Podcasts about along came betty

This special episode pays tribute to the remarkable life and music of the late Benny Golson — a saxophonist, composer, and arranger whose profound influence on jazz endures through both his compositions and recordings. Golson's legacy is woven into jazz history, known for iconic pieces that have become standards in the jazz repertoire. In today's episode, we'll hear selections from Golson's esteemed career, including his own performances and interpretations of his work by legends like Art Blakey's Jazz Messengers and Quincy Jones. We'll journey through classics like “Along Came Betty,” “Whisper Not,” and “I Remember Clifford,” showcasing the depth of Golson's contributions to jazz. So, sit back and join us as we celebrate the music and memory of Benny Golson. The Hot Box #131 Track Listing Along Came Betty: Quincy Jones “Birth of the Blues” Essential Jazz EJC55448 Moanin': Art Blakey's Jazz Messengers: Not Now NOT2CD344 Whisper Not: Benny Golson “New Tunes, New'tet” Concord 0888072311213 Domingo: Benny Golson “Domingo” Dreyfus Jazz FDM36557-2 Dear Kathy: Benny Golson “Turning Point” Gambit 69250 Killer Joe: Benny Golson “Terminal 1” Concord CCD 2259-2 I Remember Clifford: Quincy Jones “Birth of a Band” Essential Jazz EJC55448 Blues March: Art Blakey's Jazz Messengers Not Now NOT2CD344 Uptown Afternoon: Benny Golson “New Tunes, New'tet” Concord 0888072311213   Tune In: Live Broadcast: Every two weeks on Jazz Radio Eire. Listen Live Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

Tonight's Jazz Feature is a tribute to tenor saxophonist/composer/bandleader Benny Golson. Benny was one of the real shining lights on the Jazz of the 50's, 60's,70's and right up to the present. He passed away peacefully at age 95 at his home in New York. He was born in Philadelphia on January 25, 1929 and dies on September 21, 2024. Benny grew up in the Jazz rich atmosphere of Philadelphia and associated with the Heath brothers, John Coltrane, Lee Morgan, Philly Joe Jones, Ray Bryant and so many others. He composed some eternal Jazz standards like "I'll Remember Clifford", "Stablemates", "Whisper Not", "Along Came Betty" and so many others. He developed his skills in R&B bands and Tadd Dameron's band, Dizzy Gillespie's big band of the 50's and then Art Blakey's Jazz Messengers, He then formed The Jazztet with trumpeter Art Farmer and later moved to L.A. and wrote for TV and movies and returned to active Jazz playing in the 80's and right up until his passing. Tonight's Jazz feature is one fine date called "Benny Golson and The Philadelphians" with an all Philadelphia cast including the young phenomenon Lee Morgan on trumpet, Ray Bryant on piano, Percy heath on bass and the great Philly Joe Jones on drums. It was done in December 1958 and released originally on United Artist Records. It's a fine presentation of Benny's organizing talents, his playing and writing and arranging. In tribute to Benny Golson tonight!

Ténor remarquable et compositeur de tubes comme Killer Joe, Blues March, Along Came Betty, Whisper Not et I Remember Clifford, Benny Golson, né à Philadelphie le 25 janvier 1929 et copain d'enfance de John Coltrane, a écrit tout un pan de l'histoire du jazz !

Ténor remarquable et compositeur de tubes comme Killer Joe, Blues March, Along Came Betty, Whisper Not et I Remember Clifford, Benny Golson, né à Philadelphie le 25 janvier 1929 et copain d'enfance de John Coltrane, a écrit tout un pan de l'histoire du jazz !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Guitar Legend Juan Carlos Quintero Releases New Album “Desserts” As with all good meals, the sweets are the most memorable! It's no wonder that guitar legend Juan Carlos Quintero's critically acclaimed chart-topping 2022 release, “Table For Five,” segues so effortlessly to the sequel – the new album, “Desserts” … Quintero's new album expands the music menu producing tasty treats while skillfully blending authentic grooves – originating from South American & Caribbean regions – culminating in a thread of meaningful performances honoring the beauty and breadth of Latin-Jazz traditions! Enticing gems include “The Gift,” “All or Nothing At All,” “How Insensitive,” “Tangerine,” “A Night in Tunisia,” “Along Came Betty” & crowd favorite, Van Morrison's “Moondance”! This seasoned Quintet never disappoints as it navigates an array of well-crafted classics re-imagined with newly fine-tuned arrangements! PLEASE WELCOME LATIN JAZZ GUITAR LEGEND/COMPOSER/RECORD PRODUCER JUAN CARLOS QUINTERO TO INTERVIEWING THE LEGENDS … PURCHASE THE NEW ALBUM BY JUAN CARLOS QUINTERO entitled DESSERTS available at https://lnk.to/juancarlosquintero_desserts “DESSERTS BY JUAN CARLOS QUINTERO IS A BEAUTIFUL ACOUSTIC RENDITION OF TIMELESS CLASSICS. JUAN CARLOS IS A TRUE MASTER OF JAZZ AND LATIN GUITAR AND COMPOSITION. DESSERTS WILL BE ENJOYED BY EVERYONE WHO ENJOYS A LAID-BACK FRAME OF MIND AND MAGNIFICENT VIBES.” BY MUSIC JOURNALIST RAY SHASHO 5 STARS!   FOR MORE INFORMATION ABOUT JUAN CARLOS QUINTERO VISIT www.juancarlosquintero.com Official website www.facebook.com/JCQMoondo Facebook   DISCOGRAPHY Juan Carlos Quintero 1990 Through the Winds 1992 Los Musicos 2001 Medellin 2003 Los Primos 2003 Guitarra De Passion 2005 Joy to The World 2007 Desserts 2023     Support us on PayPal!

Jam Notes: Robert was unable to make it on this particular day, but we had all the mics setup so we ran some of our book just to get some more recordings that we thought would be solid. Some good stuff happened during this rehearsal. In particular, the solos on You Dont Know What Love is are very good, as is our take of Reese Richardsons Peace.

Jam Notes: Robert was unable to make it on this particular day, but we had all the mics setup so we ran some of our book just to get some more recordings that we thought would be solid. Some good stuff happened during this rehearsal. In particular, the solos on You Dont Know What Love is are very good, as is our take of Reese Richardsons Peace.

Tritones at Dana Thalheimer's House. Robert was unable to make it on this particular day, but we had all the mics setup so we ran some of our book just to get some more recordings that we thought would be solid. Some good stuff happened during this rehearsal. In particular, the solos on You Dont Know What Love is are very good, as is our take of Reese Richardsons Peace.

Tritones at Dana Thalheimer's House. Robert was unable to make it on this particular day, but we had all the mics setup so we ran some of our book just to get some more recordings that we thought would be solid. Some good stuff happened during this rehearsal. In particular, the solos on You Dont Know What Love is are very good, as is our take of Reese Richardsons Peace.

Tritones at Dana Thalheimer's House. Ben forgot to bring his MIDI cord today so we had to use the onboard samples on the keyboard at Dana's house. That keyboard sounds fine for piano, but there isn't a good Rhodes sample, so Ben had to use Vibraphone samples for Come Together, which did not sound very good. That said, we got a couple of new tunes read into the book, and they sound very good.

Tritones at Dana Thalheimer's House. Ben forgot to bring his MIDI cord today so we had to use the onboard samples on the keyboard at Dana's house. That keyboard sounds fine for piano, but there isn't a good Rhodes sample, so Ben had to use Vibraphone samples for Come Together, which did not sound very good. That said, we got a couple of new tunes read into the book, and they sound very good.

Jam Notes: Ben forgot to bring his MIDI cord today so we had to use the onboard samples on the keyboard at Dana's house. That keyboard sounds fine for piano, but there isn't a good Rhodes sample, so Ben had to use Vibraphone samples for Come Together, which did not sound very good. That said, we got a couple of new tunes read into the book, and they sound very good.

Jam Notes: Ben forgot to bring his MIDI cord today so we had to use the onboard samples on the keyboard at Dana's house. That keyboard sounds fine for piano, but there isn't a good Rhodes sample, so Ben had to use Vibraphone samples for Come Together, which did not sound very good. That said, we got a couple of new tunes read into the book, and they sound very good.

Jay's bringing Top of the Charts back & it's not a close game…Song: The Staple Singers - “Freedom Highway”Nick talks a lot about Elvin Jones…Songs: Sonny Rollins - “Softly As The Morning Sunrise (Live)”Wayne Shorter - “Wild Flower”John Coltrane - “A Love Supreme, Pt. 3 - Persuance”Greg plays us variations of the Benny Golson standard “Along Came Betty” in our latest bit “Like a Version”…Songs:Art Blakey & The Jazz Messengers - “Along Came Betty”Pat Martino - “Along Came Betty”Anthony Braxton - “Along Came Betty”Tito Puente - “Along Came Betty”

The guitar, the apparatus, the mode of communication chosen by my guests. One of them came from over seas after cutting his teeth, honing his chops and getting lit in the progressive music scene of England. The other growing up in suburban Long Island which at the time was veritable cow country compared to today's population explosion. Both my guests came of age before interconnection, when individual sound was considered vogue and confidence in that individual sound was built through steady gigs in a band with Stephane Grapelli, or David Dawg Grisman playing riffs and chords integrated within the gypsy swing. These gentleman on my program today played alongside their heroes like Barney Kessel and Bucky Pizzerelli Keeping the roots music alive through acoustic vibrato in any and all musical settings carrying the torch for those since departed like Joe Pass, Wes Montgomery and Django Reinhardt. Some audiences are more bluesy, some more classical, some are digital. My guests along with their counterparts Vinny Raniolo and Peppino D'Agostino will attempt to engage their audience because Along Came Betty with A Waltz For Debby. But like most artists neither of these cats has had an easy journey. They have suffered from musical traumas, in one case nearly walking away from the instrument all together. It's inspirational that both my guests are headlining the Acoustic Super Group Great Guitars who open up at Yoshii's in Oakland tomorrow night!

Ever heard of Jug? Gene Ammons along with Sonny Stitt? Maybe Willis Jackson or Red Holloway. These cats were mercenaries on the band stand counting off Cherokee at some ridiculous tempo that would separate the common artist from the professional. Take a trip down to Jim and Andy's and you just might see my guest with Al McKibbon or Cal Tjader playing Afro Cuban melodies with Ray Barretto, or Stomping at the Savoy with mainstay Kenny Burrell. Jazz is really black blues and for a long time a jazzers education was on the streets up the corner and round block from Chess Studios where cats like Ramsey Lewis and Ahmad Jamal paved the way for younger minority improvisers to develop an identity. My guest is as accomplished a player as those listed above. He whistles while he works playing chromatic hypnotic chords to tunes like Afro Blue, mas Ritmo Caliente and Along Came Betty. He came of age in the old school back in the game when albums were being written about the Tender Gender, melodic invention with no words just sounds- mainly acoustic with drummers like Joe Dukes, Idris Muhammad, Elvin Jones, Dick Birk, the aforementioned Tjader, Joe Morello and Art Blakey. These cats were messengers of music with an understanding of their significance to pass the music along to those who were younger, educate them on the history the technique the looseness and unique sound that would ultimately pave the way for their own careers. His collaborations are noteworthy because he got his shot with the masters. Rasa an Roland Kirk, another free king in Charles Mingus, Roy Haynes and Frank Foster. God Bless The Child Richard Wyands welcome to the JFS

主持人：淑華來賓：低音提琴演奏暨爵士作曲家 徐崇育 Vincent Hsu主題：爵士鼓大師 Art Blakey節目時間：週一至週五 23:00pm影片連結 https://youtu.be/gqcuR3g2XP0曲目參考：(1) Monin  (2) Along Came Betty (3) Mosaic (4) Free For All (5) Oh, By The Way-----▍九八新聞台@大台北地區 FM98.1▍官網：http://www.news98.com.tw/▍粉絲團：https://www.facebook.com/News98▍線上收聽：https://pse.is/R5W29▍APP下載　• APP Store：https://news98.page.link/apps　• Google Play：https://news98.page.link/play▍YouTube頻道：https://www.youtube.com/user/News98radio▍Podcast　• Himalaya：https://www.himalaya.com/news98channel　• Apple Podcast：https://goo.gl/Y8dd5F　• SoundCloud：https://soundcloud.com/news98

主持人：淑華來賓：低音提琴演奏暨爵士作曲家 徐崇育 Vincent Hsu主題：爵士薩克斯風手 Benny Golson 節目時間：週一至週五 23:00pm影片連結 https://youtu.be/RvP6R4lDHPs曲目參考--(1)  Along Came Betty(2) Alone Together(3) I Remember Clifford(4) Voyage-----▍九八新聞台@大台北地區 FM98.1▍官網：http://www.news98.com.tw/▍粉絲團：https://www.facebook.com/News98▍線上收聽：https://pse.is/R5W29▍APP下載　• APP Store：https://news98.page.link/apps　• Google Play：https://news98.page.link/play▍YouTube頻道：https://www.youtube.com/user/News98radio▍Podcast　• Himalaya：https://www.himalaya.com/news98channel　• Apple Podcast：https://goo.gl/Y8dd5F　• SoundCloud：https://soundcloud.com/news98

Benny Golson, le Messager du Jazz   Benny Golson dans le Terminal de Steven Spielberg.   Qui peut se targuer d'avoir connu John Coltrane à 16 ans ? Travaillé avec Lionel Hampton et Dizzy Gillespie ? Avoir été le directeur musical des Jazz Messengers, et joué son propre rôle dans un film de Steven Spielberg ? Vous, non ? Et bien Benny Golson, oui ! Saxophoniste de premier ordre, ténor au son généreux et velouté, Golson a traversé l'histoire du jazz sans faire de vagues… Et pourtant ! Derrière son air de gentleman, jamais avare d'anecdotes sur la vie des musiciens de jazz, se cache un homme déterminé et un immense compositeur. Car si l'histoire retiendra à coup sûr le nom de Benny Golson, c'est qu'il a signé une poignée de standards parmi les plus beaux du jazz moderne: Blues March, Along Came Betty, Whisper Not, I'll Remember Clifford ou encore Killer Joe. Et alors que le saxophoniste fête ses 90 printemps, il nous semblait évident de partir sur les traces de cet homme qui a dit un jour: “J'ai deux femmes: le saxophone et la composition… Je suis aussi infidèle à l'une qu'à l'autre, et je les aime toutes les deux…”   Etagère n°6… Boite n°5… Dossier BG1929… Benny Golson, le messager du jazz. Playlist Art Blakey - Blues March (Moanin', 1959, Blue Note Records)Benny Golson & Art Farmer - Killer Joe (Meet the Jazztet / At Birdhouse, 2012, Universe Remasterings)Benny Golson - Something in B flat (Benny Golson's New York Scene, 1988, Universal Music Group International)Lionel Hampton & Arnett Cobb - Flying Home N°2 (1944)Coleman Hawkins - Body and Soul (The Essential Coleman Hawkins, 1964, Legacy Recordings)John Coltrane - I'm Old Fashioned (John Coltrane: In A Sentimental Mood et ses plus grands succès remasterisé, 2013, The Restoration Project)Charlie Parker - A Night in Tunisia (Newly Discovered Sides by the Immortal Charlie Parker live, 1964, Savoy)Art Blakey & the Jazz Messengers - Now is the Time (Live in Scheveningen 1958, 2018, Fondamenta)Benny Golson - Stablemates (Benny Golson and the Philadelphians, 2004, Blue Note Records)Bullmoose Jackson - I Know Who Threw the Whiskey in the Well (Bullmoose Jackson Selected Favorites, 2006, Charly Records)Tadd Dameron - Dameronia (The Complete Blue Note and Capitol Recordings of Fats Navarro and Tadd Dameron, 1995, Blue Note Records)Tadd Dameron - The Scene is Clean (Fontainbleau, 2014, Blue Playa Records)Tadd Dameron & Clifford Brown - Choose Now (Take 1) (Clifford Brown Memorial, 1987, Concord Records, Inc.)Lionel Hampton - Vibe Boogie (The European Concerts 1953-1954, 2009, Fremeaux Heritage)Dizzy Gillespie - Left Hand Corner (Compact Jazz: Dizzy Gillespie Big Band, 1992, Verve Reissues)Dizzy Gillespie - Manteca (A Night in Tunisia, 1993, Intersound)Dizzy Gillespie - Whisper Not (Compact Jazz: Dizzy Gillespie Big Band, 1992, Verve Reissues)Dizzy Gillespie - Carioca (The Verve & Philips Small Group Sessions, 2006, Verve Reissues)Dizzy Gillespie - I Remember Clifford (Four Classic Albums: At Newport / Dizzy And Strings / World Statesman / Gene Norman Presents, 2009, AVID Entertainment)Art Blakey - Blues March (Moanin' Remastered, 1959, Blue Note Records)Art Blakey - Justice (The Very Best of Art Blakey remastered version, 2012, Unforgettable Record)Art Blakey & the Jazz Messengers - Warm-Up And Dialogue Between Lee and Rudy (Moanin' Remastered, 1999, Blue Note Records)Art Blakey & the Jazz Messengers - Moanin' (Moanin' / Justice, 1961, BNF Collection)Art Blakey & the Jazz Messengers - Are You Real (Moanin' Remastered, 1959, Blue Note Records)Art Blakey & the Jazz Messengers - Along Came Betty (Moanin' Remastered, 1959, Blue Note Records)Art Blakey & the Jazz Messengers - Blues March (Moanin' Remastered, 1959, Blue Note Records)Benny Golson - Whisper Not (Benny Golson's New York Scene, 1988, Universal Music Group International)Benny Golson - Out of the Past (Reunion, 1961, Kendal)The Jazztet...

Along Came Betty is a Jazz standard written by tenor saxophonist Benny Golson. Benny wrote the song as a tribute to vocalist Betty Carter and it was originally performed by Benny while he was a member of Art Blakey & The Jazz Messengers. The song was also famously recorded in 1959 on the Blue Note Records label for Jazz Messengers legendary "Moanin" album. The song is this weeks podcasts title track and is performed by Jerry Gonzalez & The Fort Apache Band. As all young Jazz Lovers know, Jerry Gonzalez died in a tragic fire at his home in Spain. The Jazz world has lost a great pioneer of Jazz and in particular a front runner in Latin Jazz. Jerry was one of a kind and the Jazz world has lost another warrior. Boricua Forever! Enjoy, Brian "Katzpheno" Phoenix featuring: Ravi Coltrane - Klepto (2012) Gregory Porter - Lonesome Lover (2013) Christian Scott - Alkebu Lan (2012) Anat Cohen - Lilia (2015) James Farm - 1981 (2012) Bobby Hutcherson - I Don't Know Why (1994) Anne Walsh - So It May Secretly Begin (2009) Chick Corea - Love Castle (1976) Jerry Gonzalez & The Fort Apache Band - Along Came Betty (2005) Jerry Gonzalez & El Comando De La Clave - Someday My Prints Will Come (Back From The FBI) (2011)

Paul Desmond og hljómsveit leika lögin Take Ten eftir Paul Desmond, síðan koma lögin The One I Love (Belongs To Someone Else), Theme From Black Orhpeus, Samba de Orfeu, Alone Together, Out of Nowhere og Nancy (With the Laughing Face). Kvartett Donny McCaslin flytur lögin Isfahan, Along Came Betty, Tenderly, A Prayer For Francis, Mountain Mama og Exile and Discovery. Tríó Bill Evans leikur lögin Speak Low, I Love You, Cenception, Our Delight, Five og No Cover No Minimum.

Paul Desmond og hljómsveit leika lögin Take Ten eftir Paul Desmond, síðan koma lögin The One I Love (Belongs To Someone Else), Theme From Black Orhpeus, Samba de Orfeu, Alone Together, Out of Nowhere og Nancy (With the Laughing Face). Kvartett Donny McCaslin flytur lögin Isfahan, Along Came Betty, Tenderly, A Prayer For Francis, Mountain Mama og Exile and Discovery. Tríó Bill Evans leikur lögin Speak Low, I Love You, Cenception, Our Delight, Five og No Cover No Minimum.

Jazz saxophonist Benny Golson learned his instrument and the vocabulary of jazz alongside John Coltrane while Golson was still in high school in Philadelphia. Quickly establishing himself as an iconic fixture on the jazz landscape, Golson performed with dozens of jazz greats, from Sonny Rollins, Coleman Hawkins, and Jimmy Heath to Dizzy Gillespie, Freddie Hubbard, and many others. An acclaimed composer, Golson also wrote music for Hollywood films and television and composed such memorable jazz standards as "Stablemates," "Killer Joe," and "Whisper Not." An eloquent account of Golson's exceptional life—presented episodically rather than chronologically—Whisper Not includes a dazzling collection of anecdotes, memories, experiences, and photographs that recount the successes, the inevitable failures, and the rewards of a life eternally dedicated to jazz. Benny Golson is an NEA Jazz Master, composer, arranger, and saxophonist. After helping Art Blakey revamp his regime with the Jazz Messengers, he co-founded Jazztet with trumpeter Art Farmer. He has composed not only jazz standards, including "Killer Joe" and "Along Came Betty," but also music for films and television, including It Takes a Thief and M*A*S*H.

Fiberart International 2010 artist Elizabeth Whyte Schulze discusses her work, "ALONG CAME BETTY," on view at the Memorial Art Gallery of the University of Rochester May 1-July 3, 2011.