Podcast appearances and mentions of antonio carlos jobim

Paris foi uma das etapas da digressão europeia da brasileira Maria Luiza Jobim. A filha de António Carlos Jobim, o célebre autor de "Garota de Ipanema" esteve em concerto no domingo na capital francesa, na sala "New Morning". Com dois álbuns na manga, uma série de eps e singles, e outro trabalho discográfico em preparação, ala acaba de lançar o single "Go, go, go". A artista preparou também uma versão de "La Javanaise" de Serge Gainsbourg que vai interpretar no seu futuro álbum, na companhia do marido, o também músico português António Zambujo, como ela começa por nos contar.  Maria Luiza Jobim, filha de António Carlos Jobim, o celebrérrimo autor de "Garota de Ipanema", conhecido como Tom Jobim, já tem no activo dois álbuns (Casa Branca em 2019 e Azul em 2023), vários singles e EPs. Com novo álbum em preparação e um single "Go, go, go" que acaba de sair, a artista fez uma digressão por Portugal, Espanha, França e Inglaterra, acompanhada do seu novo marido, o também músico português, António Zambujo, que ela convidou ao palco para juntos interpretarem algumas músicas. Em conversa com a RFI em Paris a 19 de Outubro, após o seu concerto na sala "New Morning" ela admitiu que esta digressão indicia trabalhos conjuntos futuros entre os dois esposos, um registo em família. Sendo que 'La Javanaise", música do francês Serge Gainsbourg, cantada por Maria Luiza Jobim e António Zambujo, constará do futuro trabalho discográfico da artista brasileira. O concerto parisiense na sala New Morning valeu a 19 de Outubro muitos aplausos a Maria Luiza Jobim, aos seus três músicos, e a António Zambujo. O jovem casal interpretou músicas de cada um dentre eles e, também, em francês, a sua versão de "La Javanaise" de Serge Gainsbourg. Maria Luiza Jobim canta tanto em português como em inglês, língua em que ela foi alfabetizada, comentando inclusive a sua vivência em Nova Iorque e os seus táxis amarelos e arranha céus. Uma artista que pega também, para as suas letras, nos pequenos prazeres da vida como os jogos de vídeo da Nintendo ou acompanhar a Netflix, nos cheiros de cozinha com "sopa de letrinhas". Ela descarta que a sombra do peso do nome do seu pai seja algo de opressor e, por ora, divide a sua vida entre o Rio de Janeiro, no Brasil, e Lisboa, em Portugal. Maria Luiza Jobim Nós temos planos de gravar no meu disco. O Antônio vai participar cantando "La Javanaise", do Serge Gainsbourg. E é isso. Eu venho de uma família muito musical. Então, é uma como se fosse uma continuação disso. Então, é muito familiar para mim, é natural e gostoso. Vi aqui uma música não composta por si, Portugal, que fala precisamente dessa relação entre vocês dois e Portugal no meio. Portugal agora é o seu porto de abrigo ? Portugal, eu acho que para todo brasileiro tem um senso de muita familiaridade... em Portugal a coisa da língua. E agora eu tou-me dividindo entre Lisboa e Rio. Então, sim. E como é que uma casa. Como é que tem sido essa turnê, então? Passando da Península Ibérica, à França, depois Inglaterra... Essa série de concertos, você convidando o António para cantar consigo ? Tem sido maravilhoso para mim. É a primeira vez que eu estou fazendo. Eu já tinha feito duas turnês anteriores em 2023, depois de 2024. Esse é o terceiro ano que eu venho, mas é a primeira vez que eu toco em Madrid. É a primeira vez que eu toco em Paris. É a primeira vez que eu toco em Londres, então tem muita novidade ! Está sendo muito pessoal também. Emocionante, claro, ter a presença do Antônio comigo. Há muito do "Azul" da "Casa Branca" também, dos vários EPs e singles que surgiram, inclusive o novíssimo. Go Go Go. Você recusa escolher? Continua cantando em inglês, português, tem electrónica, tem bossa nova. Como é que é a música da Maria Luiza Jobim? Hahaha Esse eu acho que esse é mais o seu trabalho do que o meu. Definir a minha música eu realmente não saberia dizer, mas eu acho que para mim é muito natural transitar entre essas duas línguas. Eu vivi muito tempo fora, né? Então eu estudei em escola americana, falo inglês desde muito nova. Então, para mim... O 22.º andar, aquele táxi amarelo... É, pois é, aquilo tudo faz parte da minha história. Então é uma escolha artística. Não é de nenhuma forma uma escolha, nem uma estratégia. É sempre uma escolha. No lugar do afecto mesmo da expressão e da busca da verdade nas coisas que eu escrevo, na poesia e às vezes está em inglês, ora está em português. Você comentou que também aprendeu francês e que tinha uma ligação particular com a França e com Paris. Que fascínio é que tem? O que é que vem buscar aqui? Eu sou completamente apaixonada por essa cidade. Acho que como o mundo inteiro é e eu nunca consegui estudar muito francês assim, eu tenho. Eu amo línguas e eu sou uma curiosa. Mas eu não posso dizer que eu estudei realmente francês. Mas consumo muito à cultura francesa. É por isso, inclusive, que eu escolhi gravar, regravar a música do Serge Gainsbourg, que era uma música que eu, porque na versão dele ele tem essa voz muito. Francesa assim é áspera, né, De rouca bem masculina e eu achei que achava que ficaria bonito fazer um dueto com uma voz feminina com uma coisa mais delicada assim. E então, eu adoro essa música. O mais difícil para si é o nome da sua família e o nome do seu pai. Poder fazer uma trajectória pessoal sem que remetam logo para "A Garota de Ipanema" e para Antonio Carlos Jobim. Olha essa pergunta, assim eu... Eu vi que na sua playlist constam várias músicas do seu pai. Claro, né? Sim, eu passei muito tempo sem tocar as músicas do meu pai. E assim, no começo da minha carreira, justamente para eu conseguir me encontrar a minha identidade, minha verdade artisticamente. Mas eu acho que eu venho conseguindo com o tempo. Assim, eu me sinto cada vez mais à vontade nas minhas composições e nos trabalhos que eu faço. É tanto que hoje em dia eu não tenho nenhuma questão em tocar, tocar a obra dele. Sabe que eu sinto que também tem muito de mim ali, da minha história. Então para mim é muito e muito natural. Faz parte, né? São as músicas que eu cresci ouvindo e ouvindo dentro de casa, sabe? E tem uma relação de afecto muito profunda. Então é isso. Se eu toco o dia a dia porque "Dindi" faz um sentido, tem um sentido de muito afecto para mim, sabe? Mas é isso. Eu vou tocar do meu jeito. E eu acho que eu acho que a coisa do sobrenome. Claro que ela abre muitas portas e é maravilhoso. E minha mãe uma vez falou que é a sombra de uma árvore frondosa, sabe? Eu acho que é bonita essa imagem, porque você vive numa sombra, mas é uma sombra linda, sabe assim. Não é uma sombra opressora. É uma sombra que inspira.

La cantante, pianista y arreglista Selma Boragian ha grabado en los últimos dos años obras como 'Crystal silence' -composición de Chick Corea a la que puso letra Neville Potter- con el vibrafonista André Juarez, 'Beija-flor' -del guitarrista Garoto- con Edgard Poças, 'Tutu' -de Marcus Miller para Miles Davis- con el bajista y flautista Stefano Andreatta-, 'Three views of a secret' -de Jaco Pastorius- a dúo con el bajista Mark Egan y 'Olha pro céu' -que Antonio Carlos Jobim grabó en su disco de 1967 'Wave'- como invitada especial de Dan Fontaine & Orchestra. También la escuchamos en un disco de 2013, 'Setembro', para el que grabó 'A volta' de Menescal y Bôscoli y 'Fuga nº2' de Os Mutantes. Langendorf United, de la saxofonista sueca Lina Langendorf, tocando la pieza que da título al disco 'Undercover beast' y 'Cesaria'. Y en un nuevo volumen, el 24, de la serie Jazz is dead, Adrian Younge y Ali Shaheed Muhammed rescatan al octogenario pianista brasileño, pionero del samba-funk, Dom Salvador con grabaciones hechas en el momento de 'Os ancestrais', 'Não podemos o amor parar' o 'Safira'.Escuchar audio

From his early accordion days and forró roots to his global influence, Hermeto Pascoal lived in total communion with sound, inspiring generations worldwide. More than a multi-instrumentalist, he was a true “multi-thing-ist,” turning pianos, flutes, and drums into magic—but also rubber ducks, teapots, rivers, and stalactites. Perhaps shaped by his vision impairment, he treated every style and every sound source with equal respect, creating what he called universal music—not jazz, not strictly Brazilian, but everything at once. This playlist honors his genius and career, eight decades of spreading music, joy, and love. The playlist features also Quarteto Novo; Antonio Carlos Jobim; Miles Davis; Médéric Collignon; Anat Cohen, The Anzic Orchestra; and Huw Warren. Detailed playlist at https://spinitron.com/RFB/pl/21241959/Mondo-Jazz (up to "Pra você, Ilza"). Happy listening!

Hvað varð um íslenska hnausþykka og súra skyrið okkar og af hverju er það orðið að aukefnaþeyttri, jafnvel sykraðri þunnri jógúrt sem neytendum býðst nánast eingöngu í matvörubúðum í dag? Neytendur þurfa að leggja sig sérstaklega eftir því og fara á tiltekna staði til þess að nálgast alvöru skyr eins og þekktist í gamla daga. Hallgrímur Helgason rithöfundur hrinti af stað kröftugri umræðu um íslenska skyrið á samfélagsmiðlum um helgina og sagði fjölmarga sakna þess og spurði hvers vegna við gátum glutrað þessu niður? Við ræddum um hvað hefur breyst á framleiðslu skyrs, mjólkurvara og annarra matvæla síðastliðin ár, stöðu lífrænnar framleiðslu á Íslandi og Lífræna daginn sem verður haldinn á laugardaginn næstkomandi eða 20.september víða um land. Þær Dóra Svavarsdóttir, formaður Slow food á Íslandi, og Anna María Björnsdóttir, kvikmyndagerðarkona og verkefnastjóri Lífræna dagsins, voru með okkur í þættinum í dag. Einar Sveinbjörnsson kom svo til okkar í dag í Veðurspjallið. Í þetta sinn ræddi hannum veðrabrigðin, en það eru talsvert greinileg haustteikn í kortunum, kannski greinilegri en oft áður. Og sagði hann frá heimsókn sinni á Grímsstaði á Fjöllum í sumar. Þar hefur verið veðurathugunarstöð í yfir hundrað ár og er hún ein síðasta mannaða stöðin á landinu. Tónlist í þættinum í dag: Lambalæri / Ómar Ragnarsson og Lúdó sextett (Hank Williams, texti Ómar Ragnarsson) Græna byltingin / Spilverk þjóðanna (Spilverk þjóðanna) Vindar að hausti / Sigríður Thorlacius og Sigurður Guðmundsson (Antonio Carlos Jobim, texti Birkir Blær Ingólfsson) UMSJÓN: GUNNAR HANSSON OG HELGA ARNARDÓTTIR

Chucho Valdés & The Afro-Cuban Messengers ('Caridad Amaro', 'Bebo'), Miles Davis ('Blue in green', 'All blues'), Frank Sinatra ('They can´t take that away from me', 'I get a kick out of you', 'I´ve got you under my skin', 'The best is yet to come') y Francis Albert Sinatra y Antonio Carlos Jobim ('The girl from Ipanema', 'How insensitive', 'Dindi'). Escuchar audio

Antonio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim was a Brazilian composer, pianist, guitarist, songwriter, arranger and singer, and considered as one of the great exponents of Brazilian music.

The Jazz Session No.428 from RaidersBroadcast.com as aired in August 2025, featuring a tribute to latin-jazz stalwart Eddie Palmieri, who recently passed away. TRACK LISTING: Four Women - Nina Simone; The Girl from Ipanema - Frank Sinatra & Antonio Carlos Jobim; Hibou,, Anemone and Bear - Soft Machine; Eleanor Rigby - Chick Corea & Gary Burton ; Condiciones Que Existen - Eddie Palmieri; Manteca - Cal Tjader (collaborator); Rain On My Birthday - Liam Noble; In a Mellow Tone - Dizzy Gillespie & His Orchestra; 1/4 Samba II - Tatsuya Nakamura; Samba Da Benção - Bebel Gilberto; Panama Rag - Humphrey Lyttelton; Yama Mama Man - Chris Barber; Joy Spring - Clifford Brown; Mimi - Coleman Hawkins, Manny Albarn and his Orchestra; Vamonos Pal Monte - Eddie Palmieri & Friends; Cobarde - Eddie Palmieri & Lalo Rodriguez; What Know - Wayne Shorter, w. Lee Morgan; Up A Step - Hank Mobley; Cow Cow Boogie - Ella Fitzgerald; Un Poco Loco - Bud Powell.

En el audio de hoy discutiremos los aspectos evolutivos, fisiólogicos, psicológicos y existenciales de un aspecto tan mundano y esencial en nuestra vida como hacer caca.  Imagen: El pensador de Rodin en un retrete (source etsy) Música: Bistro Fada Jazz (BSO Midnight in Paris) by Stephane Wremble; Wave by Antonio Carlos Jobim; Desafinado by Antonio Carlos Jobim but performed by Stan Getx and Joao Gilberto; Bim Bom by Joal Gilberto; Una Mattina by Ludovico Einaudi; Comptine d'un Autre Ete by Yann Tiersen; Pepetuum Mobile by Penguin Cafe Orchestra. 

Se cumplen 60 años de la edición del disco 'The wonderful world of Antonio Carlos Jobim', con arreglos de Nelson Riddle, que acaba de reeditarse en vinilo de 180 gramos y que contiene grabaciones de 'She´s a carioca', 'Água de beber', 'Surfboard', 'Useless landscape', 'Só tinha de ser com você', 'A felicidade', 'Bonita', 'Favela', 'Valsa do porto das caixas', 'Samba do avião', 'Por toda a minha vida' y 'Dindi'. Dos años antes, se había publicado, también en Estados Unidos, y con orquestaciones de Claus Ogerman, 'The composer of Desafinado plays' con las grabaciones instrumentales de 'Garota de Ipanema', 'Once I loved', 'Vivo sonhando', 'Insensatez', 'Corcovado', 'Samba de uma nota só', 'Meditação', 'Desafinado' o 'Chega de saudade'.Escuchar audio

What does it take to release 200 digital singles in a single day and earn a Guinness World Record in the process? More importantly, what can that teach us about building a truly sustainable music career?In this episode, I sit down with The Orchestrator, a self-taught saxophonist whose approach to the music business is as methodical as it is inspiring. His philosophy centers on complete independence: owning your masters, understanding every revenue stream, and building passive income that allows you to create art without compromise.The Orchestrator shares his journey from learning Antonio Carlos Jobim classics to developing a bossa nova and jazz-focused catalog that generates sustainable income. But this isn't just about music. The Orchestrator highlights the importance of financial literacy, strategic thinking, and maintaining artistic integrity in an industry that often demands the opposite.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.Three Game-Changing Takeaways1. Complete Ownership Creates FreedomOwning your masters, publishing, and trademarks isn't just about money—it's about maintaining the power to pivot and make decisions without outside interference. True artistic and financial independence starts with ownership.2. Diversify Your Revenue StreamsStreaming royalties from distributors represent only a fraction of what your music can earn. Register with PROs, SoundExchange, and Songtrust to collect all available royalties and build sustainable passive income.3. Financial Stability Enables Better ArtWhen your bills are covered by passive income, you can focus on creating art for art's sake rather than compromising your vision for short-term financial gains.Support ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.What We CoverThe Craft:* His daily saxophone practice routine and self-taught approach* Learning classic tunes and developing unique variations* The influence of Stan Getz and Antonio Carlos Jobim on his soundThe Business:* Complete breakdown of music royalty percentages and splits beyond streaming* Why he chose long-term passive income over performance-based career paths* The importance of trademarking your business and catalog ownershipThe Strategy:* Grassroots promotion and direct fan engagement through social media* Leveraging streaming data and algorithms for strategic marketing* The story behind his Guinness World Record and what it taught him about differentiationThe Philosophy:* Building financial independence to maintain artistic integrity* Investing in businesses that align with personal values* Working smart vs. working hard in music promotionEssential Resources MentionedMust-Read Books:* "All You Need to Know About the Music Business" by Donald Passman* "The Plain and Simple Guide to Music Publishing" by Randall D. WixsonAlbums That Shaped His Sound:* "A Love Supreme" by John Coltrane* "Getz/Gilberto" by Stan Getz and João Gilberto* "The Chronic" by Dr. DreRevenue Collection Services:* SoundExchange (international performance royalties)* Songtrust (publishing royalties)* ASCAP (performing rights organization)* BMI (performing rights organization)* Sticker Mule (promotional stickers for fan engagement)Chapter Timestamps* 0:00 - Intro and music business disclaimer* 2:24 - Saxophone practice routine deep dive* 4:44 - Learning Jobim and the Stan Getz influence* 11:57 - Music ownership philosophy and trademark importance* 16:33 - Choosing passive income over performance careers* 19:26 - Complete breakdown of music royalty splits* 25:18 - Grassroots promotion and social media strategies* 35:53 - Building sustainable income through streaming diversification* 45:58 - The Guinness World Record strategy* 52:46 - Building financial freedom with integrity (2000 days sober)* 1:00:02 - The story behind releasing 200 songs in one day* 1:04:50 - Self-taught saxophone journey* 1:12:36 - Breaking free from corporate control and honoring Black culture in electronic musicConnect with The Orchestrator* Website: theorchestratormusic.com* Instagram: @theorchestratormusic* Listen on: Spotify* Listen on: Apple MusicSupport ProducerHeadIf you value ProducerHead and want to support the show, consider a premium subscription (just $6 per month, even less on an annual basis). For less than a plug-in, you can directly support and grow the show while keeping the core content free for everyone.A Final ThoughtThe Orchestrator's approach challenges the conventional wisdom that musicians must choose between artistic integrity and financial success. His story proves that with the right knowledge, strategic thinking, and commitment to ownership, you can build a career that serves both your creative vision and your financial goals.The question isn't whether you can afford to own your masters—it's whether you can afford not to.What resonated most with you from this conversation? Share it with the community.This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. Get full access to ProducerHead at producerhead.substack.com/subscribe

Plongez dans les années 60 et l'univers de la bossa nova avec Ombline Roche. Découvrez l'histoire fascinante de l'album culte Getz/Gilberto, né de la rencontre entre les Brésiliens João Gilberto et Antonio Carlos Jobim, et le saxophoniste américain Stan Getz. Entre succès mondial et drame personnel, cet épisode vous révélera les secrets de tubes comme "The Girl from Ipanema". Une immersion passionnante dans la fusion du jazz et de la musique brésilienne.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is an Encore Presentation of my March 2024 interview with Eliane Elias, the extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Eliane:www.elianeelias.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

6 mayo 2025 - programa #230 Rudy Sessions radio nos trae hoy el primero de los programas dedicados a grandes canciones de la maravillosa cosecha musical del año 1974: Pop, Rock Progresivo, Power Pop, Soul, Folk Rock, Reggae, Bossa Nova, Glam Rock, y mucho más. Programa presentado por Mats Lindholm, Pep Llambías y Carlos Marroig. Playlist #230: Waterloo / ABBA The Carpet Crawlers / GENESIS Back Of A Car / BIG STAR Take Me To The River / AL GREEN Bulbs / VAN MORRISON Withered And Died / RICHARD & LINDA THOMPSON Águas de Março / ANTONIO CARLOS JOBIM, ELIS REGINA Natty Dread / BOB MARLEY & THE WAILERS Cosmik Debris / FRANK ZAPPA Far Far Away / SLADE The Poacher / RONNIE LANE New Coat Of Paint / TOM WAITS Rock Your Baby / GEORGE McRAE Desde la promotora musical RUDY SESSIONS hace algún tiempo estamos intentando activar la escena musical de la isla con nuestros conciertos de carácter internacional. Todos los martes de 20 a 21 horas les haremos partícipes de nuestro amor por la música con programas en los que varios de los socios pincharán sólo buena música de variados estilos (pop, rock, rhythm & blues, power pop, garaje, jazz, groove, folk, etc.)

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Improvisation, Rhythmic Command, Music Education, Jazz Skills, Antonio Carlos Jobim, Bossa Nova, Melodic Analysis, Harmonic Analysis, Jazz Vocabulary, jazz piano, improvisation, rhythmic patterns, music education, jazz exercises, melodic lines, recording practice, music theory, jazz skills, piano techniquesSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence emphasizes the critical importance of rhythmic command in improvisation. He discusses the misconceptions surrounding improvisation, clarifying that it is not about spontaneous creativity but rather about mastering rhythmic patterns and musical vocabulary. The episode includes practical exercises designed to enhance rhythmic skills both harmonically and melodically, providing listeners with a structured approach to developing their improvisational abilities. In this episode, Dr. Bob Lawrence delves into the intricacies of improvisation in jazz piano, emphasizing the importance of rhythmic command and the mindset required for effective practice. He discusses various exercises that transition from downbeats to upbeats, the significance of recording oneself to identify areas for improvement, and the necessity of approaching exercises as melodic lines rather than mere drills. The conversation culminates in a call to action for listeners to engage with the material and develop their improvisational skills through consistent practice and reflection.TakeawaysRhythmic command is essential for improvisation.Improvisation is not spontaneous; it requires practice.Your musical vocabulary must be developed through study.Improvisation is the rhythmic command of time, harmonically and melodically.Conceptual understanding is crucial for physical development in music.Practicing with silence is as important as playing notes.Exercises should be approached both harmonically and melodically.Don't underestimate the difficulty of simple rhythmic patterns.Regular practice with structured exercises leads to improvement.Engagement with educational materials enhances learning. Relax and take your time with rhythms.Approach exercises as melodic lines, not just drills.Recording yourself reveals your true sound.Improvisation requires a command of rhythm.Transitioning between downbeats and upbeats is crucial.Practice harmonically before melodically.Use technology to enhance your practice.Pay attention to your rhythmic timing.Improvisation is about rhythmic command and shapes.Engage with the material to improve your skills.TitlesMastering Jazz Piano: The Key to ImprovisationUnlocking the Secrets of Jazz ImprovisationRhythmic Command: The Heart of Jazz PianoImprovisation Demystified: What Every Pianist Should KnowThe Essential Skills for Jazz Piano MasteryJazz Piano Skills: From Basics to ImprovisationSound Bites"Without a rhythmic command of time, there is no hope.""Improvisation is the rhythmic command of time.""This may be the hardest exercise on the page.""An exercise should never be played like an exercise.""The recording never lies.""You can't improvise without rhythmic command."Support the show

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Diatonicism, Improvisation, Harmonic Analysis, Melodic Analysis, Jazz Vocabulary, Arpeggios, Jazz Education, Antonio Carlos Jobim, WaveSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence explores the intricacies of jazz piano through the lens of diatonicism, harmonic and melodic analysis, and practical exercises. The discussion begins with a review of the jazz standard 'Wave' by Antonio Carlos Jobim, focusing on harmonic and melodic structures. The importance of diatonicism in improvisation is emphasized, along with practical exercises for mastering four-note arpeggios. The episode culminates in a detailed exploration of diatonic improvisation exercises, providing listeners with tools to enhance their jazz vocabulary and improvisational skills.TakeawaysThe harmonic analysis of a tune includes its form and chord changes.Melodic analysis involves transcribing the melody and establishing fingerings.Diatonic shapes are essential for developing jazz vocabulary.Practicing four-note arpeggios with intentional hand shifts is crucial.Diatonicism provides melodic freedom and is foundational for improvisation.Understanding diatonic shapes helps in recognizing harmonic structures.Improvisation patterns can be constructed using diatonic shapes.Jazz education often emphasizes playing inside before stepping outside the harmony.Creating rhythmic ideas with diatonic notes enhances creativity.Diatonic improvisation patterns can be applied to any scale.TitlesUnlocking Jazz Piano SkillsMastering Diatonicism in JazzImprovisation Techniques for Jazz PianistsExploring the Jazz Standard 'Wave'The Art of Four Note ArpeggiosSound Bites"It's time to discover, learn, and play jazz piano.""We're going to put those diatonic shapes to work.""You're going to find this Jazz Piano Skills podcast lesson to be very beneficial.""Your membership keeps Jazz Panel Skills ad free.""I have started posting educational videos on my Jazz Panel Skills YouTube channel.""Great question, Abe, as always.""Diatonicism allows us to clearly see the harmonic shapes.""We shouldn't be one to escape diatonicism.""A command of diatonic plane is 100% necessary.""We're going to become empowered."Support the show

El saxofonista y flautista brasileño Lucas Figueiredo Santana, en un disco que se titula 'Bosquejos do Brasil', toca con sus músicos habituales y un cuarteto de cuerdas de Amsterdam 'Manhã de carnaval', de Luiz Bonfá, y 'Vera Cruz', canción de Milton Nascimento que el cuarteto del baterista Sergio Reze ha unido a 'O vento', de Dorival Caymmi, en su disco 'Um olhar interior' que contiene también grabaciones de 'Gaúcho. Corta jaca', de Chiquinha Gonzaga, 'Ternura', de K-Ximbinho, 'Conversa de botequim', de Noel Rosa, y, de Antonio Carlos Jobim, 'Chovendo na roseira' y 'Chega de saudade'. Abren la sesión, con obras de Ernesto Nazareth, los guitarristas Yamandú Cosa ('Brejeira') y Raphael Rabello y Dino 7 Cordas ('Odeon'). Escuchar audio

This week we take a look at a tune by the master composer and musician, Antonio Carlos Jobim. Enjoy! WANT THE RESOURCES THAT GO ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get the resources for this episode and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Send us a textYou can't steal a gift a book review You Can't Steal a Gift. Frederick Eugene John Lees (February 8, 1928 – April 22, 2010) was a Canadian music critic, biographer, lyricist, and journalist. Lees worked as a newspaper journalist in his native Canada before moving to the United States, where he was a music critic and lyricist. His lyrics for Antonio Carlos Jobim's "Corcovado" (released as "Quiet Nights of Quiet Stars"), have been recorded by such singers as Frank Sinatra, Peggy Lee, Queen Latifah, and Diana Krall.Listen to arranging the score Series 1 episode 44 hereErratum Simon Apologises for getting his American Geography wrong Louisville is in in Kentucky!This is our website This is our InstagramThis is our Facebook group

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Melodic Analysis, Music Education, Jazz Skills, Antonio Carlos Jobim, Practice Strategies, Chord Inversions, Improvisation, Rhythm, Music Theory, Jazz Piano, Melodic Analysis, Transcription, Wave, Music Education, Improvisation, Fingerings, Music Phrases, Target Notes, TreatmentsSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence discusses the importance of melodic analysis in jazz education, particularly focusing on the tune 'Wave' by Antonio Carlos Jobim. He emphasizes the necessity of a structured practice strategy and the seven facts of music that serve as a foundation for understanding and mastering jazz piano skills. The conversation also addresses common challenges faced by students, such as retaining chord inversions, and provides practical exercises to enhance their skills. In this episode, Dr. Bob Lawrence provides a comprehensive approach to the melodic analysis of the jazz standard 'Wave.' The discussion covers various aspects including transcribing the melody by ear, understanding fingerings, identifying musical phrases, and exploring different treatments of the piece. The episode emphasizes the importance of ear training and offers practical exercises to enhance musicianship.TakeawaysMelodic analysis is essential for understanding jazz tunes.A structured practice strategy is crucial for progress.The seven facts of music guide the learning process.More information can overwhelm and stifle growth.Chords and inversions are foundational to jazz playing.Listening to various artists enhances musical understanding.Transcribing melodies aids in improvisation skills.Different treatments of a tune can expand musical expression.Regular practice of chord inversions is necessary for mastery.Simplifying the learning process is key to becoming a better musician. It's a pretty thorough, it's a pretty complete approach.We will learn the melody of wave by ear.This melody is very complex.These become like the goalpost, if you will.It's very hard, very challenging to take wave and play it as a ballad.It helps us internalize the song, it develops our musicianship.Don't forget, there is a rhythm challenge that you need to check out.I hope you have found this episode insightful and beneficial.Enjoy Wave on Melodic Analysis.Have fun as you discover, learn, and play jazz piano.TitlesMastering Jazz Piano: The Art of Melodic AnalysisUnlocking Jazz Skills: The Seven Facts of MusicNavigating Chord Inversions in Jazz PianoThe Journey of Jazz Piano: From Harmony to MelodyJazz Piano Essentials: Practice Strategies for SuccessExploring 'Wave': A Melodic JourneySound Bites"It's time to discover, learn, and play jazz piano.""More information actually stifles growth and advancement.""Without the facts, you're rudderless.""The seven facts of music are our rudder.""You cannot skip over or gloss over the chords and inversions.""Chords and inversions are the harmonic foundation.""Let's discover, learn, and play wave."Support the show

Podcast PacketsIllustrationsLead SheetsPlay AlongsJazz Piano Skills CommunityKeywordsJazz Piano, Essential Skills, Harmonic Analysis, Melodic Skills, Improvisation, Rhythm, Music Education, Jazz Standards, Wave, Antonio Carlos Jobim, Jazz, Piano, Wave, Chord Changes, Harmonic Analysis, Voicing Techniques, Music Education, Jazz Standards, Improvisation, Music PracticeSummaryIn this episode of Jazz Piano Skills, Dr. Bob Lawrence introduces the essential skills needed for jazz piano, emphasizing a structured approach to learning tunes. He discusses the importance of harmonic, melodic, improvisational, and rhythmic skills, framed by the seven facts of music. The episode also explores the classic tune 'Wave' by Antonio Carlos Jobim, detailing the harmonic analysis and voicings used in the piece. Additionally, Dr. Lawrence addresses a listener's question about dominant voicings and highlights the benefits of membership in the Jazz Piano Skills community. In this episode, Dr. Bob Lawrence delves into the complexities of the jazz standard 'Wave' by Antonio Carlos Jobim. He emphasizes the importance of understanding the unique chord changes, harmonic functions, and voicing techniques necessary for mastering this challenging piece. The discussion includes practical tips for creating practice templates and the significance of analyzing harmonic progressions. Listeners are encouraged to engage with the educational content provided in the Jazz Piano Skills community and prepare for an in-depth exploration of the tune in upcoming sessions.TakeawaysA skill-centric approach is crucial for learning jazz tunes.Essential jazz piano skills include harmonic, melodic, improvisation, and rhythm skills.The seven facts of music provide a framework for understanding musical concepts.Transcribing melodies by ear is preferred over reading from sheet music.Membership in Jazz Piano Skills offers ad-free content and educational resources.Understanding voicings is key to playing jazz effectively.Listening to various artists enhances musical understanding.Harmonic analysis is the first step in learning a new tune.Improvisation development follows harmonic and melodic analysis.Engagement in the community fosters learning and support. The tune 'Wave' has a unique structure with extended A sections.Understanding unique chord changes is crucial for jazz improvisation.Creating a practice template helps focus on specific sounds.Harmonic analysis is essential for grasping the complexities of jazz standards.Voicing techniques vary and can include traditional and contemporary styles.The key of D major presents unique challenges in 'Wave'.Practicing ear training is important for recognizing harmonic movements.Jazz often substitutes chords for creative expression.The tune 'Wave' is considered one of the more challenging pieces.Engagement with the community enhances the learning experience.TitlesUnlocking Jazz Piano SkillsMastering the Essentials of Jazz PianoThe Seven Facts of Music ExplainedDive into 'Wave' by JobimBenefits of Joining Jazz Piano SkillsUnderstanding Dominant Voicings in JazzSound Bites"It's time to discover, learn, and play jazz piano.""Music is the production of sound and silenceSupport the show

El 18 de marzo de 1963, Stan Getz y João Gilberto entraron en un estudio de Nueva York para grabar el histórico 'Getz/Gilberto' con Antonio Carlos Jobim al piano y la voz de Astrud Gilberto. Un disco que se publicaría un año más tarde, en marzo del 64, y del que escuchamos todas las canciones: 'The girl from Ipanema', 'Doralice', 'Pra machucar meu coração', 'Desafinado', 'Corcovado', 'Só danço samba', 'O grande amor' y 'Vivo sonhando'. Además, la versión reducida de 'The girl...' en el disco sencillo que se publicó entonces sin la parte de João cantada en portugués. Y del concierto del 9 octubre de 1964, en el Carnegie Hall de Nueva York, de Stan Getz con João y Astrud Gilberto, 'Corcovado', 'Only trust your heart' y 'The girl form Ipanema'.  Escuchar audio

Se han cumplido 50 años de la publicación del disco 'Elis & Tom'. Escuchamos la histórica grabación que reunió en Los Angeles a la cantante y al compositor en la edición especial de 2004, que recogía el ambiente y añadía dos temas inéditos a las 14 canciones del disco original con un sonido espectacular. El documental 'Elis & Tom, só tinha de ser com você', que se estrenó el año pasado, contiene imágenes de aquel encuentro entre Elis Regina y Antonio Carlos Jobim además de testimonios de quienes lo propiciaron.Escuchar audio

El 8 de diciembre de 1994 murió en Nueva York uno de los artistas más importantes de siglo XX, un músico que dio forma a un género, que lo mimó y que lo enseñó al mundo creando un legado inmortal y eterno para alegría de todos. Ese día, murió Tom Jobim. Antonio Carlos Jobim llevó la música brasileña a EEUU y de allí a medio mundo, en una entrevista en los años 80, Jobim explicó que era esa cosa que tenía su música que fascinaba tanto a la gente. “Mi música viene del entorno que tenemos. La lluvia, el sol, los árboles, los pájaros... los peces”. La música de Jobim, arquitecto de la bossa nova, transformó la escena brasileña dejando el lamento y la tristeza a un lado para renovar la música desde la alegría, el amor y la esperanza. La muerte de Tom Jobim fue una noticia dura que marcó el final de una época. En 1980 nos había dejado el enorme Vinicius de Moraes, en 1982 murió Elis Regina y en 1991 falleció Stan Getz, músicos con los que Jobim había dado forma a su legado.  Esta semana queremos recordar su obra, su figura y su importancia tanto en Brasil como en el mundo y para ello nos acompaña nuestro especialista carioca, Arturo Lezcano. 

durée : 01:00:38 - 30 ans après : l'héritage musical d'Antonio Carlos Jobim - par : Aliette de Laleu - Le compositeur et musicien brésilien Antonio Carlos Jobim, dit Tom Jobim, est mort le 8 décembre 1994. 30 ans après, sa musique reste vivante, elle inspire les artistes et continue d'être reprise à travers le monde. Emission hommage avec le musicien Tiago Caetano et l'autrice Isabelle Leymarie. - réalisé par : Max James

Hace 20 años que el percusionista estadounidense de origen puertorriqueño Ray Barretto publicó, al frente de su sexteto de jazz latino, el disco 'Time was time is' con piezas como 'Drume negrita', 'Mags', 'One for Ray' o 'Syracuse', una canción de Bernard Dimey y Henri Salvador que escuchamos en la voz del propio Henri junto a 'Count Basie' -adaptación al francés de 'Lil Darlin'- y 'Une chanson douce'. Michael Franks con 'I love Lucy' -con la guitarra de Toninho Horta- y 'Antonio's song', canción de 1977 inspirada por Antonio Carlos Jobim, que retomó 40 años después el guitarrista y cantante John Pizzarelli en 'Sinatra & Jobim @ 50' un disco grabado con el nieto de Jobim, Daniel, piano y voz, para recordar el disco que habían firmado 50 años antes Francis Albert Sinatra y Antonio Carlos Jobim.Escuchar audio

Conversamos con el gran chelista y arreglista brasileño sobre sus trabajos con Antonio Carlos Jobim, Caetano Veloso o Ryuichi Sakamoto. Toca en directo en el estudio 'Retrato em branco e preto' y 'Modinha' de Jobim. Escuchar audio

Canciones de Antonio Carlos Jobim que grabaron en Río de Janeiro, entre 1954 y 1961, João Gilberto ('Desafinado'), Roberto Paiva y Luiz Bonfá ('Se todos fossem iguais a você', 'Lamento no morro', 'Mulher, sempre mulher'), Sylvia Telles ('Fotografia', 'Dindi'), Elizete Cardoso ('Outra vez'), João Gilberto ('Chega de saudade'), Agostinho dos Santos ('A felicidade'), 'Oscar Castro-Neves ('Meditação'), João Gilberto ('Insensatez', 'O amor em paz'), Luiz Bonfá ('Euridice'), Sylvia Telles ('Sucedeu assim', 'Corcovado', 'Discussão'), Maysa ('Meditação'), Walter Wanderley ('Samba de uma nota só'), Astor Silva con Luiz Eça ('Eu preciso de você'), Dick Farney y Lucio Alves ('Teresa da praia'), Trio Nagô ('Chega de saudade') y Sergio Mendes ('Outra vez').Escuchar audio

La big band del norte de Portugal ha grabado y publicado un disco explícitamente titulado 'Músicas brasileiras, músicos portugueses' que contiene obras como 'Nanã (Coisa nº5)', de Moacir Santos, 'Corcovado', de Antonio Carlos Jobim, 'Canto para Nanã', de Dorival Caymmi, o 'Vovô Manuel' de Nailor Azevedo Proveta. Canciones de 'Prosa e papo' el nuevo disco de Dori Caymmi: la que le da título, 'Um carioca vive morrendo de amor', 'Canto sedutor' y 'A água do rio doce'. Para empezar, Jan Lundgren y Yamandu Costa ('Para aprender a amar') y, para terminar, Eliane Elias ('A volta'). Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Jorge Ben, Martinho da Vila, Chico Buarque & Milton Nascimento, Sarajane, Gal Costa, Elis Regina, Caetano Veloso, Antonio Carlos Jobim, Elis Regina, Sérgio Mendes & Brasil 66, Maria Bethânia & Gal Costa, Vinícius de Moraes & Toquinho y Chico Buarque & Maria Bethânia.Escuchar audio

Bossa nova con grabaciones de Stan Getz y Charlie Byrd ('Desafinado', 'O pato'), Antonio Carlos Jobim, Baden Powell y Herbie Mann ('Samba de uma nota só'), Paul Horn, Cal Tjader, Clare Fischer y Laurindo Almeida ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter ('Insensatez'), Shorty Rogers, Bud Shank, Shelley Manne y Laurindo Almeida ('Chega de saudade'), Dave Brubeck ('Castilian blues'), Coleman Hawkins ('Um abraço no Bonfá), Luiz Bonfá ('Lamento no morro') y Herb Alpert & The Tijuana Brass ('Desafinado'). Escuchar audio

durée : 00:58:58 - " So danço samba " (Antonio Carlos Jobim / Vinicius De Moraes) (1962) - par : Laurent Valero - Só danço samba Só danço samba Vai, vai, vai, vai, vai Só danço samba Só danço samba Vai

durée : 00:58:58 - " So danço samba " (Antonio Carlos Jobim / Vinicius De Moraes) (1962) - par : Laurent Valero - Só danço samba Só danço samba Vai, vai, vai, vai, vai Só danço samba Só danço samba Vai

Sinatra and Jobim.  Here is Sinatra's delivery of Jobim's beautiful and moving How Insensitive.  From the 1967 album Francis Albert Sinatra & Antonio Carlos Jobim, with Normal Gimbel's English lyrics.  Arranged and conducted by Claus Ogerman. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit ZangiSend comments to sinatramatters@gmail.com

Tres grandes saxofonistas de la historia del jazz, que ya no están entre nosotros, grabaron música brasileña a mediados de los años noventa: Lee Konitz 'Samba triste', 'Berimbau', 'Triste' e 'Insensatez' en el disco 'Brazilian rhapsody' (1995); Joe Henderson 'Portrait in black and white' aka 'Zingaro', 'Happy madness', 'Photograph' y 'Dreamer' en su disco 'Double rainbow. The music of Antonio Carlos Jobim' (1995) y Phil Woods 'Dois pra lá, dois pra cá' y 'Nada será como antes' del disco 'Astor & Elis' (1996).Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Astrud Gilberto & George Michael, PM Dawn & Flora Purim, Crystal Waters, Maxwell, Cesária Évora & Caetano Veloso, Incognito & Omar & Anna Caram, Milton Nascimento, Antonio Carlos Jobim & Sting, David Byrne & Marisa Monte, Stereolab & Herbie Mann, Mad Professor y Chico Science & DJ Soul Slinger.Escuchar audio

Performed live at the KCAL Hometown Theater, 109 South Main Street, Nicholasville, Kentucky on April 27, 2024. This KCAL adaptation featured: Billy Holland..................Announcer Connie McDonald.........Miss Connie Brooks Galisa Watts..................Mrs. Davis David Damron................Walter Denton Doug Fain.......................Mr. Osgood Conklin Susan Clements............Harriet Conklin Denise Cline...................Mitzy LeRoy Norman Cline.................Mr. Philip Boynton Steve Watts....................Mr. Stone Amy Fain........................Sound Effects Engineer Adam Higginbotham....Sound Effects Engineer Faith Osborne Combs... (the cleaning lady) singing... "The Girl From Ipanema" Written by Antonio Carlos Jobim Lyrics by Vinicius de Moraes (Portuguese lyrics) / Norman Gimbel (English lyrics). (c) Copyright 1963 Antonio Carlos Jobim and Vinicius de Moraes All Rights Reserved

Canciones de Antonio Carlos Jobim que grabaron en Río entre los años 1954 y 1961 João Gilberto ('Desafinado', 'Chega de saudade', 'Insensatez', 'O amor em paz'), Roberto Paiva y Luiz Bonfá ('Se todos fossem iguais a você', 'Lamento no morro', 'Mulher, sempre mulher'), Sylvia Telles ('Fotografia', 'Dindi', 'Sucedeu assim', 'Corcovado', 'Discussão'), Elizete Cardoso ('Outra vez'), Agostinho dos Santos ('A felicidade'), 'Oscar Castro-Neves ('Meditação'), Luiz Bonfá ('Euridice'), Walter Wanderley ('Samba de uma nota só'), Maysa ('Meditação'), Astor Silva con Luiz Eça ('Eu preciso de você'), Dick Farney y Lucio Alves ('Teresa da praia'), Trio Nagô ('Chega de saudade') y Marisa ('Só em teus braços'). Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Joâo Bosco, Jair Rodrigues, Gal Costa, Dorival Caymmi, Zeca Pagodinho, Raul Seixas, Timbalada, Elis Regina, Cássia Eller, Leila Pinheiro, Antonio Carlos Jobim & Dorival Caymmi, Margareth Menezes, Cyro Monteiro, Netinho y Joâo Nogueira.Escuchar audio

El 9 de julio de 1980 nos dejó Vinicius de Moraes. Escuchamos canciones del poeta escritas con Antonio Carlos Jobim, Carlos Lyra, Baden Powell y Toquinho y grabadas con María Creuza, María Medalha, Odette Lara, Quarteto em Cy o Toquinho: 'A felicidade', 'Tomara', 'Canto de Ossanha', 'Carta ao Tom', 'Samba da Rosa', 'Regra três', 'Deixa', 'Cotidiano nº2', 'Tarde em Itapoã', 'O velho e a flor/Veja você/Mais um adeus', 'Eu sei que vou te amar', 'Para viver um grande amor', 'Se todos fossem iguais a você', 'Marcha da quarta-feira de cinzas', 'Samba em prelúdio' y 'Samba da benção'.Escuchar audio

Guillaume Pastoor joins us this week to share with us his "affair" with the music genre bossa nova. Guillaume carefully selected songs to show us how different singers around the world interpet the music of Antonio Carlos Jobim.

On this episode: we've got some '30s jazz first, Count Basie with Jimmy Rushing, and Lester Young. Then samba and bossa nova, with Stan Getz our featured artist, working with Gary McFarland, and Antonio Carlos Jobim, and we'll hear Paul Desmond and Walter Wanderley. For the rest of the program, it's Bill Evans, Pat Metheny, The Rosenberg Trio, Dianne Reeves with Fabrizio Bosso, Allen Toussaint, and Jim Hall.

In this episode of Small Business Origins, host John Kelley interviews Rick DellaRatta, founder of Jazz for Peace, a nonprofit organization that uses jazz events to raise funds and awareness for other outstanding causes around the world. Rick shares how his lifelong passion for music led him to realize the power of jazz to bring people together across boundaries. On September 11, 2001, witnessing the attacks inspired Rick to found Jazz for Peace. He discusses how the organization works with small community causes to organize jazz events that support their fundraising and outreach goals. Main Discussion Points:- Rick's early years growing up in a musical family and starting piano lessons- Studying jazz and traveling as a musician around the U.S. and internationally - Seeing music's ability to connect with people regardless of background - Being inspired on 9/11 to use jazz to help outstanding causes and bring more peace- How Jazz for Peace partners with small local causes to organize custom jazz events- Raising money, awareness, supporters for community organizations in need Guest Bio: Rick DellaRatta is now considered by many to be one of the finest Singer/Pianists performing today and one of only a handful of Jazz Artists who can make a successful musical presentation to a large audience without having to abandon the true art form of Jazz. Through his life long endeavor to help advance people to their highest potential through the understanding of Jazz as well as spreading peace worldwide through his "Jazz for Peace World Tour", Rick DellaRatta is considered to be an innovator and a visionary.His unique and original piano playing and composing has been compared in print to Chick Corea, Herbie Hancock, Wayne Shorter, Bill Evans, McCoy Tyner, Keith Jarrett, Joe Zawinul, Horace Silver, Oscar Peterson and Thelonious Monk while his signature vocal sound and style has been likened to Chet Baker, Billie Holiday, Joao Gilberto, Ivan Lins, Michael Franks and Antonio Carlos Jobim.Dr. Billy Taylor put Ricks impact in perspective when commenting on Ricks "Thought Provoking CD - he said: "Rick DellaRatta is one of the people who is taking Jazz to the next level".Company Bio:Jazz for Peace is a volunteer-run 501(c)(3) nonprofit organization founded by Rick DellaRatta in New York City in 2002. Its mission is to use jazz performance events to provide substantial funding and well-deserved prestige to outstanding causes and their communities while nurturing cultural enrichment, community goodwill and global cooperation. Over its 20-year history, Jazz for Peace has directed over $1 million in funding plus donated supplies to deserving organizations across the U.S. and in over 30 countries.Key Quotes:"Music has a power, has a healing power, it has a communication power, it go breaks through boundaries and barriers, has all these magical qualities are in music." (00:23:42) "Why don't I take all of this that we already know and do something with it? You know? Do something with it." (00:25:00)"When you see the people we've, helped, most of most of them are organizations you've never heard of...There's a charity that helps birds. I mean, anything you name it and we've played for it." (00:41:28)Links Mentioned:Beefy MarketingJazz for Peace OnlineX (Formerly Twitter)Instagram

In this installment of our "What Makes This Album Great" series we take a look at Double Rainbow: The Music of Antonio Carlos Jobim. Unlock your FREE Open Studio trial to become a better player today.GALA1. Subscribe NOW (mandatory) https://link.youllhearit.com/subscribe2. Like this video (semi-mandatory)3. Leave us a comment that you've Adhered to the Agreement (optional, but appreciated)Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

Watch the show on television by downloading the e360tv channel app to your Roku, AppleTV or AmazonFireTV. You can also see it on YouTube.When you purchase an item, launch a campaign or invest after clicking a link here, we may earn a commission. Engage to support our work.Devin: what do you see as your superpower?Rick: Now, my superpower, because I've learned so much from these outstanding causes and from these amazing people I've met along the way… people are asking me if I might know the solution to something, so you can ask me anything. Now, I have a whole bunch of actual solutions to actual problems.In today's episode of "Superpowers for Good," I had the pleasure of speaking with Rick DellaRatta, the visionary founder of Jazz for Peace. Rick's insights into the power of music as a universal language for fostering peace and unity struck a deep chord with me and, I believe, with our listeners as well.Rick poetically expressed how "Jazz for Peace, coming through the trees, fills my heart like a celebration." This imagery captures the essence of what Rick has achieved through his work—using the universal appeal of jazz music to bridge divides, inspire hope, and foster a deeper connection among people, irrespective of their backgrounds.During our conversation, Rick recounted an incredibly moving experience in Ghana, where he performed for individuals who had never been exposed to jazz music before. His reflections on their genuine, unfiltered reactions to the music underscored the universal language of jazz. "It's funny because there's a video of it... and you can hear the people reacting to the music at certain points. They would start clapping and make sounds as it affected them, and they would just emote that it was affecting them," Rick shared.This experience in Ghana highlights the raw power of music to transcend cultural and linguistic barriers, offering a glimpse into the potential of the arts to build bridges and foster understanding. Rick's commitment to using his art to "espouse, so to speak, for who you are as a person, your growth as a human being, and what it means to you to make a difference for others" is a testament to the transformative potential of integrating one's passions with a purpose greater than oneself.Rick's journey with Jazz for Peace is a beacon of hope, showing us how the arts can be a powerful catalyst for positive change. As we continue to navigate a world rife with challenges, Rick's work serves as a poignant reminder of the beauty that can arise when creativity, humanity, and a commitment to peace converge.AI Episode Summary1. Rick DellaRatta is a guest on the "Superpowers for Good" show hosted by Devin Thorpe.2. Rick is the founder of Jazz for Peace and is recognized for his musical talent and dedication to peace.3. During the show, Rick recites a poem and performs a piece of music that convey his message of peace and empathy.4. Jazz for Peace is a response to the tragic events of 9/11, aligning Rick's music with a mission to make a difference and support causes.5. Rick has performed internationally, including in countries like Pakistan, Nigeria, and Ghana, to spread the message of peace through jazz.6. Audiences worldwide, regardless of their familiarity with jazz, react positively to Rick's music, demonstrating the universal appeal of the art form.7. Rick's work has evolved to include providing solutions to social issues and conflicts, such as the Israeli-Palestinian conflict.8. Rick's superpower is his ability to stay positive, see adversity as an opportunity, and now share solutions to significant challenges based on his experiences.9. To develop the ability to solve big problems, Rick advises embracing humanity's greatest qualities collectively, such as humanity, creativity, artistry, and intellect.10. People can learn more about Jazz for Peace and connect with Rick through the generic email address info@jazzforpeace.org, and his work focuses on empowerment grants and growing an "empowerment tree."How to Develop Transformative Solutions As a SuperpowerRick DellaRatta's superpower can be encapsulated in the phrase "transformative solutions."Rick's superpower lies in his ability to perceive adversity as an opportunity for improvement, a perspective that enables him to turn challenges into positive outcomes. Initially, this manifested in his talent for "making lemonade out of lemons" when aiding outstanding causes. Over time, this evolved into Rick possessing actionable solutions to significant global problems, garnered from his experiences and the wisdom shared by the numerous exceptional individuals and causes he's encountered.An illustrative story from the interview is Rick's account of bringing together Israeli, Palestinian, and American musicians in 2002 at the United Nations. This endeavor was part of his ongoing effort to address the Israeli-Palestinian conflict, a commitment that has won him over a million impressions on LinkedIn from people interested in his solution to this longstanding issue. This story exemplifies how Rick uses his superpower to foster peace and understanding through music and dialogue.To develop a superpower akin to Rick's, one might embrace humanity, creativity, artistry, and intellectuality, thereby allowing the "cream to rise to the top." By bringing out the best in oneself, one can inspire others, finding common ground even in the most challenging situations. Music, or any universal language of peace, can be a vehicle for creating positive communication and understanding.By following Rick DellaRatta's example and advice, you can make transformative solutions a skill. With practice and effort, you could make it a superpower that enables you to do more good in the world.Remember, however, that research into success suggests that building on your own superpowers is more important than creating new ones or overcoming weaknesses. You do you!Guest ProfileRick DellaRatta (he/him):Founder, Jazz for Peace™About Jazz for Peace™: Jazz for Peace™ provides Empowerment Grants, sustainable funding and advocacy for non-profits and all outstanding causes worldwide for over two decades to enable them to be more productive and successful.Website:  jazzforpeace.org X/Twitter Handle: @jazzmgmt Company Facebook Page: fb.com/JazzforPeaceGrant/Biographical Information: Rick DellaRatta is now considered by many to be one of the finest Singer/Pianists performing today and one of only a handful of Jazz Artists who can make a successful musical presentation to a large audience without having to abandon the true art form of Jazz. Through his lifelong endeavor to help advance people to their highest potential through the understanding of Jazz as well as spreading peace worldwide through his "Jazz for Peace World Tour," Rick DellaRatta is considered to be an innovator and a visionary.His unique and original piano playing and composing have been compared in print to Chick Corea, Herbie Hancock, Wayne Shorter, Bill Evans, McCoy Tyner, Keith Jarrett, Joe Zawinul, Horace Silver, Oscar Peterson, and Thelonious Monk, while his signature vocal sound and style have been likened to Chet Baker, Billie Holiday, Joao Gilberto, Ivan Lins, Michael Franks, and Antonio Carlos Jobim.Dr. Billy Taylor put Rick's impact in perspective when commenting on Rick's "Thought Provoking CD—he said: "Rick DellaRatta is one of the people who is taking Jazz to the next level".Linkedin: linkedin.com/in/rick-dellaratta-08199818/Instagram Handle: @jazzforpeace Upcoming SuperCrowd Event CalendarIf a location is not noted, the events below are virtual.* SuperCrowd24, April 17-18: This two-day virtual event is our biggest of the year. Don't miss it. Use the discount code “SuperCrowd” to save 50 percent.* Impact Cherub Club Meeting hosted by The Super Crowd, Inc., a public benefit corporation, on April 23, 2024, at 1:00 PM Eastern. Each month, the Club meets to review new offerings for investment consideration and to conduct due diligence on previously screened deals. Everyone is welcome to join these free events.* SuperCrowdChicago, June 12, 2024. This in-person event at Columbia College Chicago features some of Chicago's prominent citizens and community leaders, along with crowdfunding experts. Use the discount code “SuperCrowd” to save 30 percent!* SuperCrowdHour, April 24, 2024, at 1:00 Eastern. We'll talk with Chip Hauss and other peacebuilders about the role of investment crowdfunding in community building.* Recently, we created an AI GPT to help you learn more about The Super Crowd, Inc., a public benefit corporation, and our upcoming events. Click here to try it.SuperCrowd Community Event Calendar* Incredible New Developments in the Move Your Money Movement, AMIBA, Today!* Successful Funding with Karl Dakin, Tuesdays at 10:00 AM ET * Investment Crowdfunding Demystified, Crowdfund Better, April 23 at 2:00 PM ET* Move Your Money Month, April 2024, American Independent Business Alliance* How to Design an Equitable Retirement Plan: A Guide for Nonprofits, Foundations, and Mission-Driven Businesses, April 25, 3:00 PM ET.* Crowdfunding for Small Business, April 25, Crowdfund Better* Crowdfunding Professional Association Webinar, May 8, 2:00 PM ET* The Reg A & Crowdfunding Conference, June 20, Westchester Country Club (Save 20% with the code Super20)* Crowdfunding Professional Association, Summit in DC, October 22-23If you would like to submit an event for us to share with the 4,000+ members of the SuperCrowd, click here.We use AI to help us write compelling recaps of each episode. Get full access to Superpowers for Good at www.superpowers4good.com/subscribe

Guillaume Pastoor joins us this week to share with us his "affair" with the music genre bossa nova. Guillaume carefully selected songs to show us how different singers around the world interpet the music of Antonio Carlos Jobim.

'Águas de março', de Antonio Carlos Jobim, en grabaciones en portugués, inglés ('Waters of march') o francés ('Eaux de mars') del propio Jobim, João Gilberto, David Byrne y Marisa Monte, Al Jarreau y Oleta Adams, Stacey Kent, Jil Caplan y Christophe J., Rosa Passos, Cassandra Wilson, Leny Andrade, Luciana Souza, Elis Regina y Tom Jobim, Quatuor Ébène con Stacey Kent y Marcos Valle, Mina y Georges Moustaki. Escuchar audio

Eliane Elias is an extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest) Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Eliane:www.elianeelias.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

El día 1 del mes de marzo del año 1565 los portugueses fundaron la ciudad de Río de Janeiro. Canciones inspiradas por la ciudad del Cristo Redentor en grabaciones de Antonio Carlos Jobim ('Samba do avião'), Mario Adnet ('Águas de um Rio', 'Cidade mulher'), Moacir Luz ('Cidade mulher'), João Bosco ('Rio de Janeiro'), Joyce ('Tardes cariocas', 'Copacabana'), Sarah Vaughan ('Copacabana'), Nana Caymmi ('Sábado em Copacabana'), Guinga ('Noturno Copacabana'), Stan Getz & João Gilberto con Astrud Gilberto ('Corcovado', 'The girl from Ipanema'), Caetano Veloso ('Menino do Rio'), Chico Buarque ('Carioca') y Jaques y Paula Morelenbaum con Ryuichi Sakamoto ('Samba do avião').Escuchar audio

Good News: The UK hit a major green milestone, Link HERE. The Good Word: More lovely words from Lord Byron! Good To Know: Astonishing trivia about Disneyland… Good News: The Dominican Republic is the latest nation to trial the 4-day work week! Link HERE. Wonderful World: Learn about the long and complex history of “Peter […]

Jazz vocalist, pianist, and composer Sarah McKenzie teams up with Brazilian guitarist Romero Lubambo, cellist Jacques Morelenbaum, and drummer Peter Erskine (known for his work with Weather Report) on her new album Without You, spotlighting her performance at The Blue Note jazz club in Rio where she met Jacques and Romero. The album shines a light on a batch of Antonio Carlos Jobim songs and a few original compositions, including her song  “Quoi, Quoi, Quoi.”