Podcasts about Art market

A duct-taped banana, a glass-encased tiger shark, a three-meter balloon dog – all selling for millions of dollars. For centuries, people have invested in art and their creators, with modern investors adding these “alternative assets” to portfolios. But global art auction turnover fell by about a third to $9.9 billion last year, according to Artmarket. It's also an increasingly tricky industry to navigate, with many sales private and some high risk, and scams not uncommon. So what are the wealthy buying these days, how safe are these investments, and what should they expect in terms of return? John Lee and Katia Dmitrieva sit down with Betsy Bickar, senior art adviser at Citi Wealth’s art advisory unit. The episode was recorded on March 25, prior to Art Basel Hong Kong, part of the city’s Art Week.See omnystudio.com/listener for privacy information.

For the latest edition of the Artnet Intelligence Report, which is now free to download, Artnet columnist Katya Kazakina wrote a wide-ranging cover story about the state of play in the art industry. Titled “New Money, New Taste,” it charts a revolution that is underway in the market, amid what has been dubbed the Great Wealth Transfer. Economists, Kazakina reports, believe that $84 trillion in assets will change hands over the next 20 years—that's trillion... with a T. Gen Xers will inherit $30 trillion, millennials $27 trillion, and Gen Zers $11 trillion, according to one study. (Huge amounts of money!) She writes, "Their values, taste, and investment decisions will help determine the next cohort of top artists—who's in and who's out, who will endure and who will not." Could longstanding kings of auction houses, like Andy Warhol and Pablo Picasso, be dethroned? Will new names—and new types of material—arise to take their place? Everyone is guessing, aiming to protect their assets while angling for business. All of this is happening against the backdrop of an art market marked by intense uncertainty, following some very tough years, as data in the Intelligence Report shows. The whole industry feels unsettled and off-kilter, and firms of all sizes are trying to figure out how to navigate the situation. This week on the podcast, Editor of Artnet News Pro, Andrew Russeth, speaks to Kazakina about her reporting.

For the latest edition of the Artnet Intelligence Report, which is now free to download, Artnet columnist Katya Kazakina wrote a wide-ranging cover story about the state of play in the art industry. Titled “New Money, New Taste,” it charts a revolution that is underway in the market, amid what has been dubbed the Great Wealth Transfer. Economists, Kazakina reports, believe that $84 trillion in assets will change hands over the next 20 years—that's trillion... with a T. Gen Xers will inherit $30 trillion, millennials $27 trillion, and Gen Zers $11 trillion, according to one study. (Huge amounts of money!) She writes, "Their values, taste, and investment decisions will help determine the next cohort of top artists—who's in and who's out, who will endure and who will not." Could longstanding kings of auction houses, like Andy Warhol and Pablo Picasso, be dethroned? Will new names—and new types of material—arise to take their place? Everyone is guessing, aiming to protect their assets while angling for business. All of this is happening against the backdrop of an art market marked by intense uncertainty, following some very tough years, as data in the Intelligence Report shows. The whole industry feels unsettled and off-kilter, and firms of all sizes are trying to figure out how to navigate the situation. This week on the podcast, Editor of Artnet News Pro, Andrew Russeth, speaks to Kazakina about her reporting.

ART ELEVATES YOU EVERY DAY. Cécile Verdier is President of Christie's France. She graduated from Sciences Po and Art History at Paris IV, before spending 4 years at Christie's as Head of Valuations then moving to the 20th Century department, in parallel of taking the hammer for Christie's France since the inauguration sale in 2001. From 2008 to 2018, she was heading the 20th Century Design Department globally at Sotheby's and Vice President of the French office at the end of her tenure. In 2019, she came back to Christie's as President for France. “An auction house is rightly called a house, not an auction company. We are a home.” “You can hear English being spoken all over the city. Paris definitely became more international.” “There are no bad questions. “How much do you think it will cost?” is always a good question to ask.”

Investigations into Jeffrey Epstein's financial activities have uncovered his alleged use of the high-end art market as a conduit for money laundering. The art world, with its opaque transactions and subjective valuations, provides an ideal environment for concealing illicit funds. Epstein, known for his extensive art collection, reportedly exploited this system to obscure the origins and movements of his wealth. This method allowed him to transfer large sums under the guise of legitimate art dealings, effectively bypassing traditional financial scrutiny. The lack of transparency in art sales and the frequent use of intermediaries further facilitated Epstein's ability to launder money through high-value artworks, raising concerns about the vulnerabilities within the art market to such illicit practices.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In this powerful conversation, I sit down with Emily McElwreath—art advisor, independent curator, educator, and host of The Art Career Podcast. With nearly two decades of experience, Emily has worked with some of the most influential figures in the art world, from Andy Warhol to Alice Neel. She shares how artists can reclaim their power, normalize ambition, and take control of their careers. We also explore what collectors are looking for today, how to navigate the art market, and the evolving role of art advisors. Emily offers practical networking strategies for artists and industry leaders, insights on working with high-profile guests, and details on her recent Art21 collaboration. Plus, she introduces her must-have resource for emerging artists, Navigating the Art World: A Practical Guide for Artists. Whether you're an artist looking to elevate your career or a collector seeking guidance, this episode is filled with expert insights and actionable strategies to help you thrive.   Key Takeaways:   Artists must reclaim their power—they are at the center of the art ecosystem. Ambition is not a dirty word—owning your career is essential for success. Networking isn't about chasing opportunities—it's about building authentic relationships. Art collectors should buy what they love but also stay informed about the market. The art world is unregulated, making it crucial to work with trusted advisors. Artists should not rely solely on galleries—direct sales and relationships matter. Emily's free artist guide, Navigating the Art World, is a must-have resource for emerging artists.   Sound Bites:

613 Part 1 of out chat with Ana Croegaert about the removal of Confederate monuments. We also talked to her about her participation in second line parades around the city. “In 2017, the City of New Orleans removed four segregation-era monuments celebrating the Southern Confederacy and valorizing white supremacist ideology. As in other cities, efforts to remove such monuments are not new, and historically have been connected to collective challenges to racialized inequality, and more recently to transnational postcolonial struggles. Given the longstanding activism in favor of removing such monuments I ask, Why now? In exploring this question, I examine the circulation of images, talk, and text about the monuments in relation to the city's post-2005 political economy and find that people's expressed sentiments regarding the statues illuminate the ongoing challenges faced by New Orleans' multiracial working-class and poor residents. I argue that the city administration's framing of the monuments as emblems of an unequal past decouples the monuments' removal from the urgent need to meaningfully address present inequalities.”   “I am a Chicago-based anthropologist working with ethnography, performance, and artmaking to expand awareness of people's creative efforts to deal with the aftermath of harm and to craft hopeful futures. From coffee cultures to public memorials, my work spans kitchen cupboards, urban gardens, and city streets to record how people make meaning in their daily lives.” Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. February 15, 1956. Fed. Judge S. Wright orders desegregation of N.O. schools with "all deliberate speed." This week in New Orleans history. Patent #2,341,866 was awarded to Andrew J. Higgins on February 15, 1944. Higgin's boats, built by New Orleanians and used during World War II, and particularly in the D-Day Invasion of Normandy, prompted Dwight D. Eisenhower to say, "Andrew Higgins...is the man who won the war for us...If Higgins had not designed and built those LCVPs, we never could have landed over an open beach. The whole strategy of the war would have been different." Hitler called Higgins "the "New Noah". This week in Louisiana. Family Gras in Jefferson Parish February 21, 22, & 23, 2025     Mardi Gras Plaza     3300 block Veterans Memorial Boulevard     Across from Lakeside Shopping Center. Entrance gates will open one hour prior to the festival's start time. The VIP Royal Pass area will open 30 minutes prior to the music starting.     Family Gras is a FREE event that features the spectacle of Mardi Gras parades, cuisine, local art, a kids' court, and outdoor concerts by national artists as well as Louisiana favorites!     Family Gras features a wide variety of musical talents that the entire family can enjoy. The Beach Boys, Brett Eldredge, Cyndi Lauper, Martina McBride, Ann Wilson, Frankie Valli and the Four Seasons, Marshall Tucker Band, The Pointer Sisters, Zac Brown Band, Lauren Aliana, Leann Rimes, and many others have performed in the past. Shop the Art Market for items such as Louisiana photography, hair accessories, hand-crafted jewelry, and more. Our Kids' Court has various activities for kids 12 and younger, such as face painting, hand-wax art, and interactive games. Savor delicious fare from our festival food vendors, such as shrimp po-boys, chicken andouille gumbo, crawfish mac n cheese, Louisiana-style meat pies, California sushi, spicy tuna tacos, and crab & tuna wonton nachos! Listen to the music. Watch the Krewes of Excalibur, Atlas, and Madhatters as they roll in front of the Family Gras site on Friday, Saturday, and Sunday nights. Relax in one of Jefferson's hotels. Click here to book your room! Postcards from Louisiana. Medicare String Band in Natchitoches. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

In this episode of Art & Cocktails, Kat and Marina Press Granger dive deep into how artists can shift from feeling powerless to fully embracing their creative potential—no matter what's happening in the economy or art market. They break down common fears artists face, the mindset shifts needed for success, and the importance of taking control of your art career. From leveraging social media to redefining financial success, this conversation is packed with insights, strategies, and empowering perspectives to help you take action, attract opportunities, and thrive as an artist.   What You'll Learn in This Episode: How to break free from limiting beliefs and step into your power as an artist Why the art market isn't as dire as it seems—and how to navigate it wisely The role of social media in building visibility and attracting collectors Practical strategies for financial empowerment and sustainable success How gratitude, mindset shifts, and community support can transform your career   Sound Bites: "Everything happens for artists, not to them." "Gratitude is key to forgiveness and growth." "You can manifest your desires and create your own success."   Episode Chapters: 00:00 – New Beginnings and Cosmic Influences04:40 – The Evolving Role of Artists in a Changing World11:19 – Navigating Social Media as an Artist 16:54 – The Current State of the Art Market and Financial Empowerment 29:19 – Navigating Art Sales and Gallery Relationships 32:50 – Empowering Artists: Shifting Mindsets 36:47 – The Evolving Art Market: Opportunities for Emerging Artists 48:02 – The Power of Belief in Artistic Success 52:06 – Building a Successful Art Career: Resources and Support   If you're ready to shift from struggling to thriving, press play now.   Connect with Marina: https://theartistadvisory.myflodesk.com/free-mc-march-2025   Subscribe to Create! Magazine with Code "NEWREADER' to save 20% off https://www.createmagazine.co/subscribe    

We've all heard stories of surprising art discoveries — jewelry found in desk drawers, vintage cars uncovered in barns — so what can we learn from these stories? How do you protect and preserve valuable assets and collections, and what should everyone in private service know about navigating the art market?Ronald Varney is a Fine Art Advisor with 25 years of experience in the international art market. In this conversation, he shares lessons learned from art and collectibles lost and found in storage, why the stories behind assets and collections need to be carefully preserved, and advice for anyone involved in managing collections, valuations, certificates of authenticity and more.Subscribe to the Easemakers Podcast to hear from more experts in the private service industry, and join the Easemakers community to talk to other estate managers and PSPs on a regular basis.  Enjoying the Easemakers Podcast? Leave us a rating and a review telling us about your favorite episodes and what you want to learn next!The Easemakers Podcast is presented by Nines, modern household management software and services built for private service professionals and the households the support.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Ashkan Baghestani, SVP and Head of Contemporary Day Sale at Sotheby's, about the auction house's inaugural sale in Saudi Arabia, Origins, taking place on February 8. Ashkan discusses the factors behind Sotheby's expansion into this growing market, how Saudi Arabia's cultural scene compares to other Middle Eastern hubs, and the strategy behind curating a sale that blends fine art, sports memorabilia, watches, jewelry, and handbags. He also shares insights into how Sotheby's is engaging both seasoned and emerging collectors in the region and what trends are shaping the Saudi art market. Finally, Ashkan provides a broader look at Sotheby's long-term vision for the Middle East and whether the recent investment from Abu Dhabi's sovereign wealth fund, ADQ, plays a role in shaping the auction house's future in the region.

Episode 70 of ‘All About Art': AI & The Art Market with Jo Lawson-Tancred (in collaboration with Lund Humphries) In this episode, I sat down with Jo Lawson-Tancred, author of AI & The Art Market, a book recently published as part of the Hot Topics in the Art World Series by Lund Humphries and Sotheby's Institute of Art. The book offers an approachable introduction to AI for art-market professionals, considering AI's impact on and possible applications within the art world, whether as a business tool or as an artistic medium. I speak to Jo about the facets she explores in her book, as she writes about the many different ways AI can be implemented in the arts - so we discuss how she approached it. I ask her about what led her to even starting to think about merging the fields of AI and Art. We chat about how different artists are working with the technology, what she foresees in the future of AI and technological advancements, and so much more.  Thank you Jo for coming on the podcast!  You can follow Jo on Instagram here: https://www.instagram.com/jolawsontancred/ You can check out the Hot Topics in the Art World Series here: https://www.lundhumphries.com/collections/hot-topics-in-the-art-world/ and you can purchase AI & the Art Market here: https://www.lundhumphries.com/collections/hot-topics-in-the-art-world/products/ai-and-the-art-market YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker   ⁠ Twitter ⁠@alex_steinacker⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com  Episode Production: Paul Zschornack

How do you turn creativity into a thriving business? Today on the pod Armando sits down with Alan Zakem, a talented artist and entrepreneur, to uncover the secrets of Mastering the Art Market. From the French Quarter to international sales, Alan shares how he built a successful career by blending artistry and business savvy. Don't miss this inspiring conversation! Leduc Entertainment is a video production company with offices in New Orleans, Atlanta and Los Angeles. We help business owners and creatives scale their businesses through video marketing. Using YouTube, Facebook, Instagram, TikTok, LinkedIn and Twitter, we are able to communicate your message, brand and product in an engaging way. Your business deserves great videos!

A watercolor of a harbor? A black-and-white photo of a pile of rocks? Some hotels are trying to do better. Zachary Crockett unpacks. SOURCES:Melanie Kettring, director of studio design at Best Western Hotels.Jessica Poundstone, visual artist. Gavi Wolf, founder and C.E.O. of Indiewalls. RESOURCES:Indiewalls.Best Western. EXTRAS:"Used Hotel Soaps," by The Economics of Everyday Things (2023)."The Hidden Side of the Art Market," series by Freakonomics Radio (2021).

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Tim Schneider, founder of The Gray Market, to explore his much-anticipated annual art market predictions. Known for his sharp insights and bold forecasts, Tim shares highlights from his newly published 2025 predictions, diving into topics that are shaping the art world. Together, they discuss the potential sale of Frieze to Ari Emanuel, the possibility of Beeple's Everydays: The First 5000 Days returning to the market, and the growing presence of high-end gallery pop-ups in Saudi Arabia. Tim also addresses the unsettling rise of deepfake technology and its implications for the art market. In addition, Tim reveals a brand-new prediction exclusively for this episode and reflects on his recent transition of The Gray Market to Substack.

In this episode, Investec senior wealth manager, Tristanne Farrell, brings Hannah O'Leary, Sotheby's Head of Modern and Contemporary African Art and Pule Taukobong a venture capitalist and avid art collector to gauge the pulse of the African art market. The conversation covers art trends, fairs, sourcing, pricing and diversity. We end by discussing what artists you should be paying attention to. 00:00: Intro 01:20: Introduction of guests 02:16: Is the African contemporary market's boom, about to bust? 05:59: Women are the best selling-African artists 08:37: Lack of diversity in art needs addressing 12:07: The importance of fairs to the art ecosystem 13:09: Young artists who came to the fore through the Investec Cape Town Art Fair 14:58: Reflecting on Frieze London and Emma Prempeh's show 19:59: Another African artist to watch: Pamela Phatsimo Sundstrum 22:02: African art becoming more tactile 26:24: Are record-high prices sustainable? 29:21: How to show proper support to artists: Example of Cinga Sampson 30:57: Where's the best place to source artwork? 31:47: Pule and Hannah tell us which artists are grabbing their attention right now 35:01: The overall health of the African market 36:40: Understanding the potential of the African art market 39:16: Closing and where to subscribe to the series Find out more about the Investec Cape Town Art Fair and buy tickets here: https://link.investec.com/n5va54 link.investec.com · Investec Focus Radio SA

This week, Dr. Thomas Kellein and Marie Krimphoff (Bergos Art Consult) look at the key trends, highlights and surprises that have shaped the art market in 2024. DISCLAIMER This publication is for information- and marketing purposes only. The provided information is not legally binding and neither constitutes a financial analysis, nor an offer for investment-transactions or an investment advice and does not substitute any legal, tax or financial advice. Bergos AG does not accept any liability for the accuracy, correctness or completeness of the information. Bergos AG excludes any liability for the realisation of forecasts or other statements contained in the publication. The reproduction in part or in full without prior written permission of Bergos is not permitted.

In this final episode of the year, host Adam Green reflects on 2024 and looks ahead to the future of the art market. Joined by Daniel Cassady, Art Business Reporter at Artnews, they dive into the key moments, trends, and controversies that shaped the art world over the past year. They discuss the overall health of the art market in 2024, exploring the impact of macroeconomic and geopolitical forces, as well as the rise of hotel fairs as a cost-effective and creative alternative for galleries. The conversation also highlights emerging art fairs and regions gaining prominence in an increasingly global art world, memorable auction moments, and the controversies that defined the year. Additionally, Adam and Daniel examine how blockchain technology might influence provenance and authenticity in the future and reflect on the cultural buzz surrounding Frieze London and the much-anticipated Art Basel Paris. As a bonus, they share bold predictions for 2025.

Join us in this episode of the Art Marketing Podcast as we dive into the inspiring journey of photographer Kenneth LeRose. From his beginnings in fitness photography to mastering astrophotography while living in an Airstream, Kenneth shares his passion for teaching and creating stunning visuals. Discover his strategies for building an engaged audience on Instagram, the challenges of monetizing his art, and his recent experiences with Black Friday and Cyber Monday sales. Tune in for valuable insights on marketing, workshops, and the pursuit of passive income in the art world!   (00:00) - The Creative Struggle (00:19) - Connecting Emotionally Through Art (00:31) - Successful Launch Strategies (00:57) - Building an Audience (01:39) - Introduction of Kenneth LaRose (02:55) - Kenneth's Photography Journey (05:02) - Living the Airstream Life (05:43) - Finding a Niche (06:57) - Monetizing Through Workshops (07:37) - Marketing Strategies for Workshops (08:44) - Exploring Digital Classes (09:57) - The Challenge of Creating Digital Products (10:51) - Engagement on Instagram (12:01) - Bridging the Visual Gap (13:31) - Kenneth's Experience with Art Storefronts (15:39) - Black Friday and Cyber Monday Results (19:11) - Understanding the Art Market (21:19) - Leveraging ManyChat for Engagement (24:03) - Living Without a Home Base (25:16) - Future Plans for Teaching (27:20) - Weekly Live Sessions (28:12) - SEO and Visibility Issues   Kenneth's Website https://www.krlphoto.com/   Kenneth's Instagram https://www.instagram.com/krl_photo/   Keep up with the latest https://linktr.ee/artmarketingpodcast  

This week on Minnesota Native News, we revisit the Winter Artist Market Collaboration between the Native American Community Development Institute's All My Relations Arts Gallery and the Four Sisters Farmers Market, with details on the upcoming Niimiwin Artist Market at the Minneapolis American Indian Center.

TOP 3: True Chesapeake Holiday Art Market This Weekend, Beer Fridge for Neighbors, and Michelle Obama's New Dating Show full 244 Fri, 13 Dec 2024 15:48:59 +0000 xIBFYxcqNBiAX12YieP4o9NDhzZYVYac music,society & culture,news Kramer & Jess On Demand Podcast music,society & culture,news TOP 3: True Chesapeake Holiday Art Market This Weekend, Beer Fridge for Neighbors, and Michelle Obama's New Dating Show Highlights from the Kramer & Jess Show. 2024 © 2021 Audacy, Inc. Music Society & Culture News False

Welcome back to Print Market News, your weekly roundup of everything happening in the print world - fast and focused!   This week on The Week in Prints, we bring you the latest on Banksy's disappearing London Zoo mural and a surprise Andy Warhol discovery on Antiques Roadshow. We celebrate Tracey Emin's inclusion in the BBC's 100 Most Influential Women of 2024 and explore exhibitions featuring the celebrity collections of Swizz Beatz & Alicia Keys, as well as KAWS' personal art collection. Bonhams' final print sale of the year takes centre stage with Warhol and Banksy highlights, while MyArtBroker's new report guides sellers on how to navigate today's dynamic art market.

Say the words "artificial intelligence" or simply, "A.I." in an art setting, and people think of either cutting-edge, new media art, or of misinformation., hallucination, and plagiarism. But there's a case to be made that those words should prompt you to think about very old art and about very new technology's use in finding out what's real. My colleague at Artnet, Jo Lawson-Tancred has a new book out called A.I. and the Art Market, that serves as an accessible guide to a range of ways that artificial intelligence and machine learning are impacting the art market. There's a lot in the book about valuing art, about selling art, and about navigating the intellectual property challenges around A.I., but we thought we'd drill down into the question of art authentication, which has drawn plenty of headlines and controversy in recent years, all on its own. After all, huge amounts of money hinge on the question of whether a given piece of paint on canvas is actually considered to be by a particular old master painter. The art market has an entire robust world of art historical expertise built up around art authentication, which is revered, but sometimes also viewed with suspicion as corruptible and subjective. Then, here come various forms of A.I. art authentication with its own jargon and new kinds of suspicion aimed at it. So who should you trust? Jo has spent a lot of her time talking to various players to help begin to answer that question, and today we dig into the thorny question.

When I asked Bill Powers, owner of Half Gallery (who also happens to be an avid tennis player) what similarities could be drawn between the art world and the game, he replied "I guess sometimes people may pay more attention to their outfits than their backhand." Throughout our conversation, Bill Powers, the owner of Half Gallery, serves some keen insight from his many years in the Art World. Starting as a culture journalist  writing for magazines and esteemed publications like the New York Times, Powers pivoted to becoming a gallerist when the moment arose. "Why not me?", he thought. He now contributes to Muse, Purple and Autre magazines. He now has two books available through Junior Publishing, Glissando and Early 21st Century Art.  Alongside discussions about his career and gallery, we discuss the changing Art World and what the future holds. We chat about the shifting nature and relevancy of art criticism and the growing influence of market dynamics on artistic expression. From the recent spectacle of Maurizio Cattelan's "Comedian" at the recent Sotheby's auction to the disruptive force of NFTs, we try to untangle and understand how commercial success is reshaping taste and connoisseurship. Bill reflects on the delicate balance of business with creativity. His story is a compelling glimpse into the ways in which different aspects of the Art World converge. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Mike The Intern talks with Rachel about the $100 and Under Art Market and First Friday!!!!See omnystudio.com/listener for privacy information.

In this episode of the ArtTactic Podcast, Adam Green takes an in-depth look at the African art market, with a focus on the recently concluded 9th edition of Art x Lagos. Joining us is journalist Rebecca Anne Proctor, who attended this year's fair for the third time. We begin by exploring the history of Art x Lagos and its evolution over nearly a decade. Rebecca shares how this year's fair compared to previous editions and reflects on the broader trends shaping the African art market. The conversation delves into the surge of international interest in African art over the past few years, the challenges posed by market saturation, and how the art scene is navigating these shifts. We also discuss the vital role of a robust domestic ecosystem—supported by galleries, collectors, and curators—and how successful African artists are fostering growth through initiatives like residencies and local programs.

In this episode of Art & Cocktails, join us for an inspiring conversation with art collector and curator Sonia Borrell, founder of the Tryson Collection. Sonia shares her journey in the art world, discussing her passion for discovering new artists and building a collection that resonates on a personal level. She offers invaluable advice for artists on creating authentically and for new collectors on how to start a collection with meaning and purpose.   Key Takeaways: Art as a healing and transformative force Collecting what you love over following market trends The importance of authenticity for artists How artists can curate their website and social media to attract collectors and galleries Tips on using social media to connect with collectors and build a community How to navigate the art world as a beginner   Whether you're an artist looking to stand out or a collector eager to find meaningful pieces, this episode is packed with insights on how to approach art with intention, passion, and heart. Listen now for a refreshing take on art, connection, and creating from the heart.   Follow Sonia Borrell: Instagram: @soniabblondon Website: www.soniabblondon.com   Grab your copy of Sonia Borrell's book, Art in Real-Time: Collecting Tomorrow's Masters, and explore the world of art collecting with insights from an expert. https://amzn.to/3NWc9EL   Visit our website to learn more about Create! Magazine and Art & Cocktails Podcast www.createmagazine.co  

艺术品是一个很特殊的商品，在历史的大多数时间里，它都不是一个商品，而在开始流通之后，它又长期限于一个极小的封闭圈子之内，信息不透明是这个市场的本质。但这一切在上世纪末本世纪初迅速改变，如今的艺术品市场已经迅速膨胀到每年数百亿美元的规模——当然，这只是公开交易的数据。但艺术品交易并非不可理解、高不可攀，它仍然遵循了基本的商业逻辑，很多地方甚至可以和股权交易市场类比。本期节目，我们就从艺术博览会这个本世纪迅速崛起的交易渠道入手，窥探一下隐秘而庞大的艺术品生意。| 主播 |肖文杰、约小亚| 资料整理 |李秋瑾| 时间轴 |00:38 隐秘而庞大02:38 艺术品何时成为商品04:03 艺术品市场迅速膨胀的两大变量08:51 艺术品交易和股权投资的类似之处10:48 拍卖行的担保模式和水涨船高的艺术品价格14:13 画廊是艺术品交易的核心角色15:37 艺博会和艺术展览有什么区别18:50 艺博会对画廊、藏家、城市有什么价值25:14 面对面为什么对艺术品那么重要26:06 艺术品交易，“叙事”的生意| 延伸资料 | Georgina Adam,《Big Bucks: The Explosion of the Art Market in the 21st Century》The Art Basel and UBS Survey of Global Collecting 2024第一财经周刊，《一件艺术品的商业历程》《第一财经》杂志，《年轻藏家涌入艺术品市场》肖小跑的播客《发现叙事》《商业就是这样》鼓起勇气开设听友群啦。欢迎添加节目同名微信，加入听友群，一起讨论有意思的商业现象。微信号：thatisbiz为了营造更好的讨论环境，我们准备了两个小问题，请在添加微信后回答：1，你最喜欢《商业就是这样》的哪期节目？为什么？2，你希望听到《商业就是这样》聊哪个话题？期待与你交流！| 后期制作 |秋秋| 声音设计 |刘三菜| 收听方式 |你可以通过小宇宙、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ 音乐、荔枝、豆瓣等平台收听节目。| 认识我们 |微信公众号：第一财经 YiMagazine联系我们：thatisbiz@yicai.com

We are back this week with our monthly edition of the Art Angle Roundup, where co-hosts Kate Brown and Ben Davis are joined by a guest to parse some of the biggest headlines of the month. This week, Naomi Rea, newly appointed editor in chief of Artnet News joins the show. Kate and Naomi just returned from reporting on the ground at Art Basel Paris, which came just one week after Frieze London and Frieze Masters, where a clearer picture of the art market was taking shape. Before we get to that, speaking of London, there was big news that activists were sentenced to prison time for the souping of a very famous Vincent Van Gogh painting. The trio discusses what the implications of this punishment are for the activists using soup-throwing and other tactics to get their message across, and if it's working at all. Next, we dive into the state of the art market, which has been the subject of many think pieces, often providing contradictory views. Finally, we dig into the man of many controversies: Elon Musk. He has been the subject of multiple accusations of alleged plagiarism in the past couple of weeks. First, Alex Proyas, who directed the 2004 adaptation of the short story I, Robot, called out Musk's Tesla on social media, writing simply: “Hey Elon, can I have my designs back please?” and shared a side-by-side image of his work on the film next to those of newly-released prototypes of Optimus, Cybercab, and Robovan at a long-awaited October 10 event intended to showcase Tesla's future products to investors. Just days later, the producers of Blade Runner 2049 filed a lawsuit suing Tesla for using imagery from that film without permission. In fact, Alcon Entertainment denied a request from Tesla and Warner Bros Discovery to use images from its film, and then Musk went ahead and used A.I.-generated references anyway. Alcon Entertainment called it “a bad-faith and intentionally malicious gambit.”

SPECIAL LIVE RECORDING AT NEW YORK'S ARMORY FAIR This panel looks towards the next generation of collectors, discussing strategies for navigating the shifting art market. Considering how emerging patrons are building lasting relationships with artists and institutions, this conversation will discuss the role of young collectors in redefining the landscape of cultural philanthropy. Featuring Will Palley and Amitha Raman, Co-Chairs of The Museum of Modern Art's Young Patrons Council and hosts of the podcast Art from the Outside, in conversation with collector Jeffrey Liu.

Katie and Steve speak with preeminent art advisor Megan Fox Kelly about the proliferation of resale restrictions in art transactions, what problems they seek to address, who they purport to help, how effective they are, and the legal issues they raise. They discuss the overlapping cultural, social, and legal aspects of these contractual terms.   Notes for this episode: https://artlawpodcast.com/2024/10/08/enforceability-and-effectiveness-of-art-market-resale-restrictions/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

In the latest round of OLD NEWS with former guest Emily Colucci (creator of the art & culture website Filthy Dreams), we cover: cancel culture through the lens of James Franco (who was part of our original recording back in 2016) and Louis C.K.; Cai Guo-Qiang's botched fireworks performance at the Los Angeles Memorial Coliseum as part of PST Art's ‘Science and Art'-themed mega-art event, including injured spectators; our own thoughts and feelings about fireworks, particularly of the neighborhood kind, and how Emily kind of loves the tacky spectacle of them; how California College of the Arts is considering closing its doors, and whether it's surprising there aren't more private art schools that are closing or on the verge of doing so; how and why the art market is struggling, and how Emily is frustrated that if nobody is selling anything anyway, why is everyone putting on boring shows?; how Emily tends not to interact with gallery-sitters/gallerinas, having been one herself (at Sikkema Jenkins) and just wanting the visitor to leave already; and our respective strategic approaches to gallery-hopping with an emphasis on efficiency and avoiding everything blurring together at the end of the day.

In this mini episode of Art & Cocktails, host Ekaterina Popova (Kat) shares practical strategies for artists and creatives to generate quick income in their businesses. She explores the importance of being resourceful and creative, especially with the unpredictable nature of the art market. The episode offers actionable ideas like hosting workshops, selling limited edition prints, and offering one-on-one mentoring sessions to help listeners find financial stability while staying true to their artistic passions. Key Takeaways: Be resourceful and creative in your business approach. The art market may be unpredictable, but opportunities for quick income exist. Host mini workshops to share your skills and generate revenue. Limited edition prints create urgency and offer value to your audience. Treat your art business like a form of creativity and enjoyment. Record your ideas for future projects.   Chapters: 00:00 – Introduction to Quick Cash Strategies for Creatives 03:07 – Understanding the Current Art Market Landscape 06:12 – Practical Ideas for Generating Quick Income 08:50 – Embracing Creativity in Business and Conclusion       Join my free masterclass:  Discover How to Become a Full-Time Artist https://www.theartqueens.com/pl/2148259578  

Host Alyson Stanfield delves into the necessity of creating demand for your artwork in order to achieve a certain level of success. She discusses the balance between ambition and practicality in the art market and offers five essential tips to assess and cultivate demand effectively. Alyson stresses the importance of setting realistic expectations, refining your unique artistic voice, and nurturing genuine relationships. Through examples from past episodes and insightful advice, she aims to help artists understand and thrive in their respective markets. 00:29 Understanding the Art Market 01:46 Being Unrealistic in Your Art Marketing Strategies 02:48 Defining “Demand” in the Art World 05:20 Challenges and Realities of High Demand 08:22 Benefits of Being an In-Demand Artist 10:12 Two Key Steps to Take 14:32 Five Practical Tips for Artists to Assess Demand 17:00 Resource: How to Ask for More Money for Your Art

The art market is in somewhat of a funk right now. Auction houses are reporting that demand for new pieces of art has dipped recently, partly due to external conditions like higher interest rates. While the downturn upends years of strong sales, art critic Blake Gopnik argues that a correction may ultimately benefit the long-run fortunes of artists. And, a look inside the Justice Department’s reported case against Visa over monopoly claims in the debit card market.

The art market is in somewhat of a funk right now. Auction houses are reporting that demand for new pieces of art has dipped recently, partly due to external conditions like higher interest rates. While the downturn upends years of strong sales, art critic Blake Gopnik argues that a correction may ultimately benefit the long-run fortunes of artists. And, a look inside the Justice Department’s reported case against Visa over monopoly claims in the debit card market.

If you've been keeping an eye on the art market, you know that the industry has been going through some turbulent times... there's really no other way to say it: It's been a tough year, as the frothy post-pandemic surge in the art business has fully retreated.  Amid this market slowdown comes our latest data-packed and information-rich issue of the Mid-Year Intelligence Report, which is appropriately titled The Art Market Reset: Riding the Waves of Change. This Fall issue looks at the numbers behind the mood, and it is packed with relevant insights that will help buyers, sellers, and spectators make informed decisions in the months ahead.  Katya Kazakina, Artnet's award-winning columnist who pens a weekly art market column called The Art Detective is joining Art Angle co-host Kate Brown on the podcast this week to discuss her must read cover story for the new Intelligence Report. In it, she investigates what led to the sharp drop in the demand for art, as well as resale values for once coveted pieces. They discuss how the data reveals a market in free fall, where galleries have been faced with cost-cutting measures, or are shuttering altogether. There are some silver linings in her story, as Katya examines the smart responses that are being made across the industry, revealing how sales tactics are evolving and why some people actually believe that a slowdown in art production is not a bad thing altogether. Before we get to that, a few more words about the rest of the report.  Our illuminating By the Numbers section details how, as compared with last year, there has been a substantial drop in money being spent on Ultra Contemporary art, a downturn in the sales generated by the big three auction houses (Sotheby's, Christie's, and Phillips), fewer artworks selling publicly for over $10 million, and the average price of art at auction is also going down. You can find specific breakdowns in the actual report.  What does it all mean though? News editor Margaret Carrigan, gives a spin-free analysis of the auction stats. Also in this issue, our Editor in Chief Naomi Rea, spoke with Art Basel Paris Fair Director Clément Delépine about what to expect at the revamped art fair, which is moving back into the Grand Palais next month.  Our market reporter, Eileen Kinsella, spoke to Sotheby's Phyllis Kao about how the secondary market is adjusting its working processes amid the flux, and our marketplace section brings you the stories behind the top selling works, and the scoop on artists whose markets are on the rise. Even amid this slump, Artnet's esteemed reporters and editors have worked hard and put together an excellent issue that will help you navigate the current art market season, where the road ahead feels anything but clear.

The Week in Art is back. In this first episode of the season: on Tuesday it was reported in the Financial Times that Sotheby's core earnings are down 88% in the first half of this year. This is the latest evidence to suggest that the art market may be in a far more serious economic rut than its major players have previously indicated, after disappointing sales and job cuts at the major auction houses, as well as closures and layoffs in the world of commercial galleries. In the September issue of The Art Newspaper, Scott Reyburn suggests that the art market could be entering a new era, and he joins our host Ben Luke to explain why. We then talk to Sasha Skochilenko, the artist who was freed in the prisoner exchange between Russia and the US in August, about her activism, arrest and incarceration as well as her experience of the swap and the art she has made since. And this episode's Work of the Week is The Angel of Hearth and Home, made by Max Ernst in 1937, and later renamed by the artist as The Triumph of Surrealism. The painting is part of the major travelling show marking the 100th anniversary of the first Surrealist manifesto, which makes its stop from this week at the Centre Pompidou, in Paris. Our associate digital editor, Alexander Morrison, went to Paris to talk to Didier Ottinger, the co-curator of the exhibition.Sasha Skochilenko: skochilenko.ru.Surrealism, Centre Pompidou, Paris, until 13 January 2025; Fundación MAPFRE, Madrid, Spain; 4 February-11 May 2025; Hamburger Kunsthalle, Hamburg, Germany, 12 June-12 October 2025; Philadelphia Museum of Art, Philadelphia, US, end of 2025-beginning of 2026. You can hear our discussion about the centenary of the first Surrealist manifesto with the Surrealism expert Alyce Mahon on the episode of this podcast from 23 February this year. Hosted on Acast. See acast.com/privacy for more information.

Paris Chong sits down with artist Melanie Pullen, who recently exhibited at William Turner Gallery in Santa Monica. Melanie prefers smaller, more authentic galleries and finds that the evolving LA art scene is becoming less personable. She discusses her art career, which has involved performance art, motion picture directing, and photography. Her upcoming series represents the culmination of her artistic journey. Melanie shares her crazy story about being kicked out of Mexico for taking a photo of a dangerous drug dealer. As a single mother, she now has to balance her passion for photography with safety concerns. Our interview concludes with a discussion of the challenges women face in the art world, as Melanie offers her advice for aspiring female photographers. Both Paris and Melanie are single mothers and relate to the struggle of balancing motherhood with their careers. SHOW NOTES CHAPTERS (00:00:00) Intro (00:00:41) Melanie's Shows (00:02:37) Art Market (00:05:30) The First Presidential Debate 24' (00:07:08) New Studio / Good Luck (00:08:50) New Work (00:10:11) Getting Kicked Out of Mexico (00:16:45) Risking Your Life For The Shot (00:19:07) Trying To Top Your Old Work (00:21:44) Advice For Young Women (00:25:10) Luck & Minotti (00:26:21) Favorite TV Shows Right Now (00:27:06) What's Next? / Outro

You've probably heard of blood diamonds, but what about blood antiquities? Today, most trappings of wealth – like cash, diamonds or gold – are subject to stringent regulation. But not fine art and antiquities. Somehow, the art market has escaped the toughest rules, becoming a favored global hub for dirty money. This week on Whale Hunting, Tom Wright is joined by Tess Davis, executive director at the Antiquities Coalition, where she leads work to tackle the illicit trafficking of antiquities and ancient art. It's a trade used to launder money by Russian oligarchs and sanctioned terrorist groups alike. Together, Tom and Tess take a deep dive into the dark side of the art world, discussing the bad actors using art as their playground, the complicity of major institutions, and what can be done to reform the art business. For more from Whale Hunting, make sure to follow the podcast – and subscribe to our newsletter at whalehunting.projectbrazen.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chuck Black, the 2023 Federal Duck Stamp Competition winner and wildlife artist, joins the Ducks Unlimited podcast to discuss his busy year and upcoming events. Chuck talks about the competition, his duties, and the transition to selling prints after the first day of sales. Tune in to hear about Chuck's experiences as the Federal Duck Stamp winner and his upcoming plans in the world of wildlife art.www.ducks.org/DUPodcast

Why is the art market tanking? Economic instability is obviously mostly responsible, but Adam thinks there might be a more spiritual quandary at the root of it OST: Omit "Restrain""Nuit Noire "Mystery I"LINKS: Adam's text on the art market crash HERE Art Newspaper on the Crash HERE The ridiculous shit that Nina Hartmann says HERE  

In this episode, Sergio answers questions from his Instagram community during #AskSergioMondays live. He answers questions such as: Can I adhere materials to my paintings, finding collectors outside of small cities, how many artowrks to submit to a gallery, framing or not art for a solo show, and more.

In this episode of the ArtTactic Podcast, host Adam Green speaks with Seoul-based art critic Andy St. Louis, founder of Seoul Art Friend and author of Future Present: Contemporary Korean Art. As Frieze Seoul approaches its third edition, Adam and Andy explore the fair's growing influence in the Korean art scene and how it has attracted global attention, especially from U.S. and European galleries. They also discuss the complexities of scheduling conflicts with the Armory Show in New York and the impact on international collectors. Andy shares insights on how certain galleries have successfully integrated into Seoul's art community and the current state of collecting in Korea. Finally, they dive into Andy's new book, which is the first English-language survey of millennial contemporary Korean artists, and reflect on why these artists haven't received as much global recognition despite Korea's rising presence in the art market.

If you've ever vacantly nodded along while someone rants to you about NFTs, then this finale episode is for you. Welcome to Blockchain for Bimbos. From a genuine effort to put agency over the sale of their work back into the hands of artists was born a Frankenstein's monster: the NFT. It's the internet version of owning a star… if you could resell that star for millions of dollars to a crypto millionaire. Even stranger, the successful marriage of NFTs and legacy art institutions made strange bed fellows out of affluent old art collectors and dweeby tech bros. And while the era of 2021-2022 was a gold rush for those who could wrap their heads around this intentionally confounding technology, it also exposed something we always knew about the world of art, but never wanted to admit… Ernst De Geer's THE HYPNOSIS is now streaming on MUBI in many countries as part of their Millennial Meltdown series.  You can try MUBI free for 30 days at mubi.com/rehash. Support us on Patreon and get juicy bonus content: ⁠https://www.patreon.com/rehashpodcast⁠ Intro and outro song by our talented friend Ian Mills: ⁠https://linktr.ee/ianmillsmusic SOURCES Kevin Roose, “What are NFTs?” The New York Times https://www.nytimes.com/interactive/2022/03/18/technology/nft-guide.html  Valentina Di Liscia, “Artists Say Plagiarized NFTs are Plaguing Their Community” Hyperallergic (2021) https://hyperallergic.com/702309/artists-say-plagiarized-nfts-are-plaguing-their-community/ “10 things to know about CryptoPunks, the original NFTs” Christie's (2021) https://www.christies.com/en/stories/10-things-to-know-about-cryptopunks-94347afeea234209a7739c240149f769#FID-11569  Scott Reyburn, “Will Cryptocurrencies Be the Art Market's Next Big Thing?” The New York Times (2018) https://www.nytimes.com/2018/01/13/arts/cryptocurrency-art-market.html/ “Art Term: Readymade” Tate https://www.tate.org.uk/art/art-terms/r/readymade Cynthia Goodman, “The Digital Revolution: Art in the Computer Age” Art Journal (1990) https://www.jstor.org/stable/777115  David Joselit, “NFTs, or The Readymade Reversed” October Magazine (2021) https://doi.org/10.1162/octo_a_00419  Josie Thaddeus-Johns “Beeple Bring Crypto to Christie's” The New York Times (2021) https://www.nytimes.com/2021/02/24/arts/design/christies-beeple-nft.html Anthony Cuthbertson, “NFT millionaire Beeple says crypto art is bubble and will ‘absolutely go to zero' The Independent (2021) https://www.independent.co.uk/tech/nft-beeple-cryptocurrency-art-b1821314.html Zachary Small, “The Night That Sotheby's Was Crypto Punked” The New York Times (2024) https://www.nytimes.com/2024/05/18/business/sothebys-crypto-nfts-auction.html Adam Maida, “What Critics Don't Understand About NFTs” The Atlantic (2021) https://www.theatlantic.com/ideas/archive/2021/04/nfts-show-value-owning-unownable/618525/  Anil Dash, “NFTs Weren't Supposed to End Like This” The Atlantic (2021) https://www.theatlantic.com/ideas/archive/2021/04/nfts-werent-supposed-end-like/618488/  Blake Gopnik, “One Year After Beeple, the NFT has changed Artists. Has It Changed Art?” The New York Times (2022) https://www.nytimes.com/2022/03/03/arts/design/nft-art-beeple.html  Nathaniel Popper, “What is the Blockchain? Explaining the Tech behind Cryptocurrencies” The New York Times (2018) https://www.nytimes.com/2018/06/27/business/dealbook/blockchains-guide-information.html

There are many industries that money launderers use to facilitate their ill deeds. One of the most profitable and succussful theaters to do this is the world of high end art. In this episode, we see how people like Jeffrey Epstein and others like him use the art market to hide funds from the government and any other prying eyes.(commercial at 7:11)to contact me:bobbycapucci@protonmail.comsource:https://news.artnet.com/art-world/pandora-papers-art-shell-companies-2067444

In this episode of the ArtTactic Podcast, host Adam Green explores the contemporary Indian art scene with Aparajita Jain, director of Nature Morte and founder of the Saat Saath Arts Foundation. We discuss the evolution of the Indian art market, from its global exposure in the early 2000s to the recent changes post-COVID. Aparajita provides insights into the current state of the contemporary Indian art market and the exposure of Indian artists globally. We also explore the interest of young collectors in contemporary Indian art and the role of philanthropy in supporting the arts in India. Aparajita shares her perspectives on the challenges and opportunities for the Indian art scene in the coming years.

Orlando Whitfield, the author of All That Glitters, on his years of friendship with the art fraudster Inigo Philbrick. Help support our independent journalism at theguardian.com/infocus

Steve and Katie discuss several art law topics in this end-of-season episode. They talk about internal thefts at the British Museum, the ongoing Victorious Youth litigation between Italy and the Getty Trust, the Damien Hirst backdating scandals, the litigation between the Manhattan DA and the Art Institute of Chicago, and the recent litigation between the Donald Judd Foundation and Kim Kardashian. End-of-season message from Steve and Katie: Thank you to all of our listeners for your support, and we look forward to bringing you season 8 in September!   Notes for this episode: https://artlawpodcast.com/2024/07/09/season-end-art-law-roundup/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast

Joe Biden is losing the election…and what comes next in the Democratic Party is even scarier than the old man; Trump faces a convention revolt from his own crazies; and Europe moves against the EU. Click here to join the member-exclusive portion of my show: https://bit.ly/3WDjgHE Ep.1990 - - -  DailyWire+: Get 10% off your tickets to Sound of Hope: The Story of Possum Trot at http://angel.com/BEN Get your BRAND NEW 2nd Generation Jeremy's Razor here: https://amzn.to/3KfSEFc Get 25% off your DailyWire+ Membership here: https://bit.ly/4akO7wC Get your Ben Shapiro merch here: https://bit.ly/3TAu2cw - - -  Today's Sponsors: ExpressVPN - Get 3 Months FREE of ExpressVPN: https://expressvpn.com/BEN Byrna - Get 10% off your purchase at https://byrna.com/BEN My Patriot Supply - Get $50 a 4-week emergency food supply: http://www.preparewithBen.com/ Tax Network USA - Seize control of your financial future! Call 1-800-245-6000 or visit http://www.TNUSA.com/SHAPIRO Masterworks - Get connected to Masterworks Advisers at https://masterworks.com/ben This is not an offer of a security or investment advice. See important disclosures at https://www.masterworks.com/about/disclosure Past performance is not indicative of future returns. View all past offerings here: https://www.sec.gov/cgi-bin/browse-edgar?company=masterworks&match=&filenum=&State=&Country=&SIC=&myowner=exclude&action=getcompany No money is being solicited or will be accepted until the offering statement for a particular offering has been qualified by the SEC. Offers may be revoked at any time. Contacting Masterworks involves no commitment or obligation. ‘Contemporary Art' refers to the Postwar & Contemporary Art Category of Art Market - - - Socials: Follow on Twitter: https://bit.ly/3cXUn53 Follow on Instagram: https://bit.ly/3QtuibJ Follow on Facebook: https://bit.ly/3TTirqd Subscribe on YouTube: https://bit.ly/3RPyBiB

With Joe Biden trailing in the polls, Democrats hatch a plan to thwart the democratic process; Biden continues to babble nonsensically; and Cori Bush thinks she can heal tumors. Click here to join the member-exclusive portion of my show: https://bit.ly/3WDjgHE Ep.1986 - - -  DailyWire+: Get your BRAND NEW 2nd Generation Jeremy's Razor here: https://amzn.to/45uRfV5 Get 25% off your DailyWire+ Membership here: https://bit.ly/4akO7wC Get your Ben Shapiro merch here: https://bit.ly/3TAu2cw - - -  Today's Sponsors: PureTalk - Get 50% Off Your First Month! http://www.PureTalk.com/SHAPIRO  Helix Sleep - Get 20% off your order + 2 dream pillows. https://helixsleep.com/BEN PureTalk - Get 50% Off Your First Month! http://www.PureTalk.com/SHAPIRO Tommy John - Exclusive Discount for my Listeners! https://tommyjohn.com/BEN Masterworks - This is not an offer of a security or investment advice. See important disclosures at https://www.masterworks.com/about/disclosure Past performance is not indicative of future returns. View all past offerings here: https://www.sec.gov/cgi-bin/browse-edgar?company=masterworks&match=&filenum=&State=&Country=&SIC=&myowner=exclude&action=getcompany No money is being solicited or will be accepted until the offering statement for a particularoffering has been qualified by the SEC. Offers may be revoked at any time. ContactingMasterworks involves no commitment or obligation. ‘Contemporary Art' refers to the Postwar & Contemporary Art Category of Art Market. - - - Socials: Follow on Twitter: https://bit.ly/3cXUn53 Follow on Instagram: https://bit.ly/3QtuibJ Follow on Facebook: https://bit.ly/3TTirqd Subscribe on YouTube: https://bit.ly/3RPyBiB