Podcasts about Tadd Dameron

Records include: Riverboat Shuffle by Isham Jones, A Trumpeter's Lullaby by Leroy Anderson, 3 O' Clock Blues by B.B. King, Tennessee Waltz by Jo Stafford, Mozart's Piano Sonata #12 by Aldo Ciccolini and Our Delight by Tadd Dameron.

A partir de 1942, los músicos empezaron a entrar y salir de la banda de Lunceford. El primero en abandonar fue el arreglista Roger Segure, que tenía dos razones para dejar la banda: no le gustaba la idea de que Stan Kenton, Woody Herman y todo tipo de bandas se aprovecharan del estilo de Lunceford y también pensaba que Jimmie Lunceford y Harold Oxley le habían estafado. Con José Manuel Corrales.

STANDARS SEMANAL.-771.Gee,Baby,Ain´t I Good to You.-VINILOS MITICOS DEL JAZZ.-JOHN COLTRANE - Blue Train.-JAZZACTUALIDAD.-.ANA PEREIRA-BAILA LA LLUVIA Blue Train es un álbum de estudio delsaxofonista y compositor de jazz John Coltrane . Fue lanzado a través de Blue Note Records en enero de 1958. [ 1 ] Es la única sesión de Coltrane como líder para Blue Note. [ 8 ] La grabación tuvo lugar en el estudio de Rudy Van Gelder el 15 de septiembre de 1957. Coltrane compuso cuatro de los cinco temas del disco. Su interpretación exhibe elementos tempranos del estilo característico por el que posteriormente se hizo conocido. Blue Train obtuvo la certificación de oro en ventas de la Asociación de la Industria Discográfica de Estados Unidos (RIAA) en 2001.El álbum se grabó durante la residencia de Coltrane en el Five Spot como miembro del cuarteto Thelonious Monk . El equipo incluye a los compañeros de banda de Coltrane en Miles Davis , Paul Chambers al bajo y Philly Joe Jones a la batería, quienes ya habían trabajado con el pianista Kenny Drew . Tanto el trompetista Lee Morgan como el trombonista Curtis Fuller eran músicos de jazz prometedores, y ambos fueron miembros de Jazz Messengers de Art Blakey en su momento. A diferencia de su anterior sello, Blue Note pagó a los músicos para que ensayaran la música durante un par de días antes de la sesión de grabación. La forma de tocar de Coltrane muestra la evolución hacia lo que se convertiría en su estilo característico. Sus solos son más armónicos o verticales y sus líneas son arpegiadas. Su ritmo a menudo se desmarcaba del tiempo o lo superaba, en lugar de tocar sobre él o por detrás. [ 9 ] Durante una entrevista en 1960, Coltrane describió Blue Train como su álbum favorito hasta ese momento. [ 13 ] El siguiente gran álbum de John Coltrane, Giant Steps , grabado en 1959, abriría nuevos caminos melódicos y armónicos en el jazz, mientras que Blue Train se apega al estilo hard bop de la época. El musicólogo Lewis Porter también ha demostrado una relación armónica entre «Lazy Bird» de Coltrane y « Lady Bird » de Tadd Dameron . [ 14 ] [ 15 ] Mientras estaba en el podcast "Traneumentary" de Joe Vella, Michael Cuscuna , el productor de reediciones de Blue Note , comentó: Estamos escuchando "Blue Train", que para mí es una de las piezas más hermosas de uno de los discos más hermosos que Coltrane grabó en los cincuenta. Es su primera declaración de madurez real, y escribió todos los temas de este álbum menos uno, algo muy poco común en los cincuenta, y cada uno es una joya, en particular el tema principal, "Blue Train". Y aunque es bastante fácil tocar blues, este tiene una cualidad suspendida y evocadora. Ana Pereira presenta su primer trabajo discográfico "Baila la lluvia" (Sedajazz Records), una reinterpretación del bolero desde una perspectiva personal y contemporánea. Acompañada por Isaac Martín (bajo y dirección musical), Daniel Orts (piano) y Tico Porcar (batería), fusiona este género con el jazz y otras músicas, aportando una visión fresca y actual de un género que se convierte así en atemporal. Su voz delicada, elegante y expresiva, y los arreglos sofisticados interpretados por el genial trío que la acompaña, consiguen que el directo sea toda una experiencia íntima y envolvente que transporta al público a través del tiempo en una conexión pasado-presente con la música como compañera de viaje.

Tonight's Jazz Feature is a tribute to tenor saxophonist/composer/bandleader Benny Golson. Benny was one of the real shining lights on the Jazz of the 50's, 60's,70's and right up to the present. He passed away peacefully at age 95 at his home in New York. He was born in Philadelphia on January 25, 1929 and dies on September 21, 2024. Benny grew up in the Jazz rich atmosphere of Philadelphia and associated with the Heath brothers, John Coltrane, Lee Morgan, Philly Joe Jones, Ray Bryant and so many others. He composed some eternal Jazz standards like "I'll Remember Clifford", "Stablemates", "Whisper Not", "Along Came Betty" and so many others. He developed his skills in R&B bands and Tadd Dameron's band, Dizzy Gillespie's big band of the 50's and then Art Blakey's Jazz Messengers, He then formed The Jazztet with trumpeter Art Farmer and later moved to L.A. and wrote for TV and movies and returned to active Jazz playing in the 80's and right up until his passing. Tonight's Jazz feature is one fine date called "Benny Golson and The Philadelphians" with an all Philadelphia cast including the young phenomenon Lee Morgan on trumpet, Ray Bryant on piano, Percy heath on bass and the great Philly Joe Jones on drums. It was done in December 1958 and released originally on United Artist Records. It's a fine presentation of Benny's organizing talents, his playing and writing and arranging. In tribute to Benny Golson tonight!

En este episodio de La Montaña Rusa, hemos escuchado a Isaiah Collier; Mark Turner; Tadd Dameron & John Coltrane; Steve Cardenas, Ben Allison, Ted Nash; Mark Guiliana; Lubos Soukup; Massimo Biolcati. Seguir leyendo La Montaña Rusa. Episodio 34.2024. en La Montaña Rusa Radio Jazz.

The virtually forgotten Ernie Henry was considered to be possibly the most accomplished alto sax player in Bebop after Charlie Parker. His career was cut short by addiction and ill health, but he made numerous recordings, including these with James Moody (including Art Blakey, Cecil Payne, Dave Burns and James Forman) and Tadd Dameron (with Fats Navarro and Charlie Rouse) for Blue Note and Savoy. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

New month, new tune! This month we are digging into a fantastic jazz standard by the legendary, Tadd Dameron. Enjoy! WANT THE RESOURCES THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get the resources for this episode and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

This week, the band talks composer, arranger, and pianist Tadd Dameron as they prepare a setlist in his honor for Sunday night.

M

Good bait (buena carnada), de Tadd Dameron (con Count Basie) es otro standard de bebop. Escuchemos, entre otros, a Dizzy, Fats, Miles, Coltrane, Dexter, Stitt, NHOP y Nina Simone. Hosted on Acast. See acast.com/privacy for more information.

EL standard de jazz moderno Lady Bird, de Tadd Dameron. Escuchemos, entre otros, a Bud Powell, Fats Navarro, Coltrane, Miles, Dexter. Hosted on Acast. See acast.com/privacy for more information.

If you could see me now (Si me vieras ahora), es una composición de jazz moderno por el pianista Tadd Dameron (y letra de Carl Sigman), de gran relevancia. Escuchemos a Sarah y Dianne Reeves, la trompeta de Baker, Dizzy y Farmer; Dexter y Lateef en tenor; OP y Barry Harris en piano; NHOP en bajo, Montgomery y Philip Catherine en guitarra y otros. Hosted on Acast. See acast.com/privacy for more information.

Hot house es un tema emblemático del bebop, de Tadd Dameron, hecho famoso con el grupo de Dizzy. Sobre la secuencia de acordes del "What is this thing called love" de Cole Porter. Escuchemos grandes versiones.Este Lunes 13 de Febrero Jazz lo Sé cumple 3 años ininterrumpidos al aire y celebramos juntos con ustedes que nos escuchan desde 50 países. Hosted on Acast. See acast.com/privacy for more information.

Rudy Williams was a journeyman sax player who stylistically crossed between swing and bebop. The son of legendary/notorious bandleader Fess Williams and the cousin of Charles Mingus, Williams is here heard on alto sax with a pickup group put together by Baron Timme Rosenkrantz in 1939 (with Don Byas, Tyree Glenn, Rex Stewart, Russell Procope, Billy Kyle, Walter Page and Jo Jones), the Savoy Sultans (his regular band from 1937-1941 or so), a Don Byas group (with Charlie Shavers and Clyde Hart), Tadd Dameron's Sextet (with Fats Navarro, Allan Eager, Kenny Clarke and Curly Russell), Bennie Green's Sextet (on baritone, with Teddy Brannon and Lockjaw Davis) and the Howard McGhee Korean All-Stars (on tenor, with J.J. Johnson and Skeeter Best). --- Support this podcast: https://anchor.fm/john-clark49/support

Harlan Leonard played lead alto sax for Benny Moten from 1924-1931 and then started his own band with Thamon Hayes. By 1939 Leonard had taken it over completely and had developed a group on the tradition of Moten and Basie, but with progressive tendencies demonstrated by the first arrangements of Tadd Dameron and outstanding playing by tenor saxophonist Henry Bridges and particularly trombonist Fred Beckett, who was cited as an important influence by J.J. Johnson later . . --- Support this podcast: https://anchor.fm/john-clark49/support

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

Listen to the Sun. Sept. 4, 2022 special edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. The program coincides with the Detroit Jazz Festival which features artists-in-residence Chucho Valdes and Diane Reeves. During this episode we feature our PANW report with dispatches on recent certification of a finding of trillions of cubic feet of natural gas and oil deposits in the Horn of Africa state of Ethiopia; a United Nations envoy has met with the leader of the Polisario Front in the North African state of Algeria; the military leaders of Burkina Faso and Mali held a meeting to discuss mutual interests; and more people have died in Somalia due to attacks from a rebel group. In the second and third hours we continue our focus on Jazz music with tributes to Abdullah Ibrahim, Art Tatum, Adelaide Hall, Duke Ellington, Evelyn Preer, Hadda Brooks and Tadd Dameron.

Accanto a Thelonious Monk e Bud Powell altri pianisti - oggi meno ricordati, ma non per questo meno importanti musicalmente - hanno contribuito negli anni '40 alla definizione dello specifico linguaggio del pianoforte be-bop. Maurizio Franco in questa serie di Birdland passa in rassegna le peculiarità di alcune figure del pianismo bop quali George Wallington, Dodo Marmarosa, Al Haig, Duke Jordan e Tadd Dameron.

TADD DAMERON QUARTET “MATING CALL” – New York, November 30, 1956 Mating call, Soultrane, On a misty night John Coltrane (ts) Tadd Dameron (p,arr) John Simmons (b) Philly Joe Jones (d)             PASQUALE GRASSO “BE-BOP!” – Lanzamiento julio 2022 A Night In Tunisia, Be-Bop, Groovin’ High, Quasimodo Pasquale Grasso (g) […]

TADD DAMERON MATING CALL – New York, November 30, 1956 Mating call, Gnid, On a misty night John Coltrane (ts) Tadd Dameron (p,arr) John Simmons (b) Philly Joe Jones (d)             LAGE LUND UNLIKELY STORIES – Brooklyn, NY, November 5, 2009 Swagger, Truckstop queen, Life at the bottom of the […]

This week on The Sound Kitchen you'll hear the answer to the question about the American film CODA. There's “On This Day”, plenty of good music, and of course, the new quiz question, too. Just click on the “Audio” arrow above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more. There's Paris Perspective, Africa Calling, Spotlight on France, and of course, The Sound Kitchen. We have a bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too. As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website and click on the three horizontal bars on the top right, choose “Listen to RFI / Podcasts”, and you've got ‘em ! You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.  Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Another idea for your students: My beloved music teacher from St Edward's University in Austin, Texas, Dr Gerald Muller, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”). There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link above and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do! This week's quiz: On 2 April, I asked you a question about an article written by RFI English journalist Michael Fitzpatrick: “Will Smith slaps Chris Rock at Oscars ceremony; CODA takes top prize”.   You were to tell me the name of the original French film which the Americans adapted for their version, a brief recap of the film, and why it is called CODA – that is, what CODA stands for in the US. The answer is: CODA is the acronym for “Child Of Deaf Adult”. The film was based on the French film The Belier Family and is about the one hearing child (her brother is deaf) born to a deaf couple. In the French version, the actors were played by hearing people, but in the American version, the actors were deaf – which is, of course, far better.    The winners are: Sharifun Islam Nitu, a member of the RFI Amour Fan Club in Rajshahi, Bangladesh; Mahesh Jain, the president of the RFI Club Delhi in Delhi, India; Debakamal Hazarika, the president of the United RFI Listeners Club in Assam, India, and Ferhat Bezazel, the president of the RFI Butterflies Club Ain Kechera in West Skikda, Algeria. Last but not least, RFI English listener Rifat Jamil Eusufzai from Dhaka, Bangladesh. Congratulations winners! Here's the music you heard on this week's program: “Lesquercade” from Le bal de Beatrice d'Este by Reynaldo Hahn, performed by the Ensemble Initium conducted by Nicolas Chalvin; “Bula-Beige” by Tadd Dameron, performed by the composer and his ensemble; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov, and “Gracias a la Vida” by Violeta Parra, sung by Mercedes Sosa and Joan Baez.   Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... You have to listen to the show to participate. After you've listened to the show, refer to our article “Macron advocates for creation of a 'European political community beyond the bloc” to help you find the answer. You have until 6 June to enter this week's quiz; the winners will be announced on the 11 June podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France or By text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number. To find out how you can win a special Sound Kitchen prize, click here. To find out how you can become a member of the RFI Listeners Club, or to form your own official RFI Club, click here. 

We are continuing this month of March with one-off and rare recordings and tonight's Jazz feature is just that. Not too much is known about the leader, tenor saxophonist Joe Alexander except he was originally from Birmingham, Alabama but spent most of his playing career in Cleveland, Ohio where he found steady work. His only other recorded appearance is on Tadd Dameron's album "Fontainebleau" from 1956.. This album called "Blue Jubilee" is Joe's only recording under his name. Joe recorded this in June of 1960 while he was on a short tour of duty with Ray Charles' band. Joe and equally obscure trumpet player John Hunt teamed up. John was a long time player with Ray Charles. Joe and John are backed by an all-star rhythm section made up of Bobby Timmons on piano, Sam Jones on bass and Albert "Tootie" Heath on drums. Blue Jubilee turns out to be a fine solid Jazz album that presents two rather obscure players in the best light. Sadly this album never was issued domestically on CD but can be found on the European Fresh Sounds label. Enjoy a rare treat on tonight's Jazz Feature.

M

Vanessa Rubin sings and swings on Singers Unlimited. She also talks about her hometown of Cleveland and pays homage to Tadd Dameron.Produced by Billy Robinson

Clearwater Jazz Holiday's History of Jazz Outreach Program engages professional musicians to share the story of Jazz through live, interactive musical experiences. By Spring 2020, the Program had reached nearly 30,000 students in approximately 60 Tampa Bay area schools and has evolved to also bring meaningful experiences to schools and organizations serving at risk students, people of all ages with special needs, neurodiversities, and autism, as well as older adults in senior living communities and memory care centers. Frank T. Williams III, a 40-year + educator, band director, clinician, author, adjudicator, and composer, is a long-time CJH education partner, important to the development of many CJH Outreach programs. In 2020, CJH launched its STOP-TIME SERIES with Frank Williams to complement the History of Jazz Outreach Program by creating a comprehensive visual and audio History of Jazz archive delivered in Frank's one-of-a-kind style. WATCH & LISTEN! Visit the CJH website Education & Outreach section to watch all STOP-TIME videos for FREE or enjoy listening here as part of the CJH Young Lions Jazz Master "Virtual" Sessions Podcast. To learn more about the annual CJH festival tradition and year-round Education & Outreach: www.clearwaterjazz.com

In this episode we feature composers.  For example the first set is with Tadd Dameron and Thelonious Monk. 

En este episodio hablamos de muchas cosas, las grabaciones perdidas en Suecia de Don Cherry, el maestro del jazz Gregory Tardy, la banda italiana, High Five y más sobre el jazz argentino, con Pablo Porcelli. Entre otras cosas! Más información: www.radioborder.com.ar

Quintets led by: Charlie Parker, George Shearing, Benny Goodman, Stan Getz, Tadd Dameron, Charlie Shavers and Django Reinhardt. Songs include: Stardust, Lullaby of Birdland, Don't Blame Me, The Tadd Walk, Lady Be Good and Salt Peanuts.  

What is this thing called love? (Qué es esta cosa llamada amor?), gran composición de Cole Porter de 1929 para el musical Wake up and Dream (Despierta y sueña) con una melodía impactante. Hecha famosa en jazz por Artie Shaw en 1938 fue interpretada por músicos de todas las épocas. Escuchamos esa version junto con las de Billie Holiday, Ella Fitzgerad, Charlie Parker, Art Pepper, Paul Desmond, Clifford Brown, Charlie Mingus, Bill Evans entre otros. Y su secuencia de acordes es nada menos que Hot House de Tadd Dameron en 1945 con Dizzy y Bird!  

On this episode of Audio Judo Does Jazz, Chris talks about his impressions of another one of the jazz masters: John Coltrane. Starting in his early days with Miles Davis and Thelonious Monk, through his time recording for Atlantic and Impulse! records, and to his tragic early death at the age of 40 from liver cancer in 1967, Chris will cover many of the stand-out points of Coltrane's life.Click here to visit the Audio Judo Does Jazz (AJDJ) websiteWe want to hear from you:Facebook: facebook.com/audiojudodoesjazzTwitter: @audiojudojazzOr email: jazz(at)audiojudo.comFor a direct line to Chris with your questions or comments, email: chris(at)audiojudo.comWe are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.comChris' John Coltrane Listening Recommendations:First Round Of Listening:1958 - Blue Train1959 - Kind Of Blue (with Miles Davis)1960 - Giant Steps1961 - My Favorite Things1965 - A Love SupremeSecond Round Of Listening:1956 - Mating Call (with Tadd Dameron)1963 - Kenny Burrell & John Coltrane (with Kenny Burrell, re-released in 1967 as "The Kenny Burrell Quintet With John Coltrane")1958 - Soultrane1964 - Coltrane's Sound1962 - Coltrane Plays The Blues1961 - Africa/Brass1961 - Olé Coltrane1977 - Afro Blue ImpressionsNotesHow To Build A John Coltrane Collection - https://www.google.com/amp/s/amp.reddit.com/r/Jazz/comments/70diuq/how_to_build_a_john_coltrane_collection/

On this episode of Audio Judo Does Jazz, Chris talks about his impressions of another one of the jazz masters: John Coltrane. Starting in his early days with Miles Davis and Thelonious Monk, through his time recording for Atlantic and Impulse! records, and to his tragic early death at the age of 40 from liver cancer in 1967, Chris will cover many of the stand-out points of Coltrane's life. Click here to visit the Audio Judo Does Jazz (AJDJ) website We want to hear from you: Facebook: facebook.com/audiojudodoesjazz Twitter: @audiojudojazz Or email: jazz(at)audiojudo.com For a direct line to Chris with your questions or comments, email: chris(at)audiojudo.com We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.com Chris' John Coltrane Listening Recommendations: First Round Of Listening: 1958 - Blue Train 1959 - Kind Of Blue (with Miles Davis) 1960 - Giant Steps 1961 - My Favorite Things 1965 - A Love Supreme Second Round Of Listening: 1956 - Mating Call (with Tadd Dameron) 1963 - Kenny Burrell & John Coltrane (with Kenny Burrell, re-released in 1967 as "The Kenny Burrell Quintet With John Coltrane") 1958 - Soultrane 1964 - Coltrane's Sound 1962 - Coltrane Plays The Blues 1961 - Africa/Brass 1961 - Olé Coltrane 1977 - Afro Blue Impressions Notes How To Build A John Coltrane Collection - https://www.google.com/amp/s/amp.reddit.com/r/Jazz/comments/70diuq/how_to_build_a_john_coltrane_collection/

On this episode of Audio Judo Does Jazz, Chris talks about his impressions of another one of the jazz masters: John Coltrane. Starting in his early days with Miles Davis and Thelonious Monk, through his time recording for Atlantic and Impulse! records, and to his tragic early death at the age of 40 from liver cancer in 1967, Chris will cover many of the stand-out points of Coltrane's life. Click here to visit the Audio Judo Does Jazz (AJDJ) website We want to hear from you: Facebook: facebook.com/audiojudodoesjazz Twitter: @audiojudojazz Or email: jazz(at)audiojudo.com For a direct line to Chris with your questions or comments, email: chris(at)audiojudo.com We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.com Chris' John Coltrane Listening Recommendations: First Round Of Listening: 1958 - Blue Train 1959 - Kind Of Blue (with Miles Davis) 1960 - Giant Steps 1961 - My Favorite Things 1965 - A Love Supreme Second Round Of Listening: 1956 - Mating Call (with Tadd Dameron) 1963 - Kenny Burrell & John Coltrane (with Kenny Burrell, re-released in 1967 as "The Kenny Burrell Quintet With John Coltrane") 1958 - Soultrane 1964 - Coltrane's Sound 1962 - Coltrane Plays The Blues 1961 - Africa/Brass 1961 - Olé Coltrane 1977 - Afro Blue Impressions Notes How To Build A John Coltrane Collection - https://www.google.com/amp/s/amp.reddit.com/r/Jazz/comments/70diuq/how_to_build_a_john_coltrane_collection/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Audio Judo Does Jazz, Chris talks about his impressions of another one of the jazz masters: John Coltrane. Starting in his early days with Miles Davis and Thelonious Monk, through his time recording for Atlantic and Impulse! records, and to his tragic early death at the age of 40 from liver cancer in 1967, Chris will cover many of the stand-out points of Coltrane's life.Click here to visit the Audio Judo Does Jazz (AJDJ) websiteWe want to hear from you:Facebook: facebook.com/audiojudodoesjazzTwitter: @audiojudojazzOr email: jazz(at)audiojudo.comFor a direct line to Chris with your questions or comments, email: chris(at)audiojudo.comWe are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.comChris' John Coltrane Listening Recommendations:First Round Of Listening:1958 - Blue Train1959 - Kind Of Blue (with Miles Davis)1960 - Giant Steps1961 - My Favorite Things1965 - A Love SupremeSecond Round Of Listening:1956 - Mating Call (with Tadd Dameron)1963 - Kenny Burrell & John Coltrane (with Kenny Burrell, re-released in 1967 as "The Kenny Burrell Quintet With John Coltrane")1958 - Soultrane1964 - Coltrane's Sound1962 - Coltrane Plays The Blues1961 - Africa/Brass1961 - Olé Coltrane1977 - Afro Blue ImpressionsNotesHow To Build A John Coltrane Collection - https://www.google.com/amp/s/amp.reddit.com/r/Jazz/comments/70diuq/how_to_build_a_john_coltrane_collection/

M

durée : 00:57:57 - « If you could see me now » (Tadd Dameron / Carl Sigman) (1946) - par : Laurent Valero - "Contrairement à beaucoup d’autres standards de la même époque "If You Could See Me Now" est une composition originale, qui ne vient ni du cinéma, ni des comédies musicales. Une ballade composée en 1946, créée cette même année par Sarah Vaughan, au début de son immense carrière !" Laurent Valero - réalisé par : Antoine Courtin

durée : 00:57:57 - « If you could see me now » (Tadd Dameron / Carl Sigman) (1946) - par : Laurent Valero - "Contrairement à beaucoup d’autres standards de la même époque "If You Could See Me Now" est une composition originale, qui ne vient ni du cinéma, ni des comédies musicales. Une ballade composée en 1946, créée cette même année par Sarah Vaughan, au début de son immense carrière !" Laurent Valero - réalisé par : Antoine Courtin

Every musician owes a debt of gratitude to those who have been an inspiration or influence to them. For vocalist Vanessa Rubin, some of those mentors include the likes of Frank Foster, Barry Harris, Carmen McRae, and Tadd Dameron. She released an album featuring the music of Mr. Dameron… “The Dream Is You.” Of course, she shares more than just a musical connection with him; in fact, both of them called Cleveland, Ohio, home. More at vanessarubin.com.

KRIS DAVIS – WAITING FOR YOU TO GROW – Brooklyn, NY, May 13, 2013 Whirly swirly Clean Feed (Port)CF292 [CD] Twice escaped, Waiting for you to grow THE FABULOUS FATS NAVARRO, VOL. 2 – New York, September 13, 1948 Lady bird, Symphonette Fats Navarro (tp) Allen Eager, Wardell Gray (ts) Tadd Dameron (p) Curly Russell […]

M

Welcome to a new edition of the Neon Jazz interview series with Jazz Drummer, Composer & Author Artt Frank.. We caught up with him on January 14, 20201- One month to the day he will release his newest memoir Chet Baker: The Later Years – Looking for the Light ..Artt was a dear friend to Chet.. He told me that Chet said Artt was the brother he never had ..Artt is part of a dying breed as one of the few authentic bop musicians on the scene today. He worked with Chet for 14 years and also spent some quality time wiht Jimmy Heath, Al Cohn, Ted Curson, Sonny Stitt, Phil Moore and sat in on several occasions with Charlie Parker, Lee Morgan, Tadd Dameron, Dexter Gordon and Bud Powell. This cat is 88 years old and still full of fire and vigor for life and storytelling ..Dig his story ..Click here to listen.Book Preview: https://www.booksendependent.com/sneak_peak_chet_baker_later_yrs-1/Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

Mary Lou Williams (1910 – 1981) was an American jazz pianist, arranger, and composer. She wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie. Get biographies in your inbox at https://sdcason.com/subscribe --- Send in a voice message: https://anchor.fm/shalonecason1/message Support this podcast: https://anchor.fm/shalonecason1/support

The great, if somewhat forgotten Bebop trumpet player who was really the only rival to Dizzy Gillespie in terms of range, power and sound. This program features his recordings for the Savoy label - under his own name and with Dexter Gordon, Eddie "LockJaw" Davis and Tadd Dameron. In addition to these musicians, listen also to Ernie Henry, Leo Parker, Charlie Rouse and Art Blakey. --- Support this podcast: https://anchor.fm/john-clark49/support

STANDARD SEMANAL.- “Moment's Notice”.-JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958).-JAZZ ACTUALIDAD .- Ander Garcia Trio con su álbum “AMAHIRU” PROG.Nº 648.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Moment's Notice” JAZZ RECUERDO ANIVERSARIO.-Ronnie scott - the couriers of jazz!( & tubby hayes) (1958) Ronnie Scott & Tubby Hayes - The Couriers Of Jazz* ?– The Couriers Of Jazz Sello: Carlton ?– LP12-116 Formato: Vinyl, LP, Mono País: US Publicado: 1958 Género: Jazz Estilo: Bop Lista de Títulos A1 Mirage 5:20 A2 After Tea 7:50 A3 Stop The World, I Want To Get Off 3:40 A4 In Salah 3:50 B1 Star Eyes 4:10 B2 The Monk 4:35 B3 My Funny Valentine 4:45 B4 Day In, Day Out 5:30 Créditos • Bass – Jeff Clyne • Drums – Bill Eyden • Piano – Terry Shannon • Tenor Saxophone – Ronnie Scott, Tubby Hayes Ronnie Scott OBE (nacido Ronald Schatt , 28 de enero de 1927 - 23 de diciembre de 1996) era un saxofonista tenor inglés de jazz y propietario de un club de jazz. [1] Cofundó el Ronnie Scott's Jazz Club , uno de los clubes de jazz más populares del Reino Unido, en 1959. Ronnie Scott nació en Aldgate , East London , en una familia judía. Su padre, Joseph Schatt, era de ascendencia rusa, y la familia de su madre Sylvia asistió a la sinagoga portuguesa en Alie Street. Scott asistió a la Fundación Central Boys 'School . Scott comenzó a tocar en pequeños clubes de jazz a la edad de 16 años. Su reclamo a la fama fue que "el suegro de Vera Lynn le enseñó a tocar". Estuvo de gira con el trompetista Johnny Claes de 1944 a 1945 y con Ted Heath en 1946. Trabajó con Ambrose , Cab Kaye y Tito Burns . Estuvo involucrado en la cooperativa banda y club Club Eleven de músicos de corta duración (1948–50) con Johnny Dankworth . Scott se hizo conocido del arreglista / compositor Tadd Dameron , cuando el estadounidense trabajaba en el Reino Unido para Heath, y se informa que actuó con Dameron como el pianista, en un concierto de Club Eleven. Scott fue miembro de la generación de músicos británicos que trabajaron en el transatlántico Cunard Queen Mary de forma intermitente desde 1946 hasta alrededor de 1950 para visitar la ciudad de Nueva York y escuchar la nueva forma de jazz llamada bebop en los clubes de allí. Scott fue uno de los primeros músicos británicos influenciados por Charlie Parker y otros músicos de jazz moderno. En 1952, Scott se unió a la orquesta de Jack Parnell y de 1953 a 1956 dirigió una banda y quinteto de nueve integrantes que incluyó a Pete King , con quien luego abrió su club de jazz, Victor Feldman , Hank Shaw y Phil Seamen . Co-dirigió The Jazz Couriers con Tubby Hayes de 1957 a 1959 y fue líder de un cuarteto que incluía a Stan Tracey (1960-67). De 1967 a 1969, Scott fue miembro de la Big Band Kenny Clarke / Francy Boland , que recorrió Europa e incluyó a Johnny Griffin y Eddie "Lockjaw" Davis . Simultáneamente, dirigió su octeto, que incluía a John Surman y Kenny Wheeler , y un trío con Mike Carr en los teclados y Bobby Gien en la batería (1971–1975). Las otras bandas de Scott a menudo incluían a John Critchinson en los teclados y Martin Drew en la batería. Hizo un trabajo de sesión ocasional, que incluyó tocar el solo en " Lady Madonna ", el sencillo de 1968 de los Beatles , tocar en la partitura de Roy Budd para la película Fear Is the Key (1972) y tocar el solo de saxo tenor en " I Missed Again ", el sencillo de 1981 de Phil Collins . Charles Mingus dijo de él en 1961: "De los niños blancos, Ronnie Scott se acerca al sentimiento del negro y azul, como lo hace Zoot Sims ". [9] Scott grabó con poca frecuencia durante las últimas décadas de su carrera. Sufría de depresión. Mientras se recuperaba de una cirugía para implantes dentales, murió a la edad de 69 años de una sobredosis accidental de barbitúricos recetados por su dentista. La viuda de Ronnie Scott, Mary Scott, y su hija, Rebecca Scott, escribieron las memorias A Fine Kind of Madness: Ronnie Scott Remembered , con un prólogo de Spike Milligan. El libro fue publicado en 1999 en Londres por Headline Book Publishing. Scott es quizás mejor recordado por su cofundación, con el ex tenista de saxo tenor Pete King , Ronnie Scott's Jazz Club , que abrió el 30 de octubre de 1959 en un sótano en 39 Gerrard Street en el distrito Soho de Londres , con el debut de un joven alto El saxofonista llamado Peter King (sin relación), antes de mudarse a un lugar más cercano en 47 Frith Street en 1965. El lugar original continuó operando como el "Old Place" hasta que el contrato de arrendamiento se agotó en 1967, y fue utilizado para actuaciones de la nueva generación de músicos nacionales. Scott actuó regularmente como el genial Maestro de Ceremonias del club, y se destacó por su repertorio de bromas, comentarios y frases ingeniosas. Una introducción típica podría ser: "Nuestro próximo invitado es uno de los mejores músicos del país. En la ciudad, es una mierda". Otro anuncio memorable fue: "La próxima semana estamos orgullosos de tener un cuarteto con Stan Getz y el violinista Stuff Smith. Se llama el" Cuarteto relleno de Getz ". Ronnie solía usar en los últimos días los servicios de John Schatt para reservar bandas de rock para Ronnie. Scott está arriba. Después de la muerte de Scott, King continuó dirigiendo el club durante otros nueve años, antes de venderlo al empresario de teatro Sally Greene en junio de 2005. En septiembre de 2013, mientras se redecoraba el club, se colocó un acaparamiento de 12 metros cuadrados en la fachada de la calle Frith como un homenaje a su fundador homónimo, con una fotografía gigante de Ronnie Scott por Val Wilmer , junto a una de su legendaria -liners: "Me encanta este lugar, es como estar en casa, sucio y lleno de extraños". Además de participar en orquestas de nombre, Scott dirigió o co-dirigió numerosas bandas con algunos de los músicos de jazz más destacados de Gran Bretaña del día. JAZZ ACTUALIDAD .-Esta semana vamos a tener al contrabajista Ander Garcia Trio con su álbum “AMAHIRU” Cuando los ingredientes son sobradamente conocidos, tendemos a pensar que los resultados también serán los habituales. Y aunque a menudo es así, cuando esos mismos ingredientes caen en manos de un artitsta valiente, obstinado y brillante como Ander Garcia la sorpresa puede ser mayúscula. Y este bello y excitante nuevo trabajo que se presenta bajo el nombre de Ander Garcia Trio sin duda lo es. En ese sentido, son especialmente destacables sus discos en solitario “Ttun Kurrun” y “Hiru”, ampliamente aclamados por la crítica especializada. Pero en el caso que nos ocupa, el del trio que forma junto al piano de Jorge Castañeda y la batería de Mikel Urretagoiena, nos encontramos con el Ander Garcia mas explorador y aventurero. En este proyecto Ander utiliza las métricas y melodías de ancestrales bailes y bersos euskaldunes para desarrollar sus improvisaciones, y al mismo tiempo los moldea y adapta a nuevos contextos musicales creando un espacio de intercambio limbre entre ellos. De este modo el ritmo de la ezpata dantza se convierte en danza latinoaméricana, y partiendo del de los zortzikos llega a un híbrido rítimico absolutamente contemporáneo y desconocido, o se lanza a llevar el ritmo del tamboril a la batería para diseccionarlo en un abánico de variantes deslumbrante. Las oportunidades para la sorpresa son infinitas en este disco.

https://www.jazzguitarlessons.net/blog/podcast-43-turnarounds Turnarounds! No, this isn't your GPS speaking - it's real jazz lingo

A tribute to musician who died in 1965.  Musicians Include: Nat King Cole, Dorothy Dandridge, Joe Falcon, Albert Schweitzer, Tadd Dameron, Mayra Hess and Janette MacDonald.  

If you have never encountered the Lady Bird turnaround or are looking for some new strategies with which to improvise over this device, search no further! In this podcast lesson, we'll go over how Tadd Dameron came up with this trademark chord progression and how you can play over it with style and ease.

This week's episode is about the music of Tadd Dameron, the premier writer/arranger of the early bebop era.  It features music that Dameron recorded with his own and in other groups, and versions of songs that he composed performed by Clifford Brown, Miles Davis, Eric Dolphy, and more. Playlist here Questions? Comments? Requests? Call the WNPM voicemail at (424)704-1666 or email WNPMPod@gmail.com

Licorice Alive! Tadd Dameron's "Casbah" Culture Clash, Love and Revenge in Medieval Europa Othello, The Moor of Venice

Benny Golson, le Messager du Jazz   Benny Golson dans le Terminal de Steven Spielberg.   Qui peut se targuer d'avoir connu John Coltrane à 16 ans ? Travaillé avec Lionel Hampton et Dizzy Gillespie ? Avoir été le directeur musical des Jazz Messengers, et joué son propre rôle dans un film de Steven Spielberg ? Vous, non ? Et bien Benny Golson, oui ! Saxophoniste de premier ordre, ténor au son généreux et velouté, Golson a traversé l'histoire du jazz sans faire de vagues… Et pourtant ! Derrière son air de gentleman, jamais avare d'anecdotes sur la vie des musiciens de jazz, se cache un homme déterminé et un immense compositeur. Car si l'histoire retiendra à coup sûr le nom de Benny Golson, c'est qu'il a signé une poignée de standards parmi les plus beaux du jazz moderne: Blues March, Along Came Betty, Whisper Not, I'll Remember Clifford ou encore Killer Joe. Et alors que le saxophoniste fête ses 90 printemps, il nous semblait évident de partir sur les traces de cet homme qui a dit un jour: “J'ai deux femmes: le saxophone et la composition… Je suis aussi infidèle à l'une qu'à l'autre, et je les aime toutes les deux…”   Etagère n°6… Boite n°5… Dossier BG1929… Benny Golson, le messager du jazz. Playlist Art Blakey - Blues March (Moanin', 1959, Blue Note Records)Benny Golson & Art Farmer - Killer Joe (Meet the Jazztet / At Birdhouse, 2012, Universe Remasterings)Benny Golson - Something in B flat (Benny Golson's New York Scene, 1988, Universal Music Group International)Lionel Hampton & Arnett Cobb - Flying Home N°2 (1944)Coleman Hawkins - Body and Soul (The Essential Coleman Hawkins, 1964, Legacy Recordings)John Coltrane - I'm Old Fashioned (John Coltrane: In A Sentimental Mood et ses plus grands succès remasterisé, 2013, The Restoration Project)Charlie Parker - A Night in Tunisia (Newly Discovered Sides by the Immortal Charlie Parker live, 1964, Savoy)Art Blakey & the Jazz Messengers - Now is the Time (Live in Scheveningen 1958, 2018, Fondamenta)Benny Golson - Stablemates (Benny Golson and the Philadelphians, 2004, Blue Note Records)Bullmoose Jackson - I Know Who Threw the Whiskey in the Well (Bullmoose Jackson Selected Favorites, 2006, Charly Records)Tadd Dameron - Dameronia (The Complete Blue Note and Capitol Recordings of Fats Navarro and Tadd Dameron, 1995, Blue Note Records)Tadd Dameron - The Scene is Clean (Fontainbleau, 2014, Blue Playa Records)Tadd Dameron & Clifford Brown - Choose Now (Take 1) (Clifford Brown Memorial, 1987, Concord Records, Inc.)Lionel Hampton - Vibe Boogie (The European Concerts 1953-1954, 2009, Fremeaux Heritage)Dizzy Gillespie - Left Hand Corner (Compact Jazz: Dizzy Gillespie Big Band, 1992, Verve Reissues)Dizzy Gillespie - Manteca (A Night in Tunisia, 1993, Intersound)Dizzy Gillespie - Whisper Not (Compact Jazz: Dizzy Gillespie Big Band, 1992, Verve Reissues)Dizzy Gillespie - Carioca (The Verve & Philips Small Group Sessions, 2006, Verve Reissues)Dizzy Gillespie - I Remember Clifford (Four Classic Albums: At Newport / Dizzy And Strings / World Statesman / Gene Norman Presents, 2009, AVID Entertainment)Art Blakey - Blues March (Moanin' Remastered, 1959, Blue Note Records)Art Blakey - Justice (The Very Best of Art Blakey remastered version, 2012, Unforgettable Record)Art Blakey & the Jazz Messengers - Warm-Up And Dialogue Between Lee and Rudy (Moanin' Remastered, 1999, Blue Note Records)Art Blakey & the Jazz Messengers - Moanin' (Moanin' / Justice, 1961, BNF Collection)Art Blakey & the Jazz Messengers - Are You Real (Moanin' Remastered, 1959, Blue Note Records)Art Blakey & the Jazz Messengers - Along Came Betty (Moanin' Remastered, 1959, Blue Note Records)Art Blakey & the Jazz Messengers - Blues March (Moanin' Remastered, 1959, Blue Note Records)Benny Golson - Whisper Not (Benny Golson's New York Scene, 1988, Universal Music Group International)Benny Golson - Out of the Past (Reunion, 1961, Kendal)The Jazztet...

This week's episode of WNPM is about Philly Joe Jones, one of the most prolific drummers in jazz, best known for his time in Miles Davis first great quintet.  Featuring tracks from his work with Tadd Dameron, John Coltrane, Miles, Freddie Hubbard, and as a bandleader in his own right. 

This week I focus on bebop, starting with some soloists: Charlie Christian, Charlie Parker, Dizzy Gillespie and Art Blakey, then focus on some composers: Tadd Dameron, Thelonious Monk, and Clifford Brown.  

Mike leads us back, back, back into the wilds of pre-LP jazz as we discuss Bud Powell, Mary Lou Williams, and Tadd Dameron. Then Pat goes and ruins it with a selection from Ferit Odman, who at least had the decency to keep it all-analog. Mary Lou Williams – ZODIAC SUITE; Tadd Dameron – COMPLETE CAPITOL AND BLUE NOTE RECORDINGS OF FATS NAVARRO AND TADD DAMERON, DISC ONE; Bud Powell – COMPLETE VERVE RECORDINGS, DISC ONE (JAZZ GIANT & THE GENIUS OF BUD POWELL); Ferit Odman – DAMERONIA WITH STRINGS

As this is Jazz Festival month, The Jazz Show is presenting some classic live performances by the greats in concert or in clubs and we'll continue this until the end of the month. Expect to hear tonight: Charles Mingus, Tadd Dameron and His Band with Fats Navarro, John Coltrane, Thelonious Monk with a Big Band, Art Blakey with Clifford Brown and much more. Live music is best and some of the best will be heard tonight....tune in!

Toda la información en http://www.tomajazz.com/web/?p=24701. Media docena de grabaciones en la entrega número 120 de HDO en un programa que se alarga hasta los 120 minutos. Por una parte tres tríos de piano: Play Tadd Dameron (Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi) en la que estos tres músicos vuelven a poner de nuevo sus ojos en el legado de un músico, que en este caso es Tadd Dameron (en otras ocasiones fueron Cy Coleman y Johnny Mandel); Dance In A Triangle (Yves Theiler Trio) por un trío muy joven -su líder no llega a los 30- de músicos suizos; The Now (Aaron Goldberg con Reuben Rogers y Eric Harland, más Kurt Rosenwinkel en uno de los temas). Por otra parte el trío del guitarrista Mike Baggetta (con Jerome Harris y Billy Mintz) en Spectre mostrando las posibilidades que abre el procesamiento del sonido en directo; el cuarteto del cornetista Kirk Knuffke en The Lamplighter en una formación no muy usual de acoustic bass guitar (Stomu Takeishi), batería (Bill Goodwin) y bass drum (Kenny Wollesen); Oneirology del quinteto del contrabajista Meinrad Kneer (en el que participa, entre otros, el saxo alto Peter van Huffel) es la propuesta restante. © Pachi Tapiz, 2016 HDO es un noséqué en el que se hace nosécuántos que está noseloqué por Pachi Tapiz o vaya usted a saber.

This is a Birthday celebration to one of our great living Jazz Masters. Today (January 25) marks the 87th Birthday of tenor saxophonist/composer/arranger and Jazz Master Benny Golson. Golson has been a part of Jazz history since breaking into the bands of Tadd Dameron, Dizzy Gillespie and Art Blakey's Jazz Messengers and then forming his own groups along with his important band The Jazztet with trumpeter Art Farmer. Tonight's Jazz Feature is an album that features his mellifluous tenor saxophone playing unfettered by complex arrangements hence the album's title..."Free". Golson is heard here with the "poet of the piano", Tommy Flanagan, bassist Ron Carter and the ubiquitous Arthur Taylor on drums. Two Golson originals are on this set and an intriguing original by obscure pianist Will Davis called "Sock Cha". The rest of the six tunes are made up of good quality standards. "Free" is a testament to the wonderful playing of Benny Golson who somehow combines the sound of his early mentors, Don Byas and Lucky Thompson with his very modern concept. No one sounds like Benny and a very HAPPY BIRTHDAY Mr. Golson!

O.K. so maybe I could have dug even deeper, but hopefully you'll appreciate that with the birth of my twin boys, crate diggin' time is limited, so recourse to few old favourites in this selection. Nevertheless it's not exactly obvious unless you're one of those chin stroking jazz snobs. I'd been wanting to do a kind of "pure" jazz show for a while, the criteria could have been even more stringent, I could have outlawed all electric instruments, but I did want to keep some variety. I can't remember the last time I played something from the Riverside label on the show, so slipping a couple into the first half hour was kind of satisfying, great tunes from Jimmy Heath and Clifford Jordan. Then there's vocals, a scat masterclass from Jon Hendricks, Ann Young tearing up a standard and The Metronomes with silky smooth harmonies. I also decided to do a mini Prestige feature.... what's the difference between Blue Note and Prestige, a day's rehearsal.... yes it is the kind of ugly sister of classic jazz labels, more "blowing dates" less recording sessions. Yet of course there are some awesome titles in the Prestige catalogue, Frank Wess' "Southern Comfort" is certainly one of those, soul-jazz with a Latin twist and really punchy well balanced recording. As always the mellow meltdown in the middle is fun to do, it's what radio's for in my opinion. Listening to Duke Pearson's Sweet Honey Bee album again for the first time in ages, the beauty of "After The Rain" left me quite astounded, Pearson was the quintessential Blue Note artist, he acted as an A&R man for Alfred Lion, and composed the timeless "Cristo Redentor" for which he should be duly honoured as it is one of the most beautiful melodies of all time. "After The Rain" comes close to that peak of sublimity. Continuing the rainy theme the Masabumi Kikuchi composition "Drizzling Rain" from his album with Gil Evans is just as beguiling, with a Japanese lyricism, a kind of Jazz haiku. "En Passant" performed by West Coast stalwarts Shelly Manne ands His Men is an early composition by the great John Williams from U.S. tv series Checkmate, Williams' list of film credits is ridiculous , probably the most successful composer of the twentieth century? All that instrumental grace is followed by a trio of vocal cuts with a morning theme....lushness from Carmen McRae, the brilliant Lorez Alexandria, and Andy Bey ripping some conscious flavour through Gary Bartz NTU Troops leftfoot jazz-funk. Closing the show the last sequence gets lowdown and funky, and a bit abstract! Drums and basslines, a touch of James Brown in Roy Haynes' "Guadalupe", and some electronic undertow in Julian Priester's " Love Love" which I played just a portion of as it covers a whole side. Shame that I only squeezed a the first bit of Monette Sudler's "Brighter Days For You" as it takes me back to my early days of The Cosmic Jam all those years ago.... still love it, and the title says it all. Peace, love and music P.x 1. Jimmy Heath Orchestra - Big P 2. Jon Hendricks - Good Ol' Lady 3. Benny Bailey - Little B 4. Ann Young & Yuji Ohno Trio - Speak Low 5. Hector Costita - Tokio 6. Mary Lou Williams & Friends - Prologue 7. Clifford Jordan - Bearcat 8. The Metronomes - On Green Dolphin Street 9. Sun Ra - The Others In Their World 10. Tadd Dameron & John Coltrane - Mating Call 11. Frank Wess - Blues For Butterball 12. Charles Earland - Letha 13. Duke Pearson - After The Rain 14. Gil Evans & Masabumi Kikuchi - Drizzling Rain 15. Shelly Manne & His Men - En Passant 16. Carmen McRae - Just A Little Lovin' 17. Lorez Alexandria - Morning 18. Gary Bartz NTU Troop - Rise 19. Doug Hammond - Kone Pone 20. Roy Haynes - Guadalupe 21. Julian Priester - Love Love 22. Byron Pope Speed Of Light - No Boundaries 23. Monette Sudler Sextet - Brighter Days For You

Rabbi Neil Blumofe examines American jazz musician in this week’s Liner Notes short. The composer, arranger and pianist is most well known for his involvement in the bebop era, but also in the swing and hard bop genres. The Cleveland native collaborated with other Liner Notes artists such as Sarah Vaughan, Dizzy Gillespie and Benny...

Rabbi Neil Blumofe examines American jazz musician in this week’s Liner Notes short. The composer, arranger and pianist is most well known for his involvement in the bebop era, but also in the swing and hard bop genres. The Cleveland native collaborated with other Liner Notes artists such as Sarah Vaughan, Dizzy Gillespie and Benny...

Rabbi Neil Blumofe examines American jazz musician in this week’s Liner Notes short. The composer, arranger and pianist is most well known for his involvement in the bebop era, but also in the swing and hard bop genres. The Cleveland native collaborated with other Liner Notes artists such as Sarah Vaughan, Dizzy Gillespie and Benny […]

This great band was based in San Francisco and was the brain child of tenor and soprano saxophonist Mel Martin who organized this band in the early 1980's. Mel is a well known teacher,lecturer,and a player who among others has worked with Dizzy Gillespie, Freddie Hubbard, Benny Carter and so many others plus pop groups like Azteca, Tower of power and Cold Blood. Mel picked some of the very best players in the Bay Area like the great John Handy on alto saxophone. John had worked with Charles Mingus and Randy Weston and led his own groups and was an icon in San Francisco by the time this record was made in February 1984. Warren Gale is on trumpet and Gale should be more widely recognized as he is a great player with a healthy brassy sound. George Cables is on piano and there isn't much more to say about a guy who is one of the world's greatest piano players. Frank Tusa from the east coast had played with Dave Liebman's Lookout Farm and the late Eddie Marshall on drums had worked with just about everyone in the Bay Area. Two of the tunes are by Mel Martin (the opener and the closer) one is a wonderful arrangement of Tadd Dameron's "On a Misty Night". Frank Tusa wrote one. Eddie Marshall also wrote one and Mel Martin arranged two great tunes by Thelonious Monk called "Evidence" and "Monk's Mood". Bebop and Beyond is a great band and deserves to be heard so here it is!

One of Jazz music's greatest drummers was Joseph Rudolph Jones who was better known as "Philly Joe" Jones to distinguish him from the older drummer who was associated with Count Basie: Jo (Jonathan) Jones. One of Philly Joe's last major projects was organizing a 10 piece band to play and revive the music of one of the most important composers in Jazz: Tadd Dameron. The band was called "Dameronia" and recorded two fine albums for the independent Uptown label. One has just been re-issued on CD and has won many accolades this year as "Re-issue of The Year". It was recorded in 1983 and features along with Philly Joe, who was one of Dameron's closest friends, many people who had worked with Tadd. Tenor saxophonist Johnny Griffin is one of the prominent soloists but others are heard to good advantage like pianist Walter Davis Jr.,baritone saxophonist Cecil Payne, alto saxophonist Frank Wess, trombonist Benny Powell and others. The original Dameron arrangements were collated by trumpeter Don Sickler who was a great help to Philly Joe in putting this project together. This is a great tribute to Tadd Dameron, who not only was one of pioneers of Modern Jazz but one of it's greatest composers who should be mentioned along with Monk, Mingus and Ellington. Enjoy Dameronia!

Charlie Rouse, the underrated tenor saxophonist, was one of the great individual stylists on his horn and he rose to fame as Thelonious Monk's saxophonist. He was with Mr. Monk for eleven years. Red Rodney was with Charlie Parker for three years in the early 1950's. Rodney and Rouse joined up in 1984 for this fine session of good Jazz tunes and one standard. They picked an excellent rhythm section in the persons of the late Albert Dailey on piano, Cecil McBee on bass and a young Kenny Washington on drums. Trumpeter/arranger Don Sickler wrote some fine arrangements for the horns and made them sound like a 'working' band. Tunes by Tadd Dameron, Gigi Gryce and Miles Davis etc. make up the repertoir. "Social Call" is a minor classic by two great, legendary musicians.....Charlie Rouse and Red Rodney.