Podcasts about Lee Morgan

STANDARS SEMANAL.-771.Gee,Baby,Ain´t I Good to You.-VINILOS MITICOS DEL JAZZ.-JOHN COLTRANE - Blue Train.-JAZZACTUALIDAD.-.ANA PEREIRA-BAILA LA LLUVIA Blue Train es un álbum de estudio delsaxofonista y compositor de jazz John Coltrane . Fue lanzado a través de Blue Note Records en enero de 1958. [ 1 ] Es la única sesión de Coltrane como líder para Blue Note. [ 8 ] La grabación tuvo lugar en el estudio de Rudy Van Gelder el 15 de septiembre de 1957. Coltrane compuso cuatro de los cinco temas del disco. Su interpretación exhibe elementos tempranos del estilo característico por el que posteriormente se hizo conocido. Blue Train obtuvo la certificación de oro en ventas de la Asociación de la Industria Discográfica de Estados Unidos (RIAA) en 2001.El álbum se grabó durante la residencia de Coltrane en el Five Spot como miembro del cuarteto Thelonious Monk . El equipo incluye a los compañeros de banda de Coltrane en Miles Davis , Paul Chambers al bajo y Philly Joe Jones a la batería, quienes ya habían trabajado con el pianista Kenny Drew . Tanto el trompetista Lee Morgan como el trombonista Curtis Fuller eran músicos de jazz prometedores, y ambos fueron miembros de Jazz Messengers de Art Blakey en su momento. A diferencia de su anterior sello, Blue Note pagó a los músicos para que ensayaran la música durante un par de días antes de la sesión de grabación. La forma de tocar de Coltrane muestra la evolución hacia lo que se convertiría en su estilo característico. Sus solos son más armónicos o verticales y sus líneas son arpegiadas. Su ritmo a menudo se desmarcaba del tiempo o lo superaba, en lugar de tocar sobre él o por detrás. [ 9 ] Durante una entrevista en 1960, Coltrane describió Blue Train como su álbum favorito hasta ese momento. [ 13 ] El siguiente gran álbum de John Coltrane, Giant Steps , grabado en 1959, abriría nuevos caminos melódicos y armónicos en el jazz, mientras que Blue Train se apega al estilo hard bop de la época. El musicólogo Lewis Porter también ha demostrado una relación armónica entre «Lazy Bird» de Coltrane y « Lady Bird » de Tadd Dameron . [ 14 ] [ 15 ] Mientras estaba en el podcast "Traneumentary" de Joe Vella, Michael Cuscuna , el productor de reediciones de Blue Note , comentó: Estamos escuchando "Blue Train", que para mí es una de las piezas más hermosas de uno de los discos más hermosos que Coltrane grabó en los cincuenta. Es su primera declaración de madurez real, y escribió todos los temas de este álbum menos uno, algo muy poco común en los cincuenta, y cada uno es una joya, en particular el tema principal, "Blue Train". Y aunque es bastante fácil tocar blues, este tiene una cualidad suspendida y evocadora. Ana Pereira presenta su primer trabajo discográfico "Baila la lluvia" (Sedajazz Records), una reinterpretación del bolero desde una perspectiva personal y contemporánea. Acompañada por Isaac Martín (bajo y dirección musical), Daniel Orts (piano) y Tico Porcar (batería), fusiona este género con el jazz y otras músicas, aportando una visión fresca y actual de un género que se convierte así en atemporal. Su voz delicada, elegante y expresiva, y los arreglos sofisticados interpretados por el genial trío que la acompaña, consiguen que el directo sea toda una experiencia íntima y envolvente que transporta al público a través del tiempo en una conexión pasado-presente con la música como compañera de viaje.

Send us a textJak to jest mieć kultowe studio nagraniowe w pokoju gościnnym swoich rodziców? Czym wyróżniały się kultowe okładki płyt Blue Note Records? Jak to możliwe, że pozwolono umrzeć legendarnej wytwórni jazzowej sprzedając ją firmie ubezpieczeniowej… by potem ją wskrzesić na nowo?Miesiąc temu zabraliśmy was w przeszłość. Do Stanów Zjednoczonych połowy XX wieku, kiedy to w New Jorku narodziła się wytwórnia Blue Note Records - jedna z najważniejszych w historii muzyki. Dziś kontynuujemy naszą podróż w czasie, opowiadając m.in. o kultowych okładkach płyt autorstwa Reida Milesa czy nowatorskich i niecodziennych technikach nagraniowych niesamowitego Rudy Van Geldera. Będzie też o  upadku i wskrzeszeniu na nowo wytwórni oraz dziedzictwie kulturowym i muzycznym, które Blue Note Records, z wyjątkowym Prezesem - Don Wasem za sterami, po sobie zostawiła.muzyka: Łukasz Wojciechowski (intro)Możecie odsłuchać ten odcinek tutaj: https://tiny.pl/1xn9xg07Link do Spotify:Youtube:Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/oraz Instagramie - https://tiny.pl/cxk21Będziemy wdzięczni za wsparcie nas na Patronite (specjalne bonusy dla naszych patronów!): https://tiny.pl/r8yq62q5LINKOWNIA:Podstawowe info o BNR:Wikipedia - https://tiny.pl/0c3qyx0vStrona oficjalna wytwórni - https://tiny.pl/8z5-v5w2Styl Blue Note Records - https://tiny.pl/jbzsfg95Rudy Van Gelder:Wywiad (tapeop.com) - https://tiny.pl/hfc4nn8mO Rudym Van Gelderze -  https://tiny.pl/5bc1cs38PŁYTY:Lee Morgan - The Sidewinder - https://tiny.pl/bqkk59tpHorace Silver - Song For My Father - https://tiny.pl/k2w4zphmKenny Burrell - Kenny Burrell - https://tiny.pl/tbz38c_zDonald Byrd - Blackbyrd - https://tiny.pl/njgvt_g9Norah Jones - Come Away With Me - https://tiny.pl/vn1vr77xVarious Artists - Shades Of Blue - https://tiny.pl/z6qr3bk2Tony Allen - Tribute to Art Blakey and The Jazz Messengers - https://tiny.pl/m160dztsUTWORY:Us3 - Cantaloop (Flip Fantasia) - https://tiny.pl/4brhybfhNorah Jones - Come Away with me - https://tiny.pl/r-nt08mkOKŁADKI:Wikipedia - https://tiny.pl/szw8jyxcJaz.fandom.com - https://tiny.pl/wbb3zj-mVIRTUAL (ART. PHOTO) LEGACY -  https://tiny.pl/xm6qq450Okładki Andy Warhola - https://tiny.pl/x-d82kq6DON WAS:Blue Note's Renaissance Music Man - https://tiny.pl/fz2x2ydw    Talkin' Blue Note at 85 - https://tiny.pl/j9f6h5cx everythingjazz.com - https://tiny.pl/3rzhtbxm80` lecie Blue Note Records - https://tiny.pl/9gmfczjtPrzyszłość Blue Note? - https://tiny.pl/rgwwcd0jSophie Huber: “Blue Note Records - Beyond the notes”.

The Jazz Session No.411 from RaidersBroadcast.com as aired in April 2025, featuring modern jazz from 2005, the album “Half Moon”, from vibraphonist Lalo TRACK LISTING: Late Date - Ben Webster Quintet; Groovin' High - Charlie Parker; Mean Green - Snarky Puppy; Sirabhorn - Pat Metheny; Waves - Lalo; Curiosity - Lalo; Isle of Capri - Ken Colyer ; Someday Sweetheart - The Charleston Chasers; Moanin' - Art Blakey & The Jazz Messengers, w. Lee Morgan; Prayer for Passive Resistance - Charles Mingus; Things Ain't What They Used to Be - Dizzy Gillespie; You're My Everything - Freddie Hubbard; Disco Ears - Joshua Redman, Brad Mehldau, Christian McBride, Brian Blade; Café Negro - Henry Franklin, Adrian Younge & Ali Shaheed Muhammed; Dreamwalker - Lalo; Tango for T.Lynn - Lalo; Maid in Mexico - Chet Baker; Trane Whistle - Eddie Lockjaw Davis Big Band; Windows - Chick Corea; Bemsha Swing - Thelonius Monk.

Send us a textHad the pleasure of speaking with professional wrestler Heidi Lee Morgan! On episode 183, we discussed entering the business, training, favorite opponents, a hilarious story involving Madusa Miceli, teaching children, and more. Follow Heidi here:https://www.facebook.com/heidi.debartolomeishttps://www.instagram.com/heididebartolomeis/Check out Heidi's talk show Women Encouraging Women here:https://www.facebook.com/profile.php?id=100063593734282Are you a pro wrestler and have done community service and/or charity work? E-mail the podcast at wrestlingwithheart@yahoo.com and tell us if you would be interested in being interviewed.Follow us on:Facebook: Wrestling with Heart with Stanley KarrBluesky: @wrestlingwithheart.bsky.socialInstagram: @wrestlingwithheartThreads: @wrestlingwithheartHear Wrestling with Heart on Apple Podcasts: https://podcasts.apple.com/us/podcast...Hear Wrestling with Heart on Spotify: https://open.spotify.com/show/46cviL5...Hear Wrestling with Heart on iHeartRadio: https://www.iheart.com/podcast/269-wr...Donate to my Patreon and subscribe to my content here: https://www.patreon.com/user?u=84502525Support the show

durée : 00:59:18 - What a Night ! - par : Nathalie Piolé -

Lee Morgan, CEO at PenAir CU in Florida, shares lessons in CU management success as he walks us through PenAir's recent expansions and major projects. Also, Natasha is back to bird watching and Michael is back to feeling nostalgic about the 1990's.

Send us a textTo naszym zdaniem jedna z najbardziej romantycznych historii w świecie muzyki. O tym jak powstało i funkcjonowało w połowie XX wieku magiczne miejsce, które dawało artystom wolność i swobodę, jakich nie doświadczali nigdy wcześniej. Bez względu na pochodzenie, swoją przeszłość, nałogi, kolor skóry czy tendencje na rynku muzycznym - jeśli miałeś talent, chciałeś mieć własny głos i tworzyć swoją muzykę, Blue Note Records była wytwórnią dla Ciebie. Do dziś jest!Co miał wspólnego komunizm z jej powstaniem? Dlaczego każdy muzyk czekał aż Alfred Lion zacznie tańczyć w trakcie sesji nagraniowych? Czemu artyści chcieli nagrywać dla Blue Note, nawet mając kontrakty w innych wytwórniach? Odpowiedzi na te pytania znajdziecie w I części naszej krótkiej, trzy odcinkowej serii o jednej z najbardziej magicznych wytwórni w dziejach muzyki - BLUE NOTE RECORDS.muzyka: Łukasz Wojciechowski (intro, “Jody Grind” cover Horace Silvera - podkład Jack Ruch, outro).Możecie odsłuchać ten odcinek tutaj: https://tiny.pl/1xn9xg07 Link do Spotify: https://tiny.pl/rk20ykhyYoutube: https://tiny.pl/jf1854yn Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/oraz Instagramie - Insta Będziemy wdzięczni za wsparcie nas na Patronite (specjalne bonusy dla naszych patronów!): https://tiny.pl/r8yq62q5 LINKOWNIA:Podstawowe info o Blue Note Records:O wytwórni - link Strona oficjalna wytwórni - linkAlfred Lion - link Francis Wolf - link  Max Margulis - link HISTORIA WYTWÓRNIHistoria wytwórni - link  Historia biznesowa wytwórni - link Udiscovermusic - linkJazz Collector - link Muzyczne style Blue Note - link  Hard Bop - link Bebop - link  Co to jest “blue note”? - linkMUZYKA:PŁYTY:Thelonious Monk - Genius of Modern Monk, Vol. 1 (1951) - LINKBud Powell - The Amazing Bud Powell, Vol. 1 (1952) -  LINK Horace Silver - Jody Grind (1967) - LINK  Art Blakey - Night at Birdland (1954) - LINK  Wynton Kelly - Piano Interpretations (1951) - LINK John Coltrane - Blue Train (1958) - LINK  Art Blakey & The Jazz Messengers - Moanin' (1959) - LINK Cannonball Adderley - Somethin' Else (1958) - LINK Eric Dolphy - Out to Lunch (1964) - LINK Utwór:Sidney Bechet - Summertime (1939) 

Tonight's Jazz Feature had one of the most widely recorded trumpeters from the 50's and 60's who eventually went into other fields after being a big part of Jazz for so many years. Donald Byrd was one of the many young trumpeters who reflected in their own way the influence of the late Clifford Brown, who died at age 25 in a car crash. Byrd along with Lee Morgan were the young heralds of the trumpet in the 50's and in the 60's Freddie Hubbard was added to that list. Byrd recorded a lot and this is from his period just before he left Jazz for other musical pursuits. This band was one he worked with frequently during the mid-60's. The Jazz Feature album is called "Blackjack" . It spotlights a sextet with Byrd leading alto saxophonist Sonny Red (aka Sylvester Kyner), tenor saxophonist Hank Mobley, pianist Cedar Walton, Walter Booker on bass and the always smiling Billy Higgins on drums. The tunes are mostly original creations by Sonny Red and Donald Byrd. Byrd wrote the title track "Blackjack", a hip funky tune. Enjoy this fine date from Blue Note Records.

Connecticut researchers discuss how school districts planned to support social emotional supports in the aftermath of COVID-19, and what they did.  Host: Helene Marcy, Director of Programs & Communications at the UConn Collaboratory on School and Child Health Guests:  Morgaen Donaldson, Associate Dean for Research and Professor in Educational Leadership, UConn Neag School of Education; Director of the UConn Center for Education Policy Analysis, Research, and Evaluation Sandra Chafouleas, Board of Trustees Distinguished Professor and Neag Endowed Professor, Department of Educational Psychology, UConn Neag School of Education; Co-Director, UConn Collaboratory on School and Child Health Michael Strambler, Associate Professor of Psychiatry, Yale University; Director of Child Wellbeing and Education Research, the Consultation Center, Yale University T. Lee Morgan, Senior Learning and Evaluation Officer, the Hartford Foundation for Public Giving; (previously on Educational Leadership faculty at Sacred Heart University)   Resources Read a transcript of the podcast. Center for Connecticut Education Research Collaboration (CCERC) website Project Discussed: Identifying Effective and Equitable Socio-Emotional Supports for Students and Educators UConn Collaboratory on School and Child Health (CSCH) website CSCH Social Media Links: BlueSky, Facebook, Instagram, and LinkedIn Produced, directed and edited by Helene Marcy. This recording has been made available for informational and educational purposes only. Pandemic funding and social-emotional supports in Connecticut schools was created by the UConn Collaboratory on School and Child Health and recorded in February 2025. Copyright © 2025 by the University of Connecticut. All rights reserved.

En esta edición, hemos escuchado la música de Chris Potter; Snubh Saran; Lee Morgan; The Cookers Quintet; Juan De Diego Grebalariak; Brian Blade & The Fellowship Band; Dan Pitt Quintet; Gilad Hekselman.

Hace 10 años que nos dejó Juan Claudio Cifuentes, 'Cifu' para los amigos del jazz. Le recordamos con las sintonías de sus programas 'Jazz porque sí' ('Milestones' de Miles Davis) y 'A todo jazz' ('Boy, what a night' de Lee Morgan). Y del disco colectivo que se publicó en 2016, 'Cifu entre amigos', cuyo título parafrasea el de su programa de jazz en La 2 de TVE, escuchamos las grabaciones de Marce Merino ('Cifu´s boogaloo'), Chus Fernández ('We remember Cifu'), Francis Posé ('La isla de los sueños'), Kike Perdomo ('Luces y sombras'), Horacio Fumero ('Mon ami Cifu'), Igansi Terraza ('Buscando las fuentes'), Federico Lechner & Antonio Serrano ('Sed buenos'), D´3 ('Huye huye') y Jorge Rossy ('Mr Smiles'). Escuchar audio

durée : 00:59:17 - Banzzaï du vendredi 10 janvier 2025 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

To kick off the New Year, we're sharing a podcast that we think Hit Parade listeners are going to love: Broken Record. Check out this episode with singer/songwriter Norah Jones, co-hosted by Blue Note Records President Don Was. Norah has been with Blue Note Records since releasing her juggernaut 2002 debut album, Come Away With Me. In this conversation, Norah details her musical upbringing and what it was like striking it big with her debut album. She also performs for us, and talks about the musical freedom she's found as part of the Blue Note family. Blue Note is one of the first and longest standing institutions of jazz music. Since its formation in 1939 the label has put out albums by Robert Glasper, Lee Morgan, John Coltrane, Wayne Shorter, Gergory Porter, Bobby McFerrin, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Viajamos 60 años atrás en el tiempo en busca de singles que alcanzaron su puesto más alto en el Billboard Hot 100 en enero de 1965.(Foto del podcast por R. McPhedran; Petula Clark con el disco de oro por “Downtown”, 1965)Playlist;(sintonía) LEE MORGAN “The sidewinder part 1” (top 81)PETULA CLARK “Downtown” (top 1)SHIRLEY ELLIS “The name game” (top 3)MARTHA and THE VANDELLAS “Wild one” (top 3)THE MARVELETTES “Too many fish in the sea” (top 25)MARVIN GAYE “How sweet it is to be loved by you” (top 6)MARY WELLS “Use your head” (top 34)THE LARKS “The jerk” (top 7)THE CONTOURS “Can you jerk like me” (top 47)JAMES BROWN and THE FAMOUS FLAMES “Have mercy baby” (top 92)BROOK BENTON “Do it right” (top 67)JOE TEX “Hold what you got” (top 5)THE IMPRESSIONS “Amen” (top 7)RAY CHARLES “Makin’ whoope” (top 46)WILLIE MITCHELL “Percolatin’” (top 85)CANDY and THE KISSES “The 81” (top 51)THE EXCITERS “I want you to be my boy” (top 98)CHAD and JEREMY “Willow weep for me” (top 15)Escuchar audio

Just in time for the holiday weekend

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light- the jazz, the blues, the field hollers, the spirituals- and creating something wholly new, wholly theirs, wholly ours. Soul-Folk (Bloomsbury, 2024) traces the growing imprints of soul-folk and how it made its way from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made the genre what it is. Ashawnta Jackson is a writer based in Brooklyn. She writes mostly about music and culture and has written for Atlas Obscura, Artsy, Crime Reads, Bandcamp, JSTOR Daily, The Whitney Museum, and most recently Vinyl Me Please, where she wrote the liner notes for the reissue of Lee Morgan's Take Twelve. Earlier in her career, she was on the radio at KMHD Jazz Radio in Portland, OR. Ashawnta on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Trumpet player/composer John Birks “Dizzy” Gillespie (born Oct 21, 1917) was, along with Charlie Parker, one of the major innovators behind the bebop movement in jazz. His pyrotechnic technical abilities on the trumpet set the bar high for all the players of that instrument who came after him. He was responsible for a number of compositions that have become jazz standards, and his bands have served as launching pads for a number of musicians who have become well known in their own rights, among them James Moody, Lalo Schifrin, John Coltrane, Jimmy Heath, Benny Golson, Lee Morgan and the entire Modern Jazz Quartet, which was the rhythm section of his big band at one point.  Enjoying the show? Help keep it going by donating here.

Tonight's Jazz Feature is a tribute to tenor saxophonist/composer/bandleader Benny Golson. Benny was one of the real shining lights on the Jazz of the 50's, 60's,70's and right up to the present. He passed away peacefully at age 95 at his home in New York. He was born in Philadelphia on January 25, 1929 and dies on September 21, 2024. Benny grew up in the Jazz rich atmosphere of Philadelphia and associated with the Heath brothers, John Coltrane, Lee Morgan, Philly Joe Jones, Ray Bryant and so many others. He composed some eternal Jazz standards like "I'll Remember Clifford", "Stablemates", "Whisper Not", "Along Came Betty" and so many others. He developed his skills in R&B bands and Tadd Dameron's band, Dizzy Gillespie's big band of the 50's and then Art Blakey's Jazz Messengers, He then formed The Jazztet with trumpeter Art Farmer and later moved to L.A. and wrote for TV and movies and returned to active Jazz playing in the 80's and right up until his passing. Tonight's Jazz feature is one fine date called "Benny Golson and The Philadelphians" with an all Philadelphia cast including the young phenomenon Lee Morgan on trumpet, Ray Bryant on piano, Percy heath on bass and the great Philly Joe Jones on drums. It was done in December 1958 and released originally on United Artist Records. It's a fine presentation of Benny's organizing talents, his playing and writing and arranging. In tribute to Benny Golson tonight!

durée : 00:59:06 - Souffles d'or - par : Nathalie Piolé -

For this in depth conversation with Milestones: Celebrating the Culture, celebrated trumpeter Jeremy Pelt returns to discuss the monumental legacy of Lee Morgan and his groundbreaking 1964 album The Sidewinder. Pelt shares his personal journey with Morgan's music, insights on the unique sounds of some of our favorite legends, and the elements that made The Sidewinder a crossover hit. The discussion also explores Morgan's role in Art Blakey's Jazz Messengers, the challenges and triumphs of creating iconic jazz records, and the significance of developing a working band. We discuss Morgan's broader discography, influential sideman work, and how The Sidewinder shaped jazz and popular music culture. The conversation touches on the enduring recognition of Morgan's music, including the recent inclusion of The Sidewinder in the National Recording Registry.

The guest for "ROI" program 577 is Dr. Lee Morgan, who joins the "ROI" team to discuss, 4000 Paws:  Caring For The Dogs At The Iditarod:  A Veterinarian's Story.Jay Swords is the host for this edition, and the history buffs are Rick Sweet and Ed Broders.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

BONUS DISCUSSION:  The guest for "ROI" program 577 is Dr. Lee Morgan, who joins the "ROI" team to discuss, 4000 Paws:  Caring For The Dogs At The Iditarod:  A Veterinarian's Story.Jay Swords is the host for this edition, and the history buffs are Rick Sweet and Ed Broders.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

Underappreciated alto sax player Ernie Henry's last recordings before his premature death in 1957. . .featuring his Octet (with Lee Morgan, Melba Liston, Benny Golson and Cecil Payne), quintet (with Kenny Dorham) and quartet - also the Kenny Dorham Quartet . . groups including Wynton Kelly, Kenny Drew, Wilbur Ware, Paul Chambers, Philly Joe Jones and Art Taylor --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Virtuoso trumpeter Lee Morgan (born July 10, 1938) first rose to fame as a teenage member of Dizzy Gillespie's band. He played as a sideman with John Coltrane, Wayne Shorter, Jackie McLean, Hank Mobley, Art Blakey in addition to producing a series of recordings as a leader, one of which “The Sidewinder” became a surprise commercial hit in 1964. He died tragically in 1972, shot at a club in NYC during a gig.

Tonight's Jazz Feature is by a fine pianist who always seemed to have a bit of an undeserved low profile. His name is Jack Wilson and he was born in Chicago on August 3, 1936 and passed away at age 71 on October 5, 2007. He was a favorite of some great singers like Nancy Wilson and Dinah Washington and was sought after for his musicality and fine touch. Wilson performed in Chicago with all the great players from the Windy City then moved for a few years to New York and recorded several good albums for Atlantic Records then out to Los Angeles where he kept busy in the movie and TV studios and played a lot of Jazz too. He got a contract to record for Blue Note Records and did 3 albums for them and tonight's Jazz feature is his best of the 3. "Easterly Winds" displays Wilson's playing and his composing abilities and this band selected by Wilson sounds like a working band even though they were only assembled for this album. The people involved aside from Jack Wilson are Lee Morgan on trumpet, Jackie McLean on alto saxophone, Garnett brown on trombone, Bob Cranshaw on bass and the great Billy Higgins on drums. Wilson wrote 4 of the 6 tunes on the date and does the ballad "A Time for Love" as a trio and brings in a tune by saxophonist Frank Strozier called "Frank's Tune". "Easterly Winds" is an overlooked latter day classic and it tonight's Jazz Feature. Check it out!.

For the next three weeks on Echoes of Indiana Avenue, we'll celebrate the July birthday of the saxophonist and flutist James Spaulding, one of the greatest living legends of the Avenue jazz scene. Spaulding has performed with the greatest legends in jazz music, from Herbie Hancock to Louis Armstrong.  On this week's edition, we'll focus on Spaulding's work for the famous Blue Note label. Spaulding was featured on over 20 classic Blue Note albums, working with star bandleaders like Freddie Hubbard, Wayne Shorter, Stanley Turrentine, Lee Morgan, Horace Silver, Grant Green, and many others.

Step into the past with Vintage Classic Radio's presentation of "Lux Radio Theatre's" classic episode, "Bullets or Ballots," originally broadcast on April 17, 1939. This gripping tale, set in the tumultuous world of gangsters and law enforcement, features Edward G. Robinson in a stellar performance as Johnny Blake, an undercover detective tasked with infiltrating and dismantling a dangerous crime syndicate. Joining him is Humphrey Bogart, who brings depth and intensity to the role of Bugs Fenner, a cunning gangster with his own agenda. The episode also showcases Mary Astor's compelling portrayal of Lee Morgan, a savvy businesswoman caught between her loyalties and her survival. The show, presented by Vintage Classic Radio for this week's "Sunday Night Playhouse," captures the essence of a bygone era with its sharp dialogue and suspenseful plot, making it a must-listen for fans of vintage radio and classic crime dramas. Tune in and be transported back to 1939, where the lines between right and wrong are as blurred as the smoke-filled rooms of the underworld.

Listen to the Sun. June 16, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode features our regular PANW report with dispatches on the statement made by the Republic of South Africa Vice-President Paul Mashatile to the youth of the country on future prospects for employment and economic opportunities; there are two banks which have collapsed in the East African state of Kenya; displacement has escalated on the African continent; and United Nations peacekeeping troops in the eastern Democratic Republic of Congo (DRC) have expanded their operations. During this program we continue our commemoration of Black Music Month with focuses on Congolese singer and composer Marie-Claire Mboyo Moseko, professionally known as M'bilia Bel, as well as African American Jazz artists Lee Morgan and Kenny Burrell.

Industrial Talk is onsite at Xcelerate 24 and talking to Lee Morgan, Sr. Global Product Marketing Manager with Fluke Reliability about "Vertically integrated asset management solution that leverages vibration AI". Scott MacKenzie and Lee Morgan discussed the potential of advanced predictive maintenance solutions for industrial assets, highlighting the importance of real-time data and the ability to provide predictive maintenance. Speaker 3 provided insights into Fluke's role in providing solutions for asset management, reliability, and vibration monitoring, emphasizing the scalability and flexibility of the new X5 platform. Action Items [ ] Connect existing Fluke Reliability customers to Azima services. [ ] Customers interested in Azima should contact Lee Morgan via LinkedIn. [ ] Promote the Xcelerate 2025 user conference for asset management and reliability professionals. Outline Fluke Reliability's Azima platform and its capabilities in providing vibration monitoring insights. Lee Morgan, is a senior global product marketing manager at Fluke Reliability. He oversees the Fluke reliability portfolio, including Azima and Proof Technic, and email asset management software. Lee explains that x5 is more scalable and flexible than x4, with added insight from Zima platform. Azima platform provides trillions of data points, making vibration analysts 3-5 times more efficient than others. Predictive maintenance platform for industrial machinery, highlighting its capabilities and potential applications. Lee explains how the platform provides peace of mind by predicting failures months in advance and offering real-time data insights. The platform's wireless sensors operate on a self-healing mesh network, ensuring reliable data collection even in challenging environments. Lee: "We've got trillions of data points and over 50 machine types in our library." Lee: "We've enabled software transfer from MTC to Azima for Azima watchman services." Predictive maintenance platform for asset management. Fluke's Azima system provides predictive maintenance for customers. Lee discusses global maintenance, reliability, and asset management solutions. If interested in being on the Industrial Talk show, simply contact us and let's have a quick conversation. Finally, get your exclusive free access to the Industrial Academy and a series on “Marketing Process Course” for Greater Success in 2024. All links designed for keeping you current in this rapidly changing Industrial Market. Learn! Grow! Enjoy! LEE MORGAN'S CONTACT INFORMATION: Personal LinkedIn: https://www.linkedin.com/in/lee-morgan-fluke/

It's the second part of our 2-part look at trumpet players, and our friend and professional Jazz trumpeter, Mike Sailors, is back with us for the deep dive. In this part two, join us as the three of us listen to and discuss music by Miles Davis, Lee Morgan, and our guest Mike Sailors, who has a new album coming out in August.

On this episode: Louis Armstrong, Basin St Blues Louis Armstrong & Billie Holiday, Do You Know What It Means To Miss New Orleans Louis Armstrong, Mahogany Hall Stomp Ella Fitzgerald & Louis Armstrong, Gee, Baby, Ain't I Good to You? Lee Morgan, All the Way Gerry Mulligan Quartet/Chet Baker, My Funny Valentine Pete Fountain, Milenberg Joys Buddy Rich, Willowcrest Gene Ammons & Sonny Stitt, Autumn In New York Don Ellis, Image of Maria Rahsaan Roland Kirk, Dorthaan's Walk  

Abrimos nuevo número de La Montaña Rusa con el estupendo A Lovesome Thing, firmado por Geri Allen y Kurt Rosenwinkel en directo, en 2023, uno de los mejores álbumes del año pasado, sin duda. Descubrimos la música del saxofonista neoyorkino Jeff Lederer, en Eightfold Path, de 2021. Nuestro Clásico de la Semana fue de nuevo Lee Morgan y su mega clasicazo, The Gigolo, que vio la luz en 1965. Seguir leyendo La Montaña Rusa. Episodio 20.2024. en La Montaña Rusa Radio Jazz.

When Ron Carter's name comes up, one of the first things people write or say is – he's played bass and cello on over 2500 albums. That's impressive and awe-inspiring. Totally agree. When I hear the name Ron Carter I think of the bassist who played in Miles Davis' second band, alongside Herbie Hancock, Tony Williams & George Coleman. “The List” of bands and recordings would include Wayne Shorter, Blue Note recordings with Freddie Hubbard, Lee Morgan, McCoy Tyner, Horace Silver, and 100's of others. I talked to Ron about his recordings in popular music.  Roberta Flack, Eddie Harris, Aretha, Billy Joel, Bette Midler, Erykah Badu, A tribe called Quest, Phoebe Snow, The Rascals, Gil Scott-Heron, Carlos Santana. Ron has taught music for many years at esteemed colleges and schools, his current documentary is Finding the Right Notes, also the name of his bio book. Ron Carter turns 87 years old today – Saturday, May 4 !!  we wish him WELL. Enjoy the conversation – I sure did.

Lee Morgan was many things: a brilliant trumpeter, a hard-bop messenger, a cultural hero, a cautionary tale. He was also a proud product of Philly, and in recent days and weeks we've seen the city truly herald him as its own. On April 30, International Jazz Day, a historical marker in Morgan's honor was unveiled at the corner of 52nd and Chancellor Streets — former site of the Aqua Lounge, where he played his final hometown gig. We were there for the ceremony so we could bring you this report, including remarks from saxophonist Billy Harper, who played in Lee's last band, and his nephew Raymond Darryl Cox, who came bearing the master's flugelhorn. More from WRTI: A landmark for Lee Morgan, and the grassroots effort behind it How a jazz legend's resting place was lost and found, 50 years after his tragic death A Film About Jazz Trumpeter Lee Morgan Sparks Memories for Odean Pope Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

Welcome to the latest episode of Lunch with Shelley with this week's special guest Dr. Lee Morgan.  Dr. Morgan is my dog's beloved veterinarian and a member of the elite veterinarian corps that contributes to the storied Iditarod Trail Sled Dog Race, which he portrays in his newly released book “Four Thousand Paws.” Join us for a truly unique conversation ranging from language acquisition in dolphins - to working with NASA - to the heroic dogs and mushers who participate in the Iditarod.  Dr. Morgan (Lee) entertains us with descriptions of the distinct personalities and complex group dynamics of these remarkable canine athletes with riveting imagery.  His tales also include extraordinary first-hand accounts of all the majesty and frigid weather of the Alaskan experience, as well as profound faith lessons from his journeys there.We're looking forward to dining with you at the perfect table at Peacock Café, so check out this episode at www.lunchwithshelley.com or wherever you get your favorite podcasts, and in the meantime Peace, Love, and Lunch!

THIS WEEK's BIRDS: recent (new) music from Matana Roberts; Mary Halvorson; vintage bop/post-bop from Fred Tompkins; Charlie Rouse; Lee Morgan live at the Lighthouse; cante jondo from El Cigala, "El Negri" and El Cabrero; Balinese pop from Detty Kurnia; Abida Parveen from Pakistan;  salsa from Orquesta Cervantes; vintage music from Mali (Rail Band du Mali); NIU RAZA;  much, much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18499517/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

Welcome to Season 17 of Jazzism (a katzpheno mix).... as always there is more Jazz music love here than you know what to do with, as I continue my quest to bring All You Young Jazz Lovers  - Nothing But The Best That The World Has To Offer In Jazz Music.  Those of course are my trademark slogans. In any event this is the maiden voyage of 2024 so, all aboard the seas are calm and we have a steady wind blowing to take us anywhere we choose to go. Sail On, Brian "Katzpheno" Phoenix featuring: Billy Childs - The Starry Night (2017) Ahmad Jamal - Invitation (2012) Terri Lyne Carrington & Nona Hendryx - Transformation (2011) Bobby Hutcherson - Hey Harold (2014) Nicholas Payton - Back To The Source (1998) Christian Scott - Uncrown Her (2017) Lee Morgan - You Go To My Head (1965) Tia Fuller - Lil Les (2012) Branford Marsalis & Kurt Elling - Long As You're Living (2016) Joe Chambers - Mirrors (1998) Stefon Harris & Blackout - Langston's Lullaby (2009)  

During a 1972 snowstorm, musical prodigy Lee Morgan and his band played a set at Slug's Saloon in New York City. One minute, he was entertaining the crowd, his trumpet blaring with solo after solo. The next, he was dead. Keep up with us on Instagram @serialkillerspodcast! Have a story to share? Email us at serialkillerstories@spotify.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Grabaciones de los años sesenta hechas en el estudio de Rudy Van Gelder para el sello Blue Note por el saxofonista Hank Mobley ('Recado bossa nova'), el guitarrista Grant Green ('Corcovado'), el pianista Duke Pearson ('Sandalia dela' -con la voz de Flora Purim-), el trompetista Lee Morgan ('Río'), los saxofonistas Ike Quebec ('Blue samba') y Joe Henderson ('Blue bossa') y el trompetista Donald Byrd ('Book´s bossa'). Además, tres clásicos de Jobim, con las cantantes Nancy Wilson ('How insensitive'), Jackie Allen ('Dindi') y Dianne Reeves ('Triste'). Escuchar audio

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on October 23rd, 2020, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!In episode #176, Jeff lets us know that we shouldn't be scared of fast and flashy licks. Further, he gives us a path to understand what it is our heroes are doing, and maybe even copy them. Today, a great Lee Morgan lick for you. It's fast and flashy and EASY. Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

Fio Gede Parma discusses their book The Witch Belongs to the World: A Spell of Becoming.Fio Gede Parma - fee-oh g-deh par-mah - (they/she) is a Balinese-Australian international teacher, magical mentor, and award-winning author. They were born in the island of Bali - to Roslyn and John - and descend from Balinese, Chinese, Irish, Scottish, Welsh, and English peoples. Fio has lived in so-called Australia for most of her life, as north as Thul Garrie Waja/Gurrumbilbarra (Townsville) and as south as Naarm (Melbourne).Fio awoke as Witch at the age of 11, their numerological life path number (11/2). They dedicated themself to the Craft with a ritual from a book at age 12. Since that time Fio has been involved and initiated in the mysteries of four witch traditions: Wildwood, Anderean, Reclaiming, and Anderson Feri. Fio's magical mentors and teachers have been many, but there are a treasured handful, some among the Mighty Dead now, who have deeply inspired their work in the worlds. Their main teachers have always been the Gods, Spirits, the Witch Houses and Communities themselves, but special acknowledgement goes to Fio's parents, James A., Jarrah, Molly, Jane Meredith, Lee Morgan, Bex, Ravyn Stanfield, Raven Edgewalker, Dawn Isidora, Abel, Gwydion, Cholla - and Ni Wayan Juiti (Fio's father's mother), Felix, and Rose May Dance (1948 - 2021) of the Mighty Dead. The witchcraft and magic of these mystics, healers, spirit-workers, and priestexes deeply touch Fio's life.Fio was raised in an animistic, polytheistic, magic-affirming, spirit-knowing family - in a haunted house - whose traditions were largely impacted by what the west calls Balinese Hinduism. When forced to consider it, some Balinese name their ‘religion' Agama Tirta, Religion of the Holy Water. Ganesha, Siwa (Shiva), Krishna, Parwati Uma, Durga, Hanuman, the Barong and Rangda, the spirits and the ancestors were all spoken of, venerated, and regarded with holy awe. The skills of divination, seership, mediumship, trance possession, spirit-flight, and sorcery are practised in Fio's father's family.Fio started writing about the Craft at an early age and felt a fateful and undeniable vocation to not only immerse in the Craft but to teach witchcraft in the world and help mentor spirit-workers. They have been teaching both privately in covens and publicly at gatherings, festivals, workshops, and intensives since 2007. Fio stepped fully into their profession as a diviner, seer, community priestex and facilitator, working witch, mentor, writer, and teacher in January, 2010. This has been their whole job since that time.Their first book - Spirited: Taking Paganism Beyond the Circle was published by Llewellyn in 2009, and won the COVR award for best Wicca/Pagan book of that year; 2023 release The Witch Belongs to the World: A Spell of Becoming (Llewellyn) is a love-song to witches.https://www.fiogedeparma.com/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3589860/advertisement

Continuing their Doc To School campaign, the Men of Micheaux go from debates about Twix candy bar, Johnny Gill vs. Ralph Tresvant, Mac Miller, Watchmen, Alan Moore, and (00:44) the tragic story of jazz trumpeter Lee Morgan and his common-law wife Helen Morgan. Rate & Review The Mission on Apple Email micheauxmission@gmail.com Follow The Mission on IG, and Twitter @micheauxmission  Leave a Voicemail for Vincent & Len Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

First we'll hear some early Ella Fitzgerald with Chick Webb, Jelly Roll Morton, Quintetto Ritmico di Milano, and Charlie Parker. Then we have a set from our featured artist, Chico Hamilton, followed by Duke Ellington, Ella again, Lee Morgan, Vince Guaraldi & Bola Sete, Boogaloo Joe Jones, and Stan Getz.