee. Gabie is CEO of Modern Money Lab, which is the owner of the intellectual property – the academic content – of the Torrens graduate program. She talks about her role in the program coming to life and in its day-to-day operations. And now, onto my conversation with Gabie Bond. Enjoy. Resources Version two of the job guarantee report by the Sustainable Prosperity Action Group. Here's an overview. Examples of Gabie's playing viola: Piece played before the opening music: Carl Stamitz viola concerto, accompanied by Alexander Hanysz Performing with the Australian Discovery Orchestra: Tuscany from 17 songs Performing with the Australian Discovery Orchestra: The Tender Land (Suite) Aaron Copland Gabie's partner is pianist Alexander Hanysz. His website, which includes music and digital art Gabie's sister Annie is a scientist and part of Scientist's Rebellion. She recently glued her hand to the front-door window of a fossil fuel company headquarters, as mentioned by Steven and covered by ABC TV and radio. Examples of my singing: Me singing Weekend In New England by Barry Manilow Me singing every part except the lead vocal, of an a cappella arrangement I wrote of slave song called Wayfaring Stranger. I created the theme of a train to represent the slave's journey from earth to heaven, where he is finally free of his suffering. - - - (Here's a link to part two. A list of the audio chapters in this episode can be found at the bottom of this post.) And now, onto my conversation with Gabie Bond. Enjoy. Audio chapters 5:25 - Hellos, summer here, winter there 7:24 - Music! 8:32 - Listened to each others' music 13:58 - Traveling by plane to rehearsal and reservations about it 15:46 - Jeff learning guitar, ambitious pieces like Maple Leaf Rag 21:29 - Learning an instrument as an adult (and teaching adults) 23:34 - Guitars have frets, violas don't 27:46 - Perfect pitch versus relative pitch 31:44 - Gabie's partner is a classical pianist, Flinders Street school of music 36:47 - Jeff playing a couple minutes of When She Loved Me on the guitar 40:18 - Jeff- finger-style versus strumming 42:36 - Why Gabie stopped being a musician and became an activist 52:31 - Do you choose to listen in your own time to the (classic) music that you play? 57:04 - Climate change and not wanting to fly- mass travel (and Levy Summer Session) 1:04:18 - Duplicate of introduction, with no background music (for those with sensitive ears)

Horror Fest '22: Campfire Radio Theatre: The Dreams of Wolves In this specially curated collection for Halloween 2022, we will be presenting a wide selection of new, old-time radio (and other) horror programs. For our 10th and final entry, we are proud to present The Dreams of Wolves from Campfire Radio Theatre. During the Civil War, a small band of Union soldiers seek refuge for the night within the confines of a southern plantation home inhabited by three frightened residents, unaware they are closely stalked by a predatory beast. CAMPFIRE RADIO THEATRE  Warning: Contains explicit language and frightening situations. Written, directed and produced by John Ballentine Cast: Soren Narnia Melissa Medina Blaine Hicklin Monique Sacay-Bagwell Owen McCuen Shelby Sessler John Bell Julie Hoverson Original music score by Kevin Hartnell "All the Pretty Little Horses" and "Wayfaring Stranger" performed by Melissa Medina

During the Civil War, a small band of Union soldiers seek refuge for the night within the confines of a southern plantation home inhabited by three frightened residents, unaware they are closely stalked by a predatory beast. Warning: Contains explicit language and frightening situations. Written, directed and produced by John Ballentine Cast Soren Narnia Melissa Medina Blaine Hicklin Monique Sacay-Bagwell Owen McCuen Shelby Sessler John Bell Julie Hoverson Original music score by Kevin Hartnell "All the Pretty Little Horses" and "Wayfaring Stranger" performed by Melissa Medina Running time 42:30 Follow us on Facebook @CampfireRadioTheater and Twitter @CampfireRadio

In this bonus episode of Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss, Kyle thanks you for making the first five episodes of this series such a success. Plus, get information on the vast resources he's curated for each episode, to help you on your own grief journey.And by popular demand, hear the full version of Kyle's 'Wayfaring Stranger (Joanne)', produced by Dave Cassese and Kyle McMahon. www.davecassesemusic.com"Wayfaring Stranger (Joanne)"Performed by Kyle McMahonWritten by: UnknownCopyright © 2022.  Elyk Studios / Kyle McMahon Media. All rights reserved.----------------------DeathAndGrief.ShowContinue the conversation on our socials using #DeathAndGriefShowTwitter: @DeathAndGriefFacebook: Facebook.com/DeathAndGriefSee omnystudio.com/listener for privacy information.

-Sarah's website is the one-stop shop for tour dates, news, merch, and music, including The St. Buryan Sessions, a full-length live concert in the beautiful medieval church of St Buryan, just up the road from the rural cottage where she and her family live: sarahmcquaid.com.-Each of the songs from The St. Buryan Sessions can be found on Sarah's YouTube channel: youtube.com/sarahmcquaid-Sarah is on Patreon! Become a patron for exclusive Sarah McQuaid content: patreon.com/sarahmcquaid-Sarah is touring this summer! Sign up for her mailing list and never miss a show in your area.Here's a link to the official Troubadours on Trek Spotify Playlist, where you can hear all the featured songs from every episode in one playlist (songs will be added as episodes air on Patreon):-Sarah's song pairing for this episode: “Puff the Magic Dragon” by Peter, Paul and Mary-Grace's song pairing for this episode: “Big Lizard” by The Dead Milkmen-Sarah's featured song is “The Tug of the Moon,” from The St. Buryan SessionsCorrections:The book Sarah mentions, in the context of folk music traveling back and forth and both ways between the United States and the UK/Ireland is called Wayfaring Stranger, written by Fiona Ritchie and Doug Orr“Ebb and Flow” is the name of the “pretty love song” on my second album, Two Birds, that was written in DADGAD.The origins of the “Riker Maneuver” (Riker chair maneuver): Jonathan Frakes had a back injury from moving furniture that made it hard to bend and get into chairs the normal way. So he started swinging his leg over the tops of chairs to sit down. Look this up on YouTube if you haven't seen it. There's a hilarious viral compilation video. Frakes' back injury is also the reason for the famous “Riker Lean.” Frakes also thought it would be a hilarious and cocky thing for his character to do, and when no one called him out on it, he continued to do it. In his words: "That started in Ten Forward because the backs of the chairs were so low, it was easy. And then I thought, this is really a hotdog, @$$hole thing to do. Nobody's going to let me do this. And then nobody stopped me! It's such a cocky, unattractive, kind of bad cowboy move… Whoever did the YouTube compilation of Riker sits down, it went viral and was even more embarrassing, and made me strangely even more proud."Strange New Worlds premieres on Paramount Plus on May 5th!!The redshirts in this episode have indeed been featured in a well-circulated meme but Sarah is correct when she points out that several of the “red shirts” in this episode are wearing yellow. Here's a link to the meme: https://ifunny.co/meme/kirk-spock-mccoy-and-ensign-ricky-are-beaming-down-to-x6x7hHnu5According to Memory Alpha, a fairly comprehensive online Star Trek wiki, the Metron at the end of the episode was played by Carole Shelyne and voiced by Vic Perrin. I couldn't confirm that the Metron on the ship intercom's is also voiced by Perrin so that remains an unanswered question.From Wikipedia's entry on the Prime Directive: “The first filmed reference to the Prime Directive occurs in the first season TOS episode "The Return of the Archons" (1966), when Spock begins to caution Captain Kirk of the starship Enterprise when he proposes to destroy a computer controlling an entire civilization.”The aliens I couldn't think of, who brokered peace between humans and Klingons were the Organians. The treaty is called the Treaty of Organia or the Organian Peace Treaty. The episode is TOS 1:27, “Errand of Mercy.”The book Grace recommends is The Age of Miracles by Karen Thompson Walker

Episode #243 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and a special returning former co-host from RPGera look back fondly on the previous five years of the podcast, tell some fun stories and joke around, and listen to some of our favorite tracks played before on the show... as well as a few new ones! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, whatever you want really! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Recruitment from Cannon Fodder [Jonathan Hare, 1994] The Legend of Daryl from Super Daryl Deluxe [Adriel Genet, 2018] Big Blue from Mario Kart 8 Deluxe [Ryo Nagamatsu, Atsuko Asahi, Shiho Fuji & Yasuaki Iwata, 2017] Hyrule Castle -Inside & Outside Remix- from The Legend of Zelda: Breath of the Wild [Manaka Kataoka, 2017] Delfino Plaza from Super Mario Sunshine [Koji Kondo & Shinobu Tanaka, 2002] Mine from Sayonara Wild Hearts [Daniel Olsen & Jonathan Eng, 2019] China Theme -Industrial- from Civilization 6 [Geoff Knorr, 2016] Turban Jazz from Aladdin [Tommy Tallarico & Donald Griffin, 1993] Way to Fall from Metal Gear Solid 3: Snake Eater [Harry Gregson-Williams & Norihiko Hibino, 2004] The Dragonborn Comes -Cover- from The Elder Scrolls V: Skyrim [Malukah, 2011] Your Affection from Persona 4 [Shoji Meguro, 2008] The Morning Fog's Wave from Shenmue II [Takenobu Mitsuyoshi, Takeshi Yanagawa, Osamu Murata & Ryuji Iuchi, 2001] Zanarkand -Distant Worlds Version- from Final Fantasy X [Nobuo Uematsu, 2001] Wayfaring Stranger from The Last of Us Part II [Ashley Johnson & Troy Baker, 2020] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/leveldowngames Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast --- Send in a voice message: https://anchor.fm/bgmania/message

My guest this week is Emma John, author of the wonderful book 'Wayfaring Stranger - A Musical Journey in the American South'.We chat about what made a British journalist and cricket fan want to travel to North Carolina and write a book about bluegrass, the key lesson Emma learned from the Kruger Brothers  and so much more. I loved this one - it feels as much a conversation about life and belonging as it does a conversation about bluegrass.I hope you enjoy it as much as I did.Links to stuff we mentionThe Breakdown podcastBuy Wayfaring stranger:US (Barnes & Noble)UK (Waterstones)Emma's website

learn the key words and phrases in Wayfaring Stranger, an American folk and gospel song as sung by Taryn Brady, a singer from New York

Played and recorded to add to a thread for sharing hymns, appropriate on Easter Sunday, དྷ. I used 3-finger picking without picks.

