Podcast appearances and mentions of Bill Frisell

Jen Shyu is a groundbreaking multilingual vocalist, composer, producer, multi-instrumentalist, and dancer. And if that wasn't enough she is also a Rome Prize Winner, a Guggenheim Fellow, a United States Artists Fellow, a Doris Duke Artist, and she was voted a Downbeat Critics Poll Rising Star Female Vocalist. Her background is Taiwanese and East Timorese, and she speaks 11 languages. She's performed at Carnegie Hall, Lincoln Center, and the Metropolitan Museum of Art. She's performed with Terri Lyne Carrington, Reggie Workman, Kenny Barron, and Bill Frisell. She's released eight albums as leader. And she's produced three solo shows. Her latest project is “Fertile Land, Fertile Body”, a multilingual ritual opera. My featured song is “Redemption Road” from the album PGS 7. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH JEN:www.jenshyu.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

This episode of Across The Margin : The Podcast features an interview with Bill Morrison who has been called the poet laureate of lost films (New York Times, 9/21/2021), as he often makes films that re-frame long-forgotten moving images. He has premiered feature-length documentary films at the New York, Sundance, Telluride and Venice film festivals. In 2021 Morrison became a member of the documentary branch of the Academy of Motion Pictures Arts and Sciences. His found footage opus Decasia (2002) was the first film of the 21st century to be named to the Library of Congress' National Film Registry. Dawson City: Frozen Time (2016) was included on over 100 critics' lists of the best films of the year and was later listed as one of the best films of its decade by the Associated Press, Los Angeles Times, and Vanity Fair, among others. His most recent film, Incident (2023) won the Best Short Film Award from International Documentary Association in 2023, the Cinema Eye Honors for Outstanding Nonfiction Short, and was nominated for an Academy Award in Documentary Short in 2025. His film, The Great Flood (2013) — the focus of this episode — was recognized with the Smithsonian Ingenuity Award for historical scholarship.The Mississippi River Flood of 1927 was the most destructive river flood in American history. In the spring of 1927, the river broke out of its banks in 145 places and inundated 27,000 square miles to a depth of up to 30 feet. Part of its enduring legacy was the mass exodus of displaced sharecroppers. Musically, the “Great Migration” of rural southern blacks to Northern cities saw the Delta Blues electrified and reinterpreted as the Chicago Blues, Rhythm and Blues, and Rock and Roll. Using minimal text and no spoken dialog, filmmaker Bill Morrison and composer / guitarist Bill Frisell have created with The Great Flood a powerful portrait of a seminal moment in American history through a collection of silent images matched to a searing original soundtrack. Hosted on Acast. See acast.com/privacy for more information.

Bill Frisell performs a song made famous by Barbra Streisand, live for World Cafe.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Jay's kicking us off with a Three For Thursday. Chris Potter and some very notable guests drop a new album, Shuggie Otis makes the 1001 albums before you die, and we have a new track from The Cockroaches.Chris Potter - “Osawatomie Brown (feat. Bill Frisell, Burniss Travis, Nate Smith, Rane Moore, Zekkereya El-Magharbel & Sara Caswell)”Shuggie Otis - “Inspiration Information”The Rolling Stones - “Rough and Twisted”Get ready for it! 3 Savile Row is turning into a Beatles/Apple museum, Red Hot Chili Peppers sell their catalog, and Jeff Tweedy wrote a New York Times crossword puzzle [link].Songs:Paul McCartney & Ringo Starr - “Home to Us”My New Band Believe - “In the Blink of an Eye”Friko - “Certainty”

We kick off the Pencil Primer — a new series for anyone who wants to start at the beginning of pencildom. This installment traces graphite from the legendary Borrowdale lightning strike of 1564 to Nicolas-Jacques Conté's clay-and-graphite breakthrough during the Napoleonic Wars, plus the Thoreau family's role in standardizing the American pencil grade scale and a tour through HB-to-9B. Plus, Tim's into a Bill Frisell biography, Johnny's writing with a sparkly Narwhal "raspberry cheesecake" pen that looks like, uh, something else, and Andy debuts booklet.lol — a vibe-coded book tracker. Patreon subscribers can watch the video version.For this episode, we recorded video, available to Patreon subscribers! If you're a patron, head over to see our faces and visual examples of many of the things we discuss. And if you're not a patron, join us at any level and you can see this and other supplemental content at any time!Show Notes & LinksErasableRead a transcript of this episode at Erasable ScribeErasable PatreonErasable Facebook groupErasable Discord inviteEpisode referencesEpisode 57: “The F Bomb”Podcasts / mediaDrug Storyr/pencilsLetterkennyBooksBill Frisell, Beautiful DreamerExcellent Advice for Living by Kevin KellyAutomatic Noodle by Annalee NewitzA Psalm for the Wild-Built by Becky ChambersPencil / stationery / book artsCumberland Pencil MuseumNicolas-Jacques Conté (Britannica)Henry David Thoreau (Britannica)Guild of Book WorkersGeneral's Layout PencilSTAEDTLER WOPEXDerwentPhotography / camera stuffMicro Four NerdsPetaPixelApps / sites / companiesbooklet.lolPeople / artists / companiesWillie NelsonCharlie CrockettBill FrisellJHS PedalsYour HostsJohnny GamberPencil Revolution@pencilutionAndy WelfleWoodclinched@awelfleTim Wasem@TimWasem

This week's show drifts between dreams, insomnia, and the strange places in between as Emmett Davenport and Lady Attercop guide you through lullabies, late nights, and restless thoughts. It's a hazy journey of sleepwalking melodies, midnight comforts, and the quiet hope of waking up somewhere better. WARNING! This show is for adults. We drink cocktails, have potty mouths and, at least, one of us was raised by wolves. The Clockwork Cabaret is a production of Agony Aunt Studios. Featuring that darling DJ Duo, Lady Attercop and Emmett Davenport. Our theme music is made especially for us by Kyle O'Door. This episode aired on Mad Wasp Radio, 05.10.26. New episodes air on Mad Wasp Radio on Sundays @ 12pm GMT! Listen at www.madwaspradio.com or via TuneIn radio app! Playlist: Suzanne Vega, Bill Frisell, Wayne Horvitz & Syd Straw – Medley Two ("The Darkness Sheds Its Veil") Jill Tracy – The Somnambulist Waltz DeVotchKa – The Last Beat Of My Heart Fable Cry – Sleep, Oh Sleep Charming Disaster – Eat Drink Sleep The Magnetic Fields – Busby Berkeley Dreams Sinead O'Connor – Black Coffee The Puppini Sisters – Java Jive Rufus Wainwright – Cigarettes and Chocolate Milk Beirut – A Sunday Smile Dandy Wellington – Dream a Little Dream of Me Monkey Doo – Boulevard Of Broken Dreams Dead Man's Bones – In The Room Where You Sleep Unextraordinary Gentlemen – One Eyed, Sleepy Eyed Cat Unwoman – Dream On Lonesome Wyatt & Rachel Brooke – Never Forget (These Nightmares Are Mine) The Beatles – I'm Only Sleeping This Way to the Egress – Dr Andy's Nightmare Mr. B The Gentleman Rhymer – Eat, Sleep, Apologise, Repeat Professor Elemental – Everything Stops for Tea Luminescent Orchestrii – Tea Sxip Shirey – Awake Norma Tanega – I'm Dreamin' a Dream Bon Iver – Woods

This week's show drifts between dreams, insomnia, and the strange places in between as Emmett Davenport and Lady Attercop guide you through lullabies, late nights, and restless thoughts. It's a hazy journey of sleepwalking melodies, midnight comforts, and the quiet hope of waking up somewhere better. WARNING! This show is for adults. We drink cocktails, have potty mouths and, at least, one of us was raised by wolves. The Clockwork Cabaret is a production of Agony Aunt Studios. Featuring that darling DJ Duo, Lady Attercop and Emmett Davenport. Our theme music is made especially for us by Kyle O'Door. This episode aired on Mad Wasp Radio, 05.10.26. New episodes air on Mad Wasp Radio on Sundays @ 12pm GMT! Listen at www.madwaspradio.com or via TuneIn radio app! Playlist: Suzanne Vega, Bill Frisell, Wayne Horvitz & Syd Straw – Medley Two ("The Darkness Sheds Its Veil") Jill Tracy – The Somnambulist Waltz DeVotchKa – The Last Beat Of My Heart Fable Cry – Sleep, Oh Sleep Charming Disaster – Eat Drink Sleep The Magnetic Fields – Busby Berkeley Dreams Sinead O'Connor – Black Coffee The Puppini Sisters – Java Jive Rufus Wainwright – Cigarettes and Chocolate Milk Beirut – A Sunday Smile Dandy Wellington – Dream a Little Dream of Me Monkey Doo – Boulevard Of Broken Dreams Dead Man's Bones – In The Room Where You Sleep Unextraordinary Gentlemen – One Eyed, Sleepy Eyed Cat Unwoman – Dream On Lonesome Wyatt & Rachel Brooke – Never Forget (These Nightmares Are Mine) The Beatles – I'm Only Sleeping This Way to the Egress – Dr Andy's Nightmare Mr. B The Gentleman Rhymer – Eat, Sleep, Apologise, Repeat Professor Elemental – Everything Stops for Tea Luminescent Orchestrii – Tea Sxip Shirey – Awake Norma Tanega – I'm Dreamin' a Dream Bon Iver – Woods

All unreleased live Jazz from the Paul Motian Band touring in Europe in 1981. With Joe Lovano tenor sax; Billy Drewes tenor & alto sax; Bill Frisell guitar; Ed Schuller double bass; Paul Motian drumsSet List: https://jazzcloset.blogspot.com/2018/09/set-list-090318.htmlPhoto: Poster for Nov./Dec. 1981 European Tour 23" x 33" © Paul Motian Archive

Audrey Ochoa, The Westerlies, Bill Frisell, Ambrose Akinmusire & Mary Halvorson, Madeleine Elkins, William Chernoff, Last Ark Out, Nate Waters, Bobby Wiens, Valerie Lacombe, Maude Fortier, Remi Bolduc, Remi Cormier, Bria Skonberg and Brandon WoodyPlaylist: Audrey Ochoa - Let's Give UpThe Westerlies - Have You Heard?Bill Frisell - Never Too LateAmbrose Akinmusire, Mary Halvorson - SoundcheckMadeleine Elkins - Tuna Melt MachineWilliam Chernoff - 22 or NeverLast Ark Out - It's That Dream AgainNate Waters - Come Back From Wherever You WentBobby Wiens - Devoted HeartValerie Lacombe - I Found a Friend HereMaude Fortier - Uncertain TimesRémi Bolduc - Jazz BuzzRémi Cormier - ReciprocateBria Skonberg - Markham SunriseBrandon Woody - Wisdom; Terrace on St. Paul St.

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Vorige week kondigden we het al aan: er is een hoop ‘verse oogst’ binnengekomen. Deze TORcast een selectie uit de verse jazz en aanverwanten…. En een paar minder verse, waar ik niet van af kon blijven…. Playlist: Peter Bernstein, Martin Schack, Hermund Nygård: Star Eyes; Taj Mahal, Phantom Blues Band: Wild About My Lovin’; Alessia Cara, Norah Jones: I’m In Trouble; Floriaan Wempe, Fay Claassen, Rodolfo Fereira Neves, Rob van Bavel, Steve Zwanink, Willie JonesIII: Gonna Be Alright; Dual City Concert Band, Ewout Dercksen: Melancholia de Bornos; Larry Coryell, Philip Catherine, Lars Danielson: Bags’ Groove; Chris Potter, Bill Frisell & Friends: Into Africa; Chicago Soul Jazz Collective: A Town Called Mercy.

Wulf Muller is a German born European jazz impresario. He was Polygram's International Director for Jazz and Classical Marketing. He was responsible for the global marketing campaigns for superstars like Luciano Pavarotti, Cecilia Bartoli, Herbie Hancock and Diana Krall. He also signed a number of major artists including Sonny Rollins, Roy Hargrove, John Scofield, Branford Marsalis, Bill Frisell and John Medeski. And he's written a memoir entitled ‘My Life In Music'. My featured song is “Python” from the album PGS 7 by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH WULF:https://wulfmuller.wordpress.com/ —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

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Today we put The Tonearm's needle on Ben Wendel.Ben is a Grammy-nominated saxophonist, composer, and co-founder of Kneebody, with a discography that covers post-bop, chamber jazz, and electronic music. He's worked with Bill Frisell, Tigran Hamasyan, Terence Blanchard, and yes, Prince.His new album BaRcoDe just dropped on Edition Records. It's built around a concept that's hard to pull off: four of the most in-demand vibraphonists working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—surrounding one saxophonist. The group developed the music across two residencies at The Jazz Gallery in New York City, and the result is something that sits between chamber music and jazz improvisation, with electronics running through all of it.Ben's here to walk us through how this project came together and what it took to write for an ensemble like this.(The musical excerpts heard in the interview are from Ben Wendel's album BaRcoDe)—Dig DeeperArtist and AlbumVisit Ben Wendel at benwendel.com and follow him on Instagram, Facebook, and YouTubePurchase Ben Wendel's BaRcoDe from Edition Records, Bandcamp, or Qobuz and listen on your streaming platform of choice.BaRcoDe — Postgenre reviewBaRcoDe — PopMatters reviewKneebody — Ben Wendel's long-running band; Reach (2025) includes "Repeat After Me," also recorded on BaRcoDeThe Jazz GalleryThe Jazz Gallery — the New York venue where BaRcoDe was commissioned and developed across two residencies (2023 and 2025)Ensemble MembersJoel Ross — iplayvibes.com | Blue Note Records pageSimon Moullier — simonmoullier.comPatricia Brennan — patriciabrennanvibes.com | The Tonearm InterviewJuan Diego Villalobos — juandiegovibes.comMusical Influences and ReferencesSō Percussion — the Grammy-winning new-music percussion quartet whose members came up with Wendel at the Eastman School of Music; a key inspiration for BaRcoDeAntônio Carlos Jobim — "Olha Maria" — one of Wendel's favorite compositions of all time; the sole non-original on the albumKit Downes — British pianist and organist on ECM Records; a loose inspiration for "Birds Ascend"Aidan O'Rourke — Scottish fiddle player and composer; also a loose inspiration for "Birds Ascend"The Creative Act: A Way of Being by Rick Rubin — Wendel paraphrases a line from this book when discussing the title BaRcoDeLos Angeles ConnectionsThe World Stage — performance and education space in Leimert Park Village, Los Angeles; co-founded by drummer Billy Higgins; a formative venue for WendelTerrace Martin — Wendel's high school friend and collaborator; hip-hop producer for Kendrick Lamar and Snoop Dogg (verify URL before publishing)Billy Higgins — legendary jazz drummer and World Stage co-founder; an early mentor whose spirit Wendel also invokes when describing the Village VanguardFurther Reading / ListeningJohn Patitucci — bassist scheduled to guest with Wendel at the Village Vanguard in JulyUnderstory: Live at the Village Vanguard — Ben Wendel (Edition, 2024)All One — Ben Wendel (Edition, 2023) — Grammy-nominated for Best Contemporary Instrumental Album—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we put The Tonearm's needle on Ben Wendel.Ben is a Grammy-nominated saxophonist, composer, and co-founder of Kneebody, with a discography that covers post-bop, chamber jazz, and electronic music. He's worked with Bill Frisell, Tigran Hamasyan, Terence Blanchard, and yes, Prince.His new album BaRcoDe just dropped on Edition Records. It's built around a concept that's hard to pull off: four of the most in-demand vibraphonists working today—Joel Ross, Simon Moullier, Patricia Brennan, and Juan Diego Villalobos—surrounding one saxophonist. The group developed the music across two residencies at The Jazz Gallery in New York City, and the result is something that sits between chamber music and jazz improvisation, with electronics running through all of it.Ben's here to walk us through how this project came together and what it took to write for an ensemble like this.(The musical excerpts heard in the interview are from Ben Wendel's album BaRcoDe)—Dig DeeperArtist and AlbumVisit Ben Wendel at benwendel.com and follow him on Instagram, Facebook, and YouTubePurchase Ben Wendel's BaRcoDe from Edition Records, Bandcamp, or Qobuz and listen on your streaming platform of choice.BaRcoDe — Postgenre reviewBaRcoDe — PopMatters reviewKneebody — Ben Wendel's long-running band; Reach (2025) includes "Repeat After Me," also recorded on BaRcoDeThe Jazz GalleryThe Jazz Gallery — the New York venue where BaRcoDe was commissioned and developed across two residencies (2023 and 2025)Ensemble MembersJoel Ross — iplayvibes.com | Blue Note Records pageSimon Moullier — simonmoullier.comPatricia Brennan — patriciabrennanvibes.com | The Tonearm InterviewJuan Diego Villalobos — juandiegovibes.comMusical Influences and ReferencesSō Percussion — the Grammy-winning new-music percussion quartet whose members came up with Wendel at the Eastman School of Music; a key inspiration for BaRcoDeAntônio Carlos Jobim — "Olha Maria" — one of Wendel's favorite compositions of all time; the sole non-original on the albumKit Downes — British pianist and organist on ECM Records; a loose inspiration for "Birds Ascend"Aidan O'Rourke — Scottish fiddle player and composer; also a loose inspiration for "Birds Ascend"The Creative Act: A Way of Being by Rick Rubin — Wendel paraphrases a line from this book when discussing the title BaRcoDeLos Angeles ConnectionsThe World Stage — performance and education space in Leimert Park Village, Los Angeles; co-founded by drummer Billy Higgins; a formative venue for WendelTerrace Martin — Wendel's high school friend and collaborator; hip-hop producer for Kendrick Lamar and Snoop Dogg (verify URL before publishing)Billy Higgins — legendary jazz drummer and World Stage co-founder; an early mentor whose spirit Wendel also invokes when describing the Village VanguardFurther Reading / ListeningJohn Patitucci — bassist scheduled to guest with Wendel at the Village Vanguard in JulyUnderstory: Live at the Village Vanguard — Ben Wendel (Edition, 2024)All One — Ben Wendel (Edition, 2023) — Grammy-nominated for Best Contemporary Instrumental Album—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Show Notes In this episode, host Steve Roby sits down with saxophonist, composer, and producer Ben Wendell — one of modern jazz's most distinctive voices. Born in Vancouver, raised in Los Angeles, and now based in Brooklyn, Ben has built a wide-ranging career as a bandleader, collaborator, and composer. A founding member of Knee Body, he has also worked alongside Bill Frisell, Terrence Blanchard, Gerald Clayton, Taylor Eigsti, and many others.Ben shares the story of how he fell in love with the saxophone in high school, how jazz became his musical "meta language," and why composition — which he describes as "improvising in slow motion" — has become central to his artistic identity. He also talks about his electroacoustic approach, the deep musical telepathy that comes from decades of collaboration, and what Bay Area audiences can expect when his quartet takes the stage at Yoshi's in Oakland. Songs Featured:"On the Trail" – from Understory: Live at the Village Vanguard"Wanderers" (feat. Terrence Blanchard) – from All OneAll music supplied by the artist and used with permission. Ben Wendell Quartet at Yoshi's – Oakland Monday, April 20th | Doors 7:00 PM | Show 7:30 PM Featuring: Nate Wood (drums), Harish Raghavan (bass), Taylor Eigsti (piano) Important Links:Ben Wendell: https://www.benwendel.comTickets: https://yoshis.comBackstage Bay Area: https://www.backstagebayarea.com 

Canciones de The Beatles en las guitarras de Pat Metheny ('And I love her'), Toninho Horta ('She´s leaving home', 'Across the universe'), Bill Frisell ('Across the universe', 'In my life', 'Nowhere man'), Larry Coryell ('Something'), Ralph Towner ('Here, there and everywhere'), Toots Thielemans ('Yesterday'), Mark Whitfield ('Come together') y Aquarela Carioca ('Sgt. Pepper´s lonely hearts club band').Escuchar audio

De 'In my dreams', último disco del guitarrista Bill Frisell, la pieza que le da título inspirada por Bernard Herman e 'Isfahan' de Billly Strayhorn; del disco del también guitarrista Julian Lage, 'Scenes from above', 'Havens' -por Richie Havens- y 'Night shade'. Y dos canciones del disco de los hermanos Mario y Chico Adnet 'Falso antigo': 'Falso baiano'- con la voz de Roberta Sá- y 'Fred Astaire do samba' -con Pedro Miranda-. Abre el cuarteto de Ken Peplowski con 'Like a lover', antigua composición de Dori Caymmi al que podemos escuchar en su nuevo disco 'Utopia' ('Pelas mãos de algum poeta', 'Sozinho de nascença', 'Navegação', 'Ninho de vespa'). Cierra el Quartet West de Charlie Haden con 'Always say goodbye'. Escuchar audio

Dos de los guitarristas más personales de los últimos lustros, Julian Lage, de Santa Rosa, California, 38 años, y Bill Frisell, de Baltimore, 74, publican nuevo disco. El de Frisell se titula 'In my dreams', está grabado con el bajista Thomas Morgan, el baterista Rudy Royston, la violinista Jenny Scheinman, el violista Eyvind Kang y el chelista Hank Rpberts y contiene piezas como 'Trapped in the sky', 'In my dreams', 'Isfahan' de Billy Strayhorn, 'Again' o 'When we go'; del disco de Lage, 'Scenes from above', con el teclista John Medeski, el contrabajista Jorge Roeder y el baterista Kenny Wollesen, escuchamos 'Opal', 'Red elm', 'Talking drum', 'Havens', 'Night shade' y 'Something more'. Escuchar audio

Der US-Gitarrist Bill Frisell übernimmt eine improvisatorische Haltung aus dem Jazz, verbindet sie mit Americana-Elementen wie Country und entwickelt so einen völlig eigenen Stil, mit dem er ab den 1990er Jahren zu einer internationalen Jazzgrösse wird. Doch schon als er in den 80ern erstmals auf der Szene auftaucht, wollen namhafte Musiker unbedingt mit ihm spielen – allen voran der legendäre Schlagzeuger Paul Motian. Das liegt zum einen an Frisells charakteristischer Spielweise, aber auch an seinem unverwechselbaren Gitarrensound. Viele erkennen ihn bereits nach wenigen Tönen; die Gitarristin Anna Regina Kalk sagt sogar, ihr genüge schon einer. Sie ist bei Roman Hošek zu Gast in dieser Ausgabe der Jazz Collection. Die gespielten Titel: Interpret:in: Titel (Album / Label) - Bill Frisell: Resistor (Rambler / ECM) - Bill Frisell: Have a Little Faith in Me (Have a Little Faith in Me / Nonesuch Records) - Bill Frisell: Tales From the Far Side (Quartet / Nonesuch Records) - Bill Frisell: Verona (Gone, Just Like a Train / Nonesuch Records) - Paul Motian, Bill Frisell, Joe Lovano (I Have the Room Above Her (I Have the Room Above Her / ECM) - Jim Hall & Bill Frisell: Family (Hemispheres / ArtistShare) - Bill Frisell & Thomas Morgan: Wildwood Flower (Small Town / ECM)

“Beyond the Duplex Planet” is a feature documentary about artist David Greenberger and his unconventional work with senior citizens. In 1979, fresh out of art school, Greenberger took a job as activities director at the Duplex Nursing Home in Jamaica Plain, Massachusetts. He began conducting quirky interviews with the home's senior citizens, rejecting a pat oral history approach in favor of questions that would spark engagement: “Which do you prefer – coffee or meat?” “Why do people spit?” “What do you think George Washington's voice sounded like?” and “What is embarrassment?” The result of this was The Duplex Planet, an early ‘zine, complete with excerpts from the interviews, as well as offbeat music reviews and poems, unorthodox illustrations and graphics, all by the residents themselves. Over time this material has become the basis for spoken word shows, podcasts, graphic novels and numerous albums, many of these projects featuring well-known artists. Champions and/or collaborators of Greenberger and his senior colleagues include people like magicians Penn & Teller, cartoonists Daniel Clowes and Lynda Barry, musicians Dave Alvin, Bill Frisell, Peter Buck (REM), David Hidalgo and Louie Perez (Los Lobos), artist Ed Ruscha, actors Lili Taylor and Martin Mull, and legions of other fans. Greenberger's work interviewing seniors continues to this day. Beyond the Duplex Planet explores notions of aging and its intersection with art and community. It's also a revealing look at the life of an artist devoted to documenting the elderly who is himself moving into his senior years. The film will have its world premiere at SxSW this month with a number of screenings. And it’s being distributed by Filmwax friend Jim Browne’s Argot Pictures. Beth Harrington is an Emmy-award winning independent producer, director and writer, whose fervor for American history, music and culture has led to a series of critically acclaimed films. Her independent production Welcome to the Club – The Women of Rockabilly, a music documentary about the pioneering women of rock ‘n' roll, was honored with a 2003 Grammy nomination and has been seen on public television and at film festivals in the U.S. and abroad. Beth's most recent work, The Winding Stream – The Carters, The Cashes and The Course of Country Music appeared at over 30 festivals worldwide including a SXSW premiere and has won many top festival awards. Earlier work with WGBH-Boston for the NOVA science series was honored with two national Emmy nominations while her local work with Oregon Public Broadcasting has resulted in six other regional Emmy nominations for historical and public affairs program producing and writing. A rock ‘n' roll singer and guitarist, she is most noted for her years as a member of Jonathan Richman & The Modern Lovers on Sire Records. https://youtu.be/nzgbOeFOFYk

Bill Frisell is here to discuss his new sextet record, In My Dreams, the different American and European cities he has lived in over the years and how they might inform his musical practice, his 75th birthday and the March 2026 tour dates that mark the occasion, a dream about music and its possibilities that he had 30 years ago and is still processing, the lessons mistakes teach us, how film noir scores and the work of Alfred Hitchcock film composer Bernard Hermann may have found their way to In My Dreams, the time he saw Bob Dylan and the Hawks in 1966 and why Dylan might be into Bill's latest record, what inspired him to put together the In My Dreams sextet, future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:March Mergeness! Or Merge Madness? Prize Pack!All Things Konsidered: The Beatles AnthologyEp. #1069: The Messthetics and James Brandon LewisEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1008: Marc RibotEp. #1015: Alan LichtEp. #985: PUPEp. #905: Duane Denison from The Jesus LizardEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #839: Mary TimonySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Madeleine Elkins, Sanah Kadoura, Way Ahead Trio, Audrey Ochoa, The Gus Moberg Travesty, Bill Frisell, Julian Lage, Gilles Laval, Bobby Wiens, Greg Burrows, Devin Gray, Eva Novoa and Noah Franche-NolanPlaylist: Madeleine Elkins - Pacific Mountain TimeSanah Kadoura - The Land of the Olive TreesWay Ahead Trio - Goo Gone The SnailAudrey Ochoa - Another OneThe Gus Moberg Travesty - Rebus' MoodBill Frisell - In My DreamsJulian Lage - OpalGilles Laval - RochesBobby Wiens - Sun Dance (For Al Foster)Greg Burrows - Let's Not WaitDevin Gray, featuring Andrea Parkins & Frank Gratkowski - Doom LoopsEva Novoa, featuring Drew Gress & Devin Gray - In The DarkEva Novoa, featuring Daniel Carter & Francisco Mela - Free to Be FreeEva Novoa - Stilte CabineNoah Franche-Nolan - Union Town

This time we celebrate 75 years of Bill Frisell through his own music and the wide creative wake it has left across today's scene. This episode also spotlights newly unearthed choral works by Kenny Wheeler and several recent projects involving Italian saxophonist and clarinetist Francesco Bigoni, tracing a thread between enduring influence, rediscovery, and contemporary exploration. The playlist features Bill Frisell; The Westerlies; Zeno De Rossi; Billy Mohler, Hermon Mehari, Francesco Bigoni, Nate Wood; Pierpaolo Zenni; Dave Holland, Norma Winstone, London Vocal Project, Kenny Wheeler. Detailed playlist at https://spinitron.com/RFB/pl/22033617/Mondo-Jazz [from "In My Dreams" to "Infant Joy"] Happy listening!

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In this episode, roots music returns via the altar: Gillian Welch & David Rawlings live at Melbourne's Forum, with guest Andy White joining the chat.  They describe the duo as deities in Australia, playing with disarming minimalism (mics on guitars, SM58s, no fancy DI wizardry), and drawing an audience so quiet it feels like church. Brian's only complaint is the kind you're only allowed after 20-plus gigs: he wanted setlist variations — the tour's Neil Young (“Cortez the Killer”), Springsteen (“Racing in the Street”, “Atlantic City”), maybe a Garcia nod — and didn't get them.  Michael diagnoses him as “gluttonous”, which is fair, though “devout” might be kinder. The conversation widens into stagecraft: tuning mishaps, the art of filling dead air, and the delicate question of whether you should tell stories between songs or let the song do the work.  That segues beautifully into a bigger theme: the thrill (and terror) of the no-setlist life. Bill Frisell becomes the exemplar: dazzling, improvisational, apparently operating without a set list, with Brian recounting a classic partner-at-gig moment — Karen asking if Frisell's strange effects are just him tuning up.  Frisell, told the story, laughs and admits people say that a lot. (This is the highest compliment: “your art is so unfamiliar I assumed it was maintenance.”) From Frisell they leap to Elvis — specifically Baz Luhrmann's concert-footage film EPiC (Elvis Presley in Concert), made from newly uncovered Vegas-era material.  Michael's key point is unexpectedly roots-adjacent: underneath the jumpsuits and spectacle, Elvis is vulnerable.  He's also a kind of bodily conductor, cueing the band with movement rather than baton, with the musicians watching him like hawks for the next dynamic turn. It's showbiz as improvised gospel. And in case you worried the episode might end without another collector's item, Brian flags a song that did land perfectly at the Forum: Gillian & Dave covering Guy Clark's “Desperados Waiting for a Train”, from Old No. 1 (1975), notable also as Steve Earle's first recorded appearance — and now reissued in a special edition.  They wrap by teasing more about the new McCartney documentary, sponsor fantasies (“someone with really deep pockets”), and the ongoing podcast mission statement: tell your friends — and also tell people you don't like. Which, frankly, is the most honest marketing plan in music media. You can catch Andy White live on stage in May at the Merri Creek Tavern. Important Links Gillian Welch & David Rawlings: Tiny Desk Concert Andy White - James Joyce's Grave (live at Abbey Road) The Rolling Stones - Can't You Hear Me Knocking (Live At The Wiltern) Billy Bragg - A New England (Later... with Jools Holland)  EPiC: Elvis Presley in Concert | Official Main Trailer  Paradise Season 2 | Official Trailer | Hulu An t-Eilean | BBC ALBA trailer RTÉ | These Sacred Vows trailer Blue Lights | Trailer - BBC BILL FRISELL TRIO - "You Only Live Twice" @ XJAZZ Festival | LIVE FROM BERLIN Bill Frisell's New Album In My Dreams Bill Frisell - In My Dreams (Live / Visualizer) Bill Frisell - A Change Is Gonna Come Guy Clark - Desperados Waiting For A Train

durée : 00:59:27 - Bill Frisell "In My Dream" - par : Nicolas Pommaret - A l'occasion de ses 75 ans, le guitariste américain Bill Frisell fait paraître "In my dreams" le 27 février sur le label Blue Note. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

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On February 12, 1946, a Black soldier was heading home from WWII when he was brutally beaten by a white police officer in South Carolina. No one knew the identity of the police officer. No one even knew the town where it happened.  When the famous radio host Orson Welles heard about the crime, he pledged to solve the mystery, week-by-week, on the air. Today, episode 1 of our new series Orson Welles and the Blind Soldier, about an incident in a small, southern town that led to the desegregation of the U.S. military. --- Thanks to Richard Gergel for his book Unexampled Courage and Indiana University's Lilly Library for archival audio. Music from Matthias Bossi and Bill Frisell for music. Learn about your ad choices: dovetail.prx.org/ad-choices

durée : 00:59:48 - Étrange ! - par : Nathalie Piolé -

El 10 de febrero de 2021 nos dejó el pianista, teclista y compositor Lyle Mays, artífice, junto a Pat Metheny, del Pat Metheny Group. De los discos publicados con su nombre las piezas 'August', 'Chorinho' y 'Possible straight' ('Sweet dreams' , 1988, con Bill Frisell, Marc Johnson, Bob Mintzer...), 'Bill Evans' y 'Something left unsaid' ('Fictionary', 1992, con Marc Johnson, Jack DeJohnette...) y 'Procession' y 'This moment' ('Solo. Improvisations for expanded piano' de 1988). Con el Pat Metheny Group, 'Better days ahead' (del disco 'Letter from home'), 'First circle' (de 'The first circle') y 'Third Wind' (de 'Still life talking'). Escuchar audio

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 We had a very interesting and touching conversation with Courtney Hartman about her latest release, “With You,” which conveys the theme of giving and receiving care. Courtney talksabout balancing being a mom and a career musician and the fulfilling feeling of“I made something.” Courtney's 3-year-old even makes a guest appearance.   Courtney Hartman, a Wisconsin-based, Colorado-born guitarist, singer, writer, and producer, hasspent 15 years deftly knitting together music communities across the bluegrass,folk, and indie scenes. She turned early acclaim (including a 2014 GRAMMY nomination for her work with folk quintet Della Mae) into true partnerships, writing and recording with an ever-growing family of fellow artists. PopMatters calls Courtney “a real-life folk troubadour and scholar, informed by her travels and the relationships that she's built through them,” and Acoustic Guitar Magazine says she is “a songwriter that delights and disturbs.” Herfirst two albums, Ready Reckoner and Glade, featured collaborations with Gregory Alan Isakov, Anaïs Mitchell, Bill Frisell, and Sam Amidon. Over the past decade, Courtney has spent time in 28 different countries, seeking to bridge cultural divides through music diplomacy andcreative cooperation. Her upcoming release, With You, is a richly collaborative album centered around the themes of care and motherhood. It will be released independently on November 14 and includes performances by Watchhouse, Tift Merritt, Phil Cook, and more.   Be sure to check Courtney out here:  Website: Courtneyhartman.com  Patreon: /courtneyhartmanmusic IG: @courtneyhartman FB: @courtneyhartmanmusic Youtube: @courtneyhartman 

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What do you get when you combine re-imagined classic rock and roll with jazz music delivered by a Grammy award winning Big Band orchestra and Grammy nominated vocalist? In this case, you get a newly-minted  Grammy nomination for ‘Best Large Jazz Ensemble Album' from The Count Basie Orchestra, featuring Billboard's #1 jazz artist - and our podcast guest - Deborah Silver, for “Basie Rocks!” This 11 track project is packed with iconic hits from the likes of Elton John, Peter Frampton The Rolling Stones, Paul McCartney, the Steve Miller Band and more, delivered by The Count Basie Orchestra and Silver, in collaboration with Arturo Sandoval, Kurt Elling, Wycliffe Gordon, Trombone Shorty, Bill Frisell and others.    Join me as our conversation with Deborah Silver discusses her fascinating story, and how her collaboration with The Count Basie Orchestra ultimately led to this extraordinary GRAMMY nominated album.

Canciones de The Beatles en grabaciones de Bobby McFerrin ('Drive my car'), Danilo Rea ('The long and winding road'), Rita Lee ('All my loving', 'Minha vida'/'In my life', 'Michelle'), Uakti ('Julia', 'Mother´s nature son', 'Golden slumbers', 'She´s leaving home'), Toninho Horta ('She´s leaving home'), Pat Metheny ('And I love her'), Shirley Horn ('Yesterday'), Bill Frisell ('Across the universe') y Brad Mehldau ('Blackbird'). Escuchar audio

Unreleased rehearsal tapes of Paul Motian, Bill Frisell & Joe Lovano in 1988. Recorded at Lovano's loft in NYC.Set List: https://jazzcloset.blogspot.com/2025/11/1988-motian-frisell-lovano-rehearsals.htmlPhoto: Joe Lovano, Paul Motian, Bill Frisell 1989 at Bach, Dancing & Dynamite  Half Moon Bay, CAphotographer unknown

In this episode, I'm joined by John Mailander, a fearless and lyrical fiddler/violinist whose work bridges bluegrass, jazz, ambient improvisation, and songcraft. We trace his path from San Diego to Berklee (where he studied American Roots with mentor Darol Anger) to Nashville, where he found a close-knit community that's as experimental as it is supportive. John discusses the city's “weirdo music” scene, ambient nights, free improvisation, and oddball collaborations, and how that energy coexists alongside the touring calendar. We dig into his life-changing chair with Bruce Hornsby: the no-setlist ethos, learning the “top 80” deep-cut originals, living on the edge together, and the night Bruce rearranged the stage so John could stand next to John Scofield, then kept tossing them intertwined solos all evening. John shares recent runs with Sam Grisman (with hero Peter Rowan onboard), producing and recording more from Nashville, and the origin of his own band Forecast, a genre-porous collective inspired by Bill Frisell, Brian Blade Fellowship, Pat Metheny/Brad Mehldau, and Joni Mitchell. We talk through the new record Let the World In: how residency nights at Dee's in Madison shaped the tunes, why the drums sound so alive, and why he welcomes rotating lineups to hear the same music through new lenses. Teaching and mentorship thread through the conversation: passing on what was given to him (formally and backstage between songs), honoring influences like Matt Mundy (ARU/Bruce Hampton), and why the point isn't “pushing boundaries” as a goal but playing honestly enough that the music pushes itself. It's a generous, grounded conversation about trust, curiosity, and letting the music lead.To learn more about John, visit his website. Music from the Episode:Let the World In (John Mailander's Forecast)Road (John Mailander's Forecast)Gardener (John Mailander's Forecast)Reprise (John Mailander's Forecast)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

John Scofield is undeniably one of the preeminent forces in contemporary jazz guitar. Along with a few of his peers—see Pat Metheny, Bill Frisell, Mike Stern—he modernized the sound of our instrument and the genre. But there's much more to Scofield than just jazz.To break down the deepest of Scofield's records and talk about the intricacies of his playing, we called up another great, Adam Levy. There's a great chance you've heard Levy alongside artists such as Tracy Chapman or Norah Jones, and his solo discography is deep! Adam has a host of Scofield know-how, so we get right to it. Sponsored by Two Rock: two-rock.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Eddie Schuller tells stories about the 1980s Paul Motian Quintet. Music with Billy Drewes, Jim Pepper, Joe Lovano, Bill Frisell & Paul Motian.Set List: https://jazzcloset.blogspot.com/2025/11/eddie-schuller-interview-081919.htmlPhoto: Paul Motian Quintet  July 4, 1982  Massachusetts, USAPaul Motian, Eddie Schuller, Billy Drewes, Bill Frisell, Joe Lovano

Episode 92: Joe Lovano. Joe Lovano is one of the greatest musicians of all time. A Grammy-winning saxophonist who's been on the cover of DownBeat magazine multiple times (as well as many others), a Blue Note Records legend with 25 releases, a Berklee alum, and he holds the Gary Burton Chair in Jazz Performance at Berklee College of Music, which he's had since 2001. He also happens to be my cousin and one of the biggest inspirations and mentors in my life. This was our first time ever doing something like this together. A 3-hour deep dive interview that covers (nearly) his entire career. We go into our family history, growing up in Cleveland, our Sicilian roots, his father Tony “Big T” Lovano, and how that shaped his sound and spirit. We talk about his time with Elvin Jones, Jack DeJohnette, John Scofield, Charlie Haden, Esperanza Spalding, Michael Brecker, McCoy Tyner, Paul Motian, Bill Frisell, Hank Jones, Dave Holland, Joshua Redman, Al Foster, and many more. Joe shares lessons from decades of leading bands, developing tone, mentoring young players, and living a full creative life with his wife of 50 years, Judi Silvano. Joe is one of the greatest musicians alive, a music historian, and an incredible educator and mentor. Here is my interview with one of my favorite people, Joe Lovano.The Music Settlement Scholarship Donation: https://www.themusicsettlement.org/donate?utm_source=Master+List&utm_campaign=a5cff9ca09-EMAIL_CAMPAIGN_JoeLovano2025&utm_medium=email&utm_term=0_1bd2f9c4a7-a5cff9ca09-434756824 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Joe: https://www.instagram.com/joelovanojazz/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

He wrote the definitive history of Indian wrestling. His longform reportage has taken him into strange territories. He embedded himself with the Delhi police and has now come out with his first crime novel. Rudraneil Sengupta joins Amit Varma in episode 429 of The Seen and the Unseen to talk about he throws himself into both his life and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Rudraneil Sengupta on Instagram, Twitter, Mint and Amazon. 2. The Beast Within -- Rudraneil Sengupta. 3. Enter the Dangal -- Rudraneil Sengupta. 4. The Girl From Haryana -- Amit Varma's feature story on Sakshi Malik (2016). 5. Aadha Gaon — Rahi Masoom Raza. 6. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 7. From Cairo to Delhi With Max Rodenbeck — Episode 281 of The Seen and the Unseen. 8. Kind of Blue -- Miles Davis. 9. Wall-E -- Andrew Stanton. 10. The Complete Adventures of Feluda (Volume 1) (Volume 2) -- Satyajit Ray. 11. The Adventures Of Kakababu -- Sunil Gangopadhyay. 12. More Adventures Of Kakababu -- Sunil Gangopadhyay. 13. Sandesh. 14. Paar -- Goutam Ghose. 15. Do Androids Dream Of Electric Sheep? -- Philip K Dick. 16. Philip K Dick and Ursula K Le Guin on Amazon. 17. Sandman -- Neil Gaimon. 18. Persepolis -- Marjane Satrapi. 19. The Buddha -- Osamu Tezuka. 20. The Solitary Writer Meets the Impossible Man -- Episode 428 of The Seen and the Unseen (w Narayani Basu). 21. A Man For All Seasons: The Life Of KM Panikkar — Narayani Basu. 22. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 23. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 24. Frank Zappa, The Beatles, The Rolling Stones, Muddy Waters and Django Reinhardt on Spotify. 25. Satyaki Banerjee and Paban Das Baul on Spotify. 26. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 27. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 28. Stage.in. 29. Tom Waits, Mark Strand and Mary Oliver. 30. The Golden Age of Murder -- Martin Edwards. 31. Roseanna -- Maj Sjöwall and Per Wahlöö. 32. Ian Rankin (of Inspector Rebus fame) on Amazon. 33. Six Four -- Hideo Yokoyama. 34. Raag Darbari -- Shrilal Shukla (translated by Gillian Wright). 35. Saans -- Neena Gupta. 36. Anne Tyler on Amazon. 37. Fear and Loathing in Las Vegas -- Hunter S Thompson. 38. The Kentucky Derby Is Decadent and Depraved -- Hunter S Thompson. 39. The Life and Times of Gurcharan Das -- Episode 425 of The Seen and the Unseen. 40. Meet Suyash Dixit, the man who would be king -- Rudraneil Sengupta. 41. The Autopsy Report -- Rudraneil Sengupta. 42. Court -- Chaitanya Tamhane. 43. The Crowd: A Study of the Popular Mind -- Gustave Le Bon. 44. Invisible Man -- Ralph Ellison. 45. The Is-Ought Problem and the Naturalistic Fallacy. 46. V for Vendetta -- Alan Moore and David Lloyd. 47. Murder in Mahim -- Jerry Pinto. 48. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 49. Hayao Miyazaki, Satyajit Ray and Martin Beck. 50. Disgrace -- JM Coetzee. 51. Moby Dick -- Herman Melville. 52. Julian Lage and Bill Frisell on Spotify. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Delhi' by Simahina.

From the 2025 New York Guitar Festival, hear music from legendary American jazz guitarist Bill Frisell and Icelandic bass player Skúli Sverrisson, who were about to go into the studio and record their second album as a duo. Part of the New Sounds Live concerts, the music was recorded at the First Unitarian Congregational Society in Brooklyn, and was a co-presentation of World Music Institute. Set list: 1. Sverrisson: Her Room 2. Sverrisson: Draumfari 3. Frisell: Baby 4. Sverrisson: Afternoon Variant

It's the 153rd episode of the Truth About Vintage Amps and Skip is having a happy day fielding your amp questions. From cleaning tweed to Magnatone varistors and all points in between, it's 90 minutes of tube amp knowledge, laughs, and some serious California trivia.  Some of the topics discussed this week:  1:27: The 2025 Fretboard Summit; the importance of repair tags 6:55: Thanks for the mangos, John! And a food preservation tip 8:30: Our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts!  14:15 What's on Skip's bench? 60 amps in August; great Loma Rica deals; far out tubes 23:29 The big TV tubes in Standel amps (6DQ6 tubes, regulator tubes) 25:49 Skip's near-death experience; The Edwin Hawkins Singers' "O Happy Day" (YouTube) 31:05 Colman's Hot Mustard 31:49 A giant yard sale in Dixon 34:23 More TAVA t-shirts; whatever happened to Jason's Honda Scrambler? 38:04 An antique radio museum in Marysville, California 41:38 Calculating output transformer primary impedance 47:37 Cleaning tweed 49:58 Replacing the varistors in Magnatone/Americana amps; luthier Ken Bebensee; North San Juan, California; the Malakoff Diggins 56:53 Going to Guitar Center, a Gibson GA-20...or was it? Sierra Nevada Brewing Oktoberfest beer 1:01:20 The Rustic Kegger community on Facebook: https://www.facebook.com/groups/tavapodcast 1:02:51 El Pato in Alaska 1:03:41 Fender Tone Ring cabinets   1:05:54 A brown 1962 Fender Super with an 8516 transformer from a TV-front Super 1:11:01 Building a shell for a Falcon chassis 1:12:55 Building a Deluxe 5E3 clone in Brazil 1:20:17 Verellen's solid-state Octal tube (link); how power attenuators work; Benson's Monarch Plus power scaling 1:24:41 Recommended music: Texas Alexander & Lonnie Johnson's "Crossroads" (YouTube); KZFR; Julian Lage; Bill Frisell 1:26:19 Noel Boggs and his Day Sleepers' "Steelin Home" (YouTube) 1:27:16 Recommended reading: The RCA RC-30 tube manual (Amplified Parts link); California's two Sebastopols Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Want to share your top secret family recipe? Need relationship advice? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too.  Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  Don't forget, we have a Patreon page. Support the show, get behind-the-scenes updates and get to the front of the line with your questions. 

One of my absoliute favorite Nashville guitarists, Kenny Vuaghan, joins me on the show today for the first of a 2-part episode where we go deep into his stories about growing up in Colorado, his formative experiences seeing the Grateful Dead and Jimi Hendrix, taking guitar lessons as a youngster from Bill Frisell, and playing a seemingly endless string of country and rock gigs around the local area. We get into his move to Nashville in the 80's which led to many incredible sessions and touring gigs with Patty Loveless and of course his role in Marty Stuart's Fabulous Superlatives, a gig he's held down for over 24 years. We also discuss the finer points of 1980's Japan-made Strats, his pickups of choice and other nerdy guitar details.Kenny remains very active these days, continuing on a regular touring schedule with Marty Stuart, but also fronting one of my favorite bands to see around Nashville on a regular basis called The Imperial Blues Hour. Kenny doesn't have a website, but is active on socials if you want to follow him there. Stay tuned for Part 2 a week from today!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.