Podcasts about Killer Joe

Father Son - from Nathan & Noah East, out for just a little over a month now. David Fleming speaks with both Nathan and Noah, with 95% of the conversation on the new album. Several incredible original mainstream jazz compositions. Outstanding covers as well including Killer Joe, Over the Rainbow, My Favorite Things, Yesterday, and more. A personalized treatment puts it mildly. Some of these have such an incredible touch on them that you would think that they weren't covers at all.

Benvenuti in America. La terra delle opportunità. Una nazione che dietro la sua copertina luminosa e trionfante, c'è tanta oscurità. Il Cinema ha saputo mostrare il lato più tetro e "scomodo" degli USA con film provocatori, lugubri e talvolta crudi. Perché quindi non riscoprirli? William Friedkin ci ha lasciati da poco tempo ma il suo cinema è ancora lì tutto da riscoprire. Perché non partire proprio dalla fine? Il suo ultimo film cinematografico è il crudele "Killer Joe" ma non certamente l'ultimo in fatto di malvagità tra i tanti titoli della filmografia di Friedkin.

On this week's episode, we discuss 90's horror and The Oscars before Jeremy gets some K-Fry-C with Killer Joe and Brandy Joe wraps himself in ropelight for Pitch Black. Time Stamps: Killer Joe - 22:18 Pitch Black - 37:37
 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! For merch & more: https://linktr.ee/scaringissharing

Kurt joins Glen and Psi to talk about three William Friedkin flims (among others) and some highlights from the William Friedkin autobiography Films Discussed: The French Connection (1971) The Exorcist (1973) Sorcerer (1977) Cruising (1980) To Live and Die in L.A. (1985) Killer Joe (2011) Follow Kurt on X https://x.com/KurtUnchained For premium episodes and written RC content, head to our substack https://rarecandy.substack.com/ Follow Rare Candy https://beacons.ai/rarecandy

For the love of chicken! These two movies both feature fried chicken in some capacity, one film is far more obvious than the other. We are discussing 'Killer Joe' and 'Chungking Express.' Full spoilers ahead! Killer Joe discussion starts 1:36, Chungking Express discussion starts 36:10, Next episode recommendation starts 1:02:05.

A ransacker stalked a small city in California, breaking into 120 homes in 20 months. Two hundred and twenty miles away, three years later, a man committed 50 home-invasion rapes. Three years after that and 300 miles to the south, a series of at least 11 murders occurred. Former FBI Profiler Julia Cowley, the host of The Consult podcast and lead profiler on the case, joins us to discuss the man who would be linked to the seemingly dissimilar crimes, Joe DeAngelo, who turned out to be the Visalia Ransacker, the East Area Rapist, the Original Nightstalker and a one-man machine of terror now known as the Gold State Killer. Julie talks about how law enforcement was able to connect each of those sets of crimes and identify the former mechanic and police officer, DeAngelo, who is now serving 12 life sentences.Join our community on Facebook, The Silver Linings Fireside Chat:https://www.facebook.com/groups/1361159947820623/To support the podcast and get early and ad-free episodes and exclusive content, join our Patreon:https://www.patreon.com/TheSilverLiningsHandbookTo check out The Consult podcast on Patreon:https://patreon.com/theconsultpodTo check out The Consult podcast episodes on Joe DeAngelo:Profiling Joe DeAngelo, Part 1:https://www.truecrimeconsult.com/profiling-joe-deangelo-part-1/Profiling Joe DeAngelo, Part 2:https://www.truecrimeconsult.com/profiling-joe-deangelo-part-2/Profiling Joe DeAngelo, Part 3:https://www.truecrimeconsult.com/profiling-joe-deangelo-part-3/

Episode 2 of the Wisconsin Cheese Binge! Tonight, we're covering Thad Phillips, and Joe Clark, The Bonebreaker Killer. Joe Clark was a sicko who had aspirations of becoming a serial killer. He killed a teenager named Chris Steiner, by kidnapping him, and forcefully breaking his bones. He died of internal bleeding, and Joe dumped him in a river. His murder would be unsolved for a year, until Joe did the same thing to Thad Phillips. But, Thad survived, and escaped. That would later survive a shooting. He had to be a descendant of Michael Malloy. Join us for this amazing story of survival! Note...This episode was originally done very early on, but the audio tracks were out of synch. #TrueCrime #TrueCrimePodcast #TrueCrimeComedy #TrueCrimeComedyPodcast #Murder #SerialKiller #Cult #Survivor #JoeClark #ThadPhillips #BonebreakerKiller #MichaelMalloy https://www.ckcbpodcast.com/ https://www.instagram.com/crimeskillerscultsandbeer/ https://twitter.com/CKC_Beer https://www.youtube.com/channel/UCUyuqDB2Dlszhpc_pGca29w https://www.facebook.com/groups/257328477392782/

Welcome back to Not A Bomb! This is the podcast where we explore some of cinema's biggest box failures and decide if they deserve a second chance.Listener Request Month rolls on as Troy and Brad welcome back Sammy of the GGTMC to take on one of the most intense films the podcast has ever covered. This week, we're headed to the trailer park with a big bucket of the Colonel's famous chicken in hand to dive into the 2011/2012 Southern Neo-Noir, Killer Joe. Brace yourself—this film is not for the faint of heart. It's brutal, violent, and pushes boundaries, fully earning its NC-17 rating. The gang covers everything from the best fried chicken to Matthew McConaughey's chilling performance, and even debates if this might be the movie that broke the Movie Guide scale. Killer Joe is unforgettable, but definitely not for everyone—proceed with caution.Killer Joe is directed by William Friedkin and stars Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Chruch. Not A Bomb just launched new designs in our Merch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We value your feedback and suggestions. If you have a cinematic flop, you'd like us to discuss, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what keep us going. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.If you want to hear more of Sammy, subscribe to the Gentlemen's Guide to Midnite Cinema and leave them a review. Cast: Brad, Troy, Sammy

Paul and Mick discuss the week in crime: From the life and crimes of dead Kinahan mobster Liam Roe, to a probation officer complaining of being moved after submitting a ‘positive' report on wife killer Joe O'Reilly. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a two-for-one, and that's because the podcast recently hit its 10-year anniversary and passed one billion downloads. To celebrate, I've curated some of the best of the best—some of my favorites—from more than 700 episodes over the last decade. I could not be more excited.The episode features segments from episode #79 "Chris Sacca on Being Different and Making Billions" and #729 "Legendary Actor Scott Glenn — How to Be Super Fit at 85, Lessons from Marlon Brando, How to Pursue Your Purpose, The Art of Serendipity, Stories of Gunslingers, and More."Please enjoy!Sponsors:Momentous high-quality supplements: https://livemomentous.com/tim (code TIM for 20% off)Shopify global commerce platform, providing tools to start, grow, market, and manage a retail business: https://shopify.com/tim (one-dollar-per-month trial period)AG1 all-in-one nutritional supplement: https://drinkag1.com/tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.)Timestamps:[00:00] Start [05:19] Notes about this supercombo format.[06:23] Enter Chris Sacca.[06:53] Traits of founders for whom success, at massive scale, seems predestined.[08:00] Travis Kalanick and Nintendo Wii Tennis.[09:55] Resources for cultivating investing chops, emotional intelligence, and general empathy.[18:37] Chris' evolving concept of success.[22:31] What Chris and his brother Brian's parents did right.[26:47] What Chris looks for when hiring.[29:23] The prophetic notebook.[31:29] Advice to aimless college graduates.[34:06] Two differentiators that shifted the nature of Chris' business[38:16] Enter Scott Glenn.[38:44] Idaho vs. Los Angeles.[44:59] Apocalypse Now, self-confidence soon after.[49:00] Burt Lancaster's movie star lessons.[54:41] The birth and death of Wes Hightower.[1:03:56] Catching the attention of James Bridges.[1:06:12] Scarlet fever.[1:07:57] From Marine to police reporter.[1:12:42] Berghof Studios and parental advice.[1:21:12] Converting to Judaism.[1:24:04] Lao Tzu: the ultimate mystic?[1:28:44] Letting go with Killer Joe.[1:33:20] "Crazy Whitefella Thinking."[1:38:53] Getting out of the way and Erwan Le Corre.[1:42:19] Lessons from the "morally phenomenal" Marlon Brando.[1:46:54] How Scott's childhood bout with scarlet fever informed his life's course.[1:49:33] Daily routines and exercises of an in-shape 85-year-old.[2:05:46] Securing a serendipitous skill set.[2:12:41] Thailand talk.[2:16:46] Increasing surface luck.[2:17:32] How Scott met and fell in love with his wife.[2:23:32] "Just dance."[2:24:14] Mistakenly calling Rudolf Nureyev Russian.[2:26:24] Poetry.[2:30:31] What Laurence Olivier knew about the value of tenacity.[2:32:09] Parting thoughts.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, Margaret Atwood, Mark Zuckerberg, Peter Thiel, Dr. Gabor Maté, Anne Lamott, Sarah Silverman, Dr. Andrew Huberman, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Time for another recommendation hodgepodge episode. This week, we discuss the Netflix limited series, A Good Girl's Guide to Murder. We also talk about the 2012 controversial crime drama, Killer Joe. And of course, we also have to mention Deadpool & Wolverine which is required by law these days. All 6 episodes of A Good Girl's Guide to Murder are available now on Netflix Killer Joe is available on Prime Video Deadpool & Wolverine is in theaters now (as if you didn't know) Follow us on Instagram @MAFPodcastShow Email us at MAFPodcastShow@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/murder-amongst-friends/support

Former Dauphin County Chief Detective Thomas Brennan's phone rings between 3 am and 4 am from a responding officer requesting assistance on a crime scene. When the detective arrives, he notices a car pulled close to a ditch. Brennen, who received training at the FBI Behavioral Science Unit during his tenure with the state police, knew immediately what he was dealing with when he arrived at the Conrail crime scene. After Brennan asks the officer for details, the officer explains that a Conrail train security guard had stumbled onto a man attacking a woman. The man was startled and he ran off. Thankfully the victim was injured but alive so he called for police and waited with her until help arrived.  Detective Brennan noted that the vehicle's trunk was open and inside was what many would call a “kit” such as rope, and duct tape, as in things to help someone kill or at least bind another person. Outside the car on the ground were plastic mats, seemingly to cover the ground inside the ditch. It was now clear to Brennan that this man had planned to kill his victim, put her in that ditch, and drive away. What was also clear to the detective was that this was not this man's first time killing someone, he had done it before and he knew what he was doing. Join Jen and Cam of Our True Crime Podcast as we discuss ‘Steelton Serial Killer: Joe Miller.'As always, the listener discretion is by our bestie Edward @octoberpodVHSJust like our music is by our bestie Nico @theinkypawprintThis episode is sponsored by the amazing sleepcreme.comIf you don't experience better sleep, they will refund your money. So what do you have to lose except another night of amazing rest? Order your bottle at sleepcreme.com That is sleepcreme.comYou will love it. Sources:https://www.cor.pa.gov/About%20Us/1989-SCI-Camp-Hill-Riot/Documents/01-oral%20histories%20-%20transcripts/ORAL%20HISTORY%20--%201989%20Camp%20Hill%20Riot%20-%20Joe%20Miller.pdfhttps://www.pennlive.com/news/2016/04/the_grisly_history_of_joseph_m.htmlhttp://inmatelocator.cor.pa.gov/#/https://r.search.yahoo.com/_ylt=AwrilzEabGdmhi0nxk4PxQt.;_ylu=Y29sbwNiZjEEcG9zAzEEdnRpZANEMjY4MjBZSF9DXzEEc2VjA3Ny/RV=2/RE=1718082714/RO=10/RU=https%3a%2f%2fcriminaldiscoursepodcast.com%2fjoseph-miller%2f/RK=2/RS=REGPWwbZxnb8gEVcjUqHncqYYX4-https://www.fox43.com/article/news/local/contests/convicted-serial-killer-joseph-miller-charged-in-1997-cold-case-murder/521-c6f1https://en.wikipedia.org/wiki/Joseph_Daniel_Millerhttps://local21news.com/news/local/new-murder-charge-filed-against-most-prolific-killer-in-dauphin-co-historyhttps://www.inquirer.com/philly/news/local/20080725_Pa__court_backs_life_in_prison_for_killer.htmlThe compulsion to rape and kill: Inside Steelton serial killer Joseph Miller's mindStory by John Luciew | jluciew@pennlive.comhttps://www.pennlive.com/news/2016/04/the_grisly_history_of_joseph_m.html

BEFORE THEY MEET JENNIFER TILLY IN BRIDE OF CHUCKY!! Bound Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects Taking a quick detour from the Child's Play / Chucky Series before Bride of Chucky, Roxy Striar & Tara Erickson give their First Time Reaction, Commentary, Breakdown, and Full spoiler Review for the 1990s Queer Romantic Crime Thriller written & directed by a pre- The Matrix Lana Wachowski & Lilly Wachowski (Speed Racer, Cloud Atlas, Sense8) and starring Jennifer Till (Seed of Chucky, Bullets Over Broadway, Family Guy), Gina Gershon (Showgirls, Thanksgiving, Killer Joe), Joe Pantoliano / Joey Pants (Memento, The Fugitive, Bad Boys), Christopher Meloni (Man of Steel, Law and Order Special Victims Unit / SVU, Wet Hot American Summer, 12 Monkeys), Kevin Michael Richardson (Mortal Kombat, The Super Mario Bros. Movie, Batman: Under the Red Hood), and MORE! Roxy & Tara react to all the Best Scenes & Steamiest Moments including the elevator scene, "I'm trying to seduce you", Cup of Coffee, Violet and Corky, What I Didn't Do, Caesar You Don't Know Shit, & BEYOND! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Glenn's acting career spans nearly 60 years. His impressive film resume includes performances in Apocalypse Now, Urban Cowboy, The Right Stuff, Silverado, The Hunt for Red October, The Silence of the Lambs, Backdraft, The Virgin Suicides, and The Bourne Ultimatum. This year, Scott will return to HBO to join season 3 of The White Lotus.Timestamps for this episode are available below.Sponsors:Momentous high-quality supplements: https://livemomentous.com/tim (code TIM for 20% off)LMNT electrolyte supplement: https://drinklmnt.com/tim (FREE sample pack with any purchase)AG1 all-in-one nutritional supplement: https://drinkag1.com/tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.)Timestamps:[07:10] Idaho vs. Los Angeles.[13:26] Apocalypse Now, self-confidence soon after.[17:26] Burt Lancaster's movie star lessons.[23:06] The birth and death of Wes Hightower.[32:22] Catching the attention of James Bridges.[35:42] Scarlet fever.[37:29] From Marine to police reporter.[42:12] Berghof Studios and parental advice.[50:44] Converting to Judaism.[53:36] Lao Tzu: the ultimate mystic?[58:16] Letting go with Killer Joe.[1:02:53] “Crazy Whitefella Thinking.”[1:08:31] Getting out of the way and Erwan Le Corre.[1:11:51] Lessons from the “morally phenomenal” Marlon Brando.[1:16:26] How Scott's childhood bout with scarlet fever informed his life's course.[1:19:05] Daily routines and exercises of an in-shape 85-year-old.[1:35:12] Securing a serendipitous skill set.[1:42:13] Thailand talk.[1:46:18] Increasing surface luck.[1:47:04] How Scott met and fell in love with his wife.[1:53:04] “Just dance.”[1:53:46] Mistakenly calling Rudolf Nureyev Russian.[1:55:57] Poetry.[2:00:01] What Laurence Olivier knew about the value of tenacity.[2:01:41] Parting thoughts.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, Margaret Atwood, Mark Zuckerberg, Peter Thiel, Dr. Gabor Maté, Anne Lamott, Sarah Silverman, Dr. Andrew Huberman, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 37 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, Killer Joe (2011). After the successful collaboration with screenwriter Tracey Letts on his last film Bug, Freidkin went right back to work with him on an adaptation of Letts's debut play about a family who hire a corrupt police detective with a side career as a contract killer to take out their estranged mother for her insurance policy. Based in a small Texas town, Killer Joe is slowly unfolds into a twisted, violent American Southern Gothic crime drama that explodes with one of the craziest endings in the acclaimed director's career. Ryan and Jay break down their reactions to the film, if the ending justifies it's grizzly conclusion, the overall journey of the McConaissance, fried chicken legs and so much more. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h35m. The guys will be back next week to conclude their series covering the films of William Friedkin with a review of his last film, The Caine Mutiny Court-Martial. You can stream the film on Paramount+. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 36 of the Director Watch Podcast, the boys discuss the latest film in their William Friedkin series, Bug (2007). Moving away from his early 2000s action thrillers era, Friedkin set his sights on a project of much small scale, as he saw a play by writer/actor Tracy Letts that blew him away. Set mostly in a single location, motel room, Bug follows Agnes (a fantastic Ashley Judd) as she begins a new relationship with Peter (an excellent Michael Shannon), a stranger that turns unstable and unpredictable as layers of his past unfold and we start to see the lines of what is real and what is fake collide. With this, Friedkin creates an effective paranoid thriller with stellar performances and a scorching good ending. Ryan and Jay break down what they like about the film, the careers of both Judd and Shannon, the wild choices made by Harry Connick Jr. with his work in the film, how the film handles PTSD, and once again discuss the great film year that was 2007. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h35m. The guys will be back next week to continue their series covering the films of William Friedkin with a review of his next film, Killer Joe. You can stream the film on Amazon Prime Video. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Part of the Matthew McConaughey come back double feature (MUD being the other) Killer Joe showcases a dark hurt filled world with a small moment of hope. There are few movies like this.

Juno Temple (Fargo, Ted Lasso, Killer Joe) is an actor. Juno joins the Armchair Expert to kick off Fargo week and discuss how she doesn't know how to drive a car, how inspirational her father's work ethic was, and what it was like growing up in a country with thousands of years of history. Juno and Dax talk about how they dealt with rejection for roles, how nervous they are on sets, and what it's like to do an iconic accent for a character. Juno explains what it's like to be on a show that addresses domestic abuse, how she uses creativity to help with anxiety, and why she likes to watch horror movies to go to sleep. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Juno Temple (Fargo, Ted Lasso, Killer Joe) is an actor. Juno joins the Armchair Expert to kick off Fargo week and discuss how she doesn't know how to drive a car, how inspirational her father's work ethic was, and what it was like growing up in a country with thousands of years of history. Juno and Dax talk about how they dealt with rejection for roles, how nervous they are on sets, and what it's like to do an iconic accent for a character. Juno explains what it's like to be on a show that addresses domestic abuse, how she uses creativity to help with anxiety, and why she likes to watch horror movies to go to sleep. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As we begin the new year, we're returning to our conversation with brilliant actor Michelle Williams. We walk through the making of Showing Up (6:05), Williams' fifteen-year partnership with director Kelly Reichardt (8:10), and her upbringing in Montana and San Diego (10:42). Then, she describes coming of age on the set of Dawson's Creek (14:50), her pivotal turn in Tracy Letts' Killer Joe (20:00), and her path to Ang Lee's Brokeback Mountain (26:10). On the back-half, we discuss a healing passage from Rebecca Solnit's A Field Guide to Getting Lost (29:37), Williams' memorable performances in Blue Valentine (32:12) and My Week with Marilyn (37:47), and her final day shooting The Fabelmans (40:50). To close, she shares how she remains present as a mother (45:40), a formative Walt Whitman quote (47:22), and how—at age 42—she's begun to create from “a place of peace.” (50:36). For questions, comments, or to join our mailing list, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

“My favorite thing was going to the movies,” Emile Hirsch says about his childhood. Emile is best known for Into the Wild, but with over 70 credits to his name, you've seen him in The Girl Next Door, Lords of Dogtown, Alpha Dog, Speed Racer, Milk, Killer Joe, Savages, Lone Survivor, and Once Upon a Time in Hollywood. His latest film, Walden, Emile plays an unassuming court stenographer in a small southern town. When he discovers he is dying, he decides to exact revenge on criminals who escape prosecution. In this interview, Emile discusses the trouble with commercial auditions as a kid, how his approach to acting has changed overtime, advice from Robert DeNiro, and inspirations from Seymour Hoffman's Capote and Ned Flanders for his latest roll. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Dec 3, 2023 #reeltalk #theclawscorner #richcyr On this episode of Reel Talk Rich and Cam two movies from director William Friedkin: KILLER JOE and SORCERER. Cam Sully online: https://www.facebook.com/filmmakercamsully https://linktr.ee/JURSPodcast?fbclid=IwAR3-vbTKKP8Hzw7RjjiJd-hEL0l7-dJ0FlAhAMlqNU6IxNeesH5A9wSu2iw https://www.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ https://www.instagram.com/jacked_up_podcast/ https://www.facebook.com/JackedUpReviewShow The Claw's Corner online: https://www.facebook.com/richtheclawcyr https://www.youtube.com/channel/UCQjUoG2CO5uLat0gaDFSQqg https://richcyr.wordpress.com/ Do not miss Rich's book, "Confessions of a Frenetic Mind" available now - https://www.amazon.com/Confessions-Frenetic-Mind-Blood-Curdling-Terror/dp/1946577103/ref=sr_1_1?keywords=Rich+Cyr&qid=1667737186&sr=8-1 Copyright 2023 The Claw's Corner - Produced by Rich Cyr https://www.facebook.com/richtheclawcyr/ Edited by Elmwood Productions - http://elmwoodproductions.com/index.html and subscribe to Elmwood Productions on YouTube: https://www.youtube.com/c/ElmwoodProductions/featured Show some love for Elmwood! It's your support that keeps content like this coming! Visit our Ko-Fi Page and help keep us caffeinated! - https://ko-fi.com/elmwoodproductions Enhanced and uploaded by Rob Bull. For Music, Podcast, Graphic Design, and Video info Email Rob At: robbull61792@gmail.com Also Follow and Message Him through FaceBook https://www.facebook.com/profile.php?id=100085244920212 Rob Bulls Music on youtube at https://www.youtube.com/@crackhouse2012 Rob Bulls Soundcloud https://soundcloud.com/robertbull Search Rob Bull on Spotify.

This one's for the classmates! Month 10 of our triple review bonus episodes. Once a month, we will pull 3 random fan picks to watch and review. One movie for each of us, chosen at random. If we did the math right, that should mean that by the end of 2023, our whole list will be completed!This episode Joseph will cover Lair of the White Worm (1990) from Adam Murphy, Tyler is reviewing Pocket Ninjas (1997) from Mae Hourak and Pete was assigned Killer Joe (2017) by Josh G. from Your Next Favorite MovieIf you want to add to the conversation,  or submit YOUR fan pick, send an email to the show. MCFCpodcast@gmail.comhttp://www.MCFCpodcast.comhttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierListener Stephen: The Maple Syrup DonJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksRyan  CorbinJason  forcefivepodcast.comBrendan BealChris GeigerDylanMitch Burns linktr.ee/MitchburnsRobert Stewart SWOProductions.comJason linktr.ee/scenethatreviewsAndrew Martin https://andrewwatchesmovies.libsyn.com/Dallas TerryJack Fitzpatrick https://www.youtube.com/c/LetsCrashThisParadeMackenzie MinerJoseph Navarro    Pete Abeytaand Tyler Noe    

In this podcast episode, the speakers discuss their current projects, interests, and upcoming films. Austin talks about their busy schedule juggling a full-time job, a film project, and an acting role in a series directed by Cody Hamilton. They also discuss their interest in various movies and TV shows, including "Bug", "Killer Joe", and "How To with John Wilson". The conversation also touches on the works of William Friedkin and Frederick Wiseman. The speakers express their anticipation for the Toronto International Film Festival and discuss the high costs of attending such events.

رادیو بندر تهران | قسمت صد و نوزدهم، «پیوسته» | بیست و هشتم مهر ۱۴۰۲ ‌‌ ‌‌‌‌ ‌‌‌ این قسمت با حمایت «وی‌نیتو» منتشر می‌شود. وی‌نیتو یکی از جدیدترین برندهای چیپسه که بسیار خوشمزه‌ست و طعم‌های خاص و باحالی داره. طعم‌های خاص و خوشمزه‌ای که هیچ‌جا پیداش نمی‌کنین! مثل چیپس با طعم سس آلفردو که خیلی پرطرفدار و خوش طعمه. چیپس با طعم مکزیکن که ترکیبی از چند نوع فلفله و یه تندی خیلی خاص و متفاوتی داره. چیپس پنیری که مزه نوستالژیک پفک رو میده و چیپس کچاپش هم با تمام چیپس کچاپ‌هایی که خوردین فرق داره. وی‌نیتو خیلی به کیفیتش اهمیت میده و با انتخاب بهترین سیب‌زمینی‌ها، بهترین برگه‌های چیپس رو تولید و بسته بندی می‌کنه. در بسته‌هاش هم گاز نیتروژن می‌زنه که به سالم و خوشمزه موندن محصول طی زمان کمک می‌کنه. روی بسته‌بندیش هم شخصیت‌های خیلی بانمکی داره که خیلی جذاب و باحالن. کافیه یکبار این چیپس‌ها رو امتحان کنین تا مشتری همیشگی‌ش بشید. پیج وی‌نیتو در اینستاگرام را فالو کنید: https://www.instagram.com/vnut_vnito شناسه ‌وی‌نیتو در ایکس (توییتر سابق): @vnutvnito ‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌‌ ‌‌‌‌‌‌ خرید کتاب «مرلین مونرو غمگین نیست»، دومین کتاب محمدامین چیت‌گران: https://esmbook.ir/book/109701 ‌‌‌‌‌ ‌‌‌‌‌  «می‌شه قبل از هر کاری فکر نکنی. فکر که می‌کنی دهنِ ما سرویس می‌شود.» [جو قاتل (Killer Joe)، ویلیام فریدکین، ۲۰۱۱] ‌‌‌‌‌ در این قسمت آثاری علی مصفا، علی بزرگیان، هانیه کسائی‌فر، ابوالفضل حدادی و نوید نوروزی را می‌شنوید و در نهایت قسمتی از نامه به عشق تریاکی تقدیم خواهد شد. ‌ موسیقی‌های استفاده شده در این قسمت: Zohreh - Ali Zandevakili Setarehaye Sorbi (Cover) - Aslan Radan Aria - Joyce DiDonato Mano To - Meysam Akbari & Hiva Seyfizadeh Eshgh Dar Del Mand - Mohammadreza Shajarian Telo - Mohsen Chavoshi Yarom Miaye - Songar ‌‌‌ کانال تلگرامی «کشکول رادیو بندر تهران» (موسیقی‌های مورد استفاده شده‌ی پادکست در این کانال قرار داده می‌شود): https://t.me/Bandaretehran_kashkoul ‌‌‌‌

The movie this week is William Friedkin's Bug (2006) adapted from the play by Tracy Letts. Joining the ghouls is filmmaker/writer Jon Nix who plugs his documentary about Justin Pearson, Don't Fall in Love With Yourself. (Available from the fine folks at Vinegar Syndrome.) They also discuss Gaspar Noe's Lux Aeterna, Alfred (1973) Conner O' Malley's The Mask, Colegas aka Pals, and all about Phrogging: Hider in my House and movies where someone is hiding in the walls. From wiki: “Bug is a 2006 psychological thriller film directed by William Friedkin and written by Tracy Letts, based on his 1996 play of the same name. The film stars Ashley Judd, Michael Shannon, Lynn Collins, Brían F. O'Byrne, and Harry Connick Jr.Bug debuted at the 2006 Cannes Film Festival before being purchased by Lionsgate, which released the film the following year in May 2007. The film received generally positive reviews from critics, who praised its intensity, directing, acting, and take on paranoia, but were polarized about its writing, in particular the film's ending. Friedkin and Letts collaborated again as director and writer on the 2011 film Killer Joe.”NEXT WEEK: Singapore Sling (1990)Jon Nix's website: https://www.jonnixfilm.com/Jon Nix's Twitter: https://twitter.com/jonnixfilmJon Nix's Instagram: https://www.instagram.com/jonnixfilm/Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel 

iris and Gary sit down with some skunk beer and some fried chicken to tell a tale about deplorable people. After a family hires a crooked cop to kill a hated relative, they endure psychological and physical trauma all in the pursuit of minimal riches and a whole lot of tragedy. Matthew Mcconaughey, Juno Temple and Emile Hirsh stars in William Friedkin's Killer Joe. ★ Support this podcast on Patreon ★

iris and Gary sit down with some skunk beer and some fried chicken to tell a tale about deplorable people. After a family hires a crooked cop to kill a hated relative, they endure psychological and physical trauma all in the pursuit of minimal riches and a whole lot of tragedy. Matthew Mcconaughey, Juno Temple and Emile Hirsh stars in William Friedkin's Killer Joe. The post Cinema Beef Podcast Burnt Ends : Killer Joe (2011) first appeared on Legion.

Legendary Filmmaker William Friedkin died on August 7th, 2023, a few months before the 50th Anniversary of THE EXORCIST. As his legend would dictate, Friedkin was a bit of a demon himself to those who worked with him and opposed him. "Hurricane Billy" would do anything for a shot, even at the risk of life and limb.  Join me as I take a personal look at my utter fascination with the director, whose work captivated me at an early age, and how his persona left me conflicted. Love him or hate him, Friedkin made you take notice. I hope you enjoy the show! Movies Discussed: THE PEOPLE VS. PAUL CRUMP (1962) GOOD TIMES (1967) THE NIGHT THEY RAIDED MINSKY'S (1968) THE BIRTHDAY PARTY (1968) THE FRENCH CONNECTION (1971) THE EXORCIST (1973) SORCERER (1977) DEAL OF THE CENTURY(1983) TO LIVE AND DIE IN LA (1985) KILLER JOE (2011)

Family Plot: William Friedkin's Film of Tracy Letts's Killer Joe This week Ibrahim & I remember the iconic filmmaker, William Friedkin. Friedkin was director of numerous classic films including: The French Connection (1971), The Exorcist (1973),  Sorcerer (1977), and To LIve and Die in L.A. (1985). His career would see numerous hits and misses, however many would agree that it ended with one of the strongest (and easily the most polarizing) films of his career . . . the Tracy Letts scripted (from his stage play) Killer Joe. Troubling material and numerous explicitly violent scenes make this film a struggle (albeit incredibly rewarding) to get through. With an powerful titular performance from Matthew McConaughey and an incredible supporting cast including: Emile Hirsch, Thomas Hayden Church, Gina Gershon, and Juno Temple, this is - arguably - one of the best films 2011 and the decade. Take a listen and see if you agree with our impressions of this overpowering film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.  f you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. https://www.buymeacoffee.com/watchrickramos

Facts:  Bassists are the most qualified people in the world to talk about film, which is why Ross and Ian are talking about one of the only things worth talking about: William Friedkin movies...  From "Sorcerer" to "Killer Joe".  PLUS we do a mixtape of movies featuring Monkey Paws, McGuffins, Wishes Gone Wrong, and more. When it comes to cinema, we are probably the only people you should listen to, and we are stoked to share this info with you Rad things: If you are in a band and are looking to cut shortcuts in developing a website, no company can help you more than SUPERTAPE.com.  It is the easiest way to streamline your entire online presence from merch sales to video, press, and beyond... ALL done with only a few clicks.   Ross put out an album under the name COGENTS. It's available wherever you listen to music and highly recommended for those looking to scratch their weird ambient-score itch. Ian has some MUST LISTEN TO MUSIC over at the Interesting Times Gang Bandcamp Page. Ian and Ross will both be opening up for Botch this coming winter.  Be sure to check out those dates if you can find tickets. The Rigs of Dad Patreon Page is bumping with the extended version of this conversation, PLUS a new, round 2, unedited interview with Jordan Buckley of Better Lovers and Every Time I Die fame is now up on patreon. Getting ANYWHERE in life is ten times more fun if you are doing it in style, and the best way to do that is through the ONLY method of transportation worth booking:  GILLIBUS. Big shout out to the homies at www.shearrevival.com Take care of yourself.  Look good, smell good, and feel good.  Treat your body and neighbor's nose with love using Shear Revival!  Use the code CLEANTONE10 to get 10% off your next order!   Huge loves to the incredible Sacha Dunable from Dunable Guitars.  The guys is building the absolute BEST axes in the game and I am a firm believer that EVERYONE needs to own one.  Check out www.dunableguitars.com if you need some real tone in your life. Much love to the fine folks at Custom District Pedalboards for allowing me to pack the heaviest tones on the lightest boards.  Get yours over at www.customdistrictpedalboards.com Do you have a ton of guitars?  Does the show not go on unless you have at least three guitars with you?  Then you need to check out Quantum Industries.  These dudes are putting out true tanks of guitar cases.  Check out https://www.quantumindustries.jp/ BE SURE to enter ROD10 for a discount on your order!!!

Brian and Shelly discuss the films of William Friedkin including The French Connection, The Exorcist and Killer Joe

In celebration of the late great William Friedkin. We sit down with Simplistic Reviews Historian, Freddy Maas to figure out why KFC is as bad as we are told.   oh and of course a personal fav: https://youtu.be/1jPWGEoyJHY   Killer Joe | 2011 A cop (Matthew McConaughey) who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer (Emile Hirsch) in exchange for a tumble with the young man's virginal sister (Juno Temple).   Want More or Less? Click Here: Simplistic.Reviews/links Watch to this Podcast YouTube   #Podcast #MovieCommentary #WilliamFriedkin #killerjoe  

This week we Talk to YOU about Talk to Me. We also discuss Baki Hanma, Killer Joe, and Nimona. All while drinking Don't PRRRT in the Pool. A smoothie sour by Drekker Brewing Company out of Fargo, North Dakota. Intro and Beer Selection 0:00-16:52 Talk to Me Review 16:52-41:34 Nano Reviews 41:34-56:48 Outro 56:48-1:00:03 Subscribe to our Patreon for premium episodes! Like us on Facebook! Follow us on Apple Podcasts! Follow us on Spotify! Follow us on  Podbean! Follow us on Instagram! Follow us on TikTok! You can buy individual premium episodes on our Bandcamp! Send your questions and comments to sudsandcinemapodcast@gmail.com Logo and Artwork by @djmikeholiday

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

This week we're talking about K-fry-C and the Texas heat and the dumbest family to ever grace the screen in William Friedkin's adaptation of the Tracy Lett's play Killer Joe. We are joined by friend of the Pod, Lisa Lambert who was more than game to take on this challenging material! This is our first NC-17 film that we have covered, and made us feel very grown up! We talk about the pitch perfect casting - and imagine some alternate universe versions, try to discern how to feel about the complicated morality of the story, and don't worry - we talk about the chicken leg fellatio. So get your pumpkin pie filling, fumigate the gates of hell, and make sure your merkin is secured and enjoy our breakdown of this extremely black comedy! Twitter: @TripleMMMPod Clayton: @justhapp2cu Shawn: @murphthesmurph Insta: @triplemmmpod Letterboxd: Clayton: @justhappy2cu Shawn: @murphthesmurph Bluesky: Clayton: @justhappy2cu Email: menwholikemenwholikemoviespod@gmail.com If you are enjoying the pod, please consider taking a few seconds to leave us a rate or review - it helps so much!!! --- Support this podcast: https://podcasters.spotify.com/pod/show/men-who-like-men-who-like-movies/support

Summer is here, and that means it's time for Death By DVD's 2023 Summer Break. What is summer break? Well, you're just gonna have to listen to this episode to find out! And remember, if summer is here that means summer school is just around the corner. What is summer school? Well, partner I hate to say something twice, but...you will just have to listen and find out, so, listen now! Would you like to WATCH Death By DVD? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire episode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

The Video Nasties A-Z With Death By DVD continue and boy is this a NASTY one! Snuff & SS Experiment Camp, discussed on this episode : SNUFF (1975) Directors : Michael Findlay, Simon Nuchtern, Horacio FredrikssonA so-called "snuff" film involving the exploits of a cult leader leading a gang of bikers in a series of supposedly real killings on film.SS EXPERIMENT CAMP (1976)Director : Sergio GarroneSS Experiment Camp is a 1976 Nazi exploitation film directed by Sergio Garrone. The plot concerns non-consensual sexual experimenting with female prisoners of a concentration camp run by Colonel Von Kleiben, a Nazi officer who needs a testicle transplant after being castrated by a Russian girlBe sure to hear ALL the Video Nasty A-Z With Death By DVD episodes! Click here to see them all Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire episode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

It's monkey madness on this fresh from the grave installment of the Video Nasties A-Z With Death By DVD! We've got Night Of The Bloody Apes & Night Of The Demon on this episode. Heads roll, hearts beat, dicks get ripped right the fuck off! It's a bloody good time you won't want to miss. Hear it now! Be sure to hear ALL the Video Nasty A-Z With Death By DVD episodes! Click here to see them all Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire epsidode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

When Joe Clark was just a teenager, he grew to love a very morbid activity: breaking bones. It is likely that Clark would have a long list of abuse and murder victims, if not for the courage of survivor Thad Phillips. You do not want to miss this brutal tale of a vicious teenager brought to justice.

Welcome to the Video Nasties A-Z with Death By DVD. This is where we two by two in alphabetical order discuss each and every Video Nasty and why the movies were banned in the UK. On this episode we discuss MARDI GRAS MASSACRE & NIGHTMARES IN A DAMAGED BRAIN aka NIGHTMARES from 1981. Heads roll, hearts are hacked and there is even some sweet shotgun action even the children can appreciate! This episode has a little something for everyone. Whacked out slashers, moody mayhem and so much more. This is a Nasty episode you don't wanna miss, hear it now! Be sure to hear ALL the Video Nasty A-Z With Death By DVD episodes! Click here to see them all Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire epsidode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

It's a bit of a switch up this week as the pick isn't coming from Owen or Gaius but from our very own Jackson Pye who is popping in from the main show with his pick, Killer Joe. Released in 2011, the film is directed by William Friedkin with a screenplay by Tracy Letts, which is based on his 1993  play of the same name. The movie stars Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Church, and it follows a young man whose debt puts his life in danger so he turns to putting a hit out on his evil mother in order to collect the insurance. The trio explore many aspects of the film, including a few controversial scenes that have turned the film into a bit of a cult favorite. They also dive into the performances, issues with its NC-17 rating and how this began a series of films that began McConaughey reshaping his career as a respected actor.  Other: Where To Watch Killer Joe Follow Us On Instagram Follow Us On Twitter Like Us On Facebook Follow Us On TikTok

The Video Nasties A-Z With Death By DVD return! It has been a whole year since our last installment of the VIDEO NASTIES A-Z April 2 2022 was the last time we got nasty, a real sick episode Video Nasties A-Z With Death By DVD : Island Of Death & The Last House On The Left! NOW we pick up where we left off and kick the dust up with LOVE CAMP 7 & MADHOUSE because ya just can't keep a dead dog down. The classic era hosts of Death By DVD return to get NASTY. CATCH CATCH THE HORROR TAXI!  Fall in love with a Video Nasty NOW on this fresh from the grave episode. Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire epsidode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES