Podcasts about mughal india

The battle of succession that erupted during a severe illness of Shah Jahan is often regarded as one which determined the fate of India. The eldest of Shah Jahan's sons was Dara Shukoh—the Glory of Darius. Contemporary miniatures show that Dara bore a striking resemblance to his father, and like him he was luxurious in his tastes and refined in his sensibilities. He preferred life at court to the hardships of campaigning; he liked to deck himself in strings of precious stones and belts studded with priceless gems; he wore clothes of the finest silk and from each ear lobe he hung a single pearl of remarkable size. Dara was a tolerant Sufi and composed a study of Hinduism and Islam, ‘The Mingling of Two Oceans', which stressed the affinities of the two faiths and what he believed to be the Vedic origins of the Quran. Then there was Aurangzeb, unloved by his father, a bitter and bigoted puritan, as intolerant as he was grimly dogmatic. He was a ruthlessly talented general and a brilliantly calculating strategist, but entirely lacked the winning charm of his predecessors.  Listen as William and Anita are joined by Supriya Gandhi, author of The Emperor Who Never Was: Dara Shukoh in Mughal India, to discuss the brothers who fought for the crown, and with it the future of India. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Becki Hills Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

What do you buy for a man who has everything?  Thomas Roe is tasked with wooing the Emperor Jahangir. On March 6th 1615, he sets sail from England on the 8 month voyage to the Mughal Empire, home to one fifth of the world's population. He has been sent by James I and the East India Company on a diplomatic mission to improve trading relations. The English envy the fabulously rich Emperor Jahangir whose personal wealth is ten times that of the national revenue of England at the time. Expecting to be greeted as a diplomat, Roe arrives in India and is forced to undergo a customs check. He is ill and accompanied by a badly behaved cook and a drunk chaplain. He hasn't even reached court in Ajmer and everything seems to be going wrong. Will he succeed in his mission to win over Jahangir? Listen as Anita and William are joined by Nandini Das, author of Courting India: England, Mughal India and the Origins of Empire, to discuss the grumpy ambassador's stay at Jahangir's court and how it shaped the East India Company. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Alice Horrell Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

A long awaited episode, in which we finally talk about the important and controverisal 20th century sufi Inayat Khan and the Sufi Movement that he started in the West.Sources/Recomended Reading:Gandhi, Supriya (2020). "The Emperor who never was: Dara Shukoh in Mughal India". Belknap Press.Inayat Khan, Pir Zia (ed.) (2001). "A Pearl in Wine: Essays on the Life, Music & Sufism of Hazrat Inayat Khan". Omega Publications.Inayat Khan Zia (2006). "A Hybrid Sufi Order At the Crossroads of Modernity: The Sufi Order and Sufi Movement of Pir-o-Murshid Inayat Khan". Doctoral Thesis. Duke University.Khan, Inayat (1996). "The Mysticism of Sound & Music". Shambala.Khan, Inayat (2003). "The Sufi Message: Spiritual Liberty" (Vol. 5). Motilal Banarsidass Publications.Miner, Allyn (translated by) (2016). "The Minqar-i Musiqar: Hazrat Inayat Khan's classic 1912 work on Indian musical theory & practice". Suluk Press.Nair, Shankar (2020). "Translating Wisdom: Hindu-Muslim Intellectual Interactions in Early Modern South Asia". University of California Press. Hosted on Acast. See acast.com/privacy for more information.

Check out my linktree to find our new singe, socials & more: https://linktr.ee/filipholmSupport Let's Talk Religion on Patreon: https://www.patreon.com/letstalkreligion Or through a one-time donation: https://www.paypal.com/paypalme/letstalkreligion Sources/Recomended Reading:Bryant, Edwin F. (translated by) (2009). "The Yoga Sutras of Patañjali: A New Edition, Translation, and Commentary ". North Point Press.Beck, Guy L. (2009). "Sonic Theology: Hinduism and Sacred Sound". University of South Carolina Press.Eaton, Richard M. (2020). "India in the Persianate Age: 1000-1765". Penguin.Ernst, Carl W. (1996). "Sufism and Yoga according to Muhammad Ghawth". University of North Carolina.Ernst, Carl W. (2016). "Refractions of Islam in India: Situating Sufism and Yoga". SAGE YODA Press; First Edition.Gandhi, Supriya (2020). "The Emperor who never was: Dara Shukoh in Mughal India". Belknap Press.Kugle, Scott (ed.) (2012). "Sufi Meditation and Contemplation: Timeless Wisdom from Mughal India". Omega Publications. (Includes a translation of the "Risala-i Haqqnuma"/Compass of Truth.Mallinson, James & Mark Singleton (2017). "Roots of Yoga". Penguin Classics.Moovsi, Shireen (2002). "The Mughal Encounter with Vedanta: Recovering the biography of 'Jadrup'". Social scientist, Vol. 30, Nos. 7-8.Nair, Shankar (2020). "Translating Wisdom: Hindu-Muslim Intellectual Interactions in Early Modern South Asia". University of California Press.Samuel, Geoffrey (2008). "The Origins of Yoga and Tantra: Indic Religions to the Thirteenth Century". Cambridge University Press. Hosted on Acast. See acast.com/privacy for more information.

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous' devotional (bhakti) versus ‘mannerist' courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal's disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.  By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous' devotional (bhakti) versus ‘mannerist' courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal's disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.  By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous' devotional (bhakti) versus ‘mannerist' courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal's disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.  By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous' devotional (bhakti) versus ‘mannerist' courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal's disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.  By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Dalpat Rajpurohit's book Sundar's Dreams: Ārambhik Ādhunikatā, Dādūpanth and Sundardās's Poetry (Rajkamal, 2022) explores the making and lifespan of a religious community in early modern India. Demonstrating fresh perspectives on how to speak historically about the Hindi literary past it questions the categorization of Hindi literature into the binaries of ‘spontaneous' devotional (bhakti) versus ‘mannerist' courtly (riti) tropes which have remained prevalent in Hindi historiographies since the nationalist period. The book studies the devotional and literate community of the sixteenth-century poet-saint Dadu Dayal who flourished in north-western India during the heydays of the Mughal-Rajput multicultural milieu. Building networks with imperial and sub-imperial courts the community of Dadu Dayal grew in the towns located on the major trade routes in Mughal India. Dadu Dayal's disciples got patronage from traders flourishing in Mughal trade and admitted saints of merchant castes backgrounds into their community. In such a socio-historical context emerged the poet-saint Sundardas who composed in the polished literary idiom of Hindi and whose life span covered almost the entire seventeenth century.  By studying the large corpus of Sundardas, published and unpublished, the book demonstrates how Sundardas sought to create a new community of taste by participating in the literary innovations happening in the courtly circles. Sundardas was one of the early poet-saints who equated devotion (bhakti) with non-duelist thought, thus vernacularized the philosophical system which would later become the chief scholastic stance of modern Hinduism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

I. Breathing Steps II. Lightwell III. To fight? No, to sing! "In the field recording I chose, a street musician plays and hums the tune of the Kozachok on the accordion, while people are heard passing by in Jerusalem's Armenian Quarter. I was immediately captivated by the sound of the accordion, but also by the unforced openness with which the musician hummed the tune. Reading about the recording, I learnt about the history of the Quarter, its antiquity and the monks who first migrated there. This brought me back to a theme that has been a constant in my life and artistic practice: travel and migration as an act of faith. "Leaving one's country is an enormous leap of faith; it is both proof and a test of the strength of that faith, its trust in a kind of Divine Grace. You must believe that you will be looked after both along the way and when you arrive at your destination; you must believe that the residents of other lands, the ones you pass through and the one in which you might settle will be friendly and welcoming, and not hostile, distant or indifferent. You travel and migrate trusting that in Others, you will meet the face of what in Sufism is called the Beloved; and, approaching travel in this way, you are the vulnerable Foreigner, the Stranger, the Wanderer.  "This is true if you are a merchant, a monk or ‘holy person', a family or a roving musician; but it is especially true if you are a woman. In researching for the piece, I stumbled across a poem by contemporary Armenian poet Hasnik Simonian, who speaks of an autumn ‘stretched and squeezed like an accordion' while she wanders, ‘praying with my hands in my pockets', as ‘poet-girls' do, ‘step by step'. I thought about the privilege of walking and travelling alone, and just how much of an act of faithful defiance to restrictive social norms it can be for some of us. A part of the poem is included in the piece, read by Eleni Sisti.    "For years, I have returned again and again to the figure of a Persian-speaking Armenian-Jewish merchant, poet and mystic called Sarmad Kashani, who travelled to Mughal India in the 17th century. In his Rubaiyat (parts of which are heard read by Navid Fayaz) he expresses with undaunted sincerity the nature and struggle of a form of faith that wishes to remain open, trusting, non-sectarian, undogmatic, and accepting of its own uncertainty and fallibility. In the poem which gives the title to this piece [here in English translation by Syeda Saiyidain Hameed], he writes:  If the heart has Wisdom, its embrace will hold the Friend If the eye can see, the Radiance is Everywhere If the ear can listen, what else but praise of God?  If the tongue can speak, every word reveals the Mystery "Despite the evident depth of his faith, Sarmad was executed by Emperor Aurangzeb, allegedly for atheism and unorthodox religious practices. One of the reasons why he has captured my imagination for years is exactly his fate as an apostate, a daring objector to the dogma of power and religious hypocrisy. In choosing a recording of the Kozachok from Jerusalem at this time of senseless bloodshed in Israel and Palestine, Ukraine, Sudan and other parts of the world, I felt that both Sarmad's objection to tribalism and his understanding of the Other as the face of God are a fitting counterpoint to the kind of religious and ethnic hatred that pits people against each other and which is used by ruthless, cynical leaders to kill, control and indoctrinate.  "Travel and migration, at their core, hold the belief that the earth is to be shared and experienced by all of us – and not just all of us humans but also other forms of life. The Armenian folk song ‘Mer tan itev', from the historically Armenian region of Shadakh in modern day Turkey, is a hymn to the sharing of the fruits of the land and to marriage. It is heard here sung by the acapella quartet Asma Cordis. In another Armenian folk poem, read by me, the speaker mourns the loss of their beloved, who has left to join a war. Perhaps it was a war that was seen as justified, against a neighbour turned enemy, against a heathen, an infidel, an adversary; but if we are all each other's Strangers, why must we continue to fight, when we can sing in praise instead?  "The composition is structured around fleeting field recordings (sometimes manipulated) from my own walking travels, mostly of street musicians, or musicians practicing and heard from the street, but also of various ambient sounds, including recordings from London, Athens, Cagliari and Reykjavik. Poets, musicians and birds migrate from far and distant places; they too wander and bring the sounds of other lands and languages with them, mixing and blending along the way. Overall, my aim has been to pay homage to this: the travelling Radiance everywhere; the road that welcomes everyone and everything unconditionally." Contributors  Chris Sakellaridis: Composition, Field Recordings, Voice (English)  Eleni Sisti: Voice, (Armenian)  Navid Fayaz: Voice, (Farsi)  Acapella group Asma Cordis (Georgia Palioura, Anna Maria Markantoni, Irini Athanasoula, Marianna Athanasoula): Folk Song ‘Mer Dan Itev'  Various Street Musicians  Birds, Sea, Bells, Wind   Jerusalem street soundscape reimagined by Chris Sakellaridis. Part of the Migration Sounds project, the world's first collection of the sounds of human migration.  For more information and to explore the project, see https://www.citiesandmemory.com/migration

In Neolithic Croatia, the world's oldest oven provides around the clock perks to the locals. In Dublin, a celebrity chef sets up an innovative soup kitchen during the Great Irish Famine. And in Mughal India, an emperor just can't do without his favourite tandoori meals… even during a fight to the death with his own son… A Noiser production, written by Nicole Edmunds. For ad-free listening, exclusive content and early access to new episodes, join Noiser+. Click the Noiser+ banner to get started with a 7-day free trial. Or, if you're on Spotify or Android, go to noiser.com/subscriptions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh.

In this colorful book, historian Sudev Sheth traces how a family of diamond dealers deployed wealth to play off political leaders and survive the collapse of the Mughal Empire. The story highlights the unique role played by Jain and Hindu bankers in the daily affairs of Islamic, Hindu, and early colonial forms of Indian government. Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge UP, 2024) features brazen emperors, sickly princes, irate governors, and quick-witted matriarchs who commanded banking networks across cities. It explores unlikely rivalries, flaky friendships, and daring tycoons who gambled vast sums as a way to hedge against political uncertainty. Sheth employs unconventional sources to tap into the thrilling lives of moneyed persons. Excerpts from Persian diaries, Gujarati poems, French trading manuals, Marathi letters, Sanskrit hymns, and Dutch shipping records tell new tales and are presented in English translation for the very first time. Spanning several political dynasties and still thriving today as a billion-dollar family firm in its fourteenth generation, the entrepreneurs featured in this book help us see state power and social change through fresh eyes. How did capitalists outsmart politicians, and what insights can we gain for our own times? You can get 20% off the price of this book with code BRE2023 at Cambridge University Press. Brittany Puller is a PhD candidate in the department of Asian Languages and Cultures at the University of Michigan. Her dissertation examines caste, kinship, and community in the making of Sikh misls in eighteenth-century Punjab. Arighna Gupta is a doctoral candidate in history at the University of Michigan, Ann Arbor. His dissertation attempts to trace early-colonial genealogies of popular sovereignty located at the interstices of monarchical, religious, and colonial sovereignties in India and present-day Bangladesh. Learn more about your ad choices. Visit megaphone.fm/adchoices

Venture back to the dawn of empire in this riveting episode of History Rage, where host Paul Bavill is joined by the erudite and impassioned Professor Nandini Das. With her award-winning expertise in early modern English literature and culture, Professor Das delivers a masterclass on the misconceptions of the British Empire and its precarious beginnings in Mughal India.The Rage Unveiled:- Professor Das dismantles the myth of a predestined British Empire, revealing its early days as a scrambling startup amidst the opulence of the Mughal courts.- The astonishing reality of 17th-century England, grappling with internal strife, financial woes, and a desperate search for new markets.Empire's Uncertain Dawn:- The East India Company's struggle for survival, navigating the treacherous waters of high-risk investment, Portuguese competition, and internal discord.- How the company's uncertain future was shaped by the intricate power plays of Mughal emperors, savvy empresses, and the shrewd local rulers of India.Cultural Clashes and Conquests:- The overlooked influence of India's rich tapestry of kingdoms and cultures in shaping the trajectory of British expansion.- The pivotal role of Indian agency in the face of colonial ambition, and the power dynamics that defied the colonial narrative.Rethinking the Roots of Empire:- Professor Das urges us to reconsider the origins of the British Empire, challenging the idea of its inevitable success and cultural superiority.- A call to question the deep-seated assumptions about India that have persisted for centuries, rooted in the insecurities of early English adventurers.Join us as Professor Das passionately unravels the tangled beginnings of the British presence in India, offering a fresh perspective on the complex interplay of culture, power, and empire. To delve deeper into this rich history, grab a copy of her illuminating book, "Courting India: England, Mughal India, and the Origins of Empire," available through the History Rage bookshop.For more fascinating insights and to join the conversation, follow Professor Das on Twitter @rentravailer. And don't forget to support the rage that fuels our historical curiosity at patreon.com/historyrage for exclusive perks and the coveted History Rage mug.Stay informed, stay passionate, and let the rage for truth in history rage on! Hosted on Acast. See acast.com/privacy for more information.

Cultural revolution memories, European resistance in occupied Poland and France and early attempts to establish trade with Mughal leaders in India are the topics explored in prize winning history books. Rana Mitter talks to authors Tania Branigan, Halik Kochanski and Nandini Das about digging in the archives and seeking out interviewees to help shape our understanding of these different periods in world history. Plus prize winning science books by John Vaillant, who considers the incredible power of fire as it consumes a city in Alberta built on the extraction of fossil fuels, and Ed Yong who reveals the extrodinary range of senses which humans don't have, but other animals do, from navigating using smell to the ability to detect electromagnetic waves.Tania Branigan is the 2023 winner of the Cundill History Prize for Red Memory: Living, Remembering and Forgetting China's Cultural Revolution Nandini Das is the 2023 winner of the British Academy Book Prize for Global Cultural Understanding for Courting India: England, Mughal India and the Origins of Empire Halik Kochanski won the Wolfson History Prize 2023 with her book Resistance: The Underground War in Europe, 1939–1945 John Vaillant won the 2023 Baillie Gifford Prize for non fiction for his book Fire Weather: A True Story from a Hotter World Ed Yong was the winner of the 2023 Royal Society Trivedi Science Book Prize for An Immense World: How Animal Senses Reveal the Hidden Realms Around UsProducer: Julian SiddleYou can hear more from Nandini Das talking to Rana alongside Peter Frankopan, author of The Earth Transformed: An Untold History in a Free Thinking episode called Climate change and empire building You can hear more from Halik Kolchanski in the interviews Rana recorded with all six finalists for the 2023 Wolfson prize

Curator Hammad Nasar expands ideas of miniature painting, moving around South Asia and Western Europe from the 17th century to now, with Nusra Latif Qureshi's 2009 digital print scroll, Did You Come Here To Find History? Beyond the Page, a touring exhibition of South Asian miniatures, is truly historic and historical. At its core are more than 180 detailed, small-scale works on paper, dating from the 16th to the 18th centuries, the time when the Mughal Empire ruled over much of South Asia. But these miniature paintings are borrowed not from contemporary India or Pakistan, but the British Museum in London, the Tate and V&A, and the Royal Collection. So how did this wealth of South Asian miniature paintings come to be held (and hidden away) in Britain's greatest collections – and what does it mean for this sheer quantity to be here now? Hammad Nasar, one of the exhibition's curators, puts these works in conversation with those by leading contemporary artists from South Asia and its diasporas, including Hamra Abbas, Imran Qureshi, Shahzia Sikander, Khadim Ali, and Ali Kazim. We consider their practice across media, highlighting the different forms in which miniature practice lives and lives on, whether in sculpture, film, or architectural installations. Travelling along Nusra Latif Qureshi's digital-printed scroll, we unpick the layers of portraits, from contemporary passport photographs, to traditional portraits from Venice and Mughal India. With a miniature painting of Saint Rabia, the first female saint in Sufi Islam, Hammad also highlights how women and the body have been represented in Islamic cultures, pluralising perspectives on the past. Connecting Britain and South Asia, we consider the foundation of the world-renowned Miniature Department of the National College of Art in Lahore, Pakistan, and how artists have long engaged with a range of non-Western/European media, including Japanese woodblock prints. Hammad defies the marginalisation of miniatures – due to their size, and ‘non-conventional' means of distribution and display – suggesting that art markets and institutions must ‘grow up' in their appreciation of the media. We also trace migrations and two-way flows, how courtly and Company paintings influenced well-known Dutch Masters like Rembrandt, to Anwar Jalal Shemza, a multidisciplinary artist of modernist and abstract works. Plus, Hammad talks about the ‘empire-shaped hole' in British history, and why it is important that we share uncomfortable histories like the legacy of the East India Company to challenge the displacement of empire, as something that happened over there and then. ‍Beyond the Page: South Asian Miniature Painting and Britain, 1600 to Now runs at MK Gallery in Milton Keynes until 28 January 2024, then The Box in Plymouth in 2024. For more, you can read my article in gowithYamo: gowithyamo.com/blog/small-and-mighty-south-asian-miniature-painting-and-britain-1600-to-now-at-mk-gallery. Part of JOURNEYS, a series of episodes leading to EMPIRE LINES 100. WITH: Hammad Nasar, curator, writer and researcher. He is Senior Research Fellow at the Paul Mellon Centre for Studies in British Art, London, where he co-leads the London, Asia Programme, and co-curator of the British Art Show 9 (2020–2022). He is the co-curator of Beyond the Page, an exhibition supported by the Bagri Foundation. ART: ‘Did You Come Here To Find History?, Nusra Latif Qureshi (2009)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Nur Jahan (1577-1645) was the Empress of Mughal India. Although her husband Jahangir was technically emperor, Nur Jahan is widely seen as the true power behind the throne. She was the only female ruler in the history of the Mughal Empire.  For Further Reading: Empress: The Astonishing Reign of Nur Jahan The Mughal queen who became a feminist icon Nur Jahan, the empress who wielded power in the Mughal court and hunted tigers This month, we're pulling back the curtain to reveal women overlooked in their own lifetimes or in our historical accounts of the eras in which they lived. We're talking about the activists, thinkers, leaders, artists, and innovators history has forgotten. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

This episode is a live session from Jaipur Literature Festival 2023!

In this episode of the podcast Will speaks to Nandini Das, a Fellow of Exeter College, Oxford and a Professor of Early Modern Literature and Culture at Oxford, to discuss her recently published book Courting India: England, Mughal India and the Origins of Empire. They discuss how the book came to be written, how England was seen at the Mughal Court, the differences in religious tolerance between the Mughal Court and that of James I, how the first English ambassador Thomas Roe came to bond with the Mughal Emperor Jahangir over alcohol and the lasting legacy of Roe's time in India. Hosted on Acast. See acast.com/privacy for more information.

When Thomas Roe was sent by King James I to be ambassador to the Mughal Empire in 1615, he discovered a vast and sophisticated polity that far surpassed England in population, wealth and military might.  Paul and Miranda explore this early encounter between England and India with historian Nandini Das, author of 'Courting India: England, Mughal India and the Origins of Empire' (Bloomsbury). Nandini paints a wonderfully vivid picture of courtly extravagance, cultural misunderstandings and colonial competition.  '1666 and All That' is presented by Paul Lay and Miranda Malins. The producer is Hugh Costello. Original music by George Taylor. The episode is mixed by Alfie Thompson. You can visit our website at www.podpage.com/1666-and-all-that/

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Sacred kingship has been the core political form, in small-scale societies and in vast empires, for much of world history. Sacred Kingship in World History: Between Immanence and Transcendence (Columbia UP, 2022) recasts the relationship between religion and politics by exploring this institution in long-term and global comparative perspective. Editors A. Azfar Moin and Alan Strathern present a theoretical framework for understanding sacred kingship, which leading scholars reflect on and respond to in a series of essays. They distinguish between two separate but complementary religious tendencies, immanentism and transcendentalism, which mold kings into divinized or righteous rulers, respectively. Whereas immanence demands priestly and cosmic rites from kings to sustain the flourishing of life, transcendence turns the focus to salvation and subordinates rulers to higher ethical objectives. Secular modernity does not end the struggle between immanence and transcendence—flourishing and righteousness—but only displaces it from kings onto nations and individuals. After an essay by Marshall Sahlins that ranges from the Pacific to the Arctic, the book contains chapters on religion and kingship in settings as far-flung as ancient Egypt, classical Greece, medieval Islam, Mughal India, modern European drama, and ISIS. Sacred Kingship in World History sheds new light on how religion has constructed rulership, with implications spanning global history, religious studies, political theory, and anthropology. Alan Strathern teaches European and Global History as an Associate Professor in the Faculty of History at Oxford and as a Fellow at Brasenose College; he also lectures at St. John's College. He works on the global history of religious encounter and conversion, particularly in the early modern period (1500-1800), while additionally writing on the nature of religious change and its relationship with politics across world history. A. Azfar Moin is an Associate Professor in the Department of Religious Studies at the University of Texas at Austin. He studies the early modern Islamic world from comparative perspectives with a focus on concepts and practices of sovereignty. Justin N. Smolin is a PhD candidate in the History of Religions specializing in at the Divinity School in the University of Chicago. His research focuses on the question of the translatability of religious difference, with a particular view to the early modern Islamicate world: his broader interests include literary history, translation, and political theology.

Nandini Das – Courting India: England, Mughal India and the Origins of Empire...with TRE's Giles Brown

The relationship between England and India is a deep and complex one. In this episode the academic and author of Courting India, Nandini Das, takes us back to a significant moment at the very beginning of this relationship. She tells us all about Sir Thomas Roe, the courtier who led the first English embassy to India. Roe's mission was an exciting and a daunting one. Stories about the riches of India had long been exchanged in England and, when he stepped ashore in Surat in 1615, he was able to see the might of the great Mughal Empire for himself. In contrast, England was regarded by many as an island of little consequence. But, as Das explains, there was one figure that Roe was desperate to impress. This was the richest man in the world, the fourth Mughal emperor, Jahangir. In early 1616, after arriving in Ajmer, he would get his chance. Nandini Das is professor of Early Modern Literature and Culture in the English faculty at the University of Oxford. Brought up in India, she was educated at the Jadavpur University in Kolkata, before moving to England for further study. Her book, Courting India: England, Mughal India and the Origins of Empire is out this week. For more, as ever, visit our website: tttpodcast.com. Show notes Scene One: 10 January 1616, Mughal imperial court (durbar), Ajmer. The first meeting between Roe and the emperor, Jahangir. Scene Two: 24 May 1616, imperial private audience chambers, Ajmer. Roe desperately clings on to his English identity and has a problem with a runaway Englishman who wants to enter Mughal service. Scene Three: 18 December 1616. In the Mughal imperial procession (lashkar) across Rajasthan, following the emperor Jahangir. Roe Memento: A miniature portrait, belonging to Thomas Roe. People/Social Presenter: Peter Moore Guest: Nandini Das Production: Maria Nolan Podcast partner: Ace Cultural Tours Theme music: ‘Love Token' from the album ‘This Is Us' By Slava and Leonard Grigoryan Follow us on Twitter: @tttpodcast_ See where 1616 fits on our Timeline

In 1616, when the first English embassy was installed in Mughal India, England was a minor player on the global stage rather than a leading actor. Nandini Das explores what the challenges of this embassy can tell us about England's unequal relationship with India at the time – and reveals how the future dominance of the British empire was far from a foregone conclusion. (Ad) Nandini Das is the author of Courting India: England, Mughal India and the Origins of Empire (Bloomsbury, 2023). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fcourting-india%2Fnandini-das%2F9781526615640 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Haggling with Indian customs officials and presenting a mighty emperor with the distinctly unimpressive gifts of a cheap sword and a broken carriage are two particularly inauspicious moments that feature in the tale told by historian and New Generation Thinker Nandini Das in her new book about the four years Thomas Roe spent as James VI and I's ambassador to the Mughal Empire. Peter Frankopan has previously written about The Silk Roads and the First Crusade. Now he has turned his attention to writing a 5 billion year long history of the natural world, geography and climate change and the influence that these have had on shaping empires and civilisations. Nandini and Peter join Rana Mitter to share insights from their research and to discuss different ways writing history. Courting India: England, Mughal India and the Origins of Empire by Nandini Das is out on 16th March. Peter Frankopan's The Earth Transformed: An Untold History is published on 2nd March. Producer: Torquil MacLeod. You can hear Nandini Das presenting a Sunday feature about a wager journey made in Tudor England by Shakespeare's clown Will Kemp available on BBC Sounds and another feature The Kristapurana follows Thomas Stephens to Goa https://www.bbc.co.uk/programmes/m00016st Peter Frankopan discussed What Kind of History Should we Write ? with Rana Mitter and Cundill prize winner Maya Jasanoff in a previous Free Thinking episode https://www.bbc.co.uk/programmes/m00016vf

In 1611, the daughter of a Persian nobleman and widow of a subversive official, became the 20th and favourite wife of the Mughal Emperor Jahangir. Unique and outstanding for the age in which she lived, Nur Jahan rose to become an astute politician, issuing imperial orders and appearing on coins. But she was also a talented dress designer and innovative architect whose work inspired her stepson's Taj Mahal. In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Professor Ruby Lal, author of the deeply researched and evocative biography of Nur Jahan, Empress: The Astonishing Reign of Nur Jahan.The Senior Producer was Elena Guthrie. It was edited and produced by Rob Weinberg. For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

Another podcast, another Metropolitan movie reference. This time we are joined by our colleague and friend, Taisu Zhang, Professor of Law at Yale Law School. We give you a sneak peak of Professor Zhang's new book The Ideological Foundations of Qing Taxation: Belief Systems, Politics, and Institutions, which comes out in November. Taisu starts by explaining why understanding the Qing dynasty is a prerequisite to understanding the modern era of Chinese history and modern Chinese politics. We then debate theories of the Great Divergence, or why many countries in the Western world emerged as the most powerful economies in the 19th and 20th centuries while Qing China, Mughal India, and others failed to launch. Taisu argues that the absence of the Chinese fiscal state and agricultural taxes led to a military and economic decline because of a lack of state investment. He also argues that the Qing dynasty was wrong to assume that agricultural taxes would lead to rebellion, pointing to similar taxation elsewhere in the world. As we love to do here at Digging a Hole, we also took a step back to think about broader methodological and institutional questions. First, Sam and Taisu discuss humanist and social science approaches to history and causal arguments. Taisu intentionally makes his work structured, clear, and empirically falsifiable, putting it against most causal theories of Chinese fiscal decline, which are done by economists. Second, David jumps in to ask whether the broader question here is about institutions. Can divergence be explained by excessive centralization in the Qing government or the role of underdeveloped financial markets? In addition, we delve in constitutional questions and interrogate whether Qing China had a constitutional system and the role that system played. Referenced Readings The Ideological Foundations of Qing Taxation: Belief Systems, Politics, and Institutions, by Taisu Zhang The Laws and Economics of Confucianism: Kinship and Property in Pre-Industrial China and England, by Taisu Zhang

This series of podcast episodes will focus on Decolonising Research, and feature talks from the Decolonising Research Festival held at the University of Exeter in June and July 2022. The fifth epsiode of the series will feature Pankhuri Singh from the University of Exeter and her talk 'Culture across borders'.   Music credit: Happy Boy Theme Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/   Transcription 00:09 Hello, and welcome to rd in the in betweens. I'm your host Kelly Preece. And every fortnight I talk to a different guest about researchers development, and everything in between.   00:32 And today I'll be talking about cultural cross borders. Hello, everyone. My name is Pankaj Singh. I'm a second year PhD student in the Department of English and film studies. Now, what exactly is decolonization? decolonization is the process in which a country that was formerly a colony that was colonized by imperialism or by a par, they they go away and they make that country independent and they lose the stop controlling that country and that country becomes independent internal, this is the process of decolonization. Now, India became independent from the British Empire on the 15th of August 1947. Do it became a republic, it decided to be a part of the Commonwealth of Nations. Hence, it did not severe away all the ties from the British Empire by being part of the Commonwealth nations it accepted the honorary monarchy being being a part of the Indian constitution and in I'm sorry, not the Indian constitution, but of the Indian public in in, in the general terms, not talking a little bit about what the history of India and the UK share is, trade was established between two ringland and Mughal India in the 1600s. When elicited when Elizabeth to one granted the newly formed in East India Company Royal Charter by sending precious gifts to the Mughal court, Emperor of Akbar the trend following the Indian rebellion of 1857. When Indian sepoys rebelled against the British officers, the East India Company was dissolved. The assets of the British East India Company was so huge that the British government decided to step in, and after a series of military encounters established British dominion over India. Later, the English sought to consolidate their political control by taking responsibility to improve the lot of the masses by imparting modern Western education. They took over on themselves which is dubbed as the White Man's Burden, they took over that responsibility of making the Indian masses of socially religiously, morally economically, better human beings. A part of this being Lord Macaulay is minute on Indian education, which came out in the 18 clitic farm. He wanted to establish a class of persons Indian and blood and color, but English and taste, opinion, morals and intellect. According to him, these people would act as intermediaries between the British rulers and the masses that they were to. Indians, however, welcome this decision with open arms. They had their own perceived notions that this charter this minute would help them it was not just the freedom fighters, but also the social reformers who saw the benefits of this plan and how it would work in their own favor. reformers like Raja Ram and Ravi and others crap the opportunity to do away with the dogmatic and Orthodox religious rights, when they realized that is new scientific approach would be important to the Indian education and they would realize that these religions rights were dogmatic and not really something that should be followed. Similarly, the freedom fighters to grab this opportunity and part of collaborating with each other, from different parts of the country to to   04:39 to move forward the nationalist independence movement. Now why was that? It was because India was and still continues to be multilingual. It has 22 languages recognized in the HTML of the Indian constitution, and when Broadmoor collies minute came into being ink, then English became the lingua franca and freedom writers from across regions could actually connect and plans that would work for the very downfall of the British Empire that that brought home that had brought this English language into the country. While all of this was going on in the political front, in the literary front, Shakespeare as a playwright began to gain popularity he's his stories of creed, part, revenge and jealousy, the times and the new no borders. Even after independence, Indians continued to like his filmmakers took an opportunity to make films that were based on Shakespeare's plots. And they thought that his plots were timeless and they could actually adapt to them to the Indian culture. This brings me to my research topic, which is how paraglide trans culturally adapted to Elizabeth and drama to the Indian setting. Today, I will be talking about how the Elizabethan drama written by William Shakespeare in 16 104 that is Othello gets adapted into Ankara, which was a film that released in the year 2006. Cannot be bounded by geographical borders, the emotions of discontentment, jealousy, insecurity, are felt by all residing in any part of the world. Ha replied to spank on the Shakespearean play, and takes pride in being associated with the writer who wrote for the teaching, which ruled his country for centuries. The filmmaker however, does not blindly transform the Elizabethton play of Shakespeare into a film. Rather he adds the elements of Indian Ness in it, which makes the adaptation a unique process he adds in Hindu mythic elements and other features that are exclusive to India. The chief point of the play will tell you is that Otello belongs to a different race than Desdemona, the counterpart the female counterpart. This gets trans culturally adapted in the Indian setting, but how to judge many banks on the emotion of jealousy and insecurity. He bases his film on the very inhibition, which also happens to be a very famous Hindi dialogue in the Bollywood cinema, that a girl and a boy can never be just friends. This inhibition was the root cause for Omkara jealousy and the belief that dolly Desdemona might have cheated on him with case that is Casio. While in the play, Iago makes Roger equal believe that Desdemona loves Casio, he says that they have the same appearance and that will tell you is stop that bringing in the disparity of talent between the levels. In the film this gets adapted when dolly and que su are seeing together and they seem compatible, because they share the same educational background. The the, the issue of caste, the issue of column, never find the mention it is because they will educate together that they become compatible, thereby making Ankara jealous and insecure, that he is approved, and therefore, he is not as in par with the case who as he would have been had he been Western or modern educated. The second method of adapting the play is when Bhardwaj reimagined the character of into the Indian counterpart for Amelia, making her vengeful at Carly, who kills her husband Lambert yaki, the Iago figure for the misdeeds he had done. Thus, Bhardwaj birdwatcher takes a significant departure from the text, because while in the play immediate dies at the hands of Thiago and that is how we see that that's how Amelia is not really able to stand up for Desdemona. Into however, becomes the avenging mother who dresses the wrongs done to her.   09:41 Not only her but also broadly, who she thinks to be her younger sister, or her child. The name into means moon and according to the Hindu mythology, the moon protects the inhabitants of the earth in in the night from the evil forces that look in the dark similarly, in the two dresses the drums metadata and Dolly balandra and the scenes take place in the light rail into as a protector of the good forces fight against the evil forces, which here are represented in Lanre and defeats him. You even though Indu is not the female protagonist here, her position in the development of the plot is of significant value. In the film, Iago is called Long long meaning lane, which attributes to another mythological figure, Shang. Shang is a planet that, according to the Hindu mythology, is a slow moving planet that revolves around the sun, and is associated with black collar and walks with a limp. This mythical trigger is associated with bad luck. And that's the drawing influence of lambda in Ankara. Light can be equated to the beginning of Ankara has done for since Shani said to be the God of karma or one's actions, it can be concluded that Ankara is himself involved in his own downfall. As he is unable to see the truth and false through the deceitful plans of flora. Shani is also associated with black color as a tall talked about he walks he can be seen in the film, in the form of long long walks in with a limb in the dark alleys. He is always shot in dim light, and he adds to the mystery which brings about a kind of mystical persona that holds some secrets within his heart, and that alludes to the dark intentions that he has. My argument is that while Iago becomes the green eyed monster in Othello, longer becomes the demonic figure associated with evil and dark horses, and black is the color associated with him. pilotage also seems to have borrowed from Rahman, when adapting Otello to the Indian context, as the basic fact remains that both in the epic so in the plane or in the film, where the main character are misled to distress the loyalty of their respective rights, just as in Roman law drum believes the words of a washer man and things got a Sita was not loyal to him. So does in the film, Ankara believe two words a camera and considers the dolly is having an illicit affair with case behind his back. The words of Brandon Turner who is destined Mona's father pelo. Look, look at have more if thou have eyes to see, she has deceived her father and me she did get an Indian adaptation to the word three archery three, three archery three is a term that is mentioned in MGS. Murthy, which is a religious, religious Hindu text. It refers to the mysterious character of women, which is translated or real translation stands as nobody knows about the character or tendency of a woman.   13:21 It is thus, a critical evaluation of how Shakespeare's plays were translocated and adapted into the Indian setting, along with aiming, rethinking and repositioning Shakespeare in 21st century intends cinematic setting, acting as a cultural bridge, joining the culture of two different countries to get this fighting with the past and thinking that things were different, and they would have been better if they were different. It is better if we see a future that knows no boundaries, and that where where we share and serving and a future where we share the same legacy and making a new history there, all of our cultures collaborate. My larger argument does is if we as New Age, researchers are able to strike a balance between the methods and means by which the old Pinocchio texts are read and analyzed. And that connection is established between the colonizing power not seeing it as a curse, but rather seen is at seeing it as a means of new forms of connection, a call a new area of decolonizing research will develop it will see literature as belonging to all it does not restrict it by borders or by geopolitics, or where the nations or the nationality of the author lies, but rather assimilating and making literature and music accessible to all.   15:03 And that's it for this episode. Don't forget to like, rate and subscribe. And join me next time where I'll be talking to somebody else about researchers development and everything in between.

This episode explores the life and teachings of the Mughal prince and Sufi teacher Dara Shikoh.Sources/Suggested Reading:Gandhi, Supriya (2020). "The Emperor who never was: Dara Shukoh in Mughal India". Belknap Press.Eaton, Richard M. (2020). "India in the Persianate Age: 1000-1765". Penguin.Moovsi, Shireen (2002). "The Mughal Encounter with Vedanta: Recovering the biography of 'Jadrup'". Social scientist, Vol. 30, Nos. 7-8.Nair, Shankar (2020). "Translating Wisdom: Hindu-Muslim Intellectual Interactions in Early Modern South Asia". University of California Press.Kugle, Scott (ed.) (2012). "Sufi Meditation and Contemplation: Timeless Wisdom from Mughal India". Omega Publications. (Includes a translation of the "Risala-i Haqqnuma"/Compass of Truth.#Islam #Hinduism #Mughal54 Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

On this episode of the Majlis, Dr. Adnan Husain and graduate student Shahroz Khan discuss the verbal art known as Qissah or Dastaan with Prof. Pasha M. Khan, Chair in Urdu Language and an Associate Professor at the Institute of Islamic Studies at McGill University. He is the author of The Broken Spell, which highlights the rise and fall of the art of Qissah in South Asia. Such storytelling techniques once flourished from Mughal India to Safavid Iran, entertaining and captivating audiences in villages and bazaars and, patronized by imperial courts. Pasha Khan discusses the history of early Qissah and its relevance in the Persinate world, and how British colonization ultimately led to its decline. We also hear the fun tale of Sami Pokar, the Anglo-Indian woman who turned into a cat. You can find Pasha Khan on Twitter.

Bahadur Shah Zafar, the last king of Mughal India, was quite an accomplished poet. This ghazal of his has been sung widely, and I personally believe that the theme of loss, maybe even the loss of power and the throne, which is a constant theme in his works, can also be seen here. Let me know if you think so too. Find me at urdudaanmail@gmail.com --- Support this podcast: https://anchor.fm/urdudaan/support

In 1585 Queen Elizabeth I of England sent a letter to Jalal-ud-din Muhammad #Akbar, the powerful Mughal emperor of India, in an attempt to open trade relations between their two countries. Fifteen years later she would grant the Royal Charter to a group of London merchants to trade with India. This would become the infamous #EastIndiaCompany (EIC), which would go on to assume military and administrative control over all of #India, and in process intertwine the destiny of Britain and India for several centuries. We know a fair amount through our studies and movies about the #British-Indian relations during the #colonial period. However, what is much less discussed and understood is the period before the British became the occupiers and oppressors (1608-1764), when the interactions were centred around trade and cultural exchange instead of conquest and domination. Explore More at - www.argumentativeindians.comDISCLAIMER:We invite thought leaders from across the ideological spectrum. The guests in our sessions express their independent views and opinions. Argumentative Indians does not profess to subscribe, agree or endorse the same or be in anyway responsible for the stance, words and comments of our guests.

About Speaker: Souhardya De is a seventeen-year-old Fellow of the Royal Asiatic Society of London, an author, art and culture columnist, and podcaster. He is the recipient of the Rashtriya Bal Shakti Puraskar, the nation's highest honour for civilians under 18, and has been presented with the honorary Colonelcy of the Commonwealth of Kentucky, bestowed upon him by the Governor Andy Beshear, for his contributions to the revitalisation and popularisation of Indian art, culture and heritage. His upcoming work based on the Mughal India will be out with Rupa Publications India. #YoungMinds #PoweredByTheSmartClass #Youngchangemakers --- Send in a voice message: https://anchor.fm/future-school-leaders/message

Earlier, before the British rule, India was known for its gold and rich natural resources. Therefore many foreign countries captured India and ruled over her for years. Every year on August 15th, Indians all over the world celebrate its Independence Day - the day that commemorates the end of 200 years of British rule. On this day in 1947, India was declared a free country after years of struggle and sacrifice by our great freedom fighters.  In 1617, India was ruled by the Mughals, and during that time the British India Company first came to India to fix a trade between Mughal India and England. In 1757, British rule in India began, following by the East India Company's victory at the Battle of Plassey,  gave them control of the country. Indians revolted against the Britishers as they did not want to be their slaves and fought for the freedom of India. Several revolts and fights such as Revolt of 1857, Quit India Movement, The Champaran Satyagraha of 1917, and many more collective efforts led to a  new Independent India. Our first Prime Minister, Jawaharlal Nehru, delivered a speech on the woke of Independence Day that began as, “At the stroke of midnight, when the world sleeps, India shall awake to life and freedom.” Every year, we commemorate Independence Day by singing the national anthem, flag-raising ceremonies are held across the country, drills are conducted. People make an effort to dress in national or regional attire to honor their country and culture. The prime minister takes part in a flag-raising ceremony and a parade with the personnel of the military forces and police at the Red Fort. Schools and colleges celebrate this day by parade, cultural activities, speech and quiz competitions, and more.   Support the show: https://www.patreon.com/chimesradio See omnystudio.com/listener for privacy information.

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In her magnificent and lyrical new book, The Emperor Who Never Was: Dara Shukoh in Mughal India (Harvard UP, 2020), Supriya Gandhi reorients and adds unprecedented depth to our understanding of the much memorialized but less understood Mughal prince and thinker Dara Shukoh (d. 1659), and of his broader political and social milieu. Written with exceptional clarity and in dazzling narrative form, this book marshals overwhelming evidence to disrupt the popular and common view that sees Dara Shukoh as either an absolute interfaith inclusivist or a failed political aspirant to the Mughal throne. Alternating between social and political history, and close readings of a range of religious texts, this book not only thoroughly complicates our conception of Dara Shukoh, but also presents an intimate view of the political and family life of the Mughal elite. Operating at the intersection of Islamic Studies, South Asian Studies, and Empire Studies, this eminently accessible book is sure to spark interest and discussion among scholars in these and other fields. It will also work as a particularly enjoyable text to teach in undergraduate and graduate courses. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

On this episode, Cyrus is joined by the great renowned historian and bestselling author William Dalrymple, all the way from London, to talk about how the pandemic has been going in Britain, whether he's really Scottish or a Delhiite, the rollout of vaccines in England and in India, and lots more. They then get into William's life and amazing career, his four-book collection called 'The Company Quartet' chronicling the rise and fall of the East India Company, the story of the East India Company and how it was private office at first, how the organisation was able to organise an extraordinary corporate takeover of a fractured post-Mughal India, how they used Indian mercenaries to fight against Indian soldiers with money lent from Indian bankers, essentially using Indian capital and Indian soldiers to take over India, how it all started out as a lucrative economic opportunity for the East India Company, and tons more. Cyrus and William also talk about the origins of how corporations bribe politicians, how William got so interested in history, and Indian history in particular, how he loved living in Delhi, how history needs to be taught in schools differently, and more. Tune in for an extremely fascinating and enlightening episode.Follow William on Twitter & Instagram: https://twitter.com/DalrympleWill and https://www.instagram.com/williamdalrympleAlso, subscribe to Cyrus' YouTube channel: https://youtube.com/channel/UCHAb9jLYk0TwkWsCxom4q8AYou can follow Antariksh on Instagram @antariksht: https://instagram.com/antarikshtDo send in AMA questions for Cyrus by tweeting them to @cyrussaysin or e-mailing them at whatcyrussays@gmail.comDon't forget to follow Cyrus Broacha on Instagram @BoredBroacha (https://www.instagram.com/boredbroacha )In case you're late to the party and want to catch up on previous episodes of Cyrus Says you can do so at: www.ivmpodcasts.com/cyrussaysYou can listen to this show and other awesome shows on the new and improved IVM Podcasts App on Android: https://ivm.today/androidor iOS: https://ivm.today/ios

Punjab is home to one of the most dynamic, diverse and ancient cultural traditions in South Asia. And it is this rich cultural heritage of stories, music and drama that gave rise to the film industry in Lahore. 

Join Mallica Kumbera Landrus, the Keeper of Eastern Art, as she introduces us to a tiny drawing made by a child genius. This scrap of paper tells a story of cultures embracing each other across vast distances and the curiosity of one exceptional 13 year old boy in Mughal India, 421 years ago. Christ on the Cross, Albrecht Dürer, 1511 - Find out moreSaint John the Evangelist, Abu l'-Hasan, 1600–1601 - Find out moreIf you want to take a closer look at the objects in this episode, you can view them at the links above, or visit the podcast page on the Ashmolean website: ashmolean.org/museum-secretsProducer: Lucie DawkinsEpisode Presenter: Mallica Kumbera LandrusAbout Museum Secrets: Welcome to season 2 of Museum Secrets. Every week Lucie Dawkins will  take you behind the scenes at the University of Oxford's Ashmolean Museum. There are a million objects here in the Museum, each with its own hidden story. Come on in, as we track down the weird and wonderful among them, to give us a bitesized pick-me-up in these challenging times. Join us every week for a daily dose of cheer.

From the mines of South America, tons of silver travel to Mughal India to fill the coffers of Emperors

Cynthia Talbot (Texas at Austin) gives a talk for the Asian Studies Centre seminar series on Mughal India and the Rajput. What did loyalty mean to warriors in the rapidly changing political landscape of early modern North India? I look at three case studies from the late sixteenth century in which elite warriors had to make hard choices about their competing loyalties to family members and to their imperial overlord. The Rajputs of Bikaner, Bundi, and Udaipur all faced situations in which brothers and sons disagreed about submitting to Mughal authority and could be forced to fight each other as a consequence. The demands of new political allegiances thus came into conflict with older Rajput values derived from the heavily kin-based polities of the past, in an age before patriotism. This is part of a larger project that studies the martial sentiments found in Rajput narratives, as a foray into the history of emotions.

Cynthia Talbot (Texas at Austin) gives a talk for the Asian Studies Centre seminar series on Mughal India and the Rajput. What did loyalty mean to warriors in the rapidly changing political landscape of early modern North India? I look at three case studies from the late sixteenth century in which elite warriors had to make hard choices about their competing loyalties to family members and to their imperial overlord. The Rajputs of Bikaner, Bundi, and Udaipur all faced situations in which brothers and sons disagreed about submitting to Mughal authority and could be forced to fight each other as a consequence. The demands of new political allegiances thus came into conflict with older Rajput values derived from the heavily kin-based polities of the past, in an age before patriotism. This is part of a larger project that studies the martial sentiments found in Rajput narratives, as a foray into the history of emotions.

The rivalry between Dara Shukoh and Aurangzeb is often considered a foundational one for Islam in India. Good Muslim vs Bad Muslim. But it's not quite that simple. Historian Supriya Gandhi joins Amit Varma in episode 184 of The Seen and the Unseen to point out that the truth is complex, and there are no easy binaries.   Also check out: 1. The Emperor Who Never Was: Dara Shukoh in Mughal India -- Supriya Gandhi. 2. City of Djinns -- William Dalrymple. 3. Jill Lepore and Shamsur Rahman Faruqi on Amazon. 4. Dara Shukoh -- Kalika Ranjan Qanungo (full text). 5. Dārā S̲h̲ikūh: Life and Works -- Bikrama Jit Hasrat (full text). 6. Mysteries of Selflessness: Rumuz-i Bekhudi -- Muhammad Iqbal. 7. The Month We Lost Dara -- Ashok Malik. 8. Women in Indian History -- Episode 144 of The Seen and the Unseen (w Ira Mukhoty). 9. Jahangir the Curious -- Episode 147 of The Seen and the Unseen (w Parvati Sharma). 10. The Resonance of Akbar -- Episode 173 of The Seen and the Unseen (w Manimugdha Sharma).  11. Our Colorful Past -- Episode 127 of The Seen and the Unseen (w Manu Pillai). 12. Secularism and Hindutva Histories -- Supriya Gandhi. 13. The Truth About Us -- Sanjoy Chakravorty. 14. Supriya Gandhi interviewed by Ira Mukhoty. 15. Supriya Gandhi interviewed by Rana Safvi.

So much of our history has been weaponized by politics -- especially the Mughal period. Manimugdha Sharma joins Amit Varma in episode 173 of The Seen and the Unseen to shed light on the tug of war around Emperor Akbar -- and why that history remains relevant even today.   Also check out: 1. Allahu Akbar: Understanding the Great Mughal in Today's India -- Manimugdha Sharma. 2. Parthian Shot -- Manimugdha Sharma's column archives. 3. Manimugdha Sharma's reporting in Times of India. 4. Who Broke Our Republic? -- Episode 163 of The Seen and the Unseen (w Kapil Komireddi). 5. The Ideas of Our Constitution -- Episode 164 of The Seen and the Unseen (w Madhav Khosla), 6. The Many Cities of Delhi -- Episode 172 of The Seen and the Unseen (w Rana Safvi). 7. Women in Indian History -- Episode 144 of The Seen and the Unseen (w Ira Mukhoty). 8. Jahangir the Curious -- Episode 147 of The Seen and the Unseen (w Parvati Sharma). 9. Our Colorful Past -- Episode 127 of The Seen and the Unseen (w Manu Pillai). 10. The BJP's Magic Formula -- Episode 45 of The Seen and the Unseen (w Prashant Jha). 11. Essential Kabir -- Arvind Krishna Mehrotra. 12. White Mughals -- William Dalrymple. 13. Empress: The Astonishing Reign of Nur Jehan -- Ruby Lal. 14. The Bhagvad Gita in Urdu, recited by Ahmed Rashid Shervani at Manthan Samvaad. 15. The Early History of India -- Vincent Smith. 16. The Mughal Empire -- JF Richards. 17. The Agrarian System of Mughal India -- Irfan Habib. 18. Akbar and His India -- Irfan Habib. 19. The Western Way of War -- Victor Davis Hanson. 20. The Anglo-Maratha Campaigns and the Contest for India -- Randolph GS Cooper. 21. Gunpowder and Firearms: Warfare in Medieval India -- Iqtidar Alam Khan. 22. The Millennial Sovereign -- A Azfar Moin. 23. The German Way of War -- Robert Citino 24. When Titans Clashed -- David M Glantz & Jonathan M House.

Qutb-ud-Din Ahmad Waliullah Ibn Abd-ur-Rahim Ibn Wajih-ud-D?n Ibn Muazzam Ibn Mansur Al-Umari Ad-Dehlawi (1703–1762), commonly known as Shah Waliullah Dehlawi, was an Islamic scholar, muhaddith, reformer, historiographer and bibliographer from Mughal India.

Despite a reign that lasted for over two decades, the Mughal emperor Jahangir has often been regarded as a weak ruler who was hobbled by his addictions and dominated in his later years by his wife Nur Jahan. As Lisa Balabanlilar reveals in The Emperor Jahangir: Power and Kingship in Mughal India (I. B. Tauris, 2020), this portrayal often exaggerates Jahangir’s defects and glosses over many important aspects of his rule. Much of this this distortion, she notes, originated with his memoir, in which Jahangir was often frank in his assessment of his own failings. This was exploited by his son and successor, Shah Jahan, who sought to justify his rebellion against his father late in Jahangir’s reign once he ascended to the throne. Balabanlilar shows how this image obscures important aspects of the workings of the Mughal emperorship during the early 17th century. These she uncovers by examining Jahangir’s court, his empire’s relations with other kingdoms, and his patronage of the arts, revealing him in the process as a more capable and consequential monarch than his traditional depiction allows. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite a reign that lasted for over two decades, the Mughal emperor Jahangir has often been regarded as a weak ruler who was hobbled by his addictions and dominated in his later years by his wife Nur Jahan. As Lisa Balabanlilar reveals in The Emperor Jahangir: Power and Kingship in Mughal India (I. B. Tauris, 2020), this portrayal often exaggerates Jahangir’s defects and glosses over many important aspects of his rule. Much of this this distortion, she notes, originated with his memoir, in which Jahangir was often frank in his assessment of his own failings. This was exploited by his son and successor, Shah Jahan, who sought to justify his rebellion against his father late in Jahangir’s reign once he ascended to the throne. Balabanlilar shows how this image obscures important aspects of the workings of the Mughal emperorship during the early 17th century. These she uncovers by examining Jahangir’s court, his empire’s relations with other kingdoms, and his patronage of the arts, revealing him in the process as a more capable and consequential monarch than his traditional depiction allows. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite a reign that lasted for over two decades, the Mughal emperor Jahangir has often been regarded as a weak ruler who was hobbled by his addictions and dominated in his later years by his wife Nur Jahan. As Lisa Balabanlilar reveals in The Emperor Jahangir: Power and Kingship in Mughal India (I. B. Tauris, 2020), this portrayal often exaggerates Jahangir’s defects and glosses over many important aspects of his rule. Much of this this distortion, she notes, originated with his memoir, in which Jahangir was often frank in his assessment of his own failings. This was exploited by his son and successor, Shah Jahan, who sought to justify his rebellion against his father late in Jahangir’s reign once he ascended to the throne. Balabanlilar shows how this image obscures important aspects of the workings of the Mughal emperorship during the early 17th century. These she uncovers by examining Jahangir’s court, his empire’s relations with other kingdoms, and his patronage of the arts, revealing him in the process as a more capable and consequential monarch than his traditional depiction allows. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite a reign that lasted for over two decades, the Mughal emperor Jahangir has often been regarded as a weak ruler who was hobbled by his addictions and dominated in his later years by his wife Nur Jahan. As Lisa Balabanlilar reveals in The Emperor Jahangir: Power and Kingship in Mughal India (I. B. Tauris, 2020), this portrayal often exaggerates Jahangir’s defects and glosses over many important aspects of his rule. Much of this this distortion, she notes, originated with his memoir, in which Jahangir was often frank in his assessment of his own failings. This was exploited by his son and successor, Shah Jahan, who sought to justify his rebellion against his father late in Jahangir’s reign once he ascended to the throne. Balabanlilar shows how this image obscures important aspects of the workings of the Mughal emperorship during the early 17th century. These she uncovers by examining Jahangir’s court, his empire’s relations with other kingdoms, and his patronage of the arts, revealing him in the process as a more capable and consequential monarch than his traditional depiction allows. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first episode of our Modern Civilizations Course, a quick tour of the world around 1492 – Aztec, Inka, Ming China, Ottoman Turk, Mughal India, Kongo Kingdom, Haudenosonee Confederacy, and a breakdown of some European polities.

Yesterday, Twitter was awash with posts about events at the Indian Historical Congress in Kannur. The eminent historian Irfan Habib has disrupted proceedings as Kerala Governor Arif Mohammed Khan, as part of his speech to the delegates, quoted Maulana Azad in relation to the CAA/NRC controversy. Habib told the Governor that he had no right to quote Maulana Azad, and that he should quote Nathuram Godse instead. Professor Habib's intervention reflects the courageous dedication to truth and justice that has informed his scholarship since his pathbreaking work on the agrarian system of Mughal India first appeared in the early 1960s. His decision to stand up to power at the Indian History Congress is model behaviour for all public intellectuals at this perilous moment in the life of the Indian republic. In recognition of this, we are pleased to share this recording of a talk given by Irfan Habib at a seminar organized by the Joshi-Adhikari Institute of Social Sciences in December 2015. The talk is an urgent call to arms against the falsifications of Indian history that nourish the Hindu nationalist imagination. As such, it bears witness to the stature and commitment of Professor Habib, and speaks directly to the current conjuncture of struggle in India.

Episode 442 with Sunil Sharma hosted by Shireen Hamza and Naveena NaqviDownload the podcastFeed | iTunes | GooglePlay | SoundCloudIn this episode, Professor Sunil Sharma shares his research on the cast of poets who wrote Persian poetry in India, and the poetic idea of Mughal India as a paradise, or an “Arcadia.” (He also shares some excerpts of this lovely poetry with us!) We discuss how specific regions, like Kashmir, became a hot new topic in Persian poetry, and explore the kinds of competitions that emerged between poets from different places across a broader “Persianate” world. The courtly environments in which these poets found patronage were multilingual and multiracial environments — where someone could enjoy poetry in Persian, Braj Bhasha, Hindavi and Chaghatai Turkish — but in this time, Persian poetry was what got you a job. By studying both poetry and painting, he reflects on the racial differences mentioned by poets, especially the initial difference between those born in India and those who had migrated from Iran and were “native speakers” of Persian. Finally, we discuss different meanings of the term “Indo-Persian,” in the study of the centuries that Persian was used as a language of governance, literature and science in India. « Click for More »

Episode 442 with Sunil Sharma hosted by Shireen Hamza and Naveena NaqviDownload the podcastFeed | iTunes | GooglePlay | SoundCloudIn this episode, Professor Sunil Sharma shares his research on the cast of poets who wrote Persian poetry in India, and the poetic idea of Mughal India as a paradise, or an “Arcadia.” (He also shares some excerpts of this lovely poetry with us!) We discuss how specific regions, like Kashmir, became a hot new topic in Persian poetry, and explore the kinds of competitions that emerged between poets from different places across a broader “Persianate” world. The courtly environments in which these poets found patronage were multilingual and multiracial environments — where someone could enjoy poetry in Persian, Braj Bhasha, Hindavi and Chaghatai Turkish — but in this time, Persian poetry was what got you a job. By studying both poetry and painting, he reflects on the racial differences mentioned by poets, especially the initial difference between those born in India and those who had migrated from Iran and were “native speakers” of Persian. Finally, we discuss different meanings of the term “Indo-Persian,” in the study of the centuries that Persian was used as a language of governance, literature and science in India. « Click for More »

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion' with tantra as ‘black magic'? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India's early medieval “Tantric Age” to present day. It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity. Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran's background, see rajbalkaran.com/academia

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion' with tantra as ‘black magic'? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India's early medieval “Tantric Age” to present day. It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity. Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran's background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

How distinct is Indian devotionalism from other strands of Indian religiosity? Is devotionalism necessarily at odds with asceticism in the Hindu world? What about the common contrasting of Hindu devotionalism as ‘religion’ with tantra as ‘black magic’? Patton E. Burchett's new book A Genealogy of Devotion: Bhakti, Tantra, Yoga, and Sufism in North India (Columbia University Press, 2019) re-examines what we assume about the rise of devotionalism in North India, tracing its flowering since India’s early medieval “Tantric Age” to present day.  It illumines the complex historical factors at play in Sultanate and Mughal India implicating the influence of three pervasive strands in the tapestry of North Indian religiosity: tantra, yoga and Sufism. Burchett shows the extent to which Persian culture and popular Sufism contribute to a (now prevalent) Hindu devotionalism that is critical of tantric and yogic religiosity.  Prior to this, argues Burchett, Hindu devotionalism locally flowered in fruitful cross pollination with yogic and tantric forms of Indian religiosity. For information about your host Raj Balkaran’s background, see rajbalkaran.com/academia Learn more about your ad choices. Visit megaphone.fm/adchoices

Tasha is a SFF writer living in London. Her debut novel, the Mughal India inspired epic fantasy, ‘Empire of Sand’ came out on the 13th of November in the US and the 15th of November in the UK. Go check it out! TASHA'S BOOK CHOICES: The City of Brass by S.A. Chakraborty Deathless by Catherynne M. Valente A Spell of Winter by Helen Dunmore You can follow Tasha on twitter @TashaDrinksTea If you haven't already, please consider leaving the podcast a review on iTunes. It makes a massive difference and helps new people discover the show.

Tasha Suri joins me to talk about EMPIRE OF SAND, her epic fantasy debut inspired by Mughal India. We explore the real Hindu epics and history that fueled her world building. Also, we answer the question: Why are empires such a common theme in fantasy literature? --- EMPIRE OF SAND is available now from Orbit Books, wherever books are sold! http://a.co/d/8GCK6HX You can keep up with Tasha on Twitter: https://twitter.com/tashadrinkstea Her website: https://tashasuri.com/ Her publisher: https://www.orbitbooks.net/ --- If you enjoy Females in Fantasy, please rate and review it on iTunes! Also, you can become a patron to participate in the creation of the show, and get goodies like bookmarks, extra content, and more: http://patreon.com/femalesinfantasy Podcast follow links: Shop: http://shop.femalesinfantasy.com Twitter: http://twitter.com/femalesnfantasy Facebook: http://www.facebook.com/femalesinfantasy

Don't miss out on any interviews with your favorite authors! sign up for our weekly newsletter to stay up-to-date with new episodes (nothing spammy I promise!)http://ow.ly/MySI50uJ5Es ------------------------------------------ In episode 16 I had the pleasure of chatting with Tasha Suri about her debut fantasy EMPIRE OF SAND. It's an awesome epic fantasy which draws inspiration from Mughal India, Hinduism, and much more! We talk about culture clash, dance as a form of magic, NaNoWriMo, and much more!

In this episode of the podcast, Assistant Managing Editor Mikayla Knuston interviews Podcast Director Eddie Plaut on his honors thesis. Eddie is studying the correspondence of the first English Ambassador to Mughal India Sir Thomas Roe and how his writing relates to the study of Edward Said's "Orientalism."

In this episode of AHR Interview, consulting editor Kate Brown speaks with historian Taymiya Zaman about her essay “Cities, Time, and the Backward Glance,” which appears in the June 2018 issue. Zaman’s piece is the first contribution to a new section of the journal called “History Unclassified,” which will explore things that would not normally be found in our articles category—stories from the archives, unexpected connections between fields, discussions of new methods, or trials of new forms of writing and presentation. For more on “History Unclassified,” including how to submit, see https://academic.oup.com/ahr/pages/history_unclassified. Taymiya Zaman is a historian of Mughal India and South Asia. She is Associate Professor of History at the University of San Francisco as well as a writer of both narrative non-fiction and fiction.

The images that accompany this podcast may be found here: http://blogs.bl.uk/asian-and-african/2018/06/sophia-plowden-khanum-jan-and-hindustani-airs.html Khanum Jan was a celebrity courtesan in the cantonment of Kanpur and the court of Asafuddaula of Lucknow in 1780s North India. Famed then for her virtuosic singing, dancing, and speaking eyes, Khanum became famous again in the twentieth century because of her close musical interactions with a remarkable Englishwoman, Sophia Plowden. Through Plowden’s papers and extraordinary collection of Khanum’s repertoire, it is possible to reconstruct songs from the Lucknow court as they may have been performed 200 years ago, in both Indian and European versions. In this podcast, Katherine Butler Schofield tells the story of these two women, and harpsichordist Jane Chapman joins her to perform some of Khanum’s “Hindustani Airs”. The intertwined stories of Khanum and Sophia show that using Indian sources of the time to read between the lines of European papers and collections gives us a much richer view of this sadly short-lived moment of intercultural accord in late Mughal India. This podcast is part of the project Histories of the Ephemeral: Writing on Music in Late Mughal India, sponsored by the British Academy in association with the British Library; additional research was funded by the European Research Council. The Courtesan and the Memsahib was written and performed by me, Katherine Butler Schofield (King's College London), based on my original research, with harpsichordist Jane Chapman http://www.janechapman.com. It was produced by Chris Elcombe. Additional voices were Georgie Pope, Kanav Gupta, Priyanka Basu, and Michael Bywater. It is published under a Creative Commons Attribution Non-Commercial No Derivatives (CC–BY-NC–ND) license. Recordings of vocalists Kesarbai Kerkar and Gangubai Hangal, and sarangi player Hamid Hussain, are courtesy of the Archive of Indian Music and Vikram Sampath: http://archiveofindianmusic.org/artists/bai-kesarbai-kerkar/ ; http://archiveofindianmusic.org/artists/bai-gangubai-hangal/ ; http://archiveofindianmusic.org/artists/hamid-hussain-a-i-r/ . Selections from Jane Chapman’s studio recording "The Oriental Miscellany: Airs of Hindustan—William Bird" are found on Signum Classics: I. Ghat; II. Rekhtah: Sakia! Fusul beharust; III. Tuppah: Kia kam keea dil ne? By permission. Image of Khanum Jan illustrating the podcast: https://upload.wikimedia.org/wikipedia/commons/5/50/Colonel_Antoine-Louis_Henri_Polier_watching_a_nautch_at_Faizabad.jpg Santoor and Tabla at Assi Ghat, Varanasi by Samuel Corwin. Licensed under a Creative Commons Attribution Licence CC BY 4.0 Track 1 by Deep Singh and Ikhlaq Hussain Khan. Originally broadcast live on Rob Weisberg's show, Transpacific Sound Paradise on WFMU. Licensed under a Creative Commons Attribution Non-commercial Share-alike 3.0 Licence With thanks to: the British Academy, the British Library, the Fitzwilliam Museum, Cambridge, the European Research Council, the Leverhulme Trust, Edinburgh University Library, the Norfolk Records Office, Yousuf Mahmoud, James Kippen, Margaret Walker, Allyn Miner, Richard David Williams, David Lunn, Ursula Sims-Williams, Nick Cook, and Katie de La Matter. For more episodes and information email katherine.schofield@kcl.ac.uk.

In this initial episode of Masala History podcast, we review Santi Kavuri Bauer's book on post-Mughal identity of Mughal architecture in India, published by Duke University Press in 2011. We discuss the book's treatment of British, nationalist, and capitalist interests that have affected and continue to make an impact on some of India's most glorious historical structures. For show notes including related links, images, and other information, please visit our podcasts page at Masala History. Content copyright: Masala History, ©2018. www.masalahistory.com. Special Note: We are just beginning this podcast journey and we ask you to bear with our initial sound quality hiccups. We are recording from different continents, over different time zones, with introductory podcast equipment, and less than optimal internet connectivity. But we have terrific content on our pods and will continue to work on our production quality. Hang in here with us and we promise very interesting content on South Asian history, culture, books, and more!  

Ideas spread to Mughal India from Iran, and prince Dārā Shikūh seeks to unite the wisdom of the Upanishads with the Koran.

Bernard Rose, whose new film Boxing Day is a modern rework of Tolstoy's Master and Man, is in conversation with Philip Dodd. In a year when public inquiries have been especially resonant, we consider what we mean by ‘the public' and its right to justice. Historian Helen Bynum talks about the history of tuberculosis and how the disease has been romanticised in culture. And Radio 3 New Generation Thinker Nandini Das spots an unexpectedly seasonal image in the British Library's new exhibition about Mughal India.

Catherine Asher, University of Minnesota

Catherine Asher, University of Minnesota

This week Neil MacGregor's history of the world is looking at the co-existence of faiths - peaceful or otherwise - across the globe around 400 years ago. Today he is in one of the great Islamic empires of the 16th and 17th centuries - in Mughal India. He tells the story of the Mughal rulers and their relationship with Hindu India through a miniature painting (dated around 1610) that shows an encounter between a noble man and a holy man. Neil describes an early mood of religious tolerance and the development of this exquisite art form. Asok Kumar Das discusses the function of miniature painting in India and the historian Aman Nath reflects on encounters between holy men and men of political power throughout Indian history. Producer: Anthony Denselow.

Afshan Bokhari, Suffolk University

Afshan Bokhari, Suffolk University

The phrase “The Black Legend” was coined in 1912 by a Spanish journalist in protest of the characterization of Spain by other Europeans as a backward country defined by ignorance, superstition, and religious fanaticism, whose history could never recover from the black mark of its violent conquest of the Americas. Challenging this stereotype, Rereading the Black Legend contextualizes Spain’s uniquely tarnished reputation by exposing the colonial efforts of other nations whose interests were served by propagating the “Black Legend.” A distinguished group of contributors here examine early modern imperialisms including the Ottomans in Eastern Europe, the Portuguese in East India, and the cases of Mughal India and China, to historicize the charge of unique Spanish brutality in encounters with indigenous peoples during the Age of Exploration. The geographic reach and linguistic breadth of this ambitious collection will make it a valuable resource for any discussion of race, national identity, and religious belief in the European Renaissance.