Podcast appearances and mentions of roland kirk

Jazz Grooves 14: Mit møde med Roland Kirk: Hans Barfod fortæller om og spiller musik med Roland Kirk, som var multiinstrumentalist og levede fra 1935 til 1977.

Jazz Grooves – mit møde med Alex Riel 1: Dette programs vært, Hans Barfod, arbejdede tæt sammen med Riel om udgivelsen af bogen 'Manden bag trommerne' og har derfor været inde i næsten alle kroge af Alex's musikliv. Det første program om Alex Riel har focus på 60'erne – årene i Jazzhus Montmartre: NHØP, Kenny Drew, Roland Kirk, Bill Evans, Ben Webster, Stuff Smith, Palle Mikkelborg. 

Derrière ses trucs et astuces, aussi prodigieux soient-ils, Kirk c'est avant tout une personnalité musicale. Un esprit libre, solidement ancré dans les racines de la musique noire et le blues, mais suffisamment tête chercheuse pour ne pas dédaigner l'avant-garde. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Roland Kirk. “Rahsaan” Roland Kirk, puisque Rahsaan était le surnom que lui-même s'était donné. Un musicien pas comme les autres. Une nuit, il avait fait un drôle de rêve, et dans ce rêve, il s'était vu souffler dans trois saxophones en même temps. Et, devinez quoi, c'est exactement ce qu'il fit !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

THIS WEEK's BIRDS: poetry & music from Sara Serpa; Oum Koulsum; Xmas redux from, Roland Kirk; Max Roach x 2 (w. Rev. Jeremiah Wright); Horoya Band National (from Guinea); salsa from. Adalberto Santiago & Orquesta Cimarrón; Karl Evangelista's Apura; Sababa 5 w. Yureka;  Steve Lacy Sextet; Lucas Niggli Zoom Ensemble;  and of course, so much, much more... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/19997572/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Patracol de cantants, instrumentistes i compositores d'accent watusi. Un tria i remena marca de la casa en qu

Tonight's Jazz Feature is unique even in the varied discography of Charles Mingus. First of all Mingus plays only piano here and chants, sings and delivers verbal encouragement to the soloists. Also the band is built around the amazing talents of Roland Kirk (aka Rahsaan Roland Kirk) who plays his tenor saxophone, manzello (a type of soprano saxophone), his stritch (an elongated alto saxophone), flute and various percussion and sundry instruments like whistles, gongs etc. In the band too is tenor saxophonist Booker Ervin and trombone great Jimmy Knepper, both Mingus favorites. On bass is Doug Watkins and on drums is of course, Dannie Richmond. The music is loose, free and covers all the emotions from humor to anger and is sometimes surrealistic. This band was formed in the Summer of 1961 and marked a switch in style for Mingus but was still reflective of his immense musical personality. This album was recorded for Atlantic Records on November 6, 1961 and issued as "Oh Yeah!". It stands alone and is tonight's Jazz Feature.

durée : 00:59:28 - Banzzaï du vendredi 10 mai 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Pour ce numéro 50 de l’émission : Miles et Monk, Roland Kirk, Charlie Mingus, Mark Murphy, Grant Green, Wayne Shorter…   Track list Charlie Mingus, Remembering Rockefeller at Attica Changes, Atlantic, 1974 Rashaan Roland Kirk, Goodbye Porkpie Hat 1976 Mark... Continue Reading →

Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE - Anspiel ist : „Gentle Rain” – ein Bossa Nova ("Chuva Delicada"), 1965 komponiert von Luiz Bonfá, Folgende Titel sind zu hören: 1. The Sheik of Araby – Benny Goodman Sextet 3:18 2. I can't give you anything but Love – Terence Blanchard & Jane Monheit 5:21 3. I'm crazy ‘bout my Baby and my Baby's crazy ‘bout me – Thiemo Niesterok Quartett 4:24 4. Gentle Rain – Diana Krall 4:56 5. Salty Drunk Fish – Olga Reznichenko Trio 5:32 6. Moanin‘ – Knut Kiesewetter 3:44 7. Get out of Town – Roland Kirk 4:48 8. Puttin' on the Ritz – Marion & Sobo Band 2:29 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

THIS WEEK's BIRDS: cante jondo from El Lebrijano; Lisle Ellis "What We Live" salute Lyn Hejinian; rembetika from Marika Papagika; Dominic Lash Quartet;  Roy Haynes w. Roland Kirk et al; salsa from Orquesta Harlow (saluting Arsenio Rodriguez) and  Orquesta Akokán; Leon Keita (vintage music from Mali); Lassana Hawa Cissokho; Billie Harris; from Morocco: Haja El Hamdaouia, Najaf Aatabou, melhún singers Abdesalam Khaloufi and Muhammed Dallal; Hafez Modirzadeh;   much, much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18661145/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

The Jazz feature tonight is an album that this writer deems an essential Jazz album. "Out of the Afternoon" presents drum master Roy Haynes leading a very special quartet. Mr. Haynes just celebrated his 99th Birthday recently. Roy presents a young up and coming phenomena called Roland Kirk on tenor saxophone, manzello (an elongated alto saxophone) and the stritch (a soprano saxophone variant) and the flute and various whistles. Roland is a creative force here and a one-man band sometimes blowing all 3 horns at once! On piano is Tommy Flanagan and on bass is the great Henry Grimes. This album issued first on Impulse Records is a true classic and one for the ages. Tonight's Jazz feature "Out of the Afternoon".

Savage catches up with jazz musician Sam Gendel for an update on his music career in 2024. The pair first met in 2013 when Gendel sent Savage a collection of poetry titled "The Found Poetry of Michael Savage." Gendel creatively transformed Savage's words into poetry adding musical compositions. Gendel reflects on touring in Japan, describing its appreciation for offbeat and avant-garde music. The two discuss their love of jazz including Buddy Rich, Charlie Parker, Roland Kirk, and Herb Alpert. They ponder the trend of voyeurism in the social media age as Savage highlights the popularity of his cooking videos. Savage shares his own experience as a writer and emphasizes that there are no shortcuts to success or happiness, instead encouraging the importance of hard work and perspiration. The conversation then shifts to the balance between the spiritual and the animalistic aspects of life, concluding that true happiness comes from bringing them together. Listen and find out what it's like to be a musician in the modern age and why more artists are choosing sobriety. Enjoy this wide-ranging conversation on the Michael Savage Podcast! Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:59:29 - Viser la lune ! - par : Nathalie Piolé -

September is Hispanic Heritage Month and throughout the month, Echoes of Indiana Avenue will spotlight the contributions Avenue musicians have made to Latin Music. On this week's show we'll share music from vibraphonist Billy Wooten and trumpeter Virgil Jones. Billy Wooten is best known for his work with the famed jazz guitarist Grant Green. From the 1960s, to his death in 2016, Wooten was a popular attraction in the Indianapolis music scene. Latin music was a big part of Wooten's sound – he even recorded an entire album of Latin music at the Madame Walker Theatre. Virgil Jones grew up on Indiana Avenue in the Lockefield Gardens apartments. Jones became one of the most prolific jazz trumpets of the 1960s, recording with a long list of jazz stars - including Lionel Hampton, Charles Earland, McCoy Tyner, and others. Jones played on significant Latin jazz recordings with Roland Kirk, Pharaoh Sanders, and Eddie Palmieri.

”Dansk film er i krise. Jeg har ikke haft noget arbejde i halvandet år.” Sådan fortæller skuespiller Nicolas Bro åbenhjertigt i denne anden del af ugens Portrætalbum udsendelse, hvor du blandt andet kan blive klogere på, hvorfor dansk film er i krise, og hvilken rolle Nicolas selv opfatter som sin karrieres foreløbige højdepunkt. Samtalen byder også på dybere refleksioner over det at være et offentligt kendt menneske, samt overvejelser om, hvorvidt Nicolas Bro skal i gang med at satse mere på teatret end på film og tv-serier. Det sker alt sammen til tonerne af Roland Kirks album 'We Free Kings,' som stadig her i 2023 har stor betydning i Nicolas Bros liv. Udsendelse nr.: 86 Vært: Anders Bøtter Redaktør: Michelle Mølgaard AndersenSee omnystudio.com/listener for privacy information.

”Jeg var en punk-dreng, der lyttede til jazz.” Sådan beskriver skuespiller Nicolas Bro sig selv i 1989. Han er lige startet på gymnasiet og har fået en ny ven, som introducerer ham for jazzens komplekse toner. Det er ellers musik, der ligger ret langt væk fra den punk-elskende, knæstrømpe og hattebærende 16-17-årige Nicolas. Men især den amerikanske jazzmusiker Roland Kirk og albummet 'We Free Kings' kommer til at bygge bro imellem punken og jazzen for ham. I denne første del af ugens udsendelse, fortæller Nicolas åbenhjertigt om sin gymnasietid, hvor han tager et aktivt valg om at være skolens outsider, får tæsk på grund af sit tøjvalg og den begyndende flirt med skuespil, som mange år senere skulle vise sig at blive hans levevej. Udsendelse nr.: 86 Vært: Anders Bøtter Redaktør: Michelle Mølgaard AndersenSee omnystudio.com/listener for privacy information.

Mellow sax and West Coast cool tonight: Sonny Clark, Duke Ellington with Johnny Hodges, Oliver Nelson (Jimmy Forrest sax), Roland Kirk, Benny Carter, Bill Evans Trio featuring Stan Getz, Chet Baker, Gerry Mulligan, Art Pepper, and Stanley Turrentine.

Some more New Discoveries from The Real Book. Some are songs written by jazz musicians, others are Broadway ‘standards. I play music by artists as diverse as Bing Crosby and Roland Kirk. I also try to look at what exactly is a “Charlie Parker Blues”. And for many of those tunes, I play an original…Continue reading Episode 237:Quiet Now, Minority,Blue Room, Broadway,Blues for Alice, Gloria’s Step, Could It Be You

THIS WEEK's BIRDS: Amadou Balaké (from the last record); Ronald Shannon Jackson's Decoding Society; Taureg song from Teita Lebid; Frank Mimita (Vintage Angolan pop); from Greece: Trionfas, Greek Fusion Orchestra, Christos Nikolopoulos & Yiorgos Saris; acoustic Mahavishnu; vintage George Sams; vintage Paul Motion; vintage Roland Kirk (pre-Rahsaan); ecstatic Baluchi music from Abdorahman Surizehi, Morâd Salazehiu; Shirley Scott & George Coleman, live at the Left Bank (newly rediscovered); Sory Kandia Kouyaté; Shundu Wembadio; poems from Anne Waldman; Jaki Byard w. Jon Farrell; much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17393481/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Tonight on Jazz After Dark: songs from 1927 to 1969. Fats Waller, Count Basie & His Orchestra, Dinah Shore & Buddy Clark, Louis Armstrong, Charlie Christian, Dizzy Gillespie, Duke Ellington And His Famous Orchestra with Johnny Hodges, Roland Kirk, Nat King Cole, Al Hirt, Miles Davis, Bud Powell Trio (Kenny Clark drum solo), Johnny Hodges, Herbie Mann, and then Ella Fitzgerald with the Ernie Heckscher Big Band & Tommy Flanagan.

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Actor, Comedian, Writer, Director and Producer, Dave Foley is a co-founder of the sketch comedy group The Kids In The Hall, whose groundbreaking show ran on CBC in Canada and HBO and later CBS in the U S from 1988 through 1995. Dave went on to star in the NBC sitcom NewsRadio, and his numerous acting and voice over credits include 'Flik' in "A Bug's Life" and 'Terri and Terry' in "Monsters University". Nic chats with Dave about his early stand up days (age 17), meeting the guys who would become his compadres in KITH, getting the band back together for the new series on Amazon, and how Roland Kirk's "Volunteered Slavery" Jazz piece helps him deal with sadness; and his love of artists David Bowie, Elvis Costello and Miley Cyrus.

"En aquella época en la que el presidente Nixon hablaba sobre el capitalismo negro, podemos hacer una pequeña contribución en nuestro camino hacia esta meta para nuestros hermanos negros". Chuck Barksdale Con José Manuel Corrales.

"En aquella época en la que el presidente Nixon hablaba sobre el capitalismo negro, podemos hacer una pequeña contribución en nuestro camino hacia esta meta para nuestros hermanos negros". Chuck Barksdale Con José Manuel Corrales.

Iconic British jazz vocalist Norma Winstone joins the show to chat about her life, career, albums, heels and wine. Norma Winstone was born in London and first attracted attention in the late sixties when she shared the bill at Ronnie Scott's club with Roland Kirk. Although she was known initially for evolving her own wordless approach to improvisation, her extraordinary versatility means she is equally at home with the standards repertoire, performing with small groups, orchestras and big bands. In the late seventies she joined pianist John Taylor and trumpeter Kenny Wheeler to form the group Azimuth, which was described by Richard Williams of The Times as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. In this setting she combines the instrumental use of the voice with words, most of which she writes herself. Azimuth has recorded several albums on the ECM label (the first three of which have been re-issued as a CD boxed set).Support the show (https://www.buymeacoffee.com/thejazzpodcast)

Tonight on Jazz After Dark: Helen Humes, Shorty Rogers, Ella Fitzgerald, Teddy Wilson Trio & Gerry Mulligan with Bob Brookmeyer & Bill Evans, Eddie Lockjaw Davis, The Dave Brubeck Quartet, Joni James, Roland Kirk, Dave Brubeck, and Al Di Meola.

Telling stories about making mixtapes and favorite musicians like Roland Kirk.

Ever heard of Jug? Gene Ammons along with Sonny Stitt? Maybe Willis Jackson or Red Holloway. These cats were mercenaries on the band stand counting off Cherokee at some ridiculous tempo that would separate the common artist from the professional. Take a trip down to Jim and Andy's and you just might see my guest with Al McKibbon or Cal Tjader playing Afro Cuban melodies with Ray Barretto, or Stomping at the Savoy with mainstay Kenny Burrell. Jazz is really black blues and for a long time a jazzers education was on the streets up the corner and round block from Chess Studios where cats like Ramsey Lewis and Ahmad Jamal paved the way for younger minority improvisers to develop an identity. My guest is as accomplished a player as those listed above. He whistles while he works playing chromatic hypnotic chords to tunes like Afro Blue, mas Ritmo Caliente and Along Came Betty. He came of age in the old school back in the game when albums were being written about the Tender Gender, melodic invention with no words just sounds- mainly acoustic with drummers like Joe Dukes, Idris Muhammad, Elvin Jones, Dick Birk, the aforementioned Tjader, Joe Morello and Art Blakey. These cats were messengers of music with an understanding of their significance to pass the music along to those who were younger, educate them on the history the technique the looseness and unique sound that would ultimately pave the way for their own careers. His collaborations are noteworthy because he got his shot with the masters. Rasa an Roland Kirk, another free king in Charles Mingus, Roy Haynes and Frank Foster. God Bless The Child Richard Wyands welcome to the JFS

"I Say A Little Prayer" Rahsaan Roland Kirk: Volunteered Slavery (Atlantic, 1969) Roland Kirk, Charles McGhee, Dick Griffin, Ron Burton, Vernon Martin, Sonny Brown, Joseph "Habao" Texidor, The Roland Kirk Spirit Choir. El tema es una obra de Burt Bacharach y Hal David, aunque también se pueden escuchar citas de otros temas que no mencionaré. Una versión muy conocida la cantó la gran Aretha Franklin, aunque fue compuesta inicialmente para Dionne Warwick, que logró un gran éxito en 1968. Parte del disco está grabado en directo en el Festival de Jazz de Newport de 1968, aunque la primera cara del disco, y en concreto el tema que suena en JazzX5, está grabado en estudio en 1969. "I Say A Little Prayer" también se incluía también en la más que recomendable recopilación Does Your House Have Lyons?, que en mi caso fue un disco que perteneció al "Club de las mil pesetas". © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Tonight on Jazz After Dark: swing, bossa nova, soul jazz, West Coast cool, and more. Ronnell Bright Trio, Earl "Fatha" Hines & Johnny Hodges, Phineas Newborn Jr., Cannonball Adderley with Ray Brown and Wes Montgomery, Duke Ellington, Baby Face Willette, Roland Kirk, Art Pepper, and the Bill Evans Trio featuring Stan Getz.

This week: Coltrane; Nara Leão; Sameyda Ensemble; Kpelle music from Guinea; Jeanne Lee; Georgia Gaslini; Joby Bernabé; Maysa & Orquesta RGE; Dahmane el Harrache; Ahmed Hamza; Sonia López; Arthur Jones; María Grand; Tiziana Ghiglioni; Roy Nathanson reprises Roland Kirk;  much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13642184/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

RAHSAAN ROLAND KIRK – WE THREE KINGS La personalidad musical de Rahsaan Roland Kirk, se enfocó durante 1961-65, cuatro años altamente creativos. La historia se puede rastrear en un álbum de diez discos: The Complete Mercury Recordings of Roland Kirk. En 1961, Kirk era un fenómeno de veinticinco años que parecía divertirse demasiado tocando en […]

Album molto noto della discografia di Mingus, Mingus at Carnegie Hall fu ricavato da una esibizione del contrabbassista del gennaio del '74 e fu pubblicato nello stesso anno dalla Atlantic. L'Lp originario conteneva solo due tracce, una per facciata, due interpretazioni di oltre venti minuti ciascuna di due brani del repertorio di Ellington, C Jam Blues e Perdido: si trattava dell'ultima parte del concerto, in cui al sestetto di Mingus, in un clima da jam session, si erano aggiunti tre sassofonisti che avevano lavorato con Mingus in fasi precedenti della sua carriera, John Handy, Charles McPherson e Roland Kirk. Ora la Rhino, nel formato di tre Lp o due cd, ripropone l'album completo di tutta la prima parte del concerto, quasi ottanta minuti supplementari. Con quattro giovani, John Faddis alla tromba, George Adams al sax tenore, Hamiet Bluiett al baritono, Don Pullen al piano, e con alla batteria il fidato Dannie Richmond ritornato all'ovile, Mingus rilegge tre suoi classici, Peggy's Blue Skylight, Celia, Fables of Faubus (a cui si aggiunge il brillante Big Alice firmato da Pullen): l'arte di Mingus, con la sua meravigliosa vena melodica e il suo temperamento, che in una musica spumeggiante, scattante, nervosa, trova nuova carica e ragione d'essere nel contatto con l'energia di l'impeto di una nuova generazione.

Album molto noto della discografia di Mingus, Mingus at Carnegie Hall fu ricavato da una esibizione del contrabbassista del gennaio del '74 e fu pubblicato nello stesso anno dalla Atlantic. L'Lp originario conteneva solo due tracce, una per facciata, due interpretazioni di oltre venti minuti ciascuna di due brani del repertorio di Ellington, C Jam Blues e Perdido: si trattava dell'ultima parte del concerto, in cui al sestetto di Mingus, in un clima da jam session, si erano aggiunti tre sassofonisti che avevano lavorato con Mingus in fasi precedenti della sua carriera, John Handy, Charles McPherson e Roland Kirk. Ora la Rhino, nel formato di tre Lp o due cd, ripropone l'album completo di tutta la prima parte del concerto, quasi ottanta minuti supplementari. Con quattro giovani, John Faddis alla tromba, George Adams al sax tenore, Hamiet Bluiett al baritono, Don Pullen al piano, e con alla batteria il fidato Dannie Richmond ritornato all'ovile, Mingus rilegge tre suoi classici, Peggy's Blue Skylight, Celia, Fables of Faubus (a cui si aggiunge il brillante Big Alice firmato da Pullen): l'arte di Mingus, con la sua meravigliosa vena melodica e il suo temperamento, che in una musica spumeggiante, scattante, nervosa, trova nuova carica e ragione d'essere nel contatto con l'energia di l'impeto di una nuova generazione.

Autor: Jerry Berndt Sendung: Wurfsendung - Podcast Hören bis: ..

Here in Part 7 we go over the life of King Records founder and president Syd Nathan. We also spotlight some great King artists we haven't been able to fit into the programs so far. These include some of King's biggest selling artists like Earl Bostic, Five Royales,  Mainer's Mountaineers, Roland Kirk, Bill Doggett and more. Oh, and despite what you hear me say at the beginning of the episode, we're not done with King yet!Support the show (https://paypal.me/BFrank53?locale.x=en_US)

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Couronnée d'une Victoire du Jazz dans la catégorie « Album inclassable » en 2019, Naïssam Jalal poursuit sa quête musicale avec un double défi, celui de créer une musique qui traduit les espoirs et les combats du moment tout en faisant le grand écart entre un quintet de jazz et un orchestre symphonique. La flûtiste d’origine franco-syrienne sort donc Un autre monde, un double album enregistré avec son quintet Rhythms of Resistance et l'Orchestre national de Bretagne. C'est un voyage envoûtant et engagé qu'a imaginé Naïssam Jalal. Pour son huitième album, la flûtiste, chanteuse et compositrice franco-syrienne cherche à créer Un autre monde en musique. « Il y a une dimension utopiste, onirique qui est vraiment de l’ordre du rêve, de cet autre monde qu’on espère, qu'on appelle de nos vœux parce que on est à la fin d’un monde qui doit se renouveler autrement, raconte Naïssam Jalal. Et puis, il y a une dimension contre le racisme, contre les frontières, contre le nationalisme excluant. Et une dimension écologique évidemment puisque c'est vrai que depuis maintenant 30, 40 ans, on est de plus en plus face à une urgence. Et comme la musique c’est un moyen d’expression d'émotions, les gens ressentent ces émotions, donc ils ne vont peut-être pas forcément comprendre que je parle du cri de la terre, mais ils vont entendre le cri. » Ce cri, Naïssam Jalal l'exprime dans un dialogue virtuose et saisissant entre sa voix chantée et son instrument fétiche. « La flûte ça a toujours été ma voix, affirme-t-elle. Et de développer la voix dans le prolongement de la flûte, c’est une technique inspirée par les musiciens d’Afrique de l’Ouest, les musiciens peuls. Et la première fois que je l’ai entendu en dehors du cas traditionnel, c’était avec des jazzman comme Roland Kirk ou Magic Malik. » Bercée par les chants arabes, formée en musique classique, mais aussi passionnée par le rap, le tango et l'afrobeat, Naïssam Jalal se nourrit de tout et se joue de toutes les catégories musicales.« Ça a toujours été mon travail, ma volonté d’effacer les frontières, que ce soit dans la géographie ou dans la musique. Moi-même, je suis le fruit de géographies différentes, nous explique-t-elle. Je suis d’origine syrienne, je suis née à Paris, j’ai vécu en Egypte, j’ai grandi au milieu d’une communauté malienne, algérienne aussi très importante, j’ai beaucoup côtoyé des musiciens d’Afrique de l’Ouest, je suis fan absolue de musique indienne, donc notre identité c'est quelque chose qu’on décide d’être et d’incarner. Et ensuite, il y avait aussi ma place en tant que fille d’immigrés dans cette société où j’étais beaucoup dans la souffrance à ne pas être reconnue comme part entière de cette société, alors que de fait, on est 100% français tout en étant 100% autre chose aussi. » Dans sa quête de sens et de sons, cette musicienne aux multiples identités réconcilie le jazz avec la musique savante dans ce double album : l'un enregistré en studio avec son ensemble Rythms of Resistance qui fête ses 10 ans, l'autre en live avec l'Orchestre national de Bretagne. Une alliance audacieuse, puissante où se mêlent rêve et résistance et qui pointe vers Un autre monde plus humain et ouvert. • Un autre monde de Naïssam Jalal, enregistré avec son quintet Rhythms of Resistance et l'Orchestre national de Bretagne, est paru chez Les Couleurs du Son / L'autre distribution. • À lire sur musique.rfi.fr : Naïssam Jalal rêve d’un autre monde (Interview)

RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night club he and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster. For news and updates go to: olliemurray.com/portfolio/ronnies Or go to: orofenafilms.com/Ronnies

Location: Winter Count, AZ The true nature reveals itself all the time. It is the process by which you are able to look in the mirror and not look back except to promote the values of Elvin Jones, Colin Walcott and my guest. To swing was never s question for my guest as well. It just mattered that it feels good. Music of Another Present era is finding your true nature in the music of Oregon a band that continues today and reaches into the breach of classical music with jazz changes using world instruments or maybe Ralph Towner on Ringmodulator. My guest was born and raised in Portland and at an early age connected with Native American Jim Pepper who's free spirit is in the same vein as Leon Thomas, Carmen MCrae and rasa an Roland Kirk. The records I own in which guest is featured allow me to expand consciousness and be more at peace to discover my true nature. Oregon is a band that features Polyrhythms and Odd Time they were an acoustic counterpoint to the electronic development of Mahavishnu in the early seventies. The ability to express yourself in a non verbal fashion enhances your perception of man and the music. At times the music takes over, the player knowing that it comes from another space or place and trusting in that sincerity. I sit here today in Winter Count, AZ with my guest in a true desert oasis. A camp of the earth and the indigenous. To remain connected to the cosmos then you must remained grounded to the earth knowing that if you don't practice the wood upright bass will humble you. --- Support this podcast: https://anchor.fm/jake-feinberg/support

Er spielte drei Saxofone gleichzeitig - so etwas hatte niemand zuvor gehört. Für manche nur eine "Zirkusnummer", buchten Veranstalter ihn als "Sensation". Mit viel Seele schlug Roland Kirk eine Brücke vom New Orleans Jazz über Soul bis zum Free Jazz. Von Karsten Mützelfeldt.

durée : 00:59:46 - Comme un samedi - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

STANDARD SEMANAL.- “more than you know”.-JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963].-JAZZ ACTUALIDAD .-4 WOMEN QUARTET .-UNA HISTORIA DE MUJERES EN EL JAZZ, .-EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss PROG.Nº 650.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “more than you know” JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963] Reeds & Deeds es un álbum del multi-instrumentista de jazz Roland Kirk . Fue lanzado originalmente en elsello Mercury en 1963 y presenta actuaciones de Kirk con Virgil Jones , Charles Greenlee , Harold Mabern , Abdullah Rafik , Walter Perkins , Tom McIntosh y Richard Davis con arreglos de Benny Golson Personnel[edit] • Roland Kirk: tenor saxophone, manzello, stritch, flute, siren • Virgil Jones: trumpet • Charles Greenlee: trombone (tracks 1-5) • Harold Mabern: piano • Abdullah Rafik: bass (tracks 1-5) • Walter Perkins: drums • Tom McIntosh: trombone (tracks 6-8) • Richard Davis: bass (tracks 6-8) • Benny Golson: arranger (tracks 6-8) . [2] Walter "Baby Sweets" Perkins (10 de febrero de 1932, Chicago, Illinois-14 de febrero de 2004, Queens, Nueva York) fue un baterista de jazz estadounidense. Formado en el importante mundo jazzístico de Chicago, entre 1956 y 1957 Perkins trabajó Ahmad Jamal,1 antes de formar la banda MJT+3, con Paul Serrano, Nicky Hill, Muhal Richard Abrams y Bob Cranshaw. En 1959, una nueva versión de la banda 1959, con Willie Thomas, Frank Strozier, Harold Mabern y Cranshaw grabó para Vee-Jay y continuaron a tocar en Chicago hasta 1962, cuando Perkins se fue a Nueva York. Tocó con Sonny Rollins en 1962 y acompañó a Carmen McRae en 1962-63, y en 1964 con Art Farmer y Teddy Wilson. También tocó con Rahsaan Roland Kirk, George Shearing, Gene Ammons, Charles Mingus, Billy Taylor, Booker Ervin, Jaki Byard, Lucky Thompson, Pat Martino, Sonny Stitt, Sonny Criss, Charles Earland. JAZZ ACTUALIDAD .-Esta semana vamos a tener La banda 4 WOMEN QUARTET presenta un concierto ÚNICO en El Teatro de Triana, con el que nos invita a hacer un recorrido por la historia del Jazz desde una perspectiva femenina, recordando los trabajos de mujeres compositoras, letristas, instrumentistas y cantantes, mostrando sus trabajos y aportaciones, algunos de ellos determinantes en el desarrollo del género. Lilian Hardin, Betty Carter, Nina Simone, Ann Ronell, Maria Schneider, son algunas de las protagonistas de UNA HISTORIA DE MUJERES EN EL JAZZ, y con ellas transitaremos estas músicas, desde el sonido de sus orígenes africanos, pasando por el Blues, el Hot Jazz, la era del Swing, el Bebop hasta llegar al Jazz Contemporáneo. Natalia Ruciero – voz y percusión Virginia Moreno – clarinete y voces Laura Domínguez – piano y voces Blanca Barranco – contrabajo y voces Fecha: El 16/02/2020 Lugar: El Teatro de Triana Horario: 20:00 hora Precio: De 10 € Para finalizar tendremos la entrevista que le realizó nuestro compañero EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss

durée : 00:59:34 - Lucides et rêveurs - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Radio Jazz studievært Kay Seitzmayer fortæller om et show, der foregår i en gammel fabrik i London, hvor engelske og amerikanske bands samles til en stor, fed jamsession, også kaldet »The Last Great Jam of the 60's«. Jam'en varede i 2 dage, og show'et udkom første gang på videotape sidst i '70erne og igen i 2003 på DVD, hvor man både kan se og høre show'et. Musikerne er John Hiseman's Coloceum, Buddy Miles, MJQ, Buddy Guy, Roland Kirk, Stephen Stills, Eric Clapton og Jack Bruce. Et fantastisk show, hvor jazz, blues og rock bliver fusioneret for fuld drøn. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Radio Jazz studievært Ole Matthiessen præsenterer sjældne optagelser fra især den københavnske jazzscene med Cadentia Nova Danica, Pierre Dørges Kvartet, Dexter Gordon, Roland Kirk, Søndergaard-Nehammer Sextetten, Karin Krog / Palle Mikkelborg, Monica Zetterlund / Steve Kuhn, Trio 65½, Yusef Lateef / Jan Johansson, Coleman Hawkins, Riel-Mikkelborg Kvintetten, Archie Shepp, Marion Brown, James Brown, Original Magleås Stompers, Son House, Little Walter, Brew Moore, Oscar Peterson, Sarah Vaughan, Buddy Tate samt Gary Burton Quartet med Larry Coryell. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

I de næste 3 timer vil du høre musik fra københavnske scener med Eddie Lockjaw Davis, Johnny Griffin, Steps, Max Roach Quintet, den svenske Radiojazzgruppe, Bill Evans Trio, Louis Armstrong All Stars, Tom Lehrer, Seven Sounds, Stuff Smith, Ray Charles, Duke Ellington, Johnny Griffin & Dexter Gordon, Roland Kirk, Jan Johansson, Tom Prehns Kvartet, Finn von Eybens Workshop og Contemporary Jazz Quintet. Det hele præsenteres af Radio Jazz studievært Ole Matthiessen. Sendt i Radio Jazz i 2017 Der er mere jazz på www.radiojazz.dk

Jazz, the quintessential open door genre,has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness finding a musical role for all sorts of non verbal sounds. Here we explore the jazz side of moaning, sighing, whistling, groaning, humming, grunting, etc. Don't worry it's all going to be supremely musical, even virtuosic thanks to the creative minds of the likes of Roland Kirk, Toots Thielemans, Art Farmer, Yohimbe Brothers, Keith Jarrett, Don Byron, Eddie Fisher, Guano Padano, Alessandro Alessandroni, Ennio Morricone, Dead Combo, Rollerball, Claude Barthelemy, Horace Silver, Supergenerous, Brahja Waldman, Napoli Centrale, Bill Withers, John Zorn, Wynton Marsalis, Todd Sickafoose, Talking Pictures, Louis Prima, Wayne Shorter, Allison Miller Detailed playlist at https://spinitron.com/RFB/pl/5741842/Mondo-Jazz

Mark Springer - founder member of the group and came up with the name RIP RIG AND PANIC -in conversation talking about life in music & art with David Eastaugh Rip Rig + Panic was formed in 1980 naming their newly founded project after the 1965 Roland Kirk album of the same name, the duo preferred to explore their free jazz and reggae roots in contrast to their former band's avant-garde and political leanings. Pianist Mark Springer, who had performed live with The Pop Group, began collaborating with the duo by playing keyboards and occasionally providing vocals during live shows. Eventually, vocalist Neneh Cherry joined followed by bassist Sean Oliver. This line-up released the single "Go! Go! Go! This Is It"/"The Ultimate in Fun (Is Going to the Disco with My Baby)" on 13 August 1981, with Gavin Martin of NME saying "Rip Rig and Panic tread a fine line between undisciplined wasted and ingenious commercial aplomb." The band's debut album, God, was released on 3 September 1981 by Virgin Records. It fused free jazz and free improvisation with post-punk, funk and reggae music. The music received high marks from NME for their viruoso playing and esoteric sense of humor, with the review calling it "an act of faith in tumult."[6] The single "Bob Hope Takes Risks" followed on 27 November. For their second album, I Am Cold, the band adopted a more commercial approach in their sound while further embracing jazz and world music influences. The album was recorded with the help of vocalist Andi Oliver and jazz trumpeter Don Cherry. The band made a guest appearance in an episode of the British sitcom The Young Ones performing their 1982 single "You're My Kind of Climate". 1983's Attitude was the band's final and most accessible album, supported by the singles "Beat the Beast" and "Do the Tightrope".

VINK Lyd producerer over de næste seks uger en række podcasts under temaet RØVERHISTORIER. I 1960'erne, var København verdens jazzhovedstad. Musikere fra hele verden strømmede hertil for at spille og opleve det legendariske Jazzhouse Montmartre. En af disse musikere var Roland Kirk og han var på alle måder speciel, selv efter jazz musikeres standarder. Niclas Nørby Hundahl fortæller om ham og tre særlige koncerter han spillede i årene 1963 og '64 //Foto: Heinrich Klaffs // Jingle: Mai Skjødt VINK LYD er en podcast, der finder lydene fra det skæve og underfundige København og broderer et lydtæppe af mangfoldige københavnske stemmer, fortællinger og kulturfænomener. Hver søndag udgiver vi en ny podcast. Du kan høre vores podcast her på siden, men du kan også finde den på iTunes ved at søge på VINK LYD.

Orgues Hammond ardents, saxos vibrants, guitarristes virguers amb ganes volar damunt de grooves suggerents. Grans solistes del jazz i del blues que durant els 60 van descobrir nous ritmes a prop del soul i el funk i hi van experimentar. 01 Red Holloway - "Monkey sho' can talk" 02 Yusef Lateef - "Slippin' & slidin'" 03 Jimmy McGriff - "The bird" 04 Rusty Bryant - "Lou-Lou" 05 Billy Butler - "Twang thang" 06 Roland Kirk & Jack mcDuff - "Three for dizzy" 07 Gene Ammons - "Jungle strut" 08 Jack McDuff - "Cold duck" 09 Willis Jackson - "Pool shark" 10 Jimmy Smith - "Funky brodway" 11 Gene Ammons - "Chicago breakdown"

Dagens gæst i Jazz & Co. er skuespiller Jakob Cedergren. Vi skal tale om August Strindberg, det tidlige hiphop-miljø i København og at forlade Milwaukee. Roland Kirk, Rune Funch og Spacelab er på playlisten. www.dr.dk/p8jazz

Songs by Tammy Wynette, The Laughing Hyenas, Roland Kirk, The Texas Instruments, Virgin Prunes, Lincoln Chase, and Eddie Cooley & The Dimples, plus discussion of Justify's Belmont Stakes win and Bob smokes some pig butt.

Our opening song is “Inflated Tear” by Roland Kirk performed in Prague in 1967…a prelude of sorts of what was to come. Across the globe it was a year of countless uprisings. In the US it was the year of police violence against protesters at the Chicago Democratic Convention; it saw the Vietnam War’s Tet …

Ens centrem en dos multiinstrumentistes que a finals del anys 50 van saber crear el seu propi espai dins l'escena del jazz i van obrir portes a nous escenaris interpretatius. Yusef Lateef i Rashan Roland Kirk: espirituals, lliures, excessius, originals, desafiants. 01 Roland Kirk - "Roland's theme" 02 Yusef Lateef - "Chang, chang, chang" 03 Roland Kirk - "You did it, you dit it" 04 Yusef Lateef - "Love dance" 05 Roland Kirk - "Kirk's work" 06 Yusef Lateef - "Slippin' & slidin'" 07 Roland Kirk - "Lament" 08 Yusef Lateef - "Chinq miau" 09 Roland Kirk - "One ton" 10 Yusef Lateef - "Don't blame me? 11 Roland Kirk - "Wade in the water" 12 Billy Martin - "Les & Eddie" 13 Stanton Moore - "Keep on gwine" 14 Roland Kirk - "Triple threat"

This week we move back into interview mode as we sit down with, Ra Kalam Bob Moses. Bob is known for his vast catalog of recorded music and his collaboration with some of the greatest musicians of our time. Bob has worked with: Larry Coryell, Pat Metheny, Gary Burton, Hal Galper, Dave Liebman, Steve Kuhn, Mike Gibbs, Steve Swallow, Jack DeJohnette, Harold Vick, Edgar Bateman, and guitarist/spiritual mentor Tisziji Munoz. We open up with discussion of his upbringing in New York City where in his building lived Elvin Jones, Art Blakey, Max Roach, Roland Kirk and Abbey Lincoln. He was naturally drawn to honest, soulful music and was a part of the first ever jazz/rock group, The Free Spirits. We then cover his long running associations with Burton, Metheny, Liebman, Swallow, Kuhn and Munoz. In the early 1980s Bob was offered a teaching position at the New England Conservatory of Music where he still teaches today. We also discuss his book, "Drum Wisdom" complete with Bob's explanations and examples. Bob also has his own record label and has produced many highly acclaimed recordings. You can find this music on Itunes and Emusic as well as at www.nativepulse.com. Lastly, we experienced significant technical audio issues on this show but with the wizardry of my friend Ryan Almario he made an unlistenable podcast very listenable. Please pardon the extant ground hum on Bob's channel. You can find the Drummer's Weekly Groovecast at Itunes, Google Play Podcasts, Stitcher, Podbean and everywhere you listen to your favorite podcasts. Subscribe today!

In un paio di brani McCann ha ospite una figura di culto, il sassofonista Roland Kirk. (terza parte) A cura di Marcello Lorrai

In un paio di brani McCann ha ospite una figura di culto, il sassofonista Roland Kirk. (terza parte) A cura di Marcello Lorrai

Musicien aveugle, mais aussi iconoclaste et inventif, Roland Kirk fait partie de ces  » fous soufflants » de l’histoire du jazz.…

Welcome to another MusicBox Session and the first of 2017, on this session we have music from William Onyeabor, Jean Carn, Jamaica Girls, Honor Oak Park Recordings, Roland Kirk, Boo Williams, Amp Dog Knights, Yussef Kamaal, Johnnie Taylor, Glen Underground, Femi Kuti and Blo, I hope you enjoy the music x

The Sound Projector Radio Show Friday 18th September 2015 Pre-recorded podcast (no announcements) Roland Kirk, ‘What’s Goin’ On / Mercy Mercy Me (The Ecology)’ From Blacknuss, ATLANTIC (1972) Art Blakey, ‘Circus’ From Art Blakey & The Jazz Messengers, IMPULSE (1961) Wolfgang Dauner’s Et Cetera, ‘Tuning Spread’ From Knirsch, MPS RECORDS (1972) Freddie Hubbard, ‘The Black […]

Weather report; Spring is nestling happily between cool and warm, the way it should be, maybe a bit too dry for the farmers, April showers few and far between, happy days for cycling DJs. Unsurprisingly I start with a tune that references London in the first line, thank you Eska! Your Joni-esque warble at the opening of "To Be Remembered" eventually gives way to something far more full throated and (conventionally) soulful. However it's not just vocal stylings you've learnt from Ms. Mitchell there's something of the same conversational narrative lyric style in this song with it's prosaic mentions of text messages and planting trees. However that's more of a compliment than a gripe and the long awaited album doesn't disappoint, and there's so much that's just Eska. A good way to begin an opening sequence of tunes that have something of a questioning or searching quality in common. Joyce Elaine Yuille's "Chaos" and Liz Elensky's "Distractions" are both "jazz" songs that deal with the more uncomfortable side of life, whereas Bill Laurance's "Red Sand" is testimony to this musician's, to quote Lee Morgan, "search for the new land". A little Jazz-dance classicism never goes amiss as we anticipate another Sunday Afternoon At Dingwalls session, now barely a month away. From the lesser known Don Scalletta Trio to the very familiar sound and shape of Miles' "Milestones"... still so fresh, bold and essentially modern. Dingwalls vibes run thick through the massive "discovery" of those days , Dansers Inferno, "Sombre Guitar". As far as I recall this was a discovery of original Soul Jazz duo, Alex and Stuart when they traded records from a shop in the nearby yard, but doubtless the tune may have a deeper history for someone; this would have been around 1990. Anthemic, bold and as happy as the title might say otherwise. "Billy Ballet" is the heavyweight in the pack, killer rhythms from Babatunde! Brazilian music takes over the back to back sequence in the second hour. My love of Jobim's music deepens with every listen, having read his sister's excellent biography of it's hard not to be endeared to this passionate genius. A word not to be bandied about lightly, but I wouldn't hesitate to also describe Egberto Gismonti thus as well, though his music is not as easily accessible as Jobim's more mellifluous approach, both these Carioca composers could be described as fine distillers of Brazilian traditions as they draw influence from far and wide in Brazil's rich and diverse musical culture. Azymuth need no introduction but Pela Cidade is an early work that only appeared on a soundtrack.... I love it! Moody, funky and swinging, a great ode to the urban! The three vocal tracks that follow are all connected and highlight three of Brazil's greatest female singers, finishing with the queen of them all , the late great Elis Regina. Her interpretation of Lo Borges' "O Trem Azul" takes the tune to giddying new heights, Elis truly delivers a stunning vocal which combined with an arrangement from her then husband, Cesar Mariano, stands in complete contrast to Lo and Milton Nascimento's mellower original. Beforehand the minimal funkiness of Gal Costa's "O Vento" is followed by the plangent tones of Nana Caymmi rendering "Club Da Esquina No2" an emotional delight. Soul tunes..... Michael Henderson, romantic singer and bass player for Miles Davis, and a tune that was featured by the great Ed Motta on a rather wonderful little feature of him talking music in his vinyl room. (I'll be chatting with Ed Motta on ntslive.com this coming Monday from 2pm, after my own show at midday!) https://youtu.be/cpNK5H7QmFQ Whilst on the subject of vinyl rooms, my friend James Vyner made a little film of me talking tunes at Forge Towers.... https://vimeo.com/123658175 Rounding off, a great Leon Ware song, and I love Coke Escovedo's version. Then a tune that had me reaching for the Discogs tab when I was reminded of it... looking back I often think to myself that a wiser man wouldn't have been so ready to shed various bits of vinyl when under the influence of a particular zeitgeist. Good music has a way of getting back at me! Maybe Jeff Tyzik's "Sweet Nothings" just conjured a memory or maybe I was just finally appreciating the groove and grace of Steve Gadd's drums! Had to slot in a favourite from Manhattan Rhythm and a slice of The Rebirth before finishing with at least a taste of Azymuth's of Alex Malheiros. Enjoy... and as Roland Kirk once put it, "bright moments". 1.Eska - To Be Remembered 2. Alex Puddu - Cruising By Night 3. Joyce Elaine Yuille - Chaos 4. Ajoyo - Tashikere 5. Bill Laurance - Red Sand 6. Liz Elensky - Distractions 7. Don Scalletta Trio - York's Sauna 8. Nanette Natal - Love Signs 9. Miles Davis - Milestones 10. Danser's Inferno - Sombre Guitar 11. Bishop Norman Williams - Billy Ballet 12. Antonio Carlos Jobim - Tempo Do Mar 13. Egberto Gismonti - Cristiana 14. Azymuth - Pela Cidade 15. Gal Costa - O Vento 16. Nana Caymmi - Clube Da Esquinha 17. Elis Regina - O Trem Azul 18. Michael Henderson - Going Places 19. Coke Escovedo - If I Ever Lose This Heaven 20. Jeff Tyzik - Sweet Nothings 21. Manhattan Rhythm - Sweet Lady 22. The Rebirth - Show 'Em 23. Alex Malheiros - Four Aces And A Joker

Roland Kirk was a musical phenomena and someone that we may never see the like of again. Mr. Kirk who later adopted the name "Rahsaan" Roland Kirk discovered his talents in his dreams. He lost his sight at a very early age but fell in love with the sound of music. He taught himself to play three horns at once making him a one-man band and later added the clarinet, flute, and trumpet plus other sound producing devices to his arsenal. He was a bizarre sight and initially to fans and especially to critics who thought he was merely an eccentric gimmick but Mr. Kirk proved them wrong. His music has depth, soul, swing and passion and tonight's Jazz Feature was the first recording to give him international prominence. It was issued and widely distributed on Mercury Records and signaled to the world that Kirk had arrived. The album is called "We Free Kings" and features Kirk on all his horns in the company of two stellar rhythm sections. He delivers some standards that are not overdone and mostly his own compositions. His accompanists are Richard Wyands and Hank Jones on piano, Wendell Marshall and Art Davis on bass and Charlie Persip on drums with both rhythm sections."We Free Kings" is one of Roland Kirk's early masterpieces...check it out right here.

This album is on so many people's "desert island discs". This classic was recorded over two dates in May of 1962. The band worked a few engagements around the New York area then went into the studio. Roy Haynes, who is now 86 years old is one of the wonders of the world as he is still playing as well, if not better than he was when he was much younger. He is amazing, as usual on this recording. Mr. Haynes for most part as a bandleader has always led groups with this simple instrumentation: saxophone, piano, bass and drums. This group was exceptional in that the saxophonist is Roland Kirk, who later became known as Rahsaan Roland Kirk. Kirk, who is blind lived in a world of sound. He plays three saxophones at once and has other instruments strung around his neck and also plays flute and clarinet. We hear some of his work on this record. He plays, flute, manzello (a type of soprano saxophone in Bb) and the stritch (a straight alto saxophone in Eb) plus his tenor saxophone. He are happy that Mr. Kirk visited this planet because there has been none other like him. On piano is "the poet of the piano", the late Tommy Flanagan. His sparkling lines highlight this session. Henry Grimes is on bass and at age 26 had already played with Charles Mingus, when Mingus preferred to play piano, also Sonny Rollins, Thelonious Monk and singer, Anita O'Day. This special band led by the redoubtable Mr. Haynes delivers on all 7 tunes. Four are standards that have not been overplayed and the remaining three are compositions (rare) by Roy Haynes. All in all a classic by a once in a lifetime group. Mr."Snap Crackle" lives!!!

Helena von Zweigbergk: Kapitalismens förfinade fördärv. Johan Hakelius: Intet ersätter Varat. Jessika Gedin: Odysseussyndromet - en närsynt återvändsgränd. Musiken i programmet var hämtad från skivan med Roland Kirk, DOMINO Märke: VERVE 543 833-2

Neuvième émission de la cinquième session. Cette semaine show d'inspiration funky avec Roland Kirk, Freddie Hubbard et présentation de Archie Shepp (USA, 1937, saxophoniste).

Neuvième émission de la cinquième session. Cette semaine show d'inspiration funky avec Roland Kirk, Freddie Hubbard et présentation de Archie Shepp (USA, 1937, saxophoniste).