Sometimes a gorilla is just a gorilla. Sometimes, though, that gorilla–righteously bearing arms though he may be–is a gateway to a story about the power and fluidity of narrative. For this month's Four-Color Flashback, Paul and Arlo go ape for Si Spurrier and Jeff Stokely's Six-Gun Gorilla, a sci-fi Western published by BOOM! Studios in 2013. The boys discuss Stokely's glorious, hyper-exaggerated art; how the book's entertainment conglomerate dystopia feels like a logical extension of our present; the way Spurrier weaves various pulp genres throughout his story; and more. Plus, Paul got sick in Gatlinburg again and Arlo admits he was wrong about Dune.   NEXT: Gobbledygeek will return.     BREAKDOWN 00:00:55  -  Intro / Banter 00:21:30  -  Six-Gun Gorilla 01:25:50  -  Outro / Next     LINKS   “Six-Gun Gorilla: The Complete (Original) Saga” “Spurrier Aims for Future Western Weirdness With ‘Six-Gun Gorilla'” by Ryan Ingram, CBR “Simon Spurrier & Jeff Stokely's ‘Six-Gun Gorilla' Is Insane” by Andy Khouri, Comics Alliance “SIX-GUN GORILLA: The Awesome Starts Here” by Simon Spurrier “Read the lost adventures of Six-Gun Gorilla, the greatest cowboy gorilla in fiction” by Cyriaque Lamar, Gizmodo     MUSIC “Clint Eastwood” by Gorillaz, Gorillaz (2001) “Wayfaring Stranger” by Johnny Cash, American III: Solitary Man (2000)     GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  US (877) 565-8860 Canada (877) 330-6366 National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

The Hake Report, Friday, July 9, 2021 – started a half-hour late today – Happy WHM, Bill Cosby, eating basil pizza! // Support Get a Job on Patreon for Hake Savage Moments! Also T-shirts! // "We're coming for your children," sung SF gross males choir. // Trans Cake lawsuit against Jack Phillips! // Mike Lindell predicts Trump update Aug 13th. // Slightly Offensive highlights journalist "trauma" post Capitol protest. // Read martyrmade Twitter thread on Boomer-tier Trump supporters. // Pastors Brian and Jessi Gibson catch hate after he opened churches amid shutdowns.  MUSIC: Sixteen Horsepower - "Strong Man" (1996, Sackcloth 'n' Ashes), and "Wayfaring Stranger (live)" (2000, Secret South — perhaps live version is different from album version)  Also check out Hake News from today.  CALLERS Dan from The Bronx, NY quotes a communist from over a hundred years ago, relevant today.  Skip from Augusta, GA talks about the mess being pushed by evil people.  Thomas from Oklahoma also addresses the subversion going on.  Lucas from California went to the Wi Spa mess! He's also met some people.  Jesse from California talks about "migrant" laborers in Stockton.  TIME STAMPS 0:00 Fri, Jul 9, 2021 2:06 Strong Man, 16HP 6:18 Hey, guys! 7:30 Bill Cosby! 11:09 Get a Job! 15:44 SF Choir 22:04 Trans Cake 27:27 Dan, Bronx, NY 35:39 Skip, Augusta, GA 46:30 Mike Lindell 50:41 Capitol trauma 56:30 MartyrMade tweets 59:26 Thomas, OK 1:09:12 Lucas, CA 1:21:50 Jesse, CA 1:26:00 Super Chats: Warning 1:27:10 Brian Gibson pastor 1:29:01 Thanks, all! 1:29:48 Wayfaring Stranger, 16HP HAKE LINKS VIDEO ARCHIVE: Facebook | Periscope/Twitter | YouTube | Audio podcast links below PODCAST: Apple | Podcast Addict | Castbox | Stitcher | Spotify | Amazon | PodBean | Google  LIVE VIDEO: Trovo | DLive | Periscope | Facebook | Twitch* | YouTube*  SUPPORT: SubscribeStar | Patreon | Teespring | SUPER CHAT: Streamlabs | Trovo   Call in! 888-775-3773, live Monday through Friday 9 AM (Los Angeles) https://thehakereport.com/show  Also see Hake News from JLP's show today.  *NOTE: YouTube and Twitch have both censored James's content on their platforms lately, over fake "Community Guidelines" violations.  BLOG POST: https://www.thehakereport.com/blog/2021/7/9/070921-fri-subverting-christians-going-after-kids-lying-to-boomers