American jazz guitarist
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Grabaciones bossa nova en las guitarras de Luiz Bonfá ('Um abraço no Getz' -con el saxofonista Stan Getz-, 'Samba de Orfeu'), João Gilberto ('Um abraço no Bonfá'), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez' -con Stan Getz-), Baden Powell ('Tristeza', 'Canto de Ossanha'), Wes Montgomery ('Insensatez'), Joe Pass ('Meditação', 'The gentle rain' -con el percusionista Paulinho da Costa-), Jim Hall ('Simple samba'), Kenny Burrell ('Minha') y George Benson ('Jackie, all'). Escuchar audio
Listen to an interview with legendary jazz saxophonist and composer Gary Bartz. Bartz has performed with Charles Mingus, Max Roach, Art Blakey, and McCoy Tyner. In 1970, Bartz joined Miles Davis' band, contributing to the seminal Live-Evil sessions. But its Bartz work as a bandleader during the 1970s that cemented his reputation as a jazz icon, from his recordings with the Mizell Brothers, to performances with his group Ntu Troop. A two-time Grammy Award winner, Bartz was recently named an NEA Jazz Master by the National Endowment for the Arts.
CJO - Чикагский джазовый оркестр, старейший постоянно действующий в городе коллектив, отдает дань уважения одному из самых самобытных и влиятельных голосов джазовой гитаре Wes Montgomery. Спродюссированный дерижором оркестра Jeff Lindberg и гитаристом Bobby Broom был записан альбом More Amor - Больше Любви A Tribute To Wes Montgomery.Моей целью было сделать Чикагский джазовый оркестр лучшим биг-бэндом в Чикаго, - говорит Джефф Линдберг, - таким, который мог бы соперничать с великими оркестрами страны и мира. Что касается Бобби Брума, его музыкальная родословная внушительна. Уроженец Чикаго с корнями в Нью-Йорке, он играл с такими гигантами, как Sonny Rollins, Miles Davis, Art Blakey и Stanley Turrentine.В 2004 году планируя свою серию концертов, руководитель оркестра Джефф Линдберг пригласил Бобби Брума для выступления, посвященного музыке Уэса Монтгомери. По словам Линдберга, - У Бобби есть правильное сочетание гитарных навыков, артистизма и привлекательности для публики. Он очень хорошо читает аудиторию — он знает, что привлечет людей и поэтому в результате получается нечто очень особенное, соотносимое с музыкальным и художественным смыслом.Концерт состоялся в рамках серии CJO 2004 года в Чикаго. Затем была идея собраться снова и сделать запись, но по ряду причин, включая времена ковида, так и не материализовалась.В 2023 году для создания совершенно новых аранжировок знакомых и не очень материалов Монтгомери, Брум и Линдберг привлекли трех талантливых аранжировщиков - Alex Brown, Tom Garling и Charley Harrison.Для меня этот проект - мечта, - говорит Бобби. Включение моего трио было очевидным и давало мне определенный уровень комфорта и вдохновения для творчества. Годами я мечтал записаться в этой обстановке, особенно со струнными. Но сделать это в такой величественной манере, с этим ультра-свингующим биг-бэндом, выходит за рамки моих самых смелых мечтаний.Для записи 6 из 10 композиций этого альбома, Линдберг привлек струнный состав, который привнес замечательное кинематографическое звучание.Для Линдберга More Amor - это оглушительный успех: Я был поражен уровнем музыкальности; особенно солистами и ритм-секцией, в которую вошли пианист Dan Trudell, басист Dennis Carroll и барабанщик Kobie Watkins. Они задали невероятный свинговый пульс, который подтолкнул всех превзойти самих себя.Что касается меня, то это еще один альбом, который я считаю важным; тот, который не только радует опытных любителей джаза, но и служит идеальным шлюзом для новичков, чтобы открыть для себя, оценить и насладиться радостью джаза, - закончил Бобби Брум.Честь и хвала Бобби Бруму и CJO (24 музыканта и 17 струнный ансамбль) за то, что они это сделали.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1795239516KEYED UP - https://t.me/discor/6528Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor#bigband #jazz #swing
Sintonía: "Bim Bom" - Charlie Byrd"Samba de Orfeu" - Luiz Bonfá; "Tristeza" - Baden Powell; "Só danço Samba" - Roberto Menescal; "Minha saudade" - Rosinha De Valencia; "Simple Samba" - Jim Hall; "Outra vez (Once Again)" - Stan Getz & Laurindo Almeida; "Canto de Ossanha" - Baden Powell; "Jackie, All" - George Benson; "Insensatez (How Insensitive)" - Wes Montgomery; "Meditaçao" - Joe Pass; "Coisa número um" - Bola Sete; "Corcovado (Quiet Nights)" - Gabor Szabo; "The Gentle Rain" - Joe Pass & Paulinho Da CostaTodas las músicas extraídas de la recopilación (1xCD) "Bossa Nova Guitar" (Verve, 2009)Todas las músicas compiladas por Arnaldo DeSouteiroEscuchar audio
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 10th April 2025 Artist - Track - Album - Year La Banda Ramirez Full Moon in Philly Lizzie's Lounge 2023 Carlos Mena Coraza Con Personas 2024 Salsa de la Bahia Love Walked In (feat. Jackie Ryan) Vol. 3, Renegade Queens 2025 Ermelinda Cuellar Echoes of the Past Under a Lavendar Sky 2025 Ermelinda Cuellar Morning Under a Lavendar Sky 2025 Ben Patterson Jazz Orchestra The Misinformation Age Mad Scientist Music 2025 David Bailis Tree of Life Tree of Life 2024 Russ Spiegel Deep Brooklyn Nitty Gritty 2025 Aubrey Johnson/Helen Sung/Dave Douglas Enchantress of Number Lives of the Saints 2025 Salsa de la Bahia La Mensajera Vol. 3, Renegade Queens 2025 Chicago Jazz Orchestra Fried Pies (feat. Bobby Broom) More Amor: A Tribute to Wes Montgomery 2025 WDR Big Band Green Lawn Bluegrass 2025 Steve Allee Big Band Wes at the Turf Naptown Sound 2024 Medler Sextet Night Apart River Paths 2025 John Ellis Slingshot Heroes 2025 Artemis Sights Unseen Arboresque 2025 Ostara Project Dreams and Olive Trees Roots 2024 Jon Bentley Don't Be Sad Go Ahead! 2025 Nnenna Freelon Last Dream Home Beneath the Skin 2025 Los Angeles Improvisation Ensemble Solar Voyage Insubordinate Lunar Transgressions 2025 Christoph Irniger Pilgrim Secret Level Human Intelligence: Live 2025 Yosef Gutman/Peter Broderick The Open Door River of Eden 2024 Yelena Eckemoff Legends of the Castle Scenes from the Dark Ages 2025 The post The Creative Source (#CreativeSource) – 10th April 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.
Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more! Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko
Tonight's Jazz Feature is a round about tribute to St. Patrick's Day in that our Jazz Feature tonight is the initial album by master guitarist Grant Green entitled "Green Street". It was recorded by Blue Note Records on April 1,1961 but despite the date, Mr. Green was no fool! It put Grant Green who grew up in St. Louis, Missouri on the national Jazz map.as one of the two foremost guitarists to emerge in the 1960's along with Wes Montgomery. Green played the guitar like a saxophone and emphasized single lines and delivered these with his huge pure sound. He's featured here with just a trio, Green with Ben Tucker on bass and Dave Bailey on drums. The album consists of five selections with Monk's classic "Round About Midnight" being one and "Alone Together" being the other standard tune. The other three are Green's original tunes. This shows Green's talents in a pure light all the way and marked a great debut recording. "Green Street" is tonight's Jazz Feature...relax and enjoy.
In this Jazz Guitar Life podcast the great Bobby Broom once again joins us - for the second time - to share details about his new album titled More Amor A Tribute to Wes montgomery which he plays alongside The Chicago Jazz Orchestra and string section. It's an entertaining discussion of both the album, the process involved and Bobby's role in it not only as the featured soloist but as Co-Producer as well. So sit back and enjoy what Bobby Broom has to offer. And please feel free to browse the site at Jazz Guitar Life for more Jazz Guitar related content including interviews, reviews, podcasts and more. As always, I'd love to hear or read your feedback so don't be shy! And remember, Jazz Guitar Lives at Jazz Guitar Life!Thank you and your patronage and any help is greatly appreciated. if you would like to buy me a coffee that would be awesome Or if you prefer PayPal that would be awesome as well :)Thank you and Enjoy! :)
durée : 00:59:24 - Si Fragiles - par : Nathalie Piolé -
En marzo de 2023, con motivo del centenario del nacimiento de Wes Montgomery, se reeditó en una edición ampliada y remasterizada su disco grabado el 25 de junio de 1962 en el club de jazz Tsubo, de Berkeley, California. Escuchamos al guitarrista en 'The complete full house recordings' acompañado por Johnny Griffin al saxo tenor, Wynton Kelly al piano, Paul Chambers con el contrabajo y Jimmy Cobb en la batería: 'Full house', 'I´ve grown accostumed to her face', 'Blue n´boogie', 'Cariba', 'Come rain or come shine', 'S.O.S', 'Born to be blue' y 'Full house'.Escuchar audio
Welcome to our new Jazz Cast dedicated to the great Wes Montgomery. Our latest set features Lou's song, "ONE FOR WES" with a new arrangement, along with a little story of when Lou actually met the guitar legend. We hope you like it! The set list: "F M", "BONGO BLUE", "GOOD MOVES" and "ONE FOR WES". (compliments of cosmic consciousness music ©2025 BMI) Enjoy!
Listen to the final episode in a three-part series exploring the complete works of Alonzo "Pookie" Johnson, a legendary Indianapolis jazz saxophonist. Johnson was a veteran of the Avenue music scene and performed with many legendary Naptown jazz musicians, including Wes Montgomery and Freddie Hubbard. On this edition, we'll share music from Johnson's 1996 album “Legacy” and his 2003 recording with The Hampton Sisters.
Enjoy the first in our three-part series on the complete recordings of the late Alonzo “Pookie” Johnson, a legendary Indiana Avenue jazz saxophonist. This episode explores his early recordings. Many local jazz fans consider Johnson to be one of the greatest saxophonists in Indianapolis history. During his six-decade career, Johnson performed with the greatest jazz players in Naptown, including Wes Montgomery, Slide Hampton, Jimmy Coe, Carl Perkins, Virgil Jones, David Baker, Errol Grandy, Freddie Hubbard, and many more. Johnson was born in Indianapolis in October 1927. He studied music at Crispus Attucks High School, and the Jordan Conservatory. Johnson was a veteran of the Avenue club scene, performing at legendary venues such as the Sky Club, George's Bar, The P&P Club, Henri's, the Golden West, Sunset Terrace, and the British Lounge.
Maggie speaks with Zev Feldman, an internationally recognized, independent record producer and the Co-President of Resonance Records. He is also a consulting producer of archival and historical recordings for Blue Note Records. Over the last 25 years he has worked for PolyGram, Universal Music Group, Rhino/Warner Music Group, Concord Music Group, among others. He won DownBeat Magazine's International Critics Poll for "Rising Star Producer" in 2016 for his work on a staggering 26 historical jazz recordings that year and was called "The Indiana Jones of Jazz" by Stereophile Magazine. In addition to his lauded work at Resonance, where he works closely with the estates of jazz icons such as Bill Evans, Wes Montgomery and so much more. Maggie and Zev discuss B.B. King In France: Live at the Nancy Jazz Pulsations Festival (1977) is a previously unissued live recording from the legendary bluesman B.B. King captured by the ORTF in France on October 7, 1977 and released on producer Zev Feldman's Deep Digs label in partnership with Elemental Music and INA France.The limited-edition 180g 2 x LP set was mastered and cut by Matthew Lutthans at The Mastering Lab, and include rare photos by Thierry Trombert, Val Wilmer, Jan Persson and more; plus liner notes by the acclaimed french author Jean Buzeline; and testimonials from fellow blues icons who knew or were inspired by B.B. King.Also joining Zev & Maggie is Cary Baker, a writer based in Southern California but, born on Chicago's South Side, he not only had the chance to grow up with the blues but began his writing career at age 16 for the Chicago Reader. Mr. Baker is the author of “Down On The Corner: Adventures in Busking and Street Music.” His return to writing follows a 42-year hiatus during which he directed publicity for six record labels and two of his own companies. Prior to his PR years, Baker wrote for, among others, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, and Record magazine. He has also written liner notes for historical reissues from labels including Universal and Capitol-EMI. Cary Baker has also been a voting member of the Recording Academy since 1979.Source: https://www.elemental-music.com/inicio/4860-bb-king-in-france-live-at-the-1977-nancy-jazz-pulsations-festival-8435395504581.htmlSource: https://recordstoreday.com/PromotionalItem/18422Source: https://www.allaboutjazz.com/the-archival-producer-zev-feldmanHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique
George Benson est t-il un guitariste qui chante, ou un chanteur qui joue de la guitare ? En fait, il a toujours fait les deux. Mais avant de chanter On Broadway ou Give Me The Night, avec un fort accent de Stevie Wonder, Benson voulait posséder à fond le langage de son instrument. Etre aussi à l'aise dans les clubs de jazz que dans les clubs de rhythm & blues. En 68 lorsque s'éteint l'idole Wes Montgomery, tout le monde se tourne vers Benson, 25 ans, désigné comme la relève de la guitare jazz.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
In February of 2024, the legendary Avenue jazz drummer and entrepreneur Al Coleman passed away. This week on Echoes of Indiana Avenue, learn about Coleman's life. Hear interviews with his brother, organist Phil Coleman, and his friend and bandmate, guitarist Steve Weakley. Al Coleman was born in Indianapolis in 1927. He graduated from Crispus Attucks High School and studied music at the Jordan Conservatory. During his career, Coleman played with legendary Naptown musicians, including Wes Montgomery, Leroy Vineggar, and Jimmy Coe. But he's best known for his work with the Three Souls, a jazz trio he co-founded during the late 1950s. Coleman was also a celebrated entrepreneur. He owned a vending machine company, car wash, and the Cole-Smith Manor motel. But his best-known business venture was Al's British Lounge, an Indiana Avenue jazz club. The British Lounge has been called the last great jazz club on the Avenue. Coleman also gave back to his community. In 1978, he opened the Jacer Inn Family Retreat in Rochdale, Indiana. The Jacer Inn offered a variety of health and social services to inner-city residents.
Learn about the history of Indianapolis Recorder's midnight Christmas benefit concerts at the Walker Theatre. The concerts featured up to 60 acts and ran from midnight until 6 in the morning. Some of the greatest jazz, funk, and R&B musicians in Naptown performed at the midnight Christmas shows — including Wes Montgomery, Thurston Harris and Slide Hampton. But the entertainment wasn't limited to music alone — there were drag queens, burlesque dancers, fire-eaters, snake handlers, body builders and comedians. The concerts developed from the Indianapolis Recorder Cheer Fund. Established in 1929, the Cheer Fund was an annual holiday fundraiser that supported families in financial need. During the 1930s the Cheer Fund evolved into a benefit concert. These concerts attracted star performers, including the legendary tap dancer Bill “Bojangles” Robinson who performed at the Recorder's 1938 benefit show. The Recorder's midnight Christmas benefit concerts thrived until the 1980s. Listen to interviews with Indianapolis musicians and media personalities who performed at the Christmas benefit shows, including Henry Hinch, Josephine Cheatham, Rodney Stepp, Reggie Gammon, Debbie Nelson, Tyrone Caldwell, Richard Hamilton, Eunice Trotter, Geno Shelton and the late Joe Trotter.
Listen to the music of Quincy Jones and the masters of Indiana Avenue jazz. Quincy Jones was a legendary producer, musician, composer, and arranger. He died earlier this month at the age of 91. Jones worked with many of the biggest stars in popular music, producing and arranging music for iconic performers, including Michael Jackson and Frank Sinatra. As a composer, Jones broke racial barriers in Hollywood, becoming one of the first Black musicians to score soundtracks for major films and television programs. During his historic career, Jones received many accolades, including 28 Grammys, an Emmy, a Tony, and seven Academy Award nominations. During his early years in music, Jones worked extensively, with musician from Indiana Avenue, including the Montgomery Brothers, Freddie Hubbard, David Baker, Pookie Johnson, Virgil Jones, J.J. Johnson, Carl Perkins, Leroy Vinnegar, and more. It's possible Jones himself played on the Avenue. From 1951 to 1953, Jones toured with the Lionel Hampton band as a trumpet player and arranger. During that time, the band played at Indiana Avenue's Sunset Terrace, on Thanksgiving Day of 1952. In the liner notes for the Wes Montgomery anthology “In the Beginning,” Jones recalled sleeping on Montgomery's floor when the Hampton band toured through Indianapolis.
Radio Clásica presenta su más amplia de Jazz, piezas inéditas, grabaciones íntimas de Europa.
Listen to a special pledge drive episode featuring show highlights selected by host Kyle Long. Hear interviews with Carlos Santana discussing the influence of Indianapolis guitarist Wes Montgomery, Meshell Ndegeocello on her work with Indianapolis composer Hanna Benn, Omar Apollo recalling his early years in Northwest Indiana, author Tyler Alpern discussing the Indiana LGBTQ+ music pioneer Bruz Fletcher, and much more. Also, hear lost Indiana recordings recovered by Long featuring music from Duke Ellington and The Vanguards.
Listen to a special pledge drive episode featuring show highlights selected by host Kyle Long. Hear interviews with Carlos Santana discussing the influence of Indianapolis guitarist Wes Montgomery, Meshell Ndegeocello on her work with Indianapolis composer Hanna Benn, Omar Apollo recalling his early years in Northwest Indiana, author Tyler Alpern discussing the Indiana LGBTQ+ music pioneer Bruz Fletcher, and much more. Also, hear lost Indiana recordings recovered by Long featuring music from Duke Ellington and The Vanguards.
Listen to a tribute to the Philadelphia saxophonist and composer Benny Golson. He passed away on September 21st at the age of 95. Throughout his career, Golson performed with legends of the Indiana Avenue jazz scene, including Freddie Hubbard and J.J. Johnson. Hear music featuring Golson's collaborations with Indianapolis jazz musicians, along with recordings of Golson's music from notable Avenue jazz stars, like Wes Montgomery and Slide Hampton.
Listen to an interview with the Indianapolis rock band Wishy. Their debut album Triple Seven has been praised in publications including Pitchfork and The Guardian. Wishy's music draws inspiration from 1990s shoegaze and dream pop bands like My Bloody Valentine and The Sundays. Also, hear a tribute to the Indianapolis rockabilly pioneer Ronnie Haig, he passed away this month at the age of 85. Haig was born in Indianapolis in 1939, and grew up in the Fountain Square neighborhood. At age 19, Haig released two singles for the Indianapolis label Note Records. The sessions were recorded at Chicago's famous Chess Records studio, and featured an all-star group of Indianapolis musicians, including guitarist Wes Montgomery. Haig is best remembered for 1958 single “Don't You Hear Me Calling, Baby”, a regional hit in markets around the United States.
Listen to an interview with the Indianapolis rock band Wishy. Their debut album Triple Seven has been praised in publications including Pitchfork and The Guardian. Wishy's music draws inspiration from 1990s shoegaze and dream pop bands like My Bloody Valentine and The Sundays. Also, hear a tribute to the Indianapolis rockabilly pioneer Ronnie Haig, he passed away this month at the age of 85. Haig was born in Indianapolis in 1939, and grew up in the Fountain Square neighborhood. At age 19, Haig released two singles for the Indianapolis label Note Records. The sessions were recorded at Chicago's famous Chess Records studio, and featured an all-star group of Indianapolis musicians, including guitarist Wes Montgomery. Haig is best remembered for 1958 single “Don't You Hear Me Calling, Baby”, a regional hit in markets around the United States.
Listen to music from Paul Parker, an important Indianapolis jazz drummer. Parker was among the most respected drummers on the Avenue jazz scene. He was best known for his work with Wes Montgomery, but also performed with Freddie Hubbard, Larry Ridley, James Spaulding, Melvin Rhyne and many others.
MILES DAVIS QUINTET “MILES” Hackensack, NJ, November 16, 1955Just squeeze me, How am I to know ?, S'posin'Miles Davis (tp) John Coltrane (ts) Red Garland (p) Paul Chambers (b) Philly Joe Jones (d) “THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY” New York, January 26, 1960D natural blues, West Coast blues, Four on sixTommy Flanagan (p) Wes Montgomery (g) Percy Heath (b) Albert “Tootie” Heath (d) JAMES MOODY “THE MOODY STORY” New York October 1951 Margie, Moody's home, Wiggle waggleJohnny Grimes (tp) Bob Range (tb) James Moody (as,ts) Cecil Payne (bar) Johnny Acea (p) Larry Goins (b) Chink Williams (d) May 21, 1952 Until the real thing comes alongDave Burns (tp) Donald Cole (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) [aka Argonne Thornton (p) ] unknown (b) Teddy Stewart (d) June 15, 1953 Wail baitDave Burns (tp) Donald Cole, (tb) James Moody (as,ts) Pee Wee Moore (bar) Sadik Hakim (p) unknown (b) Teddy Stewart (d) January 8, 1954 Keepin' up with Jonesy (1)Dave Burns (tp) William Shepherd (tb) James Moody (as,ts-1) Pee Wee Moore (bar) Sadik Hakim (p) John Latham (b) Joe Harris (d) Continue reading Puro Jazz 17 de septiembre, 2024 at PuroJazz.
For the next two weeks, explore the music of Earl “Fox” Walker, a legendary Indianapolis jazz drummer. Walker worked with many local, and national bandleaders, including Tiny Bradshaw, Gene Pope, Buddy Bryant, and Jimmy Williams. But he's best known for his recordings with the Jimmy Coe and Lionel Hampton bands. Walker performed extensively on the Avenue, appearing at venues including Dee's Paradise, Club Ebony, George's Bar, the Defense Club, the Walker Theatre, Sky Club, Royal Roost, the P&P Club, and more. Walker was born in 1921, and by the age of 19 he was known as one of the greatest jazz drummers in Indianapolis. Sadly, Walker's life was cut short. He died at the age of 38. But he accomplished so much during his brief career. On this week's show, we'll focus on Walker's recordings with the Lionel Hampton band. He played with Hampton from 1946 to 1949. During that time, Hampton's band also featured the Indianapolis jazz great Wes Montgomery on guitar.
Explore the music of “Mr. Trumpet” Roger Jones, a legendary Indianapolis jazz musician who performed with artists including Duke Ellington, Count Basie, Cab Calloway, Wes Montgomery, Sarah Vaughan and others. During the mid-20th century, Jones was considered the top trumpet player in Indianapolis. Jones was born in Carbondale, Illinois in 1913. By the time he was a teenager, Jones was living in Indianapolis, studying music with Harold Brown at Crispus Attucks High School. Jones began perfprming professionally as a teenager with the Brown Buddies band, and he played some of his first gigs on the Avenue. During the late 1930s, Jones left Indianapolis with the Don Redman Orchestra, for the next decade, he worked regularly with the greatest icons of jazz.
Hear a tribute to the famed Indianapolis soul singer Jimmy Guilford, he passed away earlier this month. Jimmy Guilford started his career singing doo-wop on the streets of Indiana Avenue. His talents would eventually carry him to the Apollo Theater in New York, the nightclubs of Las Vegas, and the recording studios of Detroit, where Jimmy cut a series of classic soul singles. Guilford's career in Indianapolis spanned over six decades of music making. He worked with some of the greatest music legends in Indianapolis, from the jazz icon Wes Montgomery to the rock and roll star Thurston Harris. We'll share a 2019 interview Guilford recorded with WFYI's Kyle Long, along with rare singles he recorded with the Lamplighters and Four Sounds.
The incredible guitarist Duke Levine joins me on the show today. Back in the 90's and early 2000's when I was just getting started, Duke was putting out all these really amazing twangy instrumental guitar records. He actually started out as almost a fusion guy on his first album, but pretty quickly veered off into this highly original guitar style that has elements of blues, jazz, country, bebop and influences like Roy Buchanan, Ray Flacke, Albert Lee, I hear Wes Montgomery and Jerry Reed in there as well. The first record I heard of his was called “Country Soul Guitar” and I feel like at that time, the early 90's, no one was really playing anything like that. He's primarily a tele player and just has an incredible touch and tone that makes him a totally unique player. He put out a couple more records in that vein, but pretty quickly got scooped up as a sideperson, playing guitar for artists like Shawn Colvin, Peter Wolf, J Geils, Bill Morrissey, Mary Chapin Carpenter, Slaid Cleaves, Jonatha Brooke, and eventually his current employer, the untouchable Bonnie Raitt. The hired gun gigs really became his bread and butter and he spent the better part of the last 25 years touring with alot of those folks. Duke came up in the New England club scene, and has basically stayed in the area his whole life. During the pandemic, he put out a string of really interesting videos featuring stellar guitar playing that you can watch, and some of those videos became what makes up his most recent and amazing EP “Left To My Own Devices”.You can get info on all of Duke's activities as well as his tour dates with Bonnie Raitt over at dukelevine.com - Enjoy my conversation with Duke Levine!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.
Listen to the second episode in a two-part series exploring the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones. On this week's episode, hear live recordings of Johnson performing in Indianapolis with Wes Montgomery.
For the next two weeks on Echoes of Indiana Avenue, listen to the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones. On this week's episode, hear Johnson's early recordings with the Art Farmer Septet.
Saxophonist Alonzo “Pookie” Johnson is a legend of the Avenue jazz scene. Many local jazz fans consider Johnson one of the greatest saxophonists in Indianapolis history. Johnson was born in Indianapolis in October 1927. He began performing locally as a teenager in the 1940s. Johnson studied music at Crispus Attucks High School and the Jordan Conservatory. Johnson was a veteran of the Avenue club scene playing at legendary venues such as the Sky Club, George's Bar, The P&P Club, Henri's, the Golden West, Sunset Terrace, and the British Lounge. During his 60-plus year career, Johnson performed with the greatest jazz players in Naptown – including Slide Hampton, Jimmy Coe, Carl Perkins, Virgil Jones, David Baker, Errol Grandy, Freddie Hubbard, and more. But Johnson is best known for his long association with the Montgomery Brothers: Buddy, Monk, and Wes. Along with drummer Sonny Johnson, they performed across Naptown as the Montgomery-Johnson Quintet. This week on Echoes of Indiana Avenue, we'll share music featuring Pookie Johnson's recordings with Wes Montgomery.
This week on Cultural Manifesto, listen to an interview with the rock and roll legend Carlos Santana. He'll discuss the influence of the Indianapolis jazz guitarist Wes Montgomery on his work. Santana has called Montgomery one of his primary musical inspirations. Santana will be performing in Central Indiana in June. Also, hear the first edition of a new series on Cultural Manifesto exploring the music history of Lafayette, Indiana. Host Kyle Long will talk with Zechariah Baumhover, an Indianapolis-based musician who grew up in Lafayette. Baumhover is best known for his work with the rock band Lusso, and the electronic music project Pariah Peels. Baumhover will share his memories of the D.I.Y. punk scene in Lafayette and discuss his latest album Zested Peels.
This week on Cultural Manifesto, listen to an interview with the rock and roll legend Carlos Santana. He'll discuss the influence of the Indianapolis jazz guitarist Wes Montgomery on his work. Santana has called Montgomery one of his primary musical inspirations. Santana will be performing in Central Indiana in June. Also, hear the first edition of a new series on Cultural Manifesto exploring the music history of Lafayette, Indiana. Host Kyle Long will talk with Zechariah Baumhover, an Indianapolis-based musician who grew up in Lafayette. Baumhover is best known for his work with the rock band Lusso, and the electronic music project Pariah Peels. Baumhover will share his memories of the D.I.Y. punk scene in Lafayette and discuss his latest album Zested Peels.
On this episode of Riffin on Jazz, we continue our Master Class series with part 3, highlighting the great Wes Montgomery. We take a look at some of his greatest hits. Also on this episode, you get to hear an exclusive interview with Jazz artist Muneer Nasser as we talk about his career and upcoming projects.
Earlier this year, the legendary Indianapolis jazz drummer and entrepreneur Albert Coleman died. He was 96 years old. During his career in music, Coleman played with legendary Avenue musicians, including Wes Montgomery, Leroy Vineggar and Jimmy Coe. But Coleman is best known for his work with The 3 Souls, a jazz trio he co-founded in the late 1950s. This week on Echoes of Indiana Avenue, we'll celebrate the life of Albert Coleman with an hour of music from The 3 Souls. Albert Coleman was born in Indianapolis in 1927. He graduated from Crispus Attucks High School and studied music at the Jordan Conservatory. In addition to his work in music, Coleman was also a celebrated entrepreneur. He owned a vending machine company, a car wash and the Cole-Smith Manor motel. But Coleman's best known business venture was Al's British Lounge, an Indiana Avenue nightclub Coleman took ownership of in 1969. The British Lounge has been called the last great jazz club on the Avenue. Coleman also gave back to his community. In 1978, Coleman and his wife Anna opened the Jacer Inn Family Retreat in Rochdale, Indiana. The Jacer Inn retreat offered a variety of health and social services to inner-city residents.
This week on Cultural Manifesto, listen to an interview with the Indianapolis jazz saxophonist Rob Dixon. He'll discuss Salon Noir, a public conversation focused on the jazz history of Indiana Avenue as it relates to the present and future state of Black creative production in Indiana. Dixon will be joined on Cultural Manifesto by the award-winning poet and educator Lasana Kazembe, jazz musician and educator Oliver Nelson Jr., and Robert Montgomery, the youngest son of jazz guitarist Wes Montgomery. Salon Noir is part of Dixon's artist residency with the Center for Africana Studies & Culture at IUPUI.
This week on Cultural Manifesto, listen to an interview with the Indianapolis jazz saxophonist Rob Dixon. He'll discuss Salon Noir, a public conversation focused on the jazz history of Indiana Avenue as it relates to the present and future state of Black creative production in Indiana. Dixon will be joined on Cultural Manifesto by the award-winning poet and educator Lasana Kazembe, jazz musician and educator Oliver Nelson Jr., and Robert Montgomery, the youngest son of jazz guitarist Wes Montgomery. Salon Noir is part of Dixon's artist residency with the Center for Africana Studies & Culture at IUPUI.
The last of this fascinating three part series. I start by talking about and playing a great track by Wes Montgomery and Wynton Kelly–from newly discovered recordings released last year. And I finish with the great Rashaan Roland Kirk—focusing on his amazing resilience as he kept playing despite a debilitating stroke. Another amazingly resilient musician…Continue reading Episode 268: Jazz Musicians (How They Live and) How They Died, Part 3
Adam sat down with drummer Jay Epstein, who has been a full time drummer since the late 1960s when he toured with the band Gypsy and rubbed shoulders with people in the Southern California Rock scene like Jimmy Hendricks while going out to see bands with players like Chick Corea, Freddie Hubbard and Miles Davis on his off nights. Adam and Jay talk about the economics of being a full time, life-long musician. Jay gives us three things young musicians should be thinking about as they start their careers, and his three "desert island" albums.Jay also tells a beautiful story of the impact of hearing John Coltrane as a 17 year old kid that is not to be missed.-----------------------Watch on Youtube: https://www.youtube.com/@HowMusiciansMakeIt/videos-----------------------Gypsy band: https://www.youtube.com/watch?v=E-vK3TTHWpMJay's Desert Island Albums:1. Now He Sings, Now He Sobs, Chick Corea2. Smokin at the Half Note, Wes Montgomery and Wynton Kelly Trio3. Ballads, John Coltrane-------------------------Download Gig Boss app: https://linktr.ee/gigbossJoin the Gig Boss Facebook Group: https://www.facebook.com/groups/gigboss-----------------------------Interested in hearing music made by our awesome guests? Check out this Spotify playlist, which includes music by all our music-making guests! https://open.spotify.com/playlist/63kUrVwtV5tYFsyqLJHO3a?si=7853ba778dff4654------------------------------Intro/Outro music "Far Away From here" : https://adammeckler.hearnow.com/
This week's edition of Cultural Manifesto is all about making a comeback. We'll join the legendary Indianapolis jazz trombonist Phil Ranelin at the Chatterbox for his first gig after suffering from a debilitating stroke in 2021. Ranelin is best known for his work with the Tribe, a Detroit-based collective of avant-garde jazz musicians and activists. Ranelin has performed and recorded with artists including Wes Montgomery, Freddie Hubbard, Pharoah Sanders, Red Hot Chili Peppers, and more. Plus, listen to an interview with Indiana reggae music pioneers Keith Baptiste, Tim Johnson, and John Loflin of Reggaenomix. Reggaenomix has reunited for the first time in over 25 years. Their music mixes Jamaican rhythms with socially conscious lyrics. We'll discuss their 1990 song “Who Killed Michael Taylor?”, written about a 16 year old Indianapolis resident who was found dead in police custody in 1987. We'll also listen to the band's new single “I'm Not Against the Police (I'm Against Police Brutality.)
This week's edition of Cultural Manifesto is all about making a comeback. We'll join the legendary Indianapolis jazz trombonist Phil Ranelin at the Chatterbox for his first gig after suffering from a debilitating stroke in 2021. Ranelin is best known for his work with the Tribe, a Detroit-based collective of avant-garde jazz musicians and activists. Ranelin has performed and recorded with artists including Wes Montgomery, Freddie Hubbard, Pharoah Sanders, Red Hot Chili Peppers, and more. Plus, listen to an interview with Indiana reggae music pioneers Keith Baptiste, Tim Johnson, and John Loflin of Reggaenomix. Reggaenomix has reunited for the first time in over 25 years. Their music mixes Jamaican rhythms with socially conscious lyrics. We'll discuss their 1990 song “Who Killed Michael Taylor?”, written about a 16 year old Indianapolis resident who was found dead in police custody in 1987. We'll also listen to the band's new single “I'm Not Against the Police (I'm Against Police Brutality.)
A variety of music beginning with guitarists Wes Montgomery and Larry Coryell. That is followed by music from towns that I have resided in for most of my adult life, Hartford and San Diego. Also, the "Jazztodon" inspired track. We have new music from Vijay Iyer and Linda May Han Oh as well. Playlist Artist ~ Name ~ Album Wes Montgomery ~ Tequila ~ Tequila Larry Coryell ~ Bumpin' on Sunset ~ The Power Trio Gilbert Castellanos ~ Bilad as Sudan ~ Espérame En El Cielo Mike DiRubbo ~ Scrollin' and Trollin' ~ Inner Light Ken Peplowski & New York Trio ~ In the Middle of a Kiss ~ Stardust Vijay Iyer ~ Overjoyed ~ Compassion Linda May Han Oh ~ Phosphorus ~ The Glass Hours Herbie Hancock ~ Oliloqui Valley ~ Empyrean Isles
Air Week: February 5-11, 2024 R&B Influences: Lionel Hampton Lionel Hampton's big band was a training ground for so many of the all-time great musicians: Dizzy Gillespie, Charles Mingus, Dexter Gordon, Joe Morris, Dinah Washington, Wes Montgomery, Little Jimmy Scott and Clifford Brown. His musical education began on drums and piano while attending the Holy […]
In this episode of the Learn Jazz Standards Podcast, Brent explores the question of who the greatest jazz guitarist is. Acknowledging the subjectivity of such a determination, Brent highlights influential figures like Charlie Christian, Django Reinhardt, Wes Montgomery, and many other jazz guitar legends. Emphasizing the importance of studying various players regardless of one's instrument, Brent encourages listeners to delve into the unique sounds and styles of these guitarists to enhance their own musicality. The episode concludes with a reminder that knowledge without action and quality practice is not truly beneficial.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.
Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.
Upbeat jazz tonight: Pete Fountain, Vince Guaraldi Trio, Wes Montgomery, Ramsey Lewis, Nancy Wilson with Ramsey Lewis, Don Ellis, George Benson, June Katz, The Manhattan Transfer, Stanley Jordan, and The Godfathers of Groove.
The electric guitar is a beautiful, maddening instrument, and man does it sound good in the right hands. On this episode, Kirk takes a deep dive into solos by guitar legends Charlie Christian, Wes Montgomery, Jimi Hendrix, and Larry Carlton.FEATURED/DISCUSSED:"Seven Come Eleven" by Charlie Christian and Benny Goodman, recorded by the Benny Goodman Sextet in 1939"Fried Pies" by Wes Montgomery from Boss Guitar, 1963"Hey Joe" by Billy Roberts recorded by the Jimi Hendrix Experience on Are You Experienced?, 1967Larry Carlton's solo on "Kid Charlemagne" by Donald Fagen and Walter Becker (AKA Steely Dan) from The Royal Scam, 1976OUTRO SOLOIST: Kirk HamiltonKirk returns for another outro guitar solo, this time with a few new licks under his belt.-----LINKS-----SUPPORT STRONG SONGSPaypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music----------------NOVEMBER 2023 WHOLE-NOTE PATRONSCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyNOVEMBER 2023 HALF-NOTE PATRONSEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonDamian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenRob FPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo