Podcast appearances and mentions of Django Reinhardt

Actor, producer, author and activist Jamie Lee Curtis' career has spanned multiple genres in both television and film, including the role of Laurie Strode In the 'Halloween' series and comedies such a 'Trading Places', 'A Fish Called Wand and Freaky Friday. She won her first Golden Globe for her work on ABC's 'Anything But Love', and a second for her role in James Cameron's 'True Lies' opposite Arnold Shwartzenegger.Her recent work includes the TV show 'Scream Queens' and the movies 'Knives Out' and 'Everything All At Once', for which she received her first Academy Award nomination for best supporting actress.

Tonight's show: Benny Goodman, Django Reinhardt, the Thelonious Monk Quintet, Ethel Ennis, Bing Crosby with Louis Armstrong, the Billy Taylor Trio, Lou Donaldson, Abbe Lane, Louis Armstrong, Etta Jones, Stanley Turrentine & The Three Sounds, Ike Quebec, Count Basie & Ella Fitzgerald, and Benny Carter.

Stephane Wrembel, best known for his original compositions “Bistro Fada” (Midnight in Paris) and “Big Brother” (Vicki Cristina Barcelona) will perform at Bull Run Restaurant, Shirley MA 2/17...The Music Room, 541 Main St, West Yarmouth, MA, on Saturday, February 18 at 8 p.m and Side Door Jazz Club, Old Lyme, CT on 2/24! In addition to Wrembel on guitar, this world-class band includes long-time members Josh Kaye on rhythm guitar, Ari Folman-Cohen on bass guitar, and Nick Anderson on drums. Born in Fountainebleau, France, Wrembel learned his craft traveling the French countryside before graduating from Berklee College of Music. Wrembel has had a remarkable career, touring the world, composing for film and TV, while releasing 16 albums under his name and the nom de plume, The Django Experiment.  Wrembel's original composition “Bistro Fada”, the theme song for the movie Midnight in Paris, has had over 20 million plays on Spotify. In 2019, Wrembel released the highly regarded Django L'Impressionniste, featuring 17 of Reinhardt's preludes for solo guitar. He is the only guitarist in the world to perform these 17 preludes in their entirety. San Diego Union Tribune said recently, “Stephane Wrembel repeatedly soars whether performing his own music or classics by Django Reinhardt and Duke Ellington.”Wrembel is currently gearing up to release a new recording, Django New Orleans, in early May of 2023 in conjunction with the 20th anniversary of his annual Django a Gogo Festival. This annual music festival and "guitar camp" brings together some of the finest musicians in the world to celebrate the Sinti guitar style to perform in prestigious venues such as Carnegie Hall and The Town Hall. https://www.stephanewrembel.com/

Scott returns to TWiV to explain the development of an experimental mRNA vaccine that encodes hemagglutinin antigens against all known influenza A virus subtypes and influenza B virus lineages, and why he is worried about avian H5N1 influenza virus. Hosts: Vincent Racaniello, Dickson Despommier, and Brianne Barker Guest: Scott Hensley Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode •Research assistant position at FDA (pdf) •Register for ASV 2023 •MicrobeTV Discord Server •Multivalent influenza mRNA vaccine (Science) •Influenza virus mRNA vaccines circumvent egg adaptation problems (J Virol) •Letters read on TWiV 983 •Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project:  Guitar. Django Reinhardt; Pat Metheny. Signature album: Still Life Talking. Signature song: Last Train Home; Joe Pass (Ella Fitzgerald's favorite guitar accompanist). Signature album: Virtuoso. Signature song: Round Midnight. Brianne – HHMI Virus Explorer Vincent – Chris Luno Listener Picks John – White-tail deer density and SARS-CoV-2 in white-tail deer Jessica – Classic cases revisited: Oscar the cat and predicting death Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Good News: Renewable energy sources surpassed gas as the leading power source in the UK this winter! Link HERE. The Good Word: Another powerful quote from the Rev. Dr. Martin Luther King Jr. Good To Know: A fascinating fact about our planet’s beautifully blue oceans! Good News: Some wonderfully encouraging news about the fight agains […]

The duo of Rachael & Vilray courtesy of Rachael Price, lead singer of the popular band Lake Street Dive, and the New York-based singer and guitarist Vilray may sound like classic guitar jazz right out of the 1920s-1940s; Vilray's guitar chops dip into the style of the great “gypsy-jazz” guitarist Django Reinhardt; and Rachael Price croons into an old RCA ribbon mic, up close, warm and intimate, with no reverb. Rachael & Vilray's new originals are equal helpings of literate and populist, with cutting observations and character studies that might be operatic and humorous, allowing for the way that people contain multitudes. Their latest record, I Love A Love Song, continues to draw on, and in their own sly way, extends the tradition of the Great American Songbook.  The duo joins us in-studio to play some of their new, old-sounding songs (with one even featuring a lyric about narwhals.) - Caryn Havlik Set list: “Is A Good Man Real?” “Hate Is The Basis (of Love)” “Join Me In A Dream” Watch “Is A Good Man Real?”: Watch “Hate Is The Basis (of Love)”: Watch “Join Me In A Dream”:

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

A special holiday-themed episode feat. Christmas tunes from London's Los Bitchos & legendary guitarist, Django Reinhardt, Hanukkah music by the Klezmer Conservatory Band and more!

Carpenters – Ordinary Fool – 3:41 Marvin Gaye – I Want You – 04:34 Yves Montand – Neige sur la ville – 3:05 Ray Charles – The Snow Is Falling – 2:51 Django Reinhardt – Christmas Swing – 2:54 Jas Miller – Jazzy Joy (Of Man’s Desiring) – 2:40 Alex MacDougall – Its Starting to […]

My guest for this episode, Dean Johanesen, first appeared on the podcast in July of 2018. This is his third feature on the Unstarving Musician. He has a new album called Cautionary Tales, which is out Feb 3, 2023. This date is also the anniversary of the release of King King (1933). Dean says that this release seems to fit his style perfectly with its influence of swing music ala Django Reinhardt, The Squirrel Nut Zippers, Louis Jordan etc.  With a sonic palette that dips into speakeasy-era Americana, and swingin' Hot Club jazz doused in circus tent hues, the New York-native has made his home in many parts of the United States. Dean's mother delivered motor homes when he was young and the family traveled around listening to a wide range of artists. Hearing everything from Led Zeppelin to Simon and Garfunkel, classic country to Broadway Musicals. That provided the soundtrack of Dean's youth and heavily influenced Dean's interests musically. In 2013, Dean released his first solo record focused on the storyteller songwriting format. Meanwhile, a recent passion for Hot Club jazz music in the vein of Django Reinhardt put him on a musical path of telling new stories of old times.  Non-fictional characters from the '20s and '30s – circus performers, the sideshow, prohibition, the war of currents (Tesla vs. Edison) all inform Dean's writing. These stories are projected against a backdrop of uptempo jazz in a style Dean has coined "Circus Swing." In this conversation we talk about mutual acquaintances, the Dripping Springs Songwriters Festival, Album Artwork Development, Song Reference Files, Journals, Record Release Mode, Balancing Creative Time, The Arc Of Writing A Thematic Album, Writing Press Releases, Framework Of Release Campaign, Heightened Creativity Of Songwriters Festivals and more. "Dean is simultaneously a throwback to an era of gypsy jazz and circuses while pointing the way to what will always be timely" - Steve Huntington, Sirius/XM Radio Margaritaville  You can find all things Dean Johanesen, including stories and songs from his forthcoming album, Cautionary Tales at DeanJohanesen.com. We had a real nice time catching up and I think it was a really good conversation, that I hope you will enjoy.  Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentioned in this Episode DeanJohanesen.com  Mo Meta Blues: The World According to QuestLove Nick Nace Dripping Springs Songwriters Festival Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube

Light and dark. Frozen action. Angels with dirty faces. Infamously both a hothead punk and one of the most extraordinarily potent and virtuosic painters in the canon, Caravaggio is nothing if not a man of contrasts. See the images: https://bit.ly/3iNqpTY Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" Charles Daab, “Irish and Scotch melodies (take 2)” The Blue Dot Sessions, “Highway 430,” “Angel Tooth,” “Di Breun,” “Rainy Day Drone,” “No Smoking,” “Cornicob,” “Tarte Tatin,” “Vernouillet,” “Thread of Clouds,” “Set the Tip Jar,” “Homin Brer” Joe Dassin, “Les Champs-Elysees" Support our year-end fundraiser! https://bit.ly/3An5jSd Episode sponsor: www.visualartspassage.com/palette

Lonnie Johnson may arguably be the most influential guitarist of all time. He was the first guitarist to play single string solos in both jazz and blues styles long before even Django Reinhardt or Charlie Christian. Robert Johnson imitated him on record and BB King and many others cited him as a major influence. He was also a superb singer with a gentle, mellow voice and was a terrific and prolific songwriter. His career, which began in the mid 1920s, before the advent of electric (microphone) recording, lasted through parts of six decades and included multiple comebacks. Part 1 covers his life, carreer and recordings through the recording ban of the Second World War. Support the show

Does the Great American Songbook endure because the songs themselves are timeless or because musicians give them a fresh spin? San Francisco–based jazz guitarists Mimi Fox, Nick Rossi, and Paul Mehling weigh in! Join us for a lively roundtable discussion on acoustic jazz standards and making jazz accessible to all kinds of listeners. Support the show:Leave a review on Apple Podcasts (This helps other guitarists find the show and helps us. We really appreciate it!)Additional resources:Mimi Fox's websiteNick Rossi's websitePaul Mehling/The Hot Club of San Francisco's websiteWatch Mimi Fox perform “Blackbird” for Acoustic Guitar Sessions and learn to play her jazzy arrangement of “America the Beautiful.”Paul Mehling plays “Minor Swing” in this Acoustic Guitar Session. If you're feeling inspired to play like Django Reinhardt, check out Mehling's gypsy-jazz lesson, “Learn the La Pompe Manouche Style in 6 Easy Steps.”Nick Rossi teaches the rhythm of Harlem Swing greats Freddie Green, John Trueheart, Bernard Addison, Morris White, and Al Casey in this video lesson. And learn the Nick Lucas classic “Picking the Guitar” here.The Acoustic Guitar Podcast theme music is composed by Adam Perlmutter and performed for this episode by Mimi Fox.This episode is hosted by Nick Grizzle and Mimi Fox, produced by Tanya Gonzalez, and directed and edited by Joey Lusterman. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditor: Adam PerlmutterManaging Editor: Kevin OwensSenior Editor: Blair Jackson Creative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya Gonzalez Special thanks to our listeners who support the show on Patreon.Support the show

This is a conversation with Matthew Lyons, antifascist researcher, contributor to Three Way Fight Blog and author of, among other books, Insurgent Supremacists: The U.S. Far Right's Challenge to State and Empire and contributor to the recent AK Press compilation, No Pasarán: Antifascist Dispatches from a World in Crisis (edited by Shane Burley). For the hour, Matthew talks about Christian Nationalist and theonomic tendencies and movements like New Apostolic Reformation, Dominionism, reactionary Catholicism and Christian Reconstructionism to learn more about how they interrelate or conflict with other far right tendencies in the so-called USA and the ongoing assault on bodily autonomy, abortion access and cis-hetero-patriarchy. More of Matthews work can be found at MatthewNLyons.Net Transcript PDF (Unimposed) Zine (Imposed PDF) https://traffic.libsyn.com/thefinalstrawradio/tfsrpodcast20221120-MatthewNLyons.mp3 Next Week… We're hoping to bring you voices from graduate student workers and other workers on strike in the University of California system and possibly beyond for this coming Sunday's show. Announcements Phone Zap for Shinewhite BACKGROUND: Joseph “Shine White” Stewart is a long-time incarcerated writer and organizer who is known, among other things, for promoting interracial unity among black and white prisoners in North Carolina as a way to forward their shared resistance against the prison industrial complex and for encouraging abolitionists on the outside to center prisoners' demands and resistance in their work.  He has most recently been central to prisoners' organizing efforts to combat racist CO brutality at Alexander Correctional Institution and the extended lockdown at Bertie Correctional Institution.  As one might imagine, he is no stranger to political repression, and he has been repeatedly transferred, held in solitary confinement for years at a time, and physically brutalized as the system has attempted to silence him.  On November 3, in response to his most recent organizing, Shine White was transferred to Granville Correctional Institution in Butner, NC, where he was placed in restrictive housing.  When he arrived, he was placed in a filthy, unsanitary cell which staff refused to allow him to clean and denied access to his property, including legal paperwork related to pending motions in a lawsuit his is pursuing which he was therefore unable to put in the mail on time.  Staff have even restricted his access to paper.  As of his last contact with Solidarity Beyond the Walls, Shine White is still being housed in unsanitary conditions and still does not have his property.  He has requested that SBW support him by organizing a phone zap on his behalf. NCDPS Division of Prisons Central Region Director Loris Sutton 919-582-6125 (direct office line) OR 919-803-0713 (cell phone) OR 919-838-4053 (Central Region main office line); Standard and Performance Director Cynthia Thornton 919-838-4000 (Division of prisons main office line) Remember that repeat calls are welcome, as the more calls come in, the more likely it is that our demands on Shine White's behalf will be met. WHAT TO SAY: Here is a script you can use if you aren't sure what to say when you call:“Hello.  I am calling on behalf of Joseph Stewart, OPUS number 0802041.  When he was transferred to Granville CI on November 3, Mr. Stewart was placed in restrictive housing in unsanitary conditions and denied his property, including legal paperwork that needed to be put in the mail no later than November 4.  Both of these are violations of NCDPS policy and procedure.  I am calling to demand that Mr. Stewart be released from restrictive housing, be placed in a clean cell with access to supplies to keep it that way, and that all of his property be returned immediately.” Support Colombian Uprising Prisoners There is still repression being felt by those swept up by the state during the 2021 National Strike in Cali, Colombia and there's a fundraising effort for the Paso del Aguante 6 who are facing up to 50 years in prison for participating in the strike. The Colombia Freedom Collective is happy to announce that Christian Andres Aguilar has been released at 14 months of pre-trail detention, though he's not out of danger yet. You can learn more about the cases of the Paso del Aguante 6 and how to support their defense efforts at: https://colombiafreedomcollective.org/christian-andres-aguilar-released-after-14-months-of-pretrial-detention/ Bad News #62 Check out the latest episode of Bad News: Angry Voices from Around The World from the International A-Radio Network. This month features two really good interviews you may not have heard from Frequenz-A: a chat with a member of Feminist Anti-War Resistance, a movement against the militarism of the Russian state and the war in Ukraine; a conversation with Berlin-based advocates for Alfredo Cospito, Juan, Anna and Ivan hunger striking in Italy against 41 bis. These are alongside shorter versions of our recent chats on heaters in Albuquerque, updates on Eric King and Oso Blanco's situations and the struggle against Camp Grayling. Suppport TFSR We are entering a period of recording fury. Patreon supporters will get early access to interviews as we get them edited down, as well as behind the scenes conversations between the producers. Upcoming releases include Mitchell Verter, co-author of the 2005 AK Press book, Dreams of Freedom: A Ricardo Flores Magón Reader speaking around the 100th anniversary of the murder by incarceration by the US state of the Mexican anarchist communist revolutionary, RFM, and discussion of his legacy. Another is a conversation with Rhiannon Firth on her recently published book, Disaster Anarchy: Mutual Aid and Radical Action, out from Pluto Press. You can find our patreon at patreon.com/tfsr Though we're releasing some content early to patreon supporters, we won't be paywalling it permanently. Our fundraising goes to operating costs, equipment, and paying our transcribers. We've been transcribing each interview we've conducted and making them available as zines on our website for coming up on 2 years now, and going back to transcribe past episodes to boot. This makes these important conversations available for translation, for easier access to folks who are more comfortable reading or for whom English is a second language, as well as getting the content more easily into prisoners, reading groups and passers-by's hands so as to include more people in the discussion. For other ways to support our project monetarily, there's merch and donation options at tfsr.wtf/support. For non-money support, we could always use ratings on apple, google and amazon podcasts or mentions and boosts on social media (including on Mastodon and Castopod), examples can be found at tfsr.wtf. Telling others about the project is also a great way to help us expand our audience. If you have a story you'd like covered, you can find ways to contact us there we well! Finally, if you have a community or college radio station that you'd like to hear our weekly, free, 58 minute episode air on for any weirdo with an antenna and receiver to pick up, help us out by visiting tfsr.wtf/radio to learn more. Thanks for the support! . ... . .. Featured Tracks: Gods and Government by Snog from Dear Valued Customer The Voice of God Is Government by Bad Religion from How Could Hell Be Any Worse? Brazil by Django Reinhardt from Django in Rome

Arts and culture enthusiast Tommy Sar of St. Paul recommends checking out the screening of a new documentary centering women and nonbinary people in Taiko drumming. Filmed in Minnesota and Japan, “Finding Her Beat” makes its state premiere this weekend during the Sound Unseen film festival. For centuries, only men were allowed to take part in the traditional Japanese art form of Taiko drumming. That has changed in recent years. Sar remembers when performers gathered at the Ordway Center for the Performing Arts in St. Paul several years ago, which is featured in the film. Sar called the documentary of the performers' Taiko journeys “moving and powerful,” with high-energy performances. Don't see video? Click here. The first showing of the film on Friday has sold out, but there is a second showing Sunday at 8:15 p.m. at the Parkway Theater in Minneapolis. Virtual tickets are also available. Amateur guitarist Chuck House of St. Paul plans to attend the next concert in the Minnesota Guitar Society's new Jazz and Fingerstyle Guitar Concert series. The concert on Tuesday features two talented local guitar duos playing hot club jazz. At 6 p.m. the Red Hot Django Peppers duo Ryan Picone and Jose Betanzos show off the intricate fingerwork and swinging rhythms of late Romani guitarist Django Reinhardt. Famous for his improvisations, Reinhardt didn't write his compositions down. Instead this Twin Cities duo will play a mix of original arrangements and tunes adopted from recordings by Reinhardt and his fans. From 7 to 9 p.m., guitarists Pavel Jany and Dean Harrington take the stage with a variety of styles including swing. The event is free, but seating is limited at MetroNOME Brewery in St. Paul. Don't see video? Click here: As an artist in southwestern Minnesota, Lucy Tokheim of Dawson has seen the ripple effect first-hand of the long career of Franz Allbert Richter in nearby Clarkfield. Richter, who recently turned 80, worked closely with Minnesota poets Robert Bly and Bill Holm, creating drawings from many of Bly's books during the Seventies Press period. A collection of Franz Allbert Richter's pencil drawings and clay folk figures, titled “A Life in Art,” is at Madison Mercantile, which has a gallery space, in Madison, Minn. The show's opening is Thursday at 7 p.m., when Pioneer PBS will interview fans of Richter's work for a “Postcards” episode to air next year. The work will be on view through the month of November. Tokheim notes that many of Richter's drawings from the 1970s and 80s were completed at a time when good art photography was scarce, making it difficult to preserve copies of original drawings. She says this gathering of even a portion of Richter's work is a great opportunity.

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Episode 495 also includes an E.W. Essay titled "Night Hag." We share some Compelling Facts and Figures as gathered by Harper's Magazine for its October 2022 issue. We have an E.W. Poem called "Fine Days." Our music this go round is provided by these wonderful artists: Thelonious Monk, the Pretenders, Adam & the Ants, Art Decco, Django Reinhardt & Stephane Grapelli, Richard Hell & the Voidoids, Patti Smith, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

The Black Market Trust, an American pop and jazz group, will perform at 3 p.m. Nov. 13 at the Falany Performing Arts Center, 7300 Reinhardt Circle in Waleska. The Los Angeles-based group of five combines the sounds of legendary American crooners and vocal groups, with the energy of jazz guitarist Django Reinhardt. “Be transported back in time as The Black Market Trust creatively combines distinctly different vibes,” said Jessica Akers, director of the Falany Performing Arts Center.  #CherokeeCounty #Georgia #LocalNews           -          -          -          -          -          -          The Cherokee Tribune Ledger Podcast is local news for Woodstock, Canton, and all of Cherokee County. Register Here for your essential digital news.             This podcast was produced and published for the Cherokee Tribune-Ledger and TribuneLedgerNews.com by BG Ad Group     For more information be sure to visit https://www.bgpodcastnetwork.com/    https://cuofga.org/   https://www.drakerealty.com/   https://www.esogrepair.com/           See omnystudio.com/listener for privacy information.

Good News: The UK’s new Prime Minister has reinstitute the ban on fracking there, Link HERE. The Good Word: A delightful poem celebrating autumn. Good To Know: A fun bit of trivia about a certain Parisian cafe! Good News: Learn a bit about an amazing new rooftop forest being built in London, HERE. Wonderful World: […]

durée : 00:30:09 - Rencontre avec Thomas Dutronc (1) - par : Martin Pénet - Révélé au public en 2007 avec son premier album « Comme un manouche sans guitare », Thomas Dutronc s'est démarqué par son style de chanson-jazz hérité de sa passion pour Django Reinhardt et pour Georges Brassens, tous deux découverts à l'âge de 18 ans. - réalisé par : Doria Zénine

Podcast: SOMETHING came from Baltimore Host: Tom Gouker Guest: Guest Renato Podesta Artist: Sugarpie & The Candymen Album: "Something's Cookin' " Release Date: November 11, 2022 Recording Label: Irma Le Douce/Irma Records Facebook: Sugarpie & The Candymen | Facebook Website: www.sugarpieandthecandymen.com Email: thecandymen@gmail.com' THIS IS A FREE PODCAST. SOMETHING came from Baltimore is found on: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Tom Gouker is also featured on a limited-run podcast about the Beatles called, "The Beatles Come To America". Join Tom and the "Beatle Guru" Brooke Halpin as we chat about the US Album Releases of the Beatles ("65", "Yesterday & Today" and "Hey Jude"...they are all there.) How To Get a Hold of SOMETHING came from Baltimore: Contacts Information: Email: somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) Did You know that SOMETHING came from Baltimore is on "TheBocX.com". TheBocX.com - Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm and 10pm EST) it's called, SOMETHING came from Baltimore THE SHOW. Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Spotify Playlists: Are available under the name DJNormal (that is my DJ name) Spotify Playlist: Here is a list of my favorite shows from 2021....Best Songs of 2021! https://open.spotify.com/playlist/16C... Support SOMETHING came from Baltimore: TIPS! (Thank You!) Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account: Thomas-Gouker --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

In this episode, Reinhardt guitar specialist Stephane Wrembel joins us and talks about learning the guitar and spending time with the Sinti people, his connection with Django Reinhardt, and his thoughts on why the arts are important. Specializing in the gypsy jazz style of guitar, Stephane has performed in prestigious venues such as Carnegie Hall and The Town Hall. More info about the Center for the Arts can be found: https://arts.pepperdine.edu/ Music by Nolan Harvel

Episode 491 also includes an E.W. Essay titled "Simple Intellectuals." We share some actual Findings as published in the September 2022 edition of Harper's Magazine. We have an E.W. Poem called "Swoon." Our music this go round is provided by these wonderful artists: Thelonious Monk, the Flamin' Groovies, Melody Gardot, Curtis Mayfield and the Impressions, Django Reinhardt and Stephane Grapelli, Roxy Music, Florence and the Machine, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

durée : 00:59:15 - Ici et là - par : Nathalie Piolé -

durée : 00:30:09 - Portrait du guitariste, compositeur & professeur Stéphane Wrembel : "De Django Reinhardt à Woody Allen" - par : Sébastien Llinares - "Le guitariste Stéphane Wrembel, au fur et à mesure de ces productions, tente de revisiter Django dans sa diversité et de le relier à son époque, et à son contexte sans forcément l'imiter, ni le figer dans une image toute faite !" Sébastien Llinarès - réalisé par : Patrick Lérisset

It's a cartoon! The boys look at this French animated feature that was nominated for two Academy Awards.  NOTE: Sorry about the late release. I forgot to attach the audio to the post. *facepalm* - George Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 French heatwave https://www.metoffice.gov.uk/weather/learn-about/weather/case-studies/heatwave France and America fight over Iraq invasion https://www.latimes.com/archives/la-xpm-2003-mar-20-war-french20-story.html Django Reinhardt https://en.wikipedia.org/wiki/Django_Reinhardt   Josephine Baker https://www.messynessychic.com/2021/11/25/seven-surprising-things-you-probably-didnt-know-about-josephine-baker/ For caricaturist Chomet, creator of 'Triplets of Belleville,' it's a long way from Disney https://www.sfgate.com/entertainment/article/For-caricaturist-Chomet-creator-of-Triplets-of-2524759.php

Singles Going Around- Mike's PicksFor this episode of the podcast, we did something different. I approached Mike from Laughing Sam's Discs and told him to pick 10 of his favorite songs. We got together one night and recorded this episode.George Jones- "White Lightning"The Bee Gee's- "Marley Purt Drive"John Mayall- "Hideaway"Django Reinhardt- "Brazil"The Remains- "Don't Look Back"Lowell Fulsom- "Why Don't We Do It In The Road"Danks- "Mathew Mouse"Mick Jagger and Ry Cooder- "Memo From Turner"The Shoking Blue- "Love Machine"Jimi Hendrix- "The Stars That Play With Laughing Sam's Dice"* All selections taken from vinyl.

Long before singer Cyrille Aimée spent any time on the road she was already a citizen of the world. She grew up in a small French town, Samois-sur-Seine, but says that she never felt fully French. She never felt fully any one thing. Her mother is Dominican, her father is French, and she says that “when you're a mixed culture, you're kind of your own thing.” Samois-sur-Seine is very small but in the 1990s of Cyrille's childhood it did have one claim to fame: it was the town where the legendary french gypsy jazz guitar player Django Reinhardt retired, and hosts an annual jazz festival in his honor. Musicians and fans alike descend on the town for the festival, and because of the ties to Django, some of them are Gypsies (Manouche in French). Riding her bike through town one summer day, Cyrille had a chance encounter with some young Gypsy kids that would lead to a friendship that ultimately changed her life. The Manouche taught her to sing, taught her to perform, taught her to improvise and see improvisation as not only a musical pursuit but also a kind of life goal. To watch Cyrille perform is to watch a kind of ecstatic manifestation. She's very physically engaged, her whole body gets involved when she sings. She says that music was originally an extension of dance for her and that since her instrument is her body, dance is still a vital part of her singing. That physicality is part of her charm. She's a natural performer. But she's also an accomplished singer, dance or no dance. She is naturally in tune with the language of jazz, bebop, funk, and soul. She's a precise and fluent scat singer, technical and soulful at the same time. Cyrille won awards and accolades along the way - she won the Montreux Jazz Festival Competition in 2007,was a finalist in the Thelonious Monk International Jazz Competition in 2010, and she won the Sarah Vaughan International Jazz Competition in 2012. Her 2019 album Move On featured cover versions of songs by Stephen Sondheim. The album was praised by Sondheim himself and one of its songs, "Marry Me a Little", was nominated for a Grammy Award. And a live stream video of Cyrille on Emmet Cohen's YouTube channel has racked up millions of views.   Aimée released two albums in 2021,  Petit Fleur recorded with Adonis Rose and the New Orleans Jazz Orchestra, and I'll Be Seeing You, a collection of duets with her long time friend the guitarist Michael Valeanu. When she's not on the road, Cyrille has been living between New Orleans and Costa Rica. We spoke about growing up in Samois-sur-Seine, what she learned from the Gypsies, moving to America, how to learn new languages, the importance of confronting and overcoming fear for creativity, how to be honest with the audience, and where to find good cheese.

Django Reinhardt, der in Belgien geborene Gitarrist, gilt als Wegbereiter des europäischen Jazz. Trotz einer Brandverletzung, die ihm 2 Finger seiner linken Hand lähmte, zählt er bis heute zu den großen Virtuosen auf seinem Instrument. (BR 2018)

This week, in the third installment of OBW's special, Live from Luck! mini-season, Brooklyn-based singer-songwriter Steve Gunn discusses the penultimate track on Red Headed Stranger, “Hands on the Wheel.” It's the song with which Willie wraps up the RHS narrative, when his roaming, vengeful preacher finally finds love and a home. And Steve, who first made his name as a virtuoso guitarist, focuses on the way Willie used subtle guitar-picking to bring the story to a ruminative, peaceful end...before getting into where he hears Django Reinhardt's influence on Willie's playing and why Trigger sounds like no other guitar in the world.

We have selections from 1937 to 1973 tonight. We'll hear Artie Shaw, Coleman Hawkins Orchestra, Benny Goodman & His Orchestra, Django Reinhardt, Billie Holiday & Lester Young, Charles Mingus, Miles Davis Sextet, Modern Jazz Quartet, John Coltrane Quartet, Charlie Byrd & Stan Getz, and James Moody.

Selections from 1937 to 1973 tonight. We'll hear Artie Shaw, Coleman Hawkins Orchestra, Benny Goodman & His Orchestra, Django Reinhardt, Billie Holiday & Lester Young, Charles Mingus, Miles Davis Sextet, Modern Jazz Quartet, John Coltrane Quartet, Charlie Byrd & Stan Getz, and James Moody.

Episode 333 also includes an EW Essay titled "Grapevine." We share Five Poems by John Updike as read by our Associate Producer Dr. Michael Pavese. We have an EW poem called "Yet Again." Our music this go round is provided by these wonderful artists: Django Reinhardt, Stephan Grapelli, Canned Heat, Prince, the Meters, April March, Diplo, Faustix, Imanos & Kai, Branford Marsalis and Terrence Blanchard.  Commercial Free, Small Batch Radio Crafted In the Endless Mountains of Pennsylvania... Heard All Over The World.  Tell Your Friends and Neighbors.

“I am for the art of underwear and the art of ice cream cones dropped on concrete. I am for an art that is heavy and coarse and blunt and sweet and stupid as life itself.” Today, the art world - and, as he would attest, the world world too - lost a giant, and we're re-releasing our episode from September 2020 in his honor. RIP, Claes Oldenburg, and thank you for plucking art from its spotless frame and returning it to our messy, magnificent plane. Hope you're enjoying that great big floor pie in the sky. See the images: bit.ly/3hcHjVq Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Cradle Rock,” “Sylvestor,” “A Little Powder,” “Our Only Lark,” “Town Market,” “Contrarian,” “The Rampart” Joe Dassin, “Les Champs-Elysees" Support the show: www.patreon.com/lonelypalette

In this episode, Alex continues the journey into the life of Les Paul, from his close relationship with Django Reinhardt to the time he performed for Eisenhower and Nixon at the White House and demonstrated the Les Paulverizer; his love-hate relationship with the SG, and so much more. You'll hear a fantastic story about the time that Les went to see Eddie Van Halen perform, and the moving eulogy that Mahwah Mayor Jim Wysocki wrote for Les's funeral.Les Paul was best known as a skilled guitarist, and as one of the most important figures in the development of modern electric instruments and recording techniques. He was a pioneer in the development of the solid-body electric guitar (the Gibson Les Paul, which he helped design, is one of the most famous and enduring models), multitrack recording, and various reverb and echo effects.From the episodes:Les Paul in Mahwah ExhibitJim WysockiBenny Goodman, The Neurotic Guitarist Ron “Bumblefoot” ThalMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Editing and mixing by Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. If you like what you hear, please subscribe, rate, and review! See acast.com/privacy for privacy and opt-out information.

Brother Dave Schools us on How to Rock Out with Passionate BluesBrother Dave is a guitarist/vocalist whose passionate and eclectic style defies categorization!We learn of Dave's unique background, and his love of the guitar, especially the pedal steel. We'll hear three of his latest songs, Bak'n Blues, Lonely & Blue, and  Road Trip. While his musical influences are firmly based on Roots and Blues, his stylings are infused with Country, Rock, and Jazz sounds that embody both classic and modern sensibilities. Dave's vocals are a cross between Gregg Allman, B.B. King, Bobby “Blue” Band, Billy Gibbons from ZZ Top, and even Bonnie Raitt.  His guitar stylings are a diverse blend of the earlier accomplished guitarists…..Eric Clapton, Jimi Hendrix, Stevie Ray Vaughn, Freddie, B.B. and Albert King, Chet Atkins, Charlie Christian, Django Reinhardt, Johnny Winter, as well as contemporary artists such as Joe Bonamassa, Kirk Fletcher, and Eric Gales.Since the age of 17, Brother Dave has been gigging with various NYC-based bands, touring all over the East Coast and Europe, and performing for audiences of all ages and tastes.While he has the distinction of having opened for such world-class performers as Johnny Winter, Dickey Betts, Buddy Miles, Elvin Bishop, Debbie Davies, Room full of Blues, Shemieka Copeland, and Little Charlie and The Night Cats, he is just as likely to be seen entertaining the patrons of a small intimate lounge or private party.These days you can catch Brother Dave playing Solo Acoustic or with his Band, Brother Dave & The Brave, in Restaurants, Pubs, Clubs, and a variety of music venues all over Long Island, New York City, Connecticut, and the entire tri-state region.  You'll find him backing up some of the area's finest Vocalists and Bands playing: Jazz, Classic/90's Rock, Blues, Swing, Reggae, Indian, Country; whatever the genre!His guitar and gritty well-honed vocals can be heard on many recordings created by our local musicians.No matter your age, musical taste, or where you call home, Brother Dave and The Brave has something to inspire everyone as they effortlessly tap the soul of American music, fusing the familiar with the new and vibrant.Brother Dave is an act not to be missed! Connect with The Long Island Sound Podcast:Website: Https://GigDestiny.com/podcast Follow Steve Yusko, GigDestiny.com, and his adventures:  Website: https://www.GigDestiny.com  Twitter, Instagram,  YouTube, FacebookSpotify: https://open.spotify.com/show/21aCeQWDmD4fkucpfVf9Email: Steve@GigDestiny.com IThe growth of The Long Island Sound Podcast has been exponential. Help us grow the show!Subscribe to the GigDestiny.com Site here for bonus contentSubscribe to our YouTube ChannelCall the Listener Line & leave your comments: (631) 800-3579 Remember to Rate & Review the show! Help us keep the conversation going with your donation - Click Right Here or go to GigDestiny.com Buzzsprout - Let's get your podcast launched! Start for FREE

Presenting an influential and truly American musical style on this edition of Fine Tune: Yancey Blues / Butch Thompson & Pat Donohue Boogie Woogie Blues / Albert Ammons Boogie Woogie / Tommy Dorsey Orchestra How Long Blues / Jimmy Yancey Boogie-Woogie, Part 1 / Django Reinhardt 627 Stomp / Pete Johnson 3:08 Boogie Woogie Bugle

Episode 476 also includes an E.W. Essay titled "Captured & Free." We share two pieces from the March 2022 issue of Harper's Magazine - one titled “Exit Interview,” by David Shields and the other titled "The Mirror," by Charles Baudelaire. We have an E.W. poem called “Well-Worn." Our music this go round is provided by these wonderful artists: Thelonious Monk, Patrick Fitzgerald, the Only Ones, Patti Smith, Django Reinhardt & Stephane Grapelli, the Jam, Billie Holiday, Branford Marsalis and Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World. Tell Your Friends and Neighbors.

What goes up into the sky must come down into the earth, and fortunately for us we've got Sarah Sze, mistress of materials, memory, and meaning, helming the journey. This episode was produced with support from Storm King Art Center. See the images: https://bit.ly/3NRnGmr Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Plate Glass,” “Leatherbound,” “The Onyx,” “Silent Ocean,” “ZigZag Heart,” “Curious Case,” “On Top of It” Evan Blanch, “Where The Streets Have No Name (Instrumental)” (U2 cover) Episode sponsor: www.visualartspassage.com Support the show: www.patreon.com/lonelypalette

Django se fue un 16 de mayo con solo 46 años. Escuchamos al legendario guitarrista gitano, homenajeado por Woody Allen en la película 'Acordes y desacuerdos' y presente en varias de sus bandas sonoras, en grabaciones con el Quinteto del Hot Club de Francia de 'Blues clair', 'Limehouse blues', 'Daphné', 'Minor swing', 'Si tu savais', 'Body and soul', 'Embraceable you', 'Swing 41', 'Djangologie', 'Nuages', 'Echoes of France' (La Marseillaise), 'Belleville' y 'La mer'. Y del disco del clarinetista Evan Christopher, 'Django à la créole', los temas 'Insensiblement' y 'Manoir de mes rêves'. Escuchar audio

Brian breaks down the startlingly similar tragic backstories shared by two genre-defining guitar men - and how one inspired the other to keep going. Today's episode brought to you by Athletic Greens; Get a FREE 1 year supply of immune-supporting Vitamin D AND 5 FREE travel packs with your first purchase. All you have to do is visit athleticgreens.com/EMERGING SHOW NOTES: Songs used in this episode: "Sweet Leaf" by Black Sabbath; "I'll See You in My Dreams" by Django Reinhardt; "Lucille" by The Shadows; Iron Man: My Journey through Heaven and Hell – Tony Iommi: https://www.amazon.com/Iron-Man-Journey-through-Sabbath/dp/0306821451 https://ultimateclassicrock.com/perfume-reminds-tony-iommi-of-death/ https://www.theguardian.com/music/2013/jun/06/black-sabbath-cocaine-private-plane https://www.ranker.com/list/wild-black-sabbath-stories/nicky-benson https://en.wikipedia.org/wiki/Tony_Iommi https://www.whereseric.com/eric-clapton-news/303-rolling-stone-names-100-top-guitarists-all-time-top-3-are-jimi-hendrix-eric https://www.guitarplayer.com/lessons/10-things-youve-gotta-do-to-play-like-tony-iommi https://en.wikipedia.org/wiki/Django_Reinhardt Animated VH1 short about the accident: https://vimeo.com/120351437

Fats Waller - "London Suite Pt. 4: Bond Street" Fats Waller - "London Suite Pt. 5: Limehouse" [0:03:40] Pete Johnson & Albert Ammons - "Boogie Woogie Man" [0:08:51] Gus Bodenheim - "Apologia for This Week's Absence" [0:12:29] Dave Bartholomew - "Ay Cubanos" [0:13:43] Jazz Gillum & His Boys - "Windy Blues" [0:16:16] Louis Jordan and His Tympani Five - "You're My Meat" [0:18:46] Lucky Thompson Quartet - "Dodo's Bounce" [0:21:43] The Brox Sisters - "Do I?" [0:25:48] Bob & Ray - "Reuniting a Sister and Brother Separated for 70 Years" [0:29:03] Count Basie - "How Long How Long Blues" [0:32:37] Gordon "Little Gordon" McNulty - "Trucker's Companion Bourbon" [0:35:45] Eddie Lang & Lonnie Johnson - "Have to Change Keys to Play These Blues" [0:36:49] Lucky Thompson Quartet - "Slam's Mishap" [0:39:54] Hartman's Heartbreakers - "My Southern Movements" [0:44:35] Sister Rosetta Tharpe - "Lonesome Road" [0:47:01] Dorothy Donegan - "St. Louis Blues" [0:49:33] Gus Bodenheim - "A Bodenheim Medical Extra: Delbarton Vaccine Side Effects" [0:52:19] Django Reinhardt & the Quintet of the Hot Club of France - "Rhythme Futur" [0:54:54] https://www.wfmu.org/playlists/shows/114619

Stephane Wrembel is one of today's foremost performers and improvisers of Django Reinhardt-style jazz guitar. On April 8 at National Sawdust, he'll perform songs that appeared on his album, Django L'Impressionniste, a collection of 17 preludes for solo guitar, originally recorded by Reinhardt. Wrembel joins us to preview the show and discuss other upcoming projects and his career.