Podcasts about Tauris

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles. His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon. But the historical facts are intertwined with fiction.Cyrus proclaimed himself ‘king of the four corners of the world' in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It's been called by some the first bill of human rights, but that's a label which has been disputed by most scholars today.WithMateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King's College London,AndLynette Mitchell, Professor Emerita in Classics and Ancient History at Exeter University.Producer: Eliane GlaserReading list:Pierre Briant (trans. Peter T. Daniels), From Cyrus to Alexander: A History of the Persian Empire (Eisenbrauns, 2002)John Curtis and Nigel Tallis (eds.), Forgotten Empire: The World of Ancient Persia (The British Museum Press, 2005)Irving Finkel (ed.), The Cyrus Cylinder: The King of Persia's Proclamation from Ancient Babylon (I.B.Tauris, 2013)Lisbeth Fried, ‘Cyrus the Messiah? The Historical Background to Isaiah 45:1' (Harvard Theological Review 95, 2002) M. Kozuh, W.F. Henkelman, C.E. Jones and C. Woods (eds.), Extraction and Control: Studies in Honour of Matthew W. Stolper (Oriental Institute of the University of Chicago, 2014), especially the chapter ‘Cyrus the Great, exiles and foreign gods: A comparison of Assyrian and Persian policies in subject nations' by R. J. van der SpekLynette Mitchell, Cyrus the Great: A Biography of Kingship (Routledge, 2023)Michael Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (Facts On File, 1990)Vesta Sarkosh Curtis and Sarah Stewart (eds.), Birth of the Persian Empire (I.B.Tauris, 2005), especially the chapter ‘Cyrus the Great and the kingdom of Anshan' by D.T. PottsMatt Waters, King of the World: The Life of Cyrus the Great (Oxford University Press, 2022)In Our Time is a BBC Studios Audio production

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles. His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon. But the historical facts are intertwined with fiction.Cyrus proclaimed himself ‘king of the four corners of the world' in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It's been called by some the first bill of human rights, but that's a label which has been disputed by most scholars today.WithMateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King's College London,AndLynette Mitchell, Professor Emerita in Classics and Ancient History at Exeter University.Producer: Eliane GlaserReading list:Pierre Briant (trans. Peter T. Daniels), From Cyrus to Alexander: A History of the Persian Empire (Eisenbrauns, 2002)John Curtis and Nigel Tallis (eds.), Forgotten Empire: The World of Ancient Persia (The British Museum Press, 2005)Irving Finkel (ed.), The Cyrus Cylinder: The King of Persia's Proclamation from Ancient Babylon (I.B.Tauris, 2013)Lisbeth Fried, ‘Cyrus the Messiah? The Historical Background to Isaiah 45:1' (Harvard Theological Review 95, 2002) M. Kozuh, W.F. Henkelman, C.E. Jones and C. Woods (eds.), Extraction and Control: Studies in Honour of Matthew W. Stolper (Oriental Institute of the University of Chicago, 2014), especially the chapter ‘Cyrus the Great, exiles and foreign gods: A comparison of Assyrian and Persian policies in subject nations' by R. J. van der SpekLynette Mitchell, Cyrus the Great: A Biography of Kingship (Routledge, 2023)Michael Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (Facts On File, 1990)Vesta Sarkosh Curtis and Sarah Stewart (eds.), Birth of the Persian Empire (I.B.Tauris, 2005), especially the chapter ‘Cyrus the Great and the kingdom of Anshan' by D.T. PottsMatt Waters, King of the World: The Life of Cyrus the Great (Oxford University Press, 2022)In Our Time is a BBC Studios Audio production

Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateAlso check out the Let's Talk Religion Podcast: https://open.spotify.com/show/0ih4sqtWv0wRIhS6HFgerb?si=95b07d83d0254bSources/Recomended Reading:Elsie, Robert (2019). "The Albanian Bektashi: History and Culture of a Dervish Order in the Balkans". I.B. Tauris.Kingsley Birge, John (1937). "The Bektashi Order of Dervishes". Hartford Seminary Press.Smith, Grace Martin (1993). "The Poetry of Yunus Emre: A Turkish Sufi Poet". University of California Press.Soileau, Mark (2018). "Humanist Mystics: Nationalism and the Commemoration of Saints in Turkey". The University of Utah Press. Hosted on Acast. See acast.com/privacy for more information.

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Ömer Taşpınar is a Professor at the National Defense University and Johns Hopkins SAIS in Washington, D.C. He is a scholar, author, and policy expert specializing in Middle East politics, U.S. foreign policy, and Turkish affairs. His research focuses on the intersection of political economy, nationalism, and security in the Middle East, with a particular emphasis on Turkey.In episode 47 of Tahrir Podcast, we discuss his book "What the West is Getting Wrong about the Middle East: Why Islam is Not the Problem" (I.B. Tauris, 2020), where he challenges prevailing Western narratives about the region by highlighting weak states, economic underdevelopment, and authoritarianism—rather than religion—as the primary drivers of instability and extremism. The book delves into the historical and structural factors that have shaped the modern Middle East, arguing that Western policies often misdiagnose the region's problems by overemphasizing Islam's role. Taşpınar explores how economic stagnation, political repression, and weak governance fuel radicalization, while also critiquing Western interventions that have exacerbated these issues. Through a comparative analysis, he provides a nuanced perspective on why sustainable stability in the region requires addressing these root causes rather than relying on simplistic cultural or religious explanations.Episode on YouTube: Omer's book: ⁠ https://www.bloomsbury.com/uk/what-the-west-is-getting-wrong-about-the-middle-east-9780755655069/Streaming everywhere! ⁠https://linktr.ee/TahrirPodcast⁠ Reach out! TahrirPodcast@gmail.com Support us on Patreon for as low as $2 per month ($20 per year)! ⁠https://www.patreon.com/TahrirPodcast

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity. In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context. Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court. Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad's 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoices

Long-time views of the show know that I've always been skeptical of equating Trump/MAGA with European fascism. I've always thought it historically facile and misleading. But I'm beginning to change my mind. Take, for example, David Masciotra's thoughts on Trump's “ravenous bigotry” toward the trans community. As Masciotra warns, this is the kind of organized, willful persecution of powerless minorities that fascist parties openly pursued while in power. Meanwhile, as Masciotra notes, prominent Dems like Gavin Newsom are staging a “shameful retreat” on trans rights and inviting neo-fascists like Steve Bannon onto their podcast shows. And then there's Schumer. Oy.Here are the five KEEN ON AMERICA takeaways with our conversation with Masciotra* Democrats' retreat on trans rights: Masciotra argues that Democrats, including figures like Gavin Newsom and Rahm Emanuel, are retreating from defending transgender rights after the election loss, which he views as both a moral failure and a strategic mistake.* Targeted anti-trans rhetoric: According to Masciotra, 41% of Trump's campaign ads specifically targeted transgender Americans, demonstrating how the issue has been deliberately weaponized for political purposes despite transgender people making up less than 1% of the population.* Trans rights as the "first course": Masciotra warns that "bigotry is ravenous," suggesting that abandoning transgender rights opens the door to attacks on other minority groups, comparing it to a restaurant menu where "trans people are the first course."* Democratic leadership criticism: David Masciotra is highly critical of Democratic leadership, particularly Chuck Schumer, whom he describes as "pathetic" and "inert" in his response to Trump's policies, with Masciotra noting a generational divide in the party's approach to resistance.* Authoritarian tactics and erasure: Masciotra discusses concerning developments like the National Park Service removing transgender references from Stonewall Rebellion information, which he characterizes as a "totalitarian termination of knowledge" mirroring authoritarian tactics described in Orwell's 1984.David Masciotra is an author, lecturer, and journalist. He is the author of Exurbia Now: The Battleground of American Democracy (Melville House Publishing, 2024) I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese and Greek. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

La guerra sui mari si sviluppa nell'Adriatico, fra l'Austria-Ungheria, la Francia e il Montenegro, ma anche nel Mare del Nord, dove gli Uboot della Kaiserliche Marine ottengono la loro consacrazione definitiva. Il sommergibile diviene l'arma definitiva della Germania per la prosecuzione della propria guerra navale.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Annuaire de la Marine, 1915Günter Bischof, Ferdinand Karlhofer, Nicole-Melanie Goll, Samuel R. Williamson, ‘Our Weddigen.' On the Construction of the War Hero in the k.u.k. Army.: The ‘Naval Hero' Egon Lerch as an Example, 1914: Austria-Hungary, the Origins, and the First Year of World War I, Univertity of New Orleans Press, 2014Douglas Botting, I sommergibili, Mondadori, 1988 Heiko Brendel, Lovćen, 1914-1918 Online, 2014British Merchant Ships Lost to Enemy Action, Years 1914, 1915, 1916 in date order, Naval History, 2011David Brown, The Grand Fleet: Warship Design and Development 1906–1922, U. S. Naval Institute, 1999Malcolm Brown, The Imperial War Museum Book of the First World War: A Great Conflict Recalled in Previously Unpublished Letters, Diaries, Documents and Memoirs, University of Oklahoma Press, 1993Marc Castel, Fresnel, Sous marins francais Richard Compton-Hall, Submarines at war, 1914–18, Periscope Publishing, 2004J. S. Corbett, Naval Operations. History of the Great War based on Official Documents, Imperial War Museum and Naval & Military Press, 1938Károly Csonkaréti, Marynarka Wojenna Austro-Węgier w I wojnie światowej 1914-1918, Arkadiusz Wingert, 2004Mike Farquharson-Roberts, A History of the Royal Navy: World War I, I.B.Tauris, 2014Robert Gardiner, Randal Gray, Conway's All The World's Fighting Ships 1906–1921, Conway Maritime Press, 1985R. Gibson, M. Prendergast, The German Submarine War, 1914–1918, Naval Institute Press, 2003James Goldrick, Before Jutland: The Naval War in Northern European Waters, August 1914 – February 1915, U. S. Naval Institute, 2015Paul G. Halpern, La grande guerra nel Mediterraneo, LEG, 2008Paul G. Halpern, Mediterranean Theater, Naval Operations, 1914-1918 Online, 2016Peter Hart, La grande storia della Prima Guerra Mondiale, Newton & Compton, 2013Guðmundur Helgason, WWI U-boats: KUK U12, German and Austrian U-boats of World War I - Kaiserliche Marine - Uboat.net, 2008David Howarth, Le corazzate, Mondadori, 1988John Jordan, Philippe Caresse, French Battleships of World War One, Seaforth Publishing, 2017Charles Koburger, The Central Powers in the Adriatic, 1914–1918: War in a Narrow Sea, Praeger, 2001Laibacher Zeitung n. 73, 1915Robert Massie, Castles of Steel: Britain, Germany, and the Winning of the Great War at Sea, Jonathan Cape, 2004Erwin Sieche, French Naval Operations, Engagements and Ship Losses in the Adriatic in World War One, 2000Erwin Sieche, The Austro-Hungarian Submarine Force, 2000Anthony Sokol, Naval Strategy in the Adriatic Sea During the World War, U. S. Naval Institute, 1937Anthony Sokol, The Imperial and Royal Austro-Hungarian Navy, U. S. Naval Institute, 1968Spencer Tucker, World War I: The Definitive Encyclopedia and Document Collection, 2014Pierpaolo Zagnoni, Il ritrovamento della torpediniera 88S, Sub 290, Adventures, 2009In copertina: Logan Marshall, Gilbert Parker, Vance Thompson, Philip Gibbs, Illustrazione dell'azione del 22 settembre, in Thrilling stories of the Great War on land and sea, in the air, under the water, 1915

This event was the launch of Dr Marouf Cabi's latest book 'Iranian Kurdistan Under the Islamic Republic: Change, Revolution, and Resistance' published by I.B. Tauris. Cabi presents a social, political, cultural, and socioeconomic history of Iranian Kurdistan since the 1979 Revolution. In this study, Marouf Cabi shines a spotlight on the modern history of Iranian Kurdistan – an area of Greater Kurdistan understudied in comparison to its regions in Syria and Iraq. The book provides a historical narrative and analysis of Kurdistan since the Revolution. It addresses key changes and events in detail, such as the participation of the Kurds in the Revolution, the reinvigoration of the Kurdish movements and the emergence of the women's movement, the armed struggle of the 1980s, socioeconomic and political change of the 1990s, and the emergence of civil society since 2000. Cabi draws on extensive primary sources, including oral history, various newspapers, journals, and books published during the period. Meet our speakers and chair Marouf Cabi is a Visiting Fellow at the LSE Middle East Centre. He received his PhD in History from the University of St Andrews, UK, and is a social and cultural historian of modern Iran. He is author of 'The Formation of Modern Kurdish Society in Iran: Modernity, Modernization, and Social Change 1921-1979' (2022). Kamran Matin is a Reader in International Relations in the School of Global Studies at the University of Sussex where he teaches international history, international theory, and Middle East politics. He is the author of 'Recasting Iranian Modernity: International Relations and Social Change' (Routledge, 2013) and co-editor of 'Historical Sociology and World History: Uneven and Combined Development over the Longue Durée' (Rowman & Littlefield International, 2016). Robert Lowe is Deputy Director of the LSE Middle East Centre and Co-editor of the Kurdish Studies Series, published by I.B. Tauris. His main research interest is Kurdish politics, with particular focus on the Kurdish movements in Syria.

In this episode, we examine the Minoan Brotherhood, a contemporary Pagan tradition that reinterprets Minoan religious symbolism through the lens of LGBTQ+ spirituality. Founded in the late 1970s by Eddie Buczynski, the Brotherhood emerged as a response to the heteronormativity of mainstream Wicca, creating a sacred framework that centres homoerotic relationships within a reconstructed mythological and ritual structure. Drawing on the Labrys (double-headed axe) as a key symbol, the Brotherhood blends Arthur Evans' reconstructions of Minoan religion with adapted Gardnerian Wiccan ceremonial practices, emphasizing the sacralization of erotic energy, graded initiatory rites, and the role of the Minos as a spiritual leader. We critically engage with both the historical inspirations and academic critiques surrounding the Brotherhood's theology, particularly the challenges of romanticized Minoan reconstructions in contemporary Pagan practice. The episode also situates the Brotherhood within LGBTQ+ religious history, considering its significance during the AIDS crisis, its intersections with feminist spirituality, and its broader role in modern queer identity formation within esoteric traditions. As a case study in myth-making, ritual adaptation, and cultural reclamation, the Minoan Brotherhood offers valuable insights into how marginalized communities engage with ancient religious frameworks to construct meaningful spiritual identities in the present. CONNECT & SUPPORT

Remember that time in 1977 when Jesse Jackson debated KKK grand wizard David Duke on national tv? As David Masciotra reminds us, it was one of those now forgotten moments from the recent past that can help bring some clarity to today's American politics. In particular, Masciotra argues, the 1977 debate underlines the idiocy of Kamala Harris' refusal to go on Joe Rogan show. As Masciotra explains, this primetime tv debate in which Jackson crushes Duke shows why progressives like Harris should always take on ideological enemies Joe Rogan. Civil argument matters, Masciotra insists. Even if it involves jousting with people whose views you consider beyond the pale. David Masciotra is an author, lecturer, and journalist. He is the author of Exurbia Now: The Battleground of American Democracy (Melville House Publishing, 2024) I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese and Greek. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

How would a medieval Sufi Muslim view the Jewish and Christian scriptures? In this episode, we explore this question through the teachings of Abd al-Karim al-Jili. Born on the Malabar coast of India in 1365, Jili studied throughout the Middle East before settling in the town of Zabid in Yemen. It was there that he wrote his most famous work, al-Insan al-Kamil fi Ma‘rifat al-Awakhir wa-al-Awa'il (The Perfect Human in the Knowledge of the Last and First Things).  In that book, Jili drew on the terminology of the Quran and the Sufi teachings of Ibn Arabi to summarize his vision of the relationship between God and humanity. Consequently, he was centrally concerned with scriptural revelation: how God reveals Himself to humankind through the holy books. This led Jili to write a mystical comparison of the Quran with the Hebrew Bible and New Testament (known in Arabic as the Tawrah and the Injil). Nile Green talks to Fitzroy Morrissey, the author of Sufism and the Scriptures: Metaphysics and Sacred History in the Thought of ‘Abd al-Karim al-Jili (I.B. Tauris, 2021).

In this KEEN ON Andrew Keen special, guest host David Masciotra interviews Andrew about his controversial book Cult of the Amateur. While David generously describes it as prescient, Andrew focuses more on what the 2007 book got blatantly wrong - like dismissing Google's $1.5 billion acquisition of YouTube. Duh. What both David and Andrew agree on, however, is that the book'sn focus on the damage that the supposedly “democratizing” Web 2.0 revolution did to both our culture and politics is still of massive significance. Perhaps it might be time for a 20th anniversary rewrite, a Cult of the Amateur 2.0 for our brave new AI world. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.David Masciotra is an author, lecturer, and journalist. He is the author of I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. His next book, Exurbia Now: Notes from the Battleground of American Democracy, is scheduled for publication from Melville House Books in 2024. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review. Masciotra has a Master's Degree in English Studies and Communication from Valparaiso University. He also has a Bachelor's Degree in Political Science from the University of St. Francis. He is public lecturer, speaking on a wide variety of topics, from the history of protest music in the United States to the importance of bars in American culture. David Masciotra has spoken at the University of Wisconsin, University of South Carolina, Lewis University, Indiana University, the Chicago Public Library, the Lambeth Library (UK), and an additional range of colleges, libraries, arts centers, and bookstores. As a journalist, he has conducted interviews with political leaders, musicians, authors, and cultural figures, including Jesse Jackson, John Mellencamp, Noam Chomsky, all members of Metallica, David Mamet, James Lee Burke, Warren Haynes, Norah Jones, Joan Osborne, Martín Espada, Steve Earle, and Rita Dove. Masciotra lives in Indiana, and teaches literature and political science courses at the University of St. Francis and Indiana University Northwest. Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

So how can The Dude and The Boss save America? According to the cultural critic, David Masciotra, Jeffrey "The Dude" Lebowski and Bruce “The Boss” Springsteen, represent the antithesis of Donald Trumps's illiberal authoritarianism. Masciotra's thesis of Lebowski and Springsteen as twin paragons of American liberalism is compelling. Both men have a childish faith in the goodness of others. Both offer liberal solace in an America which, I fear, is about to become as darkly surreal as The Big Lebowski. Transcript:“[Springsteen] represents, as cultural icon, a certain expression of liberalism, a big-hearted, humanistic liberalism that exercises creativity to represent diverse constituencies in our society, that believes in art as a tool of democratic engagement, and that seeks to lead with an abounding, an abiding sense of compassion and empathy. That is the kind of liberalism, both with the small and capital L, that I believe in, and that I have spent my career documenting and attempting to advance.” -David MasciotraAK: Hello, everybody. We're still processing November the 5th. I was in the countryside of Northern Virginia a few days ago, I saw a sign, for people just listening, Trump/Vance 2024 sign with "winner" underneath. Some people are happy. Most, I guess, of our listeners probably aren't, certainly a lot of our guests aren't, my old friend John Rauch was on the show yesterday talking about what he called the "catastrophic ordinariness" of the election and of contemporary America. He authored two responses to the election. Firstly, he described it in UnPopulist as a moral catastrophe. But wearing his Brookings hat, he's a senior fellow at the Brookings Institute, described it as an ordinary election. I think a lot of people are scratching their head, trying to make sense of it. Another old friend of the show, David Masciotra, cultural writer, political writer. An interesting piece in the Washington Monthly entitled "How Francis Fukuyama and The Big Lebowski Explain Trump's Victory." A very creative piece. And he is joining us from Highland Indiana, not too far from Chicago. David. The Big Lebowski and Francis Fukuyama. Those two don't normally go together, certainly in a title. Let's talk first about Fukuyama. How does Fukuyama explain November the 5th? DAVID MASCIOTRA: In his. Well, first, thanks for having me. And I should say I watched your conversation with Jonathan Rauch, and it was quite riveting and quite sobering. And you talked about Fukuyama in that discussion as well. And you referenced his book, The End of History and the Last Man, a very often misinterpreted book, but nonetheless, toward its conclusion, Fukuyama warns that without an external enemy, liberal democracies may indeed turn against themselves, and we may witness an implosion rather than an explosion. And Fukuyama said that this won't happen so much for ideological reasons, but it will happen for deeply psychological ones, namely, without a just cause for which to struggle, people will turn against the just cause itself, which in this case is liberal democracy, and out of a sense of boredom and alienation, they'll grow increasingly tired of their society and cultivate something of a death wish in which they enjoy imagining their society's downfall, or at least the downfall of some of the institutions that are central to their society. And now I would argue that after the election results, we've witnessed the transformation of imagining to inviting. So, there is a certain death wish and a sense of...alienation and detachment from that which made the United States of America a uniquely prosperous and stable country with the ability to self-correct the myriad injustices we know are part of its history. Well now, people--because they aren't aware of the institutions or norms that created this robust engine of commerce and liberty--they've turned against it, and they no longer invest in that which is necessary to preserve it.AK: That's interesting, David. The more progressives I talk to about this, the more it--there's an odd thing going on--you're all sounding very conservative. The subtitle of the piece in the Washington Monthly was "looking at constituencies or issues misses the big point. On Tuesday, nihilism was on display, even a death wish in a society wrought by cynicism." Words like nihilism and cynicism, David, historically have always been used by people like Allan Blum, whose book, of course, The Closing of the American Mind, became very powerful amongst American conservatives now 40 or 50 years ago. Would you accept that using language like nihilism and cynicism isn't always associated--I mean, you're a proud progressive. You're a man of the left. You've never disguised that. It's rather odd to imagine that the guys like you--and in his own way, John Rauch too, who talks about the moral catastrophe of the election couple of weeks ago. You're all speaking about the loss of morality of the voter, or of America. Is there any truth to that? Making some sense?DAVID MASCIOTRA: That's a that's a fair observation. And Jonathan Rauch, during your conversation and in his own writing, identifies a center right. I would say I'm center left.AK: And he's--but what's interesting, what ties you together, is that you both use the L-word, liberal, to define yourselves. He's perhaps a liberal on the right. You're a liberal on the left.DAVID MASCIOTRA: Yes. And I think that the Trump era, if we can trace that back to 2015, has made thoughtful liberals more conservative in thought and articulation, because it forces a confrontation and interrogation of a certain naivete. George Will writes in his book, The Conservative Sensibility, that the progressive imagines that which is the best possible outcome and strives to make it real, whereas the conservative imagines the worst possible outcome and does everything he can to guard against it. And now it feels like we've experienced, at least electorally, the worst possible outcome. So there a certain revisitation of that which made America great, to appropriate a phrase, and look for where we went wrong in failing to preserve it. So that kind of thinking inevitably leads one to use more conservative language and deal in more conservative thought.AK: Yeah. So for you, what made America great, to use the term you just introduced, was what? Its morality? The intrinsic morality of people living in it and in the country? Is that, for you, what liberalism is?DAVID MASCIOTRA: Liberalism is a system in and the culture that emanates out of that system. So it's a constitutional order that creates or that places a premium on individual rights and allows for a flourishing free market. Now, where my conception of liberalism would enter the picture and, perhaps Jonathan Rauch and I would have some disagreements, certainly George Will and I, is that a bit of governmental regulation is necessary along with the social welfare state, to civilize the free market. But the culture that one expects to flow from that societal order and arrangement is one of aspiration, one in which citizens fully accept that they are contributing agents to this experiment in self-governance and therefore need to spend time in--to use a Walt Whitman phrase--freedom's gymnasium. Sharpening the intellect, sharpening one's sense of moral duty and obligation to the commons, to the public good. And as our society has become more individualistic and narcissistic in nature, those commitments have vanished. And as our society has become more anti-intellectual in nature, we are seeing a lack of understanding of why those commitments are even necessary. So that's why you get a result like we witnessed on Tuesday, and that I argue in my piece that you were kind enough to have me on to discuss, is a form of nihilism, and The Big Lebowski reference, of course--AK: And of course, I want to get to Lebowski, because the Fukuyama stuff is interesting, but everyone's writing about Fukuyama and the end of history and why history never really ended, of course. It's been going on for years now, but it's a particularly interesting moment. We've had Fukuyama on the show. I've never heard anyone, though, compare the success of Trump and Trumpism with The Big Lebowski. So, one of the great movies, of course, American movies. What's the connection, David, between November 5th and The Big Lebowski? DAVID MASCIOTRA: Well, The Big Lebowski is one of my favorite films. I've written about it, and I even appeared at one of the The Big Lebowski festivals that takes place in United States a number of years ago. But my mind went to the scene when The Dude is in his bathtub and these three menacing figures break into his apartment. They drop a gerbil in the bathtub. And The Dude, who was enjoying a joint by candlelight, is, of course, startled and frightened. And these three men tell him that if he does not pay the money they believe he owes them, they will come back and, in their words, "cut off your Johnson." And The Dude gives them a quizzical, bemused look. And one of them says, "You think we are kidding? We are nihilists. We believe in nothing." And then one of them screams, "We'll cut off your Johnson." Well, I thought, you know, we're looking at an electorate that increasingly, or at least a portion of the electorate, increasingly believes in nothing. So we've lost faith.AK: It's the nihilists again. And of course, another Johnson in America, there was once a president called Johnson who enjoyed waving his Johnson, I think, around in public. And now there's the head of the house is another Johnson, I think he's a little shyer than presidents LBJ. But David, coming back to this idea of nihilism. It often seems to be a word used by people who don't like what other people think and therefore just write it off as nihilism. Are you suggesting that the Trump crowd have no beliefs? Is that what nihilism for you is? I mean, he was very clear about what he believes in. You may not like it, but it doesn't seem to be nihilistic.DAVID MASCIOTRA: That's another fair point. What I'm referring to is not too long ago, we lived in a country that had a shared set of values. Those values have vanished. And those values involve adherence to our democratic norms. It's very difficult to imagine had George H. W. Bush attempted to steal the election in which Bill Clinton won, that George H. W. Bush could have run again and won. So we've lost faith in something essential to our electoral system. We've lost faith in the standards of decency that used to, albeit imperfectly, regulate our national politics. So the man to whom I just refered, Bill Clinton, was nearly run out of office for having an extramarital affair, a misdeed that cannot compare to the myriad infractions of Donald Trump. And yet, Trump's misdeeds almost give him a cultural cachet among his supporters. It almost makes him, for lack of a better word, cool. And now we see, even with Trump's appointments, I mean, of course, it remains to be seen how it plays out, that we're losing faith in credentials and experience--AK: Well they're certainly a band of outlaws and very proud to be outlaws. It could almost be a Hollywood script. But I wonder, David, whether there's a more serious critique here. You, like so many other people, both on the left and the right, are nostalgic for an age in which everyone supposedly agreed on things, a most civil and civilized age. And you go back to the Bushes, back to Clinton. But the second Bush, who now seems to have appeared as this icon, at least moral icon, many critics of Trump, was also someone who unleashed a terrible war, killing tens of thousands of people, creating enormous suffering for millions of others. And I think that would be the Trump response, that he's simply more honest, that in the old days, the Bushes of the world can speak politely and talk about consensus, and then unleash terrible suffering overseas--and at home in their neoliberal policies of globalization--Trump's simply more honest. He tells it as it is. And that isn't nihilistic, is it?DAVID MASCIOTRA: Well, you are gesturing towards an important factor in our society. Trump, of course, we know, is a dishonest man, a profoundly dishonest--AK: Well, in some ways. But in other ways, he isn't. I mean, in some ways he just tells the truth as it is. It's a truth we're uncomfortable with. But it's certainly very truthful about the impact of foreign wars on America, for example, or even the impact of globalization. DAVID MASCIOTRA: What you're describing is an authenticity. That that Trump is authentic. And authenticity has become chief among the modern virtues, which I would argue is a colossal error. Stanley Crouch, a great writer, spent decades analyzing the way in which we consider authenticity and how it inevitably leads to, to borrow his phrase, cast impurity onto the bottom. So anything that which requires effort, refinement, self-restraint, self-control, plays to the crowd as inauthentic, as artificial--AK: Those are all aristocratic values that may have once worked but don't anymore. Should we be nostalgic for the aristocratic way of the Bushes?DAVID MASCIOTRA: I think in a certain respect, we should. We shouldn't be nostalgic for George W. Bush's policies. I agree with you, the war in Iraq was catastrophic, arguably worse than anything Trump did while he was president. His notoriously poor response to Hurricane Katrina--I mean, we can go on and on cataloging the various disasters of the Bush administration. However, George W. Bush as president and the people around him did have a certain belief in the liberal order of the United States and the liberal order of the world. Institutions like NATO and the EU, and those institutions, and that order, has given the United States, and the world more broadly, an unrivaled period of peace and prosperity.AK: Well it wasn't peace, David. And the wars, the post-9/11 wars, were catastrophic. And again, they seem to be just facades--DAVID MASCIOTRA: We also had the Vietnam War, the Korean War. When I say peace, I mean we didn't have a world war break out as we did in the First World War, in the Second World War. And that's largely due to the creation and maintenance of institutions following the Second World War that were aimed at the preservation of order and, at least, amicable relations between countries that might otherwise collide.AK: You're also the author, David, of a book we've always wanted to talk about. Now we're figuring out a way to integrate it into the show. You wrote a book, an interesting book, about Bruce Springsteen. Working on a Dream: the Progressive Political Vision of Bruce Springsteen. Bruce Springsteen has made himself very clear. He turned out for Harris. Showed up with his old friend, Barack Obama. Clearly didn't have the kind of impact he wanted. You wrote an interesting piece for UnHerd a few weeks ago with the title, "Bruce Springsteen is the Last American Liberal: he's still proud to be born in the USA." Is he the model of a liberal response to the MAGA movement, Springsteen? DAVID MASCIOTRA: Well, of course, I wouldn't go so far as to say the last liberal. As most readers just probably know, writers don't compose their own headlines--AK: But he's certainly, if not the last American liberal, the quintessential American liberal.DAVID MASCIOTRA: Yes. He represents, as cultural icon, a certain expression of liberalism, a big-hearted, humanistic liberalism that exercises creativity to represent diverse constituencies in our society, that believes in art as a tool of democratic engagement, and that seeks to lead with an abounding, an abiding sense of compassion and empathy. That is the kind of liberalism, both with the small and capital L, that I believe in, and that I have spent my career documenting and attempting to advance. And those are, of course, the forms of liberalism that now feel as if they are under threat. Now, to that point, you know, this could have just come down to inflation and some egregious campaign errors of Kamala Harris. But it does feel as if when you have 70 some odd million people vote for the likes of Donald Trump, that the values one can observe in the music of Bruce Springsteen or in the rhetoric of Barack Obama, for that matter, are no longer as powerful and pervasive as they were in their respective glory days. No pun intended.AK: Yeah. And of course, Springsteen is famous for singing "Glory Days." I wonder, though, where Springsteen himself is is a little bit more complex and we might be a little bit more ambivalent about him, there was a piece recently about him becoming a billionaire. So it's all very well him being proud to be born in the USA. He's part--for better or worse, I mean, it's not a criticism, but it's a reality--he's part of the super rich. He showed out for Harris, but it didn't seem to make any impact. You talked about the diversity of Springsteen. I went to one of his concerts in San Francisco earlier this year, and I have to admit, I was struck by the fact that everyone, practically everyone at the concert, was white, everyone was wealthy, everyone paid several hundred dollars to watch a 70 year old man prance around on stage and behave as if he's still 20 or 30 years old. I wonder whether Springsteen himself is also emblematic of a kind of cultural, or political, or even moral crisis of our old cultural elites. Or am I being unfair to Springsteen?DAVID MASCIOTRA: Well, I remember once attending a Springsteen show in which the only black person I saw who wasn't an employee of the arena was Clarence Clemons.AK: Right. And then Bruce, of course, always made a big deal. And there was an interesting conversation when Springsteen and Obama did a podcast together. Obama, in his own unique way, lectured Bruce a little bit about Clarence Clemons in terms of his race. But sorry. Go on.DAVID MASCIOTRA: Yeah. And Springsteen has written and discussed how he had wished he had a more diverse audience. When I referred to diversity in his music, I meant the stories he aimed to tell in song certainly represented a wide range of the American experience. But when you talk about Springsteen, perhaps himself representing a moral crisis--AK: I wouldn't say a crisis, but he represents the, shall we say, the redundancy of that liberal worldview of the late 20th century. I mean, he clearly wears his heart on his sleeve. He means well. He's not a bad guy. But he doesn't reach a diverse audience. His work is built around the American working class. None of them can afford to show up to what he puts on. I mean, Chris Christie is a much more typical fan than the white working class. Does it speak of the fact that there's a...I don't know if you call it a crisis, it's just...Springsteen isn't relevant anymore in the America of the 2020s, or at least when he sang and wrote about no longer exists.DAVID MASCIOTRA: Yes, I agree with that. So first of all, the working class bit was always a bit overblown with Springsteen. Springsteen, of course, was never really part of the working class, except when he was a child. But by his own admission, he never had a 9 to 5 job. And Springsteen sang about working class life like William Shakespeare wrote about teenage love. He did so with a poetic grandeur that inspired some of his best work. And outside looking in, he actually managed to offer more insights than sometimes people on the inside can amount to themselves. But you're certainly correct. I mean, the Broadway show, for example, when the tickets were something like a thousand a piece and it was $25 to buy a beer. There is a certain--AK: Yeah and in that Broadway show, which I went to--I thought it was astonishing, actually, a million times better than the show in San Francisco.DAVID MASCIOTRA: It was one of the best things he ever did.AK: He acknowledges that he made everything up, that he wasn't part of the American working class, and that he'd never worked a day in his life, and yet his whole career is is built around representing a social class and a way of life that he was never part of.“Not too long ago, we lived in a country that had a shared set of values. Those values have vanished. And those values involve adherence to our democratic norms.” -DMDAVID MASCIOTRA: Right. And he has a lyric himself: "It's a sad, funny ending when you find yourself pretending a rich man in a poor man's shirt." So there always was this hypocrisy--hypocrisy might be a little too strong--inconsistency. And he adopted a playful attitude toward it in the 90s and in later years. But to your point of relevance, I think you're on to something there. One of the crises I would measure in our society is that we no longer live in a culture of ambition and aspiration. So you hear this when people say that they want a political leader who talks like the average person, or the common man. And you hear this when "college educated" is actually used as an insult against a certain base of Democratic voters. There were fewer college-educated voters when John F. Kennedy, Richard Nixon, Ronald Reagan ran for president, all of whom spoke with greater eloquence and a more expansive vocabulary and a greater sense of cultural sophistication than Donald Trump or Kamala Harris did. And yet there was no objection, because people understood that we should aspire to something more sophisticated. We should aspire to something more elevated beyond the everyday vernacular of the working class. And for that reason, Springsteen was able to become something of a working-class poet, despite never living among the working class beyond his childhood. Because his poetry put to music represented something idealistic about the working class.AK: But oddly enough, it was a dream--there's was a word that Springsteen uses a lot in his work--that was bought by the middle class. It wasn't something that was--although, I think in the early days, probably certainly in New Jersey, that he had a more working-class following.DAVID MASCIOTRA: We have to deal with the interesting and frustrating reality that the people about whom Springsteen sings in those early songs like "Darkness on the Edge of Town" or "The River" would probably be Trump supporters if they were real.AK: Yeah. And in your piece you refer to, not perhaps one of his most famous albums, The Rising, but you use it to compare Springsteen with another major figure now in America, much younger man to Ta-Nehisi Coates, who has a new book out, which is an important new book, The Message. You seem to be keener on Springsteen than Coates. Tell us about this comparison and what the comparison tells us about the America of the 2020s.DAVID MASCIOTRA: Well, Coates...the reason I make the comparison is that one of Springsteen's greatest artistic moments, in which he kind of resurrected his status as cultural icon, was the record he put out after the 9/11 attack on the United States, The Rising. And throughout that record he pays tribute, sometimes overtly, sometimes subtly, to the first responders who ascended in the tower knowing they would perhaps die.AK: Yeah. You quote him "love and duty called you someplace higher." So he was idealizing those very brave firefighters, policemen who gave up their lives on 9/11.DAVID MASCIOTRA: Exactly. Representing the best of humanity. Whereas Ta-Nehisi Coates, who has become the literary superstar of the American left, wrote in his memoir that on 9/11, he felt nothing and did not see the first responders as human. Rather, they were part of the fire that could, in his words, crush his body.AK: Yeah, he wrote a piece, "What Is 9/11 to Descendants of Slaves?"DAVID MASCIOTRA: Yes. And my point in making that comparison, and this was before the election, was to say that the American left has its own crisis of...if we don't want to use the word nihilism, you objected to it earlier--AK: Well, I'm not objecting. I like the word. It's just curious to hear it come from somebody like yourself, a man, certainly a progressive, maybe not--you might define yourself as being on the left, but certainly more on the left and on the right.DAVID MASCIOTRA: Yes, I would agree with that characterization. But that the left has its own crisis of nihilism. If if you are celebrating a man who, despite his journalistic talents and intelligence, none of which I would deny, refused to see the humanity of the first responders on the 9/11 attack and, said that he felt nothing for the victims, presumably even those who were black and impoverished, then you have your own crisis of belief, and juxtaposing that with the big hearted, humanistic liberalism of Springsteen for me shows the left a better path forward. Now, that's a path that will increasingly close after the victory of Trump, because extremism typically begets extremism, and we're probably about to undergo four years of dueling cynicism and rage and unhappy times.AK: I mean, you might respond, David, and say, well, Coates is just telling the truth. Why should a people with a history of slavery care that much about a few white people killed on 9/11 when their own people lost millions through slavery? And you compare them to Springsteen, as you've acknowledged, a man who wasn't exactly telling the truth in his heart. I mean, he's a very good artist, but he writes about a working class, which even he acknowledges, he made most of it up. So isn't Coates like Trump in an odd kind of way, aren't they just telling an unvarnished truth that people don't want to hear, an impolite truth?DAVID MASCIOTRA: I'm not sure. I typically shy away from the expression "my truth" or "his truth" because it's too relativistic. But I'll make an exception in this case. I think Coates is telling HIS truth just as Trump is telling HIS truth, if that adds up to THE truth, is much more dubious. Yes, we could certainly say that, you know, because the United States enslaved, tortured, and otherwise oppressed millions of black people, it may be hard for some black observers to get teary eyed on 9/11, but the black leaders whom I most admire didn't have that reaction. I wrote a book about Jesse Jackson after spending six years interviewing with him and traveling with him. He certainly didn't react that way on 9/11. Congressman John Lewis didn't react that way on 9/11. So, the heroes of the civil rights movement, who helped to overcome those brutal systems of oppression--and I wouldn't argue that they're overcome entirely, but they helped to revolutionize the United States--they maintained a big-hearted sense of empathy and compassion, and they recognized that the unjust loss of life demands mourning and respect, whether it's within their own community or another. So I would say that, here again, we're back to the point of ambition, whether it's intellectual ambition or moral ambition. Ambition is what allows a society to grow. And it seems like ambition has fallen far out of fashion. And that is why the country--the slim majority of the electorate that did vote and the 40% of the electorate that did not vote, or voting-age public, I should say--settled for the likes of Donald Trump.AK: I wonder what The Dude would do, if he was around, at the victory of Trump, or even at 9/11. He'd probably continue to sit in the bath tub and enjoy...enjoy whatever he does in his bathtub. I mean, he's not a believer. Isn't he the ultimate nihilist? The Dude in Lebowski?DAVID MASCIOTRA: That's an interesting interpretation. I would say that...Is The Dude a nihilist? You have this juxtaposition... The Dude kind of occupies this middle ground between the nihilists who proudly declare they believe in nothing and his friend Walter Sobchak, who's, you know, almost this raving explosion of belief. Yeah, ex-Vietnam veteran who's always confronting people with his beliefs and screaming and demanding they all adhere to his rules. I don't know if The Dude's a nihilist as much as he has a Zen detachment.AK: Right, well, I think what makes The Big Lebowski such a wonderful film, and perhaps so relevant today, is Lebowski, unlike so many Americans is unjudgmental. He's not an angry man. He's incredibly tolerant. He accepts everyone, even when they're beating him up or ripping him off. And he's so, in that sense, different from the America of the 2020s, where everyone is angry and everyone blames someone else for whatever's wrong in their lives.DAVID MASCIOTRA: That's exactly right.AK: Is that liberal or just Zen? I don't know.DAVID MASCIOTRA: Yeah. It's perhaps even libertarian in a sense. But there's a very interesting and important book by Justin Tosi and Brandon Warmke called Why It's Okay to Mind Your Own Business. And in it they argue--they're both political scientists although the one may be a...they may be philosophers...but that aside--they present an argument for why Americans need to do just that. Mind their own business.AK: Which means, yeah, not living politics, which certainly Lebowski is. It's probably the least political movie, Lebowski, I mean, he doesn't have a political bone in his body. Finally, David, there there's so much to talk about here, it's all very interesting. You first came on the show, you had a book out, that came out either earlier this year or last year. Yeah, it was in April of this year, Exurbia Now: The Battleground of American Democracy. And you wrote about the outskirts of suburbia, which you call "exurbia." Jonathan Rauch, wearing his Brookings cap, described this as an ordinary election. I'm not sure how much digging you've done, but did the exurbian vote determine this election? I mean, the election was determined by a few hundred thousand voters in the Midwest. Were these voters mostly on the edge of the suburb? And I'm guessing most of them voted for Trump.DAVID MASCIOTRA: Well, Trump's numbers in exurbia...I've dug around and I've been able to find the exurbian returns for Pennsylvania, North Carolina, and Arizona. So three crucial swing states. If Kamala Harris had won those three states, she would be president. And Trump's support in exurbia was off the charts, as it was in 2020 and 2016, and as I predicted, it would be in 2024. I'm not sure that that would have been sufficient to deliver him the race and certainly not in the fashion that he won. Trump made gains with some groups that surprised people, other groups that didn't surprise people, but he did much better than expected. So unlike, say, in 2016, where we could have definitively and conclusively said Trump won because of a spike in turnout for him in rural America and in exurbia, here, the results are more mixed. But it remains the case that the base most committed to Trump and most fervently loyal to his agenda is rural and exurban.AK: So just outside the cities. And finally, I argued, maybe counterintuitively, that America remains split today as it was before November the 5th, so I'm not convinced that this election is the big deal that some people think it is. But you wrote an interesting piece in Salon back in 2020 arguing that Trump has poisoned American culture, but the toxin was here all along. Of course, there is more, if anything, of that toxin now. So even if Harris had won the election, that toxin was still here. And finally, David, how do we get rid of that toxin? Do we just go to put Bruce Springsteen on and go and watch Big Lebowski? I mean, how do we get beyond this toxin?DAVID MASCIOTRA: I would I would love it if that was the way to do it.AK: We'll sit in our bathtub and wait for the thugs to come along?DAVID MASCIOTRA: Right, exactly. No, what you're asking is, of course, the big question. We need to find a way to resurrect some sense of, I'll use another conservative phrase, civic virtue. And in doing--AK: And resurrection, of course, by definition, is conservative, because you're bringing something back.“Ambition is what allows a society to grow. And it seems like ambition has fallen far out of fashion.” -DMDAVID MASCIOTRA: Exactly. And we also have to resurrect, offer something more practical, we have to resurrect a sense of civics. One thing on which--I have immense respect and admiration for Jonathan Rauch--one minor quibble I would have with him from your conversation is when he said that the voters rejected the liberal intellectual class and their ideas. Some voters certainly rejected, but some voters were unaware. The lack of civic knowledge in the United States is detrimental to our institutions. I mean, a majority of Americans don't know how many justices are on the Supreme Court. They can't name more than one freedom enumerated in the Bill of Rights. So we need to find a way to make citizenship a vital part of our national identity again. And there are some practical means of doing that in the educational system. Certainly won't happen in the next four years. But to get to the less tangible matter of how to resurrect something like civic virtue and bring back ambition and aspiration in our sense of national identity, along with empathy, is much tougher. I mean, Robert Putnam says it thrives upon community and voluntary associations.AK: Putnam has been on the show, of course.DAVID MASCIOTRA: Yeah. So, I mean, this is a conversation that will develop. I wish I had the answer, and I wish it was just to listen to Born to Run in the bathtub with with a poster of The Dude hanging overhead. But as I said to you before we went on the air, I think that you have a significant insight to learn this conversation because, in many ways, your books were prescient. We certainly live with the cult of the amateur now, more so than when you wrote that book. So, I'd love to hear your ideas.AK: Well, that's very generous of you, David. And next time we appear, you're going to interview me about why the cult of the amateur is so important. So we will see you again soon. But we're going to swap seats. So, David will interview me about the relevance of Cult of the Amateur. Wonderful conversation, David. I've never thought about Lebowski or Francis Fukuyama, particularly Lebowski, in terms of what happened on November 5th. So, very insightful. Thank you, David, and we'll see you again in the not-too-distant future.DAVID MASCIOTRA: Thank you. I'm going to reread Cult of the Amateur to prepare. I may even do it in the bathtub. I look forward to our discussion.David Masciotra is an author, lecturer, and journalist. He is the author of I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen.His 2024 book, Exurbia Now: Notes from the Battleground of American Democracy, is published by Melville House Books. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review. Masciotra has a Master's Degree in English Studies and Communication from Valparaiso University. He also has a Bachelor's Degree in Political Science from the University of St. Francis. He is public lecturer, speaking on a wide variety of topics, from the history of protest music in the United States to the importance of bars in American culture. David Masciotra has spoken at the University of Wisconsin, University of South Carolina, Lewis University, Indiana University, the Chicago Public Library, the Lambeth Library (UK), and an additional range of colleges, libraries, arts centers, and bookstores. As a journalist, he has conducted interviews with political leaders, musicians, authors, and cultural figures, including Jesse Jackson, John Mellencamp, Noam Chomsky, all members of Metallica, David Mamet, James Lee Burke, Warren Haynes, Norah Jones, Joan Osborne, Martín Espada, Steve Earle, and Rita Dove. Masciotra lives in Indiana, and teaches literature and political science courses at the University of St. Francis and Indiana University Northwest. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this week's episode of the 3 Pillars Podcast I will be discussing the Creator Archetype. How do you define it, what is it's shadow, and how can we apply our Christian faith to strengthen this archetype? SUBSCRIBE TO THE NEW PODCAST CHANNEL HERE: https://www.youtube.com/@3PillarsPodcast God bless you all. Jesus is King. “But God commendeth his love toward us, in that, while we were yet sinners, Christ died for us.” ‭‭Romans‬ ‭5‬:‭8‬ ‭KJV‬‬ I appreciate all the comments, topic suggestions, and shares! Find the "3 Pillars Podcast" on all major platforms. For more information, visit the 3 Pillars Podcast website: https://3pillarspodcast.wordpress.com/ Don't forget to check out the 3 Pillars Podcast on Goodpods and share your thoughts by leaving a rating and review: https://goodpods.app.link/3X02e8nmIub Please Support Veteran's For Child Rescue: https://vets4childrescue.org/ Stay connected with Joe Russiello and the "Sword of the Spirit" Podcast: https://www.swordofthespiritpodcast.com/ Join the conversation: #3pillarspodcast References Jung, C. G. (1968). Archetypes and the Collective Unconscious. Princeton University Press. Pearson, C. S. (1991). Awakening the Heroes Within: Twelve Archetypes to Help Us Find Ourselves and Transform Our World. Harper San Francisco. Campbell, J. (2008). The Hero with a Thousand Faces. New World Library. Lynch, G. (2007). The New Spirituality: An Introduction to Progressive Belief in the Twenty-First Century. I.B. Tauris. Frawley, D. (2000). Yoga and the Sacred Fire: Self-Realization and Planetary Transformation. Lotus Press. #podcast #archetype --- Support this podcast: https://podcasters.spotify.com/pod/show/chase-tobin/support

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries. Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Explore the fascinating history of ghosts and uncover the ancient origins of ghost stories from around the world! In this episode, we dive deep into the myths and legends that have shaped our beliefs in the paranormal for centuries. From ancient Egypt to modern Europe, and beyond, we'll investigate how cultures across the globe have described spirits, hauntings, and supernatural phenomena.Find me and my music here:https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://paypal.me/talkreligiondonateAlso check out the Let's Talk Religion Podcast: https://open.spotify.com/show/0ih4sqtWv0wRIhS6HFgerb?si=95b07d83d0254bSources/Recomended Reading:Bottéro, Jean (2004). "Religion in Ancient Mesopotamia". Translated by Teresa Lavender Fagan. University of Chicago Press.Davisson, Zach (2020). "Yurei: The Japanese Ghost". Chin Music Press Inc.Lebling, Robert & Tahir Shah (2014). "Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar. I.B. Tauris.Morton, Lisa (2017). "Ghosts: A Haunted History". Reaktion Books."A History of Ghosts, Spirits and the Supernatural." 2024. DK. Hosted on Acast. See acast.com/privacy for more information.

A terrible crime weighs on Orestes and he is pursued across the world by ghosts both literal and metaphorical - how can he lay these ghosts to rest? Inspired by Aeschylus, Eumenides, and Eurpides, Iphigenia in Tauris, this modernised re-telling of a classic Greek myth is followed by a discussion of a Taurian goddess, the Oracle at Delphi, and the Furies of Greek mythology.

We begin this years Shocktober season with another video about jinn - specifically about jinn possession and exorcism in the Islamic world.Sources/Recomended Reading:Al-Buni, Ahmad ibn ‘Ali. “The Sun of Knowledge (Shams al-Ma'arif): An Arabic Grimoire in Selected Translation”. Translated by Amina Inloes & Illustrated by J.M. Hamade. Revelore Press, 2021.Henninger, Joseph (2004). "Beliefs in Spirits among the Pre-Islamic Arabs". In "Magic and Divination in Early Islam". Edited by Emile Savage-Smith. Ashgate Publishing Company.Lebling, Robert & Tahir Shah (2014). "Legends of the Fire Spirits: Jinn and Genies from Arabia to Zanzibar. I.B. Tauris.Melvin-Koushki, Matthew & Noah Gardner (2017). "Islamicate Occultism: New Perspectives". Brill. Philips, Bilal (2008). "The Exorcist Tradition in Islam". Al-Hidaayah Publishing & Distribution.Savage-Smith, Emily (ed.) (2004). "Magic & Divination in Early Islam". Ashgate Publishing. “Shams al-Ma'arif al-Kubra”. Arabic Printed Edition by Dar al-Mizan. "The Annotated Arabian Nights: Tales from 1001 Nights". Edited by Paulo Lemos Horta. Translated by Yasmine Seale. Liveright Publishing Corporation. Hosted on Acast. See acast.com/privacy for more information.

Discover the fascinating history, unique traditions, and spiritual significance of the Ethiopian Orthodox Church (Tewahedo Church), one of the oldest Christian denominations in the world. From its roots in the 4th century to its deep cultural and religious influence in Ethiopia, this video explores the church's ancient rituals, sacred texts, and its role in shaping Ethiopian identity. Learn about the significance of the Ark of the Covenant, the role of fasting, and the importance of religious festivals like Timkat and Meskel.Sources/Recomended Reading:Binns, John (2016). "The Orthodox Church of Ethiopia: A History". I.B. Tauris.Samuelson, Calum (2023). "Theosis in the Ethiopian Tradition: A Preliminary Assessment". In "Transformation: An International Journal of Holistic Mission Studies", Volume 40, Issue 1. Hosted on Acast. See acast.com/privacy for more information.

In Building Stalinism: The Moscow Canal and the Creation of Soviet Space (I. B. Tauris, 2018), Cynthia Ruder explores how the building of the Moscow canal reflected the values of Stalinism and how it was used to create distinctly Soviet space, both real and imagined. She discusses the canal as a physical construct: an massive and important infrastructure project that would allow Moscow to have a steady supply of drinking water and create enough water pressure to allow for the construction of high rises, as well as a shipping channel that connected Moscow to the Volga and the Russian heartland and the rest of the world via the Baltic, White and Caspian seas, as well as the imagined spaces created, such as Moscow becoming “a port of five seas.” Ruder examines the Stalinist political system's ability to tame and control water, bending it in service of socialism, and how these achievements were memorialized in art, song and literature. But she also explores the darker side of canal construction, the use of Gulag labor, the human cost it exacted and how this too was reflective of a Stalinist world-view. Building Stalinism provides an excellent look into the pervasive nature of Stalinism and its complex modern legacy.. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In Building Stalinism: The Moscow Canal and the Creation of Soviet Space (I. B. Tauris, 2018), Cynthia Ruder explores how the building of the Moscow canal reflected the values of Stalinism and how it was used to create distinctly Soviet space, both real and imagined. She discusses the canal as a physical construct: an massive and important infrastructure project that would allow Moscow to have a steady supply of drinking water and create enough water pressure to allow for the construction of high rises, as well as a shipping channel that connected Moscow to the Volga and the Russian heartland and the rest of the world via the Baltic, White and Caspian seas, as well as the imagined spaces created, such as Moscow becoming “a port of five seas.” Ruder examines the Stalinist political system's ability to tame and control water, bending it in service of socialism, and how these achievements were memorialized in art, song and literature. But she also explores the darker side of canal construction, the use of Gulag labor, the human cost it exacted and how this too was reflective of a Stalinist world-view. Building Stalinism provides an excellent look into the pervasive nature of Stalinism and its complex modern legacy.. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeder kennt ihn: Er ist nicht ein deutscher Dichter, er ist der deutsche Dichter: Johann Wolfgang von Goethe, geboren am 28. August 1749 in Frankfurt am Main, vor 275 Jahren also. Goethe, als junger Dichter noch mit "Sturm und Drang" ausgestattet, gilt als wichtigster Vertreter der Weimarer Klassik. Mit seinem Briefroman, "Die Leiden des jungen Werthers", über Innenansichten eines Mannes, fein zergliedert, schafft Goethe, damals 25 Jahre alt, den literarischen Durchbruch. Seine schriftstellerische Produktion läuft auf Hochtouren mit Werken, die in die Literaturgeschichte eingehen: "Iphigenie auf Tauris", "Wahlverwandtschaften", die "Wilhelm Meister"-Romane, "Dichtung und Wahrheit" "Faust", unzählige Gedichte, Abhandlungen und schließlich seine legendäre "Italienische Reise". Der Journalist, Autor Thomas Steinfeld hat sich in einer umfangreichen Biografie mit Goethe beschäftigt, zeigt ihn in den vertrauten Rollen als Dichter, Theatermacher, Reisenden, aber auch in den weniger bekannten des Politikers, Kriegsbeobachters und Naturforschers.

We are living in interesting political times. A month ago, the Presidential election appeared over. Today, however, it appears as if it's barely begun. So in my conversation today with the prolific columnist David Masciotra, I asked him if he glimpsed the outlines of a “Harrisist” ideology behind the avalanche of Kamala memes on TikTok. Is the Harris excitement simply a repeat of the Obama mania from 2008, or has something fundamentally changed over the last fifteen years? Then, of course, there's Trump and his weird cult of fake masculinity. What does the wrestling-mania of the Republican party tell us about the fate of young men in 2020's America? And how can progressive patriots like Bruce Springsteen make the American left great again?David Masciotra is an author, lecturer, and journalist. He is the author of I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. His new book, Exurbia Now: Notes from the Battleground of American Democracy, was published by Melville House Books in 2024. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

This event, as part of the LSE Middle East Centre's Kurdish Studies Series, was the launch of Mustafa Kemal Topal's latest book 'Women Fighters in the Kurdish National Movement: Transforming Gender Politics and the PKK' published by I.B. Tauris. This book examines how the Kurdistan Workers' Party (PKK) has become a platform for shifts in gender politics through its women fighters. Based on fieldwork undertaken in Iraq, Syria and Europe - including in-depth interviews and participant observation within women's camps - the book examines Kurdish women fighters' motivations to join the PKK, as well as their personal life stories and views on gender, patriarchy, and ethnic minority experiences. This is the largest ethnographic study on the PKK to date and the book argues that in addition to seeking their nation's struggle for survival and a democratic society, Kurdish women fighters are driven by the prospect of improving conditions for themselves and for women across the entire region. Meet the speaker Mustafa Kemal Topal is Assistant Professor at the Roskilde University in Denmark, where he also received his PhD. He is a fellow at the Bergen University in Norway, having been awarded the Independent Research Fund Denmark International's Postdoctoral Grant for his new project ‘Kurdish Women's Democratic Experiment in Post-Conflict Northern Syria'. This event was moderated by Robert Lowe. Robert Lowe is Deputy Director of the LSE Middle East Center and Co-Editor of the LSE Middle East Centre's Kurdish Studies Series published by I.B. Tauris. His main research interest is Kurdish politics, with particular focus on the Kurdish movements in Syria.

Professor Thomas Tauris explains what gravitational waves can tell us about colliding neutron stars. He corrects Carrie's misconception about how gravitational waves affect people. He also explains how the last 400 years of astronomy have been like watching a silent movie, but now with gravitational waves, we have a soundtrack. 

Solon is one of the seven sages of Athens, and he's credited with laying the groundwork for Athenian democracy. But most of what we know about him comes biographies written centuries after he lived.  Research: Aristotle, tr. Sir Frederic G. Kenyon. “The Athenian Constitution.” https://classics.mit.edu/Aristotle/athenian_const.1.1.html Britannica, The Editors of Encyclopaedia. "Draco". Encyclopedia Britannica, 28 Feb. 2024, https://www.britannica.com/biography/Draco-Greek-lawgiver Cadoux, T. J. “The Athenian Archons from Kreon to Hypsichides.” The Journal of Hellenic Studies, vol. 68, 1948, pp. 70–123. JSTOR, https://doi.org/10.2307/626301 Cartwright, Mark. “Solon.” World History Encyclopedia. March 10, 2016. https://www.worldhistory.org/solon/ Forrest, W. G., and D. L. Stockton. “The Athenian Archons: A Note.” Historia: Zeitschrift Für Alte Geschichte, vol. 36, no. 2, 1987, pp. 235–40. JSTOR, http://www.jstor.org/stable/4436007 French, A. “Solon and the Megarian Question.” The Journal of Hellenic Studies, vol. 77, 1957, pp. 238–46. JSTOR, https://doi.org/10.2307/629363 Gill, N.S. "Solon's Reforms and the Rise of Democracy in Athens." ThoughtCo, Aug. 30, 2020, thoughtco.com/solons-reforms-democracy-121062. Hölkeskamp, Karl-Joachim. “What's in a Code? Solon's Laws between Complexity, Compilation and Contingency.” Hermes, vol. 133, no. 3, 2005, pp. 280–93. JSTOR, http://www.jstor.org/stable/4477659 Leão, Delfim F. and P.J. Rhodes. “The Laws of Solon.” I.B. Tauris & Co. Ltd. London. 2015. Linforth, Ivan Mortimer. “Solon the Athenian.” University of California Press. 1919. Accessed online: https://play.google.com/store/books/details?id=_NENAAAAIAAJ&rdid=book-_NENAAAAIAAJ&rdot=1 Plutarch, and Aubrey Stewart, MA. “Plutarch's Lives.” George Bell & Sons. London. 1894. https://www.gutenberg.org/files/14033/14033-h/14033-h.htm#LIFE_OF_SOLON Plutarch, and John Dryden. “Plutarch's Lives.” Little, Brown & Co. Boston. 1895. Accessed online: https://archive.org/details/plutarchslivest02clougoog/page/n7/mode/1up Starr, Chester G.. "Peisistratus". Encyclopedia Britannica, 1 Apr. 2024, https://www.britannica.com/biography/Peisistratus See omnystudio.com/listener for privacy information.

A conversation with Przemysław Marciniak (University of Silesia) about books of fantasy, science fiction, horror, and alternative history that are either set in Byzantium or have a Byzantine ambiance. We talk about the features that signal a Byzantine setting and what the latter is good. Basically, we chat about books that we liked (or did not like). The conversation is based on Przemek's chapter 'Fantastic(al) Byzantium: The Image of Byzantium in Speculative Fiction,' in M. Kulhánková and P. Marciniak, eds., Byzantium in the Popular Imagination: The Modern Reception of the Byzantine Empire (I.B. Tauris 2023) 249-260.

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Peter Bergamin's, new book, The Making of the Israeli Far-Right: Abba Ahimeir and Zionist Ideology (I. B. Tauris, 2019), is an intellectual biography of one of the most important propagators of the Maximalist Revisionist stream in Zionism ideology. The book positions Ahimeir within the contexts of the Israeli right and the Zionist movement in general, and corrects some common misunderstandings surrounding the man and his ideology. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar's work here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities?  Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did. Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt's Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities?  Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did. Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt's Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities?  Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focused on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East (I. B. Tauris, 2023) heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did. Raphael Cormack is an assistant professor of Arabic at the Durham University. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt's Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In this episode, we explore the fascinating world of Dune and the religious themes that we can find in the books and movies.Sources/Recomended Reading: Amir-Moezzi, Mohammad Ali (1994). "The Divine Guide in Early Shi'ism: The Sources of Esotericism in Islam". Translated by David Streight. State University of New York Press. Amir-Moezzi, Mohammad Ali (2011). "The Spirituality of Shi'i Islam: Beliefs and Practices". I.B. Tauris. Chittick, William (1989). "The Sufi Path of Knowledge: Ibn 'Arabi's Metaphysics of Imagination". Chittick, William (1998). "The Self-Disclosure of God: Principles of Ibn al-'Arabi's Cosmology". State University of New York Press. Corbin, Henry (1998). "Alone with the Alone - Creative Imagination in the Sūfism of Ibn 'Arabī". Princeton University Press; Revised edition. McNelly, Willis E. (1987). "The Dune Encyclopedia". Berkley. Hosted on Acast. See acast.com/privacy for more information.

Summary Mike VanBlaricum (X; LinkedIn) joins Andrew (X; LinkedIn) to discuss his journey as a James Bond fanatic and collector. Mike is the President of the Ian Fleming Foundation. What You'll Learn Intelligence How Mike became an obsessive James Bond collector with 10,000 artifacts Mike's favorite Bond cars, movies, and books How From Russia with Love was one of John F Kennedy's favorite books Mike's tips on the best place to start if you want to read the Bond novels Reflections The passion of a collector Pop culture influencing the “real” world And much, much more … Quotes of the Week “I've always been fascinated about the study of creativity. And so, between wanting to understand spy craft and that whole human side as well as creativity, creativity like Fleming – How one person can change popular culture, you know, ultimately, something that came out of his mind can change popular culture is just fascinating to me.” – Mike VanBlaricum Resources SURFACE SKIM *SpyCasts* 70th Anniversary of James Bond, Special with Alexis Albion on 007, Part 1 of 2 (2023) 70th Anniversary of James Bond, Special with Alexis Albion on 007, Part 2 of 2 (2023) CIA Officers Turned Authors with David McCloskey and James Stejskal (2022) My Life Looking at Spies and the Media with Paul Lashmar (2022) *Beginner Resources* How to Watch All the James Bond 007 Movies in Order, P. Saperstein, Variety (2023) [Short article] Bond In Motion Exhibition at the International Spy Museum! International Spy Museum (2024) [2 min. video] Ian Fleming Life Timeline, Ian Fleming Publications (n.d.) [Timeline] DEEPER DIVE Books For Your Eyes Only: Ian Fleming + James Bond, B. Macintyre (Bloomsbury USA, 2008) Licence to Thrill: A Cultural History of the James Bond Films, J. Chapman (I.B. Tauris, 2008) Ian Fleming, A. Lycett (St. Martin's Press, 1995) Primary Sources  FBI Targeted a Fictional Spy (1980) E. Germany Brands 007 As ‘Fascist' (1965) Memorandum For the Record from Marshall S. Carter (1964) Our Spy-Boss Who Loved Bond by Allen Dulles (1964) A Spy's Spy, a Knight vs. Dragon – That Was the Image of James Bond (1964) *Wildcard Resource* Who's The Deadliest Bond? Pierce Brosnan – And by a high margin! Brosnan's 007 had an average of 27 kills per movie. His runner-up, Roger Moore, clocked in an average of 16.6. o Read the stats by movie here. License to Kill indeed...

In this third and final installment of the introductions to Shi'i Islam, we dive into the history and teachings of the Zaydis, the smallest but stillvery significant school that has been a significant part of the history of Yemen.Sources/Recomended Reading: Amir-Moezzi, Mohammad Ali (1994). "The Divine Guide in Early Shi'ism: The Sources of Esotericism in Islam". Translated by David Streight. State University of New York Press. Amir-Moezzi, Mohammad Ali (2011). "The Spirituality of Shi'i Islam: Beliefs and Practices". I.B. Tauris. Daftary, Farhad (2007). "The Isma'ilis: Their history and doctrines". Cambridge University Press. Haider, Najam (2012). "The Origins of the Shi'ia: Identity, Ritual, and Sacred Space in Eighth-Century Kufa". Cambridge University Press.Haider, Najam (2014). "Shi'i Islam: An Introduction". Cambridge University Press. Hosted on Acast. See acast.com/privacy for more information.