Podcast appearances and mentions of Derek Bailey

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

For this episode we're joined – all the way from L.A. – by special guest Bob Merlis. The former head of publicity at Warner-Reprise Records in Burbank talks us through his musical odyssey from his Brooklyn childhood to his continuing PR work for the likes of ZZ Top and Carlene Carter. We hear about Bob's start at Record World in late '60s New York and the early '70s pieces he wrote for that trade publication and for Warners' short-lived Words & Music. Our guest then talks about his brief stints at RCA and Albert Grossman's Bearsville Records before touching on key acts and moments in the nearly three decades he spent in Burbank: Little Feat's Lowell George, Jerry Wexler producing Etta James and Warners president Joe Smith roasting the infamous Morris Levy. Clips from Dave Zimmer's 1988 audio interview with Neil Young prompt discussion of that quintessential Reprise artist (and his comrades in CSNY). After Mark quotes from pieces about Elektra Records dropping the MC5 and free-improv guitarist Derek Bailey, Jasper talks us out with reflections on the musical passions of footballer Rio Ferdinand and Houston rapper Chamillionaire. Many thanks to special guest Bob Merlis. For info on Bob's PR work, visit https://mfhpr.com/m-f-h-at-20. Pieces discussed: R&B is B(l)ack and Involved, Jerry Wexler Crosses Tracks for Tony Joe, Todd Rundgren Warps Time, Lowell George Talks About Little Feat, Little Feat Keeps On Truckin', Little Feat: How To Construct a "Critics' Band", Neil Young audio, Elektra Records Kicks Out MC5, Derek Bailey: Themes on Improvisation, The Record Doctor: Rio Ferdinand and Chamillionaire: Change.

"Posebna odlika improvizacije je, da je najbolj razširjena praksa med vsemi glasbenimi dejavnostmi in da je obenem najmanj priznana in razumljena. Čeprav je danes navzoča na vsakem področju glasbe, ni o njej skoraj nobenih informacij." To sta prva stavka, ki ju je v uvodu k delu z naslovom Improvizacija: njena narava in praksa v glasbi zapisal Derek Bailey (1930–2005), eden najvplivnejših in najdrznejših eksperimentalnih kitaristov. V pogovoru, ki je nastal leta 2010, pretresamo pomen te glasbene prakse in predstavljamo omenjeno delo britanskega glasbenika, ki je pri nas izšlo istega leta kot pogovor. V njem sodelujeta prevajalec dela Ičo Vidmar in glasbenik urednik Luka Zagoričnik. Foto: Zajem naslovnice slovenske izdaje knjige Improvizacija: njena narava in praksa v glasbi (LUD Šerpa, 2010)

We're back with a new lineup. Check out the latest with Rick Lord, Matt Durrett, and Derek Bailey.

The trombonist Jim Staley traces his path from playing in a Vietnam-era Army band and as an orchestral musician; through encounters with influential mentors and techniques; and musical awakenings that led to a career as a master improviser and Director of Roulette, the New York City concert series. With musical appearances by John Zorn, Ikue Mori, Zeena Parkins, Bill Frisell, Fred Frith, Chris Cochrane, Derek Bailey, Joey Baron, Kyoko Kitamura, and Ciro Baptiste with recordings captured between 1986 and 2015. Staley will be honored with an all-star Gala at Roulette on June 6, 2024.https://roulette.org/

The trombonist Jim Staley traces his path from playing in a Vietnam-era Army band and as an orchestral musician; through encounters with influential mentors and techniques; and musical awakenings that led to a career as a master improviser and Director of Roulette, the New York City concert series. With musical appearances by John Zorn, Ikue Mori, Zeena Parkins, Bill Frisell, Fred Frith, Chris Cochrane, Derek Bailey, Joey Baron, Kyoko Kitamura, and Ciro Baptiste with recordings captured between 1986 and 2015. Staley will be honored with an all-star Gala at Roulette on June 6, 2024.

Bailey and the Bad Habits are a Red Dirt Country/ Southern Rock band from Waxahachie, TX. Formed in 2020 with influences that span all genres and decades, they have found a sound that borders on the edge of country, blues and rock.  The music is written by frontman, Derek Bailey who uses his life experience to write authentic songs about  Love and War. Lead Guitarist,  Brett Barr, brings  a bluesy rock tone to the band that ties the sound together with emotional,  improvised guitar. The beat comes from energetic drummer, Matt Brodeur, who is sure to make each performance lively. The heartbeat of the band is a thumping bassline played by Andrew Whitely. All aspects together deliver a sound and feeling that will fill venues of all sizes.   Bailey and the Bad Habits have a very wide range of influence, including Whiskey Myers,  Cross Canadian Ragweed, Blackberry Smoke, Ray Wylie Hubbard, Stevie Ray Vaughn, Hank Williams Jr. Pat Green, John Anderson and many, many more. Cover songs will often include some of those listed. Follow Bailey and the Bad Habits:https://baileyandthebadhabits.comFollow The Austin Young Show:https://austinyoungshow.comMusic By:Bailey and the Bad Habits - Haunted, Lessons Learned and Stepping Stone.Ottoman Turks - 35 to Life *DISCLAIMER: I hereby declare that I do not own the rights to this music/song. All rights belong to the owner. No Copyright Infringement Intended. All bands have given permission to use their music.*

Composer and pipa virtuoso, Ms. Min Xiao-Fen is our guest this week to talk about her recently released album Metta, which features the scores of 2 Chinese silent films, The Romance of the Fruits Peddler and Romance of the Western Chamber. These scores were commissioned by the Smithsonian Institute in 2023. We also discuss:Growing up in a musical familyGoing from a classical background to collaborating with jazz greats like John Zorn, Derek Bailey and Wadada Leo SmithCollaborating with Bjork on "I See Who You Are" from the album VoltaLearning to improvise and learning the Chinese connection to jazz For More Information about Min Xiao-Fen:Website: http://minbluepipa.com/newsIG: https://www.instagram.com/minxiaofenFB: https://www.facebook.com/min.xiaofen/An NPR interview with Ms. Min from 2021:https://www.npr.org/2021/07/03/1012832047/the-traditional-chinese-pipa-meets-guitar-in-min-xiao-fens-white-lotusIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacySpotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/Chartable - https://chartable.com/privacy

De raigambre europea y originada en Gran Bretaña, conecta con el free jazz, la música académica contemporánea, la experimental y la vanguardia que se gesta también en Estados Unidos. Si el jazz se ha calificado muchas veces como “el sonido de la sorpresa”, esta sería una “música sin memoria”._____Has escuchadoBarcelona. Esterri / Derek Bailey y Agustí Fernández. Derek Bailey, guitarra; Agustí Fernández, piano. Hopscotch Records (2001)Monoceros / Evan Parker. Evan Parker, saxofón soprano solo. Incus (1978)Solos. Ejié / Seijiro Murayama. Seijiro Murayama, caja (snare drum) sola. Zerojardins (2009)Todos los animales se reúnen en un gran gemido. Huracán de púrpura / Truss. Ferran Fages, guitarra acústica; Alejandro Rojas-Marcos, clavicordio; Bárbara Sela, flautas. Inexhaustible Editions (2020)Winter. Aconite / Wade Matthews & Alfredo Costa Monteiro. Wade Matthews, síntesis digital; Alfredo Costa Monteiro, objetos amplificados. Copy For Your Records (2011)_____Selección bibliográficaALONSO, Chefa, Improvisación libre: composición en movimiento. Dos Acordes, 2010*—, Enseñanza y aprendizaje de la improvisación libre. Propuestas y reflexiones. Editorial Alpuerto, 2014*BAILEY, Derek, La improvisación: su naturaleza y su práctica en la música. Ediciones Trea, 2010*BARZEL, Tamar, “‘We Began from Silence': Toward a Genealogy of Free Improvisation in Mexico City: Atrás del Cosmos at Teatro El Galeón, 1975-1977”. En: Experimentalism in Practice: Music Perspectives from Latin America. Editado por Ana R. Alonso-Minutti, Eduardo Herrera y Alejandro L. Madrid-González. Oxford University Press, 2018*BEN-TAL, Oded y Caroline Wilkins, “Improvisation as a Creative Dialogue”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 21-39*BOSSEUR, Jean-Yves, Musique et contestation: la création contemporaine dans les années 1960. Minerve, 2019*CANONNE, Clément, “Improvisation collective libre et processus de création musicale: création et créativité au prisme de la coordination”. Revue de Musicologie, vol. 98, n.º 1 (2012), pp. 107-148*—, “Focal Points in Collective Free Improvisation”. Perspectives of New Music, vol. 51, n.º 1 (2013), pp. 40-55*—, “Du concept d'improvisation à la pratique de l'improvisation libre”. International Review of the Aesthetics and Sociology of Music, vol. 47, n.º 1 (2016), pp. 17-43*CORBETT, John, A Listener's Guide to Free Improvisation. University of Chicago Press, 2016COSTA, Rogério, “Free Musical Improvisation and the Philosophy of Gilles Deleuze”. Perspectives of New Music, vol. 49, n.º 1 (2011), pp. 127-142*DENZIER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury, 2021*GALIANA, Josep Lluís, “De la naturaleza de la improvisación libre: elementos esenciales para su identificación y diferencias con la composición escrita”. Itamar: Revista de Investigación Musical: Territorios del Arte, n.º 4 (2018), pp. 26-49*—, Emociones sonoras: de la creación electroacústica, la improvisación libre, el arte sonoro y otras músicas experimentales. EdictOràlia, 2020*HOYER, Timo, Anthony Braxton: Creative Music. Wolke Verlag, 2022IRETA SÁNCHEZ, Iván Tadeo, La improvisación libre en solo: una aproximación fenomenológica y una proposición de análisis. Tesis doctoral, Universitat Autònoma de Barcelona, 2019MATTHEWS, Wade, Improvisando: la libre creación musical. Turner, 2012*MOLINA ALARCÓN, Miguel, “Auscultando la improvisación libre a la deriva”. En: Quartet de la Deriva. La improvisación libre y la teoría de la deriva. Editorial Obrapropia, 2012MUNÁRRIZ ORTIZ, Jaime, “Del lienzo en blanco al playback. Modelos de improvisación libre en el arte tecnológico”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 14 (2019-2020), pp. 51-67NOGLIK, Bert, “La música improvisada europea”. En: Hurta Cordel. Festival Internacional de Música Improvisada. La Casa Encendida, 2008OLEWNICK, Brian, Keith Rowe: The Room Extended. Powerhouse Books, 2019PIEKUT, Benjamin, “Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965-1975”. Journal of the American Musicological Society, vol. 67, n.º 3 (2014), pp. 769-824*PRÉVOST, Edwin, “Free Improvisation in Music and Capitalism: Resisting Authority and the Cults of Scientism and Celebrity”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Routledge, 2009*ROD, Johannes, Free Jazz and Improvisation on Vinyl, 1965-1985. Rune Grammofon, 2014SBORDONI, Alessandro et al., Free Improvisation: History and Perspectives. Libreria Musicale Italiana, 2018SALADIN, Matthieu, Esthétique de l'improvisation libre: expérimentation musicale et politique. Les Presses du Réel, 2014*SANSOM, Matthew, “Imaging Music: Abstract Expressionism and Free Improvisation”. Leonardo Music Journal, vol. 11 (2001), pp. 29-34*TOOP, David, En el maelström: música, improvisación y el sueño de la libertad antes de 1970. Caja Negra, 2018ZULIAN, Claudio, “La experiencia del colectivo de improvisación libre: músicas de vanguardia, free jazz y músicas alternativas”. En: Alter (músiques) natives. Generalitat de Catalunya, Departament de Cultura, 1995 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Esta semana, en una nueva sesión de Rebelión Sónica, tributamos al recientemente fallecido percusionista inglés, Tony Oxley. Figura fundamental del jazz y la música improvisada, Oxley murió a los 85 años el 26 de diciembre de 2023, luego de una larga enfermedad. Baterista que creó su propio lenguaje, su vasta obra quedó registrada en discos solistas y en múltiples colaboraciones y bandas que lideró o en las que participó. Entre ellas, Joseph Holbrooke Trio, junto al bajista Gavin Bryars y el guitarrista Derek Bailey, además de su trabajo con John McLaughlin, Evan Parker, Kenny Wheeler, Bill Dixon, John Surman y el pianista estadounidense Cecil Taylor, solo por nombrar algunos. Justamente, escucharemos material del álbum en vivo “Conversations with Tony Oxley” de Taylor. Grabado en la sala de Música de Cámara de la Filarmónica de Berlín en febrero de 2008, fue editado años más tarde, en 2018, por el sello Jazzwerkstatt. En él se puede apreciar de manera cristalina, el complejo y único vocabulario percusional de Oxley.

Abrimos 2024 con el brillante nuevo trabajo del guitarrista Wolfgang Muthspiel, Dance Of The Elders, publicado en 2023 para ECM. Descubriremos la música del contrabajista y compositor australiano Brendan Keller-Tuberg, del que escuchamos su álbum del 2021, In Spite Of It All. Nuestro Clásico de la Semana fue el recuerdo al batería Tony Oxley, quien nos ha dejado recientemente. Figura clave junto a otros del Free y Avantgarde británico, lo escucharemos en su debut del año 1969, The Baptised Traveller, junto a Kenny Wheeler, Evan Parker, Derek Bailey y Jeff Clyne. Seguir leyendo La Montaña Rusa 01.2024. Wolfgang Muthspiel. Brendan Keller-Tuberg. Recuerdo a Tony Oxley. John Scofield. Novas Trio. Jean-Michel Pilc. en La Montaña Rusa Radio Jazz.

We chop it up for a bit about the podcast and what we have planned for 2024. Y'all be blessed and stay focused. I'm excited for the new year!

YUH!! We end the year with this episode. (anything else is extras)Our guest is Derek Bailey. His team and him have come up with a way to transform gas fueled cars into electric vehicles. C.Reed and myself sit, listen and learn, then ask questions about his way of thinking and this added layer that can add economic growth for us in the delivery/transportation market.

This week we welcome some of the behind the movie Silent Sisters! We are talking with writer and director Derek Bailey. www.twistedsouthoriginals.com Actress Avaryana Rose! check out her YouTube channel here https://youtube.com/c/Avaryana And actress Koryn Todd! go check out her music over at https://music.apple.com/us/artist/trapmoneykinny/1681414098 SILENT SISTERS; A timid college Freshman unleashes a supernatural force to silence her bullies, unaware that her actions would unleash a powerful spell. Now, Josie must destroy vengeful a trio of undead cheerleaders. Derek Bailey stands as a unique creative, Director, and Producer. His effort Twisted South Originals added two feature films in 2023 to the many short film efforts that they made in previous years. A former Military Broadcaster during the Iraq War, Derek's filmmaking prowess is informed by a unique authenticity that stems from his military background, setting his work apart in the industry. Avaryana Rose is an actress, known for Not for Sale: Florida, Bitter Souls and Broken (2023) with famous actors Dean Cain and Kevin Sorbo. Avaryana has also gained notoriety as a NYFW Runway Model, Verified YouTuber, Social Media Influencer and successful teen CEO of Avaryana Rose LLC/DBA Babes Against Bullying a brand that spreads awareness against cyber bullying. Koryn Todd is known for Silent Sisters and Don Scroogioni Part II (2023). This episode is sponsored by Deadly Grounds Coffee, head over to https://deadlygroundscoffee.com/ and grab a bag if you want to support the show head over to http://tee.pub/lic/xagxfUg22qI and grab a shirt! We are part of The Dorkening Podcast Network https://www.thedorkeningpodcastnetwork.com/ Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/5657902597799936 Find out more at https://wicked-horror-show.pinecast.co Send us your feedback online: https://pinecast.com/feedback/wicked-horror-show/805a6d5e-9642-490e-8fbb-2c48ba137495 This podcast is powered by Pinecast.

Here's another preview for the upcoming episode with Derek Bailey.

Here's a clip from my upcoming guest, Derek Bailey. LAST EPISODE OF THE YEAR. Thanks for all the love and support.

Full Court Press is hosted by Michael Susman, Derek Bailey, Anthony Lewis, and features Coach Bob Huggins. Radio: Full Court Press Air Date 11-7-23

THE MAHAVISHNU PROJECT (Neil Alexander/Brian Mooney/Robbie Mangano/GB) is on tour playing the complete BIRDS OF FIRE by the Mahavishnu Orchestra, and in this episode of The ProgCast we meet up to discuss our history with the incredible music of John McLaughlin, Jan Hammer, Billy Cobham, Jerry Goodman, and Rick Laird. We talk about the joys and challenges of interpreting this classic jazz-rock unit's richly rhythmic, melodic and harmonic material and what it means for us as a jazz-rock fusion repertory ensemble. https://www.bendianmusic.com BONUS EPISODES AVAILABLE ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... https://www.bendianmusic.comhttps://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/... https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...

Check out the new Touchdown City Show as the guys break down the 38-15 loss to Penn State. Anthony Lewis, Derek Bailey, and Michael Susman assess the Mountaineers play and talk about what improvements need to be made before next weeks game against Duquesne. --- Support this podcast: https://podcasters.spotify.com/pod/show/touchdowncity/support

Anthony Lewis, Michael Susman, and Derek Bailey talk about the return of football, year 5 of Neal Brown, and Big XII expansion. --- Support this podcast: https://podcasters.spotify.com/pod/show/touchdowncity/support

RICHARD SINCLAIR, bassist, guitarist, vocalist, is one of the founding fathers of Canterbury prog. What a pleasure to speak with him on The ProgCast about his time with Caravan, Hatfield & The North, Camel and of course, his solo music as well. https://richardsinclairsongs.bandcamp.comhttps://www.bendianmusic.comhttps://www.timmotzer.com BONUS EPISODES AVAILABLE ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.comhttps://guides.library.yale.edu/oham/... https://www.mahavishnuproject.comhttps://www.wpunj.edu/coac/department...

Derek Bailey: An appreciation and remembrance - The ProgCast with Gregg Bendian

David Grubbs: On Derek Bailey Excerpts from Roulette concerts between 1986-99 by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023. https://roulette.org/

Excerpts from Roulette concerts by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, between 1986-99 Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023.

"You inspire us to work hard to improve the service we do for the music community." In this episode of MFM Speaks Out, Dawoud Kringle offers a retrospective of the progress of the MFM Speaks Out podcast in 2022. The guests mentioned, and / or whose music was included, include Ken Butler, Ariel Hyatt, Neel Murgai, Banning Eyre, Baba Don Eaton Babatunde, William Parker, Bruce Lee Gallanter, Jeff Slatnick, Hubert Howe, and April Centrone.The progress and accomplishments of MFM as a whole during the year 2022 were also briefly discussed. Topics discussed:Our guest for episode 35 in January was musician, experimental musical instrument builder, and visual artist Ken Butler. He builds hybrid musical instruments and other artworks that explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence.He is internationally recognized as an innovator of experimental musical instruments created from diverse materials including tools, sports equipment, and household objects.February's episode 36 featured Ariel Hyatt. Ariel is a digital marketer, writer, and teacher who assists independent musicians in career development. She is the author of Music Success in 9 Weeks, Cyber PR For Musicians, Crowdstart, and other books. Hyatt worked at New York City's WNEW-FM, and the What Are Records? record label. She moved to Boulder CO, where she managed and handled publicity for the funk band, Lord of Word. She is also the founder and owner of the New York-based public relations firm Cyber PR. Her clients included the Toasters and George Clinton.Neel Murgai was our 37th guest in March. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective.Banning Eyre is a writer, guitarist and producer, and the senior editor and producer of the public radio program Afropop Worldwide.  He has traveled and done music research in over 20 African countries, as well as in the Caribbean, South America and Europe. His latest initiative is the launch of Lion Songs Records, an independent label dedicated to uplifting overlooked, mostly acoustic music from the African universe. He is the author of several books, and the co-author of AFROPOP! An Illustrated Guide to Contemporary African Music. Eyre is a contributor to National Public Radio's All Things Considered, and his writing has been published in Billboard, Guitar Player, Salon, the Boston Phoenix, College Music Journal, Option, The Beat, Folk Roots, Global Rhythm, and other publications. He also has a background in technology, and worked for 10 years as a software technical writer. Eyre is also on the Advisory Committee of Musicians for Musicians.  Baba Don Eaton Babatunde. He is a percussionist and master of African Drumming and the rhythms of the African Diaspora in the Americas. Baba Don has performed and recorded with Abidun Oyewole and The Last Poets, Pattie Labelle, Joe Henderson, Donald Brown, Jason Linder, Tyrone Jefferson, Tevin Thomas, James Spaulding, Ron Carter, George Clinton, Pharaoh Sanders, the Metropolitan Orchestra, Bill Laswell, and Philycia Rashadto name a few. His work with dance companies and choreographers includes The Dance Theatre of Harlem, Alvin Ailey Dance Theatre, Maurice Hines, Gregory Hines, Andy Williams, Chuck Davis Dance theatre, Frank Hatchet, Geoffrey Holder, Louis Johnson, and Pyramid Dance Company.Episode 40 featured free jazz bass master William Parker. He has also performed and recorded with Cecil Taylor, Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He was the leader of the Little Huey Creative Music Orchestra and In Order to Survive, a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. Our guest for episode 41 was Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music.Jeff Slatnick was our 42nd guest. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments. Hubert Howe graced the annals of our podcast as our 43rd guest. Hubert was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama. He has been a member of the Society of Composers, Inc. , President of the US section of the League of Composers / International Society of Contemporary Music, a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College, a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director.Our final guest for for 2022 was April Centrone. April Centrone is a multi-instrumentalist (specialising in the riqq, darbuka, frame drum, trap drum, and oud), co-founder of the New York Arabic Orchestra, teacher, composer, film producer and director, and music therapist. She is a Carnegie Hall World Explorer musician and educator, business owner and founder of 10PRL, arts/film/event space on the Jersey Shore. Shehas performed in venues such as the United Nations, NYC Opera House, Carnegie Hall and Lincoln Center, and has toured throughout Europe, the Americas, Middle East and Far East.Music on this episode:"Aurora" by Adam Reifsteck / Sonic Fear"Building a Desert Blizzard" by Ken Butler"Bagheshri Unbound" by Neel Murgai"Today is a New Day" by Voyagers"25 Years" by Abiodun Oyewole, featurning Baba Don Eaton"Give Me Back My Drum" by William Parker"Warm Arms to Hold You" by Dawoud the Renegade Sufi (a.k.a. Dawoud Kringle)"Inharmonic Fantasy No. 7" by Hubert Howe"New Moon" by April Centrone"Welcome New Iran" by SoSaLa (a.k.a. Sohrab Saadat Ladjevardi)(All music used by permission)

In this episode, Commissioner Tim Echols goes to Atlantic Station to explore Derek Automotive, new EV experience center, with founder Derek Bailey. Then, Atlanta City Council President Doug Shipman joins the show and Tim presents Southwire with an Energy Matters Award.

"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane,  Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG  also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info,   Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his  writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery

"Music is Defined as Anything that is Beautiful, and What Makes Something Beautiful is Music"Our guest for this episode of MFM Speaks Out is free jazz bass master William Parker. Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instruments were the trumpet, trombone and cello. Parker had no formal training as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis and Wilbur Ware.In the 1980s, he first came to public attention playing with Cecil Taylor. He has also performed and recorded with Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He also led several groups, such as the Little Huey Creative Music Orchestra and In Order to Survive.His discography is extensive, with dozens of albums as a leader and co-leader, and with the aforementioned artists. They received very favorable reviews from publications such as Downbeat, The Village Voice, The Wall Street Journal, Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, dancer / choreographer Patricia Nicholson. He is also a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. He has performed at many prestigious venues and music festivals around the world. In addition to double bass, Parker also plays trumpet, tuba, bamboo flutes, shakuhachi, flute, double reeds, Kora, gembri, and donso ngoni.In 2006, Parker was awarded the Resounding Vision Award from Nameless Sound. In March 2007, his book of political thoughts, poems, and musicological essays, Who Owns Music?, was published by Buddy's Knife Jazzedition in Cologne, Germany.  In June 2011, Parker's second book, Conversations, a collection of interviews with notable free jazz musicians and forward thinkers, mainly from the African-American community, was published by RogueArt. Parker is frequently noted for his community dedication, mentorship, and status as "unofficial mayor of the New York improvisational scene." The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and Downbeat has called him "one of the most adventurous and prolific bandleaders in jazz."Topics discussed:His beginnings as a musician and what led him to free jazz, his work with Cecil Taylor, Roy Campbell, Hamid Drake, Jimmy Garrison, and many others, his work and long association with Arts for Art (AFA), the Vision Festival, the Other Dimensions in Music Cooperative, AFA's kinship with other musician's organizations, his thoughts on hip hop, social media, and modern music technology, racism in America, the spiritual essence of music (especially free / improvised music), the future of free jazz, and his experience, thoughts, and advice about the political and economic climate of the the music business.Music on this episode:"Give Me Back My Drum""It's A Great Day to Be Dead""Canyons of Light"All Music by William Parker

Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. Archives brianturnershow.comHELLO FROM JOE WALSHDEBRIS - Flight Taken - Static Disposal (1976, re: Anopheles, 1999)BRÚSIT - Dzieci w Beczkach - Brúsit EP (Syf, 2022)LITTLE CAROLYN SUE - I Hate Men - 7" (Lar, 1968)NEGATIVE NANCIES - G.O.S.T. - You Do You (CocoMuse Releases, 2018)PUPPET WIPES - A Web For Every Garden - The Stones Are Watching & They Can Be A Handful (Siltbreeze, 2022)KAORU ABE NO FUTURE - Music Is Plastic Bag - Another Wrong Way, Again (Presses Précaires, 2022)ELI WALLACE / CECELIA LOPEZ / MICHAEL FOSTER / SEAN ALI - Stratosphere - The Inflatable Leviathan (Triptick Tapes, 2022)MICK HARRIS - Two Weeks - HedNod Thirteen (BC, 2022)STICK MEN WITH RAYGUNS - Christian Rat Attack - Some People Deserve To Suffer (Emperor Jones, 2002)ZAVAR - Himnusz - Ka A Felelós? (cs, Szégyen Kazetták, 2021)MEDWEGYA - Metronome Is Evilness - Raw Psychedelic Dungeon Synth Black Metal Manifesto (Weregnome, 2022)THE FALL - Jerusalem (live Edinburgh 1988) - I Am Pure As Oranj (NMC Music, 2000)MERLE HAZARD WITH ALISON BROWN - (Gimme Some Of That) Ol' Atonal Music - (You Tube, 2019)THE LA DRIVERS UNION POR POR GROUP - Otsokobila -Por Por: Honk Horn Music Of Ghana (Smithsonian Folkways, 2007)ODIA - At the Edge of the Stones - Adventures of Odio (Afrobotic Musicology, 2022)DEREK BAILEY - 5 - Domestic Jungle (Scatter, 2022)ORGAN OF CORTI - Helix - Auris (New Forces, 2022)LORIS CERICOLA - Planet 23 - Metaphysical Graffiti (Artetreta, 2022)KEVIN AYERS AND THE WHOLE WIDE WORLD - We Did It Again (live Holland 1970) - Colours of the DayDON BRADSHAW-LEATHER - Distance Between Us Part 1 (Excerpt) - Distance Between Us (1972, re: Cold Spring, 2022)IANNIS XENAKIS - Polytope de Cluny (1972) - Electroacoustic Works Box (Karlrecords, 2022)

The latest episode of the Burning Ambulance podcast features an interview with tuba player Bob Stewart.I have said all season long that we're going to be exploring a single subject for ten episodes, and that subject is fusion. But as I hope has become clear over the course of the five previous episodes, during which I interviewed techno pioneer Jeff Mills, drummer Lenny White, trumpeter Randy Brecker, pianist Cameron Graves, and guitarist Brandon Ross, most of whom come from different musical generations and are not peers, when I say the word fusion, I'm talking about a state of mind, not a style or a genre. It's not what you play, it's how you approach music-making.I understand that when most people hear the word fusion, they think of the big name bands from the 1970s: the Mahavishnu Orchestra, Return to Forever, and Weather Report. Those groups, and the Miles Davis bands from 1969 to 1975, and many other less immediately recognizable groups, all did a particular thing, playing extremely complex music that blurred the lines between progressive rock and jazz. We talked about those acts in the second and third episodes this season, with Lenny White and Randy Brecker, both of whom were around then and were actively participating in making some of that music.If you think of fusion as a mindset, though, rather than a style, the discussion gets a lot more interesting. And that's really how I prefer to think about it. Because the people who fall into the latter category are the ones who I find to be the most interesting, and the ones who are more likely to have careers where almost every record they play on is at least worth hearing, worth giving a chance. You may not like all of it. But they're creative enough that they've earned the benefit of the doubt.A perfect example of this is Bill Laswell, the bassist and producer. He doesn't use the term fusion. He calls what he does “collision music,” bringing together players from wildly disparate areas — stylistic areas, and literal geographical ones, putting African players together with guys from Southeast Asia and New York rock artists and whoever else he thinks has something to say — and seeing what comes out when they all work together toward a common goal. And sometimes you get something glorious, that you never could have predicted or imagined beforehand. Like pairing Pharoah Sanders with a troupe of Gnawa musicians from North Africa. Or putting improvising guitarist Derek Bailey together with drummer Jack DeJohnette, DJ Disk from the Invisibl Skratch Piklz, and Laswell himself on bass. I heard a recording of that group just a few days ago, and you might not expect it to work, but it really, really did.Bob Stewart is a fusion artist in that he takes an instrument that has had a relatively low profile in jazz for decades — the tuba — and created a variety of fascinating contexts for it. Not only on his own albums, but particularly in partnership with the late alto saxophonist Arthur Blythe. They began working together in the early 1970s, and Stewart's playing on some of Blythe's albums, most notably Bush Baby, where it's just the two of them and a percussionist, and on Lenox Avenue Breakdown and Illusions, where they had some incredible bands that included at different times James “Blood” Ulmer on guitar, Cecil McBee on bass, Jack DeJohnette on drums, James Newton on flute, and Abdul Wadud on cello. On the album Blythe Spirit, Blythe and Stewart record a version of the spiritual “Just A Closer Walk With Thee,” with Amina Claudine Myers on organ, that's absolutely amazing. We talk about that piece a little bit in this interview.He's worked with a lot of other artists over the course of his career, too, including Charles Mingus, McCoy Tyner, Carla Bley, Gil Evans, the Jazz Composers Orchestra, Bill Frisell, the David Murray Big Band, Lester Bowie's Brass Fantasy, and on and on. The reason he's able to do so many different things is that his approach to the tuba is really expansive, conceptually speaking. He treats it as much more than a substitute bass. He understands its full range, and the subtleties it's capable of expressing, and he uses it in ways lots of other people would never even think of. On his own albums First Line, Then & Now, and Connections — Mind the Gap, he puts together really unorthodox collections of personnel. For example on Then & Now, which was originally released in 1996 but just recently popped up on Bandcamp, some of the tracks feature two trumpets, trombone, French horn, and drums, while another is a duo with pianist Dave Burrell, and others have trumpet, alto sax, guitar, and drums. And Connections — Mind the Gap, which is from 2014, features tuba, guitar and drums, with trumpet and trombone on two tracks, but then on five others it's the core trio plus a string quartet. Now that's very much a kind of fusion — jazz which is already in an avant-garde zone, combined with chamber music.Bob Stewart is a fascinating guy, an endlessly creative spirit who has done a tremendous amount to change the image of his instrument in order to pave the way for guys like Theon Cross, who plays tuba with Sons of Kemet, or with Jose Davila, who plays with Henry Threadgill's Zooid. I really enjoyed this conversation, and I hope you enjoy listening to it.Music in this episode:Bob Stewart, “Bush Baby” (Connections – Mind The Gap)Arthur Blythe, “Lenox Avenue Breakdown” (Lenox Avenue Breakdown)Bob Stewart, “The Rambler” (from Then & Now)

DEREK SHULMAN (Part one) DEREK SHULMAN is the powerhouse voice behind the incredible music of Gentle Giant. Derek and I celebrate Giant's unique splendour by marking the 50th Anniversary of their "Three Friends" and "Octopus" albums (both prog masterpieces), plus the reissue of their final album, "Civilian". Gentle Giant are my favorite progressive rock band, and their work has stood the test of time like few others. Lots of ground to cover with this true prince of prog. [Part two is available to patrons of The ProgCast. Please support this special content and join us on Patreon.] SUPPORT US ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.com https://guides.library.yale.edu/oham/... https://www.mahavishnuproject.com https://www.wpunj.edu/coac/department...

MATT STOBER, BEN & QUINN CONIGULIARO are all composer/musicians from the New York/New Jersey area. They make up 3/4ths of the instrumental group In-Dreamview. The members also have a vast web of related and interconnected projects as well, such as Sun Colored Chair, Wyxz, Wippy Bonstack, Eyeless Owl and many many more. The music they make is well informed by the progressive music of the past while also looking to expand as much as they can as the next generation. SUPPORT US ON PATREON: https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

https://www.patreon.com/theprogcast (Part 2 available for Patrons!) THE SIGN OF 4 remains the most controversial project I've both produced & played on. PAT METHENY, DEREK BAILEY, PAUL WERTICO, and I met up in December of '96 to record some pretty wild improvisations - both live and in the studio - and it's one of the most extreme bits of music-making of my career. My pals at MakeWeridMusic, Andre Cholmondeley and Anthony Garone help me break down the highs and the lows of this triple-disc epic, as we look back over the 25 years since TSo4's release. "The Sign of 4" is also explored in this fun piece at MakeWeirdMusic: https://www.youtube.com/watch?v=dyGH4UZ-sY8&t=283s https://www.patreon.com/theprogcast Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0... APPLE PODCASTS: https://podcasts.apple.com/us/podcast... www.greggbendian.com https://open.spotify.com/artist/0HBmV... https://www.bottomlinearchive.com https://guides.library.yale.edu/oham/... https://www.mahavishnuproject.com https://www.wpunj.edu/coac/department...

RALPHE ARMSTRONG is one of the great bassists of jazz. He is beloved for his role in the last two versions of the mighty Mahavishnu Orchestra. We chat about Raphe's beginnings and his amazing career from the early days of jazz-rock to his current jazz outings. Study Drums/Composition/Music with Gregg: https://www.bendianmusic.com GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

This week we're talking about another music book, in this case, Improvisation: Its Nature and Practice in Music by Derek Bailey: an overview of improvisation in both idiomatic and experimental contexts. Albums of the Week: Scott: The Cure—Seventeen Seconds Elaine: Einstuzende Neubatuen—Haus Der Luge

Willem Breuker Kollektief! Creative Opportunity Orchestra! Hostile club owners!Saxophonist and composer, Alex Coke cannot be bound to one location. In this episode, we talk about unique collaborations with hip cinemas, bright moments in the midst of tragedy that remind us that people are good, and a tell-tale sign that the gig might go sideways: when the critiques start before downbeat. FEATURED RELEASE:Alex Coke“Iraqnophobia” (2005) Getting to Know: Alex!Musician/composer Alex Coke is a native of Dallas, Texas, who's interest in music and art led to studying flute and listening to jazz artists throughout his school years. He received his B.A. from The University of Colorado at Boulder in 1976 with an emphasis on flute performance. He went on to play, teach, tour, and record worldwide excelling on flute and saxophones as well as a variety of other woodwind instruments. An improviser at heart, Coke's eclectic perspective has led him to explore music from Be-Bop to Huddie Ledbetter, Ornette Coleman, Derek Bailey, and beyond. His flute studies have ranged from Eric Dolphy to Indian ragas on the bamboo flute as well as the extended techniques such as those researched by Robert Dick, Ann LaBerge and Wil Offermans.As a "tough Texas tenor" and featured flute and saxophone soloist on numerous projects in the USA, Europe, and Africa, Coke has had the honor of working with some of the world's most creative and diverse musicians including Tina Marsh, Steven Feld, The Creative Opportunity Orchestra, Reeds and Deeds, Accra Trane Station, KlezEdge, Gerald Wilson, Charles Tolliver, The Paradise Regained Orchestra, The John Jordan Trio, Arson, and The Mysterious Quartet from Helsinki (featuring Chris Duarte), Greezy Wheels, The Alejandro Escovedo Orchestra, White Denim, and many others. Watch the interview on our YouTube channel here!

Today we speak with Marc Shillum, Designer, Creative Mind and trained musician. Marc was the founding Chief Experience Officer of Matternet, a pioneering transportation startup awarded World Economic Forum Technology Pioneer. In his role, he connected the dots between Customer Needs, Hardware Design, Software Design, User Experience, Visual Design, Business Strategy and Brand Building. Marc has written OpEds for The World Economic Forum and Virgin Unite, delivered keynotes at SXSW, the Lego Marketing Summit, Nike Design Summit, and others. And Marc is the author of 'Brands as Patterns', a  white paper that opinion-makers like FastCompany, Contagious Magazine and PSFK have republished. We have a wonderful conversation about analogies between design, business, the human body and music. For example, Marc shares the various roles of a trumpet player in an orchestra and his early experiences with improvising musicians like Graham Collier and Derek Bailey.  We talk about different leadership positions, from composing, orchestrating, and conducting and how different musical styles help us understand our business.  And we discuss the difference between frequency and cadence in an agile workspace and how brands can orchestrate their business successfully with patterns.   Show notes Brands as Patterns platform, https://www.brandsaspatterns.com Marc on Twitter, https://twitter.com/BrandsPatterns Marc on LinkedIn, https://www.linkedin.com/in/marc-s-92967b2/  Magazine INDEX, including a few conversations with guitarist Derek Bailey, we talked about in the session: http://www.index.works     More info The Power of Music Thinking is brought to you by CREATIVE COMPANION specialised in facilitating companies in making brand minded and people-centred decisions.   Buy The Power of Music Thinking book (April 2022)   See the latest episode of The Power of Music Thinking    

Today we're joined by a guest! The hilarious and charming Levon is joining us from Knife Nuts Podcast, and together we're discovering Pikes 199-201 [8-6 Days Til Halloween](Flare Up, Cavernous, and Underlair,) also Britain is only halfway through the broken foot boot-phase, Spenser maybe gets a new job?, Spenser's ongoing maintenance problems, Quantum Leaping into the maintenance guy, Buckethead in Derek Bailey's Company 91 (1992), Jay Z is not JZ (John Zorn), canned whole chicken, The Goddamn Gallows - The Maker, a rotting lizard under your car seat, dungeon banjo, putting on music to watch pornography, the last (and worst) pair of underwear that you should really throw away, the Zorn of the family at Thanksgiving, What kind of knife is Buckethead?, Britain recalls what it's like to take a shit on acid, Buckethead vs Boot-on-head 2016, “Knife Try”, could a professional weightlifter be a bucketbot?, gotta let the internet know that your girlfriend is hot, introverted inverted perverted and inserted, the one Qanon Bucketbot, Hiding the Wookie in a secret fleshlight, Scooby Doo and Kiss Rock and Roll Mystery (2015), Wreche - S/T, Awesome Games Done Quick (AGDQ), Summoningsalt, all projects matter, and recounting red characters.Support the show (https://www.patreon.com/abucketcast)

Episode 64 Playlist Hugh Davies, “Shozyg I” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from 1968. 8:16 The Music Improvisation Company, “Tuck” from The Music Improvisation Company (1970 ECM). Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. Recorded on August 25th, 26th, 27th, 1970 at the Merstham Studios, London. 3:14 Gentle Fire, “Group Composition IV” (excerpt) from Explorations (1970 - 1973) (2020 Paradigm Discs). Recorded live At ICES 72 (The Roundhouse, London, 14th August 1972). Cello, Michael Robinson; Springboard, Hugh Davies; Performer, Gentle Fire; Recorder, EMS VCS3, Graham Hearn; Tabla, Richard Bernas; Trumpet, Cello, Stuart Jones. 4:33 Gentle Fire, “Edges” from Earle Brown, John Cage, Christian Wolff – 4 Systems, Music For Amplified Toy Pianos, Music For Carillon, Edges (1974 EMI Electrola). German recording of the Christian Wolff piece “Edges,” performed by Gentle Fire. Graham Hearn, Hugh Davies, Michael Robinson, Richard Bernas, Stuart Jones. 10:17 Hugh Davies, “Music for Bowed Diaphragms” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from October 7, 1977. 10:08 Hugh Davies, “Salad” from the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from February 19, 1977. Davies performs on four different egg slicers, two tomato slicers and one cheese slicer. 13:55 Hugh Davies, “Toads” from the National Sound Archive of The British Library. The recording dates from 1980. 5:50 Hugh Davies, “Spring Song” from the National Sound Archive of The British Library. The recording dates from 1980. 4:56 Borbetomagus, “Concordat 7” from Work On What Has Been Spoiled (1981 Agaric). Live Electronics, Hugh Davies; Guitar, Donald Miller; Saxophone, Don Dietrich, Jim Sauter. 4:57 Hugh Davies, “Porcupine” from Warming up with the Iceman (2001 GROB). Solo work from 2000. 5:08. Porcupine was a more recent instrument invented by Davies in 2000. It comprised a disc shaped contact microphone and some wires that create a glissandi when touched with a finger. 5:08 Hugh Davies, “From Trees and Rocks” from Tapestries: Five Electronic Pieces (2005 Ants). Music for an installation at the Diozesanmuseum in Cologne called Walkmen that ran from April to September of 2000. A work in which “all the sounds were related to the processes that would have been undergone in order to transforms trees and rocks into works of art, especially sawing and chiselling; to these sounds I added others which were produced by treating the tools themselves as if they were simple musical instruments” (Davies). This CD is noted for the generous and informative biographical notes by David Toop, a friend and sometimes collaborator of Davies. 9:49 Background music: Karlheinz Stockhausen, Mikrophonie I (excerpt) (1967 Columbia). A key work for which Davies contributed while he was working as an assistant to Stockhausen. Filters, Potentiometers, Hugh Davies, Jaap Spek, Karlheinz Stockhausen; Microphones, Harald Bojé, Johannes Fritsch; Tamtam, Fred Alings, Aloys Kontarsky. 13:02 Notes: Many of the works attributed to the National Sound Archive of The British Library are also available on the following commercial recording: Hugh Davies, Performances 1969 – 1977 (2008 Another Timbre), a UK CD The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–1975. Researcher/scholar James Mooney, of the University of Leeds, UK, keeps the Davies flame alive with his contributions around Davies handmade instruments and music. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.  

Here we talk to Derek Bailey and Steve Branch from Derek Automotive, the first Black-owned electric vehicle company in the world. We discuss their paten for their unique technology, how it's different from the many other electric vehicle companies out there, and the importance of giving back to the Black Community through resources and education. Connect: https://derekautomotive.com Get Your EV Company Shares: https://datspeakyourlyfe.com Follow Us: https://speakyourlyfe

Intro: Serene Ailment Incantation Praxis from cold_storage   Aarti Jadu & Matthew Hayes Just Eyes (2019) Ai Yamamoto Walking in depreston (2019) Female Wizard Monday and Wednesday from Clown Town EP (2021) Derek Bailey and Casey Rice performances 2001 1/22/2 Ernie Althoff - You've Got The Option (1985) Furchick Indonesia Love (2021) Brrrrrrrr51%

When Cecil Taylor, icon of the jazz avant garde asks if you'd like to tag along with him to The Garden to hear an iconic American rock band you say, "Yes!" Grateful Dead aficionado and Sirius/XM DJ Gary Lambert was with us that night (he invited Ornette Coleman), and Gary helps me tell the whole story, on this episode of The ProgCast GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists. You can also find us on: SPOTIFY: https://open.spotify.com/show/0x9bzb0...​ APPLE PODCASTS: https://podcasts.apple.com/us/podcast...​ www.greggbendian.com https://open.spotify.com/artist/0HBmV2y5G7dXc0xDuY9EAt?si=6m8XTjwoSpy1G-nuJqiTqwwww.bottomlinearchive.com https://guides.library.yale.edu/oham/collectionsguidewww.mahavishnuproject.com https://www.wpunj.edu/coac/departments/music/faculty/faculty-pop.html

TERRY CHAMBERS is well-known as the drummer of XTC. We chat about his and the band's early years, how he developed his unique style, and the drum sound that changed everything. Plus, lots about his post-XTC musical life and what he's up to currently with Ex-TC. GREGG BENDIAN is a percussionist/composer/producer/educator/podcaster from Teaneck, New Jersey. During his wide-ranging career he has toured internationally and recorded with Todd Rundgren, Jan Hammer, The Mahavishnu Project, Keneally-Bendian-Lunn, The Musical Box, John Zorn, Derek Bailey, Nels Cline, Cecil Taylor, Pat Metheny, Ornette Coleman and Zoot Horn Rollo. On the academic front, Gregg develops and teaches courses in studio production aesthetics, music history, and composing/arranging at William Paterson University of New Jersey. For the Yale Oral History of American Music, he has contributed over 100 expansive interviews with major figures including Wayne Shorter, Sonny Rollins, Quincy Jones, Carla Bley and Steve Reich. Bendian is archivist/producer for the Bottom LIne Archive of historic concerts. Recorded over 30 years at the Greenwich Village venue, the series features discs by Jack Bruce with Billy Cobham, The Brecker Bros, Lou Reed/Kris Kristofferson, Pete Seeger/Roger McGuinn, and Doc Watson. An accomplished percussionist and a composer of over 200 works, he has created a body of innovative music for jazz, rock, percussion (solo and ensemble) and mixed chamber groups, which include his Interzone and Trio Pianissimo bands. Gregg's music is published by Iamuziks (ASCAP). Begun in August of 2020, The ProgCast explores the creative process and musical history of a diverse assortment of cutting edge artists.

Toilets on heads, high frequency feedback devastation, hot pink harsh noise. The New York-based vocalist from Sydney, Australia discusses three important albums.Charmaine's picks:Derek Bailey / George Lewis / John Zorn – YankeesYan Jun + Hsia Yu – 7 Poems And Some TinnitusMasonna – Noskl In Ana - Rare Tracks CollectionCharmaine's incredible new record, KNVF, is out now via Erratum Musical and is available on Bandcamp. Her website is here. During the conversation we talk about her article over on Wet Ink Archive, titled Reflections On Building A Personal Language.

In this June 2015 conversation, Paul Lytton discusses his musical origins in 1960s London, experiences playing with Evan Parker, Derek Bailey, Tony Oxley, and Barry Guy, and his recent foray into painting. This episode is sponsored by Astral Spirits Records: “The New Wave of Heavy Free Jazz since September 2014.” (astralspirits.bandcamp.com)

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

Percussionist/improvisor Jamie Muir is best known for his incredible work on King Crimson's "Lark Tongues In Aspic." Jamie's "Dart Drug" with Derek Bailey had a huge impact on my idea of sound and improvisation. Today I speak about Jamie's brilliance, and our London hang in the summer of '88. Plus: How I ended up playing Jamie's gear on a Bailey gig, and a very special memento from those heady days. Music: https://www.madeofwater.bandcamp.com https://www.greggbendian.bandcamp.com

Fred Frith has changed the worlds of guitar, guitar sound, rock songs, rock bands, improv, and beyond. We chat about Fred's early years, Henry Cow, Art Bears, Massacre, and Skeleton Crew, plus Captain Beefheart, Derek Bailey, and John Cage come up too.

Composer/harpist/improviser/educator Anne LeBaron and I are old friends and collaborators from the New York improv/new music scene. She is renowned for pioneering extended harp techniques, and electronic enhancements. Anne has covered so much musical ground during career - from early gigs with Derek Bailey, to composing unique and groundbreaking operas and concert theater. That and much more, on The ProgCast.

SAN ONOFRE-The Astronauts interviú in orbit? SAN ONOFRE, excentricidad, desasosiego, arritmia, onofrita Tensiòn! Tú y yo sabíamos que iba a ser 3 2 ó 1. Blast Off! ¿A qué viene a estas alturas del culebrón una interviú en vivo con uno de los capitostes de un género (los buenos sólo duran 7 u 8 anos, según el Derek Bailey) que reinó supremo en La Pérfida Albión, cual amor de Trane, hace 7 u 8 lvstros, macho? ¿Qué cuál? ¡El Anarchopunk, yo! ¿Los hijos punks onofritas están condenados a repetir los errores de los jipis de sus padres? ¡Alguno de Uncle Félix ya quisiera cometer uno, ya! ¿Pero... fueron realmente errores? ¡Bah! SAN ONOFRE nos ponemos una línea telephónica con Mark Wilkins, nè Astronaut, el sqalvador de vuestra estirpe, intrépido, pertinaz comodoro de la astronave de The Astronauts. Este pavito seguro le cuenta buena mandanga al Otis. ¡Toma, no! Yo, por si acaso, ya estoy reservando asiento de mal culo en primera línea de mi salón-comedor para ver qué dicen estos tarados en el transistor de mi tatarabuela. An Englishman´s home is his castle pub.¡Yaaaaaaaaaaaaa!

SAN ONOFRE improvisa con Derek Bailey SAN ONOFRE lo reconoce abiertamente y sin ambages: no tiene sentido alguno, lo mires como lo mires, encapsular en un maldito proama de radio el vastísssimo, inasible opvs pistorum del díscolo axeman de La Pérfida Albión Derek Bailey. Por eso lo hacemos. Dejemos que hable Eric Dolphy en una de nuestras onofritas cuñas: "Cuando escuchas música, una vez se acaba, se acabó, se desvanece y no se puede recuperar". Sí, tope baileyesque, socios onofritas. Sigamos gozando y sufriendo, pves.

Alex Ward is a composer, improviser, and performing musician. His primary instruments are clarinet and guitar. He has also performed on alto sax, piano/keyboards, bass guitar, and as a vocalist. Alex's involvement in improvised music dates back to 1986, when he met the guitarist Derek Bailey. Since 2006, he has been heavily involved in both solo and collaborative composition, predominantly  of instrumental music. He has been a member of many other groups including ensembles led by Eugene Chadbourne, Simon H. Fell and Duck Baker.  Alex is a  frequent collaborator of both Tim and Weasel Walter. In fact, Alex has toured with the both of them as a member of Weasel's Flying Lutenbachers project.

Young Southpaw chats to Henry Kaiser about his phenomenal new record A Love Supreme Electric, Coltrane & Miles, Thomas Pynchon, guitars on Antarctica, and much more  https://henrykaiser.bandcamp.com/ https://cuneiformrecords.bandcamp.com/album/a-love-supreme-electric-a-love-supreme-and-meditations https://www.youtube.com/c/CuneiformRecords/videos  https://www.youngsouthpaw.com/ Henry Kaiser: I really got into music in high school. I think it was the San Francisco music scene, the kind of live gigs we could go to. We could go and see all kinds of great Indian music at the Ali Akbar College Of Music, go to all-night concerts of Indian music. We’d go to The Avalon, Winterland, and The Fillmore and see amazing things. Amazing bills that Bill Graham would book, where he’d put on B.B. King, Charles Lloyd, and Love, something like that. So I just got to see a lot of music, there was underground radio, there was non-commercial radio. I heard 20th century classical music, experimental music. And I fell in love with enjoying music as a consumer in high school. I didn’t start playing guitar until I got to college. Got a guitar in 1971. November 1st. Then I became a producer instead of just a consumer, slowly.  Young Southpaw: Was there something in particular that made you want to pick up a guitar?  HK: Three experiences that happened in the same week made me want to pick up a guitar. I heard an album called Topography Of The Lungs with Derek Bailey, Evan Parker, and Hann Bennink, and I could identify - like Derek Bailey was talking directly to me with his guitar. And I went to a really great John Fahey concert, in a high school auditorium where he played for three hours, played his whole repertoire. And then right after that, I went to a Captain Beefheart concert at Tufts University in Massachusetts. Fred MacDowell was opening. This was before The Spotlight Kid was released, and they played that material. And Elliot Ingber, ‘Winged Ell Fingerling’, guitarist who has also been in The Mothers with Frank Zappa, played the best, most exciting, moving guitar solo I’d ever heard in my life on an instrumental called ‘Alice In Blunderland’. And I went out and bought a guitar the next day. And I still have that guitar. It’s a black telecaster. Actually, I just made a video show about my first three guitars that went up on Thanksgiving. It’s at the Cuneiform Records YouTube page. It’s called ‘A Thanksgiving For Guitars’.  

In this episode, Jacob Schreiber interviews Devin Schweppe about the analysis of mass spectrometry data in the field of proteomics. They begin by delving into the different types of mass spectrometry methods, including MS1, MS2, and, MS3, and the reasons for using each. They then discuss a recent paper from Devin, Full-Featured, Real-Time Database Searching Platform Enables Fast and Accurate Multiplexed Quantitative Proteomics that involved building a real-time system for quantifying proteomic samples from MS3, and the types of analyses that this system allows one to do. Links: Full-Featured, Real-Time Database Searching Platform Enables Fast and Accurate Multiplexed Quantitative Proteomics (Devin K. Schweppe, Jimmy K. Eng, Qing Yu, Derek Bailey, Ramin Rad, Jose Navarrete-Perea, Edward L. Huttlin, Brian K. Erickson, Joao A. Paulo, and Steven P. Gygi) Benchmarking the Orbitrap Tribrid Eclipse for Next Generation Multiplexed Proteomics (Qing Yu, Joao A Paulo, Jose Naverrete-Perea, Graeme C McAlister, Jesse D Canterbury, Derek J Bailey, Aaron M Robitaille, Romain Huguet, Vlad Zabrouskov, Steven P Gygi, Devin K Schweppe) Improved Monoisotopic Mass Estimation for Deeper Proteome Coverage (Ramin Rad, Jiaming Li, Julian Mintseris, Jeremy O’Connell, Steven P. Gygi, and Devin K. Schweppe) Schweppe Lab Website (Hiring!)

Tympan Sorcier N° 7 - Nouvelles guitares 1 - 9'15 - par Bruno de Chénerilles - avec Fred Frith, Derek Bailey, Eugene Chadbourne - Ecoutez les 8 épisodes dans la série chroniques musicales underground Tympan Sorcier

It is cliche but true that most range grazing problems are animal distribution problems. And no one's name is more closely tied to distribution than Derek Bailey. Dr. Bailey and Tip discuss frontiers in understanding and manipulating livestock distribution to conserve rangeland health. The conversation includes animal selection, attractant placement, herding, and technologies for range livestock management. Learn more about Dr. Bailey's work at https://www.researchgate.net/profile/Derek_Bailey Transcript available at: https://bit.ly/2FOO7Mb WE NEED YOUR FEEDBACK! Please take 60 seconds to complete this quick 5-question survey: wsu.co1.qualtrics.com/jfe/form/SV_9Y3fUWlQdBsyBZX

Kresten Osgood is a drummer, improviser and huge catalyst in the Copenhagen scene. He has started multiple festivals and concert series and is the centerpiece of the beloved 5e Mandagsklubben. With an abundance of releases with great musicians from abroad and local alike, he has cemented himself as one of the most important creative musicians of his generation. Paul Bley, Yusef Lateef, Mouse on Mars, John Tchicai, Kurt Rosenwinkel, Lee "Scratch" Perry, Steven Bernstain, Sam Rivers, Dr. Lonnie Smith, Bent Jædig and Derek Bailey are just a few of those he recorded with. In this Episode, Kresten will speak about the local scene, the Jyderup Accordeon Treff, his time in New York and what music he listens to. In between, he sprinkles personal stories and a joke or two to round it up. Enjoy listening to one of Denmark's finest musicians sharing his thoughts.

Guitarhjørnet præsenteres af Radio Jazz studievært Bjarne Roupé, der denne gang sætter focus på guitaristerne Mick Goodrick, Matthew Stevens, Pat Metheny, Derek Bailey, Henrik Olsson og Sonny Sharrock. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

a cura di Alessandro Achilli. Musiche di Steve Reich, Music Improvisation Company (Bailey-Parker-Davies-Muir-Jeffrey), Dave Holland, Gary Burton & Michael Gibbs, Barre Phillips (prima parte)

a cura di Alessandro Achilli. Musiche di Steve Reich, Music Improvisation Company (Bailey-Parker-Davies-Muir-Jeffrey), Dave Holland, Gary Burton & Michael Gibbs, Barre Phillips (prima parte)

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Bassist Jamaaladeen Tacuma is a legend. He was barely out of high school when guitarist Reggie Lucas recommended him to Ornette Coleman, who hired him for what would become Prime Time. He stayed with Coleman for a dozen years, working with James "Blood" Ulmer and recording albums on his own at the same time. He's been part of some really amazing records that I love, including Derek Bailey's Mirakle, James Carter's Layin' in the Cut, James Brandon Lewis's Days of FreeMan, and the Young Philadelphians' Live in Tokyo. He also produced the new Last Poets album, Transcending Toxic Times. In this interview, we talk about a bunch of different aspects of his career, his sound, his style, his upbringing in Philadelphia, and his interest in fashion. In addition to being a musician, Tacuma runs a consignment boutique in Philadelphia called the Redd Carpet Room, where he sells designer clothes he picks up while traveling around the world. This guy is sharp in every possible way, so I really think you're going to enjoy this conversation a lot. I know I did. This episode has no sponsors of any kind, so please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Also, Osiris is conducting a listener survey. Everyone who enters will have the chance to win a limited edition Osiris poster, so take the survey today. Thanks! Music heard in this episode: Ornette Coleman, "Sleep Talk" (Of Human Feelings) Jamaaladeen Tacuma, "Tacuma Song" (Show Stopper) The Last Poets, "Black Rage" (Transcending Toxic Times)

Episode 11, Making the Move to Assisted Living What signs do I need to look for to know my loved one might need assisted living? What should I do to make this transition easier? On this episode of “To Your Health with Dr. Jim Morrow,” Dr. Morrow addresses these questions and much more with Derek […] The post To Your Health With Dr. Jim Morrow: Episode 11, Making the Move to Assisted Living, An Interview with Derek Bailey, The Right Move Senior Resource and Placement Agency appeared first on Business RadioX ®.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Contenido exclusivo para mecenas de HDO. En HDO 513 la segunda improvisación grabada por el trío formado por Derek Bailey, Evan Parker y Han Bennink el 3 de abril de 1981, contenida en el cuádruple CD Topographie Parisienne, que publica en 2019 el sello francés FOU Records. Toda la información acerca de la grabación en https://www.tomajazz.com/web/?p=43746 Tomajazz: © Pachi Tapiz, 2019 HDO 513 te gustará… si te gusta el jazz… si te gusta la improvisación libre de primera categoría… si eres seguidor de Derek Bailey… si eres seguidor de Evan Parker… si eres seguidor de Han Bennink… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Por Pachi Tapiz. En HDO 512 suena una improvisación grabada por el trío formado por Derek Bailey, Evan Parker y Han Bennink el 3 de abril de 1981, contenida en el cuádruple CD Topographie Parisienne, que publica en 2019 el sello francés FOU Records. Toda la información en https://www.tomajazz.com/web/?p=43746 Tomajazz: © Pachi Tapiz, 2019 HDO 512 te gustará… si te gusta el jazz… si te gusta la improvisación libre de primera categoría… si eres seguidor de Derek Bailey… si eres seguidor de Evan Parker… si eres seguidor de Han Bennink… HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Born in 1974, Alex Ward is a London based clarinetist and guitarist who got his start in free improvised music when he was eleven years old, playing with Derek Bailey. Over the years he's worked closely with Steve Noble, Simon H. Fell, Weasel Walter, Pat Thomas and many others. In addition to being a gifted clarinetist, Alex is an accomplished guitarist who has been forging an idiosyncratic language all his own. Most recently he has been touring with This Is Not This Heat, which brought him over the States for a series of shows. Clarinet, guitar, London, improvisation and a whole lot more. Today is a good one!

This episode is a focus on Table Of The Elements, an obscure american record label. It was founded by music producer and graphic designer Jeff Hunt in 1993 and has released the work of experimental and avant-garde musicians such as John Cale, Tony Conrad and La Monte Young,  Loren Mazzacane Connors, Derek Bailey, Rhys Chatham and Mats Gustafsson. Each catalogue number is composed by a symbol taken from the periodic Table of the elements associated with its atomic number. "Table of the Elements are to the 21st century what CRI was to the 1960s and Lovely Music to the 1980s — fearless purveyors of the wildest stuff around." The episode features: John Cale, Faust, Lee Renaldo, Henry Kaiser, Paul Panhuysen, Loren Mazzacane, Jim O’Rourke, Bruce Gilbert and Rhys Chatham.

L'interesse di Lacy per l'esplorazione dell'interplay in combinazioni molto ridotte è testimoniato in questa puntata da una serie di duo degli anni ottanta: con il percussionista giapponese Masahiko Togashi (1983); con il chitarrista britannico Derek Bailey, maestro dell'improvvisazione radicale, con cui Lacy aveva una consuetudine di lunga data (1983); con il sassofonista Evan Parker, altro caposcuola dell'improvvisazione europea, in un faccia a faccia fra sax soprani (1985); con il sassofonista afroamericano Steve Potts, per moltissimi anni nei gruppi di Lacy, che lo ammirava molto (1985); con il pianista Ulli Gumpert, uno dei maggiori protagonisti del jazz d'avanguardia dell'allora Germania dell'Est (1985).

L'interesse di Lacy per l'esplorazione dell'interplay in combinazioni molto ridotte è testimoniato in questa puntata da una serie di duo degli anni ottanta: con il percussionista giapponese Masahiko Togashi (1983); con il chitarrista britannico Derek Bailey, maestro dell'improvvisazione radicale, con cui Lacy aveva una consuetudine di lunga data (1983); con il sassofonista Evan Parker, altro caposcuola dell'improvvisazione europea, in un faccia a faccia fra sax soprani (1985); con il sassofonista afroamericano Steve Potts, per moltissimi anni nei gruppi di Lacy, che lo ammirava molto (1985); con il pianista Ulli Gumpert, uno dei maggiori protagonisti del jazz d'avanguardia dell'allora Germania dell'Est (1985).

L'interesse di Lacy per l'esplorazione dell'interplay in combinazioni molto ridotte è testimoniato in questa puntata da una serie di duo degli anni ottanta: con il percussionista giapponese Masahiko Togashi (1983); con il chitarrista britannico Derek Bailey, maestro dell'improvvisazione radicale, con cui Lacy aveva una consuetudine di lunga data (1983); con il sassofonista Evan Parker, altro caposcuola dell'improvvisazione europea, in un faccia a faccia fra sax soprani (1985); con il sassofonista afroamericano Steve Potts, per moltissimi anni nei gruppi di Lacy, che lo ammirava molto (1985); con il pianista Ulli Gumpert, uno dei maggiori protagonisti del jazz d'avanguardia dell'allora Germania dell'Est (1985).

Michael Ned Holte is a writer, curator, and educator living in Los Angeles. Deep listening to the voices in your head. The episode features: Poetics, Tashi Wada with Yoshi Wada & Friends, Steve Roden, Lucky Dragons, Derek Bailey, Pauline Oliveros, Simone Forti, Nathan Bowles & Scott Verrastro, Robert Ashley.

Nesse programa conversamos com Rafael Bacelar e Kino Lopes sobre Free Jazz e Improvisação Livre. Contextualizamos o surgimento do Free Jazz, abordamos os principais nomes associados a esse gênero, tais como Cecil Taylor e Ornette Coleman, e alguns músicos que também teorizaram sobre o assunto, como Derek Bailey e Eddie Prevost. Ouvimos muita música e contamos algumas histórias engraçadas sobre o primeiro contato das pessoas com a Improvisação Livre.

Nesse programa conversamos com Rafael Bacelar e Kino Lopes sobre Free Jazz e Improvisação Livre. Contextualizamos o surgimento do Free Jazz, abordamos os principais nomes associados a esse gênero, tais como Cecil Taylor e Ornette Coleman, e alguns músicos que também teorizaram sobre o assunto, como Derek Bailey e Eddie Prevost. Ouvimos muita música e contamos algumas histórias engraçadas sobre o primeiro contato das pessoas com a Improvisação Livre.

JF and Phil head for Interzone in an attempt to solve the enigma of Naked Lunch, David Cronenberg's 1991 screen adaptation of William S. Burroughs' infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, "a frozen moment when everyone sees what is on the end of every fork," Naked Lunch is here framed in the light Cronenberg's recent speech making the case for the crime of art. Image by Melancholie, Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Gabel.jpg). REFERENCES David Foster Wallace, "Westward the Course of Empire Takes Its Way," (https://en.wikipedia.org/wiki/Girl_with_Curious_Hair) from Girl With Curious Hair Gilles Deleuze and Félix Guattari, Anti-Oedipus (https://en.wikipedia.org/wiki/Anti-Oedipus), and "How Do You Make Yourself a Body Without Organs?" in [A Thousand Plateaus](https://en.wikipedia.org/wiki/AThousandPlateaus) David Cronenberg (writer-director), Naked Lunch (https://www.imdb.com/title/tt0102511/) (the film) William Burroughs, [Naked Lunch](https://en.wikipedia.org/wiki/NakedLunch)_ (the novel) Thomas De Quincey, [Confessions of an Opium-Eater](https://en.wikipedia.org/wiki/ConfessionsofanEnglishOpium-Eater) Dale Pendell, Pharmako/Poeia: Power Plants, Poisons and Herbcraft (https://www.amazon.com/Pharmako-Poeia-Revised-Updated-Herbcraft/dp/1556438052) "David Cronenberg: I would like to make the case for the crime of art," (https://www.theglobeandmail.com/opinion/article-the-crime-of-art/) Globe and Mail June 22 2018 JF Martel, [Reclaiming Art in the Age of Artifice](https://www.amazon.com/Reclaiming-Art-Age-Artifice-Manifesto/dp/1583945784/ref=sr11?s=books&ie=UTF8&qid=1536764053&sr=1-1&keywords=reclaiming+art+in+the+age+of+artifice) Phil Ford, Dig: Sound and Music in Hip Culture (https://www.amazon.com/Dig-Sound-Music-Hip-Culture/dp/0199939918) Derek Bailey (director), [On the Edge: Improvisation in Music](https://www.youtube.com/watch?v=edy2QlPjaU)_ Phil Ford, "Good Prose is Written By People Who Are Not Frightened" (https://dialmformusicology.com/2017/08/10/good-prose-is-written-by-people-who-are-not-frightened/) Geroge Orwell, "Inside the Whale" (https://en.wikipedia.org/wiki/Inside_the_Whale)

Guests:  Derek Bailey and Nathan Powell  Host:  Jim Shoemaker

All avoidances will be attended to and repaid unto the souls of those responsible. Namely, mine. Welcome back to part two of our much-maligned Season Three. I was joined righteously in conversation by Joel Nobody, or the man who calls himself such, as I skulked away to a beach setting of tourist entropy. Joel maintains the churning machine that is Fork and Spoon Recordings of Panama City, Florida, at the heart of the southeast's experimental scene. Shortly after we were joined at Efficiency Fest on May 5 whilst welcoming improvisers from throughout the state, Joel and I broke the thing down. We have much in common and I look forward to hearing more of the sound from his world on the show as we go forward. 0.00.00 - Welcome Back0.02.08 - News and Dates0.12.16 - "Walking Down 7th Street at 2 a.m." - Joel Nobody0.19.24 - Interview with Joel Switzer1.19.44 - "Never Berry" - Joel Nobody1.28.26 - Softyglyde at Monotonia, March 10 1.39.45 - Jeff Kujan at the Nick, June 10(Jeff Kujan, Flusnoix, and Scott Bazar footage from Monotonia 3/10 minisode incoming)(More footage from Nick June 10 incidents incoming)​​​​​​​Joel Nobody - https://www.discogs.com/artist/2978141-Joel-NobodyFork and Spoon Recordings - https://forkandspoonrecordings.bandcamp.com/Scott Bazar - https://www.scottbazar.com/ - https://www.youtube.com/watch?v=sBQUBPhUUm8Joel projects: Vantage Planets, The Nihilistics, Pico Dorado, Vitamin Seizure, Sir Syrup, Disco Vato, Immigrant Rugburn, Non-occupants, Prachachuen, (s-gurd)Scott projects: Disco Vato, Tenticular Genocide, Vantage Planets, Plutonian BurritoShit Noise Records - Hartmont Frank - (https://shitnoise.weebly.com/) ; (shit.noise.records@gmail.com)SP Records - Shaun Phelps - (https://yeahiknowitsucks.wordpress.com/2014/08/14/flat-affect-bastard-child-shaun-phelps-interviewed-by-kn/)Trashfuck Records - Patrick Harsh - http://trashfuck.blogspot.com/FL Noise Ordinance Records - https://flnoise.bandcamp.com/Sluggish Tapes - Ed SluggishSirona Records (France) - http://www.sirona-records.com/about.htmlTulsa Noise Fest - http://tulsanoise.com/Florida Noise Ordinance Fest - https://flnoise.bandcamp.com/album/florida-noise-ordinance-fest-2-samplerMiami Psyche Fest - http://www.purehoneymagazine.com/miami-psych-fest/INC (Int'l Noise Conference) - http://squelchers.net/inc.htmSt. Pete Noise Fest - https://www.facebook.com/stpetenoisefest/Ava Mendoza - http://avamendozamusic.com/Derek Bailey - https://www.discogs.com/artist/41904-Derek-BaileyKenny Millions - https://www.discogs.com/artist/517663-Kenny-MillionsHal Harmon - Dialtone Aggressor - https://www.electroniccottage.org/hal-harmonShaun Phelps (SP): Flat Affect, Bastard Child (https://www.discogs.com/artist/1128299-Flat-Affect) (https://www.discogs.com/artist/1189687-Bastard-Child)Schizos - https://floridasdying.com/products/schizos-the-fuck-iggy-pop-7?variant=41237955078

Vitamins for the brain, learning from the masters, hypersensitive curiosity. The composer and saxophonist discusses three important albums.

La liste des musiciens avec lesquels il n’a pas joué serait plus facile à établir que celle avec lesquels il a joué. En effet William Parker a une discographie impressionnante à la fois en leader et en side man, il est incontestablement le contrebassiste de jazz le plus prolifique. Et si vous vous interrogez sur le fait que l’on parle de jazz et non de free jazz, c’est justement parce que William Parker s’emploie à ne pas faire de différence, il n’y a qu’un jazz a-t-il insisté lorsqu’on l’a rencontré en Janvier dernier. De fait même s’il a été associé à des noms comme Cecil Taylor, Peter Brotzmann, Bill Dixon ou Derek Bailey, il n’y a aucune difficulté à trouver dans sa discographie, des enregistrements dont la sonorité est loin d’être agressive. Avec lui nous parlons de musique mais aussi de l’état d’esprit qui prévaut à toute forme d’expression artistique. Pour cette occasion nous avons fait les choses en grand, de la même manière que certains enregistrements historiques ressortent parfois avec des « bonus » nous vous proposons sur cette page une conversation plus longue que celle diffusée durant l’émission. En seconde heure nous vous présentons le nouvel album du saxophoniste californien Rent Romus et de son groupe Life’sBlood Ensemble et on en profite pour écouter les figures légendaires du free west coast: John Carter et Bobby Bradford. Puis on repart en direction de l’actualité avecle nouveau cd de ARBF alias Anti Rubber Brain Factory « Marokait » ou sous la houlette de Yoram Rosilio le groupe revisite quelques traditionnels marocains avec autant de respect que de liberté entre la truculence de Mingus et la spiritualité de Sun Ra en Egypte. On ne pouvait terminer sans vous parler de l’anthologie Bobby Jaspar qui sortchez Frémeaux. Liste des titres en première heure: -Billy bang « goin Through » inédit -William Parker « James Baldwin to the rescue » de l’album « Raining On The Moon » -Toxic « lesson » de l’album « This Is Beautiful Because We Are Beautiful People" -Tatsuya Nakatani, William Parker, Ed Wilkerson inédit -William Parker « Raining On The Moon » de l’album « Raining On The Moon » -William Parker « O Neal’s bridge » -William Parker « donso n goni » -William Parker « morning mantra » de l’album « Double Sunrise Over Neptune » Le site de William Parker : http://www.williamparker.net Liste des Titres en deuxième heure : -Rent Romus Lif’s Blood Ensemble « Caccini « de l’album Rogue Star » : http://www.edgetonerecords.com/catalog/4191.html -John Carter et Bobby Bradford « Encounter » de l’album « Self Determination Music » : https://www.discogs.com/fr/John-Carter-3-Bobby-Bradford-Self-Determination-Music/release/1101315 -ARBF « Leïlaa Lill » de l’album « Marocait » : https://soundcloud.com/user-448241994/sets/anti-rubber-brain-fact0ry-mar0kait/s-NSzEx -Bobby Jaspar « Très Chouette » et « Well You Needn’t » de l’album « The Quintessence » : https://www.fremeaux.com/index.php?page=shop.product_detailsetcategory_id=64etflypage=shop.flypageetproduct_id=1866etoption=com_virtuemart

Taking inspiration from Derek Bailey, and a walk through a pleasant neighborhood

Guests:  Shannon Dyson and Derek Bailey  Host:  Jim Shoemaker

Nordmark Pod får besök av fotografen och filmmakaren Anders Edström!Det talas om och att;hetvägg, den kommande boken, ta bilder varje dag, något jag dras till, hur fan vet man när det är klart? Det måste vara kronologiskt, avstånd, luras, forma sin egna värld, inte upprepa sig, Martin Margiela, cykla omkring i Japan, det måste vara någonting som stör, Back, total panik, nostalgi, hata att tiden går framåt och att vilja ha distans.Avsnittet avslutas med ett stycke av Derek Bailey som heterStella by Starlight.Mäktigt! See acast.com/privacy for privacy and opt-out information.

The Bio of Brian Routh from SoundCloud:I have been a performance artist since 1971 performing as one of the Kipper Kids until 2003.I have also worked as a solo performance artist collaborating and appearing with Karen Finley, Henry Rollins, Public Image, Genesis P. Orridge, Sex Pistols, Joanna Went, Eric Bogosian, Anne Bean, Bow Gamelan, Lol Coxhill, Paul Burwell, Evan Parker, Derek Bailey and Ian Hinchcliffe among others. I currently live in Leicester in the UK and make soundworks and movies.My digital movies have been presented at the Royal Academy in London-vimeo.com/brianrouth and my sound works on BBC radio and at the Museum of Contemporary Art in Los Angeles.The Kipper Kids have been involved in writing and starring in three projects for HBO and Cinemax and appeared in a number of movies.Recently I have collaborated with digital artist Patricia Routh on soundtracks for Patricia's animations and video works-vimeo.com/channels/wellsI am also working on my soundscapes for my poetry and songs plus instrumental music and sound-works that incorporate vocal soundbites of world leaders, politicians, madmen, poets, rebels, murderers and others. As well as soundtracks for my own low budget movies and musical video poems.

Emanem es un sello cuyo foco no está puesto únicamente en el pasado, sino que no pierde ojo al presente, y con ello lo proyecta hacia el futuro. Un buen ejemplo son las últimas referencias publicadas: Oratorios And Songs (Kent Carter); Goodbye Red Rose (de Chefa Alonso y Tony Marsh); Witdrawal del Spontaneous Music Ensemble (con Evan Parker, Barry Guy, Kenny Wheeler, Derek Bailey, Trevor Watts, Paul Rutherford y John Steven); y Outside del guitarrista Duck Baker. Grabaciones de ayer y de hoy. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. Toda la información acerca de HDO #147 en http://www.tomajazz.com/web/?p=25582. Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=12814

Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298. En HDO el pianista Agustí Fernández charla con Pachi Tapiz acerca de múltiples cuestiones, que arrancan con el hecho que supone que a un pianista nacional, cuyo trabajo tiene una gran repercusión a nivel internacional, no sea un festival español el que le invite a participar con una carta blanca, sino que esta invitación llegue desde el extranjero. A partir de este hecho -que ha tomado forma en la publicación del cuádruple CD "River Tiger Fire"-, van surgiendo distintas reflexiones acerca de la nueva hornada de músicos que hay en la escena nacional, las programaciones en los festivales de jazz dentro y fuera de nuestro país, los próximos proyectos de Agustí Fernández, la documentación de estos trabajos que toma la forma de una extensa y jugosa discografía... En la conversación surgen nombres imprescindibles en la escena del jazz como los de Barry Guy, Ramón López, Savinna Yanatou, Ornette Coleman, Kenny Wheeler, William y Evan Parker, Derek Bailey... Como complemento a las palabras de Agustí Fernández y tras la introducción de la charla a piano solo, suenan varios temas de "River Tiger Fire" que sirven para explicar en forma de música lo que va surgiendo en la charla, que continuará... HDO (Hablando de oídas) es un audioblog que aspira a llegar a ser un podcast que fue ideado y está editado, producido y presentado por Pachi Tapiz. Joan Cortès es el autor de la fotografía que ilustra esta entrega de HDO.

Más homenajes a clásicos del jazz, tanto en el fondo como en la forma. Matthew Shipp Trio a Duke Ellington en "To Duke" (Rogue Art, 2015); los guitarristas Noël Akchoté, Richard Bonnet, Guillermo Bazzola y David Paredes a Ornette Coleman en "SKIES: guitar tribute for Ornette music" (Alina Records, 2015); finalmente el Dolchi Trío a Derek Bailey, Ornette Coleman, Steve Lacy o Han Bennink entre otros con Yeahhh!!!! (Alina Records, 2015). © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog editado, producido y presentado por Pachi Tapiz. Toda la información acerca de esta entrega en http://www.tomajazz.com/web/?p=21375. Toda la información acerca de HDO en http://www.tomajazz.com/web/?cat=13298

Repaso en HDO a las tres últimas grabaciones publicadas por Martin Davidson en el sello EMANEM. Anthony Braxon & Derek Bailey: "First Duo Concert (1974)"; Veryan Weston, Jon Rose, Hannah Marshall: tuning out. Pieces for tracker action organs and strings; y Steve Lacy Quintet: "Last Tour". © Pachi Tapiz, 2015 HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz Toda la información de la entrega en http://www.tomajazz.com/web/?p=20807. Toda la información sobre HDO en http://www.tomajazz.com/web/?cat=13298

Hello again! At the outset of putting together the 18th episode, I knew I couldn’t reasonably expect listeners to sit through almost three hours of this business, but there was too much good stuff left on the cutting room floor, so I knew fairly early on that there would be a “bonus EP” of sorts. In the spirit of the other Haines-inspired title, I’m calling this one: What This Was Going to Supposed to Mean Here’s the tracklist, following the format of Episode 18, it’s just bare bones, with credits and other info directly following it. Please take a look at the previous blog post for more info on all the albums from which these tracks are culled. I won’t rehash info at the album level, only what’s unique and pertinent at the level of each individual track. Episode 18.1 Playlist (00:00) “Testing Testing” (03:00) “In a Landscape X” (06:16) “Art in Heaven” (08:50) “What Is Free to a Good Home (For Robert Wyatt)” (13:55) “Live on the Internet: A Diary (April 7)” (17:51) “Cellular Phone” (21:04) “In a Landscape XL” (23:47) “Third World Two Medley: She Was Showing Me / Boint Liver” (26:15) “Vocalise (For Jeanne Lee)” (45:23) “Paint Me!” (50:48) “Toy Epigrams” (53:42) “Today” (57:05) “In a Landscape XXXVI” (59:17) “What this Was Going to Supposed to Mean” (1:01:27) “This Dedication” Tracks 1, 3, 8, 14 and 15 are from the Darn It! album. Tracks 2, 7 and 13 were recorded by John Gallaher. Tracks 4, 10 and 12 are from Curlew’s A Beautiful Western Saddle album. Track 5 was recorded by Becca Klaver. Track 6 was from Karen Alkalay-Gut’s album Thin Lips. Track 9 was from the Joelle Leandre / Steve Dalachinsky album The Bill Has Been Paid. Track 11 was from the Bernadette Mayer reading captured on the Rattle up a Deer CD. All information given in the previous blog post applies here as well except for the following: Track 1 features the voices of Paul Haines’s sons, and the latter part of the track features guitar and bass from ex-”No Wave” pioneer and DNA member Tim Wright. Track 3 finds Derek Bailey playing guitar and reciting Haines’s poem. Track 8 features vocals by Mary Margaret O’Hara, Fernando Saunders on bass, and Gary Lucas on guitar. Gary also wrote the music. On track 14 you’ll hear saxophone from Evan Parker and vocals by Carmen Lundy. Finally, track 15 was written by, and features tenor sax from, John Tchicai, bass by Andy Gonzalez, and drums by Marvin Smith. Enjoy, and let Papers for the Border know what you think!

Escuchamos a dos clásicos de la batería, el italiano Aldo Romano y el suizo Daniel Humair, en tres grabaciones. El primero lidera Inner Smile, proyecto que le reunió en 2011 con Enrico Rava (trompeta), Baptiste Trotignon (piano) y Thomas Bramerie (contrabajo) y enciende Lights junto al trompetista Nicolas Folmer. El segundo daba en 2008 forma en Full contact a un trío junto a Joachim Kühn (piano) y Tony Malaby (saxo tenor). Además nos acercaremos de nuevo a En Jota, proyecto del saxofonista Josetxo Goia-Aribe que incluye una versión de Il piacere de Romano. En esta edición de "Club de Jazz" del 3 de abril de 2013, la música del cuarteto Made to Break, formado por Tim Daisy (batería), Devin Hoff (bajo eléctrico), Christof Kurzmann (electrónicas) y Ken Vandermark (saxos y clarinete). Acaban de publicar el disco Provoke. Volvemos a invocar a los Saxophone Spirits del saxofonista Liba Villavecchia, trabajo de solo de saxo del que es coproductor el pianista Agustí Fernández, de quien escuchamos su Barcelona junto al guitarrista Derek Bailey registrado en el año 2001. El pianista israelí Yaron Herman presenta Alter Ego en formato de quinteto con los saxofonistas Emile Parisien y Logan Richardson, el bajista Stephane Kerecki y el baterista Ziv Ravitz. Dos tercios de Digital Primitives (de los que escuchamos en un reciente programa un concierto y entrevista), se reunieron en 2003 en America. Son el saxofonista Assif Tsahar y el pianista, intérprete de banjo, diddley-bo y más instrumentos de su creación, Cooper-Moore. Toda la información y derechos: http://www.elclubdejazz.com

Escuchamos a dos clásicos de la batería, el italiano Aldo Romano y el suizo Daniel Humair, en tres grabaciones. El primero lidera Inner Smile, proyecto que le reunió en 2011 con Enrico Rava (trompeta), Baptiste Trotignon (piano) y Thomas Bramerie (contrabajo) y enciende Lights junto al trompetista Nicolas Folmer. El segundo daba en 2008 forma en Full contact a un trío junto a Joachim Kühn (piano) y Tony Malaby (saxo tenor). Además nos acercaremos de nuevo a En Jota, proyecto del saxofonista Josetxo Goia-Aribe que incluye una versión de Il piacere de Romano. En esta edición de "Club de Jazz" del 3 de abril de 2013, la música del cuarteto Made to Break, formado por Tim Daisy (batería), Devin Hoff (bajo eléctrico), Christof Kurzmann (electrónicas) y Ken Vandermark (saxos y clarinete). Acaban de publicar el disco Provoke. Volvemos a invocar a los Saxophone Spirits del saxofonista Liba Villavecchia, trabajo de solo de saxo del que es coproductor el pianista Agustí Fernández, de quien escuchamos su Barcelona junto al guitarrista Derek Bailey registrado en el año 2001. El pianista israelí Yaron Herman presenta Alter Ego en formato de quinteto con los saxofonistas Emile Parisien y Logan Richardson, el bajista Stephane Kerecki y el baterista Ziv Ravitz. Dos tercios de Digital Primitives (de los que escuchamos en un reciente programa un concierto y entrevista), se reunieron en 2003 en America. Son el saxofonista Assif Tsahar y el pianista, intérprete de banjo, diddley-bo y más instrumentos de su creación, Cooper-Moore. Toda la información y derechos: http://www.elclubdejazz.com

We're featuring music from jazz and free improvisation bassist Barre Phillips on this week's podcast episode, as well as bass news and updates. Enjoy! About Barre Phillips: Barre Phillips (born October 27, 1934 in San Francisco, California) is a jazz and free improvisation bassist. A professional musician since 1960, he migrated to New York City in 1962, then to Europe in 1967. Since 1972 he has been based in southern France where in 2014 founded the European Improvisation Center He studied briefly in 1959 with S. Charles Siani, Assistant Principal Bassist with the San Francisco Symphony During the 1960s he recorded with (among others) Eric Dolphy, Jimmy Giuffre, Archie Shepp, Peter Nero, Attila Zoller, Lee Konitz and Marion Brown. Phillips' 1968 recording of solo bass improvisations, issued as Journal Violone in the USA, Unaccompanied Barre in England, and Basse Barre in France, is generally credited as the first solo bass record. A 1971 record with Dave Holland, Music from Two Basses, was probably the first record of improvised double bass duets. In the 1970s he was a member of the well-regarded and influential group The Trio with saxophonist John Surman and drummer Stu Martin. In the 1980s and 1990s he played regularly with the London Jazz Composers Orchestra led by fellow bassist Barry Guy. He worked on soundtracks of the motion pictures Merry-Go-Round (1981), Naked Lunch (1991, together with Ornette Coleman) and Alles was baumelt, bringt Glück! (2013). As a free improviser he has worked with (among many others) bassists Peter Kowald and Joëlle Léandre, guitarist Derek Bailey, clarinetists Theo Jörgensmann and Aurélien Besnard, saxophonists Peter Brötzmann, Evan Parker and Joe Maneri, and pianist Paul Bley. Barre is the father of rock guitarist Jay Crawford from the band Bomb, of the bassist Dave Phillips and of singer Claudia Phillips, who was a one-hit wonder in France in 1987 with "Quel souci La Boétie".  

"The sun's shining, I'm wearing my sombrero, and through my open window floats the gentle splosh and gurgle of folk falling into the river — all of which can mean only one thing: summer's here! So buckle on your flip-flops, crank the ghettoblaster up to eleven, pop open a bottle of 1994 Châteauneuf-du-Pape and kick back to the balmy sounds of the UNITY GAIN TEMPLE SUMMER SYNCRETASM!"   Unity Gain Temple is a full-time member of Communty (Massive Sonoral Carpets, Nefarious International Manoeuvres, Looting, Banditry, Ambushes, Car-Jacking, Physical Attacks and Killings). You can email him here.   Tracklisting: Kaija Saariaho – Jardin Secret I Denis Smalley – Wind Chimes Thomas Köner – Nival George Benjamin – Octet Brian Ferneyhough – Funerailles Gareth Loy – Nekyia György Ligeti – Glissandi Morton Subotnick – Silver Apples of the Moon Pierre Boulez – Sur incises Erik Bergman – Silence and Eruptions Edgard Varèse – 1st interpolation of organized sound (from Déserts) Arnold Schoenberg – Vorgefühle (from Five Pieces for Orchestra) Erik Bergman – Triumf att finnas till Iannis Xenakis – Polytope de Montreal Jonathan Harvey – Mortuos piango, vivos voco Anton Webern – Five Pieces for Orchestra, op. 10 Brian Eno – 1/1 from Ambient 1: Music For Airports Surgeon – Force & Form Remakes (Surgeon Remake 1) Antony & The Johnsons – Hope There's Someone Pierre Boulez – Pli selon pli Storm – No More Words (Part 3) Jeff Mills – Changes of Life 3MB – Jazz Is The Teacher (Magic Juan Mix) Basic Channel – Octagon Thomas Köner – Permafrost Edgard Varèse – 3rd interpolation of organized sound (from Déserts) Carl Michael von Hauswolff – A Quite Faster Spirit With Some Low Cyclic Interference Set Fire To Flames – Holy Throat Hiss Tracts To The Sedative Hypnotic Peter Warlock – The Shrouding of the Duchess of Malfi Wendy Carlos – Tron Scherzo George Crumb – Pastoral Drone Gustav Mahler – Allegro energico, ma non troppo (from Symphony no. 6 in A minor) Big Pun – Beware Dr Dre – Forgot About Dre N.W.A. – Straight Outta Compton Bernard Parmegiani – Étude Élastique Hervé Boghossian – Organe ouvert Arnold Dreyblatt – Nodal Excitation T. S. Eliot – The Wasteland Samla Mammas Manna – Kom Lite Närmare All Saints – Pure Shores Olivier Messiaen – Combat de la mort et de la vie (from Les corps glorieux) Luciano Berio – In ruhig fliessender Bewegung (from Sinfonia) Edgard Varèse – Density 21.5 Steve Reich – Music for Mallet Instruments, Voices, and Organ Johann Sebastian Bach – Allemande (from French Suite No. 6 in E major) Beaks – Crow Olivier Messiaen – Transports de joie d'un âme devant la gloire du Christ qui est la sienne (from L'Ascension) Olivier Messiaen – Les Yeux dans les roues (from Livre d'orgue) Olivier Messiaen – Sortie (le vent de l'Esprit) (from Messe de la Pentecôte) Pimsleur Language Program – Swedish Genesis – Dancing With The Moonlit Knight Hildegard Westerkamp – Delhi B John Cage – Writing for the Second Time Through Finnegans Wake Dave Phillips – emf (from IIIII) Dave Phillips – Untitled (from IIII) Jeff Wayne – Dead London Hildegard Westerkamp – Into The Labyrinth Ono Gagaku Kaï Society – Etenlaku Keiji Haino, Derek Bailey – Boka Ga NeJirekireru To Ai Salvatore Sciarrino – Studi per l’intonazione del mare Karlheinz Stockhausen – Gesang Der Jünglinge Jean-Claude Risset – Mutations Giacinto Scelsi – Ko–Tha Iannis Xenakis – GENDY3 Iannis Xenakis – À R. George Crumb – Se ha llenado de luces mi corazón de seda (from Ancient Voices of Children) Alban Berg – Rondo ritmico con introduzione (from Chamber Concerto for Piano and Violin with 13 Wind Instruments) Bernard Parmegiani – L'oscillée Harrison Birtwistle – Secret Theatre Steely Dan – Time Out Of Mind Anton Webern – Christus factus est (from Five Canons, op. 16) Borbetomagus – Concordat Jam 12 Ornette Coleman – Tomorrow is the Question Bertrand Russell – Speaking Personally Keith Hudson – Part 1-2 Dubwise Horace Andy – I Feel Good All Over Linval Thompson – Dubbing Feet Prince Far I – Cry Tuff And The Originals Chris Pattern – Alpine Field Recording Louis Andriessen – Hoketus Joni Mitchell – Hejira Monica Zetterlund – Sakta Vi Gå Genom Stan Carole King – Tapestry Donald Fagen – Maxine Toru Takemitsu – Soundtrack from Woman In The Dunes Caravan – Golf Girl Einstürzende Neubauten – Trinklied Burning Spear – Ethiopians Live It Out Albert Ayler – The Wizard Caravan – Winter Wine Luciano Berio – Sequenza XI for guitar Picchio dal Pozzo – Seppia Sleepytime Gorilla Museum – The Donkey-Headed Adversary of Humanity Opens the Discussion Track Ghost – Bee Fiddler Igor Stravinsky – Ebony Concerto Mika Vainio – Colour Of Plants Luciano Berio – Sequenza VII for oboe Ralph Vaughan Williams – Fantasia On A Theme Of Thomas Tallis Global Communication – 14:31 Angelo Badalamenti – Audrey's Dance