Podcasts about scharoun

Körper, Hände, Füße fliegen, flattern, schwingen über die Bühne, wenn die Tänzer der „Gauthier Dance Company“ auf der Bühne stehen. Elf Jahre lang tanzte der gebürtige Kanadier Eric Gauthier am Stuttgarter Ballett. Bis er, 2007, am Theaterhaus Stuttgart seine eigene „Gauthier Dance Company“ gründete. Unter dem Motto: „Tanz für alle“, denn jede und jeder kann tanzen oder zuschauen und sich anstecken lassen von der Leidenschaft, Energie und Neugier, die Eric Gauthier ausstrahlt. Seine Company ist inzwischen international bekannt, Tänzerinnen und Tänzer kommen aus aller Welt. Mit seiner Ballettcompany präsentiert Eric Gauthier am Scharoun Theater Wolfsburg die Crème de la crème renommiertester Choreograph*innen. „The Seven Sins“ sind das Tableau aus sieben Uraufführungen von Aszure Barton über Sasha Waltz sowie den beiden Artists in Residence von Gauthier Dance, Marco Goecke und Hofesh Shechter.

Imagine exiting a train station and rounding the corner in an urban part of London for the first time, on your own without knowing a single person to start studying in a Design School, after growing up in a small town. This is exactly the unlikely path taken by Lisa Scharoun, now Professor and Head of the School of Design. This never occurred to her growing up as one of 5 children in the middle of rural U.S.A.  As Steve Jobs famously quoted you can only join the dots looking backwards. What comes to your mind when you hear the word design? At first it invokes, fashion, architecture, and iPhones.  For example, it was the discovery of the design of DNA, the double helix, that it consists of two strands that wind around each other like a twisted ladder that led to the scientific and genomics revolution. The simple design came in 1953 by putting together pieces of a puzzle discovered by hundreds of scientists, starting with Friedrich Miescher in 1869.  Watson and Crick with the help of Rosalind Franklin, and others, used cardboard cut-outs on a table of the individual chemical components of the four bases (AC TG) and other nucleotide subunits that make-up the chemical structure of DNA. Watson and Crick shifted molecules around on their desktops. It took a team working together to discover the double helix built by nature's simple design. Together they solved one of the most complex scientific problems, being the way, in which all living forms are connected to each other (see Pray et al., 2008, Nature Education 1(1):100). What could be more complex than designing our teams that flow. At the end of the day, the life of our team members, arises from a complex array of small daily decisions. From how we choose to get up in the morning, exercise, and the food we eat. In Lisa's case it was exchanging letters with a family friend in Germany that meant she lived, studied, and worked in USA, UK, China, Singapore, and Australia and become an International expertise in Design. Her team used co-design and her mantra of ‘change by design' to create a set of promotional posters for the Olympic Village that highlighted the history and significant contributions that Australian Paralympic athletes have contributed to sport. This set of posters, created for the London 2012 games, has subsequently been showcased at the US Embassy in Canberra as well as at every subsequent Paralympic Games. As we enter the post-pandemic covid era, the dominant issue we face our teams face is how to live sustainably within an economic model that demands consumption and growth. The puzzle pieces to this complex problem  are in need of a design solution. As David Attenborough said we know the solution to climate change is to re-wild the Earth. What could be more important than leaders that create teams with a global perspective that live by the mantra of change by finding a simple design.  Just as scientists discovered the double helix, the new challenge facing our leaders and teams is finding the design that sustains life in a complex world. Please join Lisa and I as discuss how to design teams that flow. Citation: Pray, L. (2008) Discovery of DNA structure and function: Watson and Crick. Nature Education 1(1):100https://www.qut.edu.au/about/our-people/academic-profiles/lisa.scharounSupport the show (https://www.patreon.com/selenab)

Professor Lisa Scharoun from the University of Technology Queensland joins Aged Care Insite to discuss her new book 'Cross-Cultural Design For Healthy Ageing' See omnystudio.com/listener for privacy information.

To find a Patient Advocate visit Marra at www.mymarra.com ---- In this episode we speak to Cheryl Scharoun. Cheryl is a professional independent Patient Advocate and the founder of Babyboom Health.

I programmet diskuterar panelen bl.a. Glucks opera Orfeus och Euridike med en countertenor som Orfeus samt Scharoun-ensemblen som tolkar Dvoràk. Sofia Nyblom möter dirigenten Franz Welser-Möst. I panelen Bengt Forsberg, Bodil Asketorp och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:CHRISTOPH WILLIBALD GLUCK Orfeus och Euridike Franco Fagioli, Malin Hartelius, Emmanuelle de Negri Accentus, Insula Orchestra Laurence Equilbey, dirigent Archiv 479 5315 ANTONÍN DVORÁK Bagateller op 47, Stråktrio op 74 och Stråkkvintett op 77 Scharoun-ensemblen, Berlin Tudor 7187GUSTAV MAHLER Symfoni nr 4, Tre sånger ur Des Knaben Wunderhorn Lisa Larsson, sopran, Het Gelders Orkest Antonello Manacorda, dirigent Challenge CC 72659ALBÉNIZ GRANADOS Pianokonsert nr 1 a-moll, Spansk rapsodi Pianokonsert c-moll Melani Mestre, piano BBC skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 7918Sofia möter Franz Welser-Möst Sofia Nyblom träffade den österrikiske dirigenten för en pratstund i samband med hans framträdande i Nobelkonserten i Stockholms konserthus, december 2015. Welser-Möst började sin karriär i Sverige som chefsdirigent för Norrköpings symfoniorkester på 1980-talet. Han ledde Wiens filharmoniker under fyra säsonger och avgick efter en schism med ledningen. Cleveland-orkestern däremot är han trogen i rollen som chefsdirigent sedan 14 år tillbaka. Welser-Möst bekände också att han ofta längtar tillbaka till Sverige.  Andra i programmet nämnda eller rekommenderade inspelningar: Mahlers fjärde symfoni med Judith Raskin, Cleveland-orkestern och dirigenten George Szell på Columbia; gossopranen Helmut Wittek och Concertgebouw-orkestern ledda av Leonard Bernstein på DG. Johan rekommenderar Ivan Fischer och Budapests festivalorkester samt sopranen Miah Persson i inspelning på Channel Classics. Dvoráks Stråktrio och Bagateller med Vlach-kvartetten på Praga. Dvoráks Stråkkvintett med stråkar ur Berlins filharmoniker på Philips; Smetana-kvartetten och Josef Suk på Supraphon samt med Uppsala kammarsolister utgiven på Palette. Enrique Granados opera Goyescas Isaac Albéniz Spansk rapsodi med pianisten Miguel Baselga tillsammans med Teneriffas symfoniorkester under ledning av Lü Jia på Bis samt med Alicia de Larrocha och Londons filharmoniker under dirigenten Rafael Frühbeck de Burgos på Decca. Albéniz Pianokonsert med Aldo Ciccolini tillsammans med Londons symfoniorkester och dirigenten Enrique Batiz på skivmärke Regis. Glucks Orfeus och Euridike med Bernarda Fink i Orfeus roll tillsammans med Freiburgs barockorkester ledda av René Jacobs på skivmärket Harmonia Mundi.Johan sveper över en CD med tidiga verk av Henri Dutilleux. Vi serveras ett litet smakprov ur musiken till filmen La Fille du Diable, komponerad 1945-46 och utgiven på Bis.        

Was denken die Bewohner über die Auszeichnung ihrer Siedlung? Neben der Museumsinsel und der Berlin-Potsdamer Kulturlandschaft mit ihren Schlössern und Gärten, sind nun aktuell sechs Berliner Arbeiter-Siedlungen von der UNESCO zum Weltkulturerbe erklärt worden. Wir haben uns für Euch in einer umgeschaut - die Großsiedlung Siemensstadt. Hier haben u.a. Gropius, Taut, Scharoun und Bartning gebaut und für Wohnkomfort gesorgt. Berliner Moderne nannte sich das. Entstanden ist das alles größtenteils in der ersten Hälfte des letzten Jahrhunderts. Für damalige Verhältnisse ganz schön futuristisch!