Podcast appearances and mentions of roland kirk

durée : 00:58:49 - You Did It - par : Nathalie Piolé -

THIS WEEK's BIRDS: an abbreviated episode (TWO HOURS ONLY, opps.) w/ Balkan vocalists Stefka Sabotinova & Valya Balkanska; Moroccan vocalist Houria Aîchi performing sacred music  from the Aures Mountains; Malian vocalists Bako Dagnon, Lassana Tamoura, & Neba Solo w. Benogo Diakite ; Noura Mint Seymali from Mouritania; experimental bop from Roland Kirk & the Modern Jazz Quartet; Regis Huby as leader & w/ Bruno Angelini Quartet; two in the Raga Kalkani: one on Sarod (Ashoke Roy) & one vocal rendition (Rashid Khan);  Ay Lazzat from Dagestan; Absaldin Magomedov (also from Dagestan); Ghalia Benali, Constantinople & Kiya Tabassian perfrom Rumi; much, much more.... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/21836136/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR   NEW MAILING ADDRESS:  Stephen Cope  @ Conference of the Birds, POBOX 428, Tivoli, NY, 12583, USA. 

durée : 01:03:19 - Club Jazzafip - De Thelonious Monk à Yusef Lateef en passant par Charles Mingus ou Roland Kirk, le club met en lumière les artistes qui ont plusieurs cordes à leur arc musical. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:59:30 - Banzzaï du jeudi 13 novembre 2025 : rediffusion - Viser la lune ! - par : Nathalie Piolé -

This week on The Sound Kitchen, you'll hear the answer to the question about France's budget deficit. There's a lovely French poem, your answers to the bonus question on “The Listener's Corner” with Paul Myers, and a perfect musical dessert from Erwan Rome on “Music from Erwan”. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counseled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service.  Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! This week's quiz: On 30 August, I asked you a question about France's budget problems … since I asked that question, two governments have been dissolved: that of François Bayrou, and that of the next in line, Sébastien Lecornu, who quit after just a few days, but now he's back. It's a high-level game of musical chairs, and we still are not anywhere near coming up with a budget. You were to read our article “French PM puts government on line with call for confidence vote” and send in the answers to these two questions: What is France's budget deficit, and what is the official European Union limit for a country's budget deficit?   The answer is, to quote our article: “After years of overspending, France is on notice to tame a budget deficit that hit 5.8 percent of gross domestic product last year, nearly double the official EU limit of 3 percent.” In addition to the quiz question, there was the bonus question: “What is your favorite memory of your mother?” The question was suggested by Liton Rahaman Mia from Naogaon, Bangladesh. Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Debashis Gope from West Bengal, India. Debashis is also this week's bonus question winner. Congratulations on your double win, Debashis. Also on the list of lucky winners this week are Paresh Hazarika, a member of the United RFI Listeners Club in Assam, India, and RFI Listeners Club members Shadman Hosen Ayon from Kishoreganj, Bangladesh, as well as Arne Timm from Harjumaa in Estonia. Last but certainly not least, RFI English listener Rowshan Ara Labone from Dhaka, Bangladesh. Congratulations winners! Here's the music you heard on this week's program: “Les Feuilles Mortes” by Jacques Prévert, set to music by Joseph Kosma and sung by Yves Montand; “Twelfth Street Rag” by Euday L. Bowman; “The Flight of the Bumblebee” by Nikolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Serenade to a Cuckoo” by Roland Kirk, performed by Kirk and the Roland Kirk Quartet. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Morocco Gen Z protesters call for 'peaceful sit-ins' to demand reforms”, which will help you with the answer. You have until 10 November to enter this week's quiz; the winners will be announced on the 15 November podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Super special not-so-secret friend Jordan Pries, copropietor of Electric Kitcsh, joins Jay and Deon for a discussion about the music he creates along with Mitch Anderson of Black Circle Radio. 8 additional vinyl records from 8 other artists are covered and some of life's questions are answered along the way. JOIN US PLLLLLLLLEASE!Sonic contributors of this special twenty-seventh bonusepisode of Lightnin' Licks Radio include:Dave Mathews Band, Jurassic 5, DJ NuMark, Prince Paul. De La Soul, Zach Braff, Natilie Portman. Jula @soundwavesofwax, Kriss Kross, Arc of All, Errol Paul Reed, N.W.A. Electrik Funk, Lou Reed, A Tribe Called Quest, Red Man. Jay Dilla, Leaders of the New School, Morrissey, Autumn Defense, Bob Welch. Lindsey Buckingham, 10,000 Maniacs, Goldfrapp. Wes Montgomery, Bobby Hebb, Burt Bacharach, Love. The Smithereens, The Sand Rubies, Fiona Apple, Abraham Jefferson. M.M. Knapps. Mitch Anderson, Paul Simon, The Bee Gees. Albhy Galuten, Karl Richardson, Northwoods Improvisors. Mike Johnstone, Donovon Boxey, Roland Kirk. Height Keech, Cindy Lee, Ol' Burger Beats. Roy Ayers, CalTjader, Roberta Flacc, Donny Hathaway. Ralph MacDonald, William Salter. Tom Bell, Linda Reed, and Spongebob Squarepants. Deon urges you to continue appreciating the music of Q-Tip,Richard & Linda Thompson, George Benson, and Johnny Lytle.Jay suggested the sonic stylings of Josh Rouse, AlisonGoldfrapp, Sidewinders, and Wee.Super special not-so-secret friend Jordan is funking withhis own music, The Source of Light and Power. We're so happy to share this with you.We'll be returning next month, continuing with the alphabet.Up next…the letter ”M.”Bonus 27 mixtape tracklist[V.A.] (1) Richard & Linda Thompson - I Wanna See the Bright Lights Tonight (2) Alison Goldfrapp - The Love Invention (3) Q-Tip - Even If It Is So (4) Josh Rouse - Trouble (5) Wee - Try Me (6) Johnny Lytle - Where Is the Love? (7) Sidewinders - We Don't Do That Anymore (8) George Benson - Giblit Gravy.[SOLP] (1) Whisper Telepathy (2) Sonny was, Sonny is with Donovon Boxey (3) A Rap About Records with Deon and Height Keech (4) Numeric Tumor (5) The Immotal Rites of Bongo Whoosh.Please be kind to each other. Also don't be a bitch, stand up for what is right. Distinguishing what is right and what is not is not as difficult as you think.

** PLEASE SUBSCRIBE ** Featured in a special edition of TRUTH IN RHYTHM, Episode 347 (Part 2 of 2): Iconic jazz keyboardist, producer and composer Lonnie Liston Smith! Beginning his recording career in the 1960s as a pianist for some of jazz's most prolific figures, he went on to lead his own group and release more than a dozen albums during the 1970s and 1980s that explored and redefined not only contemporary jazz but also jazz-funk and jazz-soul music, which later provided popular grooves for rappers.  Big names he collaborated with through the years include Roland Kirk, Pharoah Sanders, Gato Barbieri, Miles Davis, Norman Connors, Mtume, Marcus Miller and Phyllis Hyman. In 2023, he ended a 25-year studio hiatus with Vol. 17 of the Jazz Is Dead series. RECORDED JUNE 2025 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Featured in a special edition of TRUTH IN RHYTHM, Episode 347 (Part 1 of 2): Iconic jazz keyboardist, producer and composer Lonnie Liston Smith! Beginning his recording career in the 1960s as a pianist for some of jazz's most prolific figures, he went on to lead his own group and release more than a dozen albums during the 1970s and 1980s that explored and redefined not only contemporary jazz but also jazz-funk and jazz-soul music, which later provided popular grooves for rappers.  Big names he collaborated with through the years include Roland Kirk, Pharoah Sanders, Gato Barbieri, Miles Davis, Norman Connors, Mtume, Marcus Miller and Phyllis Hyman. In 2023, he ended a 25-year studio hiatus with Vol. 17 of the Jazz Is Dead series. RECORDED JUNE 2025 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

This is an all flute special, with jazz greats James Moody, Herbie Mann, Roland Kirk, Hubert Laws and many more. Playlist  Artist ~ Name ~ Album Holly Hofmann Quartet ~ Bohemia After Dark (Live) ~ Live At Birdland James Moody ~ Cherokee ~ 80 Years Young: Live at the Blue Note Lori Bell ~ Streets of New York ~ Brooklyn Dreaming Herbie Mann ~ Memphis Underground ~ Memphis Underground Roland Kirk ~ Serenade to a Cuckoo ~ Kirkatron Eric Dolphy ~ Gazzelloni ~ Out to Lunch! Jamie Baum ~ Far Side ~ Solace Hubert Laws ~ The Rite of Spring ~ Rite of Spring

durée : 00:59:21 - En Fuite - par : Nathalie Piolé -

Jazz Grooves 14: Mit møde med Roland Kirk: Hans Barfod fortæller om og spiller musik med Roland Kirk, som var multiinstrumentalist og levede fra 1935 til 1977.

Jazz Grooves – mit møde med Alex Riel 1: Dette programs vært, Hans Barfod, arbejdede tæt sammen med Riel om udgivelsen af bogen 'Manden bag trommerne' og har derfor været inde i næsten alle kroge af Alex's musikliv. Det første program om Alex Riel har focus på 60'erne – årene i Jazzhus Montmartre: NHØP, Kenny Drew, Roland Kirk, Bill Evans, Ben Webster, Stuff Smith, Palle Mikkelborg. 

Derrière ses trucs et astuces, aussi prodigieux soient-ils, Kirk c'est avant tout une personnalité musicale. Un esprit libre, solidement ancré dans les racines de la musique noire et le blues, mais suffisamment tête chercheuse pour ne pas dédaigner l'avant-garde. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Roland Kirk. “Rahsaan” Roland Kirk, puisque Rahsaan était le surnom que lui-même s'était donné. Un musicien pas comme les autres. Une nuit, il avait fait un drôle de rêve, et dans ce rêve, il s'était vu souffler dans trois saxophones en même temps. Et, devinez quoi, c'est exactement ce qu'il fit !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

THIS WEEK's BIRDS: poetry & music from Sara Serpa; Oum Koulsum; Xmas redux from, Roland Kirk; Max Roach x 2 (w. Rev. Jeremiah Wright); Horoya Band National (from Guinea); salsa from. Adalberto Santiago & Orquesta Cimarrón; Karl Evangelista's Apura; Sababa 5 w. Yureka;  Steve Lacy Sextet; Lucas Niggli Zoom Ensemble;  and of course, so much, much more... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/19997572/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Patracol de cantants, instrumentistes i compositores d'accent watusi. Un tria i remena marca de la casa en qu

Tonight's Jazz Feature is unique even in the varied discography of Charles Mingus. First of all Mingus plays only piano here and chants, sings and delivers verbal encouragement to the soloists. Also the band is built around the amazing talents of Roland Kirk (aka Rahsaan Roland Kirk) who plays his tenor saxophone, manzello (a type of soprano saxophone), his stritch (an elongated alto saxophone), flute and various percussion and sundry instruments like whistles, gongs etc. In the band too is tenor saxophonist Booker Ervin and trombone great Jimmy Knepper, both Mingus favorites. On bass is Doug Watkins and on drums is of course, Dannie Richmond. The music is loose, free and covers all the emotions from humor to anger and is sometimes surrealistic. This band was formed in the Summer of 1961 and marked a switch in style for Mingus but was still reflective of his immense musical personality. This album was recorded for Atlantic Records on November 6, 1961 and issued as "Oh Yeah!". It stands alone and is tonight's Jazz Feature.

durée : 00:59:28 - Banzzaï du vendredi 10 mai 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Pour ce numéro 50 de l’émission : Miles et Monk, Roland Kirk, Charlie Mingus, Mark Murphy, Grant Green, Wayne Shorter…   Track list Charlie Mingus, Remembering Rockefeller at Attica Changes, Atlantic, 1974 Rashaan Roland Kirk, Goodbye Porkpie Hat 1976 Mark... Continue Reading →

Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE - Anspiel ist : „Gentle Rain” – ein Bossa Nova ("Chuva Delicada"), 1965 komponiert von Luiz Bonfá, Folgende Titel sind zu hören: 1. The Sheik of Araby – Benny Goodman Sextet 3:18 2. I can't give you anything but Love – Terence Blanchard & Jane Monheit 5:21 3. I'm crazy ‘bout my Baby and my Baby's crazy ‘bout me – Thiemo Niesterok Quartett 4:24 4. Gentle Rain – Diana Krall 4:56 5. Salty Drunk Fish – Olga Reznichenko Trio 5:32 6. Moanin‘ – Knut Kiesewetter 3:44 7. Get out of Town – Roland Kirk 4:48 8. Puttin' on the Ritz – Marion & Sobo Band 2:29 Bei Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

THIS WEEK's BIRDS: cante jondo from El Lebrijano; Lisle Ellis "What We Live" salute Lyn Hejinian; rembetika from Marika Papagika; Dominic Lash Quartet;  Roy Haynes w. Roland Kirk et al; salsa from Orquesta Harlow (saluting Arsenio Rodriguez) and  Orquesta Akokán; Leon Keita (vintage music from Mali); Lassana Hawa Cissokho; Billie Harris; from Morocco: Haja El Hamdaouia, Najaf Aatabou, melhún singers Abdesalam Khaloufi and Muhammed Dallal; Hafez Modirzadeh;   much, much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/18661145/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

The Jazz feature tonight is an album that this writer deems an essential Jazz album. "Out of the Afternoon" presents drum master Roy Haynes leading a very special quartet. Mr. Haynes just celebrated his 99th Birthday recently. Roy presents a young up and coming phenomena called Roland Kirk on tenor saxophone, manzello (an elongated alto saxophone) and the stritch (a soprano saxophone variant) and the flute and various whistles. Roland is a creative force here and a one-man band sometimes blowing all 3 horns at once! On piano is Tommy Flanagan and on bass is the great Henry Grimes. This album issued first on Impulse Records is a true classic and one for the ages. Tonight's Jazz feature "Out of the Afternoon".

Savage catches up with jazz musician Sam Gendel for an update on his music career in 2024. The pair first met in 2013 when Gendel sent Savage a collection of poetry titled "The Found Poetry of Michael Savage." Gendel creatively transformed Savage's words into poetry adding musical compositions. Gendel reflects on touring in Japan, describing its appreciation for offbeat and avant-garde music. The two discuss their love of jazz including Buddy Rich, Charlie Parker, Roland Kirk, and Herb Alpert. They ponder the trend of voyeurism in the social media age as Savage highlights the popularity of his cooking videos. Savage shares his own experience as a writer and emphasizes that there are no shortcuts to success or happiness, instead encouraging the importance of hard work and perspiration. The conversation then shifts to the balance between the spiritual and the animalistic aspects of life, concluding that true happiness comes from bringing them together. Listen and find out what it's like to be a musician in the modern age and why more artists are choosing sobriety. Enjoy this wide-ranging conversation on the Michael Savage Podcast! Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:59:29 - Viser la lune ! - par : Nathalie Piolé -

September is Hispanic Heritage Month and throughout the month, Echoes of Indiana Avenue will spotlight the contributions Avenue musicians have made to Latin Music. On this week's show we'll share music from vibraphonist Billy Wooten and trumpeter Virgil Jones. Billy Wooten is best known for his work with the famed jazz guitarist Grant Green. From the 1960s, to his death in 2016, Wooten was a popular attraction in the Indianapolis music scene. Latin music was a big part of Wooten's sound – he even recorded an entire album of Latin music at the Madame Walker Theatre. Virgil Jones grew up on Indiana Avenue in the Lockefield Gardens apartments. Jones became one of the most prolific jazz trumpets of the 1960s, recording with a long list of jazz stars - including Lionel Hampton, Charles Earland, McCoy Tyner, and others. Jones played on significant Latin jazz recordings with Roland Kirk, Pharaoh Sanders, and Eddie Palmieri.

”Jeg var en punk-dreng, der lyttede til jazz.” Sådan beskriver skuespiller Nicolas Bro sig selv i 1989. Han er lige startet på gymnasiet og har fået en ny ven, som introducerer ham for jazzens komplekse toner. Det er ellers musik, der ligger ret langt væk fra den punk-elskende, knæstrømpe og hattebærende 16-17-årige Nicolas. Men især den amerikanske jazzmusiker Roland Kirk og albummet 'We Free Kings' kommer til at bygge bro imellem punken og jazzen for ham. I denne første del af ugens udsendelse, fortæller Nicolas åbenhjertigt om sin gymnasietid, hvor han tager et aktivt valg om at være skolens outsider, får tæsk på grund af sit tøjvalg og den begyndende flirt med skuespil, som mange år senere skulle vise sig at blive hans levevej. Udsendelse nr.: 86 Vært: Anders Bøtter Redaktør: Michelle Mølgaard AndersenSee omnystudio.com/listener for privacy information.

”Dansk film er i krise. Jeg har ikke haft noget arbejde i halvandet år.” Sådan fortæller skuespiller Nicolas Bro åbenhjertigt i denne anden del af ugens Portrætalbum udsendelse, hvor du blandt andet kan blive klogere på, hvorfor dansk film er i krise, og hvilken rolle Nicolas selv opfatter som sin karrieres foreløbige højdepunkt. Samtalen byder også på dybere refleksioner over det at være et offentligt kendt menneske, samt overvejelser om, hvorvidt Nicolas Bro skal i gang med at satse mere på teatret end på film og tv-serier. Det sker alt sammen til tonerne af Roland Kirks album 'We Free Kings,' som stadig her i 2023 har stor betydning i Nicolas Bros liv. Udsendelse nr.: 86 Vært: Anders Bøtter Redaktør: Michelle Mølgaard AndersenSee omnystudio.com/listener for privacy information.

Mellow sax and West Coast cool tonight: Sonny Clark, Duke Ellington with Johnny Hodges, Oliver Nelson (Jimmy Forrest sax), Roland Kirk, Benny Carter, Bill Evans Trio featuring Stan Getz, Chet Baker, Gerry Mulligan, Art Pepper, and Stanley Turrentine.

Some more New Discoveries from The Real Book. Some are songs written by jazz musicians, others are Broadway ‘standards. I play music by artists as diverse as Bing Crosby and Roland Kirk. I also try to look at what exactly is a “Charlie Parker Blues”. And for many of those tunes, I play an original…Continue reading Episode 237:Quiet Now, Minority,Blue Room, Broadway,Blues for Alice, Gloria’s Step, Could It Be You

THIS WEEK's BIRDS: Amadou Balaké (from the last record); Ronald Shannon Jackson's Decoding Society; Taureg song from Teita Lebid; Frank Mimita (Vintage Angolan pop); from Greece: Trionfas, Greek Fusion Orchestra, Christos Nikolopoulos & Yiorgos Saris; acoustic Mahavishnu; vintage George Sams; vintage Paul Motion; vintage Roland Kirk (pre-Rahsaan); ecstatic Baluchi music from Abdorahman Surizehi, Morâd Salazehiu; Shirley Scott & George Coleman, live at the Left Bank (newly rediscovered); Sory Kandia Kouyaté; Shundu Wembadio; poems from Anne Waldman; Jaki Byard w. Jon Farrell; much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17393481/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Tonight on Jazz After Dark: songs from 1927 to 1969. Fats Waller, Count Basie & His Orchestra, Dinah Shore & Buddy Clark, Louis Armstrong, Charlie Christian, Dizzy Gillespie, Duke Ellington And His Famous Orchestra with Johnny Hodges, Roland Kirk, Nat King Cole, Al Hirt, Miles Davis, Bud Powell Trio (Kenny Clark drum solo), Johnny Hodges, Herbie Mann, and then Ella Fitzgerald with the Ernie Heckscher Big Band & Tommy Flanagan.

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Actor, Comedian, Writer, Director and Producer, Dave Foley is a co-founder of the sketch comedy group The Kids In The Hall, whose groundbreaking show ran on CBC in Canada and HBO and later CBS in the U S from 1988 through 1995. Dave went on to star in the NBC sitcom NewsRadio, and his numerous acting and voice over credits include 'Flik' in "A Bug's Life" and 'Terri and Terry' in "Monsters University". Nic chats with Dave about his early stand up days (age 17), meeting the guys who would become his compadres in KITH, getting the band back together for the new series on Amazon, and how Roland Kirk's "Volunteered Slavery" Jazz piece helps him deal with sadness; and his love of artists David Bowie, Elvis Costello and Miley Cyrus.

"En aquella época en la que el presidente Nixon hablaba sobre el capitalismo negro, podemos hacer una pequeña contribución en nuestro camino hacia esta meta para nuestros hermanos negros". Chuck Barksdale Con José Manuel Corrales.

"En aquella época en la que el presidente Nixon hablaba sobre el capitalismo negro, podemos hacer una pequeña contribución en nuestro camino hacia esta meta para nuestros hermanos negros". Chuck Barksdale Con José Manuel Corrales.

Iconic British jazz vocalist Norma Winstone joins the show to chat about her life, career, albums, heels and wine. Norma Winstone was born in London and first attracted attention in the late sixties when she shared the bill at Ronnie Scott's club with Roland Kirk. Although she was known initially for evolving her own wordless approach to improvisation, her extraordinary versatility means she is equally at home with the standards repertoire, performing with small groups, orchestras and big bands. In the late seventies she joined pianist John Taylor and trumpeter Kenny Wheeler to form the group Azimuth, which was described by Richard Williams of The Times as “one of the most imaginatively conceived and delicately balanced of all contemporary chamber jazz groups“. In this setting she combines the instrumental use of the voice with words, most of which she writes herself. Azimuth has recorded several albums on the ECM label (the first three of which have been re-issued as a CD boxed set).Support the show (https://www.buymeacoffee.com/thejazzpodcast)

Tonight on Jazz After Dark: Helen Humes, Shorty Rogers, Ella Fitzgerald, Teddy Wilson Trio & Gerry Mulligan with Bob Brookmeyer & Bill Evans, Eddie Lockjaw Davis, The Dave Brubeck Quartet, Joni James, Roland Kirk, Dave Brubeck, and Al Di Meola.

Telling stories about making mixtapes and favorite musicians like Roland Kirk.

Ever heard of Jug? Gene Ammons along with Sonny Stitt? Maybe Willis Jackson or Red Holloway. These cats were mercenaries on the band stand counting off Cherokee at some ridiculous tempo that would separate the common artist from the professional. Take a trip down to Jim and Andy's and you just might see my guest with Al McKibbon or Cal Tjader playing Afro Cuban melodies with Ray Barretto, or Stomping at the Savoy with mainstay Kenny Burrell. Jazz is really black blues and for a long time a jazzers education was on the streets up the corner and round block from Chess Studios where cats like Ramsey Lewis and Ahmad Jamal paved the way for younger minority improvisers to develop an identity. My guest is as accomplished a player as those listed above. He whistles while he works playing chromatic hypnotic chords to tunes like Afro Blue, mas Ritmo Caliente and Along Came Betty. He came of age in the old school back in the game when albums were being written about the Tender Gender, melodic invention with no words just sounds- mainly acoustic with drummers like Joe Dukes, Idris Muhammad, Elvin Jones, Dick Birk, the aforementioned Tjader, Joe Morello and Art Blakey. These cats were messengers of music with an understanding of their significance to pass the music along to those who were younger, educate them on the history the technique the looseness and unique sound that would ultimately pave the way for their own careers. His collaborations are noteworthy because he got his shot with the masters. Rasa an Roland Kirk, another free king in Charles Mingus, Roy Haynes and Frank Foster. God Bless The Child Richard Wyands welcome to the JFS

"I Say A Little Prayer" Rahsaan Roland Kirk: Volunteered Slavery (Atlantic, 1969) Roland Kirk, Charles McGhee, Dick Griffin, Ron Burton, Vernon Martin, Sonny Brown, Joseph "Habao" Texidor, The Roland Kirk Spirit Choir. El tema es una obra de Burt Bacharach y Hal David, aunque también se pueden escuchar citas de otros temas que no mencionaré. Una versión muy conocida la cantó la gran Aretha Franklin, aunque fue compuesta inicialmente para Dionne Warwick, que logró un gran éxito en 1968. Parte del disco está grabado en directo en el Festival de Jazz de Newport de 1968, aunque la primera cara del disco, y en concreto el tema que suena en JazzX5, está grabado en estudio en 1969. "I Say A Little Prayer" también se incluía también en la más que recomendable recopilación Does Your House Have Lyons?, que en mi caso fue un disco que perteneció al "Club de las mil pesetas". © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.

Tonight on Jazz After Dark: swing, bossa nova, soul jazz, West Coast cool, and more. Ronnell Bright Trio, Earl "Fatha" Hines & Johnny Hodges, Phineas Newborn Jr., Cannonball Adderley with Ray Brown and Wes Montgomery, Duke Ellington, Baby Face Willette, Roland Kirk, Art Pepper, and the Bill Evans Trio featuring Stan Getz.

This week: Coltrane; Nara Leão; Sameyda Ensemble; Kpelle music from Guinea; Jeanne Lee; Georgia Gaslini; Joby Bernabé; Maysa & Orquesta RGE; Dahmane el Harrache; Ahmed Hamza; Sonia López; Arthur Jones; María Grand; Tiziana Ghiglioni; Roy Nathanson reprises Roland Kirk;  much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/13642184/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

RAHSAAN ROLAND KIRK – WE THREE KINGS La personalidad musical de Rahsaan Roland Kirk, se enfocó durante 1961-65, cuatro años altamente creativos. La historia se puede rastrear en un álbum de diez discos: The Complete Mercury Recordings of Roland Kirk. En 1961, Kirk era un fenómeno de veinticinco años que parecía divertirse demasiado tocando en […]

Album molto noto della discografia di Mingus, Mingus at Carnegie Hall fu ricavato da una esibizione del contrabbassista del gennaio del '74 e fu pubblicato nello stesso anno dalla Atlantic. L'Lp originario conteneva solo due tracce, una per facciata, due interpretazioni di oltre venti minuti ciascuna di due brani del repertorio di Ellington, C Jam Blues e Perdido: si trattava dell'ultima parte del concerto, in cui al sestetto di Mingus, in un clima da jam session, si erano aggiunti tre sassofonisti che avevano lavorato con Mingus in fasi precedenti della sua carriera, John Handy, Charles McPherson e Roland Kirk. Ora la Rhino, nel formato di tre Lp o due cd, ripropone l'album completo di tutta la prima parte del concerto, quasi ottanta minuti supplementari. Con quattro giovani, John Faddis alla tromba, George Adams al sax tenore, Hamiet Bluiett al baritono, Don Pullen al piano, e con alla batteria il fidato Dannie Richmond ritornato all'ovile, Mingus rilegge tre suoi classici, Peggy's Blue Skylight, Celia, Fables of Faubus (a cui si aggiunge il brillante Big Alice firmato da Pullen): l'arte di Mingus, con la sua meravigliosa vena melodica e il suo temperamento, che in una musica spumeggiante, scattante, nervosa, trova nuova carica e ragione d'essere nel contatto con l'energia di l'impeto di una nuova generazione.

Album molto noto della discografia di Mingus, Mingus at Carnegie Hall fu ricavato da una esibizione del contrabbassista del gennaio del '74 e fu pubblicato nello stesso anno dalla Atlantic. L'Lp originario conteneva solo due tracce, una per facciata, due interpretazioni di oltre venti minuti ciascuna di due brani del repertorio di Ellington, C Jam Blues e Perdido: si trattava dell'ultima parte del concerto, in cui al sestetto di Mingus, in un clima da jam session, si erano aggiunti tre sassofonisti che avevano lavorato con Mingus in fasi precedenti della sua carriera, John Handy, Charles McPherson e Roland Kirk. Ora la Rhino, nel formato di tre Lp o due cd, ripropone l'album completo di tutta la prima parte del concerto, quasi ottanta minuti supplementari. Con quattro giovani, John Faddis alla tromba, George Adams al sax tenore, Hamiet Bluiett al baritono, Don Pullen al piano, e con alla batteria il fidato Dannie Richmond ritornato all'ovile, Mingus rilegge tre suoi classici, Peggy's Blue Skylight, Celia, Fables of Faubus (a cui si aggiunge il brillante Big Alice firmato da Pullen): l'arte di Mingus, con la sua meravigliosa vena melodica e il suo temperamento, che in una musica spumeggiante, scattante, nervosa, trova nuova carica e ragione d'essere nel contatto con l'energia di l'impeto di una nuova generazione.

Autor: Jerry Berndt Sendung: Wurfsendung - Podcast Hören bis: ..

Here in Part 7 we go over the life of King Records founder and president Syd Nathan. We also spotlight some great King artists we haven't been able to fit into the programs so far. These include some of King's biggest selling artists like Earl Bostic, Five Royales,  Mainer's Mountaineers, Roland Kirk, Bill Doggett and more. Oh, and despite what you hear me say at the beginning of the episode, we're not done with King yet!Support the show (https://paypal.me/BFrank53?locale.x=en_US)

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Couronnée d'une Victoire du Jazz dans la catégorie « Album inclassable » en 2019, Naïssam Jalal poursuit sa quête musicale avec un double défi, celui de créer une musique qui traduit les espoirs et les combats du moment tout en faisant le grand écart entre un quintet de jazz et un orchestre symphonique. La flûtiste d’origine franco-syrienne sort donc Un autre monde, un double album enregistré avec son quintet Rhythms of Resistance et l'Orchestre national de Bretagne. C'est un voyage envoûtant et engagé qu'a imaginé Naïssam Jalal. Pour son huitième album, la flûtiste, chanteuse et compositrice franco-syrienne cherche à créer Un autre monde en musique. « Il y a une dimension utopiste, onirique qui est vraiment de l’ordre du rêve, de cet autre monde qu’on espère, qu'on appelle de nos vœux parce que on est à la fin d’un monde qui doit se renouveler autrement, raconte Naïssam Jalal. Et puis, il y a une dimension contre le racisme, contre les frontières, contre le nationalisme excluant. Et une dimension écologique évidemment puisque c'est vrai que depuis maintenant 30, 40 ans, on est de plus en plus face à une urgence. Et comme la musique c’est un moyen d’expression d'émotions, les gens ressentent ces émotions, donc ils ne vont peut-être pas forcément comprendre que je parle du cri de la terre, mais ils vont entendre le cri. » Ce cri, Naïssam Jalal l'exprime dans un dialogue virtuose et saisissant entre sa voix chantée et son instrument fétiche. « La flûte ça a toujours été ma voix, affirme-t-elle. Et de développer la voix dans le prolongement de la flûte, c’est une technique inspirée par les musiciens d’Afrique de l’Ouest, les musiciens peuls. Et la première fois que je l’ai entendu en dehors du cas traditionnel, c’était avec des jazzman comme Roland Kirk ou Magic Malik. » Bercée par les chants arabes, formée en musique classique, mais aussi passionnée par le rap, le tango et l'afrobeat, Naïssam Jalal se nourrit de tout et se joue de toutes les catégories musicales.« Ça a toujours été mon travail, ma volonté d’effacer les frontières, que ce soit dans la géographie ou dans la musique. Moi-même, je suis le fruit de géographies différentes, nous explique-t-elle. Je suis d’origine syrienne, je suis née à Paris, j’ai vécu en Egypte, j’ai grandi au milieu d’une communauté malienne, algérienne aussi très importante, j’ai beaucoup côtoyé des musiciens d’Afrique de l’Ouest, je suis fan absolue de musique indienne, donc notre identité c'est quelque chose qu’on décide d’être et d’incarner. Et ensuite, il y avait aussi ma place en tant que fille d’immigrés dans cette société où j’étais beaucoup dans la souffrance à ne pas être reconnue comme part entière de cette société, alors que de fait, on est 100% français tout en étant 100% autre chose aussi. » Dans sa quête de sens et de sons, cette musicienne aux multiples identités réconcilie le jazz avec la musique savante dans ce double album : l'un enregistré en studio avec son ensemble Rythms of Resistance qui fête ses 10 ans, l'autre en live avec l'Orchestre national de Bretagne. Une alliance audacieuse, puissante où se mêlent rêve et résistance et qui pointe vers Un autre monde plus humain et ouvert. • Un autre monde de Naïssam Jalal, enregistré avec son quintet Rhythms of Resistance et l'Orchestre national de Bretagne, est paru chez Les Couleurs du Son / L'autre distribution. • À lire sur musique.rfi.fr : Naïssam Jalal rêve d’un autre monde (Interview)

RONNIE’S is a love letter to saxophonist Ronnie Scott and the indispensable night club he and partner Peter King established in 1959. For more than 60 years music giants have walked through the door of a small basement club in London’s Soho. From the beginning of the burgeoning British modern jazz movement, he and King dreamt of opening a club modeled after the swinging jazz scene of New York’s 52nd Street. From its humble beginnings sixty years ago, Ronnie Scott’s would become the cornerstone of the UK jazz scene and one of the most famous jazz clubs in the world. Ronnie Scott was beloved by many, from the great and famous who frequented his club, to the many hard up musicians who were often helped by his warmth and generous spirit. However, Ronnie was as complex and colourful as the music played on his stage. In private Ronnie battled with depression and when his untimely death occurred in 1996 it left the jazz community bereft of a respected and favorite leader. Funny and moving, Ronnie’s features performances by some of greatest musicians of the 20th Century including…Oscar Peterson, Dizzie Gillespie, Roland Kirk, Cleo Lane and John Danforth, Buddy Rich, Sarah Vaughn, Sonny Rollins, Miles Davis, Jimi Hendrix, Ella Fitzgerald, Mary Lou Williams, Van Morrison and Chet Baker, Nina Simone and Ben Webster. For news and updates go to: olliemurray.com/portfolio/ronnies Or go to: orofenafilms.com/Ronnies

Location: Winter Count, AZ The true nature reveals itself all the time. It is the process by which you are able to look in the mirror and not look back except to promote the values of Elvin Jones, Colin Walcott and my guest. To swing was never s question for my guest as well. It just mattered that it feels good. Music of Another Present era is finding your true nature in the music of Oregon a band that continues today and reaches into the breach of classical music with jazz changes using world instruments or maybe Ralph Towner on Ringmodulator. My guest was born and raised in Portland and at an early age connected with Native American Jim Pepper who's free spirit is in the same vein as Leon Thomas, Carmen MCrae and rasa an Roland Kirk. The records I own in which guest is featured allow me to expand consciousness and be more at peace to discover my true nature. Oregon is a band that features Polyrhythms and Odd Time they were an acoustic counterpoint to the electronic development of Mahavishnu in the early seventies. The ability to express yourself in a non verbal fashion enhances your perception of man and the music. At times the music takes over, the player knowing that it comes from another space or place and trusting in that sincerity. I sit here today in Winter Count, AZ with my guest in a true desert oasis. A camp of the earth and the indigenous. To remain connected to the cosmos then you must remained grounded to the earth knowing that if you don't practice the wood upright bass will humble you. --- Support this podcast: https://anchor.fm/jake-feinberg/support

Er spielte drei Saxofone gleichzeitig - so etwas hatte niemand zuvor gehört. Für manche nur eine "Zirkusnummer", buchten Veranstalter ihn als "Sensation". Mit viel Seele schlug Roland Kirk eine Brücke vom New Orleans Jazz über Soul bis zum Free Jazz. Von Karsten Mützelfeldt.

durée : 00:59:46 - Comme un samedi - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

STANDARD SEMANAL.- “more than you know”.-JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963].-JAZZ ACTUALIDAD .-4 WOMEN QUARTET .-UNA HISTORIA DE MUJERES EN EL JAZZ, .-EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss PROG.Nº 650.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “more than you know” JAZZ RECUERDO ANIVERSARIO.- Rahssan Roland Kirk - Reeds and Deeds [1963] Reeds & Deeds es un álbum del multi-instrumentista de jazz Roland Kirk . Fue lanzado originalmente en elsello Mercury en 1963 y presenta actuaciones de Kirk con Virgil Jones , Charles Greenlee , Harold Mabern , Abdullah Rafik , Walter Perkins , Tom McIntosh y Richard Davis con arreglos de Benny Golson Personnel[edit] • Roland Kirk: tenor saxophone, manzello, stritch, flute, siren • Virgil Jones: trumpet • Charles Greenlee: trombone (tracks 1-5) • Harold Mabern: piano • Abdullah Rafik: bass (tracks 1-5) • Walter Perkins: drums • Tom McIntosh: trombone (tracks 6-8) • Richard Davis: bass (tracks 6-8) • Benny Golson: arranger (tracks 6-8) . [2] Walter "Baby Sweets" Perkins (10 de febrero de 1932, Chicago, Illinois-14 de febrero de 2004, Queens, Nueva York) fue un baterista de jazz estadounidense. Formado en el importante mundo jazzístico de Chicago, entre 1956 y 1957 Perkins trabajó Ahmad Jamal,1 antes de formar la banda MJT+3, con Paul Serrano, Nicky Hill, Muhal Richard Abrams y Bob Cranshaw. En 1959, una nueva versión de la banda 1959, con Willie Thomas, Frank Strozier, Harold Mabern y Cranshaw grabó para Vee-Jay y continuaron a tocar en Chicago hasta 1962, cuando Perkins se fue a Nueva York. Tocó con Sonny Rollins en 1962 y acompañó a Carmen McRae en 1962-63, y en 1964 con Art Farmer y Teddy Wilson. También tocó con Rahsaan Roland Kirk, George Shearing, Gene Ammons, Charles Mingus, Billy Taylor, Booker Ervin, Jaki Byard, Lucky Thompson, Pat Martino, Sonny Stitt, Sonny Criss, Charles Earland. JAZZ ACTUALIDAD .-Esta semana vamos a tener La banda 4 WOMEN QUARTET presenta un concierto ÚNICO en El Teatro de Triana, con el que nos invita a hacer un recorrido por la historia del Jazz desde una perspectiva femenina, recordando los trabajos de mujeres compositoras, letristas, instrumentistas y cantantes, mostrando sus trabajos y aportaciones, algunos de ellos determinantes en el desarrollo del género. Lilian Hardin, Betty Carter, Nina Simone, Ann Ronell, Maria Schneider, son algunas de las protagonistas de UNA HISTORIA DE MUJERES EN EL JAZZ, y con ellas transitaremos estas músicas, desde el sonido de sus orígenes africanos, pasando por el Blues, el Hot Jazz, la era del Swing, el Bebop hasta llegar al Jazz Contemporáneo. Natalia Ruciero – voz y percusión Virginia Moreno – clarinete y voces Laura Domínguez – piano y voces Blanca Barranco – contrabajo y voces Fecha: El 16/02/2020 Lugar: El Teatro de Triana Horario: 20:00 hora Precio: De 10 € Para finalizar tendremos la entrevista que le realizó nuestro compañero EZEQUIEL CAMPOS de EUDE RADIO MADRID en su programa “EL BAUL DE MIS RECUERDO” a Patricia Krauss

durée : 00:59:34 - Lucides et rêveurs - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Radio Jazz studievært Kay Seitzmayer fortæller om et show, der foregår i en gammel fabrik i London, hvor engelske og amerikanske bands samles til en stor, fed jamsession, også kaldet »The Last Great Jam of the 60's«. Jam'en varede i 2 dage, og show'et udkom første gang på videotape sidst i '70erne og igen i 2003 på DVD, hvor man både kan se og høre show'et. Musikerne er John Hiseman's Coloceum, Buddy Miles, MJQ, Buddy Guy, Roland Kirk, Stephen Stills, Eric Clapton og Jack Bruce. Et fantastisk show, hvor jazz, blues og rock bliver fusioneret for fuld drøn. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

Radio Jazz studievært Ole Matthiessen præsenterer sjældne optagelser fra især den københavnske jazzscene med Cadentia Nova Danica, Pierre Dørges Kvartet, Dexter Gordon, Roland Kirk, Søndergaard-Nehammer Sextetten, Karin Krog / Palle Mikkelborg, Monica Zetterlund / Steve Kuhn, Trio 65½, Yusef Lateef / Jan Johansson, Coleman Hawkins, Riel-Mikkelborg Kvintetten, Archie Shepp, Marion Brown, James Brown, Original Magleås Stompers, Son House, Little Walter, Brew Moore, Oscar Peterson, Sarah Vaughan, Buddy Tate samt Gary Burton Quartet med Larry Coryell. Sendt i Radio Jazz i 2019 Der er mere jazz på www.radiojazz.dk

I de næste 3 timer vil du høre musik fra københavnske scener med Eddie Lockjaw Davis, Johnny Griffin, Steps, Max Roach Quintet, den svenske Radiojazzgruppe, Bill Evans Trio, Louis Armstrong All Stars, Tom Lehrer, Seven Sounds, Stuff Smith, Ray Charles, Duke Ellington, Johnny Griffin & Dexter Gordon, Roland Kirk, Jan Johansson, Tom Prehns Kvartet, Finn von Eybens Workshop og Contemporary Jazz Quintet. Det hele præsenteres af Radio Jazz studievært Ole Matthiessen. Sendt i Radio Jazz i 2017 Der er mere jazz på www.radiojazz.dk

Jazz, the quintessential open door genre,has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness finding a musical role for all sorts of non verbal sounds. Here we explore the jazz side of moaning, sighing, whistling, groaning, humming, grunting, etc. Don't worry it's all going to be supremely musical, even virtuosic thanks to the creative minds of the likes of Roland Kirk, Toots Thielemans, Art Farmer, Yohimbe Brothers, Keith Jarrett, Don Byron, Eddie Fisher, Guano Padano, Alessandro Alessandroni, Ennio Morricone, Dead Combo, Rollerball, Claude Barthelemy, Horace Silver, Supergenerous, Brahja Waldman, Napoli Centrale, Bill Withers, John Zorn, Wynton Marsalis, Todd Sickafoose, Talking Pictures, Louis Prima, Wayne Shorter, Allison Miller Detailed playlist at https://spinitron.com/RFB/pl/5741842/Mondo-Jazz

Mark Springer - founder member of the group and came up with the name RIP RIG AND PANIC -in conversation talking about life in music & art with David Eastaugh Rip Rig + Panic was formed in 1980 naming their newly founded project after the 1965 Roland Kirk album of the same name, the duo preferred to explore their free jazz and reggae roots in contrast to their former band's avant-garde and political leanings. Pianist Mark Springer, who had performed live with The Pop Group, began collaborating with the duo by playing keyboards and occasionally providing vocals during live shows. Eventually, vocalist Neneh Cherry joined followed by bassist Sean Oliver. This line-up released the single "Go! Go! Go! This Is It"/"The Ultimate in Fun (Is Going to the Disco with My Baby)" on 13 August 1981, with Gavin Martin of NME saying "Rip Rig and Panic tread a fine line between undisciplined wasted and ingenious commercial aplomb." The band's debut album, God, was released on 3 September 1981 by Virgin Records. It fused free jazz and free improvisation with post-punk, funk and reggae music. The music received high marks from NME for their viruoso playing and esoteric sense of humor, with the review calling it "an act of faith in tumult."[6] The single "Bob Hope Takes Risks" followed on 27 November. For their second album, I Am Cold, the band adopted a more commercial approach in their sound while further embracing jazz and world music influences. The album was recorded with the help of vocalist Andi Oliver and jazz trumpeter Don Cherry. The band made a guest appearance in an episode of the British sitcom The Young Ones performing their 1982 single "You're My Kind of Climate". 1983's Attitude was the band's final and most accessible album, supported by the singles "Beat the Beast" and "Do the Tightrope".

In Your Own Sweet Way.-JAZZANIVERSARIO.-tubby hayes - the eighth wonder-1959 .-JAZZACTUALIDAD.-GUSTAVO DIAZ QUINTETO-INCIPIT VITA NOVAIn Your Own Sweet Way.-JAZZANIVERSARIO.-tubby hayes - the eighth wonder-1959 .-JAZZACTUALIDAD.-GUSTAVO DIAZ QUINTETO-INCIPIT VITA NOVA PROG.Nº 596.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “In Your Own Sweet Way” JAZZ RECUERDO ANIVERSARIO. tubby hayes - the eighth wonder-1959 – Este CD toma su nombre de un antiguo Tempo Ep de Tubby, en el que toca todos los instrumentos, excepto el bajo y la batería. Todos los números de ese disco, una distracción interesante y un testimonio de la versatilidad del hombre, están presentes y son correctos, pero la mayoría de las pistas provienen de Tubby's Groove, su último álbum para el jazz de Decca, la banda Tempo, y su primer álbum desde el último concierto. arriba de los mensajeros de jazz. De hecho, la alineación es la de la encarnación final de los Couriers menos Ronnie Scott. Este CD es un buen ejemplo de hard bop británico de 1959. Tubby Hayes ?– The Eighth Wonder Sello: Jasmine Records ?– JASCD 611 Formato: CD, Compilation País: UK Fecha: 2000 Género: Jazz Estilo: Pistas 1 Blues For Those Who Thus Desire 5:45 2 Time Was 3:35 3 The Eighth Wonder 2:39 4 Tin Tin Deo 9:33 5 Tin Tin Deo (Alternate Take) 7:44 6 Embers 5:11 7 Like Someone In Love 5:50 8 The Surrey With The Fringe On Top 6:12 9 Sunny Monday 7:42 Créditos • Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Vibraphone, Piano – Tubby Hayes • Bass – Jeff Clyne (tracks: 4 to 12), Phil Bates (tracks: 1 to 3) • Drums – Bill Eyden (tracks: 1 to 3), Phil Seamen (tracks: 4 to 12) • Piano – Terry Shannon (tracks: 4 to 12) • Producer – Tony Hall (4) Edward Brian "Tubby" Hayes (30 de enero de 1935 [1] - 8 de junio de 1973 [2]) fue un multi-instrumentista de jazz inglés , mejor conocido por su saxofón tenor tocando en grupos con su compañero saxofonista Ronnie Scott y con el trompetista Jimmy Deuchar . • Vida temprana [ editar ] Hayes nació en St Pancras, Londres , y se crió en Londres. Su padre era un violinista de estudio de la BBC que le dio clases de violín a su hijo desde una edad temprana. A la edad de diez años, Hayes tocaba el piano y comenzó a tocar el saxo tenor a los 11. Dizzy Gillespie fue una de las primeras influencias: [3] Siempre solía escuchar música de swing a principios de los años cuarenta y, de hecho, solo era un niño en ese momento. Realmente no tenía la intención de convertirme en un tenor, aunque siempre me gustó el tenor. Creo que tal vez Dizzy me influenció más que a Parker porque era más accesible, llamó más tu atención. En lo que respecta a mis influencias a lo largo de los años, Getz estuvo en una etapa del proceso, y más tarde Rollins, Coltrane, Hank Mobley y, en menor grado, incluso Zoot [Sims]. Una historia muy repetida sobre la carrera temprana de Hayes fue contada por Ronnie Scott . Scott estaba jugando en un club en Rose Hill, cerca de Sutton, y se le preguntó si le importaba si un jugador local se sentaba: "Este niño pequeño no era mucho más grande que su saxo tenor. De manera más condescendiente, sugerí un número y se fue. Me asustó hasta la muerte ". Hayes asistió a la Escuela Rutlish en Merton Park , al sur de Londres, donde su profesor de música era Roy Howard. Después de un período de tocar con varias bandas semiprofesionales en Londres, Hayes dejó el colegio y comenzó a tocar profesionalmente a la edad de 15 años. Carrera [ editar ] En 1951, con 16 años, Hayes se unió al sexteto de Kenny Baker , y más tarde tocó para líderes de grandes bandas como Ambrose , Terry Brown, Tito Burns , Roy Fox , Vic Lewis y Jack Parnell . En 1955, formó su propio octeto, con el que realizó una gira por el Reino Unido durante 18 meses. Hayes tomó el vibráfono a principios de 1957, después de haber probado el instrumento de Victor Feldman en un concierto. Aunque las vibraciones eran un doble clave en su arsenal instrumental, finalmente se cansó de tocarlas, grabando su último solo en el instrumento en 1966. De 1957 a 1959, se unió a Ronnie Scott para co-liderar un quinteto, The Jazz Couriers , quizás el más recordado de los grupos británicos de jazz moderno. Hayes tomó la flauta en 1958, haciendo su debut de grabación en el instrumento un año más tarde. Continuó presentando la flauta durante el resto de su vida. Posteriormente, Hayes reformó su cuarteto y realizó una gira por Alemania con Kurt Edelhagen . Luego, en 1961, fue invitado a jugar en el Club Half Note en la ciudad de Nueva York; un nuevo acuerdo de la Unión de Músicos Transatlánticos significó que, a cambio, Zoot Sims jugó en el de Ronnie Scott. Mientras se encontraba en los Estados Unidos, Hayes grabó ( Tubbs In NY ) con Clark Terry , Eddie Costa y Horace Parlan , y regresó en 1962 para otra visita, ¡esta vez grabando Return Visit! con James Moody , Roland Kirk , Walter Bishop Jr , Sam Jones y Louis Hayes. Tocó en el Half Note de nuevo en 1964, y en el Boston Jazz Workshop el mismo año, y en el Manne-Hole de Shelly Manne en Los Ángeles en 1965. De vuelta en Londres, Hayes formó su propia gran banda, trabajando en televisión, cine y radio, e incluso teniendo sus propias series de televisión (1961–1962 y 1963). Él representó a Paul Gonsalves en febrero de 1964 (con quien también grabó dos veces: Just Friends grabó en febrero de 1964 y Change of Setting grabado un año más tarde), cuando la orquesta de Ellington tocó en el Royal Festival Hall . Además de dirigir sus propias bandas y grabar bajo su propio nombre, Hayes también aparece en grabaciones de otros músicos de jazz del Reino Unido, como Harry South Big Band, Ian Hamer Sextet y más tarde sesiones de estudio de Ted Heath's Orchestra. Hayes también fue un músico de sesión prolífico en muchos géneros. Entre sus muchos créditos, Hayes fue uno de los músicos de la sesión en Music in a Doll's House , el álbum debut de 1967 de la banda de rock Family , en el que Mike BattArreglamos las cuerdas y el latón. Batt le da crédito a Hayes por guardar su arreglo en la canción "Old Songs for New Songs", que fue su primera sesión de grabación importante como arreglista. En la primera toma, descubrió que inadvertidamente había anotado las partes en la clave equivocada, pero Hayes y su Los colegas, al darse cuenta de su error, transpusieron discretamente sus partes al oído para que coincidieran con la pista de acompañamiento. [4] Hayes apareció en varias películas, incluyendo All Night Long (1961) con Dave Brubeck y Charles Mingus , y (con su grupo) en A King in New York dirigida por Charlie Chaplin (1957), The Beauty Jungle (1964) y Dr La casa del terror de los horrores(1965). También tocó en festivales de jazz, como Reading , Windsor , Antibes , Lugano , Viena y Berlín . A mediados de los años sesenta, los músicos de jazz británicos eran más difíciles de encontrar en los conciertos regulares; Primero rock and roll , y luego rhythm & blues y The Beatles.había alterado el panorama musical y, como resultado, Hayes ahora rara vez trabajaba en clubes de Londres como 'The Flamingo' y 'The Marquee' en los que había sido un habitual en el cartel a finales de los años cincuenta y principios de los sesenta. Las cosas se empeoraron por una combinación de problemas de relación, alcohol y narcóticos, que en 1968 habían comenzado a afectar públicamente su carrera. Fue arrestado en agosto de 1968 por posesión de heroína y se le dio una sentencia suspendida. A finales del año siguiente, había comenzado a experimentar dificultades respiratorias cuando jugaba, lo último en una larga serie de aflicciones. En 1970, Hayes pasó 15 semanas en un hospital con una infección grave de sus órganos internos. En julio de 1971, se sometió a una cirugía a corazón abierto para reemplazar la válvula mitral. Esta operación fue un éxito y pudo comenzar a actuar nuevamente en diciembre de 1971.Noruega , Suecia y Finlandia. Hayes murió en 1973, durante una segunda operación de corazón en Hammersmith , a la edad de 38 años. Fue incinerado y las cenizas se enterraron en el Crematorio de Golders Green , donde hay una placa conmemorativa de piedra blanca pegada a una de las paredes. El epitafio lee "Viva su memoria y su música". Hayes dejó un legado de grabaciones que se convirtieron en artículos de colección muy buscados, casi todos los cuales han sido reeditados en CD. A pesar del rumor de que la compañía descartó algunas de las primeras cintas tempo de Tempo que son propiedad de Decca , [5] se descubrió que ciertos masters aún existían, incluidos los de uno de los mejores álbumes de Hayes, Tubby's Groove , grabado en 1959. esta sesión se envió a Blue Note Records para una audición en 1960, pero posteriormente se perdió hasta que se redescubrió en 2008. Se incluyeron en el álbum Tubby's New Groove , publicado por Candid en 2011. En 2015, fue publicada por Equinox Publishing una biografía completa, La larga sombra de El pequeño gigante: La vida, el trabajo y el legado de Tubby Hayes por Simon Spillett . El libro recibió elogios tanto de la prensa especializada como no especializada, y fue nominado entre los mejores libros de 2015 por The Guardian . Spillett también ha catalogado el archivo privado de cintas de Hayes y ha organizado el lanzamiento de muchas sesiones de Hayes que no se habían escuchado anteriormente en sellos como Art Of Life, Rare Music, Harkit, Tentoten, Savage Solweig, Gearbox, Candid, Jasmine, Proper, Acrobat, Fantastic Voyage, Avid y Real Gone Jazz. Un documental en DVD, Tubby Hayes: A Man In A Hurry , dirigido por Lee Cogswell y producido por Mark Baxter, con la narración del actor Martin Freeman , se lanzó en 2015. Contiene material de archivo y entrevistas con otros músicos, amigos, familiares y fanáticos. de Hayes. JAZZ ACTUALIDAD.- Esta semana tendremos a Gustavo Diaz Quintet, con su álbum INCIPIT VITA NOVA Gustavo Díaz Quinteto Ref.: Youkali 158 Después de lanzar Cromatonal” (Youkali Music, 2016), un debut lleno de audacia y originalidad, marcado por la experimentación y la búsqueda de sonoridades innovadoras, el joven saxofonista, pianista y compositor toledano GUSTAVO DÍAZ, presenta, también en formato de quinteto, “Incipit Vita Nova”, su segundo disco como líder, para el cual ha vuelto a rodearse de un selectísimo grupo de músicos de lo más sobresaliente de la escena jazzística actual, integrado por Mario Quiñones a la Guitarra, Jorge Castañeda al piano, Ander García en el Contrabajo y Shayan Fathi a la Batería. Y, si la investigación y la exploración de nuevas vías en los campos de la composición y de la improvisación fueron el motory el elemento principal en la aventura sonora de “Cromatonal”, este nuevo “Incipit Vita Nova” muestra, en cambio, como imprescindible hilo conductor la decidida persecución de la Melodía, a través de envolventes y coloristas paisajes sonoros. Paisajes sobre los que GUSTAVO DÍAZ y sus siempre eficientes e inspiradísimos acompañantes delimitan un territorio sonoro propio y genuino, imaginando laberintos rítmicos, fundiendo lo clásico y lo contemporáneo, lo latino con lo cool, o mirando al Blues desde ópticas inéditas… Standards para el futuro.

VINK Lyd producerer over de næste seks uger en række podcasts under temaet RØVERHISTORIER. I 1960'erne, var København verdens jazzhovedstad. Musikere fra hele verden strømmede hertil for at spille og opleve det legendariske Jazzhouse Montmartre. En af disse musikere var Roland Kirk og han var på alle måder speciel, selv efter jazz musikeres standarder. Niclas Nørby Hundahl fortæller om ham og tre særlige koncerter han spillede i årene 1963 og '64 //Foto: Heinrich Klaffs // Jingle: Mai Skjødt VINK LYD er en podcast, der finder lydene fra det skæve og underfundige København og broderer et lydtæppe af mangfoldige københavnske stemmer, fortællinger og kulturfænomener. Hver søndag udgiver vi en ny podcast. Du kan høre vores podcast her på siden, men du kan også finde den på iTunes ved at søge på VINK LYD.

Orgues Hammond ardents, saxos vibrants, guitarristes virguers amb ganes volar damunt de grooves suggerents. Grans solistes del jazz i del blues que durant els 60 van descobrir nous ritmes a prop del soul i el funk i hi van experimentar. 01 Red Holloway - "Monkey sho' can talk" 02 Yusef Lateef - "Slippin' & slidin'" 03 Jimmy McGriff - "The bird" 04 Rusty Bryant - "Lou-Lou" 05 Billy Butler - "Twang thang" 06 Roland Kirk & Jack mcDuff - "Three for dizzy" 07 Gene Ammons - "Jungle strut" 08 Jack McDuff - "Cold duck" 09 Willis Jackson - "Pool shark" 10 Jimmy Smith - "Funky brodway" 11 Gene Ammons - "Chicago breakdown"

Dagens gæst i Jazz & Co. er skuespiller Jakob Cedergren. Vi skal tale om August Strindberg, det tidlige hiphop-miljø i København og at forlade Milwaukee. Roland Kirk, Rune Funch og Spacelab er på playlisten. www.dr.dk/p8jazz

Songs by Tammy Wynette, The Laughing Hyenas, Roland Kirk, The Texas Instruments, Virgin Prunes, Lincoln Chase, and Eddie Cooley & The Dimples, plus discussion of Justify's Belmont Stakes win and Bob smokes some pig butt.

Our opening song is “Inflated Tear” by Roland Kirk performed in Prague in 1967…a prelude of sorts of what was to come. Across the globe it was a year of countless uprisings. In the US it was the year of police violence against protesters at the Chicago Democratic Convention; it saw the Vietnam War’s Tet …

Ens centrem en dos multiinstrumentistes que a finals del anys 50 van saber crear el seu propi espai dins l'escena del jazz i van obrir portes a nous escenaris interpretatius. Yusef Lateef i Rashan Roland Kirk: espirituals, lliures, excessius, originals, desafiants. 01 Roland Kirk - "Roland's theme" 02 Yusef Lateef - "Chang, chang, chang" 03 Roland Kirk - "You did it, you dit it" 04 Yusef Lateef - "Love dance" 05 Roland Kirk - "Kirk's work" 06 Yusef Lateef - "Slippin' & slidin'" 07 Roland Kirk - "Lament" 08 Yusef Lateef - "Chinq miau" 09 Roland Kirk - "One ton" 10 Yusef Lateef - "Don't blame me? 11 Roland Kirk - "Wade in the water" 12 Billy Martin - "Les & Eddie" 13 Stanton Moore - "Keep on gwine" 14 Roland Kirk - "Triple threat"

This week we move back into interview mode as we sit down with, Ra Kalam Bob Moses. Bob is known for his vast catalog of recorded music and his collaboration with some of the greatest musicians of our time. Bob has worked with: Larry Coryell, Pat Metheny, Gary Burton, Hal Galper, Dave Liebman, Steve Kuhn, Mike Gibbs, Steve Swallow, Jack DeJohnette, Harold Vick, Edgar Bateman, and guitarist/spiritual mentor Tisziji Munoz. We open up with discussion of his upbringing in New York City where in his building lived Elvin Jones, Art Blakey, Max Roach, Roland Kirk and Abbey Lincoln. He was naturally drawn to honest, soulful music and was a part of the first ever jazz/rock group, The Free Spirits. We then cover his long running associations with Burton, Metheny, Liebman, Swallow, Kuhn and Munoz. In the early 1980s Bob was offered a teaching position at the New England Conservatory of Music where he still teaches today. We also discuss his book, "Drum Wisdom" complete with Bob's explanations and examples. Bob also has his own record label and has produced many highly acclaimed recordings. You can find this music on Itunes and Emusic as well as at www.nativepulse.com. Lastly, we experienced significant technical audio issues on this show but with the wizardry of my friend Ryan Almario he made an unlistenable podcast very listenable. Please pardon the extant ground hum on Bob's channel. You can find the Drummer's Weekly Groovecast at Itunes, Google Play Podcasts, Stitcher, Podbean and everywhere you listen to your favorite podcasts. Subscribe today!

In un paio di brani McCann ha ospite una figura di culto, il sassofonista Roland Kirk. (terza parte) A cura di Marcello Lorrai

In un paio di brani McCann ha ospite una figura di culto, il sassofonista Roland Kirk. (terza parte) A cura di Marcello Lorrai

Musicien aveugle, mais aussi iconoclaste et inventif, Roland Kirk fait partie de ces  » fous soufflants » de l’histoire du jazz.…

Welcome to another MusicBox Session and the first of 2017, on this session we have music from William Onyeabor, Jean Carn, Jamaica Girls, Honor Oak Park Recordings, Roland Kirk, Boo Williams, Amp Dog Knights, Yussef Kamaal, Johnnie Taylor, Glen Underground, Femi Kuti and Blo, I hope you enjoy the music x

Bags´Groove-JAZZANIVERSARIO.-- ZOOT SIMS “The Four Brothers.Together Again! .-JAZZACTUALIDAD.-a Five in Orbit “TRIBULUS TERRESTRIS”. - PROG.Nº 478.- STANDARD SEMANAL.- “Bags´Groove” -MILT JACKSON(CON LOU DONALDSON). -MILES DAVIS(CON THELONIOUS MONK). -HANK MOBLEY. -GARY BURTON. JAZZ RECUERDO ANIVERSARIO.- - ZOOT SIMS “The Four Brothers.Together Again! “ Título: The Four Brothers...Together Again! Músico: Zoot Sims Acompañantes: Al Cohn Fecha de Grabación: 1957 Lugar de Grabación: New York Sello Discográfico: RCA Nº de temas: 10 Formato: CD Instrumento: Saxo tenor Estilo: Cool Nº de Serie: 4321-13040 2 Año de Edición: 1993 Duración: 34:35 Calificación: 4* Comentario: Un magnifico reencuentro de cuatro grandes músicos que tienen en común su pertenencia a uno de los grandes "rebaños" del clarinetista y director de orquesta, Woody Herman. Los saxofonistas tenores, Zoot Sims y Al Cohn, el saxo baritono, Serge Chaloff y Herbie Steward, se juntan de nuevo para grabar este extraordinario álbum. Track listing All compositions by Al Cohn except as indicated 1. "Four and One More" (Gerry Mulligan) - 4:02 2. "So Blue" - 3:22 3. "The Swinging Door" (Mulligan, Zoot Sims) - 2:45 4. "Four in Hand" (Manny Albam) - 3:09 5. "A Quick One" - 3:46 6. "Four Brothers" (Jimmy Giuffre) - 3:46 7. "Ten Years Later" - 3:00 8. "The Pretty One" (Elliot Lawrence) - 3:29 9. "Aged in Wood" - 2:55 10. "Here We Go Again" (Manny Albam) - 3:46 Personnel[ Al Cohn, Zoot Sims, Herbie Steward - tenor saxophone • Serge Chaloff, Charlie O'Kane (tracks 6-10) - baritone saxophone • Elliot Lawrence - piano • Buddy Jones- bass • Don Lamond - drums • Manny Albam, Al Cohn, Elliot Lawrence - arranger JAZZ ACTUALIDAD.- Esta semana tendremos a Five in Orbit “TRIBULUS TERRESTRIS”. La música, como un brillante holograma de mil luces, es un emocionante viaje entre la locura y la sagacidad. quinteto de jazz franco-catalán, cinco en órbita presenta un nuevo disco colorido, tradición y sonido experimentos del menú, 11 canciones, incluyendo una versión de Abbey Lincoln y Max Roach, bellos momentos de improvisación adornados. piano preparado, trombón y conchas " Día del disco (el martes, 23 de de febrero de, 2016) http://www.tsfjazz.com/programme-detail.php ______________________________________________ " trombonista Ramón Fossati es un catalán de París, o tal vez sea de Essonne, la comunicación con otros (otras personas, otras naciones, otras culturas ...) a través de su pasión por el jazz. Después de París-Barcelona swing Connection, terminó por aquí 10 años con otro equipo, hoy la mayoría de los miembros de este quinteto de cinco en órbita . comunicación, o más bien la comunicabilidad, parece ser la materia prima para este grupo: fuerte expresividad, asumido, que compartían combina todos los instrumentos e instrumentistas en una expresión muy colectiva, en lo que podría ser la esencia original de jazz (en caso de que el jazz tiene una esencia, entonces es más bien una música de la existencia, sino dejemos el debate filosófico ...). comienza con una disonancia feliz, como en los primeros elementos de Jean-Fery Rebel (1737), el intento de la creación de la descripción del mundo, que comienza por supuesto con el caos que precede edificación del cosmos. Y el mundo lo que sucede aquí es el jazz, la liberación hiper-expresiva, como en los días de estilo jungla de Duke Ellington y Bubber Miley, y Charles Mingus, y más allá. Desde el primer minuto, flauta aventuró en modos de juego heterodoxas y sonidos extremos (Recuerde Roland Kirk, quien hizo una estancia furtiva con Mingus: ninguna posibilidad) marca la pauta. Es hot jazz, a la vitalidad original de idioma afroamericana, y en un lenguaje musical de hoy en día; eso es lo que sugiere el título de este primer tema, Tribulus terrestris, la planta propiedades tonificantes, estimulantes, por decir lo menos.La melancolía luego se trasladó en los pasos de Ibn Jaldún y su deambular filosóficas, mediterránea y europea. Y el disco se va desarrollando poco a poco, playas muy libres, siempre animado este tipo de instrumentos de viento vocales (incluidos los mariscos) que da fuerza expresión. Las composiciones son firmados por los tres pilares que constituyen el grupo: Ramón Fossati, trombón, Olivier Brandily, el saxofonista-flautista, pianista y Lauren Bronner. Pero sus parejas no demérito vigor, sutilezas en el juego colectivo y la inventiva: Nicolas Rageau Isenmann y Lucas están totalmente inmersos en el proyecto colectivo, con lo que la unidad de ejecución: Lonsome amante, una composición de Max . Roach y Abbey Lincoln, tomado del álbum "es hora" (Impulso, 1962) después de que la llama se mantiene con fuerza, los fieles guardianes de un jazz aún viva, y vivir; vitalidad magnificada en la cubierta del CD por las ilustraciones igualmente expresivas del artista catalán Marcel.li Antúnez Roca. " -Xavier Prévost (1 de marzo de 2016) http://www.lesdnj.com/2016/ ______________________________________________ " En 2003, Ramón Fossati Olivier Laurent Bronner Brandily y ascender Cinco en órbita , lanzó su primer disco, en el registro de cuadrante en 2005. en 2009, el trío publicó 'monstruos' en Fresh Sound New Talent. Siete años más tarde, cinco en órbita volvió al estudio, siempre por FSNT y registra Tribulus terrestris. Mientras tanto, el bajista y el baterista Nicolás Rageau Luc Isenmann han unido a la alegre banda de cinco. La Cruz de Malta es una decoración, sin duda, pero para los Cinco en órbita es el nombre común de Tribulus terrestres, de una planta afrodisíaco. Inspiró Marcel.li Antúnez Roca (sistemas mecatrónicos) para crear un objeto de accionamiento que es digno de ver: altas ilustraciones en color psicodélicas adornan la tapa y el disco. Y en la apertura de la tapa, el disco surge impulsado por un plegado inteligente ... lado directorio, Bronner y Fossati cada uno aporta cuatro títulos, dos Brandily y quinteto de jugar "Solitario Lover" Abbey Lincoln y Max Roach. Cinco en órbita es una tribu en auge! La expansión de sonido toma el carnaval de los animales: el trombón cómica con su wawa ( "Perros del baile"), zumbido mariscos, grave y vibrante ( "El Fi Del Nus"), las trompetas saxofón alto, alentados por el trombón ( "La noche de Dead Cats "), la flauta se mueve como una loca (" Tribulus terrestris "), estruendo rítmico y lleno (" caravana rusa ") ... y esto no es nada a la tribu: grupos de juego son el foco de la música de Five in Orbit . Todo vale: la voz se superpone a líneas de contrapunto, de unir, cruces, cambios, preguntas y respuestas ... orquesta loca, pero organizado, cinco en órbita inventa una música explosiva que toma su fuente en las bandas de música, la , sino también el jazz y el mundo de la música neo-bop libre. " -Bob Hatteau (20 febrero 2016) http://jazz-a-babord.blogspot.com/ ______________________________________________ " Comandante en Marcel.lí Antúnez Roca una obra original para adornar su disco en sí es un seguidor fuerte gesto de mecatrónica y el rendimiento perturbadoras, el artista catalán es conocido por sus creaciones extravagantes, y esto no es una excepción.Todavía era necesario, para no defraudar, la música que hace que una muestra de euforia similar. Guiados por Ramon Fossati (trombón), Laurent Bronner (piano) y Olivier Brandily (saxo, clarinete bajo y flauta), Cinco en órbita , lleva a esta misión bien mediante la alineación de composiciones llenas de agallas, suspiros y gritos, donde los perros baile (baile de los perros) y gatos morir (la noche de los gatos muertos), tales como espasmos cuerpos, saltando y expositor a la intemperie, los nervios se extendía a reventar en. " -Louis-Julien Nicolaou (20 de febrero de 2016) Les Inrockuptibles ______________________________________________ " Five in Orbit o la adición de 3 + 2 = 6 ... un combo francés-catalán que gravitan alrededor de una cierta idea de la música; uno que gira orgánica, inventivo, luz, visuales, alegre y universal. Los tres líderes: Laurent Bronner (piano), ojos y oídos abiertos en todas las riquezas musicales de rock al electro clásica , siempre en busca de originalidad, sin descanso atraídos por melodías libres e impaciente que sus compañeros adornan sus aberturas de armónicos. Olivier Brandily (saxofón, flauta y clarinete bajo), curioso, bebop loco, Roland Kirk o Thelonious Monk , acuarelista, dibujante, experto culinario y el patrimonio, escritor ... no tire! Olivier pensar la música como un calidoscopio de todas sus emociones multidisciplinares. Ramón Fossati (trombón y conchas), un pie estirado hacia el mañana, la otra anclada en el pasado y en relación con los pilares del jazz; es los arreglos meticulosos, las texturas y los curiosos encaprichado con la escritura. Y para magnificar este trío prometedor, bajo aseguró Nicolas Rageau y la batería imperturbable y caprichoso Lucas Isenmann. Entonces, ¿por 3 + 2 = 6? Esto no está contando con Cataluña, su riqueza cultural y su famosa frase, "el seny i rauxa la", que se traduce "entre la sabiduría y la locura." Una alianza de las dos caras de una sola persona y es el carácter catalán. Una tierra donde Five In Orbit ha anclado su inspiración, sus rodamientos y hábitos, disfrutaba de su cultura, su fragancia y su tempo. Por lo tanto la gran artista catalán Marcel.lí Antúnez Roca, reconocidos a nivel mundial, los principales proveedores de arte electrónico y la experimentación escénica con obras inclasificables híbridos, espectáculos y acompaña a esta misión discografía y conciertos vestidos. Y todo esto además da foutraque mundo más atractivo que nunca, donde la ensoñación de la lucha plenitud a encontrar su lugar en un caos de presión (Tribulus terrestris); donde el alma humana se disecciona en todas sus contradicciones (La noche de los muertos Gatos y Perros responder baile) ... La música es clara, despierta la curiosidad, la sorpresa y el humor nunca está lejos.Ninguna demostración entre los protagonistas, sino una determinación de la libertad y el diálogo mutuo para torrente de emociones y atmósferas mundos individuales en un caos organizado. La última última nota aún esa sensación en el oyente que han sido capturados o simplemente hechos vivos. La música, como un holograma brillante mil luces, un emocionante viaje entre la locura y la sabiduría. " Tracklisting: 01. Tribulus Terrestris (Fossati) 7:16 02. Les voyages d'Ibn Khaldoun (Brandily) 6:07 03. Miel de Jacaranda (Fossati) 6:54 04. The Night of Dead Cats (Bronner) 5:39 05. Dancing Dogs (Bronner) 4:35 06. La fi del nus (Fossati) 7:22 07. Tricks (Bronner) 9:23 Personnel: Ramon Fossati (tb), Olivier Brandily (as, fl), Laurent Bronner (p),Nicolas Rageau (b), Luc Isenmann (d) Esta semana tendremos tres conciertos, el primero de ello será martes 25 a las 20:30 horas desde el teatro “Lope de Vega” de Sevilla con Yellowjackets La prestigiosa banda de jazz fusión presenta su nuevo álbum ‘Cohearance' Russell Ferrante: teclados Bob Mintzer: saxo Will Kennedy: batería Dane Alderson: bajo A lo largo de su historia musical, que comienza en 1977, los Yellowjackets han grabado 22 álbumes, recibido 17 nominaciones a los premios Grammy (habiéndose alzado con 2 galardones), realizado innumerables giras con entradas agotadas, y han gozado del reconocimiento mundial tanto de crítica y como de éxito comercial. Los Yellowjackets se formó en la década de 1970 como la banda de acompañamiento para el guitarrista Robben Ford y grabaron su primer álbum juntos en 1980. Ese disco de debut fue un gran éxito. Sin embargo, poco después de dicha grabación, Robben Ford decidió grabar en una diferente dirección musical (más blues) y, por lo tanto, los Yellowjackets de hoy en día se formaron originalmente como un trío con Russell Ferrante, Jimmy Haslip y Ricky Lawson. A partir de ese momento hasta nuestros días, con la adición de Bob Mintzer, los Yellowjackets han ganado y mantenido la fama como uno de los grupos de jazz más influyentes y más queridos del mundo del jazz. El siguiente concierto el sábado 29 con la presentación del album “D´JINN” Metaflamenco con JORGE PARDO, en la SALA MALANDAR(Sevilla), a las 21:30 horas. METAFLAMENCO. Un proyecto que aborda el Groove, los orígenes del Flamenco, electrónica. En las composiciones de Metaflamenco, se entrecruzan estas tramas, el tiempo y el espacio, para dar lugar a una música que juega con eso mismo. La propia vivencia del músico dentro del flamenco y que abrazando el Jazz y fundamentalmente la libertada creativa e interpretativa que este representa desde sus inicios, lo que nos da el fruto maduro de una fruta rica en matices, suculenta en su fundamento y sublime en sus contenidos. DJINN va más allá del sonido flamenco conocido, comparte la forma, la banda y el sonido de HISTORIAS DE RADHA Y KRISHNA pero se adentra en la esencia del flamenco por lo más grande del cante para llevarlo más allá de los confines de sus fronteras conocidas. “METAFLAMENCO”. Órganos Hammond, teclados con sonidos ácidos, contundentes baterías, bajos eléctricos y guitarras flamencas se unen a la aportación de Dj´s y productores cercanos a la electrónica trabajando con samples de cantes añejos o colaboraciones cercanas a la poesía hip hop. Con la maestría en la composición y su inconfundible interpretación de flauta y saxo; Jorge cual alquimista febril, nos lleva con su música en un viaje incesante hacia lo desconocido. Nuevos elementos gestionados con la solvencia que da tener como único compromiso la creación sincera. Colores y formas para un lienzo de música libre, como siempre jaspeado por libertad del jazz y teñido del sentimiento del flamenco que se transforma en una música urbana contemporánea, que aloja el pulso más intimo de la cotidianidad de Pardo. Y para cerrar este trío de CONCIERTOS, lo vamos hacer con un broche de oro desde AUDITORIO B0X,domingo día 30,a las 21:30 horas, desde la Isla de la Cartuja (Sevilla), con un trío de lujo JACK DEJOHNNETTE-RAVI COLTRANE-MATT GARRISON. 30 DE OCTUBRE 21:30 - 23:59 ________________________________________ Jack DeJohnette es uno de los baterías más influyentes del jazz contemporáneo, en su faceta de acompañante de gigantes como John Coltrane, Keith Jarrett, Miles Davis, Ornette Coleman, The Official Sonny Rollins Page, Thelonious Monk, Herbie Hancock o Bill Evans, y como líder de sus propios tríos. Su asociación con Ravi Coltrane, que no solo es “hijo de”, sino un saxofonista con voz propia, y con Matthew Garrison, también de familia ilustre (es hijo de Jimmy Garrison, contrabajista de John Coltrane), solo puede deparar una velada excelente.

The Sound Projector Radio Show Friday 18th September 2015 Pre-recorded podcast (no announcements) Roland Kirk, ‘What’s Goin’ On / Mercy Mercy Me (The Ecology)’ From Blacknuss, ATLANTIC (1972) Art Blakey, ‘Circus’ From Art Blakey & The Jazz Messengers, IMPULSE (1961) Wolfgang Dauner’s Et Cetera, ‘Tuning Spread’ From Knirsch, MPS RECORDS (1972) Freddie Hubbard, ‘The Black […]

Weather report; Spring is nestling happily between cool and warm, the way it should be, maybe a bit too dry for the farmers, April showers few and far between, happy days for cycling DJs. Unsurprisingly I start with a tune that references London in the first line, thank you Eska! Your Joni-esque warble at the opening of "To Be Remembered" eventually gives way to something far more full throated and (conventionally) soulful. However it's not just vocal stylings you've learnt from Ms. Mitchell there's something of the same conversational narrative lyric style in this song with it's prosaic mentions of text messages and planting trees. However that's more of a compliment than a gripe and the long awaited album doesn't disappoint, and there's so much that's just Eska. A good way to begin an opening sequence of tunes that have something of a questioning or searching quality in common. Joyce Elaine Yuille's "Chaos" and Liz Elensky's "Distractions" are both "jazz" songs that deal with the more uncomfortable side of life, whereas Bill Laurance's "Red Sand" is testimony to this musician's, to quote Lee Morgan, "search for the new land". A little Jazz-dance classicism never goes amiss as we anticipate another Sunday Afternoon At Dingwalls session, now barely a month away. From the lesser known Don Scalletta Trio to the very familiar sound and shape of Miles' "Milestones"... still so fresh, bold and essentially modern. Dingwalls vibes run thick through the massive "discovery" of those days , Dansers Inferno, "Sombre Guitar". As far as I recall this was a discovery of original Soul Jazz duo, Alex and Stuart when they traded records from a shop in the nearby yard, but doubtless the tune may have a deeper history for someone; this would have been around 1990. Anthemic, bold and as happy as the title might say otherwise. "Billy Ballet" is the heavyweight in the pack, killer rhythms from Babatunde! Brazilian music takes over the back to back sequence in the second hour. My love of Jobim's music deepens with every listen, having read his sister's excellent biography of it's hard not to be endeared to this passionate genius. A word not to be bandied about lightly, but I wouldn't hesitate to also describe Egberto Gismonti thus as well, though his music is not as easily accessible as Jobim's more mellifluous approach, both these Carioca composers could be described as fine distillers of Brazilian traditions as they draw influence from far and wide in Brazil's rich and diverse musical culture. Azymuth need no introduction but Pela Cidade is an early work that only appeared on a soundtrack.... I love it! Moody, funky and swinging, a great ode to the urban! The three vocal tracks that follow are all connected and highlight three of Brazil's greatest female singers, finishing with the queen of them all , the late great Elis Regina. Her interpretation of Lo Borges' "O Trem Azul" takes the tune to giddying new heights, Elis truly delivers a stunning vocal which combined with an arrangement from her then husband, Cesar Mariano, stands in complete contrast to Lo and Milton Nascimento's mellower original. Beforehand the minimal funkiness of Gal Costa's "O Vento" is followed by the plangent tones of Nana Caymmi rendering "Club Da Esquina No2" an emotional delight. Soul tunes..... Michael Henderson, romantic singer and bass player for Miles Davis, and a tune that was featured by the great Ed Motta on a rather wonderful little feature of him talking music in his vinyl room. (I'll be chatting with Ed Motta on ntslive.com this coming Monday from 2pm, after my own show at midday!) https://youtu.be/cpNK5H7QmFQ Whilst on the subject of vinyl rooms, my friend James Vyner made a little film of me talking tunes at Forge Towers.... https://vimeo.com/123658175 Rounding off, a great Leon Ware song, and I love Coke Escovedo's version. Then a tune that had me reaching for the Discogs tab when I was reminded of it... looking back I often think to myself that a wiser man wouldn't have been so ready to shed various bits of vinyl when under the influence of a particular zeitgeist. Good music has a way of getting back at me! Maybe Jeff Tyzik's "Sweet Nothings" just conjured a memory or maybe I was just finally appreciating the groove and grace of Steve Gadd's drums! Had to slot in a favourite from Manhattan Rhythm and a slice of The Rebirth before finishing with at least a taste of Azymuth's of Alex Malheiros. Enjoy... and as Roland Kirk once put it, "bright moments". 1.Eska - To Be Remembered 2. Alex Puddu - Cruising By Night 3. Joyce Elaine Yuille - Chaos 4. Ajoyo - Tashikere 5. Bill Laurance - Red Sand 6. Liz Elensky - Distractions 7. Don Scalletta Trio - York's Sauna 8. Nanette Natal - Love Signs 9. Miles Davis - Milestones 10. Danser's Inferno - Sombre Guitar 11. Bishop Norman Williams - Billy Ballet 12. Antonio Carlos Jobim - Tempo Do Mar 13. Egberto Gismonti - Cristiana 14. Azymuth - Pela Cidade 15. Gal Costa - O Vento 16. Nana Caymmi - Clube Da Esquinha 17. Elis Regina - O Trem Azul 18. Michael Henderson - Going Places 19. Coke Escovedo - If I Ever Lose This Heaven 20. Jeff Tyzik - Sweet Nothings 21. Manhattan Rhythm - Sweet Lady 22. The Rebirth - Show 'Em 23. Alex Malheiros - Four Aces And A Joker

Roland Kirk was a musical phenomena and someone that we may never see the like of again. Mr. Kirk who later adopted the name "Rahsaan" Roland Kirk discovered his talents in his dreams. He lost his sight at a very early age but fell in love with the sound of music. He taught himself to play three horns at once making him a one-man band and later added the clarinet, flute, and trumpet plus other sound producing devices to his arsenal. He was a bizarre sight and initially to fans and especially to critics who thought he was merely an eccentric gimmick but Mr. Kirk proved them wrong. His music has depth, soul, swing and passion and tonight's Jazz Feature was the first recording to give him international prominence. It was issued and widely distributed on Mercury Records and signaled to the world that Kirk had arrived. The album is called "We Free Kings" and features Kirk on all his horns in the company of two stellar rhythm sections. He delivers some standards that are not overdone and mostly his own compositions. His accompanists are Richard Wyands and Hank Jones on piano, Wendell Marshall and Art Davis on bass and Charlie Persip on drums with both rhythm sections."We Free Kings" is one of Roland Kirk's early masterpieces...check it out right here.

This album is on so many people's "desert island discs". This classic was recorded over two dates in May of 1962. The band worked a few engagements around the New York area then went into the studio. Roy Haynes, who is now 86 years old is one of the wonders of the world as he is still playing as well, if not better than he was when he was much younger. He is amazing, as usual on this recording. Mr. Haynes for most part as a bandleader has always led groups with this simple instrumentation: saxophone, piano, bass and drums. This group was exceptional in that the saxophonist is Roland Kirk, who later became known as Rahsaan Roland Kirk. Kirk, who is blind lived in a world of sound. He plays three saxophones at once and has other instruments strung around his neck and also plays flute and clarinet. We hear some of his work on this record. He plays, flute, manzello (a type of soprano saxophone in Bb) and the stritch (a straight alto saxophone in Eb) plus his tenor saxophone. He are happy that Mr. Kirk visited this planet because there has been none other like him. On piano is "the poet of the piano", the late Tommy Flanagan. His sparkling lines highlight this session. Henry Grimes is on bass and at age 26 had already played with Charles Mingus, when Mingus preferred to play piano, also Sonny Rollins, Thelonious Monk and singer, Anita O'Day. This special band led by the redoubtable Mr. Haynes delivers on all 7 tunes. Four are standards that have not been overplayed and the remaining three are compositions (rare) by Roy Haynes. All in all a classic by a once in a lifetime group. Mr."Snap Crackle" lives!!!

Helena von Zweigbergk: Kapitalismens förfinade fördärv. Johan Hakelius: Intet ersätter Varat. Jessika Gedin: Odysseussyndromet - en närsynt återvändsgränd. Musiken i programmet var hämtad från skivan med Roland Kirk, DOMINO Märke: VERVE 543 833-2 Lyssna på alla avsnitt i Sveriges Radio Play. Veckans panel i Spanarna 2009-09-11: Helena von Zweigbergk, Johan Hakelius och Jessika GedinSpanarna är ett program och en podd för dig som gillar samhällsspaning med humor och vill både få skratta och tänka efter.I Spanarna hör du varje vecka tre skarpsynta personligheter och profiler som försöker avläsa trender i vår vardag och ge oss sina visioner om framtiden. Till sin hjälp har de programledaren Ingvar Storm.Spanarna sänds direkt fredagar 15.04 med repris lördag 10.03 eller när du vill i vår app SR Play.

Helena von Zweigbergk: Kapitalismens förfinade fördärv. Johan Hakelius: Intet ersätter Varat. Jessika Gedin: Odysseussyndromet - en närsynt återvändsgränd. Musiken i programmet var hämtad från skivan med Roland Kirk, DOMINO Märke: VERVE 543 833-2

Neuvième émission de la cinquième session. Cette semaine show d'inspiration funky avec Roland Kirk, Freddie Hubbard et présentation de Archie Shepp (USA, 1937, saxophoniste).

Neuvième émission de la cinquième session. Cette semaine show d'inspiration funky avec Roland Kirk, Freddie Hubbard et présentation de Archie Shepp (USA, 1937, saxophoniste).