Podcast appearances and mentions of Van Morrison

The BOB & TOM Show — September 1, 20266:00 AM 6:00 Todd Snider — “Vinyl Records”6:03 Tom was in a bad mood yesterday6:04 Letters from fans: Hershey Squirts, Dog Jinx6:06 Pop-up shop discussion6:10 Tom's dogs are ruining his lawn6:15 Stole the lawn6:25 Back to Tom's dog ruining his lawn6:26 “Tighten Up” — Archie Bell birthday6:29 Archie joke — “How can we make it worse?”6:32 Tom and the Manix car6:35 Tom's convertible in the rain6:45 Getting blood drawn — the good and the bad6:49 Letter — Slider Dog / photo6:51 Yard Dog6:52 High-speed chicken robbery revisit — “Poultry in Motion”6:55 Worm in Kelly's chicken salad 7:02 September songs7:04 “September” — Earth, Wind & Fire7:06 “Lake Shore Drive”7:08 Josh letter — “Coyote vs. Acme”7:10 Boat letter — “Vitanic/Banoe” / photos7:12 Pinewood Derby talk7:22 Orlando song — Pat Godwin7:24 Mickey's Not-So-Scary Halloween Party7:26 Hall of Presidents explanation7:28 Tennis player smashes racket after loss7:30 Bregman hits three home runs in win7:31 NFL player goes back to college7:33 “The Dink” talk7:33 91-year-old man becomes oldest hiker — SWR7:35 “La Grange” — ZZ Top7:37 Hiking nicknames7:47 UT adds Dolly decal to helmets this season7:49 David Rush balances toilet paper on his head — SWR7:50 Lettuce joke7:53 Toilet paper talk7:55 Tom doing a record with David Rush 8:03 Jeff's wrestling dreams8:05 Comedic sound effects8:06 Animals known for flatulence8:10 Zebra-related wildlife story8:22 Tom does everything too loud8:23 Morning Breath Club origins8:26 Repeat offender arrested for inappropriate behavior8:28 Discussion about an unusual arrest8:29 “I'm a girl watcher” / unusual nicknames8:30 Josh discusses marriage8:31 Man arrested for an unusual incident involving a carrot8:33 Florida man arrested for filming adult content in a public park8:44 Today in History8:44 Roman numerals talk8:46 UK listener letter8:53 Barry Gibb birthday / Bee Gees talk8:55 “Tighten Up” — Archie Bell8:56 Van Morrison birthday 9:06 “There's a credibility issue with you.” — Tom to Chick9:07 Tupac killer charged9:09 Zach Starkey rejoins The Who9:11 Tom praises David Rush's juggling9:12 Rick Springfield is ripped9:13 Josh discusses unusual gym nicknames9:22 Everyone is tired of hearing about Archie Bell9:23 “Canon in D” — Pachelbel9:26 Tom can't remember who tells what stories9:29 “Back to School Song” — Pat Godwin9:31 Taiwan man catches wife cheating using a vacuum cleaner9:33 Hackers compromise robot vacuums and make them say offensive things9:46 Josh discusses taking a shirt9:48 Naked Maine man damages a lighthouse9:51 Josh's unusual nickname for his boxers9:52 Comedy club names 7:00 AM8:00 AM9:00 AM Learn more about your ad choices. Visit podcastchoices.com/adchoices

At the Movies … Again Deep Cuts in 3D: 33 ⅓ — The Smell of Fear

Pete recently spent half a monkey on a hotel and went to see some atrocious stand-up. Luke's reminded of the time he saw Van Morrison completely phone it in on stage. Also up for discussion today is the business of footballers' eye-watering car insurance and Luke's reservations about the expertise of vets.After that, it's time to rattle through a veritable raft of emails, including one concerning the messy clean-up of a deceased and beached whale.Send us your latest stories, questions and comments here: hello@lukeandpeteshow.com.The Luke and Pete Show is the sometimes ridiculous, always funny podcast with Luke Moore and Pete Donaldson: two men who have time on their hands and a good idea of how to waste it. Subscribe to get your comedy podcast fix every Monday and Thursday. Hosted on Acast. See acast.com/privacy for more information.

Into The MysticVan MorrisonWe were born before the windAlso, younger than the sun'Ere the bonnie boat was wonAs we sailed into the mysticHark now, hear the sailors crySmell the sea and feel the skyLet your soul and spirit flyInto the mysticYeah, when that fog horn blowsI will be coming homeYeah, when that fog horn blowsI wanna hear itI don't have to fear itAnd I wanna rock your gypsy soulJust like way back in the days of oldThen magnificently we will floatInto the mysticWhen that fog horn blowsYou know I will be coming homeYeah, when that fog horn whistle blowsI gotta hear itI don't have to fear itAnd I wanna rock your gypsy soulJust like way back in the days of oldAnd together we will floatInto the mystic

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy os dejo la segunda parte del programa dedicado al rock y a la censura en La Gran Travesía. Canciones, portadas de discos, videos musicales...todos en algún momento sufrieron los recortes de las tijeras de las autoridades. Hoy vamos a poneros unos cuantos temas de los que más nos llamaron la atención, y que en muchos casos son canciones absolutamente históricas. Black Crowes, The Doors, Pearl Jam, Tom Petty, Rolling Stones, Van Morrison, Link Wray, Mamas and the Papas, Neil Young, John Lennon... Aquí os dejamos el enlace a la primera parte para que podáis recuperarla https://www.ivoox.com/rock-censura-revisited-audios-mp3_rf_171581190_1.html ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Arturolietor, Alul, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos. Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Joe Starkey and Tim Benz try to figure out Ville Koivunen's contract. They discuss Mike Tomlin's NBC debut and the Pirates' slide. Then they get into Akron's "fan as offensive coordinator" promotion, ghost hunting, Airbnb disputes, Van Morrison songs and the best fast food salad bars. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A Belfast-based tour guide points out the places where native son Van Morrison found inspiration for his music and poetry. Then a Romani author tells us about the variety of communities within her culture, both on the continent and in the US. And an adventure traveler shares some of his favorite scenic hikes in Europe. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

Episode 34 of On The Record opens in sombre territory, with Brian Wise and Michael Mackenzie remembering Glen Hansard, the Irish singer-songwriter, Frames frontman and Once star who died aged 56 following a motorcycle accident outside Dublin. Hansard's career stretched back to the formation of The Frames in 1990, before his work with Markéta Irglová as The Swell Season, and a substantial solo catalogue. But it is the memory of his live shows that looms largest here.  Wise recalls a performer who gave audiences everything, including the habit of leading crowds from the venue and into the street for impromptu singalongs. Hansard's concerts, he says, had the uncommon ability to turn a room full of strangers into a temporary community. Show Links Glen Hansard meets Van Morrison in Glen's words  Flamin' Groovies Shake Some Action  Mick Jagger Can't Name One Good Thing About Getting Older | The Interview  Sir Tom Jones & Peter Donegan's 'I'll Never Fall In Love Again' |Blind Auditions| The Voice UK 2019 Fiona Apple – "Horns of a Bull" from the Apple TV show 'Lucky'  The Rapture Trailer  Believe Me Trailer 

Chad's back with part one of the Nebraska to Texas trip. It starts in Lincoln at the University of Nebraska Cornhusker volleyball camp, where Alyssa held her own against some serious competition and walked away with more to work on and more to be proud of. From there it's Waco and the Baylor Bears elite volleyball camp, Terry Black's barbecue, and dinner with Ted Nugent and Shemane that was supposed to last an hour and went almost two. Then Austin. Lazer's Drunk Uncles podcast, Joe DeRosa, the World Cup at a bar packed with 4,000 people, Dos Equis with lime and salt, and a band called Nether Hour that Chad can't stop talking about. Bluesy, soulful, a little Van Morrison, a little Stapleton. Go find them. Chad gets into real talk about raising an athlete, what D1 recruiting actually looks like, the mindset it takes to keep working when you see how good the competition really is, and why he wouldn't change any of it. Part 2 is coming! Get ready for Gruene Hall, Hayes Carl, Luckenbach, Compadres in Bertie, and Axis deer hunting with Federal Premium. This episode is presented by Jack Daniel's Tennessee Whiskey and brought to you by LEER Truck Toppers, Mickey Thompson Tires & Wheels, Corning Ford, Bodyguard Bumpers, GATR Coolers & Drinkware, Demerbox, Oakley Sunglasses, and Napa Valley Olive Oil.

Sintonía: "Dernier domicil inconnu" - FRANÇOISE DE ROUBAIX  1.- "TB Sheet´s" - VAN MORRISON 2.- "I Get Lifted" - GEORGE McRAE 3.- "Lock Groove (In)" - LIQUID LIQUID 4.- "En Melody" - SERGE GAINSBOURG 5.- "Punanny" - CHARLY ACE AND FAY 6.- "Hook & Sing Pt 1" - EDDIE BO 7.- "Hold It" - ONE WAY 8.- "Samba" - MAMBA PERCUSSIONS 9.- "Brooklyn Inferno Quadraphonic" - QPSM UNIT10.- "Funkier Than A Mosquito´s Tweeter" (Live) - NINA SIMONE11.- "Vitamin C" - CAN12.- "Black Satin" - MILES DAVISTodas las músicas seleccionadas por Laurent GarnierTodas las músicas extraídas de la compilación (1xCD) "Harmless Presents, Life: Styles, Compiled by Laurent Garnier" (Harmless Recordings, 2004)Escuchar audio

Van Morrison-Astral Weeks (Warner Brothers) Released November 29, 1968 Van Morrison's Astral Weeks (1968) stands as one of the most distinctive and influential albums in popular music. Recorded in only three sessions with an exceptional group of New York jazz musicians led by bassist Richard Davis, the album blends folk, jazz, blues, Celtic music, and chamber arrangements into a deeply personal artistic statement. Rather than pursuing commercial success, Morrison created an intimate, improvisational work built on poetic, stream-of-consciousness lyrics and emotionally charged performances. Songs such as "Astral Weeks," "Cyprus Avenue," "Madame George," and "Sweet Thing" explore memory, spirituality, love, and identity with remarkable honesty. Although the album sold poorly upon release and produced no hit singles, its reputation steadily grew through critical reappraisal. Today it is widely regarded as Morrison's masterpiece and one of the greatest albums ever recorded. Its organic musicianship, acoustic beauty, and fearless originality continue to inspire listeners and musicians, proving that artistic integrity can ultimately transcend commercial success. (S5-EP 27)

Una sesión de discos favoritos de la primera mitad del año.Playlist;(sintonía) THE ROUTES “Waiting for then man” (Play Velvet Underground)JACK WHITE “G.O.D. and the broken ribs” (Frozen charlatan)LOS DELTONOS “Al reves” (El futuro)EH MERTXE “Queda poco” (Reza al pop)LOS ALTRAGOS “Lo mejor de ti” (Necios y engreidos)THE LIQUORICE EXPERIMENT “Million faces” (Million faces)THE STEMS “Your kind of love”GOOONS! “Land of a thousand crimes” (Never go back)PIKE and DELTA “Ven que estoy hirviendo” (Rockin’ bomb #3)DWARVES “Bad drugs” (Jenkem)MARC VALENTINE “High on the underground” (Uncommon side effects)CYANIDE PILLS “When I’m with you”TAXI GIRLS “Secret handshake” (Static)JESSE WELLES “The ballad of big balls” (Masks off!)VAN MORRISON feat TAJ MAHAL “On a Monday (Somebody tried to sell me a bridge)RADIO DAYS “Bang Bang”THE JUST JOANS “Here come the rugby boys” (Romantic visions of Scotland)Escuchar audio

On this episode of Reelin'... The Featured Five Theme is Finding Some Shade... Plus, what band got its name from an Aboriginal Australian expression?... How a single overheard sentence became one of rock's greatest mysteries... What Queen song nearly featured backing vocals from David Bowie?... New music from The Revivalists, Trey Hensley & Nitty Gritty Dirt Band, and Johnny Blue Skies... Deep cuts from Little Feat, Junior Wells, Van Morrison, and more! For more info on the program, visit reelinwithryan.com

I hope it's ok that this month's FuMP submission is actually two songs stuck together as one, and that only half of it is funny. In 2002 I became an uncle for the second time, to a nephew named Sachio. He was the happiest, most calm and even-tempered child I've ever encountered. Just all smiles, all the time. I didn't see him or his sister that much, as they lived far away, but with each visit he became more and more interesting and fun and inspiring. For his third birthday I parodied a Van Morrison song for Sachio, and that's the first half of today's offering. In 2005 I made a CD of that song, and that CD still has a proud place in the upstairs bathroom of their home in Georgia. As I write this, Sachio is 24 and in hospice care, at home with his parents. His sister has come for the summer to be with them, along with her wife. I'm visiting every few weeks. In September 2025 Sachio was diagnosed with a Malignant Peripheral Nerve Sheath Tumor. It's a terribly aggressive cancer, which becomes so entangled in so many healthy organs that it becomes very hard to treat. Six months of chemo barely slowed its growth, and in April 2026 Sachio decided that quality of life was more important than quantity. I've written quite a bit about Sachio over the past year, but it was personal and not for public eyes or ears. Now it's fathers day weekend. I'm visiting with them in Georgia, and alternately feeling like it's good that I'm here, and then that I'm an additional burden being here, and then that it doesn't matter one way or the other. We keep breathing and watching tennis and watching world cup soccer and eating and sleeping... trying to keep this brave and doomed young man comfortable and comforted as the clock ticks. *** Sachio died at 4 am on Friday June 26, 2026. The hole he left is immeasurable. The second half of today's offering probably isn't comforting. I can do music pretty well, and I can do comedy pretty well... but neither seems to be of any value for my family (or for anyone else) in the face of incurable cancer. I've found that making things helps me process and deal with the pain and the isolation and the helplessness, so I've kept at it. It was helpful to me to make something "pretty" or "melodic" out of all this monumental unfairness. It was helpful to beat the hell out of the drums, and to turn this up really loud. And, having played it for a few close friends, I think it might actually have some merit. And maybe even some value for those who are grieving. Who knows? The main thing I've noticed is that pretty much anything is okay to say or do when the outcome is certain and awful. Very little judgement has been shown lately. So here goes. Sachio was violinist and a guitarist and a saxophonist and a singer. I wish I could say that we played music together, but for some reason that only happened a few times, very casually. We never composed anything together, and we never recorded anything. He played music with his sister, and with his father, and with his school orchestra, and later with his band "The Drapes." A few years ago I invited him and his band to come up to Nashville and do some recording, but that never happened. And that makes me profoundly sad. For this song, I composed the finger-picked instrumental bit upstairs in Sachio's room, while Sachio and his parents were sleeping in the basement room that had become Sachio's hospice ward. Sachio's room was (and will remain) full of his awards and sports posters and lots of things he'd collected in 24 years. As I worked on the song, I thought, "I'm in his bedroom, and he'll never see this room again." And I tried to put that big sadness into the music. In the original "Sachio" song from 2005, I enlisted the saxophone talents of Michael Duncan in Los Angeles. For the second, newer part, I wanted to have a violin, so I asked Tim Lorsch to provide that in Nashville, and he kindly agreed. Everything else you hear is me. Two individual songs compose this whole. My hope is that together they kind of bookend a life lived well, even if it was much too short. I hope people can relate to the pain and overwhelmingness of life and death, and that they think of the awesome gift that we all get for a short while. I hope the "god works in mysterious ways" people will see another perspective, as this song does not let any god off the hook. I hope this does something for someone. I'm just putting it all out there. Doing my best, whether it's sufficient or not. Many thanks to my brother Adam Goodie, his wife Chinami Goodie, their daughter Sara Goodie, and of course Sachio himself. You have each shown inspiring strength and love through all the good times and bad. You can see Sachio's obituary here. And you can see a video of this song, a slideshow, here. "Sachio" Music: Van Morrison Words, guitars, drums, bass, keyboards, vocals, arrangement, production: SG Saxophones: Michael Duncan "My Brother's Son" Music, words, guitars, pedal steel guitar, piano, bass, drums, vocals, arrangement, production: SG Violin: Tim Lorsch Helpful help: Stephen DeBonrepos and Niamh Bagnell

Con Eurythmics, Sigue Sigue Sputnik, Ole Ole, Miguel Bosé, Mecano, Juan Carlos Godoy, Catalina y las Bordonas de Oro, Lucho Gatica, los Panchos, Francisco Alves, Silvia Pérez Cruz, María José Llergo, Leonard Cohen, Hailey Tuck y Van Morrison.

Leonard Cohen: Songs, Stories & Legacy | Rockshow Episode 222In Rockshow Episode 222, we take a deep dive into the extraordinary life, music, poetry, and lasting influence of Leonard Cohen—one of the most respected singer-songwriters of all time. From his beginnings as a celebrated Canadian poet and novelist to his transformation into a legendary recording artist, we explore the stories behind the songs that made him an icon.This episode examines Cohen's remarkable career, including classic albums such as Songs of Leonard Cohen, Songs of Love and Hate, New Skin for the Old Ceremony, Various Positions, I'm Your Man, The Future, and You Want It Darker. We discuss timeless songs including Suzanne, Bird on the Wire, Famous Blue Raincoat, Dance Me to the End of Love, Hallelujah, First We Take Manhattan, and many more.We also look at the historical moments that shaped Leonard Cohen's career, his influence on generations of artists, his literary background, and why his songwriting continues to resonate with listeners around the world. Along the way, we discuss his connections to artists such as Bob Dylan, Nick Cave, Tom Waits, Van Morrison, and others who helped define modern songwriting.Whether you're a lifelong Leonard Cohen fan or discovering his music for the first time, this episode celebrates the man, the music, and the enduring legacy of one of the greatest lyricists in popular music.

Brian Cullman is an acclaimed musician and journalist from New York whose memoir How to Prepare For The Past: Travels in Music and Time is one of my favorite reads of the year. The book tells tales of encounters with big names like Nick Drake, Van Morrison, Chuck Berry, Big Joe Turner, Bo Diddley, George Martin, and more. But, the stories in these pages are deeply relatable and human. After just a few minutes talking to Brian, I realized why. The Marinade is a free-flowing conversation about the creative process with creative people. Each episode we welcome musicians, actors, comedians, authors, visual artists, filmmakers- anyone who creates art to talk about how and why we make stuff. Support The Marinade on Patreon: http://patreon.com/marinadepodcast Follow all things Brian: https://www.briancullman.com/ Vote for The Marinade in Orlando Weekly's Best Of 2026: https://linktr.ee/marinadepodcast  

Buenos días, Javi y Mar! nos lleva por un montón de historias, anécdotas y momentos de esos que nos sacan una sonrisa. Hablamos de lo complicado que puede ser subir una cuerda como bombero y de la experiencia de Javi en un concierto de Van Morrison. También nos preguntamos por esas veces que lloramos por auténticas “tonterías” y por las pequeñas guerras del día a día en casa, como las discusiones eternas por el armario. Descubrimos algunos hábitos de sueño de lo más curiosos, como el de Camila Alves cantando mientras duerme, y Fernando nos cuenta la cruzada de su cuñado para hacer desaparecer los bidés. Además, nuestros oyentes nos regalan historias divertidísimas sobre sus familias políticas y esos momentos que solo pasan en casa de otros. Hablamos del “silencio atento” como herramienta para comunicarnos con los adolescentes y celebramos a Noelia, que se lleva la victoria en “Sé lo que estás pensando”. Fernando Martín nos trae una nueva “encuesta absurda” para resolver una gran duda: ...

En esta nueva edición de nuestro podcast presentamos 'Sleight of Hand', el nuevo álbum del saxofonista Steve Cole. Repasamos otros recientes lanzamientos en la música Smooth Jazz firmados por Randy Brecker, Architects of Sound, Andy Snitzer, Sergio Pereira y Hil St Soul. Los minutos centrales están protagonizados por el sonido del órgano Hammond B3 del músico británico Paul Moran, director de la banda de Van Morrison.

The conclusion of the 4-parter featuring Debut Album Openers, that is first cuts from first sides from first albums, and we're into bands beginning with the letters S-Z, with trips to Detroit's Cobo Hall, Pistols and Stooges, Patti Smith does Van Morrison, The Hip, Wilburys, U2, Van Halen and the song that set the stage for ZZ Top. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you go looking for songs about the moon, they'll start falling out of the sky. Moon-themed songs are some of the oldest in recorded history as well as some of the most recent to hit the charts. They can be found connected to everything from organized religion to witchcraft, they come from all parts of the planet, and they show up in every genre of music. In honor of the 2026 blue moon, the hosts of "How We Heard It" embarked on a quest to find songs about the moon, and they were overwhelmed - not just by the sheer number of songs they found, but also by the extensive breadth of the songs. Earth's closest companion inspires all manner of emotions. And when you project your feelings on the moon, it reflects and enhances your mood. Are you feeling amorous? Lonely? Anxious? Content? Mysterious? Grounded? Gaze upon the moon and your feelings will intensify. In song, the moon can be blue, red, pink, silver and orange. It can be full, new, half ... or just a sliver. The phases of the moon can reflect the phases of life. Or the moon can just be an old goose. As the podcast's hosts discovered, the moon can be whatever you want it to be. And it seems like most artists have performed at least one song about the moon - from Frank Sinatra to Audrey Hepburn, from Elvis Presley to Creedence Clearwater Revival, from Van Morrison to Neil Young, and from Bjork to Bruno Mars. Just be careful with how hard you dig into moon-themed songs ... or you may end up seeing stars.

In this episode of the XS Noize Podcast, Mark Millar is joined by Robert Arkins, best known to millions as Jimmy Rabbitte in Alan Parker's classic 1991 film The Commitments. Robert looks back on life before the film, his musical roots, fronting his own band Housebroken, and how his sister first introduced him to Roddy Doyle's book. He reflects on why he initially saw The Commitments as a possible distraction from his music, before becoming the face and voice of one of the most beloved music films ever made. In this warm and honest conversation, Robert talks about working with Alan Parker, finding Jimmy Rabbitte's natural Dublin rhythm, the humour and energy that still make the film resonate, and the moment he realised The Commitments had become much bigger than just a film. He also shares brilliant behind-the-scenes stories from the shoot, including Van Morrison auditioning for Joey "The Lips," memories of the famous bath scene, Johnny Murphy's motorbike mishap, and what fans still say to him more than three decades later. The conversation also goes deeper into what happened after The Commitments — the pressure of sudden fame, travelling to Los Angeles, signing to MCA, working on an unfinished Housebroken album, and the frustration of being recognised as Jimmy Rabbitte when he wanted to be seen as an artist in his own right. Now, Robert is returning to the music with Robert Arkins' Commitments, marking the 35th anniversary of The Commitments with UK and Ireland shows. He talks about bringing those songs back to the stage, adding Detroit and Northern Soul into the live set, and why the audience energy still reminds him of watching the film with a crowd. At its heart, this episode is about music, identity, second chances, and what happens when one role follows you for the rest of your life. Listen to the full episode now.

Click here to send me a text message (include your contact info if you want a reply).With the reading of this chapter from my book, Talking to Trees, we close the sixth season of The Mystic Cave, even as the events described there opened up my spiritual path, leading me here. I hope you enjoy it. And, by the way, next year, a new book is on the way. Communing with the Dead ... and Other Tales from the Imaginal Realms extends my exploration of the spiritual terrain on the far side of conventional religion. More on that to come ... Where to find Talking to Trees: A Journey into Soul: https://www.brianepearson.ca/talking-to-treesPersonal LinksMy web site (where you can sign up for my blog): https://www.brianepearson.caMy email address: mysticcaveman53@gmail.comSeries Music Credit"Into the Mystic" by Van Morrison, performed by Colin James, from the album, Limelight, 2005; licensed under SOCAN 2026

FROM THE ARCHIVES - Original Airdate of 4.10.2021 New intro by Rob Today Jim (rob) and Mike (matt) talk about the 1976 film THE LAST WALTZ ABOUT THE LAST WALTZ The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance", and the concert saw The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was The Band's original record producer, John Simon. The event was filmed by director Martin Scorsese and made into a documentary of the same title, released in 1978. Jonathan Taplin, who was The Band's tour manager from 1969 to 1972 and later produced Scorsese's film Mean Streets, suggested that Scorsese would be the ideal director for the project and introduced Robbie Robertson and Scorsese. Taplin served as executive producer. The film features concert performances, intermittent song renditions shot on a studio soundstage, and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Simon and Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings. The Last Waltz is hailed as one of the greatest documentary concert films ever made,[3] although it has been criticized for its focus on Robertson.  In 2019, the film was selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant". ****** Rob (and co-hosts) will be back in June 2026 with some brand-new podcasts and interviews!  Stay Tuned ****** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content Email Rob at: knowgoodmusicpodcast@gmail.com Know Good Music T-Shirts, Drink Coasters and Embroidered dad hats and winter hats now available.  Email Rob for all the info.

On a special edition of the Haaretz Podcast celebrating its 500th episode, host Allison Kaplan Sommer speaks to iconic Israeli musician David Broza – the composer of "Things Will Be Better," one of Israel’s best-known peace anthems – on performing in a time of war, chaos and despair in his country. “There’s no rationale to being Israeli,” Broza, 70, said on the podcast. "My mission is to exist as an artist and to be very much aware of where I come from and not just leave it behind and shy away from it." Broza describes himself as being “sad but hopeful,” adding that he “would have to stop singing if I wasn’t hopeful.” Having lived in Francoist Spain in his youth, he observed that how "in fascist governments, the artists are the first ones to be burnt, banned, thrown out... And yet you can't erase the art. We need strength now. We need songs. We need art." Broza’s music crosses cultures and genres – fusing Spanish guitar with contemporary rock and folk music, and emphasizing themes of peace and social justice. He has collaborated widely with top artists including Paul Simon, Sting, Van Morrison and Bob Dylan – and with Palestinian artists. His belief in art to overcome conflict puts him at odds with advocates of boycotts. "I am so adamantly anti-boycott that you can't even believe it. BDS is such a lie. It's bullshit," he declared on the podcast. "Boycott will put an end to any hope for future collaboration. If we stop talking to each other, if we do not communicate with each other, we will never step over the threshold." At the same time, he added, "I don't disregard what's going on. I don't disregard the ultra right-wing government we have here, or the crazy government in America." But his role, he said, is clear – to play the role of the troubadour and sing “to anyone, settlers or leftists.”See omnystudio.com/listener for privacy information.

There have been songs, that I loved the first time I heard themThere are others that I had to hear several times to appreciate- but the ones that I've loved at first sight had two qualities:• the sound of music (instruments and vocals) and the lyrics◦ psychologists refer to this response to music as “emotional resonance”◦ the sound waves and meaning of the music find a string that vibrates deep in the soul• for me, one of the songs that instantly moved me was Van Morrison's When will I ever learn to live in God?“When will I ever learn to live in God? When will I ever learn?He gives me everything I need and more When will I ever learn?”

Click here to send me a text message (include your contact info if you want a reply).The myth is that Henry VIII founded the Church of England because he wanted a divorce. The reality is that his second wife, Anne Boleyn, was using her influence with Henry to foment church reform in England, as on the Continent. That he thanked her by having her executed and marrying again is a story of 'blame and shame' as old as Adam and Eve, and equally as unsettling. Martha Tatarnic, in her new book, Anne Boleyn: Reputation, Revolution, Religion, and the Queen Who Changed History, says 'twas ever thus. In a "man's world," strong women pay a price for their influence, sometimes with their lives. Martha reminds us that, to create the just world for which Anne fought and died, we must be ever vigilant to hear the voices for change, not at the powerful centre, but at the prophetic edges. Voices like Anne's. About Anne: https://www.amazon.ca/Anne-Boleyn-Reputation-Revolution-Religion/dp/1640658599About Martha: https://marthatatarnic.caAbout Anne and Martha: https://marthatatarnic.ca/anne-boleyn-2/Personal LinksMy web site (where you can sign up for my blog): https://www.brianepearson.caMy email address: mysticcaveman53@gmail.comSeries Music Credit"Into the Mystic" by Van Morrison, performed by Colin James, from the album, Limelight, 2005; licensed under SOCAN 2026

In this episode of THE MENTORS RADIO, Host Dan Hesse talks with former U.S. Senator William W. “Bill” Bradley and how he navigated major life transitions, why he shares very personal stories; you’ll even hear Bill sing a Van Morrison song to demonstrate his latest passion. Senator Bradley represents a rare convergence of elite performance across athletics, academics and public service. He served in the U.S. Senate from 1979 – 1997 representing the state of New Jersey. In 2000, he was a candidate for the Democratic nomination for President. Prior to serving in the Senate, he was an Olympic gold medalist and a professional basketball player with the New York Knicks during which time they won two (2) NBA championships. In 1982, he was elected to the Basketball Hall of Fame. Senator Bradley holds a bachelor’s degree in American History from Princeton and a master’s degree from Oxford, where he was a Rhodes Scholar. Senator Bradley is a Managing Director of Allen & Company and hosts American Voices, a weekly show on Sirius XM Satellite Radio that highlights the remarkable accomplishments of Americans, both famous and unknown. He has authored seven books on American politics, culture, and the economy, and his performative autobiography, Rolling Along, has been viewed more than 20 million times. LISTEN TO the radio broadcast live on iHeart Radio, or to “THE MENTORS RADIO” podcast any time, anywhere, on any podcast platform – subscribe here and don't miss an episode! SHOW NOTES: BILL BRADLEY: BIO: BIO: Bill Bradley BOOKS: We Can All Do Better, by Bill Bradley, Petr Ganim, et al. Time Present, Time Past: A Memoir, by Bill Bradley Life on the Run, by Bill Bradley Values of the Game, by Bill Bradley The New American Story, by Bill Bradley The Journey From Here, by Bill Bradley The Fair Tax, by Bill Bradley PERFORMATIVE DOCUMENTARY: Rolling Along WEBSITE: https://www.billbradley.com/ 

Something we want to encourage you to consider is treating yourself to a night away. That's exactly what we did at the weekend. We talk about that among a panoply of other recommendations. As always, please send your ideas to our instagram @makingthecutpodcast.Frameless - https://frameless.com/The Lightroom - https://lightroom.uk/Tuddenham Mill - https://www.mrandmrssmith.com/luxury-hotels/tuddenham-mill/Van Morrison - https://open.spotify.com/album/1s9pyp2esxBxLKEjEeSc5NDoors of Perception - https://www.instagram.com/doorsofperception_ibiza/Red Hot Chili Peppers Doc - https://www.netflix.com/gb/title/82087556Air Fryer Girl - https://www.instagram.com/airfryergirluk/Michael Jackson: An American Tragedy - https://www.bbc.co.uk/iplayer/episodes/m002trr2/michael-jackson-an-american-tragedyLittle Miss Sunshine - https://www.imdb.com/title/tt0449059/Johno Verity - https://www.instagram.com/johnoverity/ Hosted on Acast. See acast.com/privacy for more information.

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Ce 6 mai, Marjorie Hache propose un habile mélange de classiques et de découvertes dans RTL2 Pop-Rock Station. L'émission redécouvre Janis Joplin, Linkin Park, The Specials, Nancy Sinatra, The Rolling Stones, Weezer, Garbage, Blur, Radiohead, Van Morrison, Chris Isaak, Bob Dylan ou encore The Subways. The Strokes ouvrent la marche des nouveautés avec "Going Shopping". Les Français de Howlin' Jaws s'illustrent avec "Troubled Mind", tandis que Saint Agnes dévoile "The Ghost" et qu'Anna Calvi fait résonner "God's Lonely Man". On retrouve également la collaboration entre Massive Attack et Tom Waits. La primeur de la soirée marque le grand retour de la formation indépendante française Syd Matters, avec "Many Years In The Making" . L'album de la semaine met à l'honneur "Peaches", le nouveau disque de The Black Keys, illustré aujourd'hui par la relecture du morceau "Tell Me You Love Me" de Jessie Mae Hemphill, témoignant de leur retour aux sources blues. Enfin, la reprise de la soirée nous vient de la chanteuse dublinoise Christine Tobin, qui s'approprie avec une élégante touche folk et jazz l'intemporel "God Only Knows" de The Beach Boys. The Strokes - Going Shopping Weezer - Beverly Hills Bee Gees - How Deep Is Your Love Keziah Jones - Rythm Is Love Garbage - Cherry Lips The Kingsmen - Louie Louie Blur - Beetlebum The Black Keys - Tell Me You Love Me Janis Joplin - Move Over Radiohead - Reckoner Linkin Park - Faint Saint Agnes - The Ghost Christine Tobin - God Only Knows Van Morrison - Brown Eyed Girl Chris Isaak - Baby Did A Bad Bad Thing Chalk - Longer Bob Dylan - All Along The Watchtower Suicidal Tendencies - Monopoly On Sorrow Massive Attack & Tom Waits - Boots On The Ground Black Sabbath - Iron Man The Subways - Rock & Roll Queen Syd Matters - Many Years In The Making Otis Redding - (I Can't Get No) Satisfaction Temples - Keep In The Dark Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) My Dying Bride - To Outlive The GodsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to the kickoff of Mental Health Awareness Month on PATH! This May, we are dedicated to reducing the stigma surrounding behavioral health and exploring the "delicate interplay" between our hearts, souls, and bodies.In this episode, Jenny and Toni travel to the Denver area (via Kansas City) to sit down with a "joyous human" and "formidable buffalo" of a man: Steve Bloom. After 30 years in the high-stakes world of corporate leadership and private equity, Steve didn't just retire—he pivoted. At age 60, he returned to school to become a mental health therapist, driven by a mission to address the silent epidemic of loneliness and isolation among men.What We Discuss: The "Second Act": The humility and tenacity required to go from Chief People Officer to a 60-year-old grad student. The Crisis of Connection: Why modern men are struggling with a "contradictory script" and how social isolation fuels depression. Tackling the "Darker" Topics: Steve opens up about his work with sexual addiction and the societal impact of pornography and AI. Finding Hope: Why Steve believes we aren't as divided as the media suggests and how small acts of "human kindness" can save lives. The "Buffalo" Mindset: Walking into the eye of the storm with courage and clarity. Key Takeaways & Resources: Start Small: Connection doesn't require an overhaul. A smile, a nod, or noticing the "lady on the scooter" at the park makes a difference. The Power of "Saying Something": If you are struggling with anxiety, depression, or addiction, have the courage to raise your hand. Reach Out to Steve: Steve is open to connecting with listeners. You can reach him at S.C.Bloom@outlook.com. Or connect with him through the counseling firm he works with on Instagram @therapridecouseling. Our Road Trip Mixtape:Inspired by Steve's "80s Classic Rock" vibes and our deep dive into nostalgia, this episode's playlist is our longest yet! Featuring: Steve's Picks: Bruce Springsteen, Van Morrison, R.E.M., The Cure, Elvis Costello, Blondie, and The Pretenders. Jenny & Toni's Reflections: "Everybody Hurts" (R.E.M.), "Say Something" (A Great Big World), "Fix You" (Norbert Leo Butz cover), and "Let It Be" (The Beatles). Connect with PATH: Enjoying the journey? Leave us a review and let us know what "Season" you're currently walking through or connect with us on Instagram @thepathpod.  As always, thanks for being on the road with us!  

Our first recommendation today is oxygen! You might not be getting enough of it… Then we discuss a spiritual song, a festival, and make a general recommendation to go BONKERS. As always, please send your ideas to our instagram @makingthecutpodcast.HBOT - https://www.mayoclinic.org/tests-procedures/hyperbaric-oxygen-therapy/about/pac-20394380Van Morrison - https://open.spotify.com/album/0Cq0JQS4IxseGLOAQryUOw?autoplay=truePrimavera - https://www.primaverasound.com/en/barcelonaI Go - https://www.youtube.com/watch?v=d1gmuWdZzkwCoco Jagger - https://www.instagram.com/coco.jagger/DJ Skillspinz - https://www.instagram.com/djskillspinz/Frank Skinner - https://www.audible.co.uk/pd/Frank-Skinner-Audiobook/B004EXEGQ8Steve Cradock - https://www.stevecradock.com/Kitbrix - https://kitbrix.com/Genera8ion - https://www.youtube.com/watch?v=x6_mbnsh6VU Hosted on Acast. See acast.com/privacy for more information.

In the 70s Paul Charles wrote lyrics for an Irish prog band. Now he writes mystery novels. Inbetween he's been agent for Tom Waits, Nick Lowe, Van Morrison, Hothouse Flowers and many others and has forgotten more about live shows than most of us will ever know. Here he talks about:•⁠ ⁠hearing the Beatles for the first time through the family radio•⁠ ⁠meeting Tom Waits in a queue at Tower Records in Hollywood•⁠ ⁠why he likes to watch the way bands take the stage•⁠ ⁠the changes he's seen in the live music landscape•⁠ ⁠why everybody suddenly wants to tour•⁠ ⁠what will change about ticket prices and what probably won't•⁠ ⁠why the artist doesn't want to see his agent in the bar after the show•⁠ ⁠what it's like when Jackson Browne plays you his new record•⁠ ⁠why his latest McCusker mystery is called “Hi Love, You Just Dropped Your Glove”Order “Hi Love, You Just Dropped Your Glove”: https://www.amazon.co.uk/gp/aw/d/B0GTC3M9CW/ref=tmm_hrd_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In the 70s Paul Charles wrote lyrics for an Irish prog band. Now he writes mystery novels. Inbetween he's been agent for Tom Waits, Nick Lowe, Van Morrison, Hothouse Flowers and many others and has forgotten more about live shows than most of us will ever know. Here he talks about:•⁠ ⁠hearing the Beatles for the first time through the family radio•⁠ ⁠meeting Tom Waits in a queue at Tower Records in Hollywood•⁠ ⁠why he likes to watch the way bands take the stage•⁠ ⁠the changes he's seen in the live music landscape•⁠ ⁠why everybody suddenly wants to tour•⁠ ⁠what will change about ticket prices and what probably won't•⁠ ⁠why the artist doesn't want to see his agent in the bar after the show•⁠ ⁠what it's like when Jackson Browne plays you his new record•⁠ ⁠why his latest McCusker mystery is called “Hi Love, You Just Dropped Your Glove”Order “Hi Love, You Just Dropped Your Glove”: https://www.amazon.co.uk/gp/aw/d/B0GTC3M9CW/ref=tmm_hrd_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In the 70s Paul Charles wrote lyrics for an Irish prog band. Now he writes mystery novels. Inbetween he's been agent for Tom Waits, Nick Lowe, Van Morrison, Hothouse Flowers and many others and has forgotten more about live shows than most of us will ever know. Here he talks about:•⁠ ⁠hearing the Beatles for the first time through the family radio•⁠ ⁠meeting Tom Waits in a queue at Tower Records in Hollywood•⁠ ⁠why he likes to watch the way bands take the stage•⁠ ⁠the changes he's seen in the live music landscape•⁠ ⁠why everybody suddenly wants to tour•⁠ ⁠what will change about ticket prices and what probably won't•⁠ ⁠why the artist doesn't want to see his agent in the bar after the show•⁠ ⁠what it's like when Jackson Browne plays you his new record•⁠ ⁠why his latest McCusker mystery is called “Hi Love, You Just Dropped Your Glove”Order “Hi Love, You Just Dropped Your Glove”: https://www.amazon.co.uk/gp/aw/d/B0GTC3M9CW/ref=tmm_hrd_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Americana, Roots, Folk, Blues, Country.Episode includes Van Morrison, Rory Gallagher and Elton John.A LONNIE DONEGAN SPECIAL.

Please enjoy part two of this conversation. It was a blast covering Van's first live album with Craig Finn! theholdsteady.netcraigfinn.netdwelleronthethresholdpod@gmail.com

El periodista de esRadio defiende la libertad individual frente al intervencionismo y reivindica un sistema que genera riqueza y dignidad humana. El capitalismo es un modelo económico que, por sus exigencias individuales, suele recabar mala prensa. Además, es común que desde la izquierda se tomen posiciones victimistas cuando la labor del individuo que aspire a la prosperidad pasa por el sacrificio, la formación y una pizca de suerte. Mientras los discursos que señalan que la meritocracia no existe, las cifras de movilidad social demuestran que el ascensor sí que existe. Carlos Cuesta acaba de publicar su último libro en el que combate con datos y mordacidad esas ideas preconcebidas: ¡Viva el capitalismo! ¡Viva la libertad! Esta semana, en Economía Para Quedarte Sin Amigos, contamos con Carlos Cuesta, periodista de esRadio y Libertad Digital. Acude al programa para hablar de su último libro, ¡Viva el capitalismo! ¡Viva la libertad!, publicado por Espasa, una defensa sin complejos del sistema que más prosperidad ha generado en la historia. Además, según Cuesta, "El capitalismo es la expresión natural de la dignidad humana y es el sistema que más millones de personas ha sacado de la pobreza". La tesis central del libro es tan sencilla como incómoda para ciertos sectores: el capitalismo no es solo un modelo económico, es la expresión natural de la dignidad humana. En el momento en que se reconoce la libertad del individuo, el acceso al capital como factor productivo y el derecho a desarrollar un proyecto propio se vuelven inevitables. Todo lo que lo limita —el Antiguo Régimen, el comunismo, el intervencionismo creciente— va en la misma dirección: arrebatar al individuo la capacidad de decidir sobre su propia vida. El comunismo lo hizo con muros y ametralladoras. El progresismo contemporáneo lo hace con regulación, subvenciones y un relato que siempre sitúa la culpa fuera del individuo.Música Esta semana, el protagonista de nuestra selección musical es el cantante Van Morrison. Y estos son los temas que hemos escuchado: "Brown eyed girl" "Wild Night" "Jackie Wilson Said (I'm in Heaven When You Smile)" "Days Like This"

Steiny & Guru debate how much an original, old timer owe his fans... Why should Bob Dylan and Van Morrison play anything but their new stuff? The boys get into it.

In which the Curmudgeons revisit and marvel over one of the most amazing streaks a performer has ever had in the long history of this thing we love called rock 'n' roll. Belfast native Van Morrison enjoyed chart success early on in the mid-1960s with the hits "Gloria" and "Brown Eyed Girl" but then fell back into obscurity for a couple years before re-emerging with a mixture of bravado, introspection and poet's soul to embark on an extraordinary six-plus-year streak of artistic and eventually commercial mastery. He dropped one of the greatest albums of all time, the heavenly folk-jazz meditation Astral Weeks, in 1968. When the album bombed commercially, Morrison pivoted and spent the next several years blessing the world with a startling yet often rapturous brand of "blue-eyed" soul music that captured the world's imagination and propelled him to superstardom. We cover this whole period of Morrison's in detail--and with tremendous excitement.   Enjoy the music of Van Morrison by accessing our special Spotify playlist: https://open.spotify.com/playlist/5RE1t7yvh12UfRvmOam12W?si=30961af58cfc4a29   Here's handy navigation companion to this episode.   (00:52 - 03:46) - Arturo Andrade sets the parameters for our discussion of Van Morrison   (04:42 - 26:03) - The Parallell Universe, in which we review new albums from Courtney Barnett and Angine de Poitrine   (27:02 - 57:23) - We tell Morrison's origin story and them explore his albums Astral Weeks, Moondance, His Band and the Street Choir and Tupelo Honey   (58:31 - 01:24:28) - We discuss the Morrison albums Saint Dominic's Preview, Hard Nose the Highway, ...It's Too Late to Stop Now...Vol. 1 and Veedon Fleece. We also contemplate Morrison's artistic legacy.   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com     Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons    

Adam talks with Damon Albarn and Jamie Hewlett of Gorillaz about not giving a f**k, being born in the 60s and growing up in the 70s and 80s, duetting with Mark E Smith and Lou Reed, why Damon isn't as impressed by Van Morrison and Coldplay as Adam is, partying too hard with Ant and Dec, trying to get The Spice Girls into Stockhausen, Dads, the new Gorillaz album 'The Mountain' and the experience of trying to make peace with mortality in India that inspired it.Conversation recorded face-to-face in London on 22nd January, 2026THE ADAM BUXTON BAND SPRING 2026 TOUR BUG BOWIE SPECIAL @ THE LIGHTROOMSAILY

Pacific St BluesSkiffle, The Banjo, & Libba CottenPart 1 of 2 1. fIREHOSE / In Memory of Elizabeth Cotton2. Grateful Dead / Oh Babe, It Ain't No Lie3. Elizabeth Cotten & Brenda Evans / Shake Sugaree4. The Undisputed Truth / Smiling Faces5. Van Morrison / Freight Train (Sue Foley, Rory Block, Gary Clark Jr., Tommy Castro)6. The Beatles / Maggie Mae7. The Vipers / Don't You Rock Me Daddy-O 8. Chris Barber & Eric Clapton / Weeping Willow9. Harry McClintock / Big Rock Candy Mountain 10. Ramblin' Jack Elliot / Roll in My Sweet Baby's Arms 11. Ewan MacColl & Peggy Seeger / The First Time Ever I Saw Your Face (Roberta Flack, The Fugees) 12. Kirsty MacColl / Days (The Kinks) 13. Mark Knopfler / Donegan's Gone 14. Traveling Wilbury's / Nobody's Child (Tom Petty, George Harrison) 15. Lonnie Donegan / Does Your Chewing Gum Lose It's Flavour on the Bed Post Overnight? 16. Leadbelly Rock Island Line 17. John Fogerty / Midnight Special 18. Keith Richards / Goodnight Irene

Pacific St BluesSkiffle, The Banjo, & Libba CottenPart 1 of 2 1. fIREHOSE / In Memory of Elizabeth Cotton2. Grateful Dead / Oh Babe, It Ain't No Lie3. Elizabeth Cotten & Brenda Evans / Shake Sugaree4. The Undisputed Truth / Smiling Faces5. Van Morrison / Freight Train (Sue Foley, Rory Block, Gary Clark Jr., Tommy Castro)6. The Beatles / Maggie Mae7. The Vipers / Don't You Rock Me Daddy-O 8. Chris Barber & Eric Clapton / Weeping Willow9. Harry McClintock / Big Rock Candy Mountain 10. Ramblin' Jack Elliot / Roll in My Sweet Baby's Arms 11. Ewan MacColl & Peggy Seeger / The First Time Ever I Saw Your Face (Roberta Flack, The Fugees) 12. Kirsty MacColl / Days (The Kinks) 13. Mark Knopfler / Donegan's Gone 14. Traveling Wilbury's / Nobody's Child (Tom Petty, George Harrison) 15. Lonnie Donegan / Does Your Chewing Gum Lose It's Flavour on the Bed Post Overnight? 16. Leadbelly Rock Island Line 17. John Fogerty / Midnight Special 18. Keith Richards / Goodnight Irene

Welcome to this very special episode that's airing during the week of the 2026 Podcasthon — the world's largest podcast charity initiative, bringing together over 2,100 podcasters from over 60 countries. The two visionary co-founders, Jeremie Mani and Yves Delnatte's mission is to raise awareness for local nonprofits and charitable causes that are effectively changing people's lives. Today's episode highlights a non-profit, and rather exceptional person, who's doing just that as a result of experiencing his own profound life change, the kind that happens in seconds, the kind you never see coming, and the kind that demands everything you have to keep moving forward. In hockey, a line change is a substitution of players — usually an entire line — jumping over the boards so the game can keep going at full intensity.  But what happens when life forces a line change you didn't choose?  My guest today knows that answer intimately. Matt Brown was a 15-year-old sophomore at Norwood High School in Massachusetts, a student, an athlete, and hockey player with a huge passion for the sport.  Then, during a high school hockey game in 2010, everything changed.  With one hit, one moment and one collision with the boards, Matt sustained a catastrophic spinal cord injury, leaving him paralyzed from the neck down. In his 2019 memoir Line Change Matt Brown, along with co-author Todd Civin, chronicle Matt's life after that injury, detailing his journey through paralysis, rehabilitation, and his infectious "Never Quit" attitude while navigating college, motivational speaking, and running 13 assisted marathons.  His memoir highlights the tremendous support from his amazing family, friends, and the hockey community worldwide, including his beloved Boston Bruins, and stands as a positive testament to resilience and holding onto Hope in the face of adversity. In 2020, the Matt Brown Foundation, a 501(c)(3) nonprofit was launched. Born from Matt's compassion and empathy to support individuals and families affected by illness or injury—especially those living with paralysis—through advocacy, resources, and community. We'll be talking about Line Change and The Matt Brown Foundation in this special Podcasthon episode. To contact Matt Brown directly, purchase a copy of 'Line Change', purchase MBF Swag, or make a donation to the Matt Brown Foundation: Business email address: matt@mattbrownfoundation.org   Foundation website: https://www.mattbrownfoundation.org/   Instagram: @mattbrown_foundation    Facebook: https://www.facebook.com/profile.php?id=100067069811341    LinkedIn: https://www.linkedin.com/company/matt-brown-foundation/?viewAsMember=true If you enjoyed this episode, make sure to follow 19 Stories wherever you listen to your favorite podcasts. It would be greatly appreciated if you gave a nice review and shared this episode well :-) To give feedback or a story idea: 19stories@soundsatchelstudios.com To listen to my demos: https://www.cherylholling.com/ To contact me for voiceover work, or to host your podcast, reach out to me at: cheryl@cherylholling.com Follow me on Instagram: @cherylhollingvo Theme Song Credit: 'Together' by For King & Country Outro song excerpt: 'Days Like This' by Van Morrison, © 1995 All Rights Reserved Proverbs 23:18 "Surely there is a future, and your Hope will not be cut off."

Intro Song – 14 - The James Hunter Six, "Ain't That A Trip (feat. Van Morrison)", Off The Fence First Set - 13 - Crystal Shawanda, "Stop Funkin Me Around", Sing Pretty Blues 12 - Sean McDonald, "My Soul", Have Mercy! 11 - Charles Tiner, Jr, "Don't Be A Fool Too Long", Good Soul Second Set - 10 - Billy Thompson, "This World", This World 9 - Joe Bonamassa, Chaka Khan, Eric Clapton, "The Thrill Is Gone", B.B. King's Blues Summit 100 8 - Kim Wilson, "Lowdown Woman", Slow Burn Third Set - 7 - Altered Five Blues Band, "Can't Shake It", Hammer and Chisel 6 - Buddy Guy, "Blues On Top", AIn't Done With The Blues 5 - Lil' Ed & The Blues Imperials, "You Can't Strike Gold From a Silver Mine", Slideways Fourth Set - 4 - Duke Robillard, "When I Get Lucky", Blast Off! 3 - Omar Coleman & Igor Prado, "Cut You Loose (Let You Go), Old New Funky & Blue 2 - Teresa James & The Rhythm Tramps, "Close Down The Blues Bar", Bad At Being Good 1 - Tinsley Ellis, "Hoodoo Woman ", Labor Of Love

Boyle goes to the Van Morrison concert.

Description:  Jen revisits this fan favorite episode with Mel Robbins. Buckle up, listeners.  It was only a matter of time before our paths crossed with Mel Robbins, one of the most respected experts on change and motivation in the zeitgeist, and today is that day. Known for being the host of the #1 ranking education podcast in the world, bringing deeply relatable topics, tactical advice, tools, and compelling conversations to her audiences, Jen and Amy spend today's hour diving into Mel's “Let Them” theory, which is taking the world by storm, already delivering instant peace and freedom in the lives and relationships of people putting it into practice. Together, they discuss: The difference between “Let Them” and “Let Me” Learning to release the white-knuckle grip we hold over other people's behavior (and other things beyond our control) Reframing disappointment to view it as a gift (yes, it's possible!) Repositioning self-worth inward, rather than leaving it dependent on others' opinions. Thought-provoking Quotes: “For a lot of women, we spend so much time upstairs in our heads as people-pleasers and over-analyzers, over-thinking and ruminating, trying to get things perfect. That's the last place I should be, personally. I need to drop into my body and get out of my head.” – Mel Robbins “People reveal who they are and what they care about through their behavior. Ignore their words. Watch their behavior. Let people be who they are. Let them do what they're going to do. Focusing on them is not where your power is.” – Mel Robbins “The difference between ‘not my business' and ‘let them' is worlds apart. When you say, ‘not my business', you're scolding yourself. With, ‘let them', you're in the power position because you see what's happening and are choosing to allow it without allowing it. You're rising above it.” – Mel Robbins Resources Mentioned in This Episode: Demotivators - https://despair.com/collections/ Effin Birds on Instagram - https://www.instagram.com/effinbirds/ Van Morrison - https://www.vanmorrison.com/ No Hard Feelings by the Avett Brothers - https://open.spotify.com/track/0bgQ1hQrpP6ScdBZlDfLE2 Foo Fighters - https://foofighters.com/ DePeche Mode - https://www.depechemode.com/ The Cure - https://www.thecure.com/ Taylor Swift - https://www.taylorswift.com/ The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage by Mel Robbins - https://amzn.to/427OHwu The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About by Mel Robbins - https://amzn.to/4hc53bE The Mel Robbins Podcast - https://www.melrobbins.com/podcast The Four Questions: For Henny Penny and Anybody with Stressful Thoughts by Byron Katie - https://amzn.to/3C7tKXT My Legacy Podcast - https://www.iheart.com/podcast/1119-my-legacy-podcast-255793246/ Man's Search for Meaning by Viktor Frankl - https://amzn.to/4ajbyaz Dr. Stuart Ablon - https://www.stuartablon.com/ The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life by Mark Manson - https://amzn.to/3PCqxmi Guest's Links: Website - https://www.melrobbins.com/ Instagram - https://www.instagram.com/melrobbins/ Facebook - https://www.facebook.com/melrobbins Twitter - https://x.com/melrobbins Youtube - https://www.youtube.com/melrobbins TikTok - https://www.tiktok.com/@melrobbins Podcast - https://www.melrobbins.com/podcast/ Connect with Jen!Jen's Website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmakerJen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmakerJen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Volume 79 of Brad & Mira For the Culture...Brad prepares for AWP...Mira advises amphetamines...the Pee-Wee Herman documentary...Brad can't cope with Van Morrison being an asshole...Mira's severe vitamin D deficiency...Angry Adam returns...Bad Bunny drives middle-aged women wild...please save America...Lady Gaga is Latina now...the Epstein Files fallout continues...Ghislaine pleads the 5th...Brad learns about looksmaxxing...& more... *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ⁠⁠⁠⁠⁠⁠⁠⁠ulys.app/writeabook⁠⁠⁠⁠⁠⁠⁠⁠ to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices