Podcast appearances and mentions of Kenny Burrell

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

DUKE ELLINGTON AND HIS ORCHESTRA “AND HIS MOTHER CALLED HIM BILL” New York, August 28, 1967Blood count (ct out), Upper Manhattan Medical Group, Raincheck (ct out), Lotus blossom (DE piano solo)Cat Anderson, Herbie Jones, Cootie Williams, Mercer Ellington (tp) Clark Terry (flhrn) Lawrence Brown, Buster Cooper, Chuck Connors (tb) Jimmy Hamilton (cl,ts) Russell Procope (as,cl) Johnny Hodges (as) Paul Gonsalves (ts) Harry Carney (bar,cl,b-cl) Duke Ellington (p) Aaron Bell (b) Steve Little (d) JIMMY RUSHING “AND HIS ALL STARS” Brooklyn, NY, August 16, 1955Everyday (I have the blues), Evenin', Don't cry babyJimmy Rushing (vcl) acc by Emmett Berry (tp) Lawrence Brown (tb) Rudy Powell (as,cl) Buddy Tate (ts) Pete Johnson (p) Freddie Green (g) Walter Page (b) Jo Jones (d) BUCK CLAYTON “BUCKIN' THE BLUES” Brooklyn, NY, March 14, 1957 Buck huckles, Claytonia, The queen's expressBuck Clayton (tp) Vic Dickenson (tb) Earl Warren (as) Hank Jones (p) Kenny Burrell (el-g) Aaron Bell (b) Jo Jones (d) Continue reading Puro Jazz 27 de mayo, 2025 at PuroJazz.

Send us a textCzym byłaby rozmowa o Blue Note Records bez choćby ogólnej analizy kilku kultowych nagrań z jej złotego okresu działalności? Inna sprawa, że nikt nie byłby w stanie nas słuchać przez 10 godzin o samych krążkach (:p), tym bardziej że już poczęstowaliśmy Was dwoma odcinka o historii tej wytwórni, więc ograniczyliśmy się do omówienia czterech naszych ulubionych krążków / winyli. Niezależnie od przedstawianych dzieł muzycznych, poprosiliśmy naszego przyjaciela i wielkiego pasjonata jazzu i bluesa - Piotra Łukasiewicz (radiowca, gospodarza audycji Jazz Czyli Blues w RadioJazz.FM) o gościnną wypowiedź w tym temacie. On też wybrał absolutną perłę :)I tym odcinkiem kończymy trylogię Pick Please Podcast o naszej ulubionej jazzowej wytwórni nagraniowej - Blue Note Records :)  muzyka: Łukasz Wojciechowski (intro)Możecie odsłuchać ten odcinek tutaj: https://tiny.pl/1xn9xg07Link do Spotify: Youtube: Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/oraz Instagramie - https://tiny.pl/cxk21Będziemy wdzięczni za wsparcie nas na Patronite (specjalne bonusy dla naszych patronów!): https://tiny.pl/r8yq62q5LINKOWNIA:Podstawowe info o BNR:Wikipedia (o wytwórni) - https://tiny.pl/0c3qyx0vStrona oficjalna wytwórni - https://tiny.pl/8z5-v5w2Styl Blue Note Records - https://tiny.pl/jbzsfg95Jazzpress.pl (o “Somethin` Else”) - https://tiny.pl/14rck0hqWykonawcy:Lee Morgan - https://tiny.pl/hb_tpbkyJohn Coltrane - https://tiny.pl/1-nppfw3Miles Davis - https://tiny.pl/hqk_m3wzArt Blakey - https://tiny.pl/99qg7bc0The Jazz Messengers - https://tiny.pl/5jm_wsssKenny Burrell - https://tiny.pl/crf6bgrgMUZYKA:PŁYTY:John Coltrane - Blue Train (1958) - https://tiny.pl/xdncs67nArt Blakey & The Jazz Messengers - Moanin' (1959) - https://tiny.pl/2wn8133xCannonball Adderley - Somethin' Else (1958) - https://tiny.pl/f_p0jpxqKenny Burrell - Midnight Blue (1963) - https://tiny.pl/mss8j_bwLee Morgan - Search For The New Land (1966) - https://tiny.pl/nq9xb10rProfile (social media) audycji Jazz Czyli Blues:Facebook - https://tiny.pl/5n4699vyInstagram - https://tiny.pl/cbw-5hgyRadioJazz.Fm (online player)- https://tiny.pl/jbrrqk3vFILM DOKUMENTALNY DO POLECENIA:“I Called Him Morgan” (trailer) - https://tiny.pl/2x9spcqw

Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE – Anspiel diesmal ist : „Nature Boy” – durch Nat King Cole bekannt geworden. Folgende Titel sind zu hören: 1. My little suede Shoes – Charlie Parker 3:07 2. If you could see me now – Kenny Burrell with Art Blakey 5:30 3. Nature Boy – Céline Dion 3:46 4. Sweet Georgia bright – Henning Vincent 4:56 5. So danco Samba – Joao Gilberto 3:43 6. Jumpin' at the Woodside – RBT-Big Band & RIAS Big Band 3:56 7. Our Love is here to stay – Miriam Netti 3:30 8. Houston Blues – Fletcher Henderson and His Orchestra 3:09 9. Agua de beber – Al Jarreau 3:57 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

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Cecil Bartholomew aka Mr. B was born in Curepe, Trinidad, attended Presentation College in Chaguanas, worked at the license office then moved to the US to study. He gained a Bachelor of Science in Electrical Engineering from the Polytechnic Institute in New York, bolstered by further studies in Artificial Intelligence at MIT as well as jazz and classical guitar. He served as an International Engineering Manager at Electronic Signature Analysis Technologies with Xerox for 30 years, in the US, South America, Europe, Middle East, Africa and Australia, innovating strategic technologies to enhance component reusability. He returned to the Caribbean in 2000 as ICT director for OECS [Organization of eastern Caribbean States] under the leadership of the then Prime Minister of Grenada, Carriacou and Petit Martinique, Dr. Keith C. Mitchell. Mr. B resides in Saint George's, Grenada.He is a world-renowned Classical/Jazz guitar/Arranger/Composer, celebrated for his unique fusion of tropical rhythms and jazz structures and performed as a backup guitarist for visiting artists while he was active in New York City and had a significant performance history during the 1980s and 1990s. Although classically trained, Jazz became the main thrust. After a solo performance Gloucestershire England other performances occurred in Holland, Germany, France, and Australia, when a classical solo album was sold worldwide. Cecil also has two CDs. With a profound passion for music, he coined the term “Kingdom-Guitar,” emphasizing his commitment to integrate music with a powerful message. Cecil's musical journey began in Trinidad and continued in Grenada, where he developed a deep appreciation for the guitar under the mentorship of jazz legends Laurindo Almeida and Kenny Burrell. His compositions often reflect the Bossa Nova rhythm blended with cheerful lyrical jazz solos, creating a vibrant musical landscape in his works. Bartholomew's style, best described as "Tropical Jazz Fusion," artfully combines rock, calypso, and jazz standards, while also incorporating original compositions. As the composer and guitarist for the band, Bartholomew leads the ensemble's exploration of tropical jazz fusion, enhancing their sound through acoustic and electric guitar arrangements. The music produced is a harmonious blend of original works and creatively rearranged covers. Cecil was leader, composer and arranger of 2 bands: Akasa in the US and Quiet Fire in Grenada. His contributions in composition and arrangement helped shape the band's unique sound. He also played the double tenor steel pan and is a dedicated music instructor at Archibald Avenue Music since 2009.Presently retired, Mr. B performs weekly at the prestigious Calabash Hotel in Grenada and at special venues, mostly as a solo artist for the Government of Grenada and at other private events, while recording, teaching and changing the minds and hearts of youths through his music.A man of deep faith and conviction, Bartholomew sees music as a spiritual passage and a vehicle for societal change. He emphasizes discipline, effort, and heartfelt communication throughout, as well as advocating for women.

Grabaciones bossa nova en las guitarras de Luiz Bonfá ('Um abraço no Getz' -con el saxofonista Stan Getz-, 'Samba de Orfeu'), João Gilberto ('Um abraço no Bonfá'), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez' -con Stan Getz-), Baden Powell ('Tristeza', 'Canto de Ossanha'), Wes Montgomery ('Insensatez'), Joe Pass ('Meditação', 'The gentle rain' -con el percusionista Paulinho da Costa-), Jim Hall ('Simple samba'), Kenny Burrell ('Minha') y George Benson ('Jackie, all'). Escuchar audio

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Michelle Coltrane and Maggie LePique discuss her Mother, Alice Coltrane and the year-long celebration currently underway that's being called “The Year of Alice.”This celebration spans 2024-2025 and features previously unreleased music and reissues, brand new community programming, a multimedia museum exhibit, specially curated concerts, newly choreographed ballet works and much more.Jazz musician, composer, bandleader and spiritual and devotional leader, Alice Coltrane was born in Detroit, Michigan in 1937 to Solon and Annie McLeod, the fifth of six children. By the age of nine, she played organ during services at Mount Olive Baptist church.In the early 60's she began playing jazz as a professional in Detroit with her own trio and as a duo with vibist Terry Pollard.Alice Coltrane would go on to collaborate and performed with Kenny Clarke, Kenny Burrell, Ornette Coleman, Pharaoh Sanders, Charlie Haden, Roy Haynes, Jack DeJonette, Carlos Santana and more.Mrs Coltrane's interest in gospel, classical, and jazz music led to the creation of her own innovative style. Her proficiency on keyboard, organ, and harp was remarkable and her artistry matured into amazing arrangements and compositions.Her twenty recordings cover a time span from Monastic Trio (1968) to Translinear Light (2004).Michelle discusses at length one of the events here in Southern California that is part of the Year of Alice.Here in L.A. the exhibition Alice Coltrane, Monument Eternal at the Hammer Museum in Westwood is inspired by the life and legacy of jazz musician, composer and bandleader as well a spiritual and devotional leader, Alice Coltrane.This exhibition is part of a larger initiative called “The Year of Alice," and in partnership with the John & Alice Coltrane Home, Impulse Records, The New York Historical Society, the Detroit Jazz Festival and more.The exhibition presents works by contemporary American artists paired with items Coltrane's personal archive and features a range of mediums including video, performance, and sculpture together with Coltrane's archival hand-written correspondence, unreleased audio recordings, and rarely seen video footage.Upcoming event with Michelle Coltrane:Sai Anantam Devotional EnsemblePresented by CAP UCLA and Hammer MuseumSun, Apr 13, 2025 at 6:30pm The NimoyThe Year of Alice events include:Reissues of Alice Coltrane's albums and previously unreleased musicSpecially curated concerts in cities including New York, Brooklyn, Detroit, and CaliforniaA multimedia museum exhibitNewly choreographed dance worksCommunity programming and an Oral History ProjectDiscussions about Coltrane's life and workPartners in the celebration are:Impulse! RecordsDetroit Jazz FestivalHammer MuseumAlonzo King LINES BalletThe New York Historical SocietyShapeshifter LabLyon & Healey HarpsSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Source: https://www.alicecoltrane.com/Source: https://hammer.ucla.edu/exhibitions/2025/alice-coltrane-monument-eternalHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica stSend us a textSupport the show@profileswithmaggielepique@maggielepique

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JAVON JACKSON “WITH PETER BRADLEY” New York City, 2022Peter Bradley, Amy's Theme, Never Let Me GoJavon Jackson (st) Jeremy Manasia (p) David Williams(b) Charles Goold (dr) guest Greg Glassman (t) KENNY BURRELL “BLUESIN' AROUND” New York, November 21 (1), 28, 1961 The switch (1), Funk junction, The squeeze, How could you, Mood indigo Illinois Jacquet (ts) Hank Jones (p) Kenny Burrell (g) Major Holley (b) Osie Johnson, (d-1) Jimmy Crawford (d) LIAM SILLERY “PRIORITE” Riveredge, N.J., December 17 & 22, 2009 A priori, Remoulade Liam Sillery (tp) Matt Blostein (as) Jesse Stacken (p) Thomas Morgan (b) Vinnie Sperrazza (d) Continue reading Puro Jazz 19 de febrero, 2025 at PuroJazz.

JAVON JACKSON “WITH PETER BRADLEY” New York City, 2022Peter Bradley, Amy's Theme, Never Let Me GoJavon Jackson (st) Jeremy Manasia (p) David Williams(b) Charles Goold (dr) guest Greg Glassman (t) KENNY BURRELL “BLUESIN' AROUND” New York, November 21 (1), 28, 1961 The switch (1), Funk junction, The squeeze, How could you, Mood indigo Illinois Jacquet (ts) Hank Jones (p) Kenny Burrell (g) Major Holley (b) Osie Johnson, (d-1) Jimmy Crawford (d) LIAM SILLERY “PRIORITE” Riveredge, N.J., December 17 & 22, 2009 A priori, Remoulade Liam Sillery (tp) Matt Blostein (as) Jesse Stacken (p) Thomas Morgan (b) Vinnie Sperrazza (d) Continue reading Puro Jazz 19 de febrero, 2025 at PuroJazz.

Il y a des disques qui expriment à eux seuls la quintessence du jazz. Par exemple, quand on parle de guitare, des années 60 et du label Blue Note, un album revient tout de suite à l'oreille : Midnight Blue de Kenny Burrell. Midnight Blue appartient à la race des classiques et des indispensables, à tel point qu'Alfred Lion, le patron de Blue Note, souhaita qu'à sa mort, son exemplaire de l'album soit enterré avec lui. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE- Anspiel ist diesmal: „Stars fell on Alabama” – ein Jazzstandard aus dem Jahr 1934, komponiert von Frank Perkins. Folgende Titel sind zu hören: 1. When the Saints go marching in – Louis Armstrong & his Orchestra 2:46 2. The Summer Wind – Madeleine Peyroux 3:55 3. Midnight blue – Kenny Burrell 3:59 4. Straighten up and fly right – John Pizzarelli 5:09 5. Stars fell on Alabama – Toots Thielemans 3:15 6. Tonight I shall sleep with a smile on my face – Sarah Vaughan 3:59 7. Tears in Heaven – Joshua Redman 3:24 8. Misty – Johnny Mathis 3:31 9. Split feelin's – Hank Mobley 4:50 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

durée : 01:00:35 - Club Jazzafip - À l'occasion de ses 50 ans de carrière, nous invitons la chanteuse amoureuse du jazz, du blues et du gospel à prendre les rênes de notre programmation avec Erik Truffaz, Ella Fitzgerald, Oscar Peterson, Billie Holiday, Claude Nougaro, Miles Davis, Peggy Lee, Kenny Burrell ….

La Navidad es un tiempo alegre de fiesta y celebración familiar en muchas culturas. En la comunidad afroamericana tiene una importancia especial, la canción, el baile y la narración. Era uno de los pocos momentos en que los dueños de las plantaciones daban tiempo a los esclavos para reunirse, aunque fuera bajo su vigilancia. La emancipación en el siglo XIX hizo que la tradición occidental se uniera a elementos de la cultura africana. El Renacimiento de Harlem da una identidad y creatividad a esta música, que tiene su centro en la iglesia, donde se hacen conciertos, obras y lecturas que dan a la historia de la Navidad un anhelo de esperanza y liberación. El movimiento por los derechos civiles de los años 50 y 60 del pasado siglo, hizo que el mensaje de paz de la Navidad encontrará en esos días, su mayor plataforma. El Doctor Soul se une un año más a José de Segovia, para presentar y comentar una selección de temas de Navidad en el programa de Dynamis Radio, "El sueño se ha acabado". Luis Lapuente escoge canciones de los álbumes de soul que aparecían en estas fechas de cantantes como Aretha Franklin (Hark The Herald Angels Sing / The Christmas Song) y muestra la relación de composiciones como "Spanish Harlem" con la Navidad. El Doctor Soul introduce la vertiente jamaicana de Ken Boothe (First Noel), la voz de barítono de Lou Rawls en "Auld Lang Syne", la conciencia social de los Staple Singers (Who Took The Merry Out of Christmas) y la "Blanca Navidad" de Otis Redding. Pasamos de la ligereza de los Jackson 5 (Santa Claus Is Coming To Town), Smokey Robinson (Jingle Bells) o Darlene Love (Winter Wonderland) a la solemnidad de Diana Ross con las Supremes en "Joy To The World" y Robinson con sus Miracles en "O Holy Night". Las composiciones instrumentales que suenan de fondo a la conversación son de la banda de "surf" The Ventures, muchas del músico de jazz Kenny Burrell y el grupo de soul de Memphis, vinculado al sello Stax, Booker T & The M.G´s. Suenan también grabaciones del trompetista Chet Baker, el organista Jimmy Smith, los pianistas Ramsey Lewis y Vince Guaraldi, los saxofonistas Carla Bley, Dexter Gordon, Gene Ammons o el guitarrista Oscar Moore. La realización sonora que mezcla la música, las voces y las canciones es de Daniel Panduro.

durée : 00:59:49 - Explosion - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

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Sintonía: "Candlelight" - Brother Jack McDuff"A Kettle Of Fish", "Put On A Happy Face", "Mean To Me", "Carry Me Home", "Easy Living", "Oh, Look At Me Now" y "Dig Uncle Will", extraídas del álbum "Prelude" (Prestige, 1964)"Grease Monkey", "The Breeze And I" y "Nica´s Dream", extraídas de "Crash!" (Prestige, 1963) de Jack McDuff featuring Kenny BurrellTodas las músicas interpretadas al órgano Hammond B-3 por Jack McDuff y a la guitarra eléctrica por Kenny Burrell  Relación de fechas de emisión de los 2 anteriores programas de este coleccionable:1. "The Honeydripper" (1961) y "Good Night, It´s Time To Go" (1961) emitido el 16/09/20242. "Screamin´" (1963) y "Somethin´ Slick" (1963) emitido el 08/10/2024Escuchar audio

Following my recent themes of music from SoCal and New England, I will feature music that exemplifies some of the fine jazz artists from these two areas of the country. Also, we close out the show with classic guitar work from Kenny Burrell and brand new music from Imannuel Wilkins.   Playlist Artist ~ Name ~ Album Rob Thorsen ~ Dexterity ~ Lasting Impression Gilbert Castellanos ~ Bilad as Sudan ~ Espérame En El Cielo Mackenzie Leighton ~ November ~ I Remember Steve Davis ~ To Wisdom, the Prize ~ We See Abena Koomson-Davis ~ Everyday I Have the Blues ~ Where Is Love Matt Dwonszyk ~ It's Donny Time ~ Donny Time Kenny Burrell ~ Kenny's Sound ~ Midnight Blue Immanuel Wilkins ~ DARK EYES SMILE ~ Blues Blood

Pallbearer [00:34] "An Offering of Grief" Sorrow and Extinction 20 Buck Spin SPIN048 2012 Full-length debut from this heavy doomy band from Little Rock AR. Easily one of the best records of 2012. Ray Charles & Milt Jackson [09:06] "Soul Meeting" Soul Meeting Atlantic SD 1360 1962 Two great tastes that vibe great together. Featuring Ray on piano, Milt on vibes, Kenny Burrell on guitar, Percy Heath on bass, and Art Taylor on drums. This one was written by Jackson, with illuminating parts from both Milt Jackson and Kenny Burrell. Curtis Harding [16:08] "Freedom" Soul Power Burger Records BRGR600 2014 Debut outing from this Atlanta musician. Describing his sound as "slop 'n soul", this one track has a definite Arthur Lee feel. Lou Rawls [18:49] "A Whole Lotta Woman" Soulin' Capitol Records T 2566 1966 Not a whole lotta love, not a whole lotta Rosie, but a whole lotta woman. John Coltrane with Red Garland [21:27] "Theme for Ernie" Soultrane Prestige 7142 1958 One of Coltrane's showcases for his distinctive sheets of sound style. Joined here by Red Garland on piano, Paul Chambers on bass, and again Art Taylor on drums. Les and Larry Elgart and their Orchestra [26:24] "You're My Thrill" Sound Ideas Columbia CL 1123 1958 Hailing from Pompton, New Jersey, these brothers developed their "Elgart Sound" in 1952 and released over half a dozen albums before parting after this album to pursue their musical interests. Mary Martin et al [30:02] "The Lonely Goatherd" The Sound of Music (Original Broadway Cast) Columbia Masterworks KOL 5450 1959 Now that's what I call yodeling! Pre-Julie Andrews obviously. Mary Martin was perhaps best known as playing the title role in the Broadway production of Peter Pan. Not sure how I knew this, but maybe it was due to living in New York for 20 years naking Broadway trivia inescapable. The Sinceros [33:23] "Take Me to Your Leader" The Sound of Sunbathing Epic EPC 83632 1979 The sticker on the cover says that this track is their featured single, so that's what I'm going with. Power pop-y new wave-y. Herb Alpert & the Tijuana Brass [37:10] "Casino Royale" Sounds Like... Herb Alpert & the Tijuana Brass A&M LP124 1967 You know I love a good shaggy dog of a film, and Casino Royale is definitely that. Well, the Daniel Craig version is too, but I'm talking about the 1967 comedy version with David Niven as Sir James Bond. Ravi Shankar [39:47] "An Introduction to Indian Music" The Sounds of India Columbia CS 9296 1968 (originally released in 1958) Re-released to tap into the growing interest thanks to the Beatles' interest in Indian music (specifically George Harrison). Relax! Simon & Garfunkel [43:56] "We've Got a Groovey Thing Goin'" The Sounds of Silence Columbia CS 9269 1966 Helped out here by The Wrecking Crew, including Glen Campbell and Joe South on guitar, Hal Blaine on drums, and Larry Knechtel on the Ray Charles-esque electric piano. Scott Walker + Sunn O))) [47:22] "Brando (Dweller on the Bluff)" Soused 4AD CAD 3428 2014 On the surface, it's an odd pairing, but as the music that fills this album suggests, it's a perfect pairing. Sunn O)))'s Greg Anderson and Stephen O'Malley had originally reached out to Walker about contributing to their 2009 album Monoliths and Dimensions but were unable to coordinate. Walker subsequently contacted about contributing drones to fill in the silence between his lyrics while working on his epic 2012 release Bish Bosch. Evidently, Sunn O))) brought their full stage equipment to Walker's studio for recording. If you are unfamiliar, it's a wall of Ampeg, Marshall, and HiWatt speakers with Ampeg SVT and Sunn Model T heads. Herb Alpert's Tijuana Brass [56:06] "The Girl from Ipanema" South of the Border A&M SP-108 1964 South of the border, down Rio de Janiero way. Music behind the DJ: "If I Fell" by Perry Botkin Jr and his Orchestra

HUTCHERSON/LAND QUINTET TOTAL ECLIPSE New York, July 12, 1968Matrix, Total eclipseHarold Land (ts,fl-1) Bobby Hutcherson (vib,bells-1,marimba-1) Chick Corea (p) Reggie Johnson (b) Joe Chambers (d) KENNY BURRELL / COLEMAN HAWKINS “BLUESY BURRELL” Englewood Cliffs, N.J., September 14, 1962I thought about you (1), It's getting dark (1,2), GuiltyColeman Hawkins (ts-1) Tommy Flanagan (p) Kenny Burrell (g) Major Holley (b) Eddie Locke (d) Ray Barretto (cga-2) JAE SINNETT ZERO TO 60 c. Continue reading Puro Jazz 19 de Julio 2024 at PuroJazz.

TODD MARCUS TRIO+ Silver Spring, MD, May 3 & July 6, 2019Something suite in 4 movements (4), Neophilia (3,4)Sean Jones (tp-1) Todd Marcus (b-cl,cl-2) Jeff Reed (b-3) Ameen Saleem (b-4) Ralph Peterson (d) Eric Kennedy (d-5) KENNY WHEELER GNU HIGH New York, June, 1975HeyokeKenny Wheeler (flhrn) Keith Jarrett (p) Dave Holland (b) Jack DeJohnette (d) MILT JACKSON & COLEMAN HAWKINS BEAN BAGS New York, September 12, 1958Don't take your love from me, Get happy, Indian bluesColeman Hawkins (ts) Milt Jackson (vib) Tommy Flanagan (p) Kenny Burrell (g) Eddie Jones (b) Connie Kay (d) Continue reading Puro Jazz 10 de Julio 2024 at PuroJazz.

Listen to the Sun. June 16, 2024 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode features our regular PANW report with dispatches on the statement made by the Republic of South Africa Vice-President Paul Mashatile to the youth of the country on future prospects for employment and economic opportunities; there are two banks which have collapsed in the East African state of Kenya; displacement has escalated on the African continent; and United Nations peacekeeping troops in the eastern Democratic Republic of Congo (DRC) have expanded their operations. During this program we continue our commemoration of Black Music Month with focuses on Congolese singer and composer Marie-Claire Mboyo Moseko, professionally known as M'bilia Bel, as well as African American Jazz artists Lee Morgan and Kenny Burrell.

With over 75 million records sold, six Grammy's, and inductions into the Rock and Roll Hall of Fame, the Police are one of the most iconic bands in the world.  Although they're no longer making music as a group, each member is still immersed in their creative pursuits, and guitarist Andy Summers is following his all the way to New Zealand.  In an exclusive first announcement, Summers will be bringing Kiwi audiences ‘The Cracked Lens + A Missing String', an intimate, multimedia performance full of musical performances, stories, and his celebrated photography.  He told Newstalk ZB's Mike Hosking that tickets for the shows are hard to come by and he's getting a standing ovation every night.  “So, I think it's going well.”  Summers began his foray into photography while touring with the Police in 1979. He said he had plenty of time on his hands and photographers were abundant.  “I finally sort of crossed over and got a good camera and said, ‘well, I'm gonna do this,'” he told Hosking.  “It turned into, you know, a passion that I stayed with ever since.”  When it comes to his photography, Summers favours abstraction, focusing on composition, values, balance, and colour as opposed to interesting faces or scenes.  “I think of it in formal properties,” he explained.  “Not like, ohhh, that's an exciting moment, you know, that man's doing something to that man, whatever.”  This different way of thinking carries through to his music as well, Summers citing a quote from critic Walter Pater: ‘all art constantly aspires to the condition of music'.  “I find the information that I had from music is sort of... you can take it across to photography. And again, you know, like in music you would be thinking of line shape, one thing contrasting against another, a structure.”  “All these things can be applied to photography.”  Summers blends his creative pursuits further, creating scores that go alongside his photographs. His newest EP ‘Vertiginous Canyons', releasing later this month, is a companion for his 2023 photography book ‘A Series of Glances'.  He revealed to Hosking that the score is entirely improvised, as he played around until he got sounds that inspired him and built each track off that.  “I made those tracks in one afternoon, which I think is very healthy,” Summers laughed.  There's often an idea that quality directly correlates with the time something takes, but Summers doesn't believe that matters, saying that some of the greatest things are done in minutes.  “I was trying to tell somebody this morning,” he said to Hosking.  “You know, you sit there and slog away trying to write something, and then you give up, and the last minute you give up, it suddenly arrives in your head.”  While some of it can be attributed to years of training and familiarity with his craft, there is another sort of mysterious element to it: a spark of inspiration.  Summers has been playing guitar since he was young, transitioning through styles and genres throughout his life. He grew up playing jazz and classical, learning from people like Kenny Burrell and Jimmy Rainey, and began his professional career in a rhythm and blues band before joining the Police.  After their disbandment in 1984, Summers began his solo career influenced by all sorts of music, taking inspiration from the likes of Thelonious Monk and Miles David.   “All this was something that I wish to take elements from and kind of build my own style.”  "What's more creatively fulfilling, post-Police or the Police?” Hosking asked, which Summers said was a “bit of a cruel question”.  “I can't really answer that,” he said.  The two are different things Summers told him, with the Police being “the magic band”, something that doesn't come along often, and his solo work being incredibly enjoyable as well.  “I've made 15 solo albums and I really dug into it,” Summers said.  He's renewed his studio equipment, confirming his plans to create more music in the coming future.  “I think we went through a weird time with Covid and everything seemed to have stopped, and now it feels like life is coming back again.”  “I'm on the road and I renewed the studio, so yeah, looking forward to it. Feeling good about it.”  Tour Dates:  19th September, Opera House, Wellington.  20th September, James Hay Theatre, Christchurch.  3rd October, Town Hall, Auckland.  LISTEN ABOVE See omnystudio.com/listener for privacy information.

"Before you slip into unconsciousness, I'd like to have another kissAnother flashing chance at bliss, another kiss, another kissThe crystal ship is being filled a thousand girls, a thousand thrillsA million ways to spend your timeWhen we get back, I'll drop a line"Please get you boarding pass ready for this weeks Red Eye Journey on the Crystal Ship. Joining us are Return To Forever, Stevie Ray Vaughn, Tom Waits, Spanky & Our Gang, Orpheus, James Taylor, Maria Muldaur, Shuggie Otis, Traffic, Frank Sinatra, The Beatles, Moody Blues, Arthur Lee & Love w Johnny Echols, The Left Banle, Association, Critters, John Lee Hooker, J. Geils Band, Kenny Burrell, Glen Campbell, Jeff beck, Jimi Hendrix Experience, Bee Gees and The Doors...

durée : 00:59:32 - Tres palabras - par : Nathalie Piolé -

We go from driving Afrobeat to burning Cincinnati funk to slippery New Orleans grooves to fuzzed-out psychedelic blues on this edition of One Room Paradise with visits from Marijata, Muddy Waters, Kenny Burrell, Boots Collins, Leo Nocentelli, Terry Callier and more! Tune into new broadcasts of One Room Paradise, the 2nd & 4th Sunday from 7 - 8 PM - EST / 12 - 1 AM GMT. (Monday)For more info visit: https://thefaceradio.com/on-target////Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:00:35 - Club Jazzafip - À l'occasion de ses 50 ans de carrière, nous invitons la chanteuse amoureuse du jazz, du blues et du gospel à prendre les rênes de notre programmation avec Erik Truffaz, Ella Fitzgerald, Oscar Peterson, Billie Holiday, Claude Nougaro, Miles Davis, Peggy Lee, Kenny Burrell ….

A punto de publicar su próximo largo, abrimos con el último trabajo del estupendo pianista escocés Fergus McCreadie, Sketches, este EP digital a piano solo publicado a finales de 2023. Volvimos a escuchar la sorprendente música de los franceses Ghost Rhythms, con Spectral Music, de 2021. Nuestro Clásico de la Semana fue Kenny Burrell & John Coltrane, publicado en 1963. Descubriremos la música de los canadienses Thus:Owls, escuchando Who Would Hold You If The Sky Betrayed Us? Seguir leyendo La Montaña Rusa 16.2024. Fergus McCreadie. Ghost Rhythms. Kenny Burrell & John Coltrane. Thus:Owls. Malleus Trio. Tania Giannouli. Gonzalo Rubalcaba, Ron Carter & Jack DeJohnette. en La Montaña Rusa Radio Jazz.

Celebrating Black History Month: Oscar Peterson, Molly Johnson, Big Miller, Wes Montgomery, Sélène Saint-Aimé, Rhoda Scott, Lakecia Benjamin, Lionel Loueke, Reuben Rogers & Eric Harland, Somi, Sargeant X Comrade, Afrika Mamas, Jah'Mila, seed., and Johnathan BlakePlaylist: Oscar Peterson - Soft WindsMolly Johnson - Whatever Lola WantsBig Miller, featuring Zoot Sims, Al Cohn, Phil Woods, Ben Webster, Plas Johnson, Kenny Burrell, Jim Hall, Jimmy Jones, Red Mitchell, Elvin Jones, Jo Jones & Mel Lewis - Five O'Clock BluesWes Montgomery - Blue 'N' BoogieSélène Saint-Aimé - Arawak UhuruRhoda Scott - Blue LawLakecia Benjamin - TraneLionel Loueke, featuring Reuben Rogers & Eric Harland - SkylarkSomi - Lakutshon'ilangaSargeant X Comrade - StagesAfrika Mamas - Uzitshela Ukuthi UyaziJah'Mila - Liberskaseed., featuring Mr. Ekow - Interplanetary MigrationJohnathan Blake - Passage

LESTER YOUNG – JONES, SMITH INC Chicago, November 9, 1936Lady Be Good, Shoe Shine Boy, Evenin' (JR-vcl), Boogie Woogie (JR-vcl)Carl “Tatti” Smith (tp), Lester Young (ts), Count Basie (p), Walter Page (b), Jo Jones (d), Jimmy Rushing (vcl). WOODY HERMAN – 1937-1938 (CHRONOLOGICAL) The Band That Plays The Blues – New York, October 25 & November 23, 1937I double dare you, My fine feathered friend, I wanna be in Winchell's column, Loch Lomond Clarence Willard, Kermit Simmons (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) And His Orchestra – New York, June 8, 1938Laughing boy blues, Lullaby in rhythm Clarence Willard, Malcolm Crain (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Deane Kincaide (as) Maynard “Saxie” Mansfield, Bruce Wilkins (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) Woody Herman Sonny Skylar (vcl) And His Orchestra – New York, December 22, 1938Indian boogie woogieIrving Goodman, Clarence Willard, Jerry Neary (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Joe Estren, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Hy White (g) Walter Yoder (b) Frank Carlson (d) Mary Martin (vcl) ILLINOIS JACQUET – COLUMBIA SMALL GROUP SWING SESSIONS 1953-62 New York, February 5, 1962 & March 28, 1962Satin doll, Ydeen, Banned in Boston, Indiana, Reverie (ij vcl;re,cd out)Ernie Royal, Roy Eldridge (tp) Matthew Gee (tb) Illinois Jacquet (as,ts,vcl) Charles Davis o Leo Parker (bar) Sir Charles Thompson (p) Barry Galbraith o Kenny Burrell (g) Jimmy Rowser (b) Jimmy Crawford o Jo Jones (d) Jimmy Mundy, Ernie Wilkins (arr) Continue reading Puro Jazz 12 febrero 2024 at PuroJazz.

Con Carlos López I Han pasado más de 60 años desde que fuera publicado, pero el aura de este disco permanece intacta. Midnight Blue es uno de los álbumes más admirados y ensalzados en la historia de la música (sin indicar de forma precisa sus posibles etiquetas: blues y/o jazz). Grabado en una única sesión, Kenny Burrell, con su maestría a la guitarra, logró impregnar al novedoso quinteto que formó para la ocasión, el sentimiento que él mismo tenía hacia el blues.

Steve Husted began his musical journey at the ripe old age of 6. From there he was always involved in everything musical from school band to private instruction to playing local parties for friends. At age 15, Steven moved from CT. to San Francisco, where he jumped head first into the study of jazz. By the time Steven was 23, he was one of the top call bassists in the San Francisco Bay Area, including 6 years teaching at the acclaimed Stanford Jazz Workshop. Steven has played with many jazz greats including Kenny Burrell, Billy Higgins, and Vince Wallace. Now residing in Austin, TX, Steven remains an in demand bassist/composer and band leader. We talk about growing up in San Francisco, his new album Standards and Then Some, how life led hi to move to Austin, and much more.  Enjoy, and be sure to check out Steve's cool new album and also follow him on Instagram and his website!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   theme music by Eric Hochberg   00:00 Introduction and Guest Introduction 00:43 Conversation with Steve Husted 00:55 Discussing San Francisco and Austin Music Scenes 06:14 Reflecting on the Impact of the Pandemic 13:05 Sponsor Shoutout: Carnegie Mellon University 14:27 Continuing the Conversation: Life in Austin and Music Career 25:54 Discussing the Stanford Jazz Workshop 30:45 The Unpredictability of a Music Career 31:17 The Challenges of Being a Musician 31:32 The Impact of Internet on Music Industry 32:03 The Art of Bass Playing 32:40 The Importance of Technique in Playing Instruments 32:54 The Role of Internet in Learning Music 33:28 The Difference Between Arco Playing and Pizzicato in Jazz 33:46 The Struggles of Learning Classical Music 34:20 The Fear of Performing Solo 35:25 The Mastery of Arco Jazz 35:33 The Influence of Christian McBride in Arco Playing 36:18 The Art of Playing Double Bass 37:06 The Challenges of Playing Different Instruments 39:09 The Importance of the Right Equipment in Music 39:18 The Influence of Heavy Metal in Bass Playing 56:16 The Experience of Touring with Different Bands 01:02:55 The Journey of Podcasting

Si en otro de nuestros programas para las Navidades hablábamos del origen las 12 canciones más difundidas en la historia de la música popular, en esta ocasión cambiaremos las versiones de 12 famosos cantantes y pasaremos a la audición de las mismas composiciones, pero solamente instrumentales. También estarán a cargo de orquestas y virtuosos como Duke Ellington, Count Basie, Chet Baker, Kenny Burrell, Coleman Hawkins o Sidney Bechet…

Las guitarras de João Gilberto ('Um abraço no Bonfá'),, Luiz Bonfá ('Samba de Orfeu', 'Um abraço no Getz' -con Stan Getz-), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez'), Jim Hall ('Simple samba'), Kenny Burrell ('Minha'), Joe Pass ('Meditação', 'Gentle rain' -con Paulinho da Costa-), Wes Montgomery ('Insensatez'), George Benson ('Jackie all'), Rosinha de Valença ('Minha saudade') y Baden Powell ('Tristeza').Escuchar audio

From the Sourced Network Productions, it's the Hot Jazz Network Podcast with host George Cole. Here's a great story to get you started on the episode with Bruce Forman, recounting his early influences and how he found his life's path at the early age of 17 years old.From Bruce FormanMy first jazz guitar player that I really remember loving was Kenny Burrell. Just the bluesy-ness and the elegance and the eloquence of his playing, it was just such a beautiful counterpoint musically, sound wise and feel wise to everything, even though I was much more interested in playing a lot more than he liked to play, a la Charlie Parker. That was my first one, and then Wes just blew my mind, and then Barney Kessel just creamed me, and then, of course, 1972 or 3 was the year Virtuoso Joe Pass came out. And that changed the world for us guitar players. That just changed the world. By then, I guess I was pretty well printed. I was probably about 17 at that time. My first Monterey Jazz Festival I went to in 1973. Joe Pass was there, Roy Eldridge was there, Dizzy Gillespie was there. It was amazing. It was just a mind blowing experience. 


This week, Sam sits down with LA-based touring and session guitarist, Donnie Laudicina to chat about what it takes to make a living playing guitar and mastering your craft. Donnie Laudicina is a touring and session guitarist based in Los Angeles, CA. He has performed and recorded with artists around the world, including Ashe, DPR Ian, Willie Jones, Aaron Lindsey, Justin Bernardez, Grace Gaustad, Cody Dear and more. Years of experience in the industry have allowed him the opportunity to perform on some of the world's biggest stages (Rose Bowl, Coachella, Outside Lands, Bonaroo, Late Night with Seth Meyers, Lincoln Center, C2C festival). He's opened for acts such as Nelly, Flo Rida, Phoebe Bridgers, Jon Stewart, The Lumineers, and Jesse McCartney. Donnie graduated from UCLA in 2016 with a BA in Jazz Guitar Performance. He spent his college years studying under the likes of Kenny Burrell and Wolf Marshall, legendary players who helped him build the skills necessary for success in the industry. Looking to develop the six-string skills needed to carve out a career as a touring/session guitarist? Check out a free trial to Pickup Music.

Our Jazz Feature takes you back to tan important center of Jazz action in New York in the mid-50`s. The Cafe Bohemia located in Greenwich Village. The band is the first group that master trumpeter Kenny Dorham put together. he called it ``The Jazz Prophets``. Kenny Dorham is one of the finest and original of the early Modern Jazz trumpeters. He came to maturity in the early 1950`s and was a charter member of Art Blakey`s Jazz Messengers. In 1956 he formed The Jazz Prophets. Sadly it was short-lived but made several fine recordings including this one. Kenny Dorham put together J.R. Monterose on tenor saxophone and a very young 19 year old Bobby Timmons on piano, Sam Jones is on bass and the tasty and swinging Arthur Edgehill is on drums. They play a variety of original and standard materiel in this set and are joined on the last tune, Dizzy Gillespie`s ``A Night in Tunisia`` by guitarist Kenny Burrell. All live at The Cafe Bohemia on May 31,1956. Kenny Dorham, tonight`s Jazz Feature artist.

The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions. This journey began in Jones' hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President's Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli's composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli's music and other contemporary compositions in related genres. Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University's top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University's Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg's Travelogue for Eb Trumpet. Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Minds” among other productions listed under the media tab of his website. Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones was a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,” at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.

At the start of his career, the great guitarist Kenny Burrell wrote, “Freddie Bryant is a brilliant young guitarist and composer.” Since then he has shown his versatile skills in jazz, classical, Brazilian, and other world genres. Freddie is currently in demand in the New York jazz scene. He worked with Ben Riley for over a decade with the Monk Legacy Septet (Memories of T on Concord Records) and The Ben Riley Quartet (Grown Folks Music on Sunnyside Records). He has been a member of the Mingus Orchestra since the millennium and has toured and recorded with Tom Harrell (Paradise on RCA). His own group, KALEIDOSCOPE whose CD, Live Grooves…Epic Tales is on the HiPNOTIC record label and features grooves from around the world including Brazil, Cuba, and New Orleans, and influences from blues, gospel, India, and the Middle East. This Spring and Summer celebrate the release of his opus, Upper West Side Love Story, a double CD of his 16-movement song cycle featuring an all-star nonet: Carla Cook – vocals, Regina Carter – violin, Donny McCaslin and Steve Wilson on saxophones and flutes, Gwen Laster and Akua Dixon filling out the string section on viola and cello with the grooving rhythm section of bassist John Benitez and drummer Alvester Garnett. In this episode, Freddie shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Maggie speaks with percussionist Joey DeLeon and bassist Eddie Resto about  “The Global Salsa Explosion and Its Origins” and play the incredible, iconic music that caused such a sensation when it stormed out of New York in the 1970s.Joey De Leon is a percussionist, educator and producer who's performed or recorded with artists of almost every genre from jazz to Latin, pop to contemporary classical and film scores. The long list of artists he's worked with include Queen Latifah, Al Jarreau, Jennifer Lopez, Bette Midler, Cyndi Lauper, Poncho Sanchez, Arturo Sandoval and Gordon Goodwin's Big Phat Band.Joey DeLeon was born in the Hell's Kitchen section of New York City, holds a bachelor's degree from the prestigious Manhattan school of music and is currently a faculty member at Cal Arts here in Sothern California.Eddie Resto is a bassist whose credits are just as astoundingly diverse as Joey DeLeon's. Eddie's resume includes his work with Tony Bennett, Rita Moreno, Sonny Stitt, Tito Puente, Dizzy Gillespie, Paul Simon, Kenny Burrell, Herbie Hancock, Chick Corea, Carlos Santana, Jaco Pastorius, Dexter Gordon, Max Roach, Eddie Palmieri and Joni Mitchell.Eddie holds a master's degree in Afro-Latin music from California State University of Los Angeles and serves his communities through his work with the Mancini Institute, The Urban League, The Boys and Girls Club of America and other youth organizations.Source: https://www.labella.com/artists/eddie-resto/#:~:text=Born%20and%20raised%20in%20Manhattan,major%20performers%20and%20music%20groups.Source: https://www.joeydeleonmusic.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Tonight's show: Erskine Hawkins & and His Orchestra, Illinois Jacquet, Artie Shaw, Zoot Sims, Lou Levy Trio, Mundell Lowe And His All Stars, Gil Evans, Horace Parlan, Elek Bacsik, Kenny Burrell, and Buddy Collette.

Listen to the Mon. June 19, 2023 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The episode features our regular PANW Report with dispatches on the African Leaders Peace Initiative to Ukraine and Russia; Somalia is coming to grips with the drawdowns of troops from the African Union Transition Mission in Somalia (ATMIS); there has been an international donors conference to raise funds for humanitarian relief in wartorn Republic of Sudan; and the Inter-governmental Authority on Development (IGAD) is intensifying its cooperation with the African Union (AU). In the second hour we look in detail at the African Leaders Peace Initiative to end the war in Ukraine which took place over the weekend. Our final segments continue the commemoration of Black Music Month with focuses on the Orchestra Baobab from Senegal as well as two legendary guitar players, Wes Montgomery and Detroit's own Kenny Burrell. 

It's the 112th episode of the Truth About Vintage Amps, where legendary amp tech Skip Simmons fields your questions on guitar amps and their repair.  Want to be a part of the show? Keep the amp questions for Skip coming to podcast@fretboardjournal.com! Voice memos or emails are welcome.  Some of the topics discussed this week: 7:42 David Lindely on Dumble: Audio interview on our Patreon (link) 8:07 Shoutout to August from Otis Amps 8:46 Rancho Gordo Beans, redux (link), Herdez Salsa Casera, Juantonio's chips 11:42 What's on Skip's workbench: A Stromberg PA head; a 1910 Hammond Multiplex typewriter 16:39 More on David Lindley 19:31 A muted Tweed Bassman with a hiss in V2, testing test equipment; a brownface Deluxe at the flea market 27:15 What's the difference between silverface '60s Fender Pro Reverbs (drip-edge or not); the Cars; is the Pro Reverb the beginning of "logging truck" status 33:53 Amps that use 2A3/6A3 triodes as power tubes 40:01 ChatGPT wrote a poem about TAVA 43:11 Rob Robinette's recommendation to put a 1N4007 diode in series after the Secondary AC High voltage and the plate of the rectifier tube; 'Junior Bonner' with Steve McQueen; Better Call Saul; Hollywood gossip 47:49 Lighting your workbench, a dedicated filter circuit for testing amps? 50:39 Waking up amps that have not been used in a long while; using multimeters for the first time; inconsistencies in the volt readout on a variac 56:12 Does a variac provide the same shock protection as an isolation transformer?, the Silvertone 1485 circuit, the Hillbilly Rueben recipe 1:02:52 Hearing Skip's voice in your head while you're at your day job; a 1940s Navy soundsystem with a dynamotor 1:06:15 Fixing the crack in a 1972 Fender Deluxe Reverb cabinet, troubleshooting amps that have been dropped, index pins 1:13:13 The sound of octal tubes; the Baxandall EQ circuit explained; why did my Ampeg start smoking with an acrid smell when turned on? 1:17:38 A Fender Hotrod Blues Deluxe that is muted until it has warmed up for 30 seconds, input jacks 1:22 Kenny Burrell's ‘Soulero', a 2006 Fender Tweed Twin (no reverb) with an intermittent volume drop 1:28:46 Balancing family life with amp projects, redux Recorded March 15, 2023. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.  This week's episode is sponsored by Stringjoy Strings, Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. Want to register for our Fretboard Summit? Here's a link.  Submit your amp questions, recipes, and life hacks to podcast@fretboardjournal.com and don't forget to share the show with friends on social media.

On this episode: winter and seasonal music from Dave Brubeck, Kenny Burrell, Art Pepper, Al Di Meola, The Brubeck Brothers Quartet, The Taylor Eigsti Trio, Johnny Varro, Vince Guaraldi Trio, Red Garland Trio, Cyrus Chestnut, and Dave Brubeck again.

Switching gears from last week's fusion episode, we return to a more bop oriented show. Art Pepper, Kenny Burrell and Joe Gordon open the set. Next up some of the great jazz artists on the San Diego scene. We finish with new music from The Bad Plus and Miguel Zenon. The show concludes with Miles playing Feldman. Playlist Artist ~ Name ~ Album Art Pepper ~ Groovin' High ~ Art Pepper + Eleven: Modern Jazz Classics Kenny Burrell ~ Delilah ~ Introducing Kenny Burrell - The First Blue Note Sessions Joe Gordon ~ Terra Firma Irma ~ Lookin' Good! Gilbert Castellanos ~ La Tinsa ~ Underground Christopher Hollyday ~ Everything Happens ~ Telepathy James Moody ~ Moody's Mood ~ The World Is a Ghetto The Bad Plus ~ Motivations II ~ The Bad Plus Miguel Zenón ~ Navegando ~ Música De Las Américas Miles Davis ~ Joshua ~ Seven Steps To Heaven

Our 100th episode! To help us celebrate this milestone, Skip and Jason are joined this week by friends of the show Nels Cline (Wilco), Barry Grzebik (Grez Guitars), Jesse Quitslund (Acme), Steve Melkisethian (Angela Instruments), and Colleen Fazio (Fazio Electric). We tackle a few amp questions, get the first-ever ambient remix of our podcast, catch up, and announce the winners of our 100th episode giveaways.  This week's episode is sponsored by Calton Cases, Jupiter Condenser Co., Amplified Parts and Grez Guitars. You can also use the discount code FRET10 to save 10% off your Izotope purchase. Support us on Patreon.com for added content and the occasional surprise.  Some of the topics discussed this week: 4:48 'California Burning' book (Amazon link) 7:05 Special guest: Nels Cline: Daybreak Seaweed Flakes (link)  8:26 Our TAVA 100 Giveaways: A Grez Mendocino Junior; a Skip-modded SF Fender champ; a Madsen Amplification GE Boost (use the discount code TAVA 20 at madsenamps.com); a FirstCoast Amplification-modified Masco-turned-5F2A Princeton (FirstCoast's Reverb store); Eric Daw's new book 'Solid Sound: 23 Schematics for Wiring Vintage and Modern Single-Coil, Solid-Body Guitars' (order link) 11:01 Special guest: Barry from Grez Guitars 11:23 Special guest: Jesse Quitslund (Acmeverb.com) 17:55 Special guest: Steve Melkisethian (Angela Instruments), a rough tomato season, the Angela SSE amp project 21:52 Special guest: Colleen Fazio (fazioelectric.com) 26:35 Marty from the Oregon Coast 28:05 Carlsbro amps, haunted amps 33:38 What does a wattage rating really mean? 38:29 Derek the Cruise Ship Guy's ambient TAVA remix; increasing the tremolo on old Fender amps, pulling the tremolo pre-amp tube to increase gain, McGohan PA amps 48:14 Building the Angela SSE amp (link to the catalog/schematic) 53:35 Favorite speakers for black panel Fenders, Colleen's test cabinet 56:26 A philosophical question: What if the modded vintage amp you bought was modded by a genius?; homemade hot sauce, mica caps, replacement Fender Silverface pilot light washers 1:07:19 The amp that Barry at Grez puts all his guitars through 1:09:06 Was the Vox AC-30 circuit inspired by a Gibson design? EL34s in early AC-30s 1:12:19 Music recommendation: Billy Jack Wills' Crazy Man Crazy (YouTube link), Bob Wills' 1941 Martin D-45 (catch Jason in this Emerald City Guitars' YouTube video) 1:13:54 How to tell a tube's origin from its appearance? 1:18:06 Thoughts on putting a vintage transformer in a Champ kit; single-ended Hammond output transformers (125 BSE, ESE, etc); 5932 tubes 1:33:52 TAVA's most boring or brilliant moments; laptop-to-tube-amp connections (speaker-driven line out from a headphone jack?) 1:36:22 The differences found in top boost and bright switches 1:39:22 The Coriolis effect on electrons in a pre-amp tube in the Southern hemisphere, the Goldentone amp book (link) 1:40:51 Grid leak bias amps and giving an amp more headroom 1:46:57 Barry describes the Grez Mendocino Junior that we're giving away 1:48:08 Special guest Nels Cline joins us, again! Nels' touring amp with Wilco, eating on the road, Standels, hot sauce, and more 2:00:39 Homemade coconut rice; Hank Mobley's 'Roll Call' or 'Soul Station;' Dexter Gordon; Wynton Kelly's Piano with Kenny Burrell; the best progression for a Champ clone to a Filmosound; 'Norman Blake/Tut Taylor/Sam Bush/Butch Robins/Vassar Clements/David Holland/Jethro Burns'; Fripp & Eno; Bill Evans' 'Live at the Village Vanguard' 2:08:23 More advice for those wanting to build a Champ 2:10:15 Adding a speaker jack to a Tweed Champ; balanced power? homemade hot sauce 2:13:53 One last "giveaway" Submit your amp questions, recipes and life hacks to the podcast via podcast@fretboardjournal.com and don't forget to share the show with friends on social media.