Podcasts about Paul Desmond

Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Time Out Artículo Discusión Leer Editar Ver historial Herramientas Apariencia ocultar Texto Pequeño Estándar Grande Anchura Estándar Ancho Color (beta) Automático Claro Oscuro Time Out Álbum de Dave Brubeck Quartet Publicación 1959 Género(s) West Coast jazz Duración 38:21 Discográfica Columbia Records Productor(es) Teo Macero [editar datos en Wikidata] Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Producción A pesar de que la temática y el propio título de Time Out giran en torno a lo poco frecuente que son los compases en las cuales están compuestos los temas, la cuestión puede ser analizada con más detenimiento. "Blue Rondo à la Turk" comienza con un compás de 9/8 (mismo ritmo de la danza turca zeybek, equivalente a la griega zeibekiko), pero con la poco tradicional subdivisión de 2+2+2+3 (el patrón normal para el 9/8 es 3+3+3), y los solos de saxo y piano están en 4/4. "Blue Rondo à la Turk" no está basada en "Rondo alla Turca", de la Sonata para piano nº 11 de Mozart, sino en un ritmo turco que Brubeck había escuchado.1​ "Strange Meadow Lark" comienza con un solo de piano sin una métrica definida, para luego asentarse en un ritmo corriente de 4/4 cuando se incorpora el resto de los instrumentos. "Take Five" se mantiene en 5/4 de comienzo a fin, excepto en el solo de batería. "Three to Get Ready" se inicia en ritmo de vals y luego alterna entre dos ritmos, el 3/4 (propio del vals) y dos de 4/4. "Kathy's Waltz" comienza en 4/4 y más adelante cambia a un vals doble, para luego fusionar ambos ritmos. "Everybody's Jumpin'" se desarrolla principalmente en un 6/4 flexible, mientas que "Pick Up Sticks" se afirma en un claro y regular 6/4. Emeki además de contar con una excelente producción, resulta ser un ejercicio de pura espontaneidad y frescura. Un disco sincero, sin más artificio que la recreación del instante en clave de pura elegancia jazz. Un trabajo que gira en torno a la búsqueda de identidad propia. Sutil, parte de sólidas premisas y nos propone el encuentro con ese momento irrepetible a través de la improvisación. Composiciones como Whisper not del saxofonista, compositor y arreglista norteamericano Benny Golson o Blue in Green, una composición original de Bill Evans y Miles Davis que aparecería en el aclamado disco Kind of Blue de este último, dotan al trabajo de una impronta poco frecuentes. La banda transita suavemente por los dinámicos e improvisados pasajes de In love in vain, una composición original de Jerome Kern para deleitarnos con la deliciosa adaptación de Over the rainbow. Rafa Aceves escribe Marian como homenaje a su hermana, una composición que pone de manifiesto, tanto la sensibilidad como el talento compositivo de su autor. La banda recrea la figura del pianista norteamericano Herbie Hancock en Dolphin dance, obsequiándonos nuevamente con la delicadeza siempre muy presente a lo largo de este trabajo en Never let me go, del compositor Jay Livingston para finalizar con la recreación de la canción popular La Tarara, recuperada y adaptada en su momento por el poeta y dramaturgo Federico García Lorca. Emeki está escrito con ese lenguaje aún por descubrir, imprevisible y sutil. Ese lenguaje delicado y sin palabras donde subyace entre millones de probabilidades, la opción precisa. Ese instante concreto y no otro. Una nota que fugazmente nos desvela la verdadera esencia de un artista en busca de lo extraordinario, en busca de lo que es.

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Apasionarse por la vida. De eso se trata: el mejor jazz como regalo el primer Músicas Posibles del año. Alone Together Chet Baker Chet (Mono)Rosita Hawkins, Webster Coleman Hawkins Encounters Ben Webster Lush Life Michel Petrucciani The Blue Note AlbumsMy Funny Valentine Miles Davis Quintet Cookin' With The Miles Davis Quintet RVG Remaster 2007These Foolish Things Lester Young Blue Lester: The Immortal Lester YoungAlone Together Kenny Dorham Quiet Kenny RVG Remaster 2006Isfahan Duke Ellington Far East SuiteA Taste of Honey Paul Desmond  The Complete RCA Victor RecordingsIn A Sentimental Mood Sonny Rollins S. Rollins With The Modern Jazz QuartetAfter The Rain Duke Pearson Sweet Honey BeeDidn't Know About You Johnny Hodges & His Orchestra Blues-A-PlentySaturday Afternoon Blues Johnny Hodges & His Orchestra Blues-A-PlentyIn A Sentimental Mood Ellington & Coltrane Impulse! Escuchar audio

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Andrés Amorós dedica el programa al músico de jazz, saxo alto, que hacía melodías hasta para los que no les gustan este género.

Er war einer der größten Melodiker. Seinen sanften, luftig-leichten Ton verglich der Saxofonist mit einem "trockenen Martini". Das Dave Brubeck Quartett machte Paul Desmond weltberühmt und er schrieb die bekannteste Komposition des Jazz, "Take Five". Von Karsten Mützelfeldt.

En esta ocasión, Germán Martínez Aceves nos comparte una magnífica selección musical del saxofonista Paul Desmond para conmemorar el centenario de su nacimiento.

Am 25. November vor 100 Jahren wurde Paul Desmond geboren – Symbol des sogenannten „Cool“, einer Spielart des Jazz, die stark auf europäische Elemente zurückgreift.

Pianist/composer Dave Brubeck and Alto Saxophonist Paul Desmond are enshrined in jazz history as the most prominent voices of the popular Dave Brubeck quartet. This group cast an outsized shadow over the jazz scene of the 1950's and 1960's, Desmond's composition "Take Five" is one of the most beloved jazz compositions of all time and was the biggest hit the quartet ever had. Brubeck incorporated diverse musical influences, including that of French composer Darius Milhaud to fashion a style that incorporated odd rhythmic meters and polytonality into a fusion that predated the “third stream” movement. Desmond is perhaps the most influential voice on his instrument since Charlie Parker, he was famously quoted as saying his lyrical, pure sound on the instrument was a result of his wanting to sound like a “dry martini". His series of recordings with guitarist Jim Hall are masterpieces of melodic inventiveness, a testament to his spare, beautiful voice as both composer and performer. Enjoying the show? Help keep it going by donating here.

On tonight's show: Teddy Wilson, Stompin' at the Savoy Art Tatum, Where or When Ella Fitzgerald & Louis Armstrong, Dream a Little Dream of Me Artie Shaw, Monsoon Artie Shaw, Cream Puff Peggy Lee, Love Me or Leave Me Buddy DeFranco, Funky's Oncle Johnny Hodges, Jeep Bounces Back Don Ellis, Quiet Longing Duke Ellington (Betty Roché vocals), I Love My Lovin' Lover Boots Randolph, Billy's Bounce Chet Baker, Crazy She Calls Me Chet Baker with Paul Desmond, You Can't Go Home Again Eiji Kitamura, I Wanna Go Home

Joanna Pirod –periodista musical– nos comparte su álbum recomendación Time Out (1959) de Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo como Take Five, la cual fue compuesta por Paul Desmond. “Es súper elegante, es el primer álbum de jazz que vende miles de copias alrededor del mundo. Si te gusta el jazz es algo que debes tener” comenta Joanna.  Programa transmitido el 30 de octubre de 2024.Escucha el Noticiero de Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.

Music producer John Snyder joins us for our new series, “Notes and Narratives.” This month, Snyder shares stories about his time working with jazz alto saxophonist and composer Paul Desmond. Plus, “Cabaret” is on stage at Actor's Express, and artistic director Freddie Ashley explains why the musical continues to be relevant.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 01:58:41 - Retour de plage du lundi 15 juillet 2024 - par : Thierry Jousse - "Saxophoniste alto, au son très velouté, Paul Desmond fut le compagnon de route de Dave Brubeck tout en poursuivant une brillante carrière solo. Il était l'incarnation du cool et d'une certaine douceur de vivre … " Thierry Jousse

In this episode, Brent discusses about a question from listener Michael George, a clarinet player facing challenges with jazz standards often perceived as more suited to tenor saxophone. Michael seeks advice on emulating the styles of Paul Desmond and Stan Getz to improve his clarinet performance. Brent addresses this by debunking the notion that jazz standards are tailored to specific instruments, emphasizing that any jazz standard can be adapted and played on any instrument. He encourages musicians to explore solos and melodies across different instruments, as this approach broadens their understanding of jazz language and enhances their overall musicianship.  He elaborates on the benefits of learning solos from instruments different from one's own, sharing his personal experience as a guitarist who often transcribed solos from piano, saxophone, and trumpet players. Tune in to gain valuable insights on maximizing your practice and expanding your jazz repertoire, regardless of your instrument.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.

On this episode: we've got some '30s jazz first, Count Basie with Jimmy Rushing, and Lester Young. Then samba and bossa nova, with Stan Getz our featured artist, working with Gary McFarland, and Antonio Carlos Jobim, and we'll hear Paul Desmond and Walter Wanderley. For the rest of the program, it's Bill Evans, Pat Metheny, The Rosenberg Trio, Dianne Reeves with Fabrizio Bosso, Allen Toussaint, and Jim Hall.

This week, Joe is featuring Saxophonist Paul Desmond from his 1975 Verve Records recording “The Paul Desmond Quartet Live.” 

Pleased to've met Brooke Kakfa as we sat down for Episode No. 111.Brooke is a daughter, a sibling, a friend to many, a lifelong musician, and a member of many bands. Find either her personal or her professional page on Facebook, give her a follow on Instagram, and be sure to check out her primary outfit's Web page, which -- if you happen to be reading this on the day it drops -- includes a Dames of the Dead show tonight at Mike Kelly's Westsider, here in Kansas City, from 7:00-10:00 p.m., CDT.Not to worry, though, if you catch this late; the Dames have a number of gigs listed through early June, the most recently announced being a spot at the one and only Boulevardia on Friday, 6/14, so hats off to them for that.Brooke and I talked a little bit about growing up, family life, education, working in the hospitality industry, and the juggling of roles in the numerous musical outfits in which she either leads or participates.We also talked about a few of her favorite albums (or in some cases, tunes from them) over the years. Those were these:Paul Desmond and Gerry Mulligan's Two of a Mind (1962)The Electrifying Eddie Harris (1968), Eddie HarrisLes McCann and Eddie Harris' Swiss Movement (1969)Europe '72 (1972), Grateful DeadDoc Watson, The Essential Doc Watson (1973)Mingus (1979), Joni MitchellMingus Big Band's Nostalgia in Times Square (1993)Under the Table and Dreaming (1994), Dave Matthews BandMichael Brecker's Two Blocks from the Edge (1998)Wake Up to Find Out: Live at Nassau Coliseum, Uniondale, NY, 3/29/90, (2014), Grateful DeadSo, please check out all things Brooke Kafka online, and make sure to catch one of her live gigs. She is successfully managing a very full plate, and her projects are worth a peek. Thanks, Brooke, for your generous time and energy. The podcast has been made richer by way of your appearance.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Daft Punk track called, "Something About Us," which can be found on their 2001 release, Discovery (c/o Warner Music France/ADA France, 2001, Daft Life Ltd.).

The U.S. Congress takes the first step against a potential ban or sale of TikTok through House legislation, but will this mean the end of the social media app as we know it? Meanwhile, Europe begins adding safeguards around artificial intelligence technology to help protect the privacy of its citizens. Guest co-host Paul Desmond from Saratoga B2B Group joins the show to discuss these issues, as well as whether the U.S. power infrastructure will eventually be unable to support new AI efforts and electric vehicle applications.

The BlackCat ransomware gang, which attacked a large U.S. healthcare company that delivers prescription drug services, has apparently received a $22 million payment and then stiffed their affiliates. Guest co-host Paul Desmond joins the Today in Tech crew to discuss this story and other technology news, including why it's a bad idea for scientists to try and create a new wooly mammoth species.

Matthew Bannister onIris Apfel the colourful fashion and interior designer whose own dress sense made an impact until her death aged 102.Dr Colin Murray Parkes, the psychiatrist once described as “the David Attenborough of the bereavement world.”Baroness Henig, the deputy House of Lords Speaker who was a historian and expert on the security industry.Jim Lawrence who became skipper of a Thames sailing barge aged eighteen and went on to set up a successful sail making business in Essex. Interviewee: Dame Zandra Rhodes Interviewee: Laura Higginson Interviewee: Debbie Kerslake Interviewee: David Henig Interviewee: Baroness McIntosh of Pickering Interviewee: Simon Devonshire KCProducer: Catherine PowellArchive used: Iris Apfel on BBC Radio 4 “Woman's Hour” 31/07/2015; Colin Murray Parkes on BBC Radio 4 “Word of Mouth - The Language of Bereavement and Grief” 14/01/23; BBC Wales “Aberfan 2 days after the disaster” 24/10/1966; BBC News 20/09/2001; St Thomas Church Memorial Service, BBC New Special, BBC, 20/09/2001; Colin Murray Parkes courtesy: Cruse Bereavement Support, YouTube 23/09/2019; Baroness Henig on Woman's Hour - 20/10/2011; House of Lords 08/11/23; Parliamentlive.tv. BBC Parliament “Levelling up and Regeneration” 6/9/24; Jim Lawrence: Jim Lawrence singing, “The Singing Bargee”, Paul Desmond, YouTube 14/11/2012; Jim Lawrence Recalls His Early Days, Paul Desmond, YouTube uploaded 14 Nov 2012

The ongoing saga between the LockBit ransomware gang and law enforcement officials feels like a made-for-TV movie with back-and-forth ‘trolling', while at the same time the FBI provides warnings about ransomware aimed at hospitals. Paul Desmond joins the crew for another week of guest co-hosting on the show, where they also talk about ongoing AI mishaps from Microsoft and Google, as well as whether they'll ever wear a smartphone bracelet (no) or use a transparent laptop screen (possibly).

In a few days the Dolby Theatre in Hollywood will host the Academy Awards, and so we thought that it would be a lot of fun to come up with an episode of Mondo Jazz featuring exclusively tunes inspired by, dedicated to, or titled after movie stars (regardless of whether or not they have won any Oscar awards). The playlist features The Stance Brothers; Vienna Art Orchestra; Exploding Pig; Adam O'Farrill; Steinar Raknes; Pete Rugolo; Dave Brubeck, Paul Desmond; Shorty Rogers; Wergeld; Miles Davis; and Rachelle Garniez. Detailed playlist at https://spinitron.com/RFB/pl/18614498/Mondo-Jazz (up to “Jean Claude Van Damme”). Happy listening!

OpenAI has fired its opening salvo in the burgeoning AI-generated video space with the announcement of its Sora tool that can generate short video clips based on text prompts. Guest co-host Paul Desmond joins the show to discuss what this could mean for video-related jobs and how misinformation could result from this. Also: law enforcement cracks down on a ransomware gang and how the television has gone from the centerpiece of a home to “just another display.”

durée : 00:59:29 - Centenaires 2024 (5/5) : Bud Powell, Paul Desmond, Rudy Van Gelder - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe. - réalisé par : Fabien Fleurat

durée : 00:59:29 - Centenaires 2024 (5/5) : Bud Powell, Paul Desmond, Rudy Van Gelder - par : Alex Dutilh - Quand on observe la liste des jazzwomen des jazzmen et des bluesmen dont on pourra célébrer le centenaire de la naissance en 2024, ça ressemble à une jam session au sommet de l'Olympe. - réalisé par : Fabien Fleurat

 ‘The Dave Brubeck Quartet, Live From The Northwest, 1959' is a collection of never-before-released recordings from the archives of Brubeck Editions of two electrifying concerts recorded on April 4, 1959 at the historic Multnomah Hotel in Portland and on April 5th in the auditorium at nearby Clark College.  The legendary quartet of Dave Brubeck on piano, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello are further testament to their unprecedented skills. What master sound engineer, Wally Heider, was able to capture from these diverse and challenging venues  are two performances that embody the very sound of the Dave Brubeck Quartet that audiences first fell in love with - described as “lightning in a bottle.”   We talk with multi-instrumentalist and Grammy-nominated composer, Chris Brubeck, about discovering this stellar collection in the archives, the backstory of how it happened, and why Brubeck Editions chose it as the label's third release in continuing the legacy of Dave Brubeck.  

"Here's That Rainy Day" (ha llegado ese día lluvioso) es una canción popular con música de Jimmy Van Heusen y letra de Johnny Burke que se publicó en 1953. Fue presentada por Dolores Gray en el musical de Broadway Carnival in Flanders.La canción también se ha convertido en un estándar del jazz con grabaciones de, entre otros, Bill Evans, Duke Jordan, Wes Montgomery, Paul Desmond, Modern Jazz Quartet, Archie Shepp, Chet Baker y McCoy Tyner. En 1965, Ella Fitzgerald lo grabó en vivo en su álbum Ella in Hamburg, con Tommy Flanagan al piano y Norman Granz como productor. Escuchemos esas y otras versiones. Hosted on Acast. See acast.com/privacy for more information.

Is it a genuine compliment, an end-of-the-night lament, or simply a pick up line? AJ and Johnny will try to solve this question when "You'd Be So Nice To Come Home To" goes under the Same Difference microscope. Join us as we listen to and discuss versions by Dinah Shore, Frank Sinatra and June Hutton, Ella Fitzgerald, Chet Baker, Jim Hall and Paul Desmond, and new-to-us artist Danny Jonokuchi and the Revisionists.

Tonight's show: Peggy Lee, Georgie Auld & His Orchestra with Sarah Vaughan on vocals, Stan Kenton and His Orchestra, Earl Bostic, Oscar Peterson, Yusef Lateef, Ella Fitzgerald, Art Pepper, Richard "Groove" Holmes, Milt Jackson, Milt Jackson & The Ray Brown Big Band, Ledisi, and Chet Baker with Paul Desmond.

La mezcla con la samba, en los años sesenta, entusiasmó a los músicos estadounidenses de jazz: Cal Tjader ('Aquarius'), Paul Desmond ('Marta e Romão'), Wes Montgomery ('Moça flor'), Oscar Peterson ('Wave'), Quincy Jones ('Samba de uma nota só', 'Lalo bossa nova', 'Desafinado'), Coleman Hawkins ('Desafinado', 'Stumpy bossa nova'), Stan Gezt & Charlie Byrd ('Samba dees days', 'Samba triste'), Bud Shank & Clare Ficher ('Samba da borboletta', 'Ilusão', 'Pensativa') y Zoot Sims ('Recado bossa nova part.1'). Escuchar audio

'Borrowed roses' es el título del disco en solitario del pianista cubano Gonzalo Rubalcaba con clásicos estadounidenses como 'Night and day' de Cole Porter, 'Take five' de Paul Desmond o 'Someone to watch over me' de los Gershwin. Del disco de Bebel Gilberto, 'João', canciones que cantaba y tocaba su padre: 'Adeus América', 'Eu vim da Bahia', 'É preciso perdoar', 'Ela é carioca' o 'Caminhos cruzados'. Y del nuevo disco de Ivan Lins con una sinfónica, 'My heart speaks', las canciones 'Renata María', 'Não ha porque' e 'Easy going'. Cierra Quincy Jones con una composición de Ivan Lins titulada 'Setembro'. Escuchar audio

Here's a reboot of a fan favorite: Noel Paul Stookey, the Paul of Peter, Paul & Mary. He not only rode the folk wave of the early 1960s with such indelible songs like "Puff the Magic Dragon," "If I Had a Hammer" and helping popularize a young Minnesotan bard who went by the stage name of Bob Dylan, but helped created it. He shares the iconic trio's origin story as well as his own, and the many memories of a life, well lived, in music. Peter, Paul & Mary's long, legendary career was cut short with Mary Travers' tragic death in 2009, but their place in the cultural zeitgeist is eternal. Noel, a part-time Ojai resident, joins us to talk about his new album, "Fazz: Now & Then" and to reflect on the experience of collaborating with fellow musicians during the pandemic to create this nuanced, wide-ranging collection of 20 original songs with talented musicians such as Kent Palmer, Paul Winter, Paul Sullivan, David LaPlante and Edward Mottau. Fazz, as Noel explains, was christened by Paul Desmond of the Dave Brubeck Quartet to explain Peter, Paul & Mary's distinct fusion of jazz and folk. Noel picks up the resident Ojai podcast guitar (be still, my heart) to explain the shadings of alternate chord structures that inform much of the color of the album, as illustrated by the A Major, and the A Major 7th, its "smoky, mysterious cousin." Noel talks about writing "The Wedding Song: There is Love" - for Peter Yarrow's wedding, and his reluctance to perform it again until urged by Peter, and how it has made many, if not most, of the lists of most beautiful songs of all time, right up there with fellow Ojai resident Amanda McBroom's "The Rose." He also discusses his Christian faith and the epiphany he had at age 30 after a decade of fame, and the toll it took on his well-being. There's relevant folk music news: Noel's good friend John McCutcheon just released “Ukraine Now.” We did not talk about Ron DeSantis' fading aspirations, the Buffalo Bills abysmal overtime record or the enduring mystery of who ordered the hit on Tupac Shakur.

This week Will, Ian & Jenny, (Oh By the way this episode is Jenny's 1 Year anniversary with the show! Her first episode was NOPE if you want to take a listen) Venture back to a time in history when the world was just a little different, a little more rugged. That time was 1994, When Brad Pitt was on the verge of Superstardom and the Epic style movie was in hit demand. And in the Epic we will venture back to the turn of the century, 1800s to 1900s this is, and witness- LEGENDS OF THE FALL (1994) Directed by: Edward Zwick. Starring: Anthony Hopkins, Brad Pitt, Julia Ormond, Aidan Quinn, Henry Thomas, Karina Lombard, Tantoo Cardinal, Gordon Tootoosis, Paul Desmond, Christina Pickles, Robert Wisden and Many Other Talented People! 00:00:15- Welcome Back Jenny 00:03:00- Fan Email (specifically A.E. Bennett) 00:09:00- First Thoughts and Expectations 00:24:00- Whatcha Been Watchin'?( Jenny- RuPaul's Drag Race: Allstars, Severence, Schmigadoon. Reading: Born to Run. Ian- Vanderpump Rules, Succession (S!), Beethoven. Will- Reading: Dune) 00:36:00- LEGENDS OF THE FALL 00:37:30- Jenny Takes the 30! 01:15:00- Totals! 01:15:30- Next Week/ Bye! JENNY TAKES THE 30!?!?! Only One Way to Find Out! Tune in! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics Twitter:     @THE_Lastcritics email:   Thelastactioncritics@gmail.com Next Week: Talk To Me

On tonight's show: Louis Armstrong, Miles Davis & Sonny Rollins, Ella Fitzgerald, Dave Brubeck and Paul Desmond, Lena Horne, Miles Davis, Sergio Mendes, Herbie Mann & The Bill Evans Trio, Budd Johnson with Earl "Fatha" Hines, Buddy Rich, Ramsey Lewis, The Crusaders, Joani Taylor & the Bob Murphy Trio, and the Gary Smulyan Quintet.

Friends,We're taking a little break this weekend and posting for the first time one of our earlier podcasts (pre-Substack) with frequent guest, Allen Barton. Allen is a playwright, director, acting teacher, CEO/Owner of the Beverly Hills Playhouse, classical pianist (Steinway Artist), and cousin to jazz saxophonist Paul Desmond. Now there's a rich provenance. Bottom line—Allen is an artist!You'll enjoy this lively conversation about art and the suffocating “primrose path” that the woke are mandating we follow.Share Entering Stage Right with a friend, and…Thank You for Joining Us!Philip & D. Paul This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit enteringstageright.substack.com

Cool jazz and some bossa nova tonight: Miles Davis, the Jimmy Giuffre 3, Ella Fitzgerald, Chet Baker, Miles Davis, John Coltrane, Clare Fischer, Paul Desmond, Duke Ellington and His Orchestra & Johnny Hodges, Charlie Rouse, and Dave Brubeck.

With Matt's dad in declining health, Jeff suggested that today's album should be "one for Dad." We discuss Dave Brubeck's Buried Treasures, an archival release which was originally recorded across three nights in Mexico City back in May of 1967. Notably, Dave took the stage with his quartet, featuring legendary saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. As Brubeck writes in the liner notes, the concerts were recorded for Bravo! Brubeck!, an album that had a "Latin American themed" concept. Bravo! Brubeck! was released that same summer and the concept for the record meant that anything that didn't fit the theme was left on the shelf.  Which means a lot of material went unheard for years. The Buried Treasures release gave Brubeck fans a fresh round of cuts from what had been an extremely inspired run of shows. The liner notes, written by Brubeck, offer an extensive look behind the curtain of the performances. A separate booklet details Brubeck's history with Columbia Records. All of this makes for a fascinating journey into the world of Dave Brubeck if you're up for the trip.But that's just one part of today's episode. We discuss a number of different topics, including dads and parents in general, the sacrifices they make that we often don't know about until years later -- and getting a chance to repay the gifts. Some debts can never be truly repaid, but the gratitude lasts a lifetime. This one's for you, Dad.P.S. Get yourself a copy of Philip Clark's book, Dave Brubeck: A Life in Time. It's a must.

Tonight on Jazz After Dark: the Nat King Cole Trio, Oscar Peterson (Billie Holiday vocals), Thelonious Monk, Ella Fitzgerald, Stanley Turrentine, Paul Desmond, Boots Randolph, Boogaloo Joe Jones, Yusef Lateef, The Modern Jazz Quartet, and Sonny Rollins.

'Iroko' es el título del disco que firman el pianista cubano Omar Sosa y el cantante y guitarrista brasileño Tiganá Santana. Resalta puntos de encuentro entre principios musicales bantús y yorubas, presentes en el candomblé y la santería, con piezas como 'Iroko', 'Bolero de flotación', 'Bloco novo', 'Moradia de Babalú' o 'A selva da gameleira branca'. Y grabaciones de los años sesenta del cuarteto del saxofonista Paul Desmond y el guitarrista Jim Hall de 'Samba de Orfeu', 'Theme from Black Orpheus', 'Samba cantina', 'Bossa antigua' y 'Easy living'. Escuchar audio

Canciones de uno de los grandes compositores de la música brasileña de los últimos sesenta años, Edu Lobo, en grabaciones de Paul Desmond ('Circles'), Rosa Passos ('Zanga zangada'), Zélia Duncan ('Ave rara'), Geraldo Azevedo ('Viola fora de moda'), Gal Costa y Jaques Morelenbaum ('Canto triste'), Caetano Veloso ('Upa neguinho'), Tavito y Be Happy ('Reza'), Sarah Vaughan ('To say good bye'), Edu Lobo y María Bethânia ('Pra dizer adeus', 'Cirandeiro'), Helen Merrill ('Casaforte'), Kip Hanrahan ('Nocturnal heart'), Milton Nascimento ('Beatriz'), Zizi Possi ('O circo místico') y Edu Lobo y Chico Buarque ('Na carreira'). Escuchar audio

Tonight's show is the 600th episode of Jazz After Dark! We'll hear selections from 1934 – 1969: Benny Carter, Sidney Bechet with Noble Sissle, Lena Horne, Stan Kenton and His Orchestra, Helen Carr, Gerry Mulligan, and Harold Land. Also: Ella Fitzgerald live from Copenhagen in 1959, in a newly released recording, and then Russ Freeman, Earl "Fatha" Hines, Count Basie & His Orchestra, Paul Desmond, and Ben Webster.

We're commemorating  jazz pianist Ramsey Lewis and record producer Creed Taylor tonight. We'll hear Ramsey Lewis from the '60s and '70s and then in a duet with Nancy Wilson. From Creed Taylor's CTI label, we'll hear George Benson, Johnny Hammond, Hubert Laws, Chet Baker with Paul Desmond and Bob James, Grover Washington, Jr., and Ron Carter.

Tom Monath joins TWiV to discuss his wide-ranging career that includes medicine, field work and vaccine development while working for the US government, the US military, and multiple biotechnology companies. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, and Rich Condit Guest: Tom Monath Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Research assistant position at FDA (pdf) Support MicrobeTV with a Spike t-shirt (Vaccinated.us) Fever by John Fuller (Amazon) Crozet BioPharma Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz – Small Group #3:  Dave Brubeck Quartet. Dave Brubeck, Piano; Joe Morello, Drums, Paul Desmond, Alto Saxophone, Eugene Wright, Bass: Signature Album: Time Out. Signature Song: Take Five. Rich – Wilderness Safaris (wiki) Alan – Madhouse at the End of the Earth, by Julian Sancton Vincent – Raymond Chandler and his protagonist Philip Marlowe. Listener Picks Philip – Students bitten by bats inside college residence hall Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Mike's busy in Europe so Pat goes solo with a look at controversial jazz label CTI.  A lynchpin of the early seventies, record buyers loved the artwork, high production values and impeccable musicianship, but hard-core jazzbos and critics were suspicious that owner Creed Taylor was putting too much sugar into the mixes, not to mention those sprinklings of Stravinsky!  Freddie Hubbard – FIRST LIGHT; George Benson – WHITE RABBIT: Paul Desmond – FROM THE HOT AFTERNOON; Milt Jackson – SUNFLOWER;  Grover Washington Jr. – A SECRET PLACE; Stanley Turrentine – SALT SONG.

Tonight on Jazz After Dark: mellow sax and trumpet. Gerry Mulligan, John Coltrane, Dave Brubeck with Paul Desmond, Don Ellis, Stanley Turrentine, John Klemmer, Benny Carter, Pharoah Sanders & William Henderson, Grover Washington Jr., and Tommy Flanagan.

Tonight on Jazz After Dark, mostly West Coast cool jazz: The Dave Brubeck Trio, Dave Brubeck Octet, Shorty Rogers, Dave Brubeck & Paul Desmond, The Dave Brubeck Trio. Ella Fitzgerald & The Jimmy Jones Trio, Milt Jackson, Paul Desmond with the  Modern Jazz Quartet, Stan Getz, Johnny Hodges, Chick Corea, and Benny Carter.

Tonight on Jazz After Dark, mostly West Coast cool jazz: The Dave Brubeck Trio, Dave Brubeck Octet, Shorty Rogers, Dave Brubeck & Paul Desmond, The Dave Brubeck Trio. Ella Fitzgerald & The Jimmy Jones Trio, Milt Jackson, Paul Desmond with the  Modern Jazz Quartet, Stan Getz, Johnny Hodges, Chick Corea, and Benny Carter.

Tonight on Jazz After Dark: Ella Fitzgerald & Louis Armstrong, Sidney Bechet, Louis Armstrong & Billie Holiday, and Dizzy Gillespie with the Stan Getz Sextet. More from Ella Fitzgerald, then Oscar Peterson, Richard Twardzik and Russ Freeman. Herbie Mann with Beeny Weeks, Keith Hodgson, and Lee Rockey. Paul Desmond, Cannonball Adderley, Sonny Stitt, Charlie Rouse, and Milcho Leviev.

My top 10 greatest, most influential and must know alto sax players of the classic jazz era. Not in any order: Charlie Parker, Sonny Stitt, Cannonball Adderley, Johnny Hodges, Benny Carter, Jackie Mclean, Phil Woods, Lee Konitz, Paul Desmond, Ornette Coleman BETTERSAX SHED - all my free lesson downloads https://bettersax.com/shed 7-Day Free Trial of BetterSax Studio https://bettersax.com/products/studio... ♫ BETTERSAX COURSES ♪ https://bettersax.com/products

Tonight on Jazz After Dark: From the 1940s, we'll hear Earl "Fatha" Hines and Johnny Hodges, The Nat King Cole Trio, Ike Quebec Quintet, Peggy Lee, and Charlie Parker and His Quintet. From the 1960s we'll hear Louis Armstrong and Duke Ellington, Charlie Byrd and Stan Getz, Pete Fountain, Oscar Peterson, Paul Desmond, Herbie Mann and Joao Gilberto with Antonio Carlos Jobim, Eddie Jefferson, and Ella Fitzgerald and the Jimmy Jones Trio with Duke Ellington and his Orchestra, and then we'll take it out with Stanley Jordan.