Podcast appearances and mentions of ray bryant

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For New Year's Eve, tonight's show includes: Artie Shaw & His Orchestra, Begin the Beguine Benny Goodman, Let's Dance Jerry Gray, The Anvil Chorus Ella Fitzgerald, Night and Day Arnett Cobb, Ray Bryant, Party Time Duke Ellington, Satin Doll Erroll Garner, How Could You Do A Thing Like That To Me Mel Tormé, Let's Face the Music and Dance Peggy Lee, Fever Machito with Cannonball Adderley, Congo Mulence Helen Humes, Bill Bailey Louis Prima & Keely Smith, All Night Long Ben Webster & Johnny Hodges, Waiting on The Champagne Winifred Atwell, Slaughter On 10th Ave Sidney Bechet, I Get a Kick Out of You Duke Ellington, Rhapsody in Blue Pete Fountain, Marching 'Round the Mountain Guy Lombardo, Auld Lang Syne

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

Tonight's Jazz Feature is a pivotal album by Sonny Rollins called "Worktime". Sonny had just emerged from a year of renewal and rehab and was clean an healthy and just hired as the tenor saxophonist in the famous Max Roach/Clifford Brown Quintet replacing Harold Land, the original saxophonist who had left. This was Sonny's first recording under his own name since his rehab and he is at maximum strength. This album represents his first step to greatness and as it is the 69th anniversary of the date this evening I thought it appropriate to present it again as our Jazz Feature. Sonny is on tenor saxophone with Ray Bryant on piano. Miles Davis recommended Ray to Sonny to do this date. George Morrow is on bass and he was with The Max/Clifford band and Sonny's new boss, drum master Max Roach. The album has five tracks, three are well chosen standards not normally heard in a Jazz context plus Billy Strayhorn's "Raincheck" and Sonny's "Paradox". One fine anniversary...enjoy "Worktime".

Bienvenidos amantes de la música, Kevin Eubanks es un guitarrista de jazz que se hizo conocido por ser el líder de la "Tonight Show Band" con el presentador Jay Leno desde 1992 hasta 2010. Tocó con Art Blakey, Roy Haynes y Sam Rivers antes de comenzar su carrera como líder de banda en 1983. Al igual que su hermano Robin Eubanks, trombonista de jazz, ha tocado en discos con Dave Holland. Heredero de una gran tradición musical por parte de su madre y su tío el pianista Ray Bryant, quien tocó con Miles Davis, Benny Golson, Sonny Rollins y John Coltrane entre otros. Ha sido un defensor de la educación musical en las escuelas, participó en el programa "Jazz en la sala de clases" del Instituto de Jazz Thelonious Monk. Dueño de un gran carisma y simpatía, lo que ha servido para difundir su música, es todo un personaje en la TV estadounidense. Les invitamos a disfrutar de nuestra selección de este gran guitarrista. Los temas son: 1. Opening Nights 2. Mercy, Mercy, Mercy 3. The Messenger 4. Ghost Dog Blues (extracto) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

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Tonight's show: Count Basie, Jumpin' At The Woodside Jelly Roll Morton, Don't You Leave Me Here Gene Krupa, Anita O'Day & Roy Eldridge, Skylark Cab Calloway, 06 - Special Delivery Vince Guaraldi Trio, Never Never Land Ruby Braff, Barbary Coast Arnett Cobb with Ray Bryant, Cocktails for Two and Blues in the Closet Arnett Cobb with Tommy Flanagan, Blue Lou Arnett Cobb with Bobby Timmons, Down by the Riverside Ella Fitzgerald & Tommy Flanagan, Little White Lies (Live) Ella Fitzgerald, Count Basie and His Orchestra, The Count Basie Orchestra & Tommy Flanagan, Indian Summer (Live) Jaki Byard with Tommy Flanagan, Satin Doll Claude Bolling Big Band, Duke's Beat

PropsAndPraise everybody as we bring you another edition of A Cup Of J.O.E. with selections ranging from Ruby Rushton to Ray Bryant. Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!For more info and tracklisting, visit: https://thefaceradio.com/a-cup-of-j-o-e/Tune into new broadcasts of A Cup of J.O.E, LIVE ,Wednesdays from 9 AM - NOON EST / 2 - 5 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

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Tonight's Jazz Feature is a tribute to tenor saxophonist/composer/bandleader Benny Golson. Benny was one of the real shining lights on the Jazz of the 50's, 60's,70's and right up to the present. He passed away peacefully at age 95 at his home in New York. He was born in Philadelphia on January 25, 1929 and dies on September 21, 2024. Benny grew up in the Jazz rich atmosphere of Philadelphia and associated with the Heath brothers, John Coltrane, Lee Morgan, Philly Joe Jones, Ray Bryant and so many others. He composed some eternal Jazz standards like "I'll Remember Clifford", "Stablemates", "Whisper Not", "Along Came Betty" and so many others. He developed his skills in R&B bands and Tadd Dameron's band, Dizzy Gillespie's big band of the 50's and then Art Blakey's Jazz Messengers, He then formed The Jazztet with trumpeter Art Farmer and later moved to L.A. and wrote for TV and movies and returned to active Jazz playing in the 80's and right up until his passing. Tonight's Jazz feature is one fine date called "Benny Golson and The Philadelphians" with an all Philadelphia cast including the young phenomenon Lee Morgan on trumpet, Ray Bryant on piano, Percy heath on bass and the great Philly Joe Jones on drums. It was done in December 1958 and released originally on United Artist Records. It's a fine presentation of Benny's organizing talents, his playing and writing and arranging. In tribute to Benny Golson tonight!

Tonight's Jazz Feature celebrates one of the great still living masters of music and the tenor saxophone: Walter Theodore "Sonny" Rollins.. Harlem born and of West Indian heritage on September 7, 1930, Sonny celebrates his 94th Birthday.! Although he doesn't perform anymore, he still enjoys quality of life. Tonight's Jazz Feature album is a classic known as "Worktime and it was recorded for Prestige Records on December 2,1955. Sonny had just returned to New York as a member of the Max Roach/ Clifford Brown Quintet replacing Harold land. Sonny had also returned to the scene after a hard year of rehab from a nasty drug habit and was healthy and clean. His new found health is reflected on the energy and musical mastery on this album. Sonny is accompanied by a young Ray Bryant on piano, George Morrow on bass and the great Max roach on drums, The album was the beginning of a great series of albums done for Prestige until the end of 1956 after which he recorded for various labels. "Worktime" marks the beginning of his climb to greatness and musical influence. It's tonight's Jazz Feature. Happy Birthday Sonny!

CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.

CANNONBALL ADDERLEY “PARIS 1960” Paris, France, November 25, 1960Bohemia after dark, JeannineNat Adderley (cnt) Cannonball Adderley (as) Victor Feldman (p) Sam Jones (b) Louis Hayes (d) JOHN COATES, JR. “PORTRAIT” New York, November 17, 1955 & April 23, 1956 (1)Let's get lost, Love is the sweetest thing, Coates oats (1)John Coates, Jr. (p) Wendell Marshall (b) Kenny Clarke (d) OLIVER NELSON, f/ KENNY DORHAM “MEET OLIVER NELSON” Englewood Cliffs, NJ, October 30, 1959Jams and jellies, Passion flower, Booze blues babyKenny Dorham (tp) Oliver Nelson (ts) Ray Bryant (p) Wendell Marshall (b) Art Taylor (d) Continue reading Puro Jazz 22 de agosto, 2024 at PuroJazz.

durée : 01:59:02 - Retour de plage du vendredi 16 août 2024 - par : Laurent Valero - Piano, blues, chansons, itinéraire d'un pianiste américain.

Odd pairing - Assunto founded and led the Dukes of Dixieland which was at the height of its popularity in 1962. These recordings were done for Columbia at the same time as sessions by Herb Ellis and His All-Stars. Ellis was touring with the Dukes (with also included Fred Assunto on trombone, Jac Assunto on trombone and banjo, Gene Schroeder on piano, Bob Casey on bass, Charlie Lodice on drums and on two tunes, Edmond Hall guesting on clarinet) and recorded a mainstream session under his own name featuring Buddy Tate, Ray Bryant and Gus Johnson. Roy Eldridge was also supposed to be there, but when he was delayed and missed the first two sessions, Frank Assunto stepped in, providing some of the best work of his career. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

ART HODES ART HODES' HOT FIVE New York, October 12, 1945Memphis blues, Shine, St. James infirmary (fm vcl)Wild Bill Davison (cnt) Sidney Bechet (sop-1,cl-2) Art Hodes (p) Pops Foster (b) Freddie Moore (d,vcl) JACK TEAGARDEN BENNY GOODMAN – THE EARLY YEARS New York, December 4 & 18, 1933Tappin' the barrel (jt vcl), Keep on doin' what you're doin', Riffin' the scotch (vcl-1), Love me or leave meCharlie Teagarden, Shirley Clay (tp) Jack Teagarden (tb,vcl) Benny Goodman (cl) Art Karle (ts) Joe Sullivan (p) Dick McDonough (g) Artie Bernstein (b) Billie Holiday (vcl-1) Gene Krupa (d) BEN WEBSTER / HARRY “SWEETS” EDISON BEN & SWEETS New York, June 6-7, 1962Did you call her today ?, My romanceHarry “Sweets” Edison (tp) Ben Webster (ts) Hank Jones (p) George Duvivier (b) Clarence Johnston (d) HERB ELLIS THE MIDNIGHT ROLL New York, June 12, 1962Harper's ferry [John Brown's body] (fa out), It makes no difference now (fa out), Herb's hereFrank Assunto (tp) Buddy Tate (ts) Ray Bryant (p) Herb Ellis (g) Jimmy Rowser (b) Gus Johnson (d) Continue reading Puro Jazz 30 abril 2025 at PuroJazz.

ART HODES ART HODES' HOT FIVE New York, October 12, 1945Memphis blues, Shine, St. James infirmary (fm vcl)Wild Bill Davison (cnt) Sidney Bechet (sop-1,cl-2) Art Hodes (p) Pops Foster (b) Freddie Moore (d,vcl) JACK TEAGARDEN BENNY GOODMAN – THE EARLY YEARS New York, December 4 & 18, 1933Tappin' the barrel (jt vcl), Keep on doin' what you're doin', Riffin' the scotch (vcl-1), Love me or leave meCharlie Teagarden, Shirley Clay (tp) Jack Teagarden (tb,vcl) Benny Goodman (cl) Art Karle (ts) Joe Sullivan (p) Dick McDonough (g) Artie Bernstein (b) Billie Holiday (vcl-1) Gene Krupa (d) BEN WEBSTER / HARRY “SWEETS” EDISON BEN & SWEETS New York, June 6-7, 1962Did you call her today ?, My romanceHarry “Sweets” Edison (tp) Ben Webster (ts) Hank Jones (p) George Duvivier (b) Clarence Johnston (d) HERB ELLIS THE MIDNIGHT ROLL New York, June 12, 1962Harper's ferry [John Brown's body] (fa out), It makes no difference now (fa out), Herb's hereFrank Assunto (tp) Buddy Tate (ts) Ray Bryant (p) Herb Ellis (g) Jimmy Rowser (b) Gus Johnson (d) Continue reading Puro Jazz 30 abril 2025 at PuroJazz.

Sonny Rollins needs no introduction here but this incredible album that is tonight's Jazz Feature is often overlooked in favor of some others yet it represents an early milestone in Sonny's life and career. He had recovered from his drug addiction and a healthy Sonny joined the famous Max Roach/Clifford Brown Quintet which was one of the finest Jazz groups at that time in the mid 50's. This was his first album after his rehab and it presents a new and stronger Sonny and is considered his first "great' record. It was Sonny's first 12' LP and issued on Prestige Records as "Work Time". Sonny's hand picked quartet consists of the great Max Roach on drums and strong bassist George Morrow and on Miles Davis' recommendation a fine then young pianist from Philadelphia named Ray Bryant. There is only one Rollins original on this date called "Paradox". The set opens with Irving Berlin's "There's No Business Like Show Business" then Paradox then Billy Strayhorn's "Raincheck" followed by the great ballad "There Are Such Things" and the set ends with Cole Porter's "It's All Right With Me". Worktime is historic and a real beginning for Sonny Rollins and it's tonight's Jazz Feature.

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Are you ready to dive deep into the world of entrepreneurship? In this episode, we explore the importance of entrepreneurship, discuss who makes a good entrepreneur, who might not be suited for it, and how to become the entrepreneur of your dreams. Joining us are Ray Bryant from William Jessup University and Eric Knopf, co-founder of WebConnex. We explore topics like raising entrepreneurially minded children, the connection between faith and entrepreneurship, and the importance of company culture. We also discuss the fears and challenges faced by entrepreneurs and the power of pursuing your passion. Don't miss this insightful conversation packed with valuable lessons and inspiring stories from successful entrepreneurs. https://www.amazon.com/Raising-Entrepreneurs-Practical-Principles-Become/dp/099809921X https://www.ericknopf.com/ https://jessup.edu/ https://www.webconnex.com/ ________________________________________________________________ If this episode inspires you to be part of the movement, and you believe, like me, that entrepreneurs are the answer to our future, message me so we can join forces to support building truly great companies in our region.  - Subscribe to my channel here: https://www.youtube.com/channel/UCom_​...   -   Mark Haney is a serial entrepreneur that has experience growing companies worth hundreds of millions of dollars. He is currently the CEO and founder of HaneyBiz  -   Instagram: http://instagram.com/themarkhaney​  Facebook: www.facebook.com/themarkhaney  LinkedIn: https://www.linkedin.com/in/markehaney​  Website: http://haneybiz.com​  Audio Boom: https://audioboom.com/channels/5005273​   Twitter: http://twitter.com/themarkhaney - This video includes personal knowledge, experiences, and opinions about Angel Investing by seasoned angel investors.  This content is for informational purposes only and should not be construed as legal, tax, investment, or financial advice.  Nothing in this video constitutes a solicitation, recommendation, or endorsement. #thebackyardadvantage #themarkhaneyshow #entrepreneur   #PowerOfWith #SacramentoEntrepreneur #Sacramento  #SacramentoSmallBusiness #SmallBusiness #GrowthFactory #Investor #Podcast #Haneyville

Tonight's show has lots of rhythm, spanning 1926 to 1999: Benny Goodman, Jelly Roll Morton & His Red Hot Peppers, Dizzy Gillespie with Charlie Parker, Fats Navarro, Red Norvo, Hank Jones. Also Machito with Cannonball Adderley, Milt Jackson, Dave Brubeck with Tony Bennett, Ray Charles, Ron Carter with Eric Dolphy and Mal Waldron, Ray Bryant, Earl "Fatha" Hines, Herbie Mann, The Crusaders, Big Bad Voodoo Daddy, and Wynton Marsalis.

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In this episode, we feature Horace Silver, Ray Bryant, and Cannonball Adderley.

2 https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seems to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

2 https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seems to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist, and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seem to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

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“Poultry manureshed management: Opportunities and challenges for a vertically integrated industry” with Dr. Ray Bryant Poultry farms are often heavily concentrated in certain areas of the country. This can lead to excessive amounts of nutrient-rich poultry manure in manuresheds with no easy way to return it to the fields that need it. This episode, Ray discusses recent research into how big these manuresheds can grow, how far manure has to travel to reach nutrient sinks, and how we can better balance nutrients in the future. Tune in to learn: How to define a manureshed How manure collection methods can affect manure quality Complicating factors in manureshed management Future areas of research for manureshed management If you would like more information about this topic, this episode's paper is available here: https://doi.org/10.1002/jeq2.20273 This paper is always freely available. Contact us at podcast@sciencesocieties.org or on Twitter @FieldLabEarth if you have comments, questions, or suggestions for show topics, and if you want more content like this don't forget to subscribe. If you'd like to see old episodes or sign up for our newsletter, you can do so here: https://fieldlabearth.libsyn.com/. If you would like to reach out to Ray, you can find him here: ray.bryant@usda.gov If you would like to reach out to Ravjeer Singh from our Student Spotlight, you can find him here: rzs0100@auburn.edu Resources CEU Quiz: https://web.sciencesocieties.org/Learning-Center/Courses/Course-Detail?productid=%7b5E3AD9F7-A01C-ED11-B83E-000D3A5CDC0D%7d  Long Term Agroecosystem Research (LTAR) network: https://ltar.ars.usda.gov/ Sponsored by Gasmet Technologies. Check out more information at www.gasmet.com. See the GT-5000 Terra in action and the quick setup video at https://www.youtube.com/watch?v=KGgWkokLN10. Contact for more information at sales@gasmet.com.   Sponsored by METER Group. METER sensors deliver real-time, plant, soil, and atmospheric data that fuels environmental research. Listen to METER Group's new podcast We Measure the World to hear how innovative researchers leverage environmental data to make our world a better—and more sustainable—place at metergroup.com/fieldlabearth Field, Lab, Earth is Copyrighted by the American Society of Agronomy, Crop Science Society of America, and Soil Science Society of America.

This week Joe is featuring Pianist Ray Bryant from his 1989 Polygram Records recording titled “Blue Moods”.

Tonight's Jazz Feature is an ad-hoc session that Miles Davis did just before he formed his first great quintet. in the Fall of 1955. Miles selected some players that he knew and liked. Milt Jackson, the premier vibist in Modern Jazz was one of them, Jackie McLean was invited and brought along two new compositions to record at Miles' request. Ray Bryant was selected on piano. He was new to New York and beginning to make waves. Bassist Percy Heath was a long standing associate of Miles as was drummer Arthur Taylor. Two Jackie McLean compositions ("Dr.Jackle" & "Minor March") were recorded then without McLean two more tunes were done. The first was a complex composition by trumpeter Thad Jones called "Bitty Ditty" and the second was a Ray Bryant creation entitled "Changes". All in all a wonderful session with everyone in inspired form. The only drawback is that it is a short album lasting just over 1/2 hour. In the old showbiz saying "leave 'em wanting more". Miles Davis and Milt Jackson and company....tonight's Jazz Feature.

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“Scotch on the Rocks" The Amazing Jean "Toots" Thielemans: The Sound (Columbia, 1955) Toots Thielemans, Ray Bryant, Wendell Marshall, Bill Clarke. El compositor es Toot Thielemans. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? El disco se publicó en 1955 y es la primera grabación de Toots Thielemans como líder. Lo grabó con más de treinta años y se editó en Columbia, que lo presentaba en el título del disco como "El asombroso Jean 'Toots' Thielemans". En la época en la que grabó este disco era miembro del grupo del pianista George Shearing, en el que ejercía como guitarrista. Aunque es conocido fundamentalmente como intérprete de armónica, además fue guitarrista, y en sus grabaciones también se le puede escuchar como silbador. Cinco, cinco, cinco, cinco, cinco... todavía cinco... Escuchar Toots Thielemans The Sound: "Scotch on the Rocks" En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=57828 Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Today our Jazz Feature celebrates the Birthday of one of the pioneers of Modern Jazz and it's leading drummer, Maxwell Lemuel Roach. Max Roach was born in North Carolina on Jan 10, 1924 and raised in New York. He lived to 83, passing away on August 16,2007. Max had formed one of the leading bands of the 1950's with trumpeter Clifford Brown. They toured and recorded some iconic records but tragedy struck in June of 1956 and Brown and the band's pianist/arranger Richard Powell died in a car accident on their way to a gig. After a suitable period of mourning and a commitment by the band's saxophone star, Sonny Rollins and the band's bassist George Morrow, Roach reformed the band with stellar trumpeter Kenny Dorham and pianist Ray Bryant. Max Roach's first album after the tragedy was this one, "Max Roach Plus Four". It is a wonderful date and demonstrates the new found chemistry and cohesion in this band. Six tunes are featured, 2 originals by Roach and one by George Russell and one by Dizzy Gillespie and a ballad. Happy Birthday Mr. Roach!

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This week Joe is featuring Pianist Ray Bryant from his 1960 Signature Records recording titled “Now’s The Time”

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All the songs from this week on Song of The Night: Tribe Called Quest, Ray Bryant, Vanilla Ice, Foo Fighters.

This week on "The Radio Cafe Top 10 Countdown with Christopher Ewing", we've got new music out of the UK by the band Some Velvet Morning and by Teddy Ray Bryant  of Alabama!"The Radio Cafe Top 10 Countdown" is a hit weekly radio show hosted by Emmy Award winning TV host and producer Christopher Ewing. Each week the show features music and interviews by some of the BEST independent singers and bands from around the world!  For more info on any of the artists featured on the show, just go to www.theradiocafe.com!Plus, be sure to check out music videos by top indie artists from around the world on the Indie Music Channel on Roku and on Amazon Fire TV!“The Radio Cafe” is brought to you by Audible.  With over 180,000 audio book titles, from New Releases to Best Sellers, you can listen to Audible on your computer,  iPhone, Android, or Kindle, whenever and wherever you want!Plus, just for being a listener of “The Radio Cafe”, our friends at Audible are giving you a FREE audiobook of your choice, and a 30-day free trial of their service!  To get your free audio book, just go to www.AudibleTrial.com/TheRadioCafe!Christopher Ewing's clothes are provided by rue21 - Shop us 24/7 at www.rue21.com!To hear more music by independent singers and bands of all genres from around the world, get the Indie Music Channel app!  Available for FREE from Google Play and the iTunes App Store!

Bu müzik ona babasından miras

Cazın Büyüsü bu bölümde, farklı ve benzersiz tarzıyla Amerika'lı piyanist ve besteci Ray Bryant'ın yaşamı ve kariyerine odaklanıyor. 1966 yılında yayınlanan Lonesome Traveler albümünden Dr. Hakan Rauf Tüfekçi seçkilerini ve Ray Bryant'ın hikayesini dinleyin.

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In this episode, we bring you three excellent pianists:  Ray Kennedy; Ray Bryant; and Phineas Newborn.

Diaspora, the actual transfer of slaves from Africa to the middle islands was endemic of the cut throat policies that empires had and still have. What kept the slaves together spirituality was the drum and the rhythms that came from the drum...let the body dance the mambo or the bolero or Afro Cuban or bebop. My guest today is one of the most rhythmic percussive pianists in the world. His sound is unique and has been for the last 70 years. He came of age with Bird and Duke Basie and Ellington before cutting albums as a leader. What does it take to be a good leader? Knowing the history of the music your playing and creating is being a good leader and my guest has always had major threads of his homeland in his music. He has been traveling to Africa to listen and hear the chants of the natives along with the elephants and lions and scorched earth where all of man originated. He plays the Niger Mambo with Big Black in the loft downtown along with Thelonious and Barry Harris and Ray Bryant. Catch up on some sleep, shake off the demons and get back on the bandstand. --- Support this podcast: https://anchor.fm/jake-feinberg/support

durée : 00:59:09 - Sixièmes sens - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Back for 2020! A bunch of recent digs from the hometown, plus trades and acquisitions through the mail. Shout out to all the listeners and everyone still digging up this old wax. Tracklist: Jukka Eskola Soul Trio, Ray Bryant, Brian Auger, The Continental Four, Steve Davis, Woody Shaw, Kenny Burrell, Eddie Henderson Quintet

This album marked a comeback of sorts for Sonny Rollins. He had left New york in late 1954 to get his personal life together and shed some bad habits. This date signaled his return to New York in late 1955 and coincided with his joining the Clifford Brown/Max Roach Quintet, one of the most important Jazz bands of the time. Sonny entered the studio with a young pianist from Philadelphia named Ray Bryant who Miles Davis had recommended for the date. George Morrow was selected on bass. Morrow was a member of the Roach/Brown group and last but not least, drum master Max Roach. Five tunes were done and each performance is masterful and shows Sonny's new-found strength and confidence. The album is the first stepping stone to Sonny going from a fine player to a great player. "Worktime" remains one of Mr. Rollins' finest dates. It's tonight's Jazz Feature don't fail to check it out.

Artist - Tune - Album Benny Goodman - Sing, Sing, Sing - Giants of Jazz – Benny Goodman Stanley Clarke - More Hot Fun - Modern Man Donald Byrd - Fly, Little Byrd - Harlem Blues Betty Carter - What Is It? - Betty Carter Album Keith Tippett - Thank You For The Smile - You Are Here…I Am There Kenny Garrett - Doc Tone’s Short Speech - Standard Of Language George Duke - Be Cool - Montreux Summit, Vol.2 Leszek Możdżer, Lars Danielsson, - Weeks/Shavuot - Polska Zohar Fresco Bennie Maupin - The Jewel In The Lotus - The Jewel In The Lotus Ray Bryant - Blues in De Big Brass Bed - Solo Flight Sade - The Moon & The Sky - Soldier Of Love War - Slipping Into Darkness - All Day Music Clara Ward - Just A Little While To Stay Here - We Gotta Shout! & The Dukes of Dixieland The Wood Brothers - River Takes The Town - One Drop Of Truth Louis Armstrong - Stardust - Giants of Jazz – Louis Armstrong The ode to musical styles past and present that introduces Jazz Gumbo is “Music Evolution” by Branford Marsalis and Buckshot Lefonque. Playlists for all past Sets of Jazz Gumbo will be found at jazzgumbo.blogspot.ca Some Highlights: The Benny Goodman Orchestra’s “Sing, Sing, Sing” had become a band and audience favorite by the time they performed at Carnegie Hall in 1938, and they closed a very successful show with the version that opens this Set. Drummer Gene Krupa drives the 8-minute number, but it’s full of great horn flourishes and solos, by Goodman on clarinet, Babe Russin on tenor, Harry James on trumpet, more of Benny, then Jess Stacy of piano. It’s brilliant! What a show that must’ve been. George Duke wrote and arranged “Be Cool” and leads a group of All-Stars for another rousing live performance, this time at Montreux. Many of these musicians had never performed together, and according to all accounts, the rehearsals were horrible. But the live show brought the magic. Solos by Duke and by flautists Hubert Laws and Bobbie Humphrey, with a rhythm section that includes Billy Cobham on drums, Alphonso Johnson on bass and with Bob James conducting. Bennie Maupin’s “The Jewel in the Lotus” is one of those very special albums with a mood all its own, perfect for middle-of-the-night magic and mellowness. It features the most earthy of acoustic bassists in Buster Williams. Thanks to my Polish family for the Możdżer, Danielsson & Fresco cd. I don’t know any of them. Their tune here is shimmering, sizzling & sweet. I’ll be re-visiting this album soon. Ray Bryant delivers a rapturous solo piano performance. Kenny Garrett is his usual driving, dynamic self. And War, probably my favorite group from my teens, shows you why, with their natural, funk and roots sound. That's not even the half of it! I could go on and on and on. But I’ll leave it with you. Thrive! Kirby

From laid-back funk to jazz grooves and soulful piano solos. Tracklist: Bernice Reagon, Ray Bryant, James Brown, Chocolate Milk, Eddie Senay, Hadley Caliman, Build an Ark, Masaru Imada

The A-Z of Jazz Piano: this time - Pianists in the key of B The task of hunting down jazz piano from A to Z is really only just beginning, but B proved to be a most rich seam of artists, and the The Hot Box #9 show may be remarkable for who we had to leave out as much as for those we included. Hear The Bad Plus (yes, yes a bit of a B cheat) and Count Basie, Kenny Barron, Ray Bryant, Jaki Byard and Dave Brubeck amongst an hour long feast of pianists filed under the letter B. And of course, a celebration of the fine pianist from Dublin, Cian Boylan. The Hot Box is released on www.jazzireland.ie every 2 weeks and can be heard on-line around the world. Tell your jazz loving friends, and talk to us direct with comments and suggestions to donald@jazzireland.ie

The Village People once asked the question: "Young man, who do you want to be?" Three of tonight's artists knew the answer - one's still workin' on it. Avishai Cohen – DEVOTION; Ray Bryant – MONTREUX 77; Scott Hamilton – RADIO CITY; Johnny Griffin – RETURN OF THE GRIFFIN

This is episode number 4 from this month's Jazz Features on musicians who have been forgotten or have operated under the radar. The members of the Jazz Lab are all well known except for the co-leader, alto saxophonist/composer/arranger Gigi Gryce. Gryce was a very very important figure in the 1950s but dropped out of the scene and quit music in 1961. It's a long story but he spent the next 20 years up to his death in 1983 as a school teacher and has a school in Harlem named after him. Gryce was a very distinctive alto saxophonist with a small, even sound and though he may not have played with the drama of Jackie McLean or Phil Woods, he was an original stylist. He was also a great arranger and composer and his tunes were played by everyone of consequence. The Jazz Lab co-led by trumpeter Donald Byrd and Gryce existed for about 10 months in 1957 and they recorded for Columbia and some independent Jazz labels and this album for RCA called "New Formulas From The Jazz Lab". Ironically it is one of their finest albums but it was never issued in the USA....only in France and Japan! Byrd and Gryce excel with the great Hank Jones on piano, Paul Chambers on bass and Arthur Taylor on drums. The album has two tunes by Gryce, two by pianist Jones and one by Byrd and one more by pianist Ray Bryant (who occasionally played with the Lab). New Formulas From The Jazz Jab is in no way "far out" or experimental but solid modern Jazz that swings, is melodic and sounds very fresh. It is the sound of a working band rather than a pick-up crew. It's worth your time and Mr. Gryce will surprise you too!

Ian Barton and Luke Touma visit the podcast this week to talk about lupus, prostitution, and porn racism with the Real Men's Team. Ray Bryant shares his medical advice, Matt Miller reveals which joke gets him laid, and Tyler Morrow over pays for sex.

Miguel Perez visits the new and improved Real Men's Team Podcast, broadcasting from Hot Cast Studios. Tyler Morrow, Ray Bryant, Matt Miller, and Miguel Perez share stories of getting kicked out of places, Okay cupid matches, weird porn, and Aspergers.

Piano jazz trios. Tracklisting: Duke Ellington, Bobby Timmons, Milton Banana, Lalo Schifrin, Ray Bryant, Mose Allison, The Three Sounds, Stanley Cowell, Lloyd Miller, Sergio Mendes

This rather informal jam-type date was done just before Miles Davis formed his "first great quintet" and it features a newly healthy and strong Miles Davis just at the beginning of rise to Jazz stardom. It's an ad-hoc date with vibist Milt Jackson as the co-star. Miles had recorded with Milt on the legendary "Bags' Groove" date on Christmas Eve in 1954 and wanted to do more with Milt. Jackie McLean on alto was a Miles Davis protege and Miles opted to record two of McLean's compositions as well as present him on the front line. The second two pieces are without McLean who left the studio. The others involved along with Davis, Jackson and McLean are pianist Ray Bryant (a newcomer to New York at that time), bassist Percy Heath (a Davis favourite) and drummer Arthur Taylor. The date for all it's informalness is a perfect date with no gratuitous or uninspired playing and is a tribute to Miles, Milt, Jackie, Ray, Percy and Art.

Houston In Harlem A Special Event at Ginny's Supper Club hosted by the Greater Houston Convention & Visitors Bureau | October 16 2013 Outside Looking In - Roy Gaines Fever - Ronnie Laws Friends And Strangers - Ronnie Laws Superman Lover - Johnny "Guitar" Watson Will It Go Round In Circles - Billy Preston Strokin' (Pts. I & II) - Leon Haywood A Little Less Conversation - Guitar Shorty Let My Guitar Do The Talking - Guitar Shorty Can I Get A Witness (Single Version) - Barbara Randolph Nothing From Nothing (Album Version) - Billy Preston Déjà Vu (Instrumental) - Beyoncé Mama Said (Straight Ahead Mix) - Carleen Anderson Always There - Ronnie Laws And Pressure Street Life - The Crusaders featuring Randy Crawford Best Cookies [in the Neighborhood] - Ron Levy-Karl Denson-Melvin Sparks Tighten Up - Archie Bell & The Drells I Can't Stop Dancing - Archie Bell & The Drells Wonderful World - Johnny Nash I Can See Clearly Now - Johnny Nash Midnight At The Oasis - Hubert Laws Superfly - Rueben Wilson, Garnett Brown, Melvin Sparks, Bob Cranshaw, Ray Armando I Wish - Todd Terry Remix - Kashmere Stage Band I'm Going Back To Houston - Guitar Shorty Here - Johnny Griffin & Matthew Gee House Party - Pete Mayes Kidney Stew - Eddie "Cleanhead" Vinson Twist City - Johnny Griffin & Matthew Gee I Decided - Pt. 1 - Solange The Walkin' Blues - Lightnin' Hopkins Everybody Loves My Baby - Sippie Wallace Take the A Train - Arnett Cobb Honeysuckle Rose - Illinois Jacquet Flying Home (From "Party Time") - Arnett Cobb, Art Taylor, Ray Barretto, Ray Bryant, Wendell Marshall Got The Boogie - Roy Gaines New York Boogie - Lightnin' Hopkins Boogie Woogie Teenage - Don Julian Route 66 - Roy Gaines Hot & Saucy, Short & Grand - Otis Grand & Guitar Shorty Super Strut Pt. 1 - (Kenny Dope Remix) - Kashmere Stage Band Let's Groove - Archie Bell & The Drells Don't Push It Don't Force It (Album Version) - Leon Haywood There Are Many Stops Along The Way - Joe Sample On my block Instrumental - Scarface Chop That Bbq - Herman Matthews Crazy In Love (Instrumental) - Beyoncé Love On Top - Beyonce Knowles F.T.B. - Robert Glasper Harlem Nocturne - Illinois Jacquet Lullaby In Black - Horace Tapscott Gymnopedie #1 - Hubert Laws http://www.marcussamuelsson.com/about-last-night/harlem-hosts-houston-for-a-chef-battle + http://redroosterharlem.com/ + http://www.ginnyssupperclub.com/

Pure ImprovisationBetty Carter was born Lillie Mae Jones in Flint, Michigan on May 16, 1929.At a young age, she began the study of piano at the Detroit Conservatory of Music, and by the time she was a teenager she was already sitting in with Charlie Parker and other bop musicians when they performed in Detroit. After winning a local amateur contest, she turned professional at age 16, hooking up with the Lionel Hampton band by 1948, billed as Lorraine Carter. Hampton was the man who hung the nickname 'Betty Be-Bop' on her (a nickname she hated, as she found bebop limiting and wanted to do more than just scat), but it stuck, and ultimately she changed her stage name to Betty Carter. At the age of 21, she traveled to New York with the Hampton band and set up home there.Betty spent the early 1950s as a singer with different groups. She did several shows at the Apollo, playing with such notables as Max Roach and Dizzy Gillespie, toured with Miles Davis in 1958 and 1959, and spent much of the rest of the time on the outskirts of the jazz scene. Her refusal to adopt a more "mainstream" jazz style led to difficulty in finding bookings and making recordings. She made her first recordings in 1955 with a then-unknown piano player named Ray Bryant. The album, Meet Betty Carter and Ray Bryant, was little received, and her second set of recordings, with the Gigi Gryce band in 1956, languished unpublished until 1980. By 1958, she was ready to record again, and another little known album, I Can't Help It, was the result, followed closely by a recording on the Peacock label (a Texas gospel label), Out There. She was developing a reputation as a fiercely independent woman (an attitude she developed based in part on her interactions with Gladys Hampton, Lionel's no-nonsense wife) and a devoted jazz singer, and her popularity among the inner jazz circles was high, but critical and popular acclaim eluded her. She was becoming well-known for her signature style that combined off-beat interpretations of classic tunes and wild scat-singing that never seemed to find the right beat. Even a move to the ABC label for her 1960 album The Modern Sound of Betty Carter did little to help that. She needed a break, and it came in the form of Ray Charles.Ray Charles, on a recommendation from Miles Davis, agreed to take Betty on tour with him in the late 1950s. Enchanted by her voice and looking for a partner to record a series of duets, he enlisted Ms. Carter in a project that became Ray Charles and Betty Carter. The album, recorded in 1961, became an instant critical and popular smash; the single Baby It's Cold Outside gave Betty her first introduction into the popular music scene (indeed, at the 1997 White House ceremony where President Clinton presented Ms. Carter with a National Medal of Arts, the President said, "Hearing her sing 'Baby, It's Cold Outside' makes you want to curl up in front of the fire, even in summertime."). The sessions took on almost legendary status; after fifteen years in the business, fame had finally found Betty Carter. And Betty Carter chose her family. She was raising two sons at the time, Myles and Kagle Redding, and chose to concentrate on that rather than capitalize on her recent success. Other than the 1963 Atco album Round Midnight (which showcased a different side of Betty that many critics strongly disliked), and a very short 1964 United Artists album called Inside Betty Carter, she made no recordings between 1961 and 1968. She still performed, doing club dates mostly around the New York area, but the name of Betty Carter eventually faded back into obscurity again. By 1969, though, Betty was ready to get back into music. The problem was - no one seemed to want her.She started her road back with a live recording on the Roulette album. Finally - Betty Carter (an apt title) is considered one of her finest works, but it didn't garner much interest at the time. A second live recording, again titled 'Round Midnight, met with the same fate. Unable to drum up enough interest and tired of trying to satisfy the demands of recording companies, she came up with a solution - she founded her own company. Bet-Car was founded in 1971, and would be the soul source of her recordings until she signed with Verve in 1988. The Bet-Car years produced some of Betty's finest albums - The Betty Carter Album, Betty Carter (later rereleased as At the Village Vanguard), Now It's My Turn, and I Didn't Know What Time it Was - culminating in the December 1979 recordings that became The Audience with Betty Carter, called by some the finest vocal jazz recording ever made. Performances at the Newport Jazz Festival in 1977 and 1978 helped solidify Betty's place in the jazz world, not only as a major vocal talent but also as a discoverer of new talent (including through the years such names as John Hicks, Mulgrew Miller, Cyrus Chestnut, Mark Shim, Dave Holland, Stephen Scott and Kenny Washington).Her Bet-Car recordings continued into the 1980s with Whatever Happened to Love? and a landmark session with fellow jazz legend Carmen McRae recorded live at a series of 1987 San Francisco dates. By 1988, finally someone took notice of her talents: Verve, on the lookout for under-appreciated jazz singers such as Abbey Lincoln and Shirley Horn, signed Ms. Carter to a contract and immediately set about rereleasing the majority of her old material. In 1988, she burst back on to the popular jazz scene with Look What I Got, the album that earned her only Grammy award. The next decade produced several more outstanding recordings that featured a more mature sound - not reined in by any means, but perhaps softer, Betty Balladeer instead of Betty Be-Bop. She garnered Grammy nominations for 1990's Droppin' Things and 1992's It's Not About the Melody. She continued to feature young, up-and-coming musicians on most of her albums, a practice broken only on the 1994 album Feed the Fire, considered by some to be her finest work since Audience. Betty remained active in developing new musicians through the Jazz Ahead program, founded in 1993, that brought unknown jazz musicians to New York to work with her. She performed at the White House in 1994, and was a major headliner at Verve's 50th anniverary celebration in Carnegie Hall. She continued to stay active with her teaching right up until her death from pancreatic cancer on September 26, 1998. With Betty Carter gone, the jazz world has been left a gaping hole that no one artist could ever hope to fill. While other female (and male) jazz singers will come along, it's doubtful that anyone will be able to match Betty's combination of singing talent, compositional ideas, and willingness to teach. It's up to those of us who remain to ensure that her legacy grows and that the generations that ensue will have the pleasure- no, the honor - of sitting home, late at night, and drifting off into Betty Carter's world.Jazz is about the immediacy of the creative process. No other music allows so much personal freedom and no singer takes advantage of it like Betty Carter.To listen to Betty Carter on SOJP CLICK HERE!

A significant recording in the long distinguished history of Modern Jazz pioneer, drummer extraordinaire Max Roach. Today, January 10 is Mr. Roach's Birthday and The Jazz Show celebrates this event by presenting the album "Max Roach Plus Four" recorded in September 1956.. This was Max's fist recording after the tragic end to the Clifford Brown-Max Roach Quintet. Brown and the band's pianist, Richard Powell, were killed in a car accident in June 26, 1956. After a period of recovery from this trauma which also affected the whole Jazz community, Mr. Roach reformed the band under his name and kept tenor saxophonist Sonny Rollins and bassist George Morrow. Rollins was finally being acknowledged as the leading new voice of the tenor saxophone and Morrow was one of the strongest bassists in Jazz and one who could keep up with Mr. Roach and the furious tempos that he loved. Trumpeter Kenny Dorham was the very worthy replacement for Clifford Brown and he shines on this album. Ray Bryant, from Philadelphia was a great replacement for Powell and was the first of many fine pianists in this band until Mr. Roach stopped using piano players in the late 50's. The album is inspired and energetic and is a great milestone in the recorded legacy of Mr. Max Roach. Happy Birthday Max!

This is considered to be Clifford Jordan's debut album. His earlier appearance on the Blue Note label was a co-led two tenor saxophone session with John Gilmore. This rare recording has never had a domestic re-release but was first issued as Blue Note 1565 and called "Cliff Jordan". It features the very distinctive sound of Jordan's tenor saxophone with the young teen-aged trumpet sensation Lee Morgan on three tracks. Curtis Fuller on trombone and Jordan's high school classmate, the legendary alto saxophonist John Jenkins. Ray Bryant is on piano, Paul Chambers on bass and Arthur Taylor on drums. The first two tunes are without Morgan and then tune #3 is a composition by Lee and was his first recorded tune called "Ju-Ba". The full band is featured on the final two tunes, Jenkins reworking of Miles Davis' "Milestones" (the early version) and an up=tempo interpretation of one of the day's pop tunes called "Beyond The Blue Horizon". Clifford Jordan spread the chores out wisely and came up with a very representative album of New York Jazz from the mid 1950's. This fine recording deserves a domestic re-issue in stereo. It's a fine tribute to the artistry of the late Clifford Jordan, who passed away in 1993.

Dizzy Gillespie was not only a great Jazz pioneer and an extraordinary trumpet player, composer, percussionist, band leader and excellent scat singer but a great musical catalyst who understood musical situations and he understood the competitive spirit of tenor saxophonist Sonny Stitt who is paired with the younger titan of the tenor, Sonny Rollins. Both musicians inspire Gillespie to reach beyond himself. Dizzy's rhythm section composed of Ray Bryant on piano, brother Tommy on bass and Charli Persip on drums. Only four selections are on this 1957 recording but it stands as one of those magical moments in Jazz history when everything came together in the studio. The performances are electric and the atmosphere crackles like a legendary after-hour session in some small club. "Sonny Side Up" is a classic and should be essential listening for anyone involved with Jazz.