Podcasts about Jimmy Heath

In Episode Six, Dave Reis speaks with internationally renowned, award-winning jazz musician and centenarian, Terry Gibbs, via Zoom from Australia! Terry Gibbs, was born Julius Gubenkon in 1924. The renowned American jazz vibraphonist and band leader is 101 years old! According to his Wikipedia page, Gibbs has performed or recorded with many of the greatest names in Jazz, including  Tommy Dorsey, Chubby Jackson, Buddy Rich, Woody Herman, Benny Goodman, Alice Coltrane, Louie Bellson, Charlie Shavers, Mel Tormé, and Buddy DeFranco to name just a few. "I am the oldest bebopper alive!” proclaims 93-year-old Terry Gibbs, according to an article in Jazz Times, "This forefather of the jazz vibraphone may well be right; age-wise he beats out his closest competitors, including Roy Haynes (92), Jimmy Heath (91), Lee Konitz (90) and Sheila Jordan (89). Certainly, few musicians of any age can top his ability to whip up a storm of excitement on his instrument." The Artist Index's jazz documentarian and Jazz Podcast Series host, Dave Reis, spent nearly 26 years as a Jazz radio show host, among his many other accomplishments. He was one of the original longtime DJs who worked at the former WUSM, which became radio station WUMD, 89.3 FM, on the University of Massachusetts Dartmouth campus. Dave Reis, AKA David Domingo Reis, began as our guest on In-Focus Podcast 154 and In-Focus Podcast 181. He returns once again as the host of our first-ever ten-part jazz podcast series underwritten by the Fiber Optic Center. There is no better host for this series than Dave Reis, a walking, talking jazz encyclopedia and local legend himself. Dave grew up surrounded by and hanging around with many of the jazz greats he will be presenting his ten-part Jazz Podcast Series underwritten by the Fiber Optic Center. Podcasts are also available on your favorite media app, including Amazon Music / iHeart Radio / Libsyn / Podcast Page / Spotify / WebPlayer, and APPLE PODCASTS   Please consider donating whatever you can to help and assure us in our mission to continue documenting the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!

For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music's integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.*Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

FUNK FOUNDATIONS #51 / James MTUME It has been 3 years since we lost one of the most influential percussionist Philadelphia born James Forman aka James Mtume. Raised in a musical family where his father (Jimmy Heath) and uncles formed The Heath Brothers. In the 60's, James studied percussion and he started playing with Herbie Hancock, Joe Henderson, Freddie Hubbard and eventually became the percussionist for Miles Davis. In the Miles Davis band, he hooked up Reggie Lucas (guitar), and started a song writing partnership. The duo Lucas/Mtume wrote and produced mane tracks for artists. He also started his own project, Mtume, where he applied his most innovative sounds. I pay tribute to his boogie funk period with his band and production work which is deep in my funk foundation form E80's….Enjoy the show! George C

NYC-based Hungarian drummer Ferenc Nemeth is a Grammy-award-winning musician and educator who continues to push the boundaries of jazz drumming, composition and education with his unique approach of self-development and artistry. Nemeth has been one of the most sought after drummers both, in Europe and the United States with a lineage from a musical family, lending him a unique dynamism and versatility fostered from a very early age.     From his early days at the Berklee College of Music in Boston and the Thelonius Monk Insitute of Jazz in Los Angeles, Nemeth has learned from and worked with the world's finest jazz musicians and groups including Herbie Hancock, Wayne Shorter, Terence Blanchard, Kenny Werner, the Billy Childs Trio, Bob Sheppard, Dave Carpenter, John Clayton, Jimmy Heath, The Henry Mancini Orchestra amongst others.  An ever-present thirst for exploration and experimentation has seen Nemeth travel widely and play with musicians from a stunning variety of backgrounds and countries. This occupation in turn, has also resulted in Nemeth's regular participation in workshops and teaching programs around the world.   We catch up in this informal chat after our artist residency at the Bimbache openART Festival to unpack some serious themes revolving around the challenges musicians face today in an ever-growing and confusing industry that threatens the authentic growth and integrity of artists at various phases of their careers with a strong focus on goals, personality development, and intentionality.   Watch the extended, unedited taping session here (includes additional footage and transcripts).    

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

Saxophonist/composer Jimmy Heath (born Oct 25, 1926) came from a musical family in the fertile music scene of Philadelphia, Pennsylvania. He and his brothers Percy, bassist with the Modern Jazz Quartet, and Tootie, drummer with a plethora of jazz groups have contributed far more than their share to the world of jazz. A contemporary and close friend of John Coltrane, Heath eclipsed his friend early in their careers, nicknamed “Little Bird”, Heath was chosen over Coltrane by no less than Dizzy Gillespie for a spot in one of his bands. A prolific composer and arranger, Heath has written any number of tunes that have become jazz standards. Enjoying the show? Help keep it going by donating here.

Trumpet player/composer John Birks “Dizzy” Gillespie (born Oct 21, 1917) was, along with Charlie Parker, one of the major innovators behind the bebop movement in jazz. His pyrotechnic technical abilities on the trumpet set the bar high for all the players of that instrument who came after him. He was responsible for a number of compositions that have become jazz standards, and his bands have served as launching pads for a number of musicians who have become well known in their own rights, among them James Moody, Lalo Schifrin, John Coltrane, Jimmy Heath, Benny Golson, Lee Morgan and the entire Modern Jazz Quartet, which was the rhythm section of his big band at one point.  Enjoying the show? Help keep it going by donating here.

Tonight's Jazz Feature is a tribute to the 98th Birthday Anniversary of one of the most important and influential musicians in Jazz: Miles Dewey Davis who was born in Alton, Illinois on May 26, 1926. He left us on September 28, 1991 at age 65. Tonight's Jazz Feature presents in concert in Belgium the "Second Great Quintet" at it's peak. The personnel was Davis on trumpet and leader with Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums. Hancock and Carter are alive and well today and still performing. The repertoire is a mixture of original compositions by Davis, Shorter and Hancock with one classic by Thelonious Monk and one by saxophonist Jimmy Heath. This recording was one of the many concerts recorded on this tour by European Radio and eventually issued domestically a few years ago. As mentioned the Quintet was at it's peak and upon return Miles Davis began to alter the music and change direction as Davis was a musician who constantly evolved and changed his direction. Happy Birthday Anniversary to Miles Davis and check out tonight's Jazz Feature.

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA's Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you'll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Peter Oleksik Music: “That's a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

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COLTRANE Hackensack, NJ, May 31, 1957Straight Street (1,2,3) Johnny Splawn (tp-1) John Coltrane (ts) Sahib Shihab (bar-2) Mal Waldron (p-3) Red Garland (p-4) Paul Chambers (b) Albert “Tootie” Heath (d) THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY New York, January 26, 1960AireginTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) “ART FARMER/BENNY GOLSON THE JAZZTET & JOHN LEWIS” New York, December 20-21, 1960 & January 9, 1961DjangoArt Farmer (tp) Tom McIntosh (tb) Benny Golson (ts) Cedar Walton (p) Tommy Williams (b) Albert “Tootie” Heath (d) John Lewis (arr) “THE BOBBY TIMMONS TRIO IN PERSON AT THE VILLAGE VANGUARD” New York, October 1, 1961PopsyBobby Timmons (p) Ron Carter (b) Albert “Tootie” Heath (d) “KAWAIDA” Don Cherry (tp) Jimmy Heath (ts,sop) Billy Bonner (fl-1,perc-1) Herbie Hancock (p) Buster Williams (b) Albert “Tootie” Heath (d) Ed Blackwell (bells,perc) Mtume (cga) New York, December 11, 1969 ALBERT “TOOTIE” HEATH KWANZA New York, June 4, 1973MaimounCurtis Fuller (tb) Jimmy Heath (ts,sop,fl) Kenny Barron (p,el-p) Ted Dunbar (g) Percy Heath (b) Albert “Tootie” Heath (d,tymp,chimes) THE HEATH BROTHERS BROTHERS MARCHIN' ON Oslo, Norway, October 22, 1975The Watergate bluesJimmy Heath (sop,ts,fl) Stanley Cowell (p,mbira) Percy Heath (b) Albert “Tootie” Heath (d,fl,african-reed) ETHAN IVERSON TOOTIE'S TEMPO Rhinebeck, NY, December, 2012Cute, Tootie's tempoEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) ETHAN IVERSON PHILADELPHIA BEAT Philadelphia, PA, October 5 & 7, 2014Bags' groove, Reets and IEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) Continue reading Puro Jazz 26 abril 2025 at PuroJazz.

COLTRANE Hackensack, NJ, May 31, 1957Straight Street (1,2,3) Johnny Splawn (tp-1) John Coltrane (ts) Sahib Shihab (bar-2) Mal Waldron (p-3) Red Garland (p-4) Paul Chambers (b) Albert “Tootie” Heath (d) THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY New York, January 26, 1960AireginTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) “ART FARMER/BENNY GOLSON THE JAZZTET & JOHN LEWIS” New York, December 20-21, 1960 & January 9, 1961DjangoArt Farmer (tp) Tom McIntosh (tb) Benny Golson (ts) Cedar Walton (p) Tommy Williams (b) Albert “Tootie” Heath (d) John Lewis (arr) “THE BOBBY TIMMONS TRIO IN PERSON AT THE VILLAGE VANGUARD” New York, October 1, 1961PopsyBobby Timmons (p) Ron Carter (b) Albert “Tootie” Heath (d) “KAWAIDA” Don Cherry (tp) Jimmy Heath (ts,sop) Billy Bonner (fl-1,perc-1) Herbie Hancock (p) Buster Williams (b) Albert “Tootie” Heath (d) Ed Blackwell (bells,perc) Mtume (cga) New York, December 11, 1969 ALBERT “TOOTIE” HEATH KWANZA New York, June 4, 1973MaimounCurtis Fuller (tb) Jimmy Heath (ts,sop,fl) Kenny Barron (p,el-p) Ted Dunbar (g) Percy Heath (b) Albert “Tootie” Heath (d,tymp,chimes) THE HEATH BROTHERS BROTHERS MARCHIN' ON Oslo, Norway, October 22, 1975The Watergate bluesJimmy Heath (sop,ts,fl) Stanley Cowell (p,mbira) Percy Heath (b) Albert “Tootie” Heath (d,fl,african-reed) ETHAN IVERSON TOOTIE'S TEMPO Rhinebeck, NY, December, 2012Cute, Tootie's tempoEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) ETHAN IVERSON PHILADELPHIA BEAT Philadelphia, PA, October 5 & 7, 2014Bags' groove, Reets and IEthan Iverson (p) Ben Street (b) Albert “Tootie” Heath (d) Continue reading Puro Jazz 26 abril 2025 at PuroJazz.

Welcome to Jazz Piano Skills. It's time to discover, learn, and play jazz piano!Today, I welcome to Jazz Piano Skills, jazz pianist, educator, and author Mark Davis. Mark has been a mainstay on the Milwaukee jazz scene for over 35 years and has shared the stage with many internationally known performers such as Phil Woods, Benny Golson, Jimmy Heath, Charles McPherson, Slide Hampton, Frank Morgan, Jason Marsalis, Brian Lynch, Ted Nash, Jeff Hamilton, and John Clayton to name just a few and here's what they say about Mark"Mark Davis plays with the touch of Teddy Wilson and the lines of Bud Powell."- Jazz legend Slide Hampton"Mark Davis is a wonderful, swinging player with all the right stuff."- Grammy award-winning trumpeter Brian Lynch"Mark Davis is a true master of jazz piano tradition and one of the greatest educators of our time."- Dan Nimmer, pianist with Wynton Marsalis and the Jazz at Lincoln Center OrchestraAnd my favorite“And though Mark Davis looks like mild-mannered reporter with the Daily Planet, Clark Kent, he's really Superman on the piano!”- jazz legend Charles McPhersonIn addition to being an accomplished jazz pianist and performer, Mark has a passion for jazz education. He founded the Milwaukee Jazz Insitute, which promotes jazz through education while seeking to expand and diversify the local jazz audience. In doing so, Mark and his team work tirelessly to create opportunities for professional and aspiring musicians.Mark has done work for the Hal Leonard Corporation, including transcriptions for Miles Davis: Kind of Blue for their Transcribed Score series and numerous recordings for their Real Book Play-Along series and Real Book Multi-Tracks series. He authored the Hal Leonard Jazz Piano Method Book 1, released in September 2015, and the Hal Leonard Jazz Piano Method Book 2, released in June 2019. Available in English, Dutch, French, and German, the method books have sold over 27,000 copies worldwide.Enough already - without further delay- enjoy my interview with Mr. Mark Davis. Links to the websites:www.markdavismusic.comwww.milwaukeejazzinstitute.orgLinks to purchase books:Hal Leonard Jazz Piano Method Book 1 - by Mark Davishttps://amzn.to/2CqmIvRHal Leonard Jazz Piano Method Book 2 - by Mark Davishttps://amzn.to/32VA3axMark Davis social media channels:https://www.facebook.com/markdavisjazzhttps://www.instagram.com/markdavismusic/https://www.youtube.com/@MarkDavisJazzhttps://www.linkedin.com/in/markdavisjazz/Milwaukee Jazz Institute social media channels:https://www.facebook.com/MilwaukeeJazzInstitute/https://www.instagram.com/milwaukeejazzinstitute/https://www.linkedin.com/company/milwaukee-jazz-institutehttps://www.youtube.com/@milwaukeejazzinstituteSupport the show

Martin Schack, Jasper Bodilsen, Anders Morgensen, Peter Bernstein: Simple As That; Art Blakey & Jazz Messengers: The Drum Thunder; Clifford Brown, Jay Jay Johnson, Jimmy Heath, John Lewis, Kenny Clarke: Sketch 1; The New Conrad Miller Trio: No Dancing; The New Conrad Miller Trio: Sunday Morning In Granada; The Adam Deitch Quartet, John Scofield: Mushroom […]

Starting off Season 2 in 2024 with an episode featuring trombonist, educator, and composer James Burton III! We delved into James' trombone origin story, exploring his musical evolution across various music institutions and alongside legends like Illinois Jacquet to his professional stints on Broadway and in the broader music scene. Beyond his illustrious career, we explored his impactful role as an educator at Juilliard and beyond. Our Q&A session also featured insightful inquiries about setups, what James' has been listening to recently, and the prospect of relocating to NYC to pursue a career in music. This is THE episode to catch if you've ever been curious about what goes into a vibrant music career in NYC! Don't know much about James? Let's catch you up: “Trombonist, composer, arranger James Burton III has lent his sound to multiple Grammy Award-winning albums and Tony Award-winning Broadway productions. Born in Queens, now a resident of Harlem, Burton III is a Summa Cum Laude graduate of the Jackie McLean Institute at the Hartt School of Music. While earning his Master's Degree and Artist Diploma from the Juilliard School, Burton held both the Morse and Gluck Fellowships and received the Schuman Prize, an award named for Juilliard's founding president and given to one graduating Masters Degree candidate annually.Burton got his professional start playing with many of the great large ensembles; the Illinois Jacquet Big Band, the Dizzy Gillespie All Stars, the Lincoln Center and Vanguard Jazz Orchestras etc. Additionally, the opportunity to perform/record with legends Jimmy Heath, Slide Hampton, Ron Carter and Christian McBride inspired Burton to co-found a 10-piece ensemble called the Uptown Jazz Tentet, which celebrated the release of a second album in late 2020, to much critical acclaim. Currently, Burton's playing and original compositions can be heard alongside band mates Jeremy Pelt and Wayne Escoffery in a dynamic new ensemble; Black Art Jazz Collective. BAJC has released three albums since its inception, the latest two reaching the #1 position on the JazzWeek Charts for international radio play. In the model of jazz education pioneer Jackie McLean, Burton is an avid educator and has been a full time associate professor at both the Juilliard School and Manhattan School of Music as well as Director of Jazz Education at New Jersey Performing Arts Center. Burton continues to pass on the legacy of the music via master classes, ensemble coachings and workshops for arts education institutions across the globe.” Our next live episode will be during the NAMM Show in Anaheim, California, later this month and will feature special guest Trent Austin! Stay tuned for airing date and time details by following our social media channels and checking our newsletters. For more insights and updates, be sure to follow us on Instagram: James Burton III's Instagram Virtuosity Musical Instruments' Instagram⁠⁠⁠⁠ ⁠⁠⁠J. Landress Brass' Instagram⁠⁠⁠ You can also explore more about our businesses on our websites: ⁠⁠⁠Virtuosity Musical Instruments' Website⁠⁠⁠ ⁠⁠⁠J. Landress Brass' Website⁠⁠⁠ Happy listening, friends!

Great early bop sessions led by the innovative drummer including Fats Navarro, Kenny Dorham, Benny Bailey and Howard McGhee on trumpets, Julius Watkins on french horn, Sonny Stitt, John Brown, Jimmy Heath and Hubert Fol on altos, Jimmy Powell, Billy Mitchell and Ray Abrams on tenors, Eddie De Verteuil and Cecil Payne on baris, John Lewis and Bud Powell on piano, John Collins on guitar and Al Hall, Curly Russell and Al McKibbon on basses . . 1946-49 --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Pat Malinger and was recorded February 26, 2020.Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O'clock Lab Band” Scholarship.He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few. Pat performs concerts and festivals nationally and internationally both as a bandleader and sideman. Pat has performed with Nancy Wilson, Stevie Wonder, Herbie Hancock, Cab Calloway, Thad Jones/Mel Lewis Reunion Band, Cedar Walton, Marcus Roberts, Joey DeFrancesco, Joe Lovano, Frank Foster, Branford Marsalis, Joshua Redman, Billy Harper, Jimmy Heath, Johnny Griffin, James Moody, Lee Konitz, Phil Woods, Paquito D'Rivera, Donald Harrison, Alvin Batiste, Slide Hampton, Curtis Fuller, Steve Turre, Wycliffe Gordon, Bill Watrous, Clark Terry, Randy Brecker, Tom Harrell, Doc Severinsen, Roy Hargrove, and Nicholas Payton.Learn more about Pat here: https://patmallinger.com/ https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

Jazz trumpeter Greg Gisbert's eclectic career is in its 5th decade. His resume includes recordings, tours, multiple television performances/movie and TV soundtracks with such icons as Lady Gaga & Tony Bennett, Frank Sinatra, Horace Silver, Frank Wess, Jimmy Heath, Buddy Rich, Clark Terry, Sarah Vaughn, Mel Torme, Jazz @ Lincoln Center, Wynton Marsalis, Maria Schneider, Dizzy Gillespie all stars w/ John Lee, Toshiko Akiyoshi, Chie Imaizumi (producer ) & more. Gisbert has held professorships & artist in residence as well as a highly respected featured guest artist for dozens of colleges & conservatories, most notably Juilliard, Manhattan School of Music, U of Miami, and CU Boulder & he is currently a faculty member for the Colorado Conservatory for the Jazz arts.  Thanks for listening, and please support the artists you hear by seeing them live and online. You can find Backstage Jazz on all podcast platforms and TAVN Radio. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Superb Alto Saxophonist Christopher McBride has been slowly but steadily turning heads with his ubiquitous work as an invaluable sideman since the mid-aughts. Now Christopher is gaining respect amongst fans, critics, and his peers as one of the most versatile saxophonists in the world. His 2012 debut album Quatuor de Force certainly establishes his ability to front a group and write his own soulful, melodically indelible tunes. Applauded for his ability to play in all musical situations, McBride has the ability to unleash a fiery attack and serrated tone, but on his recent album he explores a more measured, mellow sound heavily influenced by contemporary R&B—with a strong shot of Cannonball Adderley's post-bop sensuality–but his improvising is very rigorous and cogent. Starting his professional career in Chicago in 2007, Christopher has been in high demand around the world as a musician, composer, arranger, and educator. In addition, since moving to New York in 2013 his group The Whole Proof has played venues all over New York such as Smalls Jazz Club, Smoke Jazz Club, Ginny's Supper Club & Fat Cat. The musicians he has performed for stretches over many genres with artists such as Billy Preston, Jimmy Heath, Bobby Broom, Percy Gray, Roy Hargrove, Talib Kweli, Lupe Fiasco, Guy Sebastian, Solange, Ne-Yo, Jennifer Hudson, Alice Smith, Brandon Flowers, Lea DeLaria, 88 Keys, Milton Mustafa, Winard Harper, and the Marquis Hill Blacktet. He now currently resides in Brooklyn, New York. In this episode, Christopher shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

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Trombonist, composer, arranger James Burton III has lent his sound to multiple Grammy Award-winning albums and Tony Award-winning Broadway productions. Born in Queens, now a resident of Harlem, Burton III is a Summa Cum Laude graduate of the Jackie McLean Institute at the Hartt School of Music. While earning his Master's Degree and Artist Diploma from the Juilliard School, Burton held both the Morse and Gluck Fellowships and received the Schuman Prize, an award named for Juilliard's founding president and given to one graduating Masters Degree candidate annually. Burton got his professional start playing with many of the great large ensembles; the Illinois Jacquet Big Band, the Dizzy Gillespie All Stars, the Lincoln Center and Vanguard Jazz Orchestras etc. Additionally, the opportunity to perform/record with legends Jimmy Heath, Slide Hampton, Ron Carter and Christian McBride inspired Burton to co-found a 10-piece ensemble called the Uptown Jazz Tentet, which celebrated the release of a second album in late 2020, to much critical acclaim. Currently, Burton's playing and original compositions can be heard alongside band mates Jeremy Pelt and Wayne Escoffery in a dynamic new ensemble; Black Art Jazz Collective. BAJC has released three albums since its inception, the latest two reaching the #1 position on the JazzWeek Charts for  international radio play. In the model of jazz education pioneer Jackie McLean, Burton is an avid educator and has been a full time associate professor at both the Juilliard School and Manhattan School of Music as well as Director of Jazz Education at New Jersey Performing Arts Center. Burton continues to pass on the legacy of the music via master classes, ensemble coachings and workshops for arts education institutions across the globe. View the show notes and a transcript for this episode at: https://bobreeves.com/blog/james-burton-trombone-interview/ The Trombone Corner Podcast is brought to you by The Brass Ark (brassark.com) and Bob Reeves Brass (bobreeves.com).  

Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Robert Silverman was born in New Haven, Connecticut. and has been playing jazz piano, trumpet, singing and composing for about 50 years. Mr. Silverman was first mentored by the great Jackie McLean in Hartford, and then moved on to study at the New England Conservatory in Boston where he was fortunate to work with George Russell, Jaki Byard, Fred Hersch, Jimmy Guiffre, Ran Blake and many others and graduated from the Jazz Studies Department in 1984. He moved to New York where he did graduate work with Jimmy Heath at Queens College and has been the recipient of many awards including two Meet the Composer Grants and a Brio award in 2013 for Best Jazz Composer for his CD Fractured time and 3 Grants during the Pandemic including New York Foundation for Arts and the Louis Armstrong Foundation. Mr. Silverman has released 15 CDs in NYC, and works with the elderly population and Alzheimer patients in the Bronx. He is on the Staff of 92nd St Y, and will soon be teaching at the Duke Ellington School in NYC.

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Original Air Date: March 26, 1945Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Original Air Date: March 26, 1945Host: Andrew RhynesShow: The Lone RangerPhone: (707) 98 OTRDW (6-8739) Stars:• Brace Beemer (Lone Ranger)• John Todd (Tonto) Writer:• Fran Striker Producer:• George W. Trendle Music:• Ben Bonnell Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK

Two (or possibly four) sessions with the young boppers, probably aimed at the jukebox market. Both sessions feature the vibes of Milt Jackson and piano of Will Davis . . the McGhee date for Savoy features the trumpet playing standards and originals with Jimmy Heath on alto and bari and Percy Heath. The Stitt session features the alto player in Detroit playing a series of very short tracks with Jackson, Davis and a local group but with particularly outstanding saxophone playing! --- Support this podcast: https://anchor.fm/john-clark49/support

#809 - Mike Smith The Mike Smith _Interview is featured on _The Paul Leslie Hour. Are you here? We think it's better that you're here than somewhere else! Thank you for cruising in. Welcome to The Paul Leslie Hour. We have an interview from the archives with Jazz Saxophonist Mike Smith, a native of Chicago.  Before we tell you more about Mike Smith, can you do us a quick favor? Subscribe to The Paul Leslie Hour on YouTube. It's easy to find, free to do and once you do ring that bell. Please. Now, more about today's interview…Chicago saxophone legend Mike Smith has performed all around the world and worked with more than 100 greats of music: Nat Adderley, Jimmy Heath,  Clark Terry, Tony Bennett, Natalie Cole, Linda Ronstadt, Diane Schuur, Harry Connick Jr, Nancy Wilson and Frank Sinatra.  Mike Smith toured with Frank Sinatra Jr. until the very end of Frankie's life. That's how we got connected with Mike Smith. And we're very glad we did. Real quick, The Paul Leslie Hour depends on listeners and viewers like you. Please consider contributing, it keeps the operation going. Go to thepaulleslie.com/support and we thank you. And now ladies and gents, it's the Mike Smith interview. It's time.

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Welcome to a new edition of the Neon Jazz interview series with South Carolina-based Veteran Trumpeter Charlton Singleton .. We caught up with him about his new 2022 CD Crossroads and a very rich road in jazz .. A native of Awendaw, SC, he began his musical studies at the age of three on the piano. As a performer, Charlton leads his own ensembles that vary in size and style. He has performed all over the world and in many great cities throughout the United States. In addition to performing, he is in demand as a speaker, clinician, composer, and arranger. He has also shared the stage with and/or worked with some of most talented entertainers in the world, including Bobby McFerrin, Jimmy Heath, Slide Hampton, Houston Person, Darius Rucker, Fred Wesley, and Cyrus Chestnut to name a few. Enjoy this interview .. Click here to listen.Thanks for listening and tuning into yet another Neon Jazz interview .. where we give you a bit of insight into the finest players and minds around the world giving fans all that jazz ..  If you want to hear more interviews, go to Famous Interviews with Joe Dimino on the iTunes store, visit the YouTube Neon Jazz  Channel at https://www.youtube.com/c/neonjazzkc, go The Home of Neon Jazz at  http://theneonjazz.blogspot.com/ and for everything Joe Dimino related go to www.joedimino.com When you are there, you can donate to the Neon Jazz cause via PayPal https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4 or through Patreon at https://www.patreon.com/neonjazzkc - Until next time .. enjoy the music my friends ..

- 3 days, 3 gigs - bouldering, running - Slide Hampton - Antonio Hart: discovering him, first interaction, Jimmy Heath, Dave Holland, Alex Sipiagin, Chris Potter, Roy Haynes, Sonny Rollins - George Garzone

In this very first episode of Fresh Coast Jazz Backstage podcast, your host Carl Brown welcomes one of the most successful artists in all of contemporary jazz, Najee, a multi-platinum, Grammy-nominated saxophonist and flautist with six No. 1 albums, and five No. 1 singles. Najee shares about his career, songs and albums, plans, playing with some great musicians, like Shaka Khan, Prince, and others. He is universally respected and loved by other artists. In the 'Bout It or Doubt It segment of the show, Najee answers the questions under the Rides category – and he explains why he does not like motorcycles and helicopters. Enjoy this interesting conversation and take a quick listen to Betcha Don't Know from Najee's Theme album, Tokyo Blue, and Face to Face from Center of the Heart. Episode Highlights01:45 - It is the spirit of being a jazz musician by nature, you get bored with what you do, and you are always looking for new avenues to express that through. Fortunately for me, I had the pleasure to work with so many great artists and being able to collaborate with so many artists over the years.15:33 – Fortunately, I did get to play in a lot of the big bands. When I was a youngster, I attended Jazzmobile in Harlem. And that was where I got formal jazz training, studying under Jimmy Heath, Frank Foster and Ernie Wilkins. My training has served me well. 20:20 – There are so many stories, I do not know if I can name one. One of the hallmark experiences was the opportunity to play for president Nelson Mandela when he was president, and to have personal time with him. 22:40 – My principle is - I do not work with people I do not like. 42:18 – The recording process has its own mental space, but there is nothing like playing for people. I cannot say one is better than the other. I love them both. ContactFresh Coast Jazz FestivalNajee Official

Today we welcome the wonderful bassist  Mark Wade on the show, previewing his newly released album, True Stories. Based in New York, Wade has performed at Jazz at Lincoln Center, The Blue Note, The Iridium and Birdland. He is a former artist in residence at Flushing Town Hall and tours in North America and Europe. He has played with jazz notables James Spaulding, Eddie Palmieri, Conrad Herwig, Harry Whitaker, Stacey Kent, Peter Eldridge, Don Byron and Jimmy Heath, and is a member of the Pete McGuinness Jazz Orchestra. On the classical side, he has appeared with the Key West Symphony featuring Grammy Award winners Sharon Isbin and Robert McDuffie, Orchestra of the S.E.M./Janacek Philharmonic (Czech Republic) at Lincoln Center and Carnegie Hall, as well as Orchestra of the Bronx, Bronx Opera, DiCapo Opera and Light Opera of New York. Support the show (https://www.buymeacoffee.com/thejazzpodcast)

The legendary Jimmy Heath joins Vinyl Crisis.

In this very first episode of Fresh Coast Jazz Backstage podcast, your host Carl Brown welcomes one of the most successful artists in all of contemporary jazz, Najee, a multi-platinum, Grammy-nominated saxophonist and flautist with six No. 1 albums, and five No. 1 singles. Najee shares about his career, songs and albums, plans, playing with some great musicians, like Shaka Khan, Prince, and others. He is universally respected and loved by other artists. In the 'Bout It or Doubt It segment of the show, Najee answers the questions under the Rides category – and he explains why he does not like motorcycles and helicopters. Enjoy this interesting conversation and take a quick listen to Betcha Don't Know from Najee's Theme album, Tokyo Blue, and Face to Face from Center of the Heart. Episode Highlights01:45 - It is the spirit of being a jazz musician by nature, you get bored with what you do, and you are always looking for new avenues to express that through. Fortunately for me, I had the pleasure to work with so many great artists and being able to collaborate with so many artists over the years.15:33 – Fortunately, I did get to play in a lot of the big bands. When I was a youngster, I attended Jazzmobile in Harlem. And that was where I got formal jazz training, studying under Jimmy Heath, Frank Foster and Ernie Wilkins. My training has served me well. 20:20 – There are so many stories, I do not know if I can name one. One of the hallmark experiences was the opportunity to play for president Nelson Mandela when he was president, and to have personal time with him. 22:40 – My principle is - I do not work with people I do not like. 42:18 – The recording process has its own mental space, but there is nothing like playing for people. I cannot say one is better than the other. I love them both. ContactFresh Coast Jazz FestivalNajee Official

Join me for a down to Earth conversation with a legend of jazz. A fiery and often intense tenor saxophonist, Odean Pope emerged from the great Philadelphia jazz tradition that birthed players from Khan Jamal and Jimmy Heath to Archie Shepp, Rufus Harley, and Byard Lancaster -- not to mention John Coltrane (whom he replaced in Jimmy Smith's band at the great saxophonist's suggestion, when Trane joined the Miles Davis quintet). Pope is also a composer, arranger, and musical theorist. His trademark sound integrates the gospel of the Southern Baptist Church he was reared in, bop, modal, and free jazz, and fourth-system harmonics.

This is a very special edition of The Miles Davis Quintet. After the departure of pianist Bill Evans and Julian "Cannonball" Adderley, Miles Davis performed with John Coltrane, Wynton Kelly (piano), Paul Chambers (bass) and Jimmy Cobb (drums)....a quintet. John Coltrane decided to leave the group as he was about to form his own band and Miles Davis needed another saxophone player. Davis' first choice was Jimmy Heath but circumstances prevented Jimmy from travelling outside of New York and Philadelphia so Miles chose his old pal who he knew since the 1940's....Sonny Stitt. Stitt was adept on both alto and tenor saxophones and knew thousands of songs! Unfortunately during Stitt's six month stay in the band, there were no domestic recordings. Fortunately while on a short Fall tour in 1960 this special quintet was recorded in England and in Sweden. It's the Swedish concert that is our Jazz Feature tonight. It was recorded by Swedish Radio and has great audio quality. The playing is superb with Miles in great form with some inspired Sonny Stitt. The best rhythm section in Jazz propels them both to great heights. Miles Davis, Sonny Stitt, Wynton Kelly, Paul Chambers, Jimmy Cobb....five giants of music.....enjoy!

In this very first episode of Fresh Coast Jazz Backstage podcast, your host Carl Brown welcomes one of the most successful artists in all of contemporary jazz, Najee, a multi-platinum, Grammy-nominated saxophonist and flautist with six No. 1 albums, and five No. 1 singles. Najee shares about his career, songs and albums, plans, playing with some great musicians, like Shaka Khan, Prince, and others. He is universally respected and loved by other artists. In the 'Bout It or Doubt It segment of the show, Najee answers the questions under the Rides category – and he explains why he does not like motorcycles and helicopters. Enjoy this interesting conversation and take a quick listen to Betcha Don't Know from Najee's Theme album, Tokyo Blue, and Face to Face from Center of the Heart. Episode Highlights01:45 - It is the spirit of being a jazz musician by nature, you get bored with what you do, and you are always looking for new avenues to express that through. Fortunately for me, I had the pleasure to work with so many great artists and being able to collaborate with so many artists over the years.15:33 – Fortunately, I did get to play in a lot of the big bands. When I was a youngster, I attended Jazzmobile in Harlem. And that was where I got formal jazz training, studying under Jimmy Heath, Frank Foster and Ernie Wilkins. My training has served me well. 20:20 – There are so many stories, I do not know if I can name one. One of the hallmark experiences was the opportunity to play for president Nelson Mandela when he was president, and to have personal time with him. 22:40 – My principle is - I do not work with people I do not like. 42:18 – The recording process has its own mental space, but there is nothing like playing for people. I cannot say one is better than the other. I love them both. ContactFresh Coast Jazz FestivalNajee Official

After the last edition of Hot Box Xtra, remembering the great Chick Corea (1941 – 2021), Donald Helme returns to some “New Stuff“ with a varied programme from jazz-funk to lush vocals, from the valedictory saxophone of Jimmy Heath to brilliant solo piano.

After the last edition of Hot Box Xtra, remembering the great Chick Corea (1941 - 2021), Donald Helme returns to some “New Stuff“ with a varied programme from jazz-funk to lush vocals, from the valedictory saxophone of Jimmy Heath to brilliant solo piano.

To round out the year, we round up the best jazz of the year. We've done this every year for at least the last seven years. Here are our 2020 picks: "Kurinji" by Jen Allen featuring Kris Allen, Marty Jaffe, and Kush Abadey, from Sifting Grace "The Sidewinder" by Artemis, from Artemis "Dream Without Me" by Noah Baerman & Friends, from Love Right "Inner Child" by Chris Dingman featuring Linda May Han Oh and Tim Keiper, from Embrace "The Well" by Endless Field, from Alive in the Wilderness "AKA Reggie" by Wayne Escoffery, from The Humble Warrior "I Can't Remember Love" by Anna Hauss, Robert Wienröder & William Horberg, from Music from the Netflix Limited Series The Queen's Gambit "La Mesha" by Jimmy Heath featuring Wynton Marsalis, from Love Letter "Spiral" by Dan Liparini, from Tessellations "Data Lords" by Maria Schneider Orchestra, from Data Lords "More?" by Joel Ross, from Who Are You? "Piggy Bank for Charity" by Sax & Taps, from Intersplosion! (Live at Dizzy’s Club) GUESTS: Jen Allen - A pianist, composer, arranger, and educator; her new album is Sifting Grace Noah Baerman - A pianist, composer, and educator; his new album is Love Right Gene Seymour - A film, television, and music critic Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Trailer for Uniquely Human: The PodcastPlay the audio…FeaturingShow NotesWe are so excited to share this original podcast series, Uniquely Human: The Podcast. An expansion upon Barry's groundbreaking book, Uniquely Human: A Different Way of Seeing Autism, this podcast is for autistic people and the parents, people, and professionals who love them. Enjoy the trailer, and we'll see you soon!ACKNOWLEDGMENTSMusicMatt Savage, courtesy of Savage RecordsMatt Savage is an autistic jazz musician, composer, and bandleader. Matt has collaborated with jazz greats like Chick Corea, the Ellington All Stars, Chaka Khan, Wynton Marsalis, Bobby Watson, Clark Terry, Jimmy Heath, Jason Moran, Arturo O'Farrill, John Pizzarelli, Joshua Redman, Terri Lyne Carrington, Jon Faddis, Jerry Bergonzi. Donny McCaslin, and more. He has recorded more than a dozen records and graciously contributes the music for Uniquely Human.Production and Sound DesignELEVATEDSTUDIOUniquely Human: The Podcast is produced, engineered, and edited by Elevated Studio in Denver, Colorado. Owned and operated by co-host Dave Finch, Elevated Studio produces digital media assets and content strategies for the electronics, entertainment, and lifestyle industries.

It seems that this is a time for memories of the great jazz musicians of yesterday who have “left the building” during the current pandemic (but not necessarily as a direct result of it), and in The Hot Box #061 we celebrate the music of saxophonist Jimmy Heath, singer/pianist Freddy Cole and singer Annie Ross. And we find some new music from Brazilian, New York based guitarist Riccardo Grilli.

Featuring a hot stack of new releases including jazz guitar giant John Scofield w/Steve Swallow, latin piano maestro Arturo O'Farrill, the late-great saxophone ninja Jimmy Heath, and soul diva Betty LaVette; fresh new beats from Copenhagen's School of X; East Village groovers Avi Bortnick, Jesse Murphy, Aaron Johnson, and co. recorded live at NuBlu 151 in NYC; a brand new lost recording from the Thelonious Monk Quartet in Palo Alto in 1968; and one of the grooviest East Bay cats out there, Mr. Raphael Saadiq.

I got to sit down with one of my favorite people - Roosevelt Griffin. On this episode, Roosevelt talks about growing up in and teaching in low-income areas, strategies for reaching and advocating for students in your programs, tips and techniques for jazz programs, and his path to starting a community center, the Griffin Institute.FULL BIO from www.rooseveltgriffin.com and www.thegriffininstitute.org:Dr. Roosevelt Griffin III is the director of bands for Harvey School District 152 where he and his students have received international acclaim for excellence in music education. He manages music programs over seven locations with more than 250 students. He is also the elementary jazz band director for the Chicago Jazz Philharmonic; an instructor with Blues Kids of America, an interdisciplinary artist-in-residence program that helps students improve literacy through music; and the President/CEO of the Griffin Institute of Performing Arts.Some of his most notable performances as an educator include performances at the Chicago Jazz Festival, Chicago Blues Festival, Buddy Guy's Legends, Midwest International Band and Orchestra Clinics, Jazz Education Network's International Conference, Auditorium Theater, ASCD International Conference, and the Chicago Jazz Showcase.Before becoming a full-time teacher, Dr. Griffin worked with some of the world's greatest musicians, including Luciano Pavarotti, Diana Ross, and Jimmy Heath. He is often invited to present at conferences and workshops for music education, including the Midwest International Band and Orchestra Clinics, The Jazz Institute of Chicago, The Jazz Educators Network, The Missouri Music Educators Association, Illinois Music Educators Association, The Chicago Jazz Philharmonic, Northern Illinois University, Columbia College, and Prairie State College. He and his students have also been featured in Downbeat and JazzEd magazines for obtaining an endorsement with Jody Jazz Mouthpieces. He recently co-authored the latest addition to GIA Publications TMTP series, “Teaching Music Through Performance: Beginning Jazz Ensembles”.Dr. Griffin's work has brought him several prestigious honors. The Recording Academy and the Grammy Foundation have most recently named him a Quarter-Finalist for the 2017 “Grammy Award for Music Educator”. In 2015, Dr. Griffin received the 2015 Most Outstanding Alumni Award from the Northern Illinois University Alumni Association as well as a Jefferson Award for excellence in teaching from the District 205 Ambassadors of the Jefferson Award Foundation. In 2014, He received the prestigious Golden Apple Award for excellence in teaching from the Golden Apple Foundation. Later that same year, his hometown of Harvey, Illinois, honored him by renaming his childhood street “Roosevelt Griffin III Avenue”.Dr. Griffin earned a bachelor of music degree from NIU in 2001, master's degree in school leadership from Concordia University in 2011, Doctorate in Organizational Leadership from Argosy University and currently holds the status of Scholar at Northwestern University.

This amazing album could be considered a bit of a comeback for Miles Davis. It was recorded in October of 1966. 1965 was a bad year for Miles. It began just fine but a bad car accident broke Miles hip and then came a severe liver infection with a 3 month hospital stay plus a heavy divorce and a tiff with Columbia records and virtually no playing. The band which was called his "second great quintet" consisted of Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums and they all busied themselves with recording, gigs etc. during this period of Miles' inactivity. Eventually with all the troubles behind him, Miles went back to work and the band was ready. Concerts, club dates, tours were all happening and Miles took the band into the recording studio and did this album of all new material. The album was issued as "Miles Smiles" and Miles Davis was back in force. Three tunes are by Wayne Shorter, one by Miles, one each by saxophonists Eddie Harris and Jimmy Heath. It was the real beginning of this group's artistic ascendency. Miles deserved to smile after this one! Happy New Year all!

Today I sat down in the ever lively Clark Park, home of the Annual Community Unity Festival, with Philadelphia Jazz Icon Justin Faulkner. Brought up in a musical household, extremely gifted, and infinitely motivated he began his professional career at thirteen. Since then he has played with Jazz royalty such as Jimmy Heath, Orrin Evans, Sean Jones, Tim Warfield, Pharoah Sanders, Terence Blanchard, Jacky Terrasson, Christian McBride, and perhaps best known as drummer for the Branford Marsalis Quartet. We had a great conversation about a variety of topics including: the origins of The Community Unity Festival, fashion, his acting debut in the film “Bolden”, the joy of listening, coming up in Branford's band, advice for students and much more.  I hope to see you all at this year's Community Unity Festival on August 3rd at Clark Park in West Philadelphia. It's always a blast, supports a great cause, and it's free. http://communityunitymusicfest.wedid.it/campaigns/6489

Jimmy Heath at 92 is one of the living Jazz Masters and still going strong playing, composing, touring and band leading. Jimmy was from the illustrious Heath Family which included the late bassist Percy and the still living youngest brother, drummer Albert "Tootie" Heath. Our Jazz Feature album is a fine example, more then fine, perhaps one of the best examples of Jimmy Heath's playing done in 1975 when he was 49. "Picture of Heath" places Jimmy playing mostly tenor saxophone but on soprano saxophone on two tunes in front of a great rhythm section with the still living Barry Harris on piano, Sam Jones on bass and Billy Higgins on drums. Only one standard is heard here and that's the ballad "Body and Soul" where Jimmy plays both horns. The five remaining tunes are all Jimmy's. "For Minor's Only", "Picture of Heath", "Bruh' Slim", "All Members" and "CTA". "Picture of Heath" paints a great musical picture of one of Jazz music's great masters.

This is the last trumpeter in our Jazz Features spotlighting unheralded trumpeters for November. Carmell Jones was from Kansas City, Kansas but became a a major trumpet voice on his horn when he moved to Los Angeles in 1960. He recorded his first albums there and worked with Harold Land, Curtis Amy and the big band of Gerald Wilson and others before moving to New York in 1964 to join Horace Silver's revamped Quintet. Carmell was on pianist Silver's famous date called "Song For My Father" In 1966 he moved to Europe and was there until 1980 then he returned home to Kansas and taught and played locally before his death at age 60. in 1996. Tonight's Jazz Feature is his fine only date for Prestige in 1965. Carmell picked a great band with Jimmy Heath on tenor saxophone and Barry Harris on piano adding much energy to the proceedings. George Tucker on bass and Roger Humphries on drums drive the music along in swinging fashion. Carmell's main influence was Clifford Brown and with his warm full sound and abundant technique Carmell reflects that wonderful influence by being Carmell! Check out "Jay Hawk Talk" tonight!