Podcasts about Safavid Iran

Twelver Shiʻi ruling dynasty of Iran

  • 19PODCASTS
  • 31EPISODES
  • 1h 17mAVG DURATION
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  • Feb 22, 2024LATEST
Safavid Iran

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Best podcasts about Safavid Iran

Latest podcast episodes about Safavid Iran

مَنبِت | Manbet
متى تحولت إيران للمذهب الشيعي؟

مَنبِت | Manbet

Play Episode Listen Later Feb 22, 2024 24:04


نعود بالتاريخ مئات السنين، كي نحكي تاريخ منطقة استراتيجية في قارة آسيا، وكيف أثرت عليها التحولات السياسية والمذهبية لتصبح على وضعها الحالي، إيران أو إمبراطورية فارس. ندعوكم للإصغاء إلى أصوات من فلسطين من خلال الحلقات الخاصة التي نقوم بنشرها تباعًا في ضوء الأحداث الحالية: https://www.sowt.com/ar/palestineتابعوا صوت على:النشرة البريدية: https://sow.tl/newsletterإنستجرام: https://www.instagram.com/sowtpodcastsتويتر/إكس: https://twitter.com/sowtيوتيوب: https://www.youtube.com/@Sowt تيك توك: https://tiktok.com/@sowtpodcasts فيسبوك: facebook.com/SowtPodcasts لينكد إن: https://jo.linkedin.com/company/sowtتعرف على جميع برامج صوت: https://www.sowt.com/ar/podcast انضم لعضوية صوت بلس لتسمع الحلقات قبل نشرها بدون إعلانات، بالإضافة لمحتوى حصري للمشتركين: https://sow.tl/PlusAppleالمصادر:1- https://www.lse.ac.uk/International-History/Events/2021/the-shahs-imperial-celebrations-of-19712-https://www.britannica.com/topic/Sasanian-dynasty3- https://www.britannica.com/topic/Mughal-dynasty4- https://www.britannica.com/biography/Genghis-Khan5- https://www.britannica.com/biography/Hulegu6- https://www.britannica.com/topic/Il-Khanid-dynasty7- https://www.britannica.com/topic/Timurid-dynasty8- السياسة والدين في مرحلة تأسيس الدولة الصفوية (1501-1576)، علي إبراهيم درويش، المركز العربي للأبحاث ودراسة السياسات، الطبعة الأولى، الدوحة، 2012.9- Converting Persia, Religion and Power in the Safavid Empire, Rula Jurdi Abisaab. I.B. Tauris 200410- Formation of a Religious Landscape: Shiʿi Higher Learning in Safavid Iran,Maryam Moazzen. Brill 11- https://www.britannica.com/topic/Safavid-dynasty12- https://www.britannica.com/biography/Ismail-I-shah-of-Iran Hosted on Acast. See acast.com/privacy for more information.

New Books in History
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books in History

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

New Books in Early Modern History
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books in Early Modern History

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices

New Books in Literary Studies
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books in Literary Studies

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

New Books Network
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books Network

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

New Books in Middle Eastern Studies
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books in Middle Eastern Studies

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

New Books in Islamic Studies
James White, "Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India" (Bloomsbury, 2023)

New Books in Islamic Studies

Play Episode Listen Later Oct 29, 2023 70:57


A wealth of scholarship has highlighted how commercial, political and religious networks expanded across the Arabian Sea during the seventeenth century, as merchants from South Asia traded goods in the ports of Yemen, noblemen from Safavid Iran established themselves in the courts of the Mughal Empire, and scholars from across the region came together to debate the Islamic sciences in the Arabian Peninsula's holy cities of Mecca and Medina.  James White's book Persian and Arabic Literary Communities in the Seventeenth Century: Migrant Poets between Arabia, Iran and India (Bloomsbury, 2023) demonstrates that the globalising tendency of migration created worldly literary systems which linked Iran, India and the Arabian Peninsula through the production and circulation of classicizing Arabic and Persian poetry. By close reading over seventy unstudied manuscripts of seventeenth-century Arabic and Persian poetry that have remained hidden on the shelves of libraries in India, Iran, Turkey and Europe, the book examines how migrant poets adapted shared poetic forms, imagery and rhetoric to engage with their interlocutors and create communities in the cities where they settled. The book begins by reconstructing overarching patterns in the movement of over a thousand authors, and the economic basis for their migration, before focusing on six case studies of literary communities, which each represent a different location in the circulatory system of the Arabian Sea. In so doing, the book demonstrates the plurality of seventeenth-century aesthetic movements, a diversity which later nationalisms purposefully simplified and misread. James White is Departmental Lecturer of Asian and Middle Eastern Studies at Oxford University. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

The Majlis
Ep 25: Qissah and The Art of Indian Storytelling w/ Prof. Pasha M. Khan

The Majlis

Play Episode Listen Later May 30, 2022 52:39


On this episode of the Majlis, Dr. Adnan Husain and graduate student Shahroz Khan discuss the verbal art known as Qissah or Dastaan with Prof. Pasha M. Khan, Chair in Urdu Language and an Associate Professor at the Institute of Islamic Studies at McGill University. He is the author of The Broken Spell, which highlights the rise and fall of the art of Qissah in South Asia. Such storytelling techniques once flourished from Mughal India to Safavid Iran, entertaining and captivating audiences in villages and bazaars and, patronized by imperial courts. Pasha Khan discusses the history of early Qissah and its relevance in the Persinate world, and how British colonization ultimately led to its decline. We also hear the fun tale of Sami Pokar, the Anglo-Indian woman who turned into a cat. You can find Pasha Khan on Twitter.

EMPIRE LINES
Painting of Silver Labourers in Potosí, Bolivia, from Translation of the History of the New World (c. 17th Century)

EMPIRE LINES

Play Episode Listen Later May 12, 2022 17:07


Dr. Saygin Salgirli mines the hidden link between four early modern empires, in a 17th century Painting of Silver Labourers in Potosí, Bolivia. In a peaceful mountain landscape, three labourers in colourful turbans and tunics mine silver together in a metric, obedient rhythm. Likely painted for the first non-European text on the Americas, this idyllic depiction of labour has a more complicated past. Its novel, imagined imperial ideal of work is unlocatable to any specific context. Instead, it speaks to the interconnected economies of the Ottoman and Spanish Empires, South Asia, and Safavid Iran - all of which restructured their labour forces to mine silver or to produce goods to trade for it - and how wealth was really generated. Previously part of the Inca Empire, Bolivia's silver output drastically increased under Spanish imperial rule. With widescale extraction, harsh economic reforms, and coercive and slave labour, Potosí's silver mines became the gossip of global imperial capitals, as imported metals flooded their markets. 'No longer workers, but the human shapes of wage-labour,' these figures reveal the overlooked connections between these newly globalised markets, the abstraction of labour rather than art, and how labour and land were reorganised to meet demand in new, capitalist modes of production. PRESENTER: Dr. Saygin Salgirli, Assistant Professor of Art History in the Department of Art History, Visual Art & Theory at the University of British Columbia. ART: Painting of Silver Labourers in Potosí, Bolivia, from Translation of the History of the New World (c. 17th Century). IMAGE: 'Mining Silver in Potosí (Bolivia)'. SOUNDS: CLOUDWARMER. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Art Informant
Islamic Art Auction at Millon Paris with Anne-Sophie Joncoux-Pilorget

Art Informant

Play Episode Listen Later Dec 2, 2021 50:28


What does the career of an Islamic and Indian arts expert look like? How do we get to it? Also, what should you buy in the upcoming auction of Millon et Associés? In the second episode of the Art Informant, Isabelle Imbert sits with Anne-Sophie Joncoux-Pilorget, head of the Oriental Art and Orientalism department of the Parisian auction house Millon & Associés to answer all these questions.  Mentioned in the Episode and Further Links  Millon & Associés 8th December auction catalogueIbn Kammuna, Refinement and Commentary on Suhrawardi's Intimations, €30.000-50.000Qur'an, Safavid Iran, 16th c., €20.000-30.000Two birds on a rose, signed Abdullah Bukhari, Ottoman Turkey, 18th c., €5.000-6.000Talismanic shirt, Ottoman Turkey, 18th c., €8.000-12.000 Portrait of a ruler, India, c. 1800, €600-800A page from the royal Padshanama, sold December 2019, €702.000The painting Anne-Sophie would love to acquireFollow the Art Informant on InstagramFollow Anne-Sophie Joncoux-Pilorget on InstagramFollow Millon & Associés on Instagram 

Ottoman History Podcast
Being Urban and Urbane in Safavid Iran

Ottoman History Podcast

Play Episode Listen Later Apr 8, 2020


Episode 458 with Kathryn Babayan hosted by Nir ShafirIn the seventeenth century, the city of Isfahan flourished as the capital of the Safavid Empire. How did this vibrant and growing city shape the very nature of its inhabitants? In this episode, we speak to Kathryn Babayan about how the city’s residents learned to read its new architecture and social life and how this budding urbanity in turn developed new ways of being and belonging among its residents. She focuses specifically on anthologies, those personal collections of letters, paintings, and poems that survive today by the thousands. These anthologies, curated and preserved by urbanites over generations, are one of the finest testaments to the new subjectivities of the early modern city in the Safavid realms.« Click for More »

New Books in British Studies
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)

New Books in British Studies

Play Episode Listen Later Jul 11, 2018 44:30


In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey J. Pierson reveals the fascinating history of one of the most refined and influential fine art clubs in London: The Burlington Fine Arts Club. Drawing on the club’s near-complete, yet understudied archives at the National Art Library at the Victoria & Albert Museum in London, Stacey focuses on the club’s exhibition practices. In this way, the Burlington Fine Arts Club functioned as a social space to practice, probe and participate in a connoisseurial approach to the fine arts. They included not just Old Masters but also Persian, Chinese and Indian works of art too, thus demonstrating how the ‘global turn’ in art history came about much earlier than is generally understood. This book is an indispensable resource for anyone interested in art market studies and the interconnectedness of the public and the private, the formation of private clubs and public taste and the network of agents who manoeuvre between them. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

chinese indian drawing private shaping collecting persian art history ming routledge exhibitions pierson albert museum old masters humboldt forum timurid safavid iran ricarda brosch asian art museum berlin museum qing chinese national art library ricardabeatrix london the burlington fine arts club burlington fine arts club stacey j pierson
New Books in Art
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)

New Books in Art

Play Episode Listen Later Jul 11, 2018 44:18


In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey J. Pierson reveals the fascinating history of one of the most refined and influential fine art clubs in London: The Burlington Fine Arts Club. Drawing on the club’s near-complete, yet understudied archives at the National Art Library at the Victoria & Albert Museum in London, Stacey focuses on the club’s exhibition practices. In this way, the Burlington Fine Arts Club functioned as a social space to practice, probe and participate in a connoisseurial approach to the fine arts. They included not just Old Masters but also Persian, Chinese and Indian works of art too, thus demonstrating how the ‘global turn’ in art history came about much earlier than is generally understood. This book is an indispensable resource for anyone interested in art market studies and the interconnectedness of the public and the private, the formation of private clubs and public taste and the network of agents who manoeuvre between them. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

chinese indian drawing private shaping collecting persian art history ming routledge exhibitions pierson albert museum old masters humboldt forum timurid safavid iran ricarda brosch asian art museum berlin museum qing chinese national art library ricardabeatrix london the burlington fine arts club burlington fine arts club stacey j pierson
New Books in History
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)

New Books in History

Play Episode Listen Later Jul 11, 2018 44:18


In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey J. Pierson reveals the fascinating history of one of the most refined and influential fine art clubs in London: The Burlington Fine Arts Club. Drawing on the club’s near-complete, yet understudied archives at the National Art Library at the Victoria & Albert Museum in London, Stacey focuses on the club’s exhibition practices. In this way, the Burlington Fine Arts Club functioned as a social space to practice, probe and participate in a connoisseurial approach to the fine arts. They included not just Old Masters but also Persian, Chinese and Indian works of art too, thus demonstrating how the ‘global turn’ in art history came about much earlier than is generally understood. This book is an indispensable resource for anyone interested in art market studies and the interconnectedness of the public and the private, the formation of private clubs and public taste and the network of agents who manoeuvre between them. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

chinese indian drawing private shaping collecting persian art history ming routledge exhibitions pierson albert museum old masters humboldt forum timurid safavid iran ricarda brosch asian art museum berlin museum qing chinese national art library ricardabeatrix london the burlington fine arts club burlington fine arts club stacey j pierson
New Books Network
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)

New Books Network

Play Episode Listen Later Jul 11, 2018 44:18


In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey J. Pierson reveals the fascinating history of one of the most refined and influential fine art clubs in London: The Burlington Fine Arts Club. Drawing on the club’s near-complete, yet understudied archives at the National Art Library at the Victoria & Albert Museum in London, Stacey focuses on the club’s exhibition practices. In this way, the Burlington Fine Arts Club functioned as a social space to practice, probe and participate in a connoisseurial approach to the fine arts. They included not just Old Masters but also Persian, Chinese and Indian works of art too, thus demonstrating how the ‘global turn’ in art history came about much earlier than is generally understood. This book is an indispensable resource for anyone interested in art market studies and the interconnectedness of the public and the private, the formation of private clubs and public taste and the network of agents who manoeuvre between them. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

chinese indian drawing private shaping collecting persian art history ming routledge exhibitions pierson albert museum old masters humboldt forum timurid safavid iran ricarda brosch asian art museum berlin museum qing chinese national art library ricardabeatrix london the burlington fine arts club burlington fine arts club stacey j pierson
New Books in Art
Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)

New Books in Art

Play Episode Listen Later Apr 5, 2018 76:19


In his latest book, Chinese Painting and Its Audiences published in 2017 by Princeton University Press, Craig Clunas puts to question the entire concept of “Chinese painting” by looking at how this category is in fact a creation of its viewers. The book, which expanded on the A. W. Mellon lecture series Clunas gave at the National Gallery of Art in Washington DC in 2012, was selected as one of the best art books of 2017 by The New York Times. The engaging and lavishly illustrated book draws on some familiar material but more importantly on a wide range of previously unknown or understudied sources. Spanning roughly the time period from the Ming period (1368-1644) until the present day, the book reveals how the notion of Chinese painting only became possible in early modern times, when audiences started to have a wider range of material they could choose from. Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art and material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research and digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

art new york times chinese washington dc audiences ming spanning national gallery princeton university press mellon humboldt forum princeton up timurid chinese painting safavid iran ricarda brosch asian art museum berlin museum craig clunas qing chinese its audiences clunas
New Books in History
Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)

New Books in History

Play Episode Listen Later Apr 5, 2018 76:19


In his latest book, Chinese Painting and Its Audiences published in 2017 by Princeton University Press, Craig Clunas puts to question the entire concept of “Chinese painting” by looking at how this category is in fact a creation of its viewers. The book, which expanded on the A. W. Mellon lecture series Clunas gave at the National Gallery of Art in Washington DC in 2012, was selected as one of the best art books of 2017 by The New York Times. The engaging and lavishly illustrated book draws on some familiar material but more importantly on a wide range of previously unknown or understudied sources. Spanning roughly the time period from the Ming period (1368-1644) until the present day, the book reveals how the notion of Chinese painting only became possible in early modern times, when audiences started to have a wider range of material they could choose from. Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art and material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research and digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

art new york times chinese washington dc audiences ming spanning national gallery princeton university press mellon humboldt forum princeton up timurid chinese painting safavid iran ricarda brosch asian art museum berlin museum craig clunas qing chinese its audiences clunas
New Books Network
Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)

New Books Network

Play Episode Listen Later Apr 5, 2018 76:32


In his latest book, Chinese Painting and Its Audiences published in 2017 by Princeton University Press, Craig Clunas puts to question the entire concept of “Chinese painting” by looking at how this category is in fact a creation of its viewers. The book, which expanded on the A. W. Mellon lecture series Clunas gave at the National Gallery of Art in Washington DC in 2012, was selected as one of the best art books of 2017 by The New York Times. The engaging and lavishly illustrated book draws on some familiar material but more importantly on a wide range of previously unknown or understudied sources. Spanning roughly the time period from the Ming period (1368-1644) until the present day, the book reveals how the notion of Chinese painting only became possible in early modern times, when audiences started to have a wider range of material they could choose from. Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art and material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research and digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

art new york times chinese washington dc audiences ming spanning national gallery princeton university press mellon humboldt forum princeton up timurid chinese painting safavid iran ricarda brosch asian art museum berlin museum craig clunas qing chinese its audiences clunas
New Books in the History of Science
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in the History of Science

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane's life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo's book reveals the complex lives and stories around Hans Sloane's collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books in Science, Technology, and Society
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in Science, Technology, and Society

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books Network
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books Network

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books in Art
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in Art

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books in Biography
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in Biography

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books in British Studies
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in British Studies

Play Episode Listen Later Feb 9, 2018 92:39


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books in History
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

New Books in History

Play Episode Listen Later Feb 9, 2018 92:26


James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum. For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic. More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

england britain curiosity collecting ming british museum isaac newton overshadowed humboldt forum allen lane world the life timurid safavid iran hans sloane ricarda brosch asian art museum berlin museum james delbourgo qing chinese delbourgo
New Books Network
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)

New Books Network

Play Episode Listen Later Jan 9, 2018 136:51


Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

history chinese western morse ming spanning typewriters mit press mullaney humboldt forum timurid tom mullaney safavid iran ricarda brosch asian art museum berlin museum qing chinese
New Books in Science, Technology, and Society
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)

New Books in Science, Technology, and Society

Play Episode Listen Later Jan 9, 2018 136:51


Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

history chinese western morse ming spanning typewriters mit press mullaney humboldt forum timurid tom mullaney safavid iran ricarda brosch asian art museum berlin museum qing chinese
New Books in Technology
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)

New Books in Technology

Play Episode Listen Later Jan 9, 2018 136:51


Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

history chinese western morse ming spanning typewriters mit press mullaney humboldt forum timurid tom mullaney safavid iran ricarda brosch asian art museum berlin museum qing chinese
New Books in Communications
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)

New Books in Communications

Play Episode Listen Later Jan 9, 2018 136:51


Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

history chinese western morse ming spanning typewriters mit press mullaney humboldt forum timurid tom mullaney safavid iran ricarda brosch asian art museum berlin museum qing chinese
New Books in Art
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)

New Books in Art

Play Episode Listen Later Jan 9, 2018 137:04


Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

history chinese western morse ming spanning typewriters mit press mullaney humboldt forum timurid tom mullaney safavid iran ricarda brosch asian art museum berlin museum qing chinese
History of Philosophy Without Any Gaps
HoP 185 - Follow the Leader - Philosophy under the Safavids

History of Philosophy Without Any Gaps

Play Episode Listen Later Jul 20, 2014 24:23


Philosophy in Safavid Iran, and a look back at earlier philosophy among Shiites.