Podcast appearances and mentions of ann temkin

In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse's Red Studio (1911) and the elusive nature of creativity. It was inspired by the recent exhibition Matisse: The Red Studio at MoMA, now on view at the SMK Denmark through February 26, 2023. Dialogues is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.

A conversation with Ann Temkin, the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York. Our conversation focuses on MoMA's current exhibit “Matisse: The Red Studio” which revolves around the iconic painting of the same name that has been an integral part of MoMA's collection since 1949. Ann spent more than four years researching, writing about and compiling the exhibit which features the Matisse artworks seen on the walls and tabletops of the studio in the painting. We discuss the work's historical context, its significance, the secrets it holds and the hunt for all of the works in the scene.

Lehmann's mysterious, frequently nocturnal paintings draw from sources as varied as the Flemish Primitives, aeronautic technical bulletins, how-to photography manuals, Gothic altarpieces, and radiographic simulators. The work explores the continuity of symbolic motifs over the course of centuries, but is united by a persistent concern with the iconography of the unseeable. Prior to completing this body of work, Lehmann co-curated, with Ann Temkin, “Ileana Sonnabend: Ambassador for the New,” at the Museum of Modern Art in New York; coauthored the anthology Artists Who Make Books (Phaidon/PPP Editions); and wrote “Color Goes Electric,” a widely read history of standard test images and the digitization of color, for Triple Canopy. A former editor at Cabinet and a contributor to Artforum, Lehmann received a BA from Harvard College in Visual and Environmental Studies (1998–2003).

Paintings and sculptures from Henri Matisse's Red Studio are reunited for the first time in this new exhibition of works at MoMa. Organizer Ann Temkin joins to discuss.  *This segment is guest-hosted by Matt Katz*

Episode No. 548 features curators Ann Temkin and Stephanie Weissberg. Along with Dorthe Aagesen, Temkin is the co-curate of "Matisse: The Red Studio," an exhibition that investigates Matisse's making of his famed 1911 The Red Studio. The exhibition, which is at the Museum of Modern Art, New York through September 10, features each of the surviving works Matisse portrayed in The Red Studio, as well as related archival photographs, correspondence and related paintings and drawings. The excellent exhibition catalogue was published by MoMA. Indiebound and Amazon offer it for $55. Weissberg discusses her exhibition "Assembly Required," which is at the Pulitzer Arts Foundation, St. Louis through July 31. The show features eight artists -- Francis Alÿs, Rasheed Araeen, Siah Armajani, Lygia Clark, Hélio Oiticica, Yoko Ono, Lygia Pape, and Franz Erhard Walther -- who believed that public action is vital to transform society. The work Weissberg has selected for the exhibition invites a viewer's physical participation.

Episode No. 461 is a holiday clips episode featuring curator Ann Temkin. Less than two weeks after opening on March 1, the Museum of Modern Art, New York's exhibition "Judd" was temporarily shuttered as a result of the COVID-19 pandemic. Both MoMA and "Judd" have re-opened. The museum has extended "Judd," the first posthumous retrospective of Donald Judd's work in the United States, through January 9, 2021. “Judd” was curated by Temkin along with Yasmil Raymond, Tamar Margalit and Erica Cooke.

Pablo Picasso is commonly regarded as one of the most influential artists of the 20th Century, changing our way of seeing with his radical innovation and revolutionary approach. As pioneer of Cubism, godfather to the Surrealists, and creator of the enduring anti-war painting Guernica, he produced thousands of paintings in his lifetime, not to mention his sculptures, ceramics, stage designs, poetry and plays. Rajan Datar discusses his life and work with curators Ann Temkin and Katharina Beisiegel, and art historian Charlie Miller. (Photo: Pablo Picasso in 1955. Credit: Hulton Archive/Getty Images)

A veritable Juddaganza: we focus on an artist who, before the coronavirus (Covid-19) forced museums and galleries to close, was set to be the subject of three exhibitions in New York this spring, Donald Judd. We talk to Ann Temkin, curator of the big survey at the Museum of Modern Art in New York, the online version of which opens at moma.org on 23 April. We meet Flavin Judd, the artist’s son, to discuss the exhibition of his dad’s work at David Zwirner, which Flavin curated, and Judd’s artistic legacy. And in a special contribution, Roberta Smith, co-chief art critic at the New York Times reads the eulogy she gave at Judd’s memorial service in 1994 for the first time since that day. Meanwhile, in the latest of our series exploring lonely works in museums that have closed due to the coronavirus, Donna De Salvo senior adjunct curator of special projects at the Dia Foundation, chooses Marcel Duchamp’s Étant Donnés, in the Philadelphia Museum of Art. See acast.com/privacy for privacy and opt-out information.

You really have a feeling that here is a building that looks fantastically beautiful, and it's got its whole façade simply blown off by this war.                                                                                                       -Philipp Blom World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more. WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture. Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky ‘L.H.O.O.Q.' by Marcel Duchamp; readymade [postcard reproduction of Leonardo da Vinci's Mona Lisa] and pencil (1919) (Philadelphia Museum of Art) James Reese Europe and the 369th Regiment band, also known as the Harlem Hellfighters (1918) (U.S. National Archives and Record Administration) Margaret Gorman, the first Miss America, on the Atlantic City boardwalk (1921) (Wikimedia Commons) Still from Wallace Worsley's The Hunchback of Notre Dame (1923, Universal) starring Lon Chaney as Quasimodo and Patsy Ruth Miller as Esmeralda (Universal Pictures) The Cenotaph in Whitehall, London on November 9, 2015, surrounded by poppy wreaths for Remembrance Day (Bailey-Cooper Photography / Alamy Stock Photo) Producer/Host: Sara FishkoAssociate Producer: Olivia BrileyTechnical Director: Ed HaberEditor: Karen Frillmann Production help from Terence Mickey, Meara Sharma, and Frederic Castel With the voices of Michael Wist and Alexis Cuadrado Thanks to Loren Schoenberg, Jennifer Keene, Jo Fox, Katy Wan, Marion von Osten, Marion Kiesow II, Patrick Helber, Shannon Connolly, and Natalia Ramirez Shell Shock 1919 is supported by the Revada Foundation of the Logan Family On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.                                                                                                       -Philipp Blom World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more. WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture. Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky ‘L.H.O.O.Q.’ by Marcel Duchamp; readymade [postcard reproduction of Leonardo da Vinci’s Mona Lisa] and pencil (1919) (Philadelphia Museum of Art) James Reese Europe and the 369th Regiment band, also known as the Harlem Hellfighters (1918) (U.S. National Archives and Record Administration) Margaret Gorman, the first Miss America, on the Atlantic City boardwalk (1921) (Wikimedia Commons) Still from Wallace Worsley’s The Hunchback of Notre Dame (1923, Universal) starring Lon Chaney as Quasimodo and Patsy Ruth Miller as Esmeralda (Universal Pictures) The Cenotaph in Whitehall, London on November 9, 2015, surrounded by poppy wreaths for Remembrance Day (Bailey-Cooper Photography / Alamy Stock Photo) Producer/Host: Sara FishkoAssociate Producer: Olivia BrileyTechnical Director: Ed HaberEditor: Karen Frillmann Production help from Terence Mickey, Meara Sharma, and Frederic Castel With the voices of Michael Wist and Alexis Cuadrado Thanks to Loren Schoenberg, Jennifer Keene, Jo Fox, Katy Wan, Marion von Osten, Marion Kiesow II, Patrick Helber, Shannon Connolly, and Natalia Ramirez Shell Shock 1919 is supported by the Revada Foundation of the Logan Family

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.                                                                                                       -Philipp Blom World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more. WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture. Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky ‘L.H.O.O.Q.’ by Marcel Duchamp; readymade [postcard reproduction of Leonardo da Vinci’s Mona Lisa] and pencil (1919) (Philadelphia Museum of Art) James Reese Europe and the 369th Regiment band, also known as the Harlem Hellfighters (1918) (U.S. National Archives and Record Administration) Margaret Gorman, the first Miss America, on the Atlantic City boardwalk (1921) (Wikimedia Commons) Still from Wallace Worsley’s The Hunchback of Notre Dame (1923, Universal) starring Lon Chaney as Quasimodo and Patsy Ruth Miller as Esmeralda (Universal Pictures) The Cenotaph in Whitehall, London on November 9, 2015, surrounded by poppy wreaths for Remembrance Day (Bailey-Cooper Photography / Alamy Stock Photo) Producer/Host: Sara FishkoAssociate Producer: Olivia BrileyTechnical Director: Ed HaberEditor: Karen Frillmann Production help from Terence Mickey, Meara Sharma, and Frederic Castel With the voices of Michael Wist and Alexis Cuadrado Thanks to Loren Schoenberg, Jennifer Keene, Jo Fox, Katy Wan, Marion von Osten, Marion Kiesow II, Patrick Helber, Shannon Connolly, and Natalia Ramirez Shell Shock 1919 is supported by the Revada Foundation of the Logan Family On Thursday, November 7, hear more from Sara Fishko and guests, live at The Greene Space. Tickets are available now. Radio Air Dates: Sunday, November 10 at 11 am on 93.9 FM. Sunday, November 10 at 6 pm on AM 820. Veterans Day, Monday November 11 at 2 pm on 93.9 FM. Saturday, November 16 at 10 pm on AM 820.

Pablo Picasso is commonly regarded as one of the most influential artists of the 20th Century, changing our way of seeing with his radical innovation and revolutionary approach. As pioneer of Cubism, godfather to the Surrealists, and creator of the enduring anti-war painting Guernica, he produced thousands of paintings in his lifetime, not to mention his sculptures, ceramics, stage designs, poetry and plays. Rajan Datar discusses his life and work with curators Ann Temkin and Katharina Beisiegel, and art historian Charlie Miller. (Photo: Pablo Picasso in 1955. Credit: Hulton Archive/Getty Images)

Does art have to be beautiful, or can everyday stuff be made into art too? Abbi Jacobson brings her friend comedian Hannibal Buress to look at sculptures by Dada and Surrealist artists, who upended the definition of what art could be. Marcel Duchamp and Meret Oppenheim were basically trolling the art world — and the work they made is really funny. Also featuring: Ann Temkin and Anne Umland Marcel Duchamp. Bicycle Wheel. New York, 1951 (third version, after lost original of 1913). Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2" (129.5 x 63.5 x 41.9 cm). (The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection. © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp)   Marcel Duchamp. In Advance of the Broken Arm. August 1964 (fourth version, after lost original of November 1915). Wood and galvanized-iron snow shovel, 52" (132 cm) high. (The Museum of Modern Art, New York. Gift of The Jerry and Emily Spiegel Family Foundation. © 2017 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp.)   Meret Oppenheim, Object. Paris, 1936. Fur-covered cup, saucer, and spoon; cup 4 3/8" (10.9 cm) in diameter; saucer 9 3/8" (23.7 cm) in diameter; spoon 8" (20.2 cm) long, overall height 2 7/8" (7.3 cm) (The Museum of Modern Art, New York. Purchase. © 2017 Artists Rights Society (ARS), New York / Pro Litteris, Zurich. )    

"Skrik" - pastellen av Edvard Munch som ble solgt på auksjon i New York i mai - stilles ut fra og med i kveld på museet for moderne kunst - MOMA - i New York. I mai i år solgte Petter Olsen bildet på auksjon for 120 millioner dollar, nesten rekord. Bildet fra 1895 skal henge på MOMA sammen med flere av Munchs trykk fra samme tid, forteller sjefskurator Ann Temkin

Reflections on the impact of her Yale doctoral studies on life and leadership by Ann Temkin ’91 Ph.D., the Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York City.