Podcasts about Edvard Munch

A exposição "Lembre-se de que não podem cancelar a primavera", de David Hockney, está patente na Fundação Louis Vuitton em Paris. Com mais de 400 obras, cobre 70 anos de criação, dos retratos e piscinas dos anos 60 e 70 às inovações digitais recentes. O investigador e médico Guilherme Queiroz percorre a mostra, oferecendo-nos o seu olhar sobre o percurso artístico do pintor britânico. RFI: A exposição não é apenas uma perspectiva, é também uma celebração da energia deste pintor britânico, um dos maiores pintores contemporâneos, que convida aqui o público a ver o mundo com outros olhos. Esta exposição é sobre tempos; tempo meteorológico, tempo cronológico?Guilherme Queiroz: É curioso, nós tivemos uma retrospectiva grande do David Hockney aqui em Paris, no Centro Pompidou, em 2017. Portanto, já passaram oito anos e, na altura, uma retrospectiva muito mais biográfica, muito mais desse tempo cronológico. Nesse sentido, esta exposição inova mais, no sentido de desconstruir um tempo cronológico para pensar muito mais a pintura e a presença de ocre enquanto tema: Passamos por salas que são completamente temáticas e que não têm medo de misturar anos, técnicas, abordagens, países. Vemos cores, muitas cores, vemos abordagens muito diferentes. Vemos o Yorkshire com a Normandia, vemos os Estados Unidos lado a lado com a carreira muito inicial de Hockney, mas, como dizes, é uma exposição centrada nos últimos 25 anos do artista, que tem, neste momento, se não estou em erro, 87 anos.Hockney acompanha o mundo através da tecnologia?É o que eu acho incrível na obra de Hockney e, principalmente, numa exposição deste calibre na Fundação Louis Vuitton, é que é um artista que não tem medo de arriscar.Não tem medo de experimentar. Eu acho que não tem medo de não ser levado a sério. Para mim, essa liberdade criativa que ele tem e que demonstra sem qualquer pudor. E falo desde as suas primeiras obras e acho que, nisso, a primeira sala que mostra esses primeiros anos é muito clara: desde o início é uma pintura quase que afronta. Até precisamente, e creio que é aquilo que chamará mais a atenção daqueles que visitarão esta exposição, e era algo que já estava presente no Pompidou, mas que aqui é completa: é a presença da pintura digital. Portanto, começamos com algumas experiências no computador, ainda, mas a grande maioria de, não sei se é a maioria das pinturas que nós vemos na exposição, mas existem salas que são exclusivamente compostas por pinturas feitas no iPad, que, como se ouvia na guia a explicar, Hockney costura e já mesmo os seus casacos com bolsos específicos do tamanho do iPad.Bolsos à medida do iPad...À medida do iPad. E, de facto, o iPad é a ferramenta e, lá está, sem nenhum pudor, sem receio dessa experiência e do que são técnicas menores ou técnicas maiores, de utilizar o iPad, que é o sonho dos impressionistas: Que é poder ir para o campo com muito menos do que um cavalete, não sei quantas tintas e uma tela, e é simplesmente o iPad. E ele domina como domina o acrílico ou o óleo em tela, domina o iPad de uma forma inimaginável, acho eu. É muito difícil, às vezes, estar lá e perceber que aquelas são pinturas que não são feitas com pincel e óleo, mas são exclusivamente digitais, conservando o domínio da cor, o domínio da perspectiva e o domínio da paisagem, da mesma forma como fazia há 30, 40 anos.Independentemente de usar um pincel ou um pincel digital, o crepúsculo ou a luminosidade e o jogo que cruza entre os dois, fá-lo em qualquer um dos suportes, que seja uma tela ou uma tela digital?Completamente. E nós comentávamos durante a exposição que, de facto, é de louvar o cuidado que a Fundação Louis Vuitton tem com a iluminação das peças, com a iluminação das salas, com a própria pintura das salas, que cria os ambientes perfeitos. Algumas pinturas, até comentávamos, que parecem retroiluminadas, como nas exposições de fotografia, em que a luz vem de trás das pinturas, porque os brancos e as cores eram tão vibrantes que, de facto, é raro muitas vezes vermos estas obras expostas. Não é só raro ver as obras expostas, mas é raro vê-las expostas desta forma.Há uma das salas que é talvez a mais comentada, ou das mais comentadas, nas reportagens sobre a exposição, e que eu tinha bastante expectativa: é a sala das luas, em que retrata maioritariamente, mais uma vez com o iPad, a lua na paisagem, em que, de repente, saímos de uma sala extremamente luminosa e colorida para uma sala onde reina a luz da lua. E a maneira como isso se faz a nível de construção da exposição é brilhante.Além do facto de, nesta exposição, falarmos da arte da pintura, mas também de música, lembrando que Hockney também fez muito trabalho em ópera......e é surdo. Esse primor visual, em combinação com a música, que ele diz que quer, a certa altura aparece a sua citação, que ele quer que os que vejam a ópera vejam, nos seus cenários e figurinos, a música que está a ser tocada. Isso é muito claro. Há uma sala que é a sala mais dinâmica, e não é interativa, mas é dinâmica e, de certa forma, sim, interativa.Sim, que fala da ópera, é uma experiência extraordinária. E há uma coisa que eu quero apontar: de facto, algo que me chamou a atenção é que havia várias crianças na exposição e as crianças estavam completamente absorvidas pelas pinturas. Há uma parte da exposição que não é uma pintura, é um vídeo que une vários ecrãs e com uma certa desconexão e sincronia, como o Hockney já nos habituou. E havia uma criança que passou, à vontade, uns 15, 20 minutos a olhar completamente embebecida para o quadro, e vimos isso noutras salas. E, de facto, lembra-nos que Hockney quase que restaura ou recupera o nosso olhar inaugural da criança: Quando nós olhamos para as paisagens, quase que recuperamos em nós essa. Essa mirada inaugural das cores, da perspectiva, de como tudo vibra à nossa volta e tudo é maravilhoso. E como ele se despede da exposição. Isto não é um spoiler, mas... é de facto... "sabe-se menos do que nós pensamos".Uma citação de Edvard MunchExactamente. A quem dedica esta última sala, ao pintor norueguês Edvard Munch e a William Blake. Tanto um como o outro sabiam bem que sabemos muito menos do que se pensa. E eu acho que nessa ligação, é essa inocência... não é uma inocência, não é uma inocência genuína pura do olhar...Uma simplicidade.É uma simplicidade. E um grande amor. Sente-se uma grande paixão pelo mundo. Esta ligação muito grande à realidade. Lembram-nos que, de facto, o mundo é muito mais maravilhoso do que nós pensamos, que o conhecimento que temos sobre ele ainda está muito aquém e que há ainda muito mais por descobrir.

Erneut besprechen wir eine Wunschfolge unserer Hörer. Die Lottofee C. R. Rodenwald zog am 6.12.2024 die Folge "Die blutenden Bilder" aus dem Lostopf. Herausgekommen ist dabei eine wilde Besprechung in der es unter anderem um das Berliner Fenster, Nicht lustig, Nebel-Mist, Cherrytomaten, nicht aufblasbare Luftballons, Asterix und viele andere Dinge, die zum abschweifen einladen, geht. Für Leute, die noch nie diesen Podcast gehört haben, die ideale Einstiegsfolge (auch wenn sie sich hinterher fragen: "Was hat dieser Podcast mit drei ??? zu tun") !

May 7, 1994. Edvard Munch's painting The Scream is recovered undamaged after being stolen from the National Gallery of Norway. This episode originally aired in 2024.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Back on this in 1994 the iconic "Scream" painting by Edvard Munch was recovered three months after it had been stolen. The robbery occured on opening day of the Winter Olympics, which were being held in Norway that year. It was found three months later and four men connected with the theft were convicted in 1996.  

GBH executive arts editor Jared Bowen discusses an Edvard Munch exhibit at the Harvard Art Museum and Francis Ford Coppola at a 'Megalopolis' showing at the Coolidge Corner Theater.Patty Tahalongva is director, producer and writer of PBS Frontline's latest film "Alaska's Vanishing Native Villages." She joins via zoom to discuss the film, which follows the immediate impacts of climate change on indigenous communities forced to relocate.Naturalist and author Sy Montgomery talks about crows with math skills, booze-fueled feasts for wild chimps and the Cape Ann woodpecker.Former Suffolk County Sheriff Andrea Cabral on the Justice Department halting funds for victims of hate crimes and child abuse, and a new report from Harvard University report on antisemitism and Islamophobia on campus.

Biola University theology professor Thaddeus J. Williams has written a great book on living in today's culture titled, “Don't Follow Your Heart: Boldly Breaking The Ten Commandments of Self-Worship.” Williams enlightens readers, young and old, on how to identify the cultural lies we so easily believe, all of which are cultural lies that point us in the direction of worshipping and serving ourselves, rather than worshipping and serving God. Share these timely words from Williams with your kids: “ The more you worship yourself, the less you become your self. You become a shadow, a specter, and unself. The longer and deeper you stare into the mirror, looking for answers, the more it will feel like looking at Edvard Munch's “the Scream.” This is the strange paradox of self-worship. Why? It's simple. You were not designed to be the center point of your own psyche. You are not God. Self-deification is a bust.” Teach your children that have been made to worship God.

Edvard Munch ist ein Künstler für den bildungsbürgerlichen Kunstgenuss und für das große Ausstellungsevent. Er gilt als begnadetes Genie, als ein Wegbereiter der Moderne, als melancholischer Malerfürst. In seinem Comic „Munch“, das nun auf Deutsch erscheint, bürstet der norwegische Comiczeichner Steffen Kverneland dieses Munch-Bild gegen den Strich, mit einem gezeichneten Ritt durch Munchs wildes Künstlerleben. Kristine Harthauer im Gespräch mit Max Bauer

Viaxamos ao Berlín de fins do s. XIX, para descubrir algo máis sobre a Historia da Arte Contemporánea, seguindo a guia das obras seleccionadas polo grupo de Historia de Arte da CIUG para as probas PAU.  Obra: O grito, de Edvard Munch.  Serie: Historia da Arte Contemporánea, Historia da Arte, 2º de Bacharelato.  Músicas da sintonía (Creative Commons Attribution 3.0):District Four, de Kevin MacLeod (https://incompetech.com)Temptation March, de Jason Shaw (http://audionatix.com).  Música incluída neste episodio: (Creative Commons Attribution 3.0)Noite Transfigurada, de Arnold Schoenberg, na canle de Misha RachlevskyMáis recursos en: facemoshistoria.galEste pódcast está baixo a licencia CC BY-NC 4.0.

An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.

An artist's job is to create works that attract attention or evoke emotion -- a dramatic story, a colorful moment, or an inspiring person. It's no wonder that throughout history, painters and sculptors have chosen to depict Jesus; He makes great subject matter for art. Leonardo da Vinci, Michelangelo, Donatello, Rembrandt, and thousands more have helped us visualize the life, ministry, and miracles of Christ. Join Horizon for The Master's Touch as we examine some of history's greatest masterpieces and the powerful Biblical moments that inspired them.

“Christian Krohg (1852-1925)“ Le peuple du Nordau Musée d'Orsay, Parisdu 25 mars au 27 juillet 2025Entretien avecServane Dargnies-de Vitry, Conservatrice en chef Peinture, musée d'Orsay, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 24 mars 2025, durée 24'56.© FranceFineArt.https://francefineart.com/2025/04/04/3606_christian-krohg_musee-d-orsay/Communiqué de presse Commissariat :Servane Dargnies-de Vitry, Conservatrice en chef Peinture, musée d'OrsayVibeke Waallann Hansen, Senior curator, Nasjonalmuseet, OsloAprès Edvard Munch. Un poème de vie, d'amour et de mort (2022) et Harriet Backer. La musique des couleurs (2024), le musée d'Orsay clôt une trilogie consacrée à l'art norvégien du tournant du xxe siècle avec l'exposition Christian Krohg. Le Peuple du Nord.Il s'agit de la toute première rétrospective de l'artiste en dehors de la Scandinavie, venant à la suite de plusieurs expositions à Oslo et Lillehammer en 2012, puis à Copenhague en 2014. En mettant en lumière les oeuvres naturalistes et engagées de Krohg, le musée offre une nouvelle perspective sur l'art norvégien de la fin du XIXe et du début du XXe siècle. À travers un panorama approfondi du parcours artistique de Krohg, l'exposition s'attache à révéler sa modernité picturale et son engagement humaniste. Bohème et fervent défenseur des causes politiques et sociales de son époque, Krohg, également écrivain et journaliste, dépeint avec une profonde empathie la condition du peuple scandinave, le monde du travail, la misère, ainsi que les injustices subies par les femmes.« Le seul peintre capable de descendre de son trône et d'éprouver de la compassion sincère pour ses modèles » Edvard MunchLe parcours de l'exposition met en valeur ses liens picturaux avec les artistes français que Krohg découvre lors de ses séjours parisiens – notamment Gustave Courbet, Edouard Manet et les impressionnistes. Dans sa série des ma rins, poursuivie tout au long de sa vie, comme dans ses scènes de genre ou dans ses portraits, Krohg cherche à donner à ses oeuvres un sentiment d'immédiateté en utilisant des compositions déséquilibrées, des cadrages audacieux et des postures dynamiques. Son credo, « tout est une question de cadrage », est le fondement d'une recherche artistique d'une grande modernité. Membre de la bohème provocatrice de Kristiania – l'ancien nom d'Oslo –, Krohg fait polémique et scandale auprès de la bourgeoisie et des élites artistiques. Le visiteur découvrira dans l'exposition les portraits que l'artiste réalise des membres de ce milieu bohème et libertaire, ces jeunes artistes, écrivains et intellectuels qui se réunissent dans les cafés de la capitale et contestent avec vigueur la structure sociale dominante.Un Zola norvégien ?En 1886, Krohg publie son roman Albertine, histoire d'une ouvrière violée devenue prostituée, roman que la police saisit rapidement au motif qu'il porte atteinte aux bonnes moeurs. Malgré les controverses, Krohg défend sa liberté d'expression contre la censure. Il réalise alors son tableau le plus important, la grande toile Albertine tirée de son roman, poussant la provocation jusqu'à engager des prostituées comme modèles. Peu d'oeuvres d'art norvégiennes ont suscité un débat aussi intense, par la mise en lumière d'une facette particulièrement sombre de la société norvégienne. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Original Release Date: Monday 25 March 2025    Description:   Due to the ridiculous travel itineraries of your friends in podcasting, this week's show is coming at you one day late, but is jumbo-sized to make up for its tardiness! The festivities get started on a midnight train ride through Denmark two Saturdays back as Phil Leirness and Jon Lawlor discussed sandwiches, the English language, the honor system of Copenhagen and swapped tales of the magnificent Copenhagen City Hall. Then, back in Los Angeles, Phil quizzes Lily Holleman (Leirness) about the terrors of London Heathrow Airport, the joys of steam-punk weddings, the incredible history of the Koronborg Slot (aka “Hamlet's Castle”), the delights of Copenhagen breakfasts, and the inspiring art of Edvard Munch. Finally, Phil connects with Dean Haglund, who is enjoying his honeymoon in Portugal. They discuss Dean's nuptials, their respective Nordic ancestry, Dean's visit to Paris, the delights of Lisbon, Guy Maddin's most recent film, the television miniseries “A Gentleman in Moscow” and much more!

Samira Ahmed and guest critics - the novelist and anthropologist Tahmima Anam and Ben Luke from the Art Newspaper - give their verdict on the week's cultural releases. They've been to see Cate Blanchett in Anton Chekhov's play The Seagull at the Barbican Centre. The classic drama still features characters from Russian nobility – but it's given a modern-day treatment including VR headsets and quad bikes. They have also watched Sister Midnight, a film about a young bride called Uma who joins her husband in Mumbai but struggles to adapt to her new life and connect with the man she knew as a childhood friend. She wanders the streets, drawn to the moon and becomes an accidental outlaw.Also under consideration are portraits in an exhibition at the National Portrait Gallery by Edvard Munch – an artist best known for his painting The Scream. Plus we pay tribute to Five Star's Stedman Pearson who's died at the age of 60.Presenter: Samira Ahmed Producer: Claire Bartleet

Biesinger, Gabi www.deutschlandfunkkultur.de, Studio 9

Innovazione senza freni - Edvard Munch e la ricerca del senso della vita nel rapporto con la naturaPicasso, Futuristi. Astrattismo.Un innovatore senza freni: come fu accolto all'epoca ?Un documentario di Rai Play ci porta in mondo straordinario.Suggerisco anche il trailer sul sito del Museo ufficiale a lui dedicato in Norvegia.Un uomo che ando' ben oltre l'urlo, trovando finalmente un sole splendente che incoraggia e guida.Caffe20.it/membri info@caffe20.itps: comparate le diverse versioni di questo quadro:https://en.wikipedia.org/wiki/Madonna_(Munch)E non dimenticate i diari segreti di Munch

Un saludo queridos amigos y oyentes. Hoy os ofrezco una introducción al existencialismo, una corriente filosófica evolucionada desde la Fenomenología de Husserl que diserta precisamente sobre la pequeña y miserable existencia humana. Albert Camus es uno de sus representantes franceses. 📗ÍNDICE 0. Resúmenes. 1. LA EXISTENCIA ES «PODER SER». 2. IDEARIO EXISTENCIALISTA. 3. PENSADORES MÁS REPRESENTATIVOS. AQUÍ https://go.ivoox.com/rf/136448677 puedes escuchar una introducción a la Fenomenología. 🎼Música de la época: 📀 Klavierstücke de Karlheinz Stockhausen, compositor alemán fallecido en 2007. 🎨Imagen: El grito es el título de cuatro cuadros del noruego Edvard Munch. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

Un saludo queridos amigos y oyentes. Hoy os ofrezco una introducción al existencialismo, una corriente filosófica evolucionada desde la Fenomenología de Husserl que diserta precisamente sobre la pequeña y miserable existencia humana. Albert Camus es uno de sus representantes franceses. 📗ÍNDICE 0. Resúmenes. 1. LA EXISTENCIA ES «PODER SER». 2. IDEARIO EXISTENCIALISTA. 3. PENSADORES MÁS REPRESENTATIVOS. AQUÍ https://go.ivoox.com/rf/136448677 puedes escuchar una introducción a la Fenomenología. 🎼Música de la época: 📀 Klavierstücke de Karlheinz Stockhausen, compositor alemán fallecido en 2007. 🎨Imagen: El grito es el título de cuatro cuadros del noruego Edvard Munch. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

What can the history of science tell us about the world we live in today and where we might be headed tomorrow? To find out, Dr. Charles Liu and co-host Allen Liu welcome historian of science Rebecca Charbonneau, PhD from the American Institute of Physics and the National Radio Astronomy Observatory with expertise in radio astronomy and the search for extraterrestrial intelligence (SETI). This episode kicks off with Allen and Chuck talking about January's Lunar Occultation of Mars. You can see a photo taken by Chuck on our YouTube Community tab. And then it's time for today's joyfully cool cosmic thing: a recent paper in the Astrophysical Journal Letters confirming there are galaxies that were fully formed just 400 million years after The Big Bang. Chuck, who studies galactic evolution, tells us why this changes our understanding of galaxy formation. Rebecca talks about how new ideas can be controversial and how personalities, politics and cultures can impact the evolution of science. She brings up the current controversy in astronomy concerning the locations of terrestrial telescopes and the tension between scientific and cultural imperatives. She also recounts seeing people in Russia wearing NASA t-shirts and explains how NASA understood the importance of controlling the narrative, even inviting Norman Rockwell to popularize the space program. Our first question comes from Pablo P. on Patreon, who asks, “Can humanity be destroyed by AI powered by quantum computing?” Rebecca explains how during the Cold War, scientists on both sides engaged in “science diplomacy” that helped lower tensions. She applies this thinking to AI, pointing out that while a “Terminator-like” scenario is unlikely, public concern is causing the tech world to confront and grapple with real threats from AI like biases in hiring algorithms. Allen, a mathematician who writes about AI professionally, addresses whether AI powered by quantum computing is more dangerous than AI in general. Rebecca shares the terrifying story of a Soviet nuclear submarine and the US navy during the Cuban Missile Crisis that nearly started a nuclear war. The dissenting actions of a single officer named Vasily Arkhipov made the difference, and she wonders if AI would have made the same decision based on the available data. For our next question, we return to our Pablo P. from Patreon for his follow up: “How [do] we answer the question about whether or not we are engaging in self-destructive behavior?” Chuck and Rebecca discuss the confluence of astronomy and the military, and how the history of the SETI program highlights their shared concerns. You'll find out what the Drake Equation has to do with concepts like The Great Filter. Science, she reminds us, is a tool to try to get closer to the truth, but it's not always perfect in pointing out whether what we're doing is safe or potentially self-destructive. Then we turn to Rebecca's other big passion, art history and the window into the human experience that art provides. Charles brings up The Scream by Edvard Munch and the fact that it's actually a depiction of a real atmospheric event. Rebecca talks the use of fractal studies to determine the authenticity of Jackson Pollock art. She also explores the artistic value of scientific artifacts like the controversial plaque attached to Pioneer 10 depicting a naked man and woman, and the interstellar Arecibo Message, sent by Frank Drake in 1974. You'll even hear how Frank worked himself into the message and what that has to do with Albrecht Durer's self-portrait painted in the year 1500. Finally, we turn to what Rebecca's been up to recently. Her new book Mixed Signals came out in January of this year. Keep up with her on her website at and follow her on X @rebecca_charbon and on BlueSky @rebeccacharbon.bsky.social. We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon. Credits for Images Used in this Episode: A young Milky Way-like galaxy and a background quasar 12 billion and 12.5 billion light-years away, respectively. – Credit: ALMA (ESO/NAOJ/NRAO), M. Neeleman & J. Xavier Prochaska; Keck Observatory Artist's concept of a high red-shift galaxy. – Credit: Alexandra Angelich (NRAO/AUI/NSF) John Young and Gus Grissom are suited for the first Gemini flight March 1965. Norman Rockwell, 1965. – Credit: Smithsonian National Air and Space Museum / Norman Rockwell Edvard Munch, 1893, The Scream. – Credit: Edvard Munch / National Gallery of Norway (Public Domain) Fractal study of Jackson Pollock art. – Credit: “Perceptual and physiological responses to Jackson Pollock's fractals,” R. Taylor, et al, Front. Hum. Neurosci., 21 June 2011. The Arecibo message. – Credit: Creative Commons NASA image of Pioneer 10's famed Pioneer plaque. – Credit: NASA Albrecht Durer self-portrait. – Credit: Albrecht Dürer - Alte Pinakothek (Public Domain)

ROMA (ITALPRESS) - In questa edizione:- Agriturismi raddoppiati in Italia negli ultimi 20 anni - Alberghi, crescono occupazione e prezzi delle camere - I capolavori di Edvard Munch in mostra a Romamgg/abr/gtr

This Weird Wednesday episode has the jumping robot that could help us discover our solar system, a salmon escape with a high bounty, the egg heist of the century, and dumpster diving for bitcoin. Plus, on This Day in History, we look back to 1994 – the day the famous painting The Scream was stolen from an art museum in Oslo. A Jumping Robot Could Leap Over Enceladus' Geysers - Universe Today NASA Awards 2025 Innovative Technology Concept Studies | NASA Jet Propulsion Laboratory (JPL) Company offers $45-per-fish bounty on 27,000 escaped salmon - UPI.com The heist of 100,000 eggs in Pennsylvania becomes a whodunit that police have yet to crack | AP News Man who lost £600m Bitcoin fortune considers buying landfill site to search for it | UK News | Sky News How two men stole Edvard Munch's The Scream in just 50 seconds — and how authorities managed to get the painting back - ABC News Contact the show - coolstuffcommute@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Når bør du begynne å lese for barn, og hvilke bøker er de beste for de aller minste? Sølvbergets formidlere trekker fram seks av sine favorittbøker for aldersgruppen 0-2 år. (00:00) Boktips for de aller minste (09:54) Lese eller fortelle? (11:15) Slik skaper du en god lesestund (15:44) Boktips: Emma og Thomas-serien av Gunilla Wolde (18:00) Boktips: Dyrene i Afrika av Thorbjørn Egner (19:44) Boktips: Nora-serien av Irene Marienborg (20:49) Boktips: Dyr på gården (24:30) Boktips: Julia-serien av Eva Eriksson og Lisa Moroni (26:13) Boktips: Mine første ord - inspirert av Edvard Munch av Ingela P. Arrhenius (29:11) Derfor bør du lese for barna --- Innspilt på Sølvberget bibliotek og kulturhus i februar 2025. Medvirkende: Rebekka Hennum, Linn-Therese Johansen Ognedal og Åsmund Ådnøy. Produksjon: Åsmund Ådnøy

ROMA (ITALPRESS) - In questa edizione:- Abusi nelle carceri russe, Zelensky “Possibili scambi di territori”- Francesco ai Vescovi Usa “Deportare le persone lede dignità”- Intelligenza artificiale, piano dell'Ue da 200 miliardi- Caso Almasri, da opposizioni mozione sfiducia contro Nordio- Grosso incendio in azienda lavorazione carni a Reggio Emilia- Blitz antimafia a Palermo, centinaia di arresti- Via al Festival di Sanremo di Conti con ospite Jovanotti- I capolavori di Edvard Munch in mostra a Roma- Previsioni 3B Meteo 12 Febbraiomrv

ROMA (ITALPRESS) - Oltre cento capolavori prestati eccezionalmente dal Munch Museum di Oslo, per una straordinaria retrospettiva che racconta l'intero percorso di uno degli artisti più amati del mondo. È la mostra “Edvard Munch. Il Grido interiore" che, reduce dai successi milanesi dove ha registrato un record assoluto, giunge a Roma a Palazzo Bonaparte. Ad inaugurare la mostra il Presidente della Repubblica, Sergio Mattarella, assieme alla Regina Sonja di Norvegia. Il Capo dello Stato e la Sovrana hanno percorso le sale dello spazio espositivo – di proprietà di Generali – accompagnati dalla Presidente di Arthemisia Iole Siena, dalla Presidente della Fondazione Terzo Pilastro, Alessandra Taccone, e dal CEO di Generali, Philippe Donnet. sat/gsl

ROMA (ITALPRESS) - Oltre cento capolavori prestati eccezionalmente dal Munch Museum di Oslo, per una straordinaria retrospettiva che racconta l'intero percorso di uno degli artisti più amati del mondo. È la mostra “Edvard Munch. Il Grido interiore" che, reduce dai successi milanesi dove ha registrato un record assoluto, giunge a Roma a Palazzo Bonaparte. Ad inaugurare la mostra il Presidente della Repubblica, Sergio Mattarella, assieme alla Regina Sonja di Norvegia. Il Capo dello Stato e la Sovrana hanno percorso le sale dello spazio espositivo – di proprietà di Generali – accompagnati dalla Presidente di Arthemisia Iole Siena, dalla Presidente della Fondazione Terzo Pilastro, Alessandra Taccone, e dal CEO di Generali, Philippe Donnet. sat/gsl

ROMA (ITALPRESS) - Oltre cento capolavori prestati eccezionalmente dal Munch Museum di Oslo, per una straordinaria retrospettiva che racconta l'intero percorso di uno degli artisti più amati del mondo. È la mostra “Edvard Munch. Il Grido interiore" che, reduce dai successi milanesi dove ha registrato un record assoluto, giunge a Roma a Palazzo Bonaparte. Ad inaugurare la mostra il Presidente della Repubblica, Sergio Mattarella, assieme alla Regina Sonja di Norvegia. Il Capo dello Stato e la Sovrana hanno percorso le sale dello spazio espositivo – di proprietà di Generali – accompagnati dalla Presidente di Arthemisia Iole Siena, dalla Presidente della Fondazione Terzo Pilastro, Alessandra Taccone, e dal CEO di Generali, Philippe Donnet. sat/gsl

Where can you create care and connection in unexpected places?...Chistiaan Rhodius is a Dutch doctor specialized in palliative medicine. Together with his wife and four children he currently lives and works in Oslo (Norway). He is convinced that 'if we ignore death we miss out on life'. He is passionate for stories and the shaping of new stories (through the process of improvisation). At this moment he explores ways of how the artwork of Edvard Munch can stimulate our storytelling. Today, Abbie and Christiaan explore Christiaan's work in palliative care and the perspective that has emerged out of his experience. Christiaan introduces the Patient Dignity Question- What do I need to know about you as a person in order for me to give you the best possible care? Abbie and Christiaan discuss improvisation as “plan A,” navigating “tender conversations,” and the “palliative paradox."...Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann....⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore all things Stories Lived. Stories Told. here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Explore all things CMM Institute here.

As the world descended on Norway for the 1994 Winter Olympics, a determined thief set his sights on a Norweigian painting he'd coveted most of his life: Edvard Munch's The Scream. The daring theft of the world-renowned painting took less than a minute and prompted an undercover sting in hopes of retrieving the masterpiece. "Crimes of the Centuries" is a podcast from Grab Bag Collab exploring forgotten crimes from times past that made a mark and helped change history. You can get early and ad-free episodes on the Grab Bag Patreon page.  DON'T FORGET ABOUT THE CRIMES OF THE CENTURIES BOOK!  Order today at www.centuriespod.com/book (https://www.centuriespod.com/book)! Follow us on Instagram and Twitter: @centuriespod Episode Sponsors: Acorns. Head to acorns.com/cotc or download the Acorns app to start saving and investing for your future today! Apostrophe. Get your first visit for only five dollars at Apostrophe.com/COTC when you use our code: COTC. That's a savings of fifteen dollars! This code is only available to our listeners. Ollie Pet Inc. Give your pup a fresh start this new year by letting them taste test a personalized meal plan with Ollie! Head to Ollie.com/COTC tell them all about your dog, and use code COTC to get 60% off your first box of meals when you subscribe today! 

Dan Smith is the lead vocalist and primary songwriter of the British band Bastille, known for their anthemic, cinematic pop-rock sound. Born on July 14, 1986, in London, England, he rose to international fame with Bastille's breakout single, "Pompeii," in 2013, followed by the success of their debut album Bad Blood. Influenced by literature, film, and history, Smith's lyrics often explore themes of human emotion, social issues, and storytelling. Beyond Bastille, he collaborates with other artists and works on side projects, showcasing his versatility and passion for creative expression.Bastille's latest album, '&' (Ampersand), released on October 25, 2024, is a concept project delving into the lives of historical and mythological figures. The album comprises four parts, each focusing on different pairs of individuals, with songs like "Blue Sky & The Painter," inspired by artist Edvard Munch, and "Leonard & Marianne," exploring the relationship between Leonard Cohen and Marianne Ihlen.As part of the album Dan launched a new History/Music/Pop Culture Podcast MUSES which he does with Emma Nagouse (producer of You're Dead To Me) where they discuss these figures in history.

Laura takes a look at the 1994 theft of Edvard Munch's most famous painting – ‘The Scream' – from Norway's National Gallery. It took two thieves less than fifty seconds to break in through a window and grab the priceless artwork. In response, crime agencies from across the globe came together to organise an elaborate sting operation and return the painting before it was lost forever.You can see the picture from the 2004 theft of ‘The Scream' here: http://news.bbc.co.uk/1/hi/world/europe/3588282.stmMurder They Wrote with Laura Whitmore and Iain Stirling is available weekly on BBC Sounds. Subscribe now so you never miss an episode. Email us at lauraandiain@bbc.co.uk

On today's weekly music show on Arts24, Jennifer Ben Brahim speaks to the singer of one of the most successful British bands of the last decade. Bastille stormed the UK charts in 2013 with their debut album “Bad Blood”, spawning smash-hits like “Pompeii”. Four records later, Dan Smith has taken a gap year of sorts, releasing a solo Bastille album that blends music with his love of history called "& (Ampersand)”. It shines a spotlight on historical figures including Edvard Munch and even his own father. Dan Smith has brought this new music on tour, with seven special one-off shows around the world, including Paris.

Jennifer Coates, friend of the pod, is back to help me consider a new way forward (artwise) after the destabilizing event of the US election. She, herself, is finding comfort in the long history of rocks, geology and the cosmos, while I find myself turning to a book about how Matisse and his daughter, Marguerite, both reacted to the trauma of WWII in opposite yet valid ways. It's a bit of a potpourri, but we promise some great galvanizing art historical quotes and an inspiring double pep talk for the ages. Alternative title of ep: Rock Paper Scissors! Come hang out with us! Media mentions: The Weekly Show w Jon Stewart (ep with Heather Cox Richardson), Alexandria Ocasio-Cortez on IG/Tiktok Rock mentions: The Makapansgat pebble, Paleo "Venuses," Venus de Willendorf, baetyl stones, "The Living Stones" by Ithell Colquhoun, Paul Cezanne's drawings of Fontainbleu Quarry/MOMA show , John Elderfield and Terry Winters discuss Cezanne's Rock and Quarry Paintings for the Brooklyn Rail ,  "Turning to Stone: Discovering the Subtle Wisdom of Rocks" by Marcia Bjornerud, new minerals elalite and elkinstantonite discovered in 2022 in Somalia from a meteorite Art mentions: Cat Balco, Adie Russell, Elisabeth Condon, Pierre Bonnard, Edvard Munch & "White Night" 1900, Dada Movement, Hannah Hoch & “Cut with the Kitchen Knife," Man Ray, "Matisse the Master" by Hilary Spurling, "The Unknown Matisse" by Hilary Spurling, Henri Matisse ”Bathers by a River" 1917 and "The Chapelle du Rosaire de Vence" 1947-51, "Verve Magazine" Issue No 8 Vol 2 (1940), "Les Fleurs de Mal" Baudelaire/Matisse poetry book, Marguerite Matisse, Max Beckmann Jennifer's website and IG: https://www.jenniferlcoates.com/ @jennifercoates666 Thank you, Jennifer! Thank you, Listeners! All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠peptalksforartists.com⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠ Amy's website: ⁠amytalluto.com⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

November 6th - Show 1040 The Chat We discuss our recent activities, experiences, and technical issues with video and audio. We also engaged in Emergenccy Questions and Backtrax (although this time its intros) We also discussed if the painting "The Scream" by Edvard Munch looks like a spaniel Would [...]

Le 22 août 2004, deux hommes cagoulés et armés font irruption dans le Musée Munch d'Oslo… Perles de Culture est un podcast Cultura produit par Création Collective Textes de Julien Bordier racontés par David Abiker Curation : Frédéric Bénaïm - Rédaction en chef : Eric Le Ray - Réalisation : Léo Gagnon Illustration dessinée par Anne Pastoureau - Générique : Alto Music - Naming et Création Graphique : Saint John's Enregistrements à l'Arrière-Boutique Studio Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tune in to the first of our 'In Conversation' podcast episodes, where we speak to all six of this year's shortlisted authors about their extraordinary works of non-fiction. First up, Georgina Godwin speaks to Sue Prideaux, author of 'Wild Thing: A Life of Paul Gauguin'. Prideaux's award-winning works have captivated readers worldwide. From her James Tait Black Memorial Prize-winning biography of Edvard Munch to her Duff Cooper Prize-winning book on Strindberg, and her celebrated Nietzsche biography, 'I Am Dynamite!', which received the Hawthornden Prize and The Times Biography of the Year in 2018. In her latest work, 'Wild Thing', Prideaux brings to life the vibrant and tumultuous journey of Paul Gauguin. From his privileged start in Peru to his rebellious adventures in France, she offers a nuanced view of Gauguin, celebrating his creative genius while not shying away from his flaws. Listen now to hear all about it. This podcast is generously supported by the Blavatnik Family Foundation. To keep up with all of our Prize news all year round, follow @BGPrize on Instagram, Facebook, Twitter, TikTok and YouTube.

Episode 100: A brush with… Marlene DumasIn this, the 100th episode of A brush with…, Marlene Dumas talks to Ben Luke about her influences—from writers to film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Dumas was born in Cape Town, South Africa, in 1953 and lives and works in Amsterdam. She is a painter whose intensity is unrivalled. Using found images and responding to memory, she has the ability to seduce and repel, to lull and to shock, often all in a single image or group of works. She is endlessly daring in her questioning of her medium and what it can do, in the unorthodox formats and scale she chooses for her imagery, in the way she reflects on historic art and ideas, movies and literature, and in her unflinching confrontation of her own life. Her paintings and drawings are a means of responding to external events and internal feelings in ways that can be absurd, confounding, funny and profoundly affecting. And while her themes and language are consistent, she is always pushing herself to new territory and breaking boundaries. She discusses the early influence of comic illustration, the enduring effect on her of Francisco Goya's work, how she grew to love the work of Edgar Degas, Edvard Munch and Jean-Auguste-Dominique Ingres after first dismissing them, and her admiration for Nicole Eisenman and Diane Arbus, among others. She also gives insight in her life in the studio and answers our usual questions, including, “What is art for?”Marlene Dumas: Mourning Marsyas, Frith Street Gallery, London, until 16 November. Hosted on Acast. See acast.com/privacy for more information.

When developing a business centered around Japanese prints, there are many factors to consider: the audience, the history, and how you want to be perceived by the public. The appeal of the Japanese aesthetic, along with your own personal aesthetic and brand identity, can also be just as important to your business. On this episode of The Unfinished Print, I speak with Malene Wagner, a gallerist, curator, writer, and art historian whose business operates under the name Tiger Tanuki. Malene shares her passion for collecting and selling Japanese prints, and we explore the European perspective on Japanese prints and printmaking. We also dive into Japanese aesthetics and how they are interpreted through a Western lens. Additionally, Malene discusses how these aesthetics influence her brand, Tiger Tanuki, the role history plays in shaping her business, and her upcoming book. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Malene Wagner & Tiger Tanuki - Instagram, website ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.  Uniqlo -  a Japanese clothing brand known for its affordable, minimalist, and high-quality everyday wear. It focuses on functional designs, using innovative fabrics like Heattech for warmth and AIRism for breathability. Uniqlo is popular worldwide for offering essential wardrobe staples and often collaborates with well-known designers and artists to create unique collections. Clear Day With A Southern Breeze (1831) is a print usually known as "Red Fuji." From the series Thirty Six Views of Mt. Fuji this print was actually pink, red was used in later impressions by publisher Nishimuraya Yohachi.  The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Yayoi Kusama -  is a pioneering Japanese artist known for her immersive installations and polka dot motifs that explore themes of infinity, identity, and mental health. Born in 1929 in Matsumoto, Japan, Kusama began her artistic journey through painting and avant-garde practices, eventually moving to New York in the late 1950s, where she became a key figure in the pop art and feminist movements. Her works, range from large-scale installations like the "Infinity Mirror Rooms" to her vibrant sculptures and paintings. Kusama's art is a deeply personal expression of her own experiences with mental illness, transforming her obsessions into stunning visual experiences that resonate globally. Today, she is celebrated as one of the most influential contemporary artists, with exhibitions and installations that captivate audiences worldwide. From "Life Is The Heart of A Rainbow", Installation (2017) MANGA - was an exhibition from May 23 - August 26, 2019 held at the British Museum in London, England.  shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Tomoo Inagaki (1902-1980) - introduced to mokuhanga by Onchi Kōshirō and Un'cihi Hiratsuka in 1923. Beginning in 1924, Inagaki published his first prints in magazines such as Shi to hanga (issue 13), Hanga (issues 6, 9/10, 11, 14), and Kitsutsuki, and exhibited with the Nihon Sôsaku-Hanga Kyôkai (Japan Creative Print Association). He became a member of the Nihon Hanga Kyôkai (Japan Print Association) in 1932 and participated in various post-war international competitions, including the Paris, Tokyo, and Lugano biennales. His cat prints have been highly collectible. More info can be found at Viewing Japanese Prints, here. The Rival Cats - 18" x 24" (1960's - 1970's) Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Frances Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Japanese Bath (1937) - 11 7/8" x 9 5/8 " Yoshitomo Nara - is a renowned Japanese contemporary artist and is celebrated for his distinctive paintings and sculptures featuring figures with large heads and expressive eyes, often exploring themes of innocence, rebellion, and solitude.  Change The History (2007) acrylic on wood 74-7/16" × 55-1/2" × 3-1/8" Mingei - is a Japanese term that translates to "folk craft" or "people's art." It refers to a movement that emerged in the early 20th century, emphasizing the value and beauty of traditional, handmade crafts created by anonymous artisans. Mingei focuses on everyday objects, such as pottery, textiles, furniture, and utensils, that reflect the culture and daily life of the people who made them. Lawrin Smith - is the author of the book "The Prints of Yoshitoshi: A Complete Illustrated Catalog" (2009). This comprehensive catalog focuses on the works of Tsukioka Yoshitoshi. The book provides detailed descriptions and illustrations of Yoshitoshi's prints, showcasing his significant contributions to the ukiyo-e genre and his influence on modern printmaking. Wabi-sabi is a Japanese aesthetic philosophy that celebrates the beauty of imperfection, transience, and the natural cycle of life. It combines two concepts: "wabi," which refers to rustic simplicity and tranquility found in nature, and "sabi,"which denotes the beauty that comes with age and wear. Wabi-sabi values simplicity, asymmetry, and the unique characteristics of objects and experiences, encouraging appreciation for the impermanent and humble aspects of life. This philosophy is reflected in various forms of art, architecture, and design, emphasizing natural materials and handcrafted items, and fostering mindfulness and acceptance of the imperfections that make life beautiful. A-yo - is a renowned Japanese artist associated with the Gutai Art Association, an avant-garde group that emerged in post-war Japan. Known for his vibrant colors and distinctive style, Ay-O's work often incorporates elements of nature, light, and movement, reflecting themes of playfulness and spontaneity. He engages with materials in innovative ways and has explored performance art as part of his creative expression. With extensive exhibitions both in Japan and internationally, Ay-O has made significant contributions to contemporary art, emphasizing the joy of creation and the aesthetic experience. Marcel Duchamp (1887–1968) was a French-American artist and a key figure in modern art, known for his significant influence on the Dada movement and conceptual art. He initially trained as a painter but became renowned for challenging traditional notions of art through his controversial works, such as "Fountain"(1917), a readymade sculpture of a urinal that questioned the definition of art and the role of the artist. Duchamp's other notable pieces, including "The Large Glass" (1915–1923) and "Bicycle Wheel" (1913), explored themes of chance and perception. His innovative ideas about art as a conceptual experience rather than a purely visual one continue to resonate, solidifying his status as one of the most influential artists of the 20th century.   Fountain (1917) replica (1964)   Naoko Matsubara - is a contemporary Japanese printmaker known for her expertise in mokuhanga. Born in Osaka, she studied at Kyoto Seika University, where she specialized in printmaking and mastered the techniques of this ancient art form. Matsubara's work often blends traditional methods with contemporary themes, exploring the relationship between nature, culture, and identity. Her prints are characterized by intricate details, vibrant colors, and a deep appreciation for the materials and techniques involved in woodblock printing. She teaches and promotes mokuhanga both in Japan and abroad, exhibiting her work in galleries and museums worldwide and receiving numerous awards for her contributions to the field. Naoko's interview with The Unfinished Print can be found, here.    Gihachiro Okuyama (1907-1981) - was a prominent Japanese printmaker and painter associated with the sōsaku hanga (creative prints) movement. Born in Tokyo, he studied traditional Japanese painting and was influenced by Western art styles, leading to innovative woodblock prints characterized by bold colors and dynamic compositions that blend traditional aesthetics with modern elements. Throughout his career, Okuyama exhibited extensively in Japan and internationally, contributing significantly to contemporary printmaking while also playing a vital role in art education by sharing his expertise with future generations. His work reflects a deep engagement with the cultural exchanges between East and West during the post-war period.     Moonscape - 10" x 21"   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.   Prince Rokuson Tsunemoto from Suikoden of Japanese Heroes (1843) 10" x 7"    Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.    Kabuki Plays - Narukami and Princess Toki (ca. 1890's) triptych   Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.    Dog, Daschund 2 10" x 15"   Edvard Munch (1863-1944) - was a Norweigan artist, who initially was a painter, but also ventured into printmaking making 850 images. His print medium was etching, lithography, and woodcut. More information can be found here, at Christie's.      Anxiety (1894)   Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim.   Mill in Sunlight (1908). Credit: Kunstmuseum Den Haag, The Hague, The Netherlands © 2021 Mondrian/Holtzman Trust   Shunga - meaning "spring pictures," is a genre of Japanese erotic art that flourished during the Edo period (1603–1868), characterized by woodblock prints, paintings, and illustrated books depicting explicit sexual scenes often combined with humor, romance, and social commentary. Notable for its vibrant colors and intricate details, shunga explores themes of intimacy and sexuality, serving both as entertainment and education in a culture where such topics were often taboo. The genre reflects societal attitudes toward love and relationships and has a rich history despite facing censorship at various times. Today, shunga is recognized as a significant part of Japanese art history, appreciated for its aesthetic qualities and cultural context. Paul Binnie - Candlelight (1994) kappazuri print 24" x 18"  Tosa Prefecture - historically known as Tosa Province, is located in the southern part of Shikoku, Japan, and corresponds to present-day Kochi Prefecture. Renowned for its natural beauty, including mountains, rivers, and coastal landscapes, Tosa has a rich cultural heritage that includes traditional crafts like Tosa washi (handmade paper) and Tosa pottery. The region is famous for its vibrant festivals, such as the Yosakoi Festival, which features lively dance performances, and is known for its agricultural products, particularly citrus fruits like yuzu and sudachi, along with seafood. Kochi City, the capital of Kochi Prefecture, serves as the cultural and economic center, showcasing local cuisine, historical sites, and museums. Tosa's unique blend of natural scenery, traditional crafts, and cultural events contributes to its significance within Japan. © Popular Wheat Productions opening and closing credit - I Am Pentagon by the band Make Up from their album Save Yourself (1999) released by K Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Jesus' teaching about his own pending death to the disciples connected with his teaching on who is the greatest, reminds us that only by dying to self can we discover the greatness that God the Father intends for us.Image: John Hazeland on His Deathbed, by Edvard Munch, uploaded by villarreal9, license CC BY-SA 4.0 (No changes made). Image location: https://commons.wikimedia.org/wiki/File:John_Hazeland_on_His_Deathbed.jpg

Ever wondered how the worlds of art, commerce, and culture collide? In this episode of FOMO Sapiens, Patrick J. McGinnis welcomes Simon Shaw, Senior Vice President and Vice Chairman of Global Fine Arts at Sotheby's, to discuss the fascinating dynamics of the art auction world. From the rise and fall of NFTs to Sotheby's role as a cultural curator, Shaw provides an insider's view into the intricate dance between creativity and commerce. Listen as Shaw shares personal insights on career advice, the psychology of auctions, and unforgettable moments like the record-breaking sale of Edvard Munch's The Scream. Whether you're an art enthusiast or curious about high-stakes auctions, this conversation promises to captivate and inform. Learn more about your ad choices. Visit megaphone.fm/adchoices

A true gift to bring on my boys Jacob Lie and Greg Warner to discuss pick-up artist techniques and the sexual proclivities of Bram Stoker. Follow Jacob and Greg on Instagram. Edvard Munch: "Self-Portrait with a Bottle of Wine" Walt Whitman: "Earth, My Likeness" Produced by G34 Productions and filmed at Grove 34 in Astoria, Queens.

BOATS THIS WEEK (SEPT 2-8, 2024) — On this day almost two thousand years ago, the Battle of Actium decided power in Rome. Not coincidentally, we'll learn about that today from a TV show called Rome. The second event from this week in history according to the movies comes from the 1993 film called Geronimo: An American Legend, because Wednesday this week marks the 138th anniversary of that event. For our third event, we'll learn about one of Jesse James' infamous holdups from September 7th, 1876 as it's shown in the movie The Great Northfield Minnesota Raid. Until next time, here's where you can continue the story. Events from This Week in History Monday: Rome Wednesday: Geronimo: An American Legend Saturday: The Great Northfield Minnesota Raid Birthdays from This Week in History Tuesday: James "Whitey" Bulger in Black Mass Thursday: Jesse James in The Assassination of Jesse James by the Coward Robert Ford | BOATS #166 Friday: Marquis de Lafayette in Turn: Washington's Spies | BOATS #139 Saturday: Queen Elizabeth I in Elizabeth and Elizabeth: The Golden Age | BOATS #106 (Elizabeth) | BOATS #112 (Elizabeth: The Golden Age) A Historical Movie Releasing This Week Friday: 1992 Mentioned in this episode Krakatoa and Edvard Munch's The Scream Original newspaper reports of each Jack the Ripper victim Did you enjoy this episode? Get the BOATS email newsletter Leave a comment Support our sponsors Unlock ad-free episodes Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/343 Learn more about your ad choices. Visit megaphone.fm/adchoices

The awesome, brutal power of the Krakatoa eruption, which had the explosive force of a 200-megatonne bomb, killed more than 36,000 people and cooled the entire Earth by an average of 0.6°C. Curiously, Krakatoa is not the most powerful volcanic eruption in history, but it is perhaps the most famous because it became one of the first global catastrophes, due in large part to the newly installed worldwide telegraphic network that allowed newspapers to broadcast news of the eruption all over the globe. In this episode, The Retrospectors discuss how Krakatoa's eruption may have inspired Edvard Munch's The Scream; reveal why, instead of fleeing, locals held festivals when the volcano began to smoke; and explain why, if you are ever find yourself captaining a large ship during a tsunami, you may want to consider sailing towards the wave rather than away from it… Further Reading: ‘Krakatoa: The Day the World Exploded' (Penguin, 2004): https://www.google.co.uk/books/edition/Krakatoa/Qmz4HFv-IeoC?hl=en&gbpv=0 ‘Krakatoa is still active, and we are not ready for the tsunamis another eruption would generate' (The Conversation, 2020): https://theconversation.com/krakatoa-is-still-active-and-we-are-not-ready-for-the-tsunamis-another-eruption-would-generate-147250 ‘Krakatoa: The Volcanic Eruption That Shook The World' (Our World, 2021): https://www.youtube.com/watch?v=MrFm3HtL8_M Thanks so much for supporting the show! We massively appreciate it. The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Edit producer: Ollie Peart Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Copyright: Rethink Audio / Olly Mann 2024. Learn more about your ad choices. Visit podcastchoices.com/adchoices

BOATS THIS WEEK (AUG 26-SEPT 1, 2024) — Tomorrow marks the 60th anniversary of Disney's Mary Poppins premiered, and that event is shown in the 2013 movie called Saving Mr. Banks about the making of Mary Poppins. If that's too confusing, give the episode a listen to unravel it all. From there, we'll travel to the west of Java to the movie incorrectly titled Krakatoa, East of Java. It got the geography wrong in the title, but we'll find out how well it shows the eruption of Krakatoa from August 28th, 1883. Then we'll go to London in 1888 because this Saturday is the anniversary of the first Jack the Ripper victim being discovered; an event from the movie From Hell. Until next time, here's where you can continue the story. Events from This Week in History Tuesday: Saving Mr. Banks Wednesday: Krakatoa, East of Java Thursday: From Hell | BOATS #93 | Jack the Ripper newspaper reports Birthdays from This Week in History Tuesday: President Lyndon B. Johnson in LBJ Friday: Mary Shelley in Mary Shelley Saturday: Caligula in The Robe Historical Movies Releasing This Week Friday: 1992 Mentioned in this episode Krakatoa and Edvard Munch's The Scream Original newspaper reports of each Jack the Ripper victim Did you enjoy this episode? Get the BOATS email newsletter Leave a comment Support our sponsors Unlock ad-free episodes Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/342 Learn more about your ad choices. Visit megaphone.fm/adchoices

Mitten am Tag wird eines der bedeutendsten Gemälde des Expressionismus gestohlen. Den Dieben geht es nicht um Munchs Meisterwerk, trotzdem verändert der Raub Museen. Von Andrea Klasen.

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The Norwegian artist Edvard Munch is best known for his expressionist painting The Scream. A pastel version of it fetched $ 120 million when it was last auctioned in 2012, making it the most expensive piece of art ever sold at an auction. The art exhibition Edvard Munch: Trembling, shifts the focus to his landscape paintings, revealing a very different side of the artist and showing the vivid colours he used. Presenting this exhibition on both sides of the Atlantic - in the US, then in Germany and Norway - makes the show open up to a wider audience. But what does it take for an exhibition to go on a journey? The Museum Barberini in Potsdam, Germany grants the BBC exclusive access to witness what happens behind closed doors, when art works worth millions move across countries.

Once there was a dog, and it was hot. Then, there were more of these hot dogs, and they were pursued by insatiable eating machines that sought only their delicious destruction in horrifying numbers. Now, we celebrate these eating champions as gods among humanity, turning what could be months of school lunches for a child into 10 minutes of gladiatorial gastronomy! That's right, we're talking about the origins of Nathan's Famous Hot Dog Eating Contest! Plus, the MouthGarf Report and I See What You Did There! Sources:https://nathansfranks.sfdbrands.com/en-us/articles/hot-dog-eating-contest/hdec-fun-facts/https://www.bbc.com/news/world-us-canada-66101244https://en.wikipedia.org/wiki/Nathan%27s_Hot_Dog_Eating_ContestPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Tell us about your favorite hot dog? Email us at debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Manic Pixie Dream Girl

Like most leaders in the arts, Heather Maloy spends far more time raising money, hunting for rehearsal spaces and recruiting dancers than she does immersed in the work she's so committed to—cultivating the ideas and creating the dances that are the signature of her Asheville-based company, Terpsicorps Theatre of Dance. For 21 summers, Terpsicorps has fielded troupes of young professionals from all over the U.S. and beyond, who put their feet to the fire of Maloy's imagination. I met with Maloy just before her company started rehearsals for their new production, inspired by Edvard Munch's singular painting, “The Scream.” Performances are July 25 through 27 at Diana Wortham Theatre.We'll talk with the company's founding director about keeping her dream live and evolving her company through two decades of challenges, how she parses through scores of auditioners to select her company and how she defines growth when her company is only on stage for two weekends each year.SPONSOR: Terpsicorps Theatre of Dance returns for one weekend only with the premiere of "Before the Scream." Performances are July 25-27 at the Wortham Center for the Performing Arts. Wake Up, Asheville! and ¡Despierta Asheville! (in Spanish) are new morning newscast podcasts that give you all the local news you need to know in under five minutes. Both are free to subscribe/follow wherever you get your podcasts!Support the Show.Support The Overlook by joining our Patreon campaign!Advertise your event on The Overlook.Instagram: AVLoverlook | Facebook: AVLoverlook | Twitter: AVLoverlookListen and Subscribe: All episodes of The OverlookThe Overlook theme song, "Maker's Song," comes courtesy of the Asheville band The Resonant Rogues.Podcast Asheville © 2023

May 7, 1994. Edvard Munch's painting The Scream is recovered undamaged after being stolen from the National Gallery of Norway.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Max Pearson presents a collection of this week's Witness History episodes from the BBC World Service.It's 30 years since Edvard Munch's painting, The Scream, was stolen from the national gallery in Oslo, Norway. We hear from the man who helped to recover it.Our expert guest is historian and author, Susan Ronald, who explores the history of art heists in the 20th century.Plus, a first hand account from Kampala terror attacks in 2010 and the mystery of St Teresa of Avila's severed hand.Finally, we hear about the last World War II soldier to surrender. Hiroo Onoda was an Imperial Japanese Army intelligence officer who spent nearly 30 years in the Philippine jungle, believing World War Two was still going on.Contributors: Kuddzu Isaac - DJ and Kampala terror attack survivor Charley Hill - Scotland Yard art detective and private investigator Susan Ronald - historian and author Sister Jenