Podcasts about Pei

Send us a textTrigger Warning: This episode includes discussions around mental health challenges and suicide. Please listen when you feel ready and take care of yourself as needed.What if everything you thought you knew about mental health and behavior was flipped on its head? In this powerful conversation, Jeff sits down with Dr. Jacqueline Pei, psychologist, professor at the University of Alberta, and senior research lead with CanFASD, to explore how mental health really shows up for individuals with FASD and how reframing what we see changes everything about how we respond.Dr. Pei explains why up to 90% of individuals with FASD experience mental-health challenges, how anxiety and depression often hide behind behavior, and why understanding the brain through a “nervous-system-first” lens can completely transform care.Together, Jeff and Dr. Pei talk about what it means to “sit in the frustration,” the danger of misunderstanding in schools and systems, and the power of empathy to calm chaos and restore hope.In This Episode You'll HearWhy mental health challenges are so common in FASD — and what's really driving them How anxiety and depression often disguise themselves as “defiance” or “bad   behavior” Why traditional definitions of depression and anxiety don't always fit How to use the “Pause and Reframe” tool to see behavior through a nervous-   system lens The emotional toll of systemic misunderstanding on caregivers and families Guidance for recognizing mental-health signs and supporting emotional stability A compassionate, science-backed discussion about suicidality and safety   planning • Why connection, purpose, and relationships are the strongest protective factors • The future of FASD research — and how collaboration between families and scientists is changing everythingWhy It MattersThis episode is a reminder that behavior is communication, not defiance — and that healing starts with understanding. Through Dr. Pei's research and Jeff's lived experience, you'll walk away with tools to replace judgment with curiosity, fear with empathy, and burnout with hope.Dr. Pei's message is clear: we can't fix everything, but through connection, compassion, and collaboration, we can help individuals with FASD — and their families — thrive.

At long last the NETwork is finally leaves Ponoree! Frey goes dumpster diving, Uther tries to impress his father's friend, Stynexx hosts a pig roast, and Ernst secures a ride.Find us on Our NEW Discord Server! Crittalkers Community Hit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comFind us on Our NEW Discord Server! Crittalkers Community Hit us up with any questions or comments:Insta @crittalkerspodcastFacebook: crittalkerspodcastX: @Crittalkerspodor drop us an emailthecast@crittalkerspodcast.comhttps://the-crittalkers-podcast.captivate.fm/acadeconUse code crittalkers5 for $5 off on all badges!Additional Royalty free Music and SFX Credits that were found via Pixabay:Dark Halloween Soundscape by Lanternspace jam by NobodyslandMysterious Journey - Electronic Instrumental by UniqueCreativeAudioSpirit Blossom by RomanBelovMeeting for two. Background music for vlog video stories. Short 1 by White_RecordsPowerful Action Sports Metal Music by ikoliksReborn (battle hybrid cinematic action) by Kulakovka grappling hook by freesound_communityMeadow, field, summer, song sparrow, crows, distant traffic, PEI, 2011 by freesound_communityLet the Mystery Unfold by geoffharveyShark attack instrumental by Land_of_Books_YouTubeMagic Smite by freesound_communityfever dream by SingularitysMarauder

In Episode 182, we're kicking off spooky season with the cozy witchy vampire slaying vibes in Auralee Wallace's The Late-Night Witches!Show NotesThis is like a cozy version of Buffy the Vampire Slayer set in PEI with sea witches. Obviously we loved it.Auralee Wallace is also the author of the Otter Lake mystery series and the Evenfall Witches B&B mysteries. Is there going to be second book after this one? There definitely could be!Our next episode is our 7th anniversary episode! Whoa! We've read so many amazing books over the years.And this year we've been blessed with three episodes in October, which means we'll have another spooky read for you (as if we ever wait for October for that LOL). We'll be reading Mariana Enriquez's new book, Somebody is Walking on Your Grave!Other Books and Authors MentionedThe Dangers of Smoking in Bed by Mariana EnriquezEat the Ones You Love by Sarah Maria GriffinRachel Harrison

On the phone-in: Our guests are Janice Maloney, executive director of the Mi'kmaq Rights Initiative in Nova Scotia -- or KMK -- and Jenene Wooldridge, executive director of L'nuey on PEI. We discuss the National Day of Truth and Reconciliation. And off the top, Dave Corkum, the mayor of the Municipality of the County of Kings talks about the wildfire burning near Lake George, NS. We also hear about the Mawi'omi Centre at UPEI.

In this edition of 32 Thoughts, Kyle Bukauskas and Elliotte Friedman begin by unpacking Mason McTavish's 7 year, 6 million dollar deal with the Anaheim Ducks. Friedge also learns about the six-seven trend. They also discuss Anthony Stolarz's new deal with the Toronto Maple Leafs (12:36). The fellas comment on how popular Calvin Pickard is in Edmonton and whether the Oilers would even entertain replacing him (19:33). Elliotte has a small updates on Luke Hughes and Luke Evangelista (21:31). They touch on the injury of Aleksander Barkov (25:59). Elliotte highlights what he's keeping an eye on during week two of the preseason (33:08). The boys talk about Marc-André Fleury's farewell game in Pittsburgh (36:49). The Final Thought focuses on our amazing experience in the beautiful province of Price Edward Island (42:52). Kyle and Elliotte answer your emails and voicemails in the Thoughtline (50:17).In the final segment we are reintroducing an old podcast tradition of highlighting Canadian bands across our amazing country. Today we spotlight Coyote from PEI, and a cut off their new EP Hope You Feel It. Check them out hereEmail the podcast at 32thoughts@sportsnet.ca or call the Thought Line at 1-833-311-3232 and leave us a voicemail.This podcast was produced and mixed by Dominic Sramaty and hosted by Elliotte Friedman & Kyle Bukauskas.The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates

On the phone-in: Experts Eric Murphy from Halifax Heat Pumps and Electrical and energy efficiency advisor Barry Walker answer questions about heat pumps and other heating and cooling systems. And off the top, we speak with Tonya Wimmer, executive director of the Marine Animal Response Society about three stranded sperm whales off the coast of PEI. And we also hear about the only grocery store in Salisbury, NB, burning down.

For a FREE 30-minute Family History Consultation, book your spot here: https://bookings.howwegothere.caIn this episode Brian talks to Joe MacPherson from Glace Bay, Nova Scotia. Joe is the creator of the Facebook group "You Know You're From Glace Bay When," which has connected thousands of people from the area. He discusses how the group and his writing about the community have helped people relive memories, reconnect with old friends, and remember a town that has changed significantly since its days as a bustling coal town. Joe recounts growing up in Glace Bay in the 50s, 60s, and 70s, sharing stories about "shooting the drag," the St. Paul's Church fence as a youth meeting spot, and the diverse businesses run by immigrant families. He also talks about organizing the "Fence Folk reunion" in 2010, which brought people home from all over the world and raised thousands of dollars for local charities. The conversation highlights the importance of preserving personal and community history through storytelling and the power of social media to connect people and keep memories alive.How We Got Here: Genealogy is hosted by family historian Brian Nash. Brian helps people not just trace their family tree, but understand the history surrounding the people, places, and events that make up their family's unique story.CONNECT & SUPPORT

In this special edition of 32 Thoughts live from Charlottetown, PEI, Kyle Bukauskas and Elliotte Friedman begin by focusing on Artemi Panarin and the New York Rangers as he enters the final year of his contract. They switch over to the Montreal Canadiens as expectations rise for them this season (13:23). That turns into a conversation about Auston Matthews and the challenge he faces to prove the doubters wrong (22:34). The Final Thought focuses on a few loose ends including McTavish, Luke Hughes, Evangelista, and Pietrangelo (26:27).Kyle and Elliotte answer your emails and voicemails in the Thoughtline (31:37).In the final segment we take questions from our live audience (43:47).Email the podcast at 32thoughts@sportsnet.ca or call the Thought Line at 1-833-311-3232 and leave us a voicemail.This podcast was produced and mixed by Dominic Sramaty and hosted by Elliotte Friedman & Kyle Bukauskas.The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates

Welcome to the Farmer Rapid Fire on RealAg Radio, brought to you by Pioneer Seeds Canada! On today’s edition of the show, your host Shaun Haney is joined by: Philip Shaw of Dresden, Ont.; Ryan Barrett of Kensington, PEI; John Kowalchuk of Trochu, Alta.; Daryl Fransoo of Glaslyn, Sask.; and, Pioneer agronomist Mike Weir based... Read More

Welcome to the Farmer Rapid Fire on RealAg Radio, brought to you by Pioneer Seeds Canada! On today’s edition of the show, your host Shaun Haney is joined by: Philip Shaw of Dresden, Ont.; Ryan Barrett of Kensington, PEI; John Kowalchuk of Trochu, Alta.; Daryl Fransoo of Glaslyn, Sask.; and, Pioneer agronomist Mike Weir based... Read More

Das Gesundheitsministerium erklärt nun, die Daten aus seiner SafeVac-App seien doch nicht aussagekräftig. Drei Fachleute schätzen die Qualität der Überwachung der Sicherheit der Corona-Impfstoffe durch das Paul-Ehrlich-Institut ein. Von Bastian Barucker. Dieser Beitrag ist auch als Audio-Podcast verfügbar. Wir erleben den nächsten Paukenschlag im Skandal um die SafeVac-App des Paul-Ehrlich-Instituts (PEI):Weiterlesen

Canada Immigration Provincial pick for Labour & Express Entry Invitations by Prince Edward Island on 19 September 2025Good day ladies and gentlemen, this is IRC News. I am Joy Stephen, a certified Canadian Immigration practitioner, bringing to you this Provincial News Bulletin from the province of Prince Edward Island. This recording originates from the Polinsys studios in Cambridge, Ontario.Prince Edward Island selected potential provincial nominees under Labour & Express Entry Invitations on 19 September 2025.Draw Details:Invitation Date: September 19, 2025Labour & Express Entry Invitations: 129Selection Attributes: Invitations were extended to individuals working in occupations and priority sectors based on economic impact in PEI. Candidates working with a PEI Employer and international graduates from UPEI, Holland College, and Collège de l'Île were prioritized.For past PEI updates, visit: https://myar.me/tag/pe/ For more information on Canadian Federal or Provincial Immigration programs, visit: https://myar.me/c To join our weekly free Zoom resource meetings (Thursdays) and Q&A with Authorized Representatives (Fridays), visit: https://myar.me/zoom For guidance on choosing a qualified immigration representative, visit: https://ircnews.ca/consultant

On the phone-in: Dr Godon Gubitz who is a physician and neurologist with the NS Health Authority answers questions about medical assistance in dying or MAiD. And off the top of the show, we hear an update from Saint John, NB, about the housing options for the homeless. And we also hear about a new tour at Basin Head Beach on PEI.

Pastor Cody Bolton is preaching on the topic of "Praying with purpose: Surrender to His will" at Cornerstone Baptist Church, Stratford, PEI on Sunday/21/Sept/2025.

On the phone-in: Dr Annlee Coakley is our guest as we discuss the challenges for newcomers and refugees who need medical care. And off the top, we hear about the City of Saint John's plans to bring in red zones where tent encampments can't be located. We also hear about the end of the burn ban on PEI.

Wir erleben den nächsten Paukenschlag im Skandal um die SafeVac-App des Paul-Ehrlich-Instituts (PEI): Nach der enormen Verzögerung der Veröffentlichung der zugehörigen Studie sowie der Rohdaten betont das Gesundheitsministerium nun mit einem Mal, dass sich aus den per App aktiv gesammelten Daten zu Impfnebenwirkungen angeblich doch keine validen Aussagen über die Sicherheit von Impfstoffen ableiten lassen. Außerdem wird nun klar, dass das PEI seit Jahren nicht seiner Pflicht nachkommt, Verdachtsfälle von Nebenwirkungen an die zuständige EU-Datenbank zu übermitteln. Beworben und bezahlt wurde die App jedoch genau dafür. Artikel: https://blog.bastian-barucker.de/safevac-pei-daten/ Eingesprochen von Adam Nümm: https://zeitenwechsel.org Weitere Produktionen ermöglichen:

In Part Two of our late-night conversation, Bad at Sports digs deeper into the remarkable trajectory of Kenny Schachter. From law school dropout to autodidact philosopher, from Sotheby's bidder to artist and teacher, Schachter traces the unlikely path that brought him into the heart of the art world — a place he insists remains strangely conservative despite all its pretenses of progress. The discussion moves between personal history and systemic critique. Schachter recounts the role of art in surviving trauma, loss, and addiction, and why surrounding himself with works by others has been both solace and education. He reflects on the stubborn conservatism of the market, celebrity crossovers from Johnny Depp to Julian Schnabel, and the tension between wanting freedom and the systems that resist it. For Schachter, art is both a lifeline and a way to comment on the world's chaos — a practice rooted in generosity, curiosity, and contradiction. This episode captures him at his most reflective and most biting, moving from humor to vulnerability and back again. Highlights • Schachter's first encounters with Twombly, Rauschenberg, and Frankenthaler at the National Gallery. • The shock of Andy Warhol's estate sale in 1988. • Dealer-to-dealer hustling as an unlikely entry into art. • Why “there are no rules” is his best definition of being an artist. • The paradox of an art world that markets rebellion but runs on tradition. Names Dropped Andy Warhol I.M. Pei, https://www.pcf-p.com/about/i-m-pei/ Chase Manhattan Bank, https://www.jpmorganchase.com/about/art-collection Christie's, https://www.christies.com/en Sotheby's, https://www.sothebys.com/en/ Phillips Auction House, https://www.phillips.com/ Patrick Drahi, https://www.artnews.com/art-collectors/top-200-profiles/patrick-drahi/ Leonard Lauder, https://www.artnews.com/art-news/news/leonard-lauder-sothebys-klimt-matisse-1234751922/ The Pritzker family, https://www.artnews.com/art-news/news/pritzker-art-collection-sothebys-breuer-1234751864/ Elaine Wynn, https://www.christies.com/en/events/the-collection-of-elaine-wynn Wyatt Kline, https://unframed.lacma.org/2014/01/28/contemporary-friends-acquire-ten-new-works-by-artists-from-around-the-world Alex Burns, Felix Reuter (Ryder), https://felixreuter.bandcamp.com/ Guerrilla Girls, https://www.guerrillagirls.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/ David Letterman, https://en.wikipedia.org/wiki/David_Letterman The Suburban, http://www.thesuburban.org/

Nicole O'Byrne speaks with Alan MacEachern about his book Becoming Green Gables: The Diary of Myrtle Webb and Her Famous Farmhouse. In 1909 Myrtle and Ernest Webb took possession of a Cavendish, Prince Edward Island farm—ordinary except that it was already known as the inspiration for Anne of Green Gables, written by Myrtle's cousin, L. M. Montgomery. The Webbs welcomed visitors to “Green Gables” and took in summer boarders, making their home central to PEI's growing tourist trade. In the 1930s the farm became the centerpiece of a new national park, though the family remained its caretakers for another decade. During these years Myrtle kept a diary. When she began in 1924, she was a forty-year-old homemaker managing a household of eight; by 1954, she was a seventy-year-old widow, no longer resident in what had become the most famous house in Canada. In Becoming Green Gables, Alan MacEachern reproduces a selection of her diary entries, using them to explore topics from modern conveniences to wartime hosting and visits from “Aunt Maud” herself. Alan MacEachern is professor of history at the University of Western Ontario and has written widely on Canadian environmental history. Image Credit: MQUP If you like our work, please consider supporting it: bit.ly/support_WTY. Your support contributes to the Champlain Society's mission of opening new windows to directly explore and experience Canada's past.

Episode 181 is another installation of our Page to Screen series, this time with Scott Pilgrim! We read the comic series by Bryan Lee O'Malley and watched the film adaptation. It might be the most Toronto thing we've ever read or watched!Show NotesThe Scott Pilgrim comic series was released in six digest-size volumes between 2004-2010, and was originally published in black and white. Hardcover colour versions were released between 2012-2015.Edgar Wright directed the film, with Bryan Lee O'Malley as executive producer, and he nails the stylized look so that the film feels like a comic book come to life.Both the book and the film feature some iconic Toronto locations, including Casa Loma, Sneaky Dee's, the Toronto Reference Library, and Honest Ed's (RIP).This cast is stacked! In 2020, for the 10-year anniversary of the film, most of the cast reunited for a table read of the script. You can watch it on YouTubeShout out to Canadian bands Broken Social Scene and Metric for writing songs for the fictional bands in the film (Crash and the Boys and The Clash at Demonhead respectively), and to Chris Murphy of Sloan for being the musical performance supervisor on the film. Beck wrote the songs for Scott's band, Sex Bob-omb.We truly had a blast reading and watching this. It was just so much fun! We're definitely going to watch the anime series, Scott Pilgrim Takes Off.  We're officially kicking off spooky season with our next episode on October 1. We'll be talking about Auralee Wallace's recent relsease, The Late-Night Witches. Apparently, we're also keeping the CanCon going because it takes place in PEI!There's going to be three episodes in October, so stick around for our 7th anniversary episode in the middle of the month on the 15th, and then we're wrapping up Halloween season with Mariana Enriquez's new release, Somebody is Walking on Your Grave.Other Books and Media MentionedBy Bryan Lee O'Malley: Lost at Sea, Seconds, SnotgirlDirected by Edgar Wright: Hot Fuzz, Last Night in Soho, Baby Driver

On the phone-in: Author Greg Mercer talks about his new book, "The Lobster Trap" and answers questions and comments from listeners about the industry. And off the top, we hear from the NS RCMP about Operation Headwind. A former swim instructor at the NS Youth Centre in Waterville faces 66 charges. And we also hear from an advocate on PEI who says temporary foreign workers are not getting much work at seafood processing plants.

Send us a textIn Monday's Kathmandu Post I read short bios of two of the 19 protesters killed by police in the GenZ demonstration one week ago. Both were from Nepal's Far West — Deepak Singh Saud was from Baitadi district, Subas Bohara from Bajhang. Deepak was 18, Subas 21.I send my condolences to their loved ones. As you probably know by now, the protest was about much more than the recent Nepal Government ban on social media. It was an explosion of frustration at how the political class has been running this nation for decades, longer than many protesters had been alive. And for a lot of those disaffected young people, the fact that they had to leave their country in order to find a job or continue their studies was a slap in the face, a symptom of all that was wrong with Nepal.In fact, both Deepak and Subas had been learning a foreign language so they could go abroad and get the sort of job they felt they needed to earn a decent living — Subas to Japan, Deepak to South Korea. I think there's a good chance that other victims had also considered leaving Nepal.I've been looking into migration and Nepal long enough to know that, despite the horror stories — and there are many — it does have benefits. Individuals can earn much more money than at home. They can pick up skills and women in particular can grow in confidence as they navigate a new society more independently than they would in Nepal. The country of course is a winner thanks to the money that migrants send home — at least a quarter of Nepal's overall income these days, one of the highest rates of the world's labour sending countries. But overall, to me nothing shows more plainly the failure of the entrenched leaders of the political parties than the hundreds of thousands of young people who every year feel that they have no option but to leave their country and loved ones to try and launch themselves into their adult lives in a strange land. I really really hope that in this new Nepal young people will feel like they have a choice — to leave, or to stay; a real choice, one whose pros and cons need to be carefully weighed before deciding. It will definitely take time to get there but last week a door opened that could lead in that direction, unfortunately not without unforgettable sacrifices.ResourcesKathmandu Post article about Deepak Singh SaudPost article about Subas BoharaDetailed article about the GenZ andolan by Pranaya RanaSupport the showHelp steer the future of Nepal Now as it moves to Canada in October 2025. Fill out the survey. It takes just 5 minutes. Show your love by sending this episode to someone who you think might be interested or by sharing it on social media:LinkedInInstagram BlueSkyFacebook Music by audionautix.com.Thank you to PEI in Bakhundole for the use of their studios. Nepal Now is produced and hosted by Marty Logan.

Send us a textIn Monday's Kathmandu Post I read short bios of two of the 19 protesters killed by police in the GenZ demonstration one week ago. Both were from Nepal's Far West — Deepak Singh Saud was from Baitadi district, Subas Bohara from Bajhang. Deepak was 18, Subas 21.I send my condolences to their loved ones. As you probably know by now, the protest was about much more than the recent Nepal Government ban on social media. It was an explosion of frustration at how the political class has been running this nation for decades, longer than many protesters had been alive. And for a lot of those disaffected young people, the fact that they had to leave their country in order to find a job or continue their studies was a slap in the face, a symptom of all that was wrong with Nepal.In fact, both Deepak and Subas had been learning a foreign language so they could go abroad and get the sort of job they felt they needed to earn a decent living — Subas to Japan, Deepak to South Korea. I think there's a good chance that other victims had also considered leaving Nepal.I've been looking into migration and Nepal long enough to know that, despite the horror stories — and there are many — it does have benefits. Individuals can earn much more money than at home. They can pick up skills and women in particular can grow in confidence as they navigate a new society more independently than they would in Nepal. The country of course is a winner thanks to the money that migrants send home — at least a quarter of Nepal's overall income these days, one of the highest rates of the world's labour sending countries. But overall, to me nothing shows more plainly the failure of the entrenched leaders of the political parties than the hundreds of thousands of young people who every year feel that they have no option but to leave their country and loved ones to try and launch themselves into their adult lives in a strange land. I really really hope that in this new Nepal young people will feel like they have a choice — to leave, or to stay; a real choice, one whose pros and cons need to be carefully weighed before deciding. It will definitely take time to get there but last week a door opened that could lead in that direction, unfortunately not without unforgettable sacrifices.ResourcesKathmandu Post article about Deepak Singh SaudPost article about Subas BoharaDetailed article about the GenZ andolan by Pranaya RanaSupport the showHelp steer the future of Nepal Now as it moves to Canada in October 2025. Fill out the survey. It takes just 5 minutes. Show your love by sending this episode to someone who you think might be interested or by sharing it on social media:LinkedInInstagram BlueSkyFacebook Music by audionautix.com.Thank you to PEI in Bakhundole for the use of their studios. Nepal Now is produced and hosted by Marty Logan.

Rev. Renee MacVicar, Executive Minister of the Canadian Baptists of Atlantic Canada (CBAC) speaks at Cornerstone Baptist Church, Stratford, PEI on Sunday/7/Sept/2025

Pastor Cody Bolton preaching and Cornerstone Baptist Church, Stratford, PEI on Sunday/14/Sept/2025

In this episode, we sit down with Robert Ashman, Strategic Account Manager at TPC/PEI, to explore how PEI supports the H2 industry. Robert shares expert perspectives on the critical design considerations for next-generation monopolar and bipolar plates, the innovations driving compact and efficient electrolyzer systems and why chemical machining is a key process compared to alternatives like stamping. We also discuss the bottlenecks holding back widespread H2 adoption in the U.S. and the path forward for scaling this vital clean energy technology.

Celebrating half a century of Danny Rand, this anthology features Iron Fist Lin Lie and Pei, Luke Cage, Misty Knight and Colleen Wing as the creative teams bring us tales of throughout the hero's history.Issue CoveredIron Fist 50th Anniversary Special

The Port City's Finest has been around since before this era of IPW. He's been through some character changes and now he's got his eyes set on the PEI title. Ahead of what should be an epic match at IPW:Game Over he sits down with me to chat his career and beyond.Be sure to follow him on social media…Facebook: Kayden(Port City's Finest)Be sure to follow Island Pro Wrestling on social media …Facebook: IPW Wrestling Instagram: islandprowrestling X(Twitter): IPW902YouTube: Island Pro Wrestling Be sure to follow Drinkin at MO's on our social media accounts to stay up to date on the show..X(Twitter): Big_Mo83Instagram: drinkinatmosFacebook: Drinkin at MO's Threads: drinkinatmos Be sure to subscribe to the channel here on YouTube and all audio platforms…YouTube: https://youtube.com/@drinkinatmos338Spotify: https://open.spotify.com/show/6PqYhq9pQF21c5Hu01b23j?si=X8XLCOFZS_-qGBBzdYoD7AApple: https://podcasts.apple.com/us/podcast/drinkin-at-mos/id1617536259IHeartRadio: https://www.iheart.com/podcast/269-drinkin-at-mos-112523315?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=trueAmazon: https://music.amazon.com/podcasts/5af99e6b-2c35-4f31-b8e4-5d8183216231/drinkin-at-mo%E2%80%99s?ref=dm_sh_pMALI1SeXwefTlaUdVRC9VIohSpotify for Podcasters: https://anchor.fm/drinkinatmosThank you to Prince Nana Coffee for sponsoring the podcast. Use the referral link below to order yourself some amazing premium coffee.Referral: https://princenanacoffee.com/?ref=BigMoThank you to Reaper Apparel for having Drinkin At MO's as a Brand Ambassador… be sure to use the code below for 10% off your order..https://www.reaperapparelco.com/discount/Drinkin?ref=ApFLTTMUPromo code:Drinkinatmos #prowrestling #independentwrestling #wwe #aew #ringofhonor #TNAwrestling #gcw #czw #ecw #letsfngo #drinkinatmos #njpw #nwa #flophousewrestling #socalprowrestling #luchaunderground #luchaundergroundtemple #pwrevolver #warriorwrestling #fantasticleagueofwrestling

On the phone-in: Today's discussion is about the grocery business in Canada. How can we find more affordable options? Our guest is Yogesh Ghore -- a senior program staff member at Coady Institute on the campus of St. FX University. And off the top of the show, we speak with Moe Qureshi -- the Director of Climate Research and Policy at the Conservation Council of NB. He comments on the idea of having LNG exported to Europe from Saint John. And on PEI, potato farmers are concerned about drought conditions.

Mauler has a gift bag filled with urine in his garage, Rush has a full time staff of actors in his den, Jenni is on a government list because of the way she eats KitKat bars, and Brady loves getting cozy with a koozie. Love the podcast? Leave us a review!

On the phone-in: Our guests, Mike Baron and Farrah Aspinall-Renaud discuss the adventures of searching for sea glass and the incredible finds in this region. And off the top of the show, we hear from Dave Jones from the Annapolis Valley Regional Centre for Education about the start of the new school year and the Long Lake wildfire. We also hear about a near-drowning event at Lakeside Beach on PEI.

On the phone-in: Automotive expert, Doug Bethune, answers listeners' questions. And off the top of the show, we visit a gluten-free food share program. And we also hear from Bob MacLeod on PEI about the start of the Fall oyster season.

Canada Immigration Provincial pick for Labour & Express Entry Invitations by Prince Edward Island on 21 August 2025Prince Edward Island selected potential nominees under the Labour & Express Entry Invitations on 21 August 2025.Draw InformationInvitation Date: August 21, 2025Labour & Express Entry Invitations: 132Selection Attributes: Invitations extended to individuals in occupations and priority sectors based on economic impact in PEI. Candidates working with a PEI employer and international graduates from UPEI, Holland College, and Collège de l'Île were prioritized.PEI news archive: https://myar.me/tag/pe/ Learn about Canadian PR programs: https://myar.me/c Free weekly Zoom resource meetings: https://myar.me/zoom Choosing an immigration representative: https://ircnews.ca/consultant

On today's episode of the Candice Malcolm Show, Candice shares documents that Juno News has uncovered showing that CBC has hired at least 20 temporary foreign workers in their Ontario offices. As Candice reports, the CBC has used Labour Market Impact Assessments (LMIA) to claim they cannot find Canadian workers to fill these positions. The CBC, since 2015, has filed at least 20 of these in Ontario, including for positions they deem “high wage.” CBC claims to represent Canadian culture while taking $1.4B annually from the taxpayer, and yet, they prioritize hiring foreigners over Canadians. Later in the show, Candice is joined by Juno News host Alexander Brown to discuss the Temporary Foreign Worker Program (TFWP) and how it has led to record youth unemployment. They discuss Conservative Leader Pierre Poilievre's comments yesterday in PEI condemning the Liberal management of the TFWP and his prediction that the numbers will continue to rise despite Liberal promises to cap the program. They also discuss Conservative Immigration Critic Michelle Rempel Garner's work exposing LMIA and TFWP scams. Next, they discuss a new lawsuit against the CBC over its unwillingness to disclose subscription numbers for their lacklustre streaming service Gem. The CBC takes taxpayer money, then turns around and charges a premium to watch its programming, and on top of that, they're using even more taxpayer resources to go to court to block an access to information request and defend their lack of transparency. Typical CBC. Thank you to ExpressVPN for sponsoring this episode. Juno News viewers get a special 4 month free offer at www.CandiceMalcolm.com/ExpressVPN Learn more about your ad choices. Visit megaphone.fm/adchoices

PEI has the highest voter turnout of any other province in Canada. Voting is fundamental to this community. Residents see firsthand how their vote matters — several elections were decided by 25 votes or less. In this small province, people have a personal and intimate connection with politicians. MLAs know voters on an individual basis and they feel a duty to their job.In our series, IDEAS for a Better Canada (produced in partnership with the Samara Centre for Democracy), Nahlah Ayed visits the birthplace of Confederation to hear how Prince Edward Islanders sustain the strong democracy they built. *This series originally aired the week of April 21st, 2025.

Send us a textYou might have guessed from the headline for this episode that I am leaving Nepal. It's a family move actually, back to my home country of Canada. Of course I will miss Nepal, where I've now spent 14 years of my life, but I'm confident we'll be back one day. I will also miss doing this: speaking to all of you every couple of weeks about this fascinating place and its people. Thank you for taking the time to listen.I'm not sure what the next episode of Nepal Now will sound like, or when I'll be able to post it, but I can say 100% that there will be another one. So keep checking this feed. While waiting you can explore our back catalogue of more than 100 episodes since 2020, which you can listen to for free. So, Nepal Now… from Canada. I'm not yet sure what that sounds like. Could I actually pull off a Nepal-focused podcast from 11,000 km away? I could simply change the focus to Nepalis in Canada. That would certainly be easier — but I have the feeling that you all might tire of hearing those stories rather quickly. Support the showShow your love by sending this episode to someone who you think might be interested or by sharing it on social media:LinkedInInstagram BlueSkyFacebook Music by audionautix.com.Thank you to PEI in Bakhundole for the use of their studios. Nepal Now is produced and hosted by Marty Logan.

Mauler swears that he once played ping pong against a kangaroo, Rush dominates a Sabrina Carpenter sound-alike competition, Jenni is the judge, jury and executioner of all things fecal, and Brady went on a 'Swim with the Koi Fish' excursion on his recent vacation. Love the podcast? Leave us a review

Pierre Poilievre easily won the Battle River–Crowfoot byelection on Monday, thereby securing his return to the House of Commons. His closest challenger, Independent candidate Bonnie Critchley, finished 70 points behind as voters in the riding came out in droves to support the Conservative leader.This week on The Numbers, we dive deep into the results of the Battle River–Crowfoot byelection. We also discuss some recent poll numbers that continue to look good for Mark Carney and the Liberals but suggest some vulnerabilities on key issues (such as the now-ended Air Canada strike and Donald Trump's tariffs). Plus, we take a look at what happened in two PEI byelections last week and then Philippe closes with a byelection-themed Quiz.Looking for even more of The Numbers? If you join our Patreon and support this joint project of ours, you'll get ad-free episodes every week, bonus episodes several times per month and access to our lively Discord. Join here! https://www.patreon.com/c/thenumberspodThe bonus episodes are also available via an Apple Podcasts subscription.A video of this episode is available on YouTube. Hosted on Acast. See acast.com/privacy for more information.

Prince Edward Island is boosting financial aid for students and expanding eligibility to more healthcare programs!

We reach ex-Israeli intelligence and military head Ami Ayalon who's calling on Benjamin Netanyahu to end the country's war in Gaza, and for Donald Trump to help. As Air Canada flight attendants vote in favour of a strike mandate -- one tells us how they're fighting to be paid for hours of unpaid work each month -- and they're not afraid to ground flights if they need to.A planned wind farm project in Scotland has been touted as an important part of the climate solution. But a conservationist tells us the rewards aren't worth the devastating risks for local seabirds. Left in the lurch. Forced from home by wildfires, we hear from evacuees in Saskatchewan who say they aren't getting the help they need.Blues guitarist Joe Bonamassa remembers his friend, the late cult hero Terry Reid -- known for his powerful pipes and sublime songwriting.An eleven-year-old entrepreneur from PEI gives us the scoop on her ice cream business. As It Happens, the Wednesday edition. Radio that offers cold comfort.

Join Brian Nash in this episode of "How We Got Here" for a captivating conversation with guest Jamie Baillie, who returns to share the latest chapter in his family's remarkable history. ]Jamie recounts the story of his ancestors, the Baillies, who were evicted from their home in Sutherland, Scotland, during the Highland Clearances. He details their arduous five-week journey in 1814 aboard a timber ship, the *Perseverance of Aberdeen*, to start a new life in Pictou County, Nova Scotia. This move from tenant farmers to landowners marked a pivotal moment, setting the stage for generations of prosperity and opportunity that their descendants would come to enjoy.The discussion takes an exciting turn as Jamie recounts his recent pilgrimage to Scotland, a journey to walk in the footsteps of his ancestors. With the help of a local historian, he located the exact site of his family's former village and the ruins of their home, providing an emotional and overwhelming connection to his past. This personal quest offers a powerful testament to the value of genealogical research, exploring how understanding our origins can provide a profound sense of identity and connection across generations. Jamie and Brian also delve into the lasting impact of Scottish immigrants on the culture and development of Nova Scotia and Canada as a whole..How We Got Here: Genealogy is hosted by family historian Brian Nash. Brian helps people not just trace their family tree, but understand the history surrounding the people, places, and events that make up their family's unique story.CONNECT & SUPPORT

Send us a textThe Covid-19 pandemic in 2020 and 21 hit Nepali migrant workers hard. Thousands working in India were blocked from crossing the border into Nepal. Others overseas were laid off and confined to living quarters with little or no food, no money, and no tickets home. We recorded this episode in the midst of that dark period. While it describes the terrible conditions and uncertainty affecting migrants, it is at the same time a good primer on some of the core issues around migration and Nepal. With my guests Bijaya Rai Shrestha of the NGO AMKAS and academic Ramesh Sunam we touched on topics including:the ban on women migrating to work in Persian Gulf countriesthe impact of caste on decisions to migratethe ‘invisibility' of Nepalis who migrate to work in India andthe need for stronger policies from Nepal's governments.Unfortunately it seems like some of the optimism you'll hear in this episode was unrealistic —little seems to have improved in the migration file in the past five years.ResourcesAMKASRamesh SunamSupport the showYou can subscribe to Nepal Now for as little as $3 a month. Your support will help to cover the costs of editing the show and for our hosting platform. And you'll also get a shout-out in a future episode. You can also show your love by sending this episode to someone who you think might be interested or by sharing it on social media:LinkedInInstagram BlueSkyFacebook Sign up to our newsletterMusic by audionautix.com.Thank you to PEI in Bakhundole and Himal Media in Patan Dhoka for the use of their studios. Nepal Now is produced and hosted by Marty Logan.

David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day.   After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame.   Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com.     About the Guest:   David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice.   His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey.   David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur.   David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David:   Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset.   David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it.   Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up.   David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could.   Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept   David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way.   Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned.   David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true.   Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the   David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially.   Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things.   David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package.   Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today,   David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent,   Michael Hingson ** 10:07 and in reality, probably a little bit of both.   David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind.   Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay.   David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student.   Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean,   David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of   Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were   David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do.   Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some,   David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction,   Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year.   David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it   Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated?   David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that.   Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then,   David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today.   Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and,   David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could.   Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it?   David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah,   Michael Hingson ** 28:47 well, and do you think it's still that way today?   David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that?   Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah.   David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part.   Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here.   David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has.   Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that.   David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess.   Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams?   David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person.   Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy.   David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something.   Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do,   David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you   Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there.   David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You.   Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else.   David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own?   Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a   David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants   Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that?   David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own.   46:51 Paperwork, paperwork,   David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah,   Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way.   David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know,   Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active.   David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really,   Michael Hingson ** 49:51 if you enjoy it, why would you? No, I   David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah,   Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do.   David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had   Michael Hingson ** 51:03 as a teacher, and where's your wife and all that.   David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful.   Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that?   David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now.   Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly.   David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer.   Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing,   David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get

Canadian journalist Nora Loreto reads the latest headlines for Monday, August 4, 2025.TRNN has partnered with Loreto to syndicate and share her daily news digest with our audience. Tune in every morning to the TRNN podcast feed to hear the latest important news stories from Canada and worldwide.Find more headlines from Nora at Sandy & Nora Talk Politics podcast feed.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

No trend has taken the private equity industry by storm quite like that of semi-liquid and evergreen funds. Data from consultancy Bfinance shows that at least $30 billion has been raised via private equity semi-liquid funds since 2020 – a figure that represents just 10 percent of the overall semi-liquids universe. In this episode, Ajay Pathak, a partner and co-chair of Goodwin's UK business, joins PEI senior editor Adam Le to discuss how management fees and carried interest are calculated; whether the typical 2-and-20 model prevalent in traditional drawdown funds make sense to apply to semi-liquid funds; whether charging carried interest on net asset value on both a realised and unrealised basis really make sense; and more.

The rise in the numbers of Nepalis migrating to Japan in recent decades has been phenomenal — and I think overshadowed by movement to countries like the US, UK and Australia. Today the Asian country is by far the top destination for students going abroad to earn degrees and, in many cases, a path to settlement in the country. I doubt that you would ever guess that the origin of today's migration to Japan is colonial Britain's presence in Nepal's neighbour, India. I'll leave today's guest, visual anthropologist Dipesh Kharel, to draw out that thread for you. He says that the link has led to a current population of about 230,000 Nepalis in Japan — five times more than the number of Indian migrants. One sign of how fully settled they have become in their new country is that many women no longer return to Nepal to give birth. By the way, Dipesh mentions the Japanese currency, the yen, a couple of times. As of today, 1 Nepali rupee was worth 1.07 yen. ResourcesAbout Dipesh KharelNepali students' destinations (2023-24)Tell us how we're doing, or just say hiSupport the showYou can subscribe to Nepal Now for as little as $3 a month. Your support will help to cover the costs of editing the show and for our hosting platform. And you'll also get a shout-out in a future episode. You can also show your love by sending this episode to someone who you think might be interested or by sharing it on social media:LinkedInInstagram BlueSkyFacebook Sign up to our newsletterMusic by audionautix.com.Thank you to PEI in Bakhundole and Himal Media in Patan Dhoka for the use of their studios. Nepal Now is produced and hosted by Marty Logan.

A lot is covered in this short but sweet episode! Some brief Hockey talk, East Coast Summers, Listener Question, and Meeting Amazing People on the Golf Course!   Terry Ryan answers listener questions, talks about the differences between PEI and Newfoundland, and his favorite classic Sports Teams You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode Check out TerryRyan.ca Terry Ryan answers listener questions! Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Host: Terry Ryan @terryryan20 Network: @hockeypodnet Editor: Isha Jahromi - "The City Life Project" on Youtube Sponsored by: Draft Kings - Use promo code THPN at sign-up for exclusive offers https://tinyurl.com/DRAFTKINGSPROMOTHPN MAKE SURE YOURSELF/FRIENDS/FAMILY TO GO SIGN UP FOR A GAMETIME AND APPLY/"REDEEM CODE" USING PROMO CODE: THPN

Send us a textSaahil's path to McKinsey was anything but typical. He started in law school in India, built two startups, earned an MBA at UVA Darden, and ultimately broke into consulting. In this episode, he shares exactly how he translated his legal and entrepreneurial skills into a top‑tier consulting offer.Listen in for practical tips on consultifying your resume, networking from a non‑traditional background, and preparing for McKinsey's PEI and case interviews. If you're a lawyer - or in any other non‑traditional field - wondering if consulting is possible, Saahil's story will show you how to make it happen.Additional Resources:Accelerate your transition to consulting with Black Belt, the world's #1 consulting prep programPrevious Strategy Simplified episode: From Law to Consulting: How to Make the Leap SuccessfullySubscribe to Management Consulted on YouTubePartner Links:Stax is hiring! See open roles and requirementsReal Talk About MarketingAn Acxiom podcast where we discuss marketing made better, bringing you real...Listen on: Apple Podcasts SpotifyConnect With Management Consulted Schedule free 15min consultation with the MC Team. Watch the video version of the podcast on YouTube! Follow us on LinkedIn, Instagram, and TikTok for the latest updates and industry insights! Join an upcoming live event - case interviews demos, expert panels, and more. Email us (team@managementconsulted.com) with questions or feedback.

Terry Ryan answers listener questions, talks about the differences between PEI and Newfoundland, and his favorite classic Sports Teams You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode Check out TerryRyan.ca Terry Ryan answers listener questions! Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Host: Terry Ryan @terryryan20 Network: @hockeypodnet Editor: Isha Jahromi - "The City Life Project" on Youtube Sponsored by: Draft Kings - Use promo code THPN at sign-up for exclusive offers https://tinyurl.com/DRAFTKINGSPROMOTHPN MAKE SURE YOURSELF/FRIENDS/FAMILY TO GO SIGN UP FOR A GAMETIME AND APPLY/"REDEEM CODE" USING PROMO CODE: THPN

Rising prosperity was supposed to bring democracy to China, yet the Communist Party's political monopoly endures. How? Minxin Pei looks to the surveillance state. Though renowned for high-tech repression, China's surveillance system is above all a labor-intensive project. Pei delves into the human sources of coercion at the foundation of CCP power, examining the historical development of China's surveillance state, its relationship to economic modernization and political liberalization, and what might destabilize it in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Off Course is back this week with a fantastic show and this is episode 257. Hosted by Dan Edwards, each Friday he gives you a deep look into the world of golf and equipment in a way unlike any other podcast has done before. Today, Brad Holder from PEI joins the show to discuss the […] The post Off Course – The PEI Portfolio appeared first on The Hackers Paradise.