Podcasts about Gropius

Gropius, Tatjana www.deutschlandfunk.de, Informationen am Abend

Schildbach, Linda www.deutschlandfunkkultur.de, Fazit

Schildbach, Linda www.deutschlandfunk.de, Corso

Schildbach, Linda www.deutschlandfunkkultur.de, Studio 9

With tracks from Linkwood Family, Radio Slave, Fernando, Pinky Ann Rihal, Neuronphase, 44th Move, Topic Of Conversation, Sworn Virgins, Arp Deco, Daniel Monaco, House To House Ft. Kim Mazelle, Orlando B, Yuksek, Wolfram, Tuff City Kids, Marcus Marr, Deer Jade, Gafas Du Soul, Alexny, Kabinett, Diogo Strausz & Emmanuelle & JKriv, 4NEY. Contact: dj@ribeaud.ch.

07Welcome to New Angle Voice: I'm your bi-coastal architect and host, Cynthia Phifer Kracauer. Catherine Bauer's life divided into two names and two geographies:  her urban east coast youth, and her Bay Area soft landing.  She hobnobbed with the bohemian elite of the interwar years….brilliantly charming the pants off of the big architect names of the Weimar Republic, Paris cafe society, and the International Style:  Gropius, Mies, Corb, Oud, May…with her lover, Lewis Mumford—culminating in the publication of her 1934 classic :  Modern Housing.   Her glamour and charismatic presence endeared her to trade unionists, labor leaders, and politicians, including five presidents—who she tried to turn to her vision of housing as a worthy responsibility of the government—sexier and leftier during the Depression. Her arguments were a harder sell in the red scare fifties and ran into a dreary deadlock in the suburban sixties, as she later wrote from her west coast stronghold at the University of California, Berkeley. In the Bay Area she developed an academic career that also included a husband, a daughter, and a house on the bay – all surrounded by the nature she quickly grew to love. Her legacy lives on to this day, as even the latest of housing legislation echoes the progressive ideals she was advocating for in her prime.   Hear now:  Catherine Bauer Wurster:  A Thoroughly Modern Woman.   Special thanks in this episode to Barbara Penner, Gwendolyn Wright, Sadie Super, Matthew Gordon Lasner, Katelin Penner, and Carol Galante.  Archival recordings are from the UC Berkeley Bancroft Library.   This podcast is produced by Brandi Howell, with editorial advising from Alexandra Lange. New Angle Voice is brought to you by the Beverly Willis Architecture Foundation.  Funding for this podcast comes from the New York State Council on the Arts. You can find other episodes of New Angle: Voice wherever you find your podcasts.  And if you liked this episode, please leave a review and share with a friend.    

durée : 00:08:05 - Le Disque classique du jour du jeudi 26 septembre 2024 - Les musiciens du quatuor Gropius suivent l'exemple de Walter Gropius et ont, comme lui, leur centre de création à Berlin et Weimar.

durée : 01:27:58 - En pistes ! du jeudi 26 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Jeudi, la programmation se compose de Dvorak, de Mendelssohn, de Haendel, de Philippe Erlebach, de Johan Fischer, de Chostakovich, de Debussy, de Frank Martin, de Friedrich Eck et de Fauré. En pistes !

durée : 01:27:58 - En pistes ! du jeudi 26 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Jeudi, la programmation se compose de Dvorak, de Mendelssohn, de Haendel, de Philippe Erlebach, de Johan Fischer, de Chostakovich, de Debussy, de Frank Martin, de Friedrich Eck et de Fauré. En pistes !

durée : 00:08:05 - Le Disque classique du jour du jeudi 26 septembre 2024 - Les musiciens du quatuor Gropius suivent l'exemple de Walter Gropius et ont, comme lui, leur centre de création à Berlin et Weimar.

In today's episode, we spotlight a remarkable woman who played a crucial role behind the scenes and in the spotlight of the Bauhaus: Ise Gropius. Born Ilse Frank, Ise Gropius was much more than the wife of the architect and Bauhaus founder Walter Gropius. She was a journalist, a writer, and an editor whose influence extended deep into the heart of the Bauhaus. Her intellectual rigor and editorial skills were instrumental in documenting and promoting the innovative ideas that emerged from this groundbreaking movement. You will hear the distinguished architect, urban planner, and author Jana Revedin who became renowned for her biographical novel "Alle hier nennen mich Frau Bauhaus" (Everyone Here Calls Me Mrs. Bauhaus) that was published in 2018 and – based on Ice Gropius's Bauhaus diary – explores her life and influence.  Join us as we delve into the life of Ise Gropius, exploring her contributions to the Bauhaus. Whether you're a longtime admirer of the Bauhaus or newly curious about its key figures, this episode offers an engaging and enlightening journey into the world of Ise Gropius, a true Bauhaus face. www.bauhausfaces.com | @bauhausfaces Jana Revedin www.revedin.com | Ise Gropius bauhauskooperation.de, gropius.house | "Jeder hier nennt mich Frau Bauhaus" www.deutschlandfunkkultur.de

Versione audio: La prima metà del XX secolo fu caratterizzata dalla nuova tendenza progettuale del Movimento Moderno. Gli architetti che vi aderirono si ribellarono al classicismo accademico, sostenendo le nuove proposizioni di forme elementari; promossero l'uso del cemento armato, del ferro e del vetro; proposero il controllo dell'espansione urbana, attraverso un'ordinata zonizzazione delle funzioni; vollero […] L'articolo La sede del Bauhaus a Dessau di Gropius proviene da Arte Svelata.

Fabio Isman"Andare per l'Italia razionalista"Edizioni del Mulinowww.mulino.itMolte nostre città vantano qualche edificio razionalista, riconoscibile per le forme «pure» e l'uso di cemento armato e vetro. Il razionalismo, durato solo dal 1925 al 1940 e ispirato dalle esperienze del Bauhaus, di Mies van der Rohe, Gropius e Le Corbusier, opera una propria originale rivoluzione estetica: fa scaturire la forma del costruito dalla sua funzione e abolisce ogni decorazione. Il nuovo stile «littorio» e il regime fascista, con le sue grandi opere pubbliche, ne oscurerà le novità e la memoria. L'itinerario muove dalle «piccole capitali» dove il movimento esordisce (Milano, Como, Roma), per raccontare piccoli gioielli anche di provincia, come Tresigallo, Sabaudia, Ivrea, Torviscosa, Cosenza e molti altri poco conosciuti che vanno riscoperti.Fabio Isman, giornalista e scrittore, è stato per molti anni inviato del «Messaggero». Con il Mulino ha pubblicato «Andare per le città ideali» (2016), «L'Italia dell'arte venduta» (2017), «1938, l'Italia razzista» (2018), «Andare per l'Italia degli intrighi» (2020), «La Roma che non sai» (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Die „historische Rekonstruktion“ hat in Deutschland seit der „Wende“ Hochkonjunktur. Philipp Oswalts Buch hinterfragt die geschichtspolitische Programmatik hinter originalgetreuen Nachbauten wie des Berliner Schlosses oder der Potsdamer Garnisonkirche und zeigt am Wiederaufbau der Paulskirche und des Meisterhauses von Gropius in Dessau Alternativen geschichtsbewusster Rekonstruktion auf. Berenberg Verlag, 240 Seiten, 22 Euro ISBN 978-3-949203-73-2

In dieser Podcastfolge sprechen Anne Schneider und Kilian Gärtner von der Kuratorischen Werkstatt der Stiftung Bauhaus Dessau mit Pauline Braune darüber, wie das Bauhaus für Besucher*innen zugänglicher werden kann, die weniger mobil sind, nicht hören oder sehen können. Auch ist Thema, wie verschiedene Sinneseindrücke dabei helfen können, einen Eindruck vom Alltag am historischen Bauhaus zu erhalten. Außerdem berichten Frank Brehmer und Andreas Leutloff als Vertreter und Selbstbetroffene vom Deutschen Blinden- und Sehbehinderten Verband e.V. von ihren Erfahrungen und Bedürfnissen als Besucher von Kulturinstitutionen.   Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.

The Modernist architecture we love is exciting, edgy, sometime inexplicable, often brilliant.  Modernism has been around a long time, yet there's also been a movement beyond  Neutra and Corbusier and Gropius and Breuer and Mies, that's frequently misunderstood.  We're talking about organic architecture, houses that make Neutra look downright classical. Organic architects are a fiercely independent breed, using their intuition like Yoda would use the Force, taking on unusual materials and construction techniques, and sculpting residences that look out of this world.  More simply put, organic architecture is to modernism like monks are to priests, and these monks take their craft very seriously.  As a client, you tell them what you need, but you are not going to tell them what to design.  Joining us today are two prominent living organic architects, Bart Prince and Michael Johnson and later on, returning musical guests Peter Lamb and The Wolves.

Die Klimakrise ist wahrscheinlich das drängendste Thema unserer Zeit. Angesichts des wachsenden Bewusstseins für den Klimaschutz stellt sich für Denkmalschützer die Frage, wie man schützenswerte Bau- und Kunstwerke wie das Bauhaus in Dessau erhalten und nutzen kann – trotz, aber auch gerade unter den veränderten klimatischen Bedingungen. Darüber spricht Moderatorin Pauline Braune mit Ulrike Wendland, Leiterin der Geschäftsstelle des Nationalkomitees für Denkmalschutz, Dorothea Roos, Leiterin der Bauabteilung der Stiftung Bauhaus Dessau, und Holger Lemme, Verwaltungsleiter der Stiftung Bauhaus Dessau. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine E-Mail an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.

Im Jahr 1930 konzeptionierte Lászlo Moholy-Nagy den ersten Licht-Raum-Modulator. Seitdem wurde der Apparat immer wieder nachgebaut. In der vierten Episode von Bauhaus – der Podcast sind Torsten Blume, wissenschaftlicher Mitarbeiter der Stiftung Bauhaus Dessau und Jürgen Steger, Diplom Designer und Objektgestalter zu Gast. Im Gespräch mit der Moderatorin Pauline Braune erläutern sie den Entwicklungsprozess des Apparats und diskutieren, ab wann eine Reproduktion ein Original ist und ob es überhaupt sinnvoll ist, dieser Frage nachzugehen. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.

Im Angesicht der Klimakrise hinterfragen immer mehr Menschen ihre Art zu Reisen. An die Stelle von Billigflieger rücken nachhaltigere Möglichkeiten wie Interrail-Tickets oder Inland-Reisen. Die dritte Episode von Bauhaus – der Podcast dreht sich um den Tourismus der Zukunft. Dafür spricht Moderatorin Pauline Braune mit Reisebloggerin Sarah Köhler, besser bekannt als Bambi und Ute König, Pressesprecherin und Leiterin der Kommunikation der Stiftung Bauhaus Dessau. Gemeinsam diskutieren sie, wie sich das Reisen verändert hat, welche Rolle die Politik im Tourismus spielt und wie Digitales Reisen zum Denkmalschutz beitragen könnte. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de. Mehr von Bambi findet ihr auf ihrem Instagram- und auf ihrem TikTok-Account.

Professor James Stevens Curl is the author of the book "Making Dystopia: The Strange Rise and Survival of Architectural Barbarism". He dissects the modernist ideology as a historical phenomenon, which is not independent of the authoritarian social forces that surround it. On the contrary, Stevens Curl demonstrates that modernism became an authoritarian aesthetic ideology from early on, which eventually characterized the whole of Western culture. Where many academics in Western Europe have taken a nihilistic approach to the dystopian urban landscapes that have risen after the Second World War, James Stevens Curl chooses a firm position. As he sees it, modernism is a deeply immoral and a socially destructive project, which should be actively combated. Curl has also written extensively about Victorian architecture. Architecturally, the Victorian era was a rich era, with great building activity and saw the construction of many beautiful churches. In his newest book "English Victorian Churches", Curl explains how the European political currents of the time, British religious policy, and local engagement played a significant role in realizing this rich and beautiful architectural period."

In the movie Forrest Gump, one man finds himself at the center of historical events, encountering famous people over the course of decades. While Forrest Gump was fictitious, there have been people who have served as a nexus at certain places and times in history.  One such person existed in the early 20th century, and her life intersected with several important figures in the world of art in Central Europe…. three of them she married.  Learn more about the incredible life of Alma Margaretha Marie Schindler Mahler Gropius Werfel on this episode of Everything Everywhere Daily. Sponsors Expedition Unknown  Find out the truth behind popular, bizarre legends. Expedition Unknown, a podcast from Discovery, chronicles the adventures of Josh Gates as he investigates unsolved iconic stories across the globe. With direct audio from the hit TV show, you'll hear Gates explore stories like the disappearance of Amelia Earhart in the South Pacific and the location of Captain Morgan's treasure in Panama. These authentic, roughshod journeys help Gates separate fact from fiction and learn the truth behind these compelling stories.   InsideTracker provides a personal health analysis and data-driven wellness guide to help you add years to your life—and life to your years. Choose a plan that best fits your needs to get your comprehensive biomarker analysis, customized Action Plan, and customer-exclusive healthspan resources. For a limited time, Everything Everywhere Daily listeners can get 20% off InsideTracker's new Ultimate Plan. Visit InsideTracker.com/eed. Subscribe to the podcast!  https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Charles Daniel Associate Producers: Peter Bennett & Thor Thomsen   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Das historische Bauhaus gilt als wichtigste Kunst- und Gestaltungsschule der Moderne. Für damalige Verhältnisse als visionär. In der zweiten Episode von Bauhaus – der Podcast geht es darum, ob das Bauhaus immer noch ein guter Ort ist, sich über die Zukunft Gedanken zu machen, in welcher Weise Vergangenheitsbezüge Zukunftsfähigkeit ermöglichen und wie Lernräume der Zukunft gestaltet werden sollten. Dazu spricht Moderatorin Pauline Braune mit Prof. Dr. Regina Bittner, Leiterin der Akademie und stellvertretende Direktorin der Stiftung Bauhaus Dessau, Martha Schwindling, Designerin und Teilnehmerin des Bauhaus Labs und Martín Volman, Designer aus Argentinien und ehemaliger Masterstudent des Master Coop Design Research in Dessau. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.

Erwin Hahs (1887-1970) zählt zu den zu Unrecht vergessenen Künstlern des 20. Jahrhunderts. Als Lehrer an der Kunsthochschule Burg Giebichenstein trug er wesentlich zur Herausbildung einer halleschen Kunstszene bei.

In der ersten Episode von Bauhaus – der Podcast ist die Direktorin der Stiftung Bauhaus Dessau Barbara Steiner zu Gast. Im Gespräch mit der Moderatorin Pauline Braune erzählt sie, was das Bauhaus war, ist und sein kann. Außerdem spricht sie über seine Gründer, den Einfluss des Krieges und welche Relevanz das Bauhaus heute noch hat. Wenn ihr Anregungen oder Fragen zum Podcast habt, dann schreibt uns gerne eine Email an: podcast@bauhaus-dessau.de Weitere Informationen zur Stiftung Bauhaus Dessau findet ihr unter https://www.bauhaus-dessau.de.

Was ist das Bauhaus? Eine Schule für Gestaltung? Eine Kunstrichtung? Eine gesellschaftliche Bewegung? Bauhaus – der Podcast versucht dem auf die Spur zu kommen. Der monatliche Podcast der Stiftung Bauhaus Dessau gibt Einblick in die vielseitigen Aktivitäten am Bauhaus Dessau: vom Bauen über das Ausstellen und Sammeln bis hin zum Forschen, Lehren, Lernen und entfaltet sich dementsprechend im Plural. Pauline Braune spricht mit den Mitarbeiter*innen der Stiftung und spannenden Gästen. bauhaus-dessau.de

*TICKETS FOR OUR LIVE SHOW AT LONDON'S VAULT FESTIVAL, 19th FEBRUARY 2023 @ 8.40pm: https://vaultfestival.com/events/worst-foot-forward-live-recording/* Got ourselves a crying, walking, sleeping, talking, living doll in the form of Dr. Kit Chapman returning to the show this week with a world of creepiness to explore. As we hunt down the world's worst doll, we uncover the second life of composer Alma Mahler, the failures of Thomas Edison and, of course, far too many sex dolls. Follow us on Twitter: @worstfoot @bazmcstay @benvandervelde @ChemistryKit Follow us on Instagram: @worstfoot  Join us on our Discord server! https://discord.gg/9buWKthgfx Visit www.worstfootforwardpodcast.com for all previous episodes and you can donate to us on Patreon if you'd like to support the show during this whole pandemic thing, and especially as we work on our first book and plan some live shows! https://www.patreon.com/WorstFootForward Worst Foot Forward is part of Podnose: www.podnose.com

Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Berlin, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential. The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6 With Robin Schuldenfrei Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art Alan Powers History Leader at the London School of Architecture And Michael White Professor of the History of Art at the University of York Producer: Simon Tillotson

Melvyn Bragg and guests discuss the Bauhaus which began in 1919 in Weimar, Germany, as a school for arts and crafts combined, and went on to be famous around the world. Under its first director, Walter Gropius, the Bauhaus moved to Dessau and extended its range to architecture and became associated with a series of white, angular, flat-roofed buildings reproduced from Shanghai to Chicago, aimed for modern living. The school closed after only 14 years while at a third location, Bernau, under pressure from the Nazis, yet its students and teachers continued to spread its ethos in exile, making it even more influential. The image above is of the Bauhaus Building, Dessau, designed by Gropius and built in 1925-6 With Robin Schuldenfrei Tangen Reader in 20th Century Modernism at The Courtauld Institute of Art Alan Powers History Leader at the London School of Architecture And Michael White Professor of the History of Art at the University of York Producer: Simon Tillotson

Rejoignez nous partout les manos et les womanos : frequencemoderne.fr twitter.com/Culture_2000 facebook.com/culture2000.fm instagram.com/culture2000.fm - Vous voulez nous soutenir financièrement ? Merci, déjà ! Et c'est par là utip.io/frequencemoderne/ - Parlez de nous à vos copains, si vous le voulez bien, comme ça tout le monde sera plein de connaissance et le monde sera plus doux (résultat non contractuel) - Et sinon, à dans 15 jours en podcast pour un nouvel épisode

Roberto Gómez de la Iglesia es un consultor experto en economía creativa. Trabaja en Conexiones improbables, y nos va a contar qué hacen y cómo. Ellos ayudan a las organizaciones de todo tipo a innovar a través de un proceso de mediación de base artística y cultural. En Conexiones improbables acompañan a organizaciones a animarse a procesos creativos, de la mano de artistas. Ofrecen mediación para que los mundo de la empresa y del artista se encuentren. Nos cuenta en esta entrevista sobre el Hibridalab, el Centro de innovación abierta y Transferencia creativa de Álava. Hablamos de varios proyectos entre ellos también las conversaciones relacionadas a con la New European Bauhaus: ¿qué haría Gropius 100 años después? Lo entrevistamos conjuntamete con Ricardo Amasté, de Colaborabora. Esta entrevista es parte de las listas: Diseño en laboratorios de innovación, Salud y diseno, Espana y diseño, Arte y diseno social, Diseño sostenible, Innovación social y diseno, Ciudad y Diseño, y Cambio organizacional.

YOYI! Care, Repair, Heal is the title of a group show at Gropius Bau in Berlin that addresses issues such ...

Reber, Simonewww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Larry Chan discusses the architectural renovations at 8 Story Street. The original building was completed in 1965 by Walter Gropius and TAC. 

Die österreichische Künstlerin Alma Mahler-Werfel zog magisch große Künstler in ihren Bann. Weit über ihren Tod hinaus wird dieser exzentrischen Frau bis heute mit einer Mischung aus Anziehung, Bewunderung und Abneigung begegnet. Nun gibt es einen neuen Roman über sie: „Alma & Gropius - Die unerhörte Leichtigkeit der Liebe“ von Thérèse Lambert.

In the late 1700s, a young man named Friedrich Froebel was on track to become an architect when a friend convinced him to pursue a path toward education instead. And in changing course, Froebel arguably ended up having more influence on the world of architecture and design than any single architect -- all because Friedrich Froebel created kindergarten.Frank Lloyd Wright's son, John, was an architect, but his most famous creation wasn't a building. It was a toy set that kids have been playing with for over 100 years. Inheriting Froebel's Gifts

In the late 1700s, a young man named Friedrich Froebel was on track to become an architect when a friend convinced him to pursue a path toward education instead. And in changing course, Froebel arguably ended up having more influence on the world of architecture and design than any single architect -- all because Friedrich Froebel created kindergarten.Frank Lloyd Wright's son, John, was an architect, but his most famous creation wasn't a building. It was a toy set that kids have been playing with for over 100 years. Inheriting Froebel's Gifts

Probst, Carstenwww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”Tony Walton was an award-winning director and production designer. His work was vast and stretches from Broadway productions and operas to films and television. Over the course of his long and coveted career Tony was honored with 16 Tony Award Nominations for his Broadway sets and costumes. Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls. In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse's All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy. In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.This interview was originally aired in 2019. · www.tonywalton.net · www.creativeprocess.info

In this episode, we explore the history of the Pan Am Building in New York City. This 59-story skyscraper is located at 200 Park Avenue and shares a lot with the beaux-arts icon, and National Landmark, New York's Grand Central Terminal.Later in the program we are joined by Richard Roth, Jr., the grandson of Emery Roth, a prolific New York City architect who designed many notable buildings in the 1920s and 1930s. Richard provides a firsthand account on the design and construction process of the Pan Am Building as he had a front row seat. After graduating college, the young architect joined the family firm and worked closely alongside the building's famous architects and project developer. The Pan Am Building  has been the topic of debate amongst architects, architectural historians, preservationists, and planners alike since the 1950s.Although initially criticized for its location, placement, and for its alleged disregard for its surrounding urban environment, the building was infamously called one of the most hated buildings in New York City. However, the Pan Am Building's architectural design is gaining popularity and respect with timeA special thank you to Matt Eberhart for his research assistance and Edward Condit for his donation in support of this program. ---------------------------------------Visit Us for more Pan Am History! Support the Podcast!Donate to the Museum!Visit The Hangar for Pan Am gear!Become a Member! Follow us on Facebook, Instagram, and Twitter! --------------------Pan Am was a pioneer in air travel, and still stands as one of the most iconic and innovative airlines in aviation history. That legacy lives on at the Pan Am Museum in Garden City, New York, where you can explore the rich history of the aircrafts and individuals at the heart of the company known as, The World's Most Experienced Airline.The Pan Am Museum Foundation is a non-profit 501(c)3 organization. All proceeds from purchases and donations go to supporting our mission of:           "educating, celebrating, and inspiring present, and future, generations by preserving historical and diverse personal stories of Pan American World Airways."--------------------A very special thanks to Pan Am Brands for their continued, and unwavering, support! --------------------If you liked the show, please subscribe and leave a review, this allows others to find us. Additionally, please consider becoming a museum member.

Une histoire culturelle de l'Allemagne des années 1920. En librairie le 22 octobre 2021. La plupart des Français l'ignorent : c'est en Allemagne, pendant les années 20 de ce siècle, que s'est développée la première culture authentiquement moderne. Einstein, Bertolt Brecht, Gropius, Thomas Mann, Fritz Lang, Max Reinhardt, le Bauhaus, Heidegger, Paul Klee. Autant de noms qui témoignent de l'exceptionnel jaillissement créateur de cette époque dont le livre de Walter Laqueur présente un panorama complet – et contrasté.

L'architettura e il design di oggi non sarebbero gli stessi senza una scuola tedesca il cui nome non vi sarà, probabilmente, del tutto nuovo: Bauhaus.Nato nel 1919 a Weimar, in Germania, il Bauhaus ha cambiato per sempre le regole dell'architettura e del design, esercitando nell'ultimo secolo un'influenza ben più lunga della sua vita relativamente breve.Music credits: https://www.purple-planet.com

The impact of Walter Gropius can be measured in his buildings--Fagus Factory, Bauhaus Dessau, Pan Am--but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design. Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as "a special privilege for the aesthetically initiated." Gropius offers a poignant and personal story--and a fascinating reexamination of the urges that drove European and American modernism. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pbliving/message Support this podcast: https://anchor.fm/pbliving/support

David Fixler discusses Walter Gropius's house that he constructed. The irony is that Gropius wanted to throw out histories in schools, but now his house and designs are fully integrated as part of the cannon of architectural history.

Chiuso in casa come tutti, con un tour saltato, Pau, la voce dei Negrita, ha ripreso a disegnare. Le sue sono opere belle, alcune piene di eros, in tiratura limitata, in vetrina sul suo shop online http://www.pauhaus.it. “Pauhaus per giocare con le parole” – dice – “perché oltre essere la mia casa ricorda sia la scuola d'arte e design Bauhaus di Gropius, sia la band inglese post-punk Bauhaus, unendo così idealmente gli universi che mi appartengono“.I dipinti hanno avuto un grande successo, richiesti anche da grandi gallerie d'arte.Nick Difino ci parlerà oggi di gastro-fisica e di come vari la percezione del gusto in base a fattori apparentemente astrusi.Daniela Amenta h adedicato a Pau una playlist che va dagli Stones ai Bauhaus, passando per un paio di brani fondamentali dei Negrita, ma su Spotify ha preparato una super playlist, con due ore e passa di rock e chitarroni. https://open.spotify.com/playlist/1WGplAvKu932KSYssYPxeE?si=iTtpZbuXQh22HnbQG1tIVA