Podcast appearances and mentions of Yoko Ono

Professors and educators are now turning to A.I. to prepare lessons, teach, and even grade students' work. We talk with New York Times tech reporter Kashmir Hill about the ongoing debate in higher-ed about A.I.. TV critic David Bianculli reviews One to One, a new documentary about John Lennon and Yoko Ono.Also, writer Amanda Hess talks about motherhood in the digital age, navigating a world where apps, surveillance tech, and a relentless stream of algorithmic advice have become part of pregnancy and parenting. Her book is Second Life.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Colleges and universities have been trying to fight against students using tools like ChatGPT to do class assignments and communicate. But here's a twist: Professors and educators are now turning to A.I. to prepare lessons, teach, and even grade students' work. We talk with NYT tech reporter Kashmir Hill about these conflicts on campus. Also, she shares what she learned after giving over her life for a week to A.I. tools, which wrote emails for her, planned her meals, chose what she should wear, and even created video messages for TikTok using her likeness and a clone of her voice.David Bianculli reviews a new documentary about John Lennon and Yoko Ono.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

72 minuter tros det ta innan världen som vi känner den går under vid ett totalt kärnvapenkrig. Dan Jönsson reser till Hiroshima och ser hur ingenting tycks ha hänt och allt förändrats. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.AtomvårSom ett förfärligt fossil från något av framtidens naturhistoriska museer ligger den där och ruvar i all sin nakenhet: den suddiga konturen, skuggan av en mänsklig kropp. Fortfarande tydligt urskiljbar efter så många år tecknar den sin svartnade silhuett i det slitna brottstycket av den stentrappa som fram till den 6 augusti 1945 utgjorde entrén till bankkontoret i Hiroshima. På morgonen den dagen, som verkade bli varm och solig, hade någon slagit sig ner på trappan i väntan på att banken skulle öppna; någon, som när atombomben briserade klockan kvart över åtta i likhet med tiotusentals andra invånare i denna storstad helt enkelt försvann, förintades i den extrema hettan. Men skuggan blev kvar. Framtida civilisationer till varnagel och besinning.Nu ingår stenen med skuggan bland artefakterna på Fredsmuseet i Hiroshima, bland föremål som smälta klockor, sönderbrända skor, väggbitar med spåren av det svarta, radioaktiva regn som följde senare på dagen – ett museum som i sin krampaktiga saklighet kramar hjärtat ur besökaren. Plötsligt förstår jag precis vad han menar, den japanske mannen i Alain Resnais film ”Hiroshima, mon amour”, när han gång på gång förnekar att hans tillfälliga franska älskarinna skulle kunna förstå något: ”Tu n'as rien vu a Hiroshima.” Du såg ingenting i Hiroshima. Ute i parken blommar körsbärsträden; vid utgången skriver jag en rad i museets gästbok och hajar till vid något som någon har präntat dit ett litet stycke ovanför. ”If only they had surrendered earlier…” läser jag på engelska. Om de bara gett upp tidigare.Föreställningen att atombomberna över Hiroshima och Nagasaki var moraliskt försvarbara eftersom de gjorde slut på kriget och tvingade fram den japanska kapitulationen några veckor senare, hör till den västerländska historieskrivningens mest långlivade myter. Men sann, det är den inte. Bomben bör kallas för vad den var, en förbrytelse; vill man förklara den bör man förstå den som en maktdemonstration inte bara mot Japan utan kanske främst mot Sovjetunionen, vars röda armé i krigets slutskede avancerade mot de japanska öarna. Men förödelsen i Hiroshima ska också ses som det logiska slutsteget i en process som påbörjats nästan femtio år tidigare, en vetenskaplig omvälvning som redan i grunden hade skakat bilden av vår värld och vår plats i den. Människan hade dyrkat upp naturens lås, sprängt den gamla världsbilden i småbitar. Det återstod att demonstrera.Fram till dess hade naturvetenskapen varit överens om att materiens minsta beståndsdelar utgjordes av ett slags rörliga partiklar, atomer. Ordet atom användes första gången av den grekiske naturfilosofen Leukippos på 400-talet före vår tideräkning och betyder odelbar – när den moderna atomläran formulerades i början av 1800-talet var det alltså ett sätt att hävda just att vetenskapen i dessa elementarpartiklar hade identifierat en materiens orubbliga grund, en fast punkt. Den rubbades 1897, när fysikern Joseph John Thomson lyckades visa att atomen förutom sin positiva kärna också består av en mindre, negativ partikel, elektronen. Året innan hade Henri Becquerel upptäckt det som Marie Curie några år senare skulle ge namnet radioaktiv strålning, och decennierna som följde kom genombrotten slag i slag: makarna Curies utforskande av radioaktiviteten, Ernest Rutherfords kartläggning av atomens inre struktur och hans modell – som sedan utvecklades och förfinades av den danske fysikern Niels Bohr – av hur elektronerna kretsar runt kärnan som i ett litet solsystem.Människan öppnade dörren till atomåldern, och världen var förändrad. ”Upplösningen av atomen,” skrev den ryske konstnären Vassily Kandinsky 1913, ”var för min själ detsamma som upplösningen av världen. De tjockaste murar störtade med ens samman. Allt blev osäkert, instabilt, mjukt.” Det var ungefär samtidigt som Kandinsky gjorde sina första helt abstrakta bilder – och känslan av en värld i upplösning var han knappast ensam om. Kubister, futurister, rayonnister: alla försökte de på olika sätt spegla denna söndersprängda verklighet. ”Jag är en atom i universum,” skrev Hilma af Klint om sina målningar i serien ”Atom”, och i Paris uppförde dansösen Loïe Fuller sin experimentella ”Radiumdans” med fosforescerande kostymer och – enligt uppgift – Marie och Pierre Curie som förundrade åskådare.Men fascinationen för det nya och oerhörda bar redan från början på ett mörkt stråk. 1909 publicerade H G Wells sin autofiktiva roman ”Tono-Bungay” där kvacksalvaren George Ponderevo upptäcker det radioaktiva materialet ”quap”, ett ämne med en outsinlig inre energi som också med tiden drabbar dem som kommer i kontakt med det med en dödlig, lepraaktig sjukdom. Detta kärnfysikens janusansikte var alltså tidigt uppenbart för både forskare och konstnärer, liksom för den breda allmänheten. I USA inleddes mot slutet av 20-talet en rättsprocess när en grupp kvinnliga arbetare i en urfabrik, ”the radium girls”, stämde staten efter att många av dem drabbats av cancer på grund av exponering för fluorescerande radiumfärg. Bävande anade man i den nya fysiken samtidigt lösningen på många av mänsklighetens problem – och fröet till dess slutgiltiga undergång.Men någon väg tillbaka fanns inte. Modernitetens bild av den tekniska utvecklingen som ett framåtskridande till varje pris laddade atomteorin med en ödesmättad förening av utopiska löften och dödliga hot. Dadaisten Hugo Ball förkunnade hur ”elektronteorin orsakat en märklig vibration i alla ytor, linjer och former”, hur ”dimensionerna krökte sig och gränser föll”. Men det slutliga genombrottet kom först 1938 när en grupp tyska fysiker gjorde upptäckten att en urankärna kunde klyvas när den besköts med neutroner. Och hur det då frigjordes extrema mängder energi.Det återstod nu sju år till Hiroshima. Om vetenskapen fram till dess stått på tröskeln till atomåldern togs nu de sista stegen in i den – och som så ofta var det vapenindustrin som gick i bräschen. Redan i januari 1939 tog USA:s president Roosevelt emot en rapport som visade hur man med en nukleär kedjereaktion skulle kunna producera en förödande bomb; samma teknik kunde också användas för att producera fredlig elektricitet, men med det krig som snart bröt ut kom andra prioriteringar. Från nyåret 1943 sysselsatte det så kallade Manhattanprojektet mer än hundratusen personer runt om i USA och efter två och ett halvt år, i juli 1945, gjordes den första provsprängningen. Bara tre veckor kvar: vid tvåtiden på morgonen den 6 augusti lyfte bombplanet Enola Gay från sin bas på ön Tinian i Marianerna. Vid spakarna satt piloten Paul Tibbets och i lastutrymmet fanns en fyra ton tung bomb som kärleksfullt fått namnet Little Boy. Knappt sju timmar senare nådde den sitt mål. Framtidens portar hade sprängts. Och ljuset flödade. AtomsommarDet sägs att det första som sker när en atombomb exploderar är att allt blir vitt. Berättelserna från dem som överlevde och kan berätta är fyllda av en vantrogen bävan, en övertygelse om att ha varit med om något som är omöjligt att beskriva. Ändå måste man försöka. Hisashi Tohara var arton år och satt just på ett tåg i väntan på att det skulle lämna perrongen. Dagen var en måndag, skriver han. Höstterminen hade precis börjat. Eleverna i hans gymnasieklass var mobiliserade vid ett stålverk, men den här dagen hade strömmen slagits ut och arbetarna fått ledigt. Pendeltåget in till centrum skulle alldeles strax gå när plötsligt allt flammade upp i ett bländande ljus – ögonblicket efter var det som om jorden skakade i sina grundvalar och hans nacke blixtrade till av en ohygglig smärta.Hisashi Tohara ägnar nästan en sida åt att försöka ge en föreställning om detta oerhörda ljus. Det var, förklarar han, ett ljus som aldrig slutade att strömma ut: ”oräkneliga partiklar av ljus” – ”bländande, gyllene med röda reflexer” – ”mikroskopiska, finare än ett damm av ljus” – ”en stormflod av ljus som översvämmade världen” – ”himmel och jord flöt i ett rött, gult, gyllene skimmer där man urskilde myriader av partiklar, än mer strålande. Under två eller tre sekunder kanske? Men det tycks mig” – minns han – ”som det varade betydligt längre. Och ändå inte mer än ett ögonblick.”Ögonvittnesskildringarna från Hiroshima har alla det gemensamt att de står mer eller mindre vanmäktiga inför den intensiva intighet som bomben utlöser. Hisashi Toharas minnesbilder är nedtecknade ett år efter bomben, därefter skrev han aldrig något mer. Enligt hans hustru var det heller ingenting han någonsin talade om; först efter hans död 2011 hittade hon berättelsen i en byrålåda. Som hos så många andra som överlevt liknande katastrofer genomsyras den inte bara av försöken att ge konkret gestalt åt det obeskrivliga, utan också av en dov, irrationell skam över att vara den som skonades. De sargade, sönderbrända, fastklämda, drunknande offer som kantar flyktvägen ut ur den förstörda staden hemsöker hans minnen som en kör av tysta, anklagande spöken.Samma dunkla upplevelse av hur skulden på något obevekligt vis faller på de oskyldiga offrens axlar går också som en sugande underström genom den främsta litterära skildringen av katastrofen i Hiroshima: Masuji Ibuses dokumentära kollektivroman ”Kuroi ame” – Svart regn. Ibuse var redan före kriget en av Japans mest uppburna författare, och ”Svart regn” blev bland det sista han skrev. Boken utgavs först 1969 och bygger på ett stort antal vittnesmål som fogats samman till en lågmäld, kollektiv berättelse. Titeln, ”Svart regn”, syftar på det våldsamma skyfall som bröt ut några timmar efter explosionen och som många av de brännskadade offren hälsade med jubel – utan att veta, förstås, att vattnet var radioaktivt och att de som drack det gick en säker död till mötes.Detta historiska markperspektiv är det fina med Ibuses roman. Ingen vet ju riktigt vad som hänt. Men att det är något exceptionellt blir uppenbart redan under de första veckor efter bomben när berättelsen utspelar sig. Ogräsen skjuter fart och blir monsterhöga, mystiska utslag visar sig på de överlevandes kroppar och leder snabbt till döden. Inga förklaringar ges, allt framstår som en obarmhärtig prövning. Frågan är, å andra sidan, om någon alls skulle bli lugnad av att veta vad sådana fenomen beror på, vad som faktiskt sker i en kropp som smittas av akut strålsjuka. Hur vävnaderna i de inre organen faller sönder, hur blodkärlens väggar drabbas av nekros, hur blodet slutar producera antikroppar och immunförsvaret upphör att fungera. Hur vatten tränger ut under huden där det bildar stora blåsor som brister, hur syrebristen i blodet orsakar så kallad cyanos, ett slags lilafärgade utslag som spricker upp och blöder. Hur bakterier från inälvorna tar sig ut och infekterar blodet och leder till akut sepsis.Som sagt, jag vet inte om det gör katastrofen mer begriplig. Men allt detta vet vi idag. Det är helt enkelt några av de nya kunskaper atomåldern fört med sig. Dessutom: med bomben föddes insikter som också utlöste en helt ny etisk diskussion. Den tyske filosofen Günther Anders, som besökte Hiroshima och Nagasaki i slutet av femtiotalet, beskrev det som att det som drabbat dessa båda städer var den första konkreta erfarenheten av hur kärntekniken och dess konsekvenser från och med nu förenar hela mänskligheten i en kuslig ödesgemenskap. Historiefilosofiskt, skriver han, är dessa vapensystem inte längre ett medium utan själva scenen där historien utspelar sig.Efter hemkomsten från Japan tar Anders kontakt med Hiroshimapiloten Claude Eatherly, som vid den här tiden sitter intagen på ett mentalsjukhus för sina samvetsbetänkligheter. Deras korrespondens, som sträcker sig över nästan två år, utkommer så småningom under titeln ”Samvete förbjudet” – och i ett av dessa publicerade brev minns Eatherly hur han på morgonen den 6 augusti slås av den förfärande insikten om vad som är på väg att ske. Han sitter själv inte i bombplanet, utan flyger i förväg för att rekognoscera målet: en järnvägsbro i utkanten av staden. Han ser den tydligt genom de lätta cumulusmolnen. I samma ögonblick som han ger klartecken glider molnen bort, bomben riktas fel och han inser att den nu kommer att träffa stadens centrum.Claude Eatherly kommer så länge han lever aldrig att bli fri från det han varit med om. Samma sak gäller förstås de tusentals överlevande, på japanska hibakusha, som likt offren för de nazistiska förintelselägren bär sitt ofattbara trauma i tysthet mitt i en till synes likgiltig omvärld. Vad är det för mening att berätta? Hur beskriver man det obeskrivliga? Hur förklara skuldkänslorna hos den som överlevt? ”Du såg ingenting i Hiroshima”, som det heter i Marguerite Duras manuskript till Alain Resnais ”Hiroshima, min älskade”. Nej – men på stadens Fredsmuseum finns några konkreta kvarlevor: en bit vägg med långa strimmor av det svarta, radioaktiva regnet, trappstenen med skuggan efter någon som satt och väntade på att banken skulle öppna. Men också mängder med teckningar, utförda av hibakusha under åren efter bomben; bilder som började dyka upp i offentligheten på sjuttiotalet och sedan vuxit till en egen genre av vittnesmål. Enkla, expressiva försök att skildra förödelsen, paniken, massdöden. Mänskliga spöken med håret på ända, kläderna i trasor och skinnslamsor hängande från kroppen. Floden som svämmar över av lik. Vanmäktiga bilder av de första sekundernas intensiva ljus.Barnen som överlevde, skriver Hisashi Tohara, kom att kalla bomben för ”pikadon”: av orden för ”ljus” och ”dån”. Det ljuset, och det dånet, är det som lyser upp och genljuder genom decennierna som följer. Med skuggorna av hundratusen döda. Atomhöst”Din första tanke när du vaknar skall vara 'atom'.” Så inleder Günther Anders sina Atomålderns bud, publicerade i dagstidningen Frankfurter Allgemeine 1957. Den tyske filosofen och författaren hade då sedan ett decennium ägnat sig åt att försöka greppa den moraliska vidden av atombomberna mot Hiroshima och Nagasaki – och kommit till slutsatsen att bombens själva existens i grunden hade förändrat mänskligheten som kollektiv. Som han uttryckte det i sin brevväxling med den olycklige Hiroshimapiloten Claude Eatherly något år senare hade hotet om planetens totala förintelse fört oss alla samman i en ofrivillig ödesgemenskap av ”oskyldigt skyldiga”. Eatherly, med sina förtärande självförebråelser – som till slut drev honom så långt att han upprepade gånger begick våldsbrott och bankrån, bara för att bevisa sig skyldig till något, och slippa ifrån sin roll som krigshjälte – framstod för Anders som en förebild i denna universella olycksgemenskap. Ett offer för bomben, han också.Om någon tycker det här påminner om hur man idag tänker kring klimatförändringarna, ligger det mycket i det. Men detta första decennium efter bomben var det inte många i västvärlden som delade Anders tankar. När han och Eatherly brevväxlade satt piloten inspärrad på ett militärt mentalsjukhus med sina skuldkänslor. I femtiotalets USA fanns ingen plats för sådana som han. Det skulle så småningom förändras – men trots att bilderna och vittnesmålen från Hiroshima nått den amerikanska allmänheten redan 1946, i John Herseys berömda reportage, fick de väldigt liten effekt i offentligheten. Här dominerade den officiella historieskrivningen där det som skett i Hiroshima och Nagasaki var ett nödvändigt ont, närmast framtvingat för att äntligen få den japanska krigsmakten att kapitulera. Den berättelsen gäller till stor del än idag, trots att den faktiskt inte har mycket fog för sig. Som historikern Tsuyoshi Hasegawa kunde visa redan 2005 var Japans kapitulation bara en tidsfråga; det som fick USA att detonera bomberna var att Sovjetunionen efter Tysklands kapitulation fått händerna fria i Fjärran Östern. I en stormoffensiv hade Röda armén ockuperat Manchuriet och var på väg mot Japan över öarna i norr. Vad det handlade om för USA:s del var att inte Sovjet skulle hinna först.Atombombsåldern kom alltså att inledas i en stämning av förnekelse och förträngning. Medan efterkrigstidens optimistiska konsumtionssamhälle tog form började en vanvettig atomkapprustning. Från de första bomberna hade den amerikanska atombombsarsenalen vuxit till 170 stycken 1949, när Sovjetunionen gjorde sitt första kärnvapenprov, och åren som följde gick det slag i slag. 1952 testsprängde USA sin första termonukleära vätebomb, stark som tusen Hiroshimabomber, och redan i mitten av decenniet hade de båda kärnvapenmakterna bomber nog för att med marginal spränga hela den mänskliga civilisationen till grus. Detta samtidigt som politikerna drömde om en framtida teknokratisk utopi flödande av billig energi, där bilarna drevs av små kärnreaktorer. Skulle kriget ändå råka bryta ut fick skolbarnen lära sig att krypa ner under bänkarna, och speciella dräkter tillverkades för att skydda mot strålningen.Under tiden drogs ritningarna upp för den oundvikliga förintelsen. 2008 berättade den pensionerade amerikanske försvarstjänstemannen John Rubel hur han i december 1960 suttit med under ett hemligt möte där ett par höga officerare lade fram de detaljerade planerna för en så kallad förebyggande kärnvapenattack mot Sovjetunionen. Som Rubel mindes det skulle angreppet enligt ingenjörernas beräkningar leda till döden för cirka sexhundra miljoner människor. Rubel erkände att han själv i stunden saknat civilkurage för att protestera, och jämförde med den nazistiska Wannseekonferensen där planerna för den slutliga, industriella lösningen av judefrågan tog form. ”Jag kände,” skrev han, ”att det jag bevittnade var ett liknande nedstigande i mörkrets hjärta, en grumlig underjordisk värld som styrdes av ett disciplinerat, noggrant och livaktigt men hjärndött grupptänkande med syfte att utrota hälften av människorna som levde på nästan en tredjedel av jordytan.”I Japan däremot var de postnukleära stämningarna annorlunda – av naturliga skäl. Trots att det under hela femtiotalet rådde ett offentligt tabu mot att diskutera katastrofen och dess följder är det ingen överdrift att säga att hela den japanska konsten och litteraturen under efterkrigstiden utvecklades i skuggan av Hiroshima och Nagasaki. Bomberna och den amerikanska ockupationen sände chockvågor genom den japanska kulturen och födde experimentella konströrelser som den minimalistiska arte poveragruppen Mono-ha, eller den betydligt våldsammare Gutai, vars medlemmar besköt sina målardukar med kanon: bägge strömningar som i sin tur också gjorde djupa intryck på yngre konstnärer som Yoko Ono, Tetsumi Kudo och Yayoi Kusama. Nobelpristagaren Kenzaburo Oe gav 1965 ut sina Anteckningar från Hiroshima, en samling personliga reportage där de överlevande, som efter tjugo år fortfarande lever i skräck för blodcancer och andra efterverkningar, lyfts upp till en sorts nationella, moraliska förebilder: ”Bara genom liv som deras,” skriver Oe, ”kan människor framträda med värdighet i vårt samhälle.”Och med tiden växte protesterna i styrka även i västvärlden. Precis som man likt Theodor Adorno kunde se det som ”barbariskt” att skriva poesi efter Auschwitz kunde man som Günther Anders spekulera i vad det betydde att bedriva filosofi efter Hiroshima. Hans kollega Hannah Arendt delade synen på bomben som en mänsklighetens vändpunkt – men för henne stod den framför allt för en förlust av politiskt handlingsutrymme, där teknologins råa styrka tog förnuftets plats. Man frestas citera president Trumans tillkännagivande den 6 augusti 1945, där han proklamerar Hiroshimabomben som ”den organiserade vetenskapens största historiska bragd”. Som Arendt uttrycker det i Människans villkor har denna etiskt förblindade vetenskap trätt ut i offentligheten som en av ”de mäktigaste, maktgenererande grupperingar historien skådat.”Atomålderns etik måste med andra ord ta formen av en civilisationskritik. Mot slutet av sextiotalet uppgick antalet atombomber i världen till över 30 000 – men då var också motståndet i full kraft. Ett motstånd som inte bara riktades mot kärnvapenrustningen utan också mot den fredliga atomkraften och hela den teknokratiska kultur som gjort det möjligt att spela med så fruktansvärda insatser. Att en olycka vid ett kärnkraftverk kan få precis samma förödande effekter som en bomb har världen sedan dess tvingats till insikt om, gång på gång: i Harrisburg, Tjernobyl, Fukushima. Namnen hemsöker vår tid, som skuggan av en mardröm. Den där tanken som man nuddar när man vaknar. Och som sedan försvinner. AtomvinterEtt minne från när det kalla kriget var som kallast, början på åttiotalet: jag sitter hemma i soffan i föräldrahemmet och ser på teven där USA:s president Reagan flinande avslöjar att en kärnvapenattack mot Sovjetunionen kommer att starta om fem minuter. Ett skämt, tydligen. Mitt minne av händelsen är lite oklart: eftersom ”skämtet” gjordes inför en radiosändning borde ljudupptagningen ha spelats upp till stillbilder, jag vet inte – men det jag tydligt minns är hur det medan skratten klingar ut i teven ändå hinner gå ett frostigt spöke genom vardagsrummet. Hur mina föräldrar liksom fryser till i tevesoffan och hur vi sedan också skrattar, lättade – och lite chockade: det var nära ögat. Om det är något vi har förstått på sista tiden är det ju hur nära det faktiskt verkar vara. Atomklockan, som den kallas, har länge stått på bara någon minut i tolv.Världen, kanske särskilt Europa, gick i detta tidiga åttiotal nästan bara och väntade på den stora smällen. Om vi idag förskräcks av de klimatförändringar som utsläppen av växthusgaser är på väg att leda till så är de trots allt ingenting emot det som skulle bli följden om ett fullskaligt kärnvapenkrig bröt ut. Inte som en effekt av själva explosionerna – men allt stoft de rörde upp, alla bränder de orsakade skulle lägga sig som ett lock på atmosfären i flera års tid och sänka temperaturen på jordytan till katastrofala nivåer. Fenomenet gick under begreppet atomvinter: ett ord som de här åren låg som ett kylelement under den dystopiska tidsandan med dess undergångsfantasier och nihilistiska yuppieideal. Med dess apolitiska alienering, och en popkultur som manglade ut sin svarta depprock och sina frostiga syntslingor över en ekande posthistorisk avgrund.Men den hotande atomvintern gav också näring åt en växande proteströrelse. Civilisationskritiken, som under sextio- och sjuttiotalen blivit ett allt tyngre inslag i kärnvapenmotståndet förenades på åttiotalet med feministiska, postkoloniala och antikapitalistiska strömningar i en gränsöverskridande skepsis mot den tekniska utvecklingen som filosofen och antikärnvapenveteranen Günther Anders såg som ett senkommet historiskt genombrott när han i början av åttiotalet samlade sina reflexioner i de här frågorna i boken Hiroshima ist überall, Hiroshima är överallt. I England tog ett feministiskt fredsläger form i protest mot utplaceringen av kärnvapen vid armébasen i Greenham Common. I Australien protesterade urbefolkningen mot uranbrytningen på traditionell aboriginsk mark, i New Mexico i USA krävde Navajofolket kompensation för kärnvapenprovens radioaktiva kontaminering. Och i Oceaniens övärld växte rörelsen för ”ett kärnvapenfritt Stilla Havet”, som en reaktion på de franska och amerikanska provsprängningar som gjort många öar obeboeliga. För dem som tvingats bort från sina hem var stormakternas så kallade ”nukleära kolonialism” bara ännu en form av cyniskt imperialistiskt våld.Denna världsomspännande folkrörelse såg för en kort tid ut att faktiskt stå inför ett globalt genombrott. I juni 1982 samlade en demonstration i New York en miljon deltagare i protest mot kärnvapenrustningen; några veckor tidigare hade bortåt hundratusen människor tågat genom Göteborg under samma paroller. Jag var själv en av dem. Liknande fredsmarscher ägde rum över hela den europeiska kontinenten. Vad vi kanske inte riktigt förstod, tror jag – hur vi nu skulle kunnat göra det, där vi vällde fram, mitt i alltihop – var hur snärjda vi alla redan var i den nukleära terrorbalansens världsordning. För om nu ”Hiroshima är överallt”, som Günther Anders skrev – måste det då inte betyda att också protesterna blir en del av systemet: en balanserande motvikt som invaggar oss i tron att den nukleärteknologiska utvecklingen trots allt ska gå att tämja och hantera? Sedda från dagens tidsavstånd kan de ju faktiskt se så ut, som en avledande, kringgående rörelse, en historiens list som tillfälligt öppnade en politisk ventil och lät oron pysa ut, utan att i grunden ändra något överhuvudtaget. Allt medan utvecklingen gick vidare i sina obevekliga spår.Nej, jag vet inte. Men kanske var det en sådan insikt som landade i världens medvetande i april 1986, med haveriet i Tjernobyl. Plötsligt visade det sig mycket konkret – om man nu inte redan hade förstått det – att Hiroshima verkligen var överallt: i luften, i vattnet, i maten vi äter. Helt oberoende av nationsgränser och politiska system. Sociologen Ulrich Beck skrev i sin uppmärksammade bok Risksamhället hur händelser som just den i Tjernobyl tvingar hela samhället att orientera sig efter potentiella risker, försöka förutse och förebygga – och inte minst: uppfostra sina medborgare i riskmedvetenhet, eller uttryckt på ett annat sätt, i oro. Vi får i förlängningen ett samhälle där rädslan är det som binder samman, ett samhälle vars främsta uppgift blir att vidmakthålla en bedräglig illusion om säkerhet.I detta risksamhälle måste till slut också kärnteknologin banaliseras och kläs i termer av säkerhet. Det talas om kärnvapnen som ett skyddande ”paraply”, om kärnenergin som en trygghet i en osäker och föränderlig omvärld. Hiroshima känns mycket avlägset. Att besöka staden idag ger upphov till en märklig svindelkänsla: åttio år efter bomben sjuder staden av liv som vilken modern metropol som helst, de hypersnabba shinkansentågen anländer och avgår på sekunden på den centrala järnvägsterminalen, nästan som om inget hänt. Men det har det. Det har det, verkligen – under ytan ömmar fortfarande traumat, men med sin ärrvävnad av monument och museala artefakter, all denna rekvisita i en minneskultur som hoppas läka det som inte går att läka.Kanske är det det han menar, den japanske mannen i Alain Resnais film Hiroshima, min älskade, när han säger till sin franska älskarinna att hon aldrig har sett något i Hiroshima. För det som skett går inte att se. Med varje gest som återkallar minnet följer en som hjälper till att utplåna det. I filmen är den franska kvinnan själv på flykt undan ett krigstrauma: hennes första kärlek var en tysk ockupationssoldat – och minnet av hur hon blev vittne till hans död för en anonym kula från en motståndsman är, förstår man, det hon nu på ett bakvänt sätt försöker bearbeta genom att vara med och spela in en ”fredsfilm” (som det kallas) i Hiroshima.Men traumat, visar det sig, går inte att förtränga. Det finns kvar. Precis som atomvintern finns kvar – som en iskall, omedveten rysning under kärnvapenparaplyet. Spöket från Hiroshima, skuggan av den okände som satt och väntade på bankens trappa just när bomben föll, har vuxit till ett skymningsdunkel som vi mer eller mindre tycks ha vant oss vid. Om det totala atomkriget bryter ut skulle det, enligt en vanlig uppgift, ta sjuttiotvå minuter innan det mesta av vår civilisation är ödelagd. En dryg timme. Längre är den inte, framtiden.Dan Jönssonförfattare och essäistLitteraturAnnie Jacobsen: Kärnvapenkrig – ett scenario. Översättare: Claes-Göran Green. Fri Tanke, 2024.Tsuyoshi Hasegawa: Racing the Enemy – Stalin, Truman, and the Surrender of Japan. Harvard University Press, 2005.Marguerite Duras: Hiroshima, mon amour – filmmanus och berättelse. Översättare: Annika Johansson. Modernista, 2014.H. G. Wells: Tono-Bungay. (Ej översatt till svenska i modern tid, original: Macmillan, 1909.)Günther Anders: Hiroshima ist überall. C. H. Beck, 1982.Hisashi Tōhara: Il y a un an Hiroshima. översättare: Dominique Palmé. Gallimard, 2011 (postum utgåva från återfunnen text).Masuji Ibuse: Black Rain. Översättare: John Bester. Kodansha International, 1969.Claude Eatherly / Günther Anders: Samvete förbjudet – brevväxling. Översättare: Ulrika Wallenström. Daidalos, 1988.Kenzaburō Ōe: Hiroshima Notes. Översättare: David L. Swain & Toshi Yonezawa. Marion Boyars, 1995.Peter Glas: Först blir det alldeles vitt – röster om atomvintern. Natur & Kultur, 1984.Ulrich Beck: Risksamhället – på väg mot en annan modernitet. Översättare: Svenja Hums. Bokförlaget Daidalos, 2018.Hannah Arendt: Människans villkor. Översättare: Alf Ahlberg. Rabén & Sjögren, 1963.LjudSylvain Cambreling, Nathalie Stutzmann, Theresa Kohlhäufl, Tim Schwarzmaier, August Zirner med Bayerska Radions Kör och Symfoniorkester (München): Voiceless Voice In Hiroshima. Kompositör: Toshio Hosokawa med texter från liturgin, Paul Celan och Matsuo Bashō. Col legno, 2001.Sveriges Radios arkiv.US National archives.Hiroshima mon amour (1959), regi: Alain Resnais, manus: Marguerite Duras. Producent: Argos Films. Musik: Georges Delerue och Giovanni Fusco.

This is an Encore Presentation of my July 2024 ROCK PHOTOGRAPHER SUMMIT. It features five of the greatest rock n' roll photographers of the era and the subjects they are known for: Ebet Roberts - Downtown NYC punk and New Wave scene. Television, Talking Heads, Blondie, Miles Davis.Bob Gruen - John Lennon, Yoko Ono, Tina Turner, Led Zeppelin, NY Dolls, The Clash, The Ramones.Jay Blakesberg - The Grateful Dead, Joni Mitchell, U2, Santana.Elliott Landy - Album covers: Bob Dylan's “Nashville Skyline”, The Band's “Music From Big Pink”, Van Morrison's “Moondance”. Jimi Hendrix, Eric Clapton.Gered Mankowitz - Album Covers by The Rolling Stones: “Out Of Our Heads”, “Between The Buttons”, “Got Live If You Want It”. Elton John, Traffic, Yardbirds.                                      ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Ebet Robertswww.ebetroberts.comBob Gruenwww.bobgruen.comElliott Landywww.elliottlandy.comJay Blakesbergwww.rockoutbooks.comGered Mankowitzwww.mankowitz.com—---------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Welcome to a vintage episode of the Brand X Podcast! Originally broadcast on May 18, 2016, this episode is packed with classic storytelling, candid conversations, and a dose of nostalgia. Hosts John Jamingo and Deuce kick things off with a look back at their week – including John's fun guest stint on another comedy podcast.This week, the guys get real about quitting jobs, tough boss decisions, and the complicated etiquette around giving notice – complete with personal tales from both sides of the employer-employee divide. They reminisce about the childhood thrill of chasing down the Mr. Softee ice cream truck, funny mailbox mishaps, and how those carefree days compare to raising children today.The conversation then takes a thought-provoking turn into the world of bullying—then versus now—as John and Deuce discuss old-school playground justice, the changing definition of bullying, and a new approach in Wisconsin that aims to hold parents accountable for their kids' bad behavior.Rounding out the episode is a lively discussion on the quirks of American politics, with theories about the Clintons, presidential primaries, and a few wild news stories—including Yoko Ono's surprising claim about Hillary Clinton. Along the way, they keep things light with sidebar stories, plenty of laughs, and genuine rapport that shows why Brand X is a listener favorite.Settle in for a trip down memory lane, some serious talk, and plenty of laughs as the Brand X crew brings you their unfiltered take on everything from quitting jobs to ice cream memories, bullying, and beyond.- [00:00:05] Introduction and vintage episode setup - [00:00:32] Banter about Seattle weather and Three is Comedy Podcast - [00:01:43] News of the week and podcast recording stories - [00:02:08] Nephew's dilemma about quitting a job without notice - [00:03:40] Employer/employee relationships and quitting etiquette - [00:05:10] Younger employees' attitudes toward work and references - [00:09:33] Managing employees and firing experiences - [00:09:58] Mr. Softee topic: Jingle composer's passing and ice cream truck memories - [00:13:13] Childhood ice cream stories and mailbox prank - [00:16:24] Mailman's reaction to melted banana split prank - [00:18:26] Discussion: Wisconsin fining parents for kids' bullying - [00:20:33] Bullying definitions and changes over time - [00:21:50] Is there an upside to bullying? Handling bullies growing up - [00:23:44] Childhood fights, standing up to bullies, and personal anecdotes - [00:30:18] Bullying now: group dynamics and modern issues - [00:31:47] Role of families and parenting changes in bullying - [00:33:13] Parenting styles, helicopter parents, and letting kids grow up - [00:34:37] Podcast promo break: Classy Little Podcast - [00:36:41] Politics: Discussion of Hillary Clinton, Trump, Bernie Sanders, and elections - [00:41:11] Trump's business-government conflicts and government contracts - [00:43:08] Halliburton, government work, and conflict of interest - [00:44:03] Election scenarios: independent runs and youth vote - [00:45:16] Primary voting age and debate about 18 vs. 21 - [00:49:25] Primary scheduling, state rights, caucuses vs. primaries - [00:52:00] How caucuses work, Democratic vs. Republican process - [00:53:36] Superdelegates, party control, and election frustration - [00:55:02] Kennedy-Nixon debate, media influence, and visual politics - [00:56:03] Populism, Bernie Sanders' support, and superdelegates - [00:57:21] 1992 election, Ross Perot, and electoral consequences - [00:57:38] Listener feedback, podcast recommendations, and in-jokes - [00:58:34] Returning to topic: Yoko Ono and Hillary Clinton rumor - [01:00:32] Yoko Ono's press statement about...

Yoko Ono e John Lennon interpretati da Riccardo Pellegrini e Valerio Ventura. Questo e altro nella puntata dei TRE TENORI. Ascolta il podcast.

SUPPORT THIS PODCAST!Join PatreonGet some merch~~~~FEATURED SONGREC (feat. Leslie Baroness) - "Eat Salvation (LR Remix)" I've done 10 episodes on the Beatles, and mentioned them in countless other episodes. Every time I did my research, I'd bump into people who can't stand Yoko Ono. You can probably guess why.I'm not one of those people, for so many reasons. I go over all those reasons while diving into Yoko's history and discography, and explain why she deserves far more respect than she's ever received.Are you a Yoko hater? Do you begrudgingly respect her, even if you don't like her and/or her music? Or do you feel Yoko is an incredibly accomplished artist in her own right? Discuss dammit!BONUS MxTRA VIDEO: The films of Yoko Ono~~~*intro music credit: REC - "Wake Up High"

Yoko Ono pasará a la historia como una de las causantes del fin de los Beatles o quedará reducida a ser "la mujer de John Lennon", pero Fernando Neira viene a reivindicar su trayectoria artística y su legado musical en solitario. Además, recibimos la visita de Víctor Cabezuelo, cantante, guitarrista y compositor de Rufus T. Firefly, el grupo madrileño que presenta su octavo álbum, 'Todas las cosas buenas'.

Laguna Beach, California-based singer, songwriter, guitar and piano player who just last month released a brand-new album. Her prior album had been done with a three-time GRAMMY-nominated producer and was released on the same record label that has artists such as Moby, Duran Duran, and Yoko Ono on its roster. She has been featured by USA Today, Rolling Stone, Billboard, American Songwriter, Harpers Bazaar, Glamour, and more. Last November she even attended the Billboard Awards, which she talks about during this interview. She also talks here about surviving a near-death experience while giving birth to her twin boys. In addition to her music, she has launched Lovendar, a lavender-based fragrance line that is a nod to the healing journey behind her album. She has more than 425 thousand streams on her top five songs on Spotify alone.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 5ú lá de mí Bealtaine, liomsa Lauren Ní Loingsigh. I 1978 tháinig an nuacht amach go mbeadh athruithe chuig rialachán foirgníocht agus go mbeadh an costas de na tí nua ag dul suas 50%. I 1989 tháinig sé amach nach raibh na daoine a raibh ag bunú gnó nua ag úsáid an airgid a thug an rialtas dóibh I gcóir an ghnó nua, bhí siad ag úsáid é I gcóir rudaí eile. I 1978 bhí earnáil na turasóireachta sásta go mbeadh an samhradh go maith sa chontae an bhliain sin. I 2000 bhí na daoine sa chontae buartha faoi na háiseanna easnamhach san ospidéal in Inis. Dúirt an choiste forbairt go raibh róphlódú san ospidéal agus ní raibh mórán leaba acu. Sin The Bee Gees le Night Fever – an t-amhrán is mó ar an lá seo I 1978. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1969 tháinig The Beatles amach lena amhrán Get Back I Meiriceá. Tháinig John Lennon amach I 1980 agus dúirt sé go raibh roinnt rudaí faoi Yoko Ono agus dúirt sé go raibh Paul McCartney ag féachaint uirthi nuair a bhí siad sa stiúideo le chéile agus é ag canadh roinnt liricí. I 2016 tháinig The Rolling Stones amach agus chuir siad cheist ar Donald Trump gan a amhráin a sheinm I rith a fheachtas uachtaránachta. Tháinig siad amach ag rá nach raibh cead aige a amhráin a úsáid. D'úsáid Trump amhrán a tháinig amach I 1969 'You Can't Always Get What You Want' cúpla uair. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Craig David sa Bhreatain I 1981 agus rugadh amhránaí Adele sa Bhreatain ar an lá seo I 1988 agus seo chuid de amhrán. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 5th of May, with me Lauren Ní Loingsigh 1978: strict government building regulations were to increase the cost of new houses by up to 50 per cent. 1989: it was confirmed that some people who received government cash to help them set up in business did not use all the money for its intended purpose. 1978: tourism operators were sounding a bright note for the region this summer. 2000: clare people were concerned about the inadequate facilities in ennis general hospital according to the hospital development committee, who have claimed the hospital had suffered from overcrowding and bed shortages. That was The Bee Gees with Night Fever – the biggest song on this day in 1978 Onto music news on this day In 1969 The Beatles single 'Get Back' was released in the US. John Lennon claimed in 1980 that "there's some underlying thing about Yoko in there", claiming that Paul McCartney looked at Yoko Ono in the studio every time he sang "Get back to where you once belonged." 2016 The Rolling Stones told Donald Trump to stop playing their songs during his presidential campaign. The band issued a statement saying that the US presidential candidate did not have permission to use the band's music. Their 1969 hit 'You Can't Always Get What You Want' had been a particular favourite during his campaign. And finally celebrity birthdays on this day – singer Craig David was born in the UK in 1981 and singer Adele was born in the UK on this day in 1988 and this is one of her songs. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Zhubl téměř dvanáct kilo, takže si pochvaluje dobrou kondici. A dobré kondici se těší i jeho společnost GZ Media. „Ta je na tom ještě lépe, protože hubnout nepotřebuje,“ říká pobaveně Zdeněk Pelc a se smíchem souhlasí s tím, že firma klidně může ještě „přibrat“. Však k tomu má také nakročeno: po severoamerickém kontinentu plánuje GZ Media expanzi do Asie. Kam přesně do Asie chce GZ Media zamířit? V čem tato expanze spočívá? Na jakém úspěchu firma spolupracovala s Yoko Ono a synem Johna Lennona? Jak se společnosti daří v porovnání s minulými léty? Jak je Zdeněk Pelc rozhodnutý ohledně budoucího předávání firmy rodině? A proč se za něj modlí sestry Boromejky? Tohle vše – a ještě mnoho dalšího – se dozvíte v novém díle Forbes Byznys podcastu.

This week on the show, the great Yuka Honda. She's a New York musician. In the 1990s, she emerged from the fertile New York music underground with Cibo Matto alongside groups like the Beastie Boys, Sonic Youth, and Luscious Jackson. She's collaborated with an extensive roster of musicians, including John Zorn,David Byrne, Yoko Ono, Sean Ono Lennon, and her husband, guitarist Nels Cline.  Earlier this year, we taped the conversation you're about to hear. Some of it ran as text in the Across the Horizon zine that was available at Big Ears Music Fest. What is Across the Horizon? Well, it's a collaborative series from Bob Holmes of Suss and Northern Spy Records gathering together like-minded artists drawn “from the wide landscape of instrumental music” (including Luke Schneider, Marisa Anderson, William Tyler and more) to curate a series of digital releases that will culminate in a double LP compilation of stellar sonic explorations on August 13th.  Under her Eucademix banner, Yuka has explored experimental electronics via two semi recent Farm Psychedelia EPs and her Across The Horizon contribution “A Long Slow Blink Before The Answer.”  In this conversation, we get into food, art, language, and much more. You can read a ⁠full transcript⁠ of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. ⁠Subscribe at Aquarium Drunkard. ⁠ Stream a ⁠playlist of bumper music featured on Transmissions⁠, as well as selections from our guests. Transmissions is a part of the ⁠Talkhouse Podcast Network⁠. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

“A brutal reality of this painful world...” This week, the gals talk May Pang (former assistant to John Lennon and Yoko Ono), The Valley, Vanderpump Villa, and good ole' Tom Schwartz (this time on Summer House.....)!We release two types of episodes -- pop culture/reality TV chats (that's this one!) and interviews. If you missed last week's interview with the delightful Pauline Bithell, we HIGHLY recommend you check it out!More on May Pang from TitTok creator @slutshamedxWSANDA SUBMISSIONS: wsandasubmissions@gmail.comFollow us on instagram @wesignedannda @mikiannmaddox @liffordthebigreddog so you can slither in our DMs with constructive feedback, but please, for the love of god, don't cyberbully us. We're fragile :-/If you're picking up what we're putting down and want even more Ann and Amanda comedy content, support us on Patreon. You have no idea how many times we've said "Wait, this is too batshit.....we'll put it on Patreon." Our cover art was made by America's sweetheart, producer Maddy, and our theme song features parts of "Kawaii Til I Die" by Starjunk 95 Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Growing Readers Podcast, host Bianca Schulze interviews author Lisa Tolin about her picture book biography Can You Imagine?: The Art and Life of Yoko Ono. They discuss Tolin's creative process, her admiration for Yoko Ono's resilience and artistry, and how she approached introducing conceptual art to young readers.Transcription: You can read the transcription on ⁠⁠⁠⁠⁠The Children's Book Review⁠⁠⁠ (coming soon)Highlights:Finding Balance: Tolin discusses juggling her full-time job, motherhood, and writing booksThe Reading-Writing Connection: Thoughts on why writers must first be readersMeeting Yoko: How interviewing Yoko Ono changed Tolin's perception of herMisunderstandings: Common misconceptions about Yoko Ono that the book addressesArtistic Vision: Collaborating with illustrator Yas Imamura to bring Yoko's story to lifeHandling Difficult Topics: Approaching themes of war and John Lennon's death for young readersConceptual Art: Making abstract artistic concepts accessible to childrenPeace and Imagination: Why Yoko's message remains relevant for today's childrenNotable Quotes:"I think it's really important to not just read, but read widely and currently." —Lisa Tolin on becoming a writer"The instant I met her, I just knew she had been fully misunderstood." —Lisa Tolin on Yoko Ono"She talked about being a small pebble person... if you have a small pebble, you can see it ripple out and understand that you're making a difference." —Lisa Tolin on Yoko's philosophy"I wasn't like because children everywhere are demanding this book... it was because it interested me and I think that comes across in writing." —Lisa Tolin on writing about Yoko OnoBooks Mentioned:Can You Imagine?: The Art and Life of Yoko Ono by Lisa Tolin, illustrated by Yas Imamura: ⁠Amazon⁠ or ⁠Bookshop.org⁠How to Be a Rockstar by Lisa Tolin: ⁠Amazon⁠ or ⁠Bookshop.org⁠About Lisa Tolin: Lisa Tolin is a journalist and editor who has covered arts and entertainment, lifestyle, health, and breaking news for major news organizations. Her years as a journalist gave her the opportunity to interview Yoko Ono in her home. Lisa lives in Brooklyn, New York, with her husband and two sons.Connect and Follow:Learn more about Lisa Tolin at ⁠LisaTolin.com⁠Visit ⁠The Children's Book Review⁠ website for more episodesCredits:Host: Bianca SchulzeGuest: Lisa TolinProducer: Bianca SchulzeThe Growing Readers Podcast celebrates children's literature and its power to inspire a lifelong love of reading.Keywords: Lisa Tolin, Growing Readers podcast, Yoko Ono, picture book biography, children's literature, conceptual art, imagination, peace activism, Yas Imamura, illustration, creative process, motherhood, writing life, Beatles, John Lennon, children's books, artist biography

MSNBC is airing the six-part documentary series David Frost Vs, built around some of the most extraordinary interviews conducted over a 50-year period by David Frost, the legendary British journalist and entertainer. We speak with executive producer Wilfred Frost, one of David's sons, about his dad's tête-à-têtes with Richard Nixon, Elton John, Muhammad Ali, John Lennon, Yoko Ono and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is a privilege to welcome six-time Emmy-nominated filmmaker Alan G. Parker to The Jake's Take with Jacob Elyachar Podcast.  Before becoming a filmmaker, Alan worked as a press officer via Judy Totton Publicity and later in EMI's catalogue department in London. At EMI, he worked with bands such as Buzzcocks, Stiff Little Fingers, and the Stranglers. He also wrote for magazines and published books about the Clash and Sid Vicious. In 2009, Alan directed Who Killed Nancy? And Monty Python: Almost the Truth – The Lawyers' Cut was nominated for six Emmy Awards. In 2017, he directed the documentary It was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond!  Alan G. Parker's latest documentary, Borrowed Time: Lennon's Last Decade, focuses on music legend John Lennon's final years. The film follows the former Beatle as he navigates through the band's breakup while creating revolutionary music and standing at the forefront of anti-war protests that would make him one of the most influential pop culture icons of all-time.   Hear musicians, journalists, and the man's close friends set the record straight on the truth behind many famous Lennon moments brought to life by rare archive footage, including never-before-seen interviews. For the first time, the full story of how John and Yoko met is revealed, and watch as the curtain is lifted on the 1981 comeback tour that never came to be. This monumental film is a must-see for Lennon,  Beatles, and music fans.    On this episode of The Jake's Take with Jacob Elyachar Podcast, Alan G. Parker took us behind the scenes about Borrowed Time's filmmaking process, including the insights he found from the documentary interview subjects who had interacted with John during that time.  Borrowed Time: Lennon's Last Decade will be released in theatres on May 2, 2025.  Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

"Mark David Chapman? How about you Mark David Catch these 9mms?"- Alternate history concealed carry John Lennon, December 8th, 1980"Holden Caufield? Why don't you HoldOnto Colt 45 .ACP cartridges with your torso?"- Alternate history concealed carry Yoko Ono, December 8th, 1980Archie Comics' Sonic the Hedgehog's Buddy Tails Part 300:00 Intro17:02 Southern Crossover Part III01:01:06 Outro -----Gotta Talk Fast is an oral review of Archie Comics' Sonic the Hedgehog. Way past cool.LINKS: https://gottatalkfast.com/

Spring blooms in NYC, and Opie Radio at Gebhards delivers a chaotic, laugh-packed episode! The crew kicks off with conspiracies about the Pope’s “unalived” Easter Monday exit, a blessed Lamborghini for Pope John Paul II, and Jim Morrison hiding in Syracuse. They dive into Florida Man Games with lawnmower racing, family scandals, and barfing on JetBlue. Ron takes over with a freezing Coney Island beach tale, a dubious sexual harassment counselor claim, and rants on food dyes and declining birth rates. A $100 saltine-eating challenge ends in a dusty disaster, while the street cam spots Yoko Ono (maybe). Grab a Lagunitas IPA for this unfiltered, edgy rollercoaster of humor and absurdity!See omnystudio.com/listener for privacy information.

Gérard Deltell défend la proposition du Parti conservateur du Canada d'arrêter les gens qui installent des tentes dans des lieux publics. Nathalie Petrowski révèle être passionnée de hockey depuis deux jours et critique la biographie sur Yoko Ono. Et Hugo Dumas parle de Stat.

The SLOPPY BOYS come to the Forever Dog studio to chat with Tom about their podcast, their musical career, the beach and more! Tom talks with DAVID SHEFF, author of the Yoko Ono biography Ono! The topic: Is The Beach good or bad? Callers weigh in! Plus, Tom gets a call from GLENN DANSIG IN MIDDLEBRIDGE! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show HEARD IT ON THE BEST SHOW PLAYLIST https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1971, John Lennon performed publicly, for the first time in five years, at a rally decrying the injustice of Michigan police targeting a radical political activist for an elaborate undercover sting operation, resulting in a sentence of ten years in prison for passing two joints. The concert brought massive media attention, and John Sinclair soon after walked out of prison a free man, landing John Lennon on Richard Nixon's official enemies list. For the next three years, the President's "plumbers" harassed the former Beatle and his wife Yoko Ono, while the INS threatened him with deportation over an old hashish bust back in England. Meanwhile the FBI tapped his phones and sent agents to tail his every move. Lennon, Ono, and their legal team fought them every step, and along the way created a new legal precedent in immigration law that still stands as today's DREAM act. Read John Lennon vs. The USA (written by Lennon's immigration attorney Leon Wildes) for more info. Long live Nutopia! PATREON Please support Great Moments in Weed HIstory on Patreon. Supporters get exclusive access to video versions of this podcast and private seshes, plus cool rewards like a signed book. And it truly helps us make the best show possible. EPISODE ARCHIVE Visit our podcast feed for 150+ episodes of Great Moments in Weed History, and subscribe now to get a new weekly podcast every Weednesday.

Wendy's cheeky "Can we send her back?" tweet about Katy Perry's brief space trip. Has the Perry Camp pissy and Lawyers could be getting involved???!!!  WTF?KiddChris and Sara delve into the allegations and leaked texts surrounding Shannon Sharpe, the ongoing public perception.KiddChris's very strong (and controversial) theories about Yoko Ono's influence on John Lennon, including claims about her being a bad influence and introducing him to heroin. Be prepared for takes you might not hear anywhere else, even prompting strong listener reactions.The recurring "Weirdo Dude" is back on the TALKBACK with his jokes!Sara has the story of a "naughty teacher" in Kentucky facing serious charges, including solicitation for murder and sexual abuse of a minor! KiddChris give his reasons why she should be set free! Kanye West's continuous stream of controversial actions and statements, including wearing swastika t-shirts and his new song "Cousins" which reportedly details disturbing experiences from his childhood.

NEWCASTLE, ADELAIDE & BRISBANE SHOWS COMING UP: Billy Stand-Up Tour Tickets: https://linktr.ee/billy.darcy This week I have returned from Melbourne to the solo pod. Talking about the Beatles documentary, yarns from the end of Melbourne Comedy Fest, Marty Sheargolds replacement, Billy Ray Cyrus & Liz Hurley and the Lachie Galvin drama. New Episode every Thursday! Youtube: https://www.youtube.com/channel/UCJscnfTTW_-aO5D81Xi22yw? Facebook: www.facebook.com/billydarcy1 Instagram: www.instagram.com/billy.darcy Music: 'In the Clouds' by RENNANSee omnystudio.com/listener for privacy information.

LA Mayor Karen Bass has released her next budget. To help close a massive deficit, the city may have to lay off around 5% of the city workforce. LA’s Japanese American National Museum is refusing to follow the Trump administration’s orders to end DEI efforts. Now it's at risk of losing $2 million of federal funding. The documentary “One to One” follows John Lennon and Yoko Ono through a tumultuous period in their lives and American politics, reassessing Ono’s artistry and her influence on Lennon.  YouTube turns 20 this year. The popular video site democratized content on the web, but also inflamed culture wars, radicalized users, and further polarized an already divided society.

Apart from Yoko Ono, probably no other figure in the Beatles story is as divisive and hated as much as Allen Klein. Klein was brought into clean up the business disaster that was Apple, and to get a better contract and more money for the Beatles. After his work with Sam Cooke, The Rolling Stones, and others, the Beatles gave Klein a chance to improve their finances in 1969-70, with agreements that lasted for the next several years. In this episode, we dig into the background of Allen Klein, his rise to prominence, his work with The Rolling Stones, and of course shine an extensive light on his rise and fall with the Beatles as a group and as solo artists. Is he really the villain we've been led to believe he was? Or did he do some good things for the group? Listen and find out! Essential reading:  https://www.amazon.com/Allen-Klein-Fred-Goodman/dp/0544705017 Feel free to email or record a message about this episode to ivegotabeatlespodcast@outlook.com and we'll include you in our "Please Mr. Postman" segment. Also, please rate us wherever you listen to your podcasts. You can now watch us on YouTube! Complete episodes can be found at https://ivegotabeatlespodcast.podbean.com. Email: ivegotabeatlespodcast@hotmail.com X: @ivegotabeatles Facebook: I've Got A Beatles Podcast Check out our video venture: "Song Album Career!"

Talking with poet, editor, and literary trickster anon Jasper Ceylon on the art of aesthetic sabotage and poetics in the age of algorithm. From anonymous pen names to deliberate hoaxes published to destabilize the contemporary poetry scene, Jasper dissects the decay of literary standards, using his surreal, very funny and on point fake poetry journal Echolalia, as a critical manifesto serving as both scalpel and mirror. A self-described poetry fan first and foremost, Jasper satirizes the very world he inhabits, exposing identity-first editorial gatekeeping and the global flattening of taste. We talk about the ghost networks of the contemporary (poetry) world, the process in his rebellion; building a complete parallel poetic narrative world to dupe the editors. Instagram poetry and grievance studies, Jasper doesn't pull punches but neither is he cynical. A romantic dissident who wants to save humanity from an algorithm-dominated life of flattening dullness and mediocrity. We go deep on the state of publishing, the cult of identity, AI's role in human (poetic) deadness, on the the fun polarizing Edward De Vere theory of Shakespearean authorship, the disappearance of true literary dissent, and the neoliberal endgame of cultural homeostasis. On men and marginalization, the phobia of criticism in artistic spaces, and the tragedy of becoming cosmopolitan in the most banal sense. On the poetics of evil, on Vanessa Place, the battle between light and dark, the oversupply of menstruation poems and apocalypse. On breaking free of guardrails on the true task of poetry: not to comply, but to break the spell.On Mission And I am conversely just trying to…help people live well, see through some of this programming, make more informed choices, not create infrastructure that isolates people and demoralizes them under the guise of uplifting others. I'm trying to, if anything, onboard people to poetry, but to just get them to think very critically about the practices we currently have in place at this point in time right now.On Being A Poet But.. you just have to understand that as a poet you're gonna fly under the radar for a long while, potentially maybe your whole life. And if you're not cool with that, then become an Instagram poet. But if you wanna do something meaningful and you want to, actually take a serious go at this. You gotta be ready for a lot of disappointment upfront and potentially for the rest of your life.On Poetics of Evil / Vanessa PlaceTo promote evil as the great sort of aesthetic agenda - I would promote the exact opposite… I don't think crucifying people and institutions…under the guise of demonstrating strength is what we're trying to do here, because what is strength, quote unquote in artistic endeavor.Save it for the f*****g battlefield…I think it gets so messy when you take that on as your primary aim, as a creative you're really just a soldier in disguise. And those types can sometimes conceal it very well, but I think they're doing a gross injustice to their fellow man On The Polarizing Debate surrounding Edward De Vere as Shakespeare The De Vere stuff, because no one will listen to me talk about this anytime I try to talk about this in person, to anyone.They give me that same look like they're just mortified. That I would suggest a country bumpkin couldn't write the the most immortal works in our language. But you even post this stuff on 4Chan's lit. board and all that, and they would just melt down over this idea.  What seems more realistic? A highly educated, noted poet of nobility with tons of money and connections to the most famous and let's say, accomplished academics in the London circles like Francis Bacon and stuff like that. It's either that guy doing this or a country bumpkin who can't even sign his own name.Jasper's Post Script Additional Notes and LinksMy scorn for Vanessa Place is limitless. But for those interested in the essay discussed in the interview, and the theories that drive some of the very worst figures in poetry and culture-manipulation, consult the following: https://www.academia.edu/2778740/Radically_Evil_Poetics. And maybe treat yourself to one of Place's wretched Yoko Ono-esque conceptual art performance pieces while you're at it.But for a more entertaining diversion re: Shakespeare, avail yourself to some of Alexander Waugh's YouTube content on Edward de Vere (there's a lot of it).For a short-hand summary of the de Vere case, see: https://shakespeareoxfordfellowship.org/top-reasons-why-edward-de-vere-17th-earl-of-oxford-was-shakespeare/. And for a supremely autistic (schizophrenic, maybe?) look at some of the finer details underlying the conspiracy, you might watch something like the following video: Henrie IX: Shakespeare, Edward de Vere, and Henry WriothesleyIn some ways, the potential "easter eggs" of this theory and de Vere's hidden lines in the sonnets and such inspired the ones I hid within Echolalia Review that are waiting to be discovered. Lastly, I cited John Donne at one point as being involved in the Rosicrucian collaborative aspect of the theory (along with Bacon and Marlowe), but I meant John Dee.Pick up a copy of: Echolaliapere ube pressJasper Ceylon SubstackJasper Ceyon BiographyEqual parts “Ezra Pound if he were a Discord user” and 21st-century Ern Malley, Jasper Ceylon takes inspiration from the titans of English-language poetry, as well as its great satirists and provocateurs. As a poet, he's been published extensively in magazines worldwide under his own name and many pen names, including “Adele Nwankwo,” “B. H. Fein,” and “Dirt Hogg Sauvage Respectfully.” He's the author of Pere Ube's literary cherry bomb/megaton nuke, "Echolalia Review: An Anti-Poetry Collection," but he's also been traditionally published as a novelist and critic. Get full access to Leafbox at leafbox.substack.com/subscribe

MUSICWeekend one of Coachellais in the books, and many attendees secured their tickets through aninstallment plan. Highlights:   Weezerslipped in a cover of Metallica's "Enter Sandman" during theirSaturday set at Coachella, the same song they covered for 2021's 'Blacklist',an album of Metallica songs performed by different artists.         Queen guitarist Brian May popped up from the Coachella stage on Friday night to helpsinger Benson Boone perform "Bohemian Rhapsody".     GreenDay's Billie Joe Armstrong made a surprise appearance during The Go Gosperformance at Coachella on Friday night, one of the first shows from the newwave legends since 2022.       Lady Gaga's headlining set Friday night was epic, and some people arealready calling it the best in the history of Coachella.       Weird AlYankovic made his Coachella debut . . . joining Yo Gabba Gabba for the classic Muppettrack "The Rainbow Connection".   During Green Day's seton Saturday night, their pyro accidentally lit a nearby palm tree on fire.       MissyElliott went full-on "Transformers",starting her set as a car, before morphing into herself.     CharliXCX brought out some bigguns for her set:  Troye Sivan, Billie Eilish, and Lorde.        ACalifornia man was arrested after he allegedly admitted a bomb threat on theCoachella Music Festival.  Britney Spears touched down in Mexico the other day for alittle vacation and one of her body guards was carrying a BABY DOLL wrapped ina pink blanket as they got off the plane. Van Halen's only number-one song, 1984's “Jump,” hassurpassed a billion streams on Spotify. Alex Van Halen says, "Thanks to all the fans forlistening!" TVMickey Rourke's time on the UK's "Celebrity BigBrother" was mercifully short.  He's been bounced from the show due to "inappropriatelanguage" and "unacceptable behavior."  Blue Origin's firstall-female space crew is going into space this morning.   "WhiteLotus" Season 3 star Aimee Lou Wood has been pretty vocal about not liking the attention she getsfor her "unique" teeth.  So she wasn't very amusedwhen "Saturday Night Live" parodied her looks thisweekend. MOVING ON INTO MOVIENEWS:A new doc, out now,explores the life of John Lennon and his wife Yoko Ono after The Beatles'split: 'One to One: John & Yoko' chronicles their move and life in early70s New York City through a collage of audio recordings and remastered concertfootage. RIP:Actor Nicky Katt,from "Boston Public" and "Dazed andConfused", passed away.  No word on the cause of death. He was only 54.  Director Ted Kotcheffdied.  He was 94.  His films include "First Blood","Weekend at Bernie's", and the underseen masterpiece "Wakein Fright".  AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MUSIC Weekend one of Coachella is in the books, and many attendees secured their tickets through an installment plan. Highlights:    Weezer slipped in a cover of Metallica's "Enter Sandman" during their Saturday set at Coachella, the same song they covered for 2021's 'Blacklist', an album of Metallica songs performed by different artists.          Queen guitarist Brian May popped up from the Coachella stage on Friday night to help singer Benson Boone perform "Bohemian Rhapsody".       Green Day's Billie Joe Armstrong made a surprise appearance during The Go Gos performance at Coachella on Friday night, one of the first shows from the new wave legends since 2022.        Lady Gaga's headlining set Friday night was epic, and some people are already calling it the best in the history of Coachella.         Weird Al Yankovic made his Coachella debut . . . joining Yo Gabba Gabba for the classic Muppet track "The Rainbow Connection".     During Green Day's set on Saturday night, their pyro accidentally lit a nearby palm tree on fire.         Missy Elliott went full-on "Transformers", starting her set as a car, before morphing into herself.       Charli XCX brought out some big guns for her set:  Troye Sivan, Billie Eilish, and Lorde.          A California man was arrested after he allegedly admitted a bomb threat on the Coachella Music Festival.    Britney Spears touched down in Mexico the other day for a little vacation and one of her body guards was carrying a BABY DOLL wrapped in a pink blanket as they got off the plane.   Van Halen's only number-one song, 1984's “Jump,” has surpassed a billion streams on Spotify. Alex Van Halen says, "Thanks to all the fans for listening!"   TV Mickey Rourke's time on the UK's "Celebrity Big Brother" was mercifully short.  He's been bounced from the show due to "inappropriate language" and "unacceptable behavior."   Blue Origin's first all-female space crew is going into space this morning.    "White Lotus" Season 3 star Aimee Lou Wood has been pretty vocal about not liking the attention she gets for her "unique" teeth.  So she wasn't very amused when "Saturday Night Live" parodied her looks this weekend.   MOVING ON INTO MOVIE NEWS: A new doc, out now, explores the life of John Lennon and his wife Yoko Ono after The Beatles' split: 'One to One: John & Yoko' chronicles their move and life in early 70s New York City through a collage of audio recordings and remastered concert footage. RIP: Actor Nicky Katt, from "Boston Public" and "Dazed and Confused", passed away.  No word on the cause of death.  He was only 54.  Director Ted Kotcheff died.  He was 94.  His films include "First Blood", "Weekend at Bernie's", and the underseen masterpiece "Wake in Fright".  AND THAT IS YOUR CRAP ON CELEBRITIES! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textDr. Michael Koren Join Kevin Geddings to reflect on the evolution of medical research ethics from the troubling practices at Willowbrook Hospital in the 1970s to today's patient-centered approach. He connects this progression to John Lennon and Yoko Ono's final major concert, which raised awareness about conditions at the hospital while highlighting how far ethics in clinical trials have advanced.Be a part of advancing science by participating in clinical research.Have a question for Dr. Koren? Email him at askDrKoren@MedEvidence.comListen on SpotifyListen on Apple PodcastsWatch on YouTubeShare with a friend. Rate, Review, and Subscribe to the MedEvidence! podcast to be notified when new episodes are released.Follow us on Social Media:FacebookInstagramX (Formerly Twitter)LinkedInWant to learn more? Checkout our entire library of podcasts, videos, articles and presentations at www.MedEvidence.comMusic: Storyblocks - Corporate InspiredThank you for listening!

Spring Break Alert! Get your bus ticket to Cabo and/or Wabo, because it's time for a springtime April catch-up! Tony and TJ 1969 Xmas Flexi Disc the heck out of this episode, as they review the latest Beatle film news, and more! Plus, newly crowned 8th Beatle Yoko Ono takes the spotlight, with a deluxe reissue of our early-ass look at Approximately Infinite Universe; now in Dolby NR! EPISODE LINKS Like and subscribe! Please support our scrappy show. Score some sweet merch or find us on Patreon. Come hang with us on Facebook/Twitter/Instagram! Drop us a review on Apple Podcasts! ----- Originally reissued August 12, 2023 Yang Yang! You've given me a Yang Yang! And we're thinking of Yoko…so we've decided to reach into our archives for a limited, deluxe remix/remaster/reissue/bonus Gnome edition of our vaunted 4th episode in 2020, where we deep-dished a Tony favorite: Yoko Ono's “Approximately Infinite Universe”! Did you know it's TWO albums? Well hell yeah, it is! Good for Tony. Butt, what about T.J.? Well, there are even more questions that must be answered, such a$:

Kevin Macdonald's latest documentary, One To One: John & Yoko, is out now in cinemas around the UK, folks, and it's well worth your time for anyone with even a passing interest in John Lennon and his wife, Yoko Ono, and their lives after The Beatles split up. But if you're a Beatlemaniac, this is manna from heaven as it not only brings you remastered footage of the One To One benefit concerts that Lennon and Ono performed at Madison Square Garden in 1972 (the only full-length concerts Lennon performed after leaving The Beatles), but also a glimpse into their lives and personal dynamic, courtesy of some incredible archive footage (video and audio). It also paints a portrait of the year 1972, and the political maelstrom that was swirling across America at the time. In this interview special, Chris Hewitt sits down on Zoom with Macdonald for a deep dive into how and why he made the film, and much, much more, including a little chat about The Runner, the action film Macdonald is just about to start directing any day now. Enjoy.

A new survey suggests American consumers are more pessimistic about the economy than during the Great Recession. Service sector jobs could become a casualty of the US-led trade war. US Foreign Envoy Steve Witkoff and Russian President Vladimir Putin are set to meet today. The US has removed the commander of its Greenland space base. Plus, Yoko Ono tells her side of The Beatles' split. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sam Rice-Edwards, co-director and editor for the rock documentary One to One: John & Yoko, joins the podcast. The film centers around the One to One benefit concert for the Willowbrook State School in New York, an institution for special needs children. Sam shares with us some of the details about how he and co-director Kevin Macdonald were able to sort through tens of thousands of hours of previously unseen archival footage to create a fully realized documentary on the lives of John Lennon and Yoko Ono in the early 70s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Rice-Edwards, co-director and editor for the rock documentary One to One: John & Yoko, joins the podcast. The film centers around the One to One benefit concert for the Willowbrook State School in New York, an institution for special needs children. Sam shares with us some of the details about how he and co-director Kevin Macdonald were able to sort through tens of thousands of hours of previously unseen archival footage to create a fully realized documentary on the lives of John Lennon and Yoko Ono in the early 70s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erik Childress and Steve Prokopy have seven movies to talk about this week. They range from a documentary about one of the music world's most talked about relationships (One to One: John & Yoko) and an animated story of Jesus told through the mouth of Dickens (The King of Kings). The Michaels – Cera & Angarano – go on a road trip (Sacramento) and Stephen Dorff tries to go legit in the Old West (Gunslingers). The director of Happy Death Day presents the world's worst first date (Drop) and CIA analyst Rami Malek tries to avenge his wife (The Amateur). Finally, Alex Garland takes us back into war in real time along with Ray Mendoza who lived it (Warfare).  0:00 - Intro 3:27 - One to One: John & Yoko 12:25 – The King of Kings 25:59 - Sacramento 36:14 - Gunslingers 46:11 - Drop 56:39 – The Amateur 1:09:07 – Warfare 1:20:19 - Outro

Gleich zwei Yoko-Ono-Ausstellungen laufen derzeit in Berlin. Die kleinere Schau in der Neuen Nationalgalerie zeigt vor allem Werke, die die Konzeptkünstlerin im Geist des Friedensaktivismus schuf. Beleuchtet wird, welche Relevanz sie noch haben. Zylka, Jenni www.deutschlandfunk.de, Corso

What do you think you know about Yoko Ono? That she broke up the Beatles? That she was just there, always in the background? David Sheff wants to set the record straight with his new biography, “Yoko.” He was the last journalist to interview John Lennon and Yoko before John's murder in 1980, and after that tragedy, he stayed close with the Japanese artist. David joins Tom Power to share Yoko's real story, her impact on modern art, and why he thinks instead of blaming her for breaking up the Beatles, we should be thanking her for keeping the Beatles together longer.

Send us a textIt's our 5 year anniversary. On this episode we talk about the State Modern Band Festival, a recent gig, we reminisce about 5 years of the podcast, ponder what the world would be like without Yoko Ono, play MixTape, and climb the Wall of Tunes for a band that David Foster ruined. #5years #chicagohttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

"One To One: John & Yoko" had its world premiere at the Venice Film Festival and went on to screen at the Telluride and Sundance Film Festivals, receiving strong reviews for its audio mastering of the concert footage and recording tapes featuring John Lennon and Yoko Ono. Co-directed by Kevin Macdonald and Sam Rice-Edwards, the follows the couple of years Lennon and Ono spent in their Greenwich Village apartment while also tracing developments in American politics like the presidency of Richard Nixon and opposition to United States involvement in the Vietnam War, culminating in their "One to One" benefit concert for the children at Willowbrook. Macdonald was kind enough to speak with me about his work on the film, which you can listen to below. Please be sure to check out the film, which will open exclusively in IMAX theaters on April 11th, before expanding to more markets from Magnolia Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

John Lennon once described Yoko Ono as the world's most famous unknown artist. Join us for a conversation with David Sheff—author of this intimate and revelatory biography of Yoko Ono, and the #1 New York Times bestseller, Beautiful Boy. David's biography delves into her groundbreaking art, music, feminism, and activism. Join us for a conversation about the book, exploring how she coped under the most intense, relentless, and cynical microscope while being falsely vilified for the most heinous cultural crime imaginable: breaking up the greatest rock-and-roll band in history. Hosted by Steve Heilig, who once bowed respectfully and silently to Yoko Ono in New York City's Central Park, and she bowed back. Co-presented with Point Reyes Books. David Sheff In 1980, David Sheff met Yoko and John when Sheff conducted an in-depth interview with them just months before John's murder. In the aftermath of the killing, he and Yoko became close as she rebuilt her life, survived threats and betrayals, and went on to create groundbreaking art and music while campaigning for peace and other causes. Sheff shows us Yoko's nine decades—one of the most unlikely and remarkable lives ever lived. Host Steve Heilig Steve Heilig is an editor, epidemiologist, ethicist, environmentalist, educator, and ethnomusicologist trained at five University of California campuses. He is co-editor of the Cambridge Quarterly of Healthcare Ethics and of San Francisco Marin Medicine at the medical society he has long been part of. A former volunteer and director of the Zen Hospice Project, AIDS Foundation, and Planned Parenthood, he has helped improve laws and practices in reproductive and end-of-life care, drug policy, and environmental health. He is a longtime book critic and music journalist and emcee of the Sierra Nevada World Music Festival. He's been part of Commonweal for 30 years now. #commonweal #newschoolcommonweal #yokoono #yoko

Send us a textHere in Episode 216 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about musicians who are advocates for social justice and other causes.We cover Yoko Ono, Lady Gaga, Bono and Bob Dylan to name only a few.We also cover Kitchen Equipment, Las Vegas, Motown and Rod Stewart!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

A new documentary film examines two charity concerts that John Lennon and Yoko Ono organised in the early 1970s, using a treasure trove of contemporary footage. Joining Seán to discuss more is Sam Rice-Edwards, Co-Director of One to One: John & Yoko…

Today's guest is BISHI - singer, electronic rock-sitarist, composer, producer, and performer born in London of Bengali heritage. She has independently released two albums and several EPs on her own label Gryphon Records to critical acclaim. She co-produced her third album ‘Let My Country Awake,' with Jeff Cook, out now on all platforms. BISHI has recorded work with Tony Visconti, Sean Ono Lennon, Jarvis Cocker, Richard Norris and Daphne Guinness. Her collaborations and commissions for the stage include; The London Symphony Orchestra, The Kronos Quartet and  Yoko Ono's ‘Meltdown', and is the founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary genders in tech, through commissions, performances & the podcast 'Creative Women in Tech.' Ladies and gentlemen – meet the unique performer Bishi...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

 David Sheff's memoir Beautiful Boy became a #1 New York Times bestseller and a major film, chronicling his son Nic's harrowing battle with meth addiction. But before that, David was a music journalist who interviewed legends like John Lennon and Yoko Ono—an encounter that unexpectedly shaped his future as a father. In this episode, David traces how music once brought him joy, then grief—and, ultimately, a way back to his beautiful boy. Here are his songs. Beautiful Boy (Darling Boy) - John Lennon  Why - Yoko Ono Strawberry Fields Forever - The Beatles  Astral Weeks - Van Morrison Smells Like Teen Spirit - Patti Smith This Must Be the Place (Naïve Melody) - Talking Heads Listen to David Sheff's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

Yoko Ono is arguably the most famous Japanese person outside of Japan, and easily the most maligned. She's spoken of (falsely) as the woman who broke up the Beatles—not the woman who co-wrote “Imagine.” She's known as a woman who can't sing—not as a woman who used years of classical music training to subvert norms on more than a dozen experimental albums. Why don't more people know about her mischievous One Woman Show at MOMA, a performance piece staged outside the museum, without its permission, that slyly railed against its exclusion of female and Asian artists? Or about the clever all-white chess set she once sent to Reagan and Gorbachev at the height of the Cold War in 1987, simply titled Play It By Trust? “Everybody knows her name,” her Beatle husband once said, “but no one knows what she does.” Now, thanks to David Sheff's new biography, simply titled Yoko, no one has an excuse not to know anymore: about her art, her activism, her music, and her astonishing journey from war-torn Tokyo to the avant-garde art scenes of London and New York. Go beyond the episode:David Sheff's Yoko: A BiographyThe artist's official websiteWatch Cut Piece in its 1965 or 1966 incarnations Visitors to the Kunsthaus Zürich reactivated Bag Piece, originally performed in 1966, in 2022 Traveling to Berlin before August 31, 2025? See Yoko Ono: Music of the Mind at Gropius BauRead the original Playboy interviews that Sheff conducted with Yoko Ono and John Lennon in September 1980Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Today, we have two stories that give clear evidence of how fundamentally important education is to a society's well-being and continuous development. Also, our stories include why extreme violence in the US has police trying new tactics, why Africans taking a shine to basketball is good for the NBA, and a fuller portrait of artist-provocateur Yoko Ono. Join the Monitor's Amelia Newcomb for today's news.

Today, we have two stories that give clear evidence of how fundamentally important education is to a society's well-being and continuous development. Also, our stories include why extreme violence in the US has police trying new tactics, why Africans taking a shine to basketball is good for the NBA, and a fuller portrait of artist-provocateur Yoko Ono. Join the Monitor's Amelia Newcomb for today's news.

For a week, Lennon and Ono remained in bed, dressed in white pyjamas, while allowing journalists and photographers into their room to spread their anti-war ...

Sean Ono Lennon joins us to discuss his production of the RSD release  Power To The People, a 4-song live EP by John Lennon & Yoko Ono that Sean produced from recordings made at his parents' 1972 One To One concert in New York. That concert is the subject of a new documentary, One To One: John & Yoko, directed by acclaimed Scottish filmmaker Kevin McDonald, which hits IMAX screens on April 11. And musical everyman Jason Falkner (Beck, Air, and St. Vincent) discusses the story behind his short-lived Power Pop supergroup, The Grays (Falkner, with Jon Brion, Buddy Judge, and Dan McCarroll) whose legendary 1994 album, Ro Sham Bo is finally getting its vinyl debut (as a double album) just in time for Record Store Day 2025. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com)   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends. (Elbows Up, Canada!, IYKYK)