POPULARITY
12 episodes with Gropius
4 episodes with Gropius
4 episodes with Gropius
2 episodes with Gropius
2 episodes with Gropius
2 episodes with Gropius
2 episodes with Gropius
7 episodes with Gropius
2 episodes with Gropius
With tracks from Linkwood Family, Radio Slave, Fernando, Pinky Ann Rihal, Neuronphase, 44th Move, Topic Of Conversation, Sworn Virgins, Arp Deco, Daniel Monaco, House To House Ft. Kim Mazelle, Orlando B, Yuksek, Wolfram, Tuff City Kids, Marcus Marr, Deer Jade, Gafas Du Soul, Alexny, Kabinett, Diogo Strausz & Emmanuelle & JKriv, 4NEY. Contact: dj@ribeaud.ch.
07Welcome to New Angle Voice: I'm your bi-coastal architect and host, Cynthia Phifer Kracauer. Catherine Bauer's life divided into two names and two geographies: her urban east coast youth, and her Bay Area soft landing. She hobnobbed with the bohemian elite of the interwar years….brilliantly charming the pants off of the big architect names of the Weimar Republic, Paris cafe society, and the International Style: Gropius, Mies, Corb, Oud, May…with her lover, Lewis Mumford—culminating in the publication of her 1934 classic : Modern Housing. Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians, including five presidents—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included a husband, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime. Hear now: Catherine Bauer Wurster: A Thoroughly Modern Woman. Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante. Archival recordings are from the UC Berkeley Bancroft Library. This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation. Funding for this podcast comes from the New York State Council on the Arts. You can find other episodes of New Angle: Voice wherever you find your podcasts. And if you liked this episode, please leave a review and share with a friend.
durée : 00:08:05 - Le Disque classique du jour du jeudi 26 septembre 2024 - Les musiciens du quatuor Gropius suivent l'exemple de Walter Gropius et ont, comme lui, leur centre de création à Berlin et Weimar.
durée : 01:27:58 - En pistes ! du jeudi 26 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Jeudi, la programmation se compose de Dvorak, de Mendelssohn, de Haendel, de Philippe Erlebach, de Johan Fischer, de Chostakovich, de Debussy, de Frank Martin, de Friedrich Eck et de Fauré. En pistes !
durée : 00:08:05 - Le Disque classique du jour du jeudi 26 septembre 2024 - Les musiciens du quatuor Gropius suivent l'exemple de Walter Gropius et ont, comme lui, leur centre de création à Berlin et Weimar.
durée : 01:27:58 - En pistes ! du jeudi 26 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Jeudi, la programmation se compose de Dvorak, de Mendelssohn, de Haendel, de Philippe Erlebach, de Johan Fischer, de Chostakovich, de Debussy, de Frank Martin, de Friedrich Eck et de Fauré. En pistes !
In today's episode, we spotlight a remarkable woman who played a crucial role behind the scenes and in the spotlight of the Bauhaus: Ise Gropius. Born Ilse Frank, Ise Gropius was much more than the wife of the architect and Bauhaus founder Walter Gropius. She was a journalist, a writer, and an editor whose influence extended deep into the heart of the Bauhaus. Her intellectual rigor and editorial skills were instrumental in documenting and promoting the innovative ideas that emerged from this groundbreaking movement. You will hear the distinguished architect, urban planner, and author Jana Revedin who became renowned for her biographical novel "Alle hier nennen mich Frau Bauhaus" (Everyone Here Calls Me Mrs. Bauhaus) that was published in 2018 and – based on Ice Gropius's Bauhaus diary – explores her life and influence. Join us as we delve into the life of Ise Gropius, exploring her contributions to the Bauhaus. Whether you're a longtime admirer of the Bauhaus or newly curious about its key figures, this episode offers an engaging and enlightening journey into the world of Ise Gropius, a true Bauhaus face. www.bauhausfaces.com | @bauhausfaces Jana Revedin www.revedin.com | Ise Gropius bauhauskooperation.de, gropius.house | "Jeder hier nennt mich Frau Bauhaus" www.deutschlandfunkkultur.de
Versione audio: La prima metà del XX secolo fu caratterizzata dalla nuova tendenza progettuale del Movimento Moderno. Gli architetti che vi aderirono si ribellarono al classicismo accademico, sostenendo le nuove proposizioni di forme elementari; promossero l'uso del cemento armato, del ferro e del vetro; proposero il controllo dell'espansione urbana, attraverso un'ordinata zonizzazione delle funzioni; vollero […] L'articolo La sede del Bauhaus a Dessau di Gropius proviene da Arte Svelata.
Fabio Isman"Andare per l'Italia razionalista"Edizioni del Mulinowww.mulino.itMolte nostre città vantano qualche edificio razionalista, riconoscibile per le forme «pure» e l'uso di cemento armato e vetro. Il razionalismo, durato solo dal 1925 al 1940 e ispirato dalle esperienze del Bauhaus, di Mies van der Rohe, Gropius e Le Corbusier, opera una propria originale rivoluzione estetica: fa scaturire la forma del costruito dalla sua funzione e abolisce ogni decorazione. Il nuovo stile «littorio» e il regime fascista, con le sue grandi opere pubbliche, ne oscurerà le novità e la memoria. L'itinerario muove dalle «piccole capitali» dove il movimento esordisce (Milano, Como, Roma), per raccontare piccoli gioielli anche di provincia, come Tresigallo, Sabaudia, Ivrea, Torviscosa, Cosenza e molti altri poco conosciuti che vanno riscoperti.Fabio Isman, giornalista e scrittore, è stato per molti anni inviato del «Messaggero». Con il Mulino ha pubblicato «Andare per le città ideali» (2016), «L'Italia dell'arte venduta» (2017), «1938, l'Italia razzista» (2018), «Andare per l'Italia degli intrighi» (2020), «La Roma che non sai» (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Die „historische Rekonstruktion“ hat in Deutschland seit der „Wende“ Hochkonjunktur. Philipp Oswalts Buch hinterfragt die geschichtspolitische Programmatik hinter originalgetreuen Nachbauten wie des Berliner Schlosses oder der Potsdamer Garnisonkirche und zeigt am Wiederaufbau der Paulskirche und des Meisterhauses von Gropius in Dessau Alternativen geschichtsbewusster Rekonstruktion auf. Berenberg Verlag, 240 Seiten, 22 Euro ISBN 978-3-949203-73-2
In dieser Podcastfolge sprechen Anne Schneider und Kilian Gärtner von der Kuratorischen Werkstatt der Stiftung Bauhaus Dessau mit Pauline Braune darüber, wie das Bauhaus für Besucher*innen zugänglicher werden kann, die weniger mobil sind, nicht hören oder sehen können. Auch ist Thema, wie verschiedene Sinneseindrücke dabei helfen können, einen Eindruck vom Alltag am historischen Bauhaus zu erhalten. Außerdem berichten Frank Brehmer und Andreas Leutloff als Vertreter und Selbstbetroffene vom Deutschen Blinden- und Sehbehinderten Verband e.V. von ihren Erfahrungen und Bedürfnissen als Besucher von Kulturinstitutionen. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.
The Modernist architecture we love is exciting, edgy, sometime inexplicable, often brilliant. Modernism has been around a long time, yet there's also been a movement beyond Neutra and Corbusier and Gropius and Breuer and Mies, that's frequently misunderstood. We're talking about organic architecture, houses that make Neutra look downright classical. Organic architects are a fiercely independent breed, using their intuition like Yoda would use the Force, taking on unusual materials and construction techniques, and sculpting residences that look out of this world. More simply put, organic architecture is to modernism like monks are to priests, and these monks take their craft very seriously. As a client, you tell them what you need, but you are not going to tell them what to design. Joining us today are two prominent living organic architects, Bart Prince and Michael Johnson and later on, returning musical guests Peter Lamb and The Wolves.
Die Klimakrise ist wahrscheinlich das drängendste Thema unserer Zeit. Angesichts des wachsenden Bewusstseins für den Klimaschutz stellt sich für Denkmalschützer die Frage, wie man schützenswerte Bau- und Kunstwerke wie das Bauhaus in Dessau erhalten und nutzen kann – trotz, aber auch gerade unter den veränderten klimatischen Bedingungen. Darüber spricht Moderatorin Pauline Braune mit Ulrike Wendland, Leiterin der Geschäftsstelle des Nationalkomitees für Denkmalschutz, Dorothea Roos, Leiterin der Bauabteilung der Stiftung Bauhaus Dessau, und Holger Lemme, Verwaltungsleiter der Stiftung Bauhaus Dessau. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine E-Mail an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.
Im Jahr 1930 konzeptionierte Lászlo Moholy-Nagy den ersten Licht-Raum-Modulator. Seitdem wurde der Apparat immer wieder nachgebaut. In der vierten Episode von Bauhaus – der Podcast sind Torsten Blume, wissenschaftlicher Mitarbeiter der Stiftung Bauhaus Dessau und Jürgen Steger, Diplom Designer und Objektgestalter zu Gast. Im Gespräch mit der Moderatorin Pauline Braune erläutern sie den Entwicklungsprozess des Apparats und diskutieren, ab wann eine Reproduktion ein Original ist und ob es überhaupt sinnvoll ist, dieser Frage nachzugehen. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.
Im Angesicht der Klimakrise hinterfragen immer mehr Menschen ihre Art zu Reisen. An die Stelle von Billigflieger rücken nachhaltigere Möglichkeiten wie Interrail-Tickets oder Inland-Reisen. Die dritte Episode von Bauhaus – der Podcast dreht sich um den Tourismus der Zukunft. Dafür spricht Moderatorin Pauline Braune mit Reisebloggerin Sarah Köhler, besser bekannt als Bambi und Ute König, Pressesprecherin und Leiterin der Kommunikation der Stiftung Bauhaus Dessau. Gemeinsam diskutieren sie, wie sich das Reisen verändert hat, welche Rolle die Politik im Tourismus spielt und wie Digitales Reisen zum Denkmalschutz beitragen könnte. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de. Mehr von Bambi findet ihr auf ihrem Instagram- und auf ihrem TikTok-Account.
Professor James Stevens Curl is the author of the book "Making Dystopia: The Strange Rise and Survival of Architectural Barbarism". He dissects the modernist ideology as a historical phenomenon, which is not independent of the authoritarian social forces that surround it. On the contrary, Stevens Curl demonstrates that modernism became an authoritarian aesthetic ideology from early on, which eventually characterized the whole of Western culture. Where many academics in Western Europe have taken a nihilistic approach to the dystopian urban landscapes that have risen after the Second World War, James Stevens Curl chooses a firm position. As he sees it, modernism is a deeply immoral and a socially destructive project, which should be actively combated. Curl has also written extensively about Victorian architecture. Architecturally, the Victorian era was a rich era, with great building activity and saw the construction of many beautiful churches. In his newest book "English Victorian Churches", Curl explains how the European political currents of the time, British religious policy, and local engagement played a significant role in realizing this rich and beautiful architectural period."
In the movie Forrest Gump, one man finds himself at the center of historical events, encountering famous people over the course of decades. While Forrest Gump was fictitious, there have been people who have served as a nexus at certain places and times in history. One such person existed in the early 20th century, and her life intersected with several important figures in the world of art in Central Europe…. three of them she married. Learn more about the incredible life of Alma Margaretha Marie Schindler Mahler Gropius Werfel on this episode of Everything Everywhere Daily. Sponsors Expedition Unknown Find out the truth behind popular, bizarre legends. Expedition Unknown, a podcast from Discovery, chronicles the adventures of Josh Gates as he investigates unsolved iconic stories across the globe. With direct audio from the hit TV show, you'll hear Gates explore stories like the disappearance of Amelia Earhart in the South Pacific and the location of Captain Morgan's treasure in Panama. These authentic, roughshod journeys help Gates separate fact from fiction and learn the truth behind these compelling stories. InsideTracker provides a personal health analysis and data-driven wellness guide to help you add years to your life—and life to your years. Choose a plan that best fits your needs to get your comprehensive biomarker analysis, customized Action Plan, and customer-exclusive healthspan resources. For a limited time, Everything Everywhere Daily listeners can get 20% off InsideTracker's new Ultimate Plan. Visit InsideTracker.com/eed. Subscribe to the podcast! https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Peter Bennett & Thor Thomsen Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Das historische Bauhaus gilt als wichtigste Kunst- und Gestaltungsschule der Moderne. Für damalige Verhältnisse als visionär. In der zweiten Episode von Bauhaus – der Podcast geht es darum, ob das Bauhaus immer noch ein guter Ort ist, sich über die Zukunft Gedanken zu machen, in welcher Weise Vergangenheitsbezüge Zukunftsfähigkeit ermöglichen und wie Lernräume der Zukunft gestaltet werden sollten. Dazu spricht Moderatorin Pauline Braune mit Prof. Dr. Regina Bittner, Leiterin der Akademie und stellvertretende Direktorin der Stiftung Bauhaus Dessau, Martha Schwindling, Designerin und Teilnehmerin des Bauhaus Labs und Martín Volman, Designer aus Argentinien und ehemaliger Masterstudent des Master Coop Design Research in Dessau. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.
Erwin Hahs (1887-1970) zählt zu den zu Unrecht vergessenen Künstlern des 20. Jahrhunderts. Als Lehrer an der Kunsthochschule Burg Giebichenstein trug er wesentlich zur Herausbildung einer halleschen Kunstszene bei.
In der ersten Episode von Bauhaus – der Podcast ist die Direktorin der Stiftung Bauhaus Dessau Barbara Steiner zu Gast. Im Gespräch mit der Moderatorin Pauline Braune erzählt sie, was das Bauhaus war, ist und sein kann. Außerdem spricht sie über seine Gründer, den Einfluss des Krieges und welche Relevanz das Bauhaus heute noch hat. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.
Was ist das Bauhaus? Eine Schule für Gestaltung? Eine Kunstrichtung? Eine gesellschaftliche Bewegung? Bauhaus – der Podcast versucht dem auf die Spur zu kommen. Der monatliche Podcast der Stiftung Bauhaus Dessau gibt Einblick in die vielseitigen Aktivitäten am Bauhaus Dessau: vom Bauen über das Ausstellen und Sammeln bis hin zum Forschen, Lehren, Lernen und entfaltet sich dementsprechend im Plural. Pauline Braune spricht mit den Mitarbeiter*innen der Stiftung und spannenden Gästen. bauhaus-dessau.de
*TICKETS FOR OUR LIVE SHOW AT LONDON'S VAULT FESTIVAL, 19th FEBRUARY 2023 @ 8.40pm: https://vaultfestival.com/events/worst-foot-forward-live-recording/* Got ourselves a crying, walking, sleeping, talking, living doll in the form of Dr. Kit Chapman returning to the show this week with a world of creepiness to explore. As we hunt down the world's worst doll, we uncover the second life of composer Alma Mahler, the failures of Thomas Edison and, of course, far too many sex dolls. Follow us on Twitter: @worstfoot @bazmcstay @benvandervelde @ChemistryKit Follow us on Instagram: @worstfoot Join us on our Discord server! https://discord.gg/9buWKthgfx Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you'd like to support the show during this whole pandemic thing, and especially as we work on our first book and plan some live shows! https://www.patreon.com/WorstFootForward Worst Foot Forward is part of Podnose: www.podnose.com
Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Berlin, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential. The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6 With Robin Schuldenfrei Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art Alan Powers History Leader at the London School of Architecture And Michael White Professor of the History of Art at the University of York Producer: Simon Tillotson
Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Bernau, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential. The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6 With Robin Schuldenfrei Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art Alan Powers History Leader at the London School of Architecture And Michael White Professor of the History of Art at the University of York Producer: Simon Tillotson
Rejoignez nous partout les manos et les womanos : frequencemoderne.fr twitter.com/Culture_2000 facebook.com/culture2000.fm instagram.com/culture2000.fm - Vous voulez nous soutenir financièrement ? Merci, déjà ! Et c'est par là utip.io/frequencemoderne/ - Parlez de nous à vos copains, si vous le voulez bien, comme ça tout le monde sera plein de connaissance et le monde sera plus doux (résultat non contractuel) - Et sinon, à dans 15 jours en podcast pour un nouvel épisode
Roberto Gómez de la Iglesia es un consultor experto en economía creativa. Trabaja en Conexiones improbables, y nos va a contar qué hacen y cómo. Ellos ayudan a las organizaciones de todo tipo a innovar a través de un proceso de mediación de base artística y cultural. En Conexiones improbables acompañan a organizaciones a animarse a procesos creativos, de la mano de artistas. Ofrecen mediación para que los mundo de la empresa y del artista se encuentren. Nos cuenta en esta entrevista sobre el Hibridalab, el Centro de innovación abierta y Transferencia creativa de Álava. Hablamos de varios proyectos entre ellos también las conversaciones relacionadas a con la New European Bauhaus: ¿qué haría Gropius 100 años después? Lo entrevistamos conjuntamete con Ricardo Amasté, de Colaborabora. Esta entrevista es parte de las listas: Diseño en laboratorios de innovación, Salud y diseno, Espana y diseño, Arte y diseno social, Diseño sostenible, Innovación social y diseno, Ciudad y Diseño, y Cambio organizacional.
YOYI! Care, Repair, Heal is the title of a group show at Gropius Bau in Berlin that addresses issues such ...
Reber, Simonewww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei
Larry Chan discusses the architectural renovations at 8 Story Street. The original building was completed in 1965 by Walter Gropius and TAC.
Die österreichische Künstlerin Alma Mahler-Werfel zog magisch große Künstler in ihren Bann. Weit über ihren Tod hinaus wird dieser exzentrischen Frau bis heute mit einer Mischung aus Anziehung, Bewunderung und Abneigung begegnet. Nun gibt es einen neuen Roman über sie: „Alma & Gropius - Die unerhörte Leichtigkeit der Liebe“ von Thérèse Lambert.
In the late 1700s, a young man named Friedrich Froebel was on track to become an architect when a friend convinced him to pursue a path toward education instead. And in changing course, Froebel arguably ended up having more influence on the world of architecture and design than any single architect -- all because Friedrich Froebel created kindergarten.Frank Lloyd Wright's son, John, was an architect, but his most famous creation wasn't a building. It was a toy set that kids have been playing with for over 100 years. Inheriting Froebel's Gifts
In the late 1700s, a young man named Friedrich Froebel was on track to become an architect when a friend convinced him to pursue a path toward education instead. And in changing course, Froebel arguably ended up having more influence on the world of architecture and design than any single architect -- all because Friedrich Froebel created kindergarten.Frank Lloyd Wright's son, John, was an architect, but his most famous creation wasn't a building. It was a toy set that kids have been playing with for over 100 years. Inheriting Froebel's Gifts
Probst, Carstenwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
The Creative Process · Seasons 1 2 3 · Arts, Culture & Society
“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info
In this episode, we explore the history of the Pan Am Building in New York City. This 59-story skyscraper is located at 200 Park Avenue and shares a lot with the beaux-arts icon, and National Landmark, New York's Grand Central Terminal.Later in the program we are joined by Richard Roth, Jr., the grandson of Emery Roth, a prolific New York City architect who designed many notable buildings in the 1920s and 1930s. Richard provides a firsthand account on the design and construction process of the Pan Am Building as he had a front row seat. After graduating college, the young architect joined the family firm and worked closely alongside the building's famous architects and project developer. The Pan Am Building has been the topic of debate amongst architects, architectural historians, preservationists, and planners alike since the 1950s.Although initially criticized for its location, placement, and for its alleged disregard for its surrounding urban environment, the building was infamously called one of the most hated buildings in New York City. However, the Pan Am Building's architectural design is gaining popularity and respect with timeA special thank you to Matt Eberhart for his research assistance and Edward Condit for his donation in support of this program. ---------------------------------------Visit Us for more Pan Am History! Support the Podcast!Donate to the Museum!Visit The Hangar for Pan Am gear!Become a Member! Follow us on Facebook, Instagram, and Twitter! --------------------Pan Am was a pioneer in air travel, and still stands as one of the most iconic and innovative airlines in aviation history. That legacy lives on at the Pan Am Museum in Garden City, New York, where you can explore the rich history of the aircrafts and individuals at the heart of the company known as, The World's Most Experienced Airline.The Pan Am Museum Foundation is a non-profit 501(c)3 organization. All proceeds from purchases and donations go to supporting our mission of: "educating, celebrating, and inspiring present, and future, generations by preserving historical and diverse personal stories of Pan American World Airways."--------------------A very special thanks to Pan Am Brands for their continued, and unwavering, support! --------------------If you liked the show, please subscribe and leave a review, this allows others to find us. Additionally, please consider becoming a museum member.
Une histoire culturelle de l'Allemagne des années 1920. En librairie le 22 octobre 2021. La plupart des Français l'ignorent : c'est en Allemagne, pendant les années 20 de ce siècle, que s'est développée la première culture authentiquement moderne. Einstein, Bertolt Brecht, Gropius, Thomas Mann, Fritz Lang, Max Reinhardt, le Bauhaus, Heidegger, Paul Klee. Autant de noms qui témoignent de l'exceptionnel jaillissement créateur de cette époque dont le livre de Walter Laqueur présente un panorama complet – et contrasté.
L'architettura e il design di oggi non sarebbero gli stessi senza una scuola tedesca il cui nome non vi sarà, probabilmente, del tutto nuovo: Bauhaus.Nato nel 1919 a Weimar, in Germania, il Bauhaus ha cambiato per sempre le regole dell'architettura e del design, esercitando nell'ultimo secolo un'influenza ben più lunga della sua vita relativamente breve.Music credits: https://www.purple-planet.com
The impact of Walter Gropius can be measured in his buildings--Fagus Factory, Bauhaus Dessau, Pan Am--but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design. Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as "a special privilege for the aesthetically initiated." Gropius offers a poignant and personal story--and a fascinating reexamination of the urges that drove European and American modernism. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pbliving/message Support this podcast: https://anchor.fm/pbliving/support
David Fixler discusses Walter Gropius's house that he constructed. The irony is that Gropius wanted to throw out histories in schools, but now his house and designs are fully integrated as part of the cannon of architectural history.
Chiuso in casa come tutti, con un tour saltato, Pau, la voce dei Negrita, ha ripreso a disegnare. Le sue sono opere belle, alcune piene di eros, in tiratura limitata, in vetrina sul suo shop online http://www.pauhaus.it. “Pauhaus per giocare con le parole” – dice – “perché oltre essere la mia casa ricorda sia la scuola d'arte e design Bauhaus di Gropius, sia la band inglese post-punk Bauhaus, unendo così idealmente gli universi che mi appartengono“.I dipinti hanno avuto un grande successo, richiesti anche da grandi gallerie d'arte.Nick Difino ci parlerà oggi di gastro-fisica e di come vari la percezione del gusto in base a fattori apparentemente astrusi.Daniela Amenta h adedicato a Pau una playlist che va dagli Stones ai Bauhaus, passando per un paio di brani fondamentali dei Negrita, ma su Spotify ha preparato una super playlist, con due ore e passa di rock e chitarroni. https://open.spotify.com/playlist/1WGplAvKu932KSYssYPxeE?si=iTtpZbuXQh22HnbQG1tIVA
Carl Chiarenza was a member of the second class to graduate from the newly-established bachelor of fine arts program in photography at Rochester Institute of Technology. His classmates included well-known photographers Bruce Davidson, Kenneth Josephson, Pete Turner, and Jerry Uelsmann. In an interview with LensWork magazine editor Brooks Jensen from 2000, Chiarenza discusses the dual influences of Minor White and Ralph Hattersley, two prominent faculty members at RIT during the mid 1950s: Now in the photo thing, as this program is developing, Hattersley was the person—of the teachers we had Hattersley was the person who was directly involved with putting the program together. Minor came into the program when he moved to Rochester and Eastman House, so he came in part-time. Anyway, as the classes got going over the two-year period, we would be bouncing back and forth between Minor and Ralph. So the wonderful thing about this was that we didn't get stuck with a single track. We were not under Minor White, we were not under Ralph Hattersley. We would go to minor and we would learn the Zone System—and how to stare at a picture for an hour and really digest that picture detail by detail, you might say silver halide by silver halide. At the time, we all sorta thought he was really nuts, I mean having us sit there for an hour looking at these pictures, but again, as we’ve all said in retrospect, that was a major part of our education—what a picture is and how you deal with that, particularly in photography, where photographers generally see a subject or an object and say, “Oh, that’s nice, I’m going to make a picture of that,” whether its people or a lamp or whatever it is, and don’t really think about what’s going on behind it, in front of it, to the left of it, to the right of it, and so on. So we really learned to understand that photography, like any other picture, is made up of everything that’s in it. And everything that’s in it is important. On the other hand we went to Ralph and Ralph would say, ‘Well, what’s in the darkroom trash this morning? Is there anything interesting that we can pull out and start with?’ These would be prints that had stains on them that could be developed further. I know this sounds extreme, but it happened! Or he would take us on field trips to New York. We went to New York and we spent a couple days at LIFE magazine meeting people like Eisenstaedt and Margaret Bourke-White and meeting people and going through the whole building, the labs and meeting the layout people and so on. And we would go back to RIT with negatives that he had gotten for us from LIFE magazine and we experimented with them to see if we could do something different from what LIFE did. Or we went to Chicago and we met the people at ID, Callahan and Siskind, and learned about an entirely different way of teaching photography. We walked into—I guess it was the Mees building or Gropius building, I can’t remember—and as we were walking up toward the photo department, up the stairway, and we heard this terrific jazz going on. We make it up a stairway, up a landing, and there’s Chico Hamilton quartet playing, live, in the middle of this space. It wasn’t a concert, it was just in the middle of the building. So it was experiences like that that really opened us up to all kinds of creative worlds. Source: LensWork Interview (2000)
Along with Frank Lloyd Wright, Mies van der Rohe, LeCorbusier, and Marcel Breuer, architect Walter Gropius was one of the most influential Modernist architects of the 20th century. Gropius founded the heralded Bauhaus in Dessau, Germany, but the rise of Hitler in the 1930's drove Gropius first to London working for Maxwell Fry, and later to Cambridge MA where he taught at Harvard and MIT. His post-war houses with Marcel Breuer were a distinctive combination of unusual geometries that people still treasure as owners and as fans. His granddaughter Erika Pfammatter is a musician, music teacher, and former minister of music. She's also the daughter of architect Charles Forberg and the stepdaughter of another famous architect, John Johansen. Later, a very special Gropius-related song by the one and only Tom Lehrer, still going strong at 92.
Ein wichtiger Bestandteil der Arbeit des Kücheninspirator Stefan Ebbecke ist die Planungsreise gemeinsam mit seinen wertschätzenden Kunden. Und hierin dreht sich vieles um die Stilberatung, ausgerichtet auf fünf verschiedenen Wohnstile. In der heutigen Folge sprechen wir nochmal über einen bestimmten Wohnstil: Der moderne Wohnstil. Sie erfahren in der heutigen Folge, was Walter Gropius und Frank Lloyd Write damit zu tun haben und auch, woran Sie eine Küche im modernen Wohnstil erkennen können. Viel Spaß! Weitere Informationen zum Kücheninspirator Stefan Ebbecke und seinem Team von Ebbecke excellent einrichten finden Sie unter www.ebbecke-excellent.de Sie befinden sich aktuell im Küchen-Marathon und fragen sich, welche Dinge Sie für Ihre Traumküche unbedingt beachten sollten? Dann holen Sie sich jetzt unseren Ratgeber „10 Dinge, die Sie bei Ihrem Küchenkauf unbedingt beachten sollten“ unter http://ratgeber.ebbecke-excellent.de
Autor: Probst, Carsten Sendung: Kultur heute Hören bis: 19.01.2038 04:14
Autor: Brendel, Gerd Sendung: Fazit Hören bis: 19.01.2038 04:14
Wankender Boden, unsicherer Grund - die Beziehung zwischen Mensch, Land, Natur-Ressourcen ist das Thema von "There's No Such Thing as Solid Ground", einer Einzelausstellung der nigerianisch-niederländischen Künstlerin Otobong Nkanga im Berliner Gropius Bau. Dort, in house, war Nkanga zuvor ein Jahr lang Artist in Residence. - Antje Bonhage berichtet.
Autor: Probst, Carsten Sendung: Fazit Hören bis: 19.01.2038 04:14
"Das Bauhaus bejaht die Maschine als modernstes Mittel der Gestaltung und sucht die Auseinandersetzung mit ihr." Walter Gropius im Jahr 1923 - und heutiger als Heute.
Barfuss durch Sand und zeitgenössische Kunst... - der Gropius Bau ist wieder auf und zeigt die Einzelausstellung des US-taiwanesischen Künstlers Lee Mingwei. Eine Schau mit Performances und Installationen aus drei Jahrzehnten, in der es um Rituale des Schenkens und Beschenktwerdens geht. - Andrea Handels hat die Ausstellung besucht.
- Gastro and tourism re-openings - KaDeWe - Gropius Bau - Botanischre Garten ** Please check out the show notes for the links to our sources. Twitter: @berlinbriefing Facebook: https://www.facebook.com/BerlinBriefing/ Mail: berlinbriefing@gmail.com
Die K-Pop Band BTS ist einer der größten Stars des Genres. Normalerweise kooperieren sie eher mit Firmen wir Coca-Cola, jetzt mischen sie den Gropius Bau in Berlin auf. BTS wollen dort Kunstprojekte finanzieren. Moderation: Christian Eichler detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt
Normalerweise fügen wir unseren Interviews mit amerikanischen Gästen deutsche Voiceover-Elemente hinzu. Weil es jenen hilft, die nicht ganz so gut Englisch sprechen. Für sprachlich versierte Hörer wollen wir heute als Kontrast erstmals einen Extra-Service anbieten: dieselbe Fassung (#14) aus dem Herbst, aber diesmal pur – im Original. Das Thema – die hundertjährige Geschichte des Bauhauses gehört zu unseren erfolgreichsten Episoden mit den meisten Downloads. Anzeichen dafür, dass das Thema und was wir zur Aufarbeitung der 100 Bauhaus-Jahre beitragen konnten, viele unserer Hörer neugierig gemacht hat. Dara Kiese ist als Professorin am Pratt Institute in New York eine ausgewiesene Expertin.
Born in Boston, architect Eliot Noyes graduated Harvard University. After working for Boston's Coolidge Shepley Bulfinch & Abbott, he left to work for Walter Gropius and Marcel Breuer. Awarded a Wheelwright Traveling Fellowship, he toured the US visiting Frank Lloyd Wright's Fallingwater and Taliesin; Eliel Saarinen's Cranbrook Academy of Art; and Richard Neutra houses. After returning briefly to Gropius and Breuer, he became the first director of the Industrial Design Department at the Museum of Modern Art in 1940, launching the careers of Charles and Ray Eames. Noyes redefined how design was perceived inside major corporations such as IBM and Mobil. He is recognized for designing World's Fair pavilions in Brussels, Belgium, San Antonio, Montreal, and New York. He was one of the noted Harvard Five architects, which included Marcel Breuer, Philip Johnson, John Johansen, and Landis Gores. Our guest Fred Noyes is the son of Eliot Noyes. Fred Noyes worked for Graham Gund and Cambridge Seven and for over thirty years has run his own firm designing everything from hospitals to Bill and Hillary Clinton’s summer White House on Martha’s Vineyard. He was awarded an honorary Doctorate of Education from the Boston Architectural College in 2007 and lectures on architecture, biology, visual studies, and biochemistry. He owns the Noyes House II where he grew up, a house that he put under a preservation easement -- which protects it forever.
Gavin Plumley, Series Advisor to the Philharmonia Orchestra's series Weimar Berlin: Bittersweet Metropolis, presents another look at Alban Berg's Violin Concerto, demonstrating how the simple dedication, "To the memory of an angel," tells only part of the story. Written after the early death of Alma Mahler and Walter Gropius's daughter, Manon, Plumley unearths some of the many "ghosts" lurking in the score and shares stories of love, betrayal and politics in Vienna high society. Recorded 26 Sept 2019, Royal Festival Hall, London. Please note that the first five minutes of the talk were not recorded after a technical fault. More on the series: http://philharmonia.co.uk/weimar_berlin
"100 anni di Bauhaus" di Enrico Morteo
Die Geburtstage der Bauhaus-Meister wurden immer sehr zelebriert. Legendär sind die Feste, die oft und ausschweifend gefeiert werden. Susanne Reh kramt in der Erinnerungskiste.
Höhepunkt des Jubiläumsjahres: Das neue Bauhaus Museum in Dessau wird am Sonntag eröffnet. Außerdem: Pflegekinder müssen große Teile ihres Azubi-Gehalts direkt wieder an den Staat abgeben. Das sorgt für Unverständnis.
Heute: Liebeserklärung an den Gasometer Oberhausen; DDR-Kunst in Düsseldorf; Gropius und Osthaus in Briefen; Service Serie; Service Kino
In 1919, not only was the Weimar Republic founded, but Walter Gropius, the architect, also founded what would become a game-changing art school – the Bauhaus. In this film we travel to Weimar and Dessau to uncover what it was like to be a student at the Bauhaus, especially as a woman. Historian Philipp Blom and writer Theresia Enzensberger explain the parallels to our own time, and how technology and art intersected to create a new, utopian vision for life and design. Series Advisor, Gavin Plumley, also shares Walter Gropius’s curious connection to the world of music. These six films form the introduction to the Philharmonia’s concert series Weimar Berlin: Bittersweet Metropolis, which continues 23 September 2019 at Southbank Centre, London: https://www.philharmonia.co.uk/concerts/series/82/weimar_berlin_bittersweet_metropolis
If the 19th century belonged to engineering, and the 20th century to chemistry and physics, then the 21st might belong to biology. (The OECD said as much in a 2012 forum.) Increasingly, we’re coming to understand the nature of humans as biological creatures, including the unconscious, “spooky” wiring that shapes our behavior more than we know or are perhaps comfortable with. We process 11 million bits of information every second, and 10 million of them are visual. We react to images much faster than we do text, and often we form emotional impressions before we consciously reverse-engineer a rational explanation for why it made us feel the way it did. Insights like from cognitive science have made their way into nearly every discipline—including, very prominently, advertising and product design. The stunning rise of Apple is all about psychology. Car companies get it, too. There’s one big “but” there, though: one design field in which we’ve been remarkably slow to absorb the lessons of modern psychology. And that field is architecture. The funny thing is, we used to incorporate those lessons into architecture and urban design. We just didn’t know we were doing it. But unconscious lessons, arrived at by trial-and-error, about what kinds of places make people comfortable and bring out the best in us are responsible for the pleasing harmony and coherence of the traditional urbanism you can find in pre-modern cities all over the world. It's the reason traditional buildings so often evoke human faces in their proportions and door/window placement. It’s the reason unfamiliar places can be navigable and familiar to us even when they’re foreign. It’s the reason Ann Sussman, on a visit to Copenhagen, thought: “I don’t speak Danish. There’s no signage. Yet I know exactly where to go, and I feel more at home here than back home in Boston.” Sussman is a co-author (with Katie Chen) of a controversial 2017 essay in Common Edge titled “The Mental Disorders That Gave Us Modern Architecture.” In it, Sussman and Chen examine the sharp contrast between post-World War I modernist architecture and traditional European architecture, through the lens of the psychology of two of Modernism’s pioneers: Walter Gropius and Le Corbusier. Gropius, a World War I veteran, almost certainly suffered from post-traumatic stress disorder (PTSD), a diagnosis that would not be available until after his death in 1969. Le Corbusier was probably autistic—again, something that was not understood during his lifetime, but that we can retroactively see the hallmarks of. In both cases, Sussman says, these men seem to have been deeply uncomfortable with the kinds of traditional urban environments that pervaded the Europe they grew up in. “Le Corbusier hated the Paris street,” for example, says Sussman; he found it overwhelming and overstimulating. Gropius actually designed some features of his Lincoln, Massachusetts house in ways that evoke a World War I bunker. The house has many of the hallmarks of modernist design: you can’t find the front door at a glance. The building stands aloof from the world around it instead of engaging passersby and drawing them in. It would be simplistic to blame all of modernism on the mental quirks of two of its visionaries. But Sussman’s observations provide a fascinating springboard for understanding how traditional architecture is so effortlessly pro-social, and how much of that legacy we’ve tragically left behind in the 20th and 21st centuries—an aesthetic movement turbocharged by the policy decisions that led us to radically redesign much of our world around the automobile. Listen to Chuck Marohn and Ann Sussman on the Strong Towns Podcast for a discussion of this shift and more, including: Why we're wired to perceive faces in building facades. What the ruins of Pompeii and 21st-century Disney World can each teach us about designing pro-social environments that inherently bring out the best in us. How the trauma of World War I gave way to the modernist movement in architecture. Why we should adopt a broader understanding of designing with human health in mind than just sidewalks and bike paths.
Mats Arvidsson och Karsten Thurfjell tog sig till Dessau för att besöka denna modernismens vagga, Bauhaus. Lyssna på alla avsnitt i Sveriges Radio Play. Det har kallats för modernismens urhem, Bauhaus i tyska Dessau.Enligt Nationalencyklopedin beskrivs grunden till verksamheten så här: "Staatliches Bauhaus in Weimar, pedagogiskt och designhistoriskt viktig konst- och hantverksskola, grundad av Walter Gropius 1919 efter en sammanslagning av den konsthantverksskola som Henry van de Velde lett sedan 1902 och konstakademin i Weimar. Gropius avsikt var att upphäva gränserna mellan hantverk och konst och att foga in dem i ett arkitektoniskt sammanhang." 1925 flyttade verksamheten till Dessau - tvingad därtill på grund av den politiska utvecklingen. I början av 30-talet stänges skolan helt och lärarna lämnade Tyskland. 1939 återuppstod skolan i USA under namnet Institute of Design i Chicago.Mats Arvidsson och Karsten Thurfjell tog sig till Dessau för att besöka denna modernismens vagga.
Mats Arvidsson och Karsten Thurfjell tog sig till Dessau för att besöka denna modernismens vagga, Bauhaus. Det har kallats för modernismens urhem, Bauhaus i tyska Dessau. Enligt Nationalencyklopedin beskrivs grunden till verksamheten så här: "Staatliches Bauhaus in Weimar, pedagogiskt och designhistoriskt viktig konst- och hantverksskola, grundad av Walter Gropius 1919 efter en sammanslagning av den konsthantverksskola som Henry van de Velde lett sedan 1902 och konstakademin i Weimar. Gropius avsikt var att upphäva gränserna mellan hantverk och konst och att foga in dem i ett arkitektoniskt sammanhang." 1925 flyttade verksamheten till Dessau - tvingad därtill på grund av den politiska utvecklingen. I början av 30-talet stänges skolan helt och lärarna lämnade Tyskland. 1939 återuppstod skolan i USA under namnet Institute of Design i Chicago. Mats Arvidsson och Karsten Thurfjell tog sig till Dessau för att besöka denna modernismens vagga.
Die heutige Radiosendung dreht sich rund um das Thema "100 Jahre Bauhaus" in Erfurt und Weimar. 100 Jahre Bauhaus - Das Ereignis wird umfangreich und vielseitig gefeiert. Für Historiker, Architekten, Kunsthistoriker, Bauschaffende ein schier unerschöpfliches Thema. Im Zuge der Veranstaltungen sind viele Künstler mit ihren Werken an das Tageslicht gekommen, die sonst hinter Gropius, Van der velde, Breuer, Schlemmer usw. Zurück gestellt waren. Die Vielfalt de Angebote ist für Kunstinteressierte kaum noch überschaubar. Wie gehen Kinder und Jugendliche mit diesem Erbe um? Wie werden sie herangeführt an Bauwerke und Kunstprodukte Wie soll ihr Verständnis für diese Entwicklung in den „Goldenen 20ern“ geweckt und gefördert werden? Für diese Aufgabe hat die Initiative der Kulturstiftung des Bundes in Zusammenarbeit mit anderen Institutionen ein Programm für Bauhaus-Agenten entwickelt. Was dieses Programm beinhaltet, wie es umgesetzt wird und welche nahhaltigen Ergebnisse dabei ereicht werden sollen, wird im Verlauf der Sendung erläutert. Sebastian Wanke, freier Künstler aus Weimar und Johannes Siebler vom Bauhaus-Museum Weimar informieren, welche Erfahrungen und Ergebnisse während des Projekts mit Schülern rund um das Thema Bauhaus erreicht worden sind. www.bauhaus-agenten.de Die Walter-Gropius-Schule in erfurt, Staatliche Berufsschule, trägt seit 1999 den Namen des bedeutenden Architekten, Designers und Pädagogen. Das Team der Schule hat einige Jahre intensive Kontakte zu Ati Gropius-Johansen gepflegt. Dr. Ulrike Hess schildert Erlebnisse mit Ali Gropius während der Werkstattwochen und ganz besonderen Workshops. http://www.walter-gropius-schule.de Durch die Sendung führen Aline Bauerfeind und Richard Schaefer
Im Bauhausjahr 2019 wird auf der ganzen Welt die bedeutende Bildungsstätte gewürdigt. Namen wie Gropius, Feininger, Klee u.a. sind bekannt. Die Musikerin Gertrud Grunow ist heute vergessen, obwohl sie von 1919 bis 1923 am Weimarer Bauhaus lehrte und dort als einzige Frau im Meisterrat saß. Autor: Christian Kosfeld
Join cultural historian Gavin Plumley and the Philharmonia on a journey around Germany and discover the sights and sounds of the Weimar Republic in the first of a series of six films. Following World War I, Germany was in tatters. What emerged from the ashes was a new republic, founded in Weimar with the aim for a more progressive, modern Germany. What followed was just over a decade of extraordinary cultural and artistic experimentation. Dietrich, Weill, Brecht, Gropius and Dix – just a few of the many cultural figures during this remarkable period. In these films, the Philharmonia Orchestra will take you to Berlin, Weimar, Dessau and Buchenwald while experts dig into the history, music, art, films and theatre of the period. These six films form the introduction to the Philharmonia’s concert series Weimar Berlin: Bittersweet Metropolis, which opens 9 June at Southbank Centre, London: https://www.philharmonia.co.uk/concerts/series/82/weimar_berlin_bittersweet_metropolis
Gli ultimi due secoli di architettura in un lasso di tempo fin troppo breve. Ce la faremo? Non credo... ma chissene. Dal Caffè Pedrocchi alla Torre Eiffel, dalla Casa sulla Cascata all'Eur,...
Socrates said that the order of the city was the order of the soul writ large. That observation is all the more true today—and not a compliment to the modern soul or the modern city. Most people simply don’t advert to the quiet influence the surrounding architecture has on their psyche: the shape and scale of buildings, the order and proportion (or lack thereof). The father of modern Bauhaus architecture is the German Walter Gropius, a promiscuous cad who married a promiscuous shrew named Anna Mahler, wife of composer Gustav Mahler. Dr. E. Michael Jones, editor of Culture Wars magazine says that Gropius painted into his architectural vision a radically new kind of building and with it, a revolution in urban planning. In this episode you will learn: The subtle (?) ways in which the architecture that surrounds us tells us who we are and what our life’s priorities ought to be How Gropius’s rationalization of his own degeneracy got transmuted into buildings built purely for function, and ugly as sin besides Why rebellion against Logos leads to disorder and chaos in the external design of things What public housing Projects in Chicago, suburban Moscow, and industrial Poland have in common Why classical architecture as nurtured by Catholic principles and sound philosophy can lead the way to beautify both home and church design.
Tweet to Patrick HERE Follow Patrick on Facebook HERE Subscribe to the Podcast and the YouTube Channel Subscribe to the YouTube Channel: While you are here, please leave an honest review. Ratings and reviews are extremely helpful and greatly appreciated! ******************************************************** Socrates said that the order of the city was the order of the soul writ large. That observation is all the more true today—and not a compliment to the modern soul or the modern city. Most people simply don’t advert to the quiet influence the surrounding architecture has on their psyche: the shape and scale of buildings, the order and proportion (or lack thereof). The father of modern Bauhaus architecture is the German Walter Gropius, a promiscuous cad who married a promiscuous shrew named Anna Mahler, wife of composer Gustav Mahler. Dr. E. Michael Jones, editor of Culture Wars magazine says that Gropius painted into his architectural vision a radically new kind of building and with it, a revolution in urban planning. In this episode you will learn The subtle (?) ways in which the architecture that surrounds us tells us who we are and what our life’s priorities ought to be How Gropius’s rationalization of his own degeneracy got transmuted into buildings built purely for function, and ugly as sin besides Why rebellion against Logos leads to disorder and chaos in the external design of things What public housing Projects in Chicago, suburban Moscow, and industrial Poland have in common Why classical architecture as nurtured by Catholic principles and sound philosophy can lead the way to beautify both home and church design Resources mentioned in this episode Living Machines: Architecture and the Rationalization of Sexual Misbehavior by E. Michael Jones Moderns: Modernity as Rationalized Sexual Misbehavior by E. Michael Jones Dionysos Rising: The Birth of Cultural Revolution Out of the Spirit of Music by E. Michael Jones The Slaughter of Cities: Urban Renewal As Ethnic Cleansing by E. Michael Jones Home Alone: A Neighbor’s Thoughts on Pete Buttigieg by E. Michael Jones From Bauhaus to Our House by Tom Wolfe
The prize-winning author Karl Ove Knausgaard explores the life and work of a fellow Norwegian artist, Expressionist Edvard Munch. He tells Tom Sutcliffe that Munch’s work extends far beyond his iconic painting The Scream. Knausgaard brings together art history, biography and personal memoir to reflect on what it means to be an artist. Munch is known as a painter of the inner life and even his landscapes are infused with personal reflection. But at the turn of the twentieth century, while he was looking inward, art schools across Europe were forging new philosophies and were engaging with the wider world. In Germany the Bauhaus movement, founded by Walter Gropius, stood for experiment and creative freedom. Fiona MacCarthy’s new biography of Gropius re-evaluates his intellectual and emotional life. She depicts him at the heights of Bauhaus fame and through his post-war years in London to his architectural successes in America. Back in the UK, Charles Rennie Mackintosh was at the centre of a movement based at the Glasgow School of Art. Curator Alison Brown explains how that city became the birthplace of the only Art Nouveau ‘movement’ in the UK. The style and influence of Mackintosh and his disciples has since spread throughout the world. Both Bauhaus and Art Nouveau designs became commercially successful and mass produced. But the earlier Arts and Craft Movement of William Morris championed the principle of handmade production. In an extraordinary find, the social historian Tamsin Wimhurst, came across a terraced house in Cambridge owned by a working-class Victorian decorative artist who reproduced the work of Morris for his own pleasure at home. The David Parr House is opened to the public later this year. Producer: Katy Hickman
Ah, Cape Cod, the arm-shaped stretch of Massachusetts where Boston goes in the summer. The sun. The ocean. The traffic. The clam chowder. The summer theatre productions. And best of all, except for perhaps the clam chowder, the modern architecture by Marcel Breuer, Walter Gropius, and others. There are more than 100 modernist houses representing a little-known treasure map of residential architecture. Our guest Peter McMahon is Principal of PM Design. Peter curated an exhibition on Cape Cod Modernist architecture for the Provincetown Art Museum. This led to the creation of the unique and highly effective Cape Cod Modern House Trust, which documents and preserves these houses and makes them available for the public to stay in. His own summer house in Wellfleet MA was published in House Beautiful and Outside and he is co-author with Christine Cipriani of Cape Cod Modern: Mid-Century Architecture and Community on the Outer Cape.
Nu är det dags för en följetong om några av namnen kring Bauhausskolan. Först ut är av naturliga skäl Walter Gropius som grundade Bauhaus i Weimar 1919. Det blir mycket arkitektur, men också en del möbler. Litteratur: Lupfer & Sigel, "Gropius", Taschen, Köln, 2017Magdalena Droste, "Bauhaus", Taschen, Köln, 2016 Följ DesignPodden på Instagram @designpodden för bilder och vidare lästips. DesignPodden kommer varje vecka göra nerslag i designhistorien med fokus på 1900-talet och Skandinavien.
Guest star Fiona Hamilton makes a second podcast appearance, joining Andrea for a reading on Gropius and Wachsmann's prefab housing system.
À propos du livre : « Le Destin Symphonique De Gustav Mahler » aux éditions / Le Bord de l'eau Gustav Mahler (11 Juillet 1860-19 Mai 1911) eut une brève heure de gloire de son vivant à la Direction de l’Opéra de Vienne ainsi qu’à New York où il s’exila tant il souffrait de l’incompréhension que suscitait sa musique. La montée du nazisme, à partir de 1933, les deux guerres mondiales ont contribué à l’occultation de son œuvre, jusque dans les années 1950. C’est à partir de cette époque que de grands musicologues, Henry Louis de la Grange en France, William Adorno, en Allemagne ont par de remarquables études très approfondies de sa musique, contribué à sa renaissance. Sa musique, telle un météore, illumina l’univers artistique viennois au début du XXe siècle, avant de sombrer dans une occultation totale due au régime nazi. Elle ressurgit de ses cendres, aux Etats Unis, dans les années cinquante, grâce à Adorno et aux travaux de musicologues passionnés. Cette résurrection est due à son intérêt artistique mais aussi au fait que le compositeur utilise le matériau musical comme instrument de sa pensée. La vie amoureuse de Mahler est évoquée dans ses symphonies. L’auteur, avec une sincérité bouleversante y narre les délices et plus souvent les déboires de son itinéraire amoureux. Avec une lucidité nostalgique ou douloureuse, il évoque ses amours de jeunesse, toutes suscitées par la passion qu’il déploya en vue de former les jeunes chanteuses qui furent confiées à sa maîtrise. Puis ce fut la belle, la sublime Alma qui vint illuminer son ciel artistique, avant de l’obscurcir, lorsque lassée de son devenir d’épouse fidèle, elle décida de replonger dans les délices de sa jeunesse dorée avec le déjà célèbre Gropius. La souffrance qu’il endura est relatée avec des accents à la fois sublimes mais parfois déchirants. Il fut victime d’une véritable névrose obsessionnelle qui généra en lui un dédoublement de sa personnalité : celle du compositeur toujours égal à lui-même dans la poursuite de son œuvre ; celle de l’amoureux éconduit qui se livra à de pitoyables contorsions passionnelles dans l’espoir de reconquérir son épouse volage. Ces drames passionnels firent jaillir sous sa plume ses plus belles symphonies ; leurs accents pathétiques ou mystiques, furent bien accueillis par le public. Mais sa musique fut vilipendée, honnie par une grande majorité de la presse viennoise empreinte d’antisémitisme. Aspirant à plus de sérénité, il dût, à regret, quitter Vienne, sa patrie à laquelle il était enraciné, pour poursuivre et achever sa carrière à New York. Maurice Dahan est avocat. Il a publié notamment La pratique française du droit du commerce international (SEDES). Formidable connaisseur de l’œuvre de Mahler, il a dialogué avec tous les spécialistes du compositeur depuis près de cinquante ans.
Es uno de esos episodios míticos, donde se cruzaron dos personalidades de enorme influencia en la cultura de por aquel entonces, y actual, por supuesto. El encuentro entre Mahler y Freud tuvo lugar en agosto de 1910, en plenas vacaciones de Freud, dada la insistencia del compositor por causa del estado de angustia en que se encontraba tras conocer el romance de su esposa con Gropius. En el audio, se citan fuentes, artículos y hasta una película: "Mahler auf der Coach" ("Confesiones en el diván", 2010) que desarrolla la historia con cierta licencia. Escúchenlo para conocer el diagnóstico dado por Freud. Añado con fecha 15 de agosto de 2017: http://www.elmundo.es/cultura/musica/2017/08/14/599088f846163fe14b8b457e.html Música intro y fondo: "Cuarteto para piano", de G. Mahler en su arreglo para orquesta.
Simone e il Pregianza chiudono in bellezza la prima caldissima stagione di Tutto tranne il Calcio e lo fanno consigliandovi tutto (o quasi tutto) il Bauhaus da scaricare gratuitamente, il meglio del meglio dei Monty Phyton disponibile su YouTube e un videogioco che è la storia dei videogiochi. E anche qualcosa di più. Come sempre alla consolle Costanzo Raiser di «Prismo». E soprattutto nei nostri cuori le persone che ci hanno accompagnato in questa prima stagione: Paolo Papandrea e la sua voce, Fabio Bozzetto e le sue basi, Darth Von Trier e il suo rock dei padri, Claudio Serena e Matteo Scandolin con la loro pazienza, Querty e la sua accoglienza. E soprattutto voi, anche quelli lì in fondo che si nascondono, per averci seguito in queste 32 puntate. Da Simone e dal Pregianza è davvero tutto. Tranne il calcio. ARTEBauhaus at Monoskop: Nove pubblicazioni indispensabili, da Gropius a Kandiski, per conoscere il Bauhaus. Funzionali e funzionaliste. (GRATIS)https://monoskop.org/BauhausVIDEOGIOCHIDeus Ex - Il passato del videogioco è ancora meglio del presente del videogioco (1.74 €)http://store.steampowered.com/app/6910/CINEMAMonty Python su YouTube: i Monty Pyton sono arrivati sul Tubo e stanno pubblicando il loro meglio. Del meglio. Del meglio (GRATIS)https://www.youtube.com/user/MontyPython?gl=IT&hl=itCOS'ABBIAMO ASCOLTATOhttps://open.spotify.com/user/latrasmissione/playlist/08KQCjbmAxgHTuTTFWK9qThttps://www.youtube.com/watch?v=Q2MsF3sTftg
Simone e il Pregianza chiudono in bellezza la prima caldissima stagione di Tutto tranne il Calcio e lo fanno consigliandovi tutto (o quasi tutto) il Bauhaus da scaricare gratuitamente, il meglio del meglio dei Monty Phyton disponibile su YouTube e un videogioco che è la storia dei videogiochi. E anche qualcosa di più. Come sempre alla consolle Costanzo Raiser di «Prismo». E soprattutto nei nostri cuori le persone che ci hanno accompagnato in questa prima stagione: Paolo Papandrea e la sua voce, Fabio Bozzetto e le sue basi, Darth Von Trier e il suo rock dei padri, Claudio Serena e Matteo Scandolin con la loro pazienza, Querty e la sua accoglienza. E soprattutto voi, anche quelli lì in fondo che si nascondono, per averci seguito in queste 32 puntate. Da Simone e dal Pregianza è davvero tutto. Tranne il calcio. ARTEBauhaus at Monoskop: Nove pubblicazioni indispensabili, da Gropius a Kandiski, per conoscere il Bauhaus. Funzionali e funzionaliste. (GRATIS)https://monoskop.org/BauhausVIDEOGIOCHIDeus Ex - Il passato del videogioco è ancora meglio del presente del videogioco (1.74 €)http://store.steampowered.com/app/6910/CINEMAMonty Python su YouTube: i Monty Pyton sono arrivati sul Tubo e stanno pubblicando il loro meglio. Del meglio. Del meglio (GRATIS)https://www.youtube.com/user/MontyPython?gl=IT&hl=itCOS'ABBIAMO ASCOLTATOhttps://open.spotify.com/user/latrasmissione/playlist/08KQCjbmAxgHTuTTFWK9qThttps://www.youtube.com/watch?v=Q2MsF3sTftg
Bart Lootsma über Walter Gropius und das Bauhaus.
Was denken die Bewohner über die Auszeichnung ihrer Siedlung? Neben der Museumsinsel und der Berlin-Potsdamer Kulturlandschaft mit ihren Schlössern und Gärten, sind nun aktuell sechs Berliner Arbeiter-Siedlungen von der UNESCO zum Weltkulturerbe erklärt worden. Wir haben uns für Euch in einer umgeschaut - die Großsiedlung Siemensstadt. Hier haben u.a. Gropius, Taut, Scharoun und Bartning gebaut und für Wohnkomfort gesorgt. Berliner Moderne nannte sich das. Entstanden ist das alles größtenteils in der ersten Hälfte des letzten Jahrhunderts. Für damalige Verhältnisse ganz schön futuristisch!
© 2020-2025 Ivy Podcast Discovery LLC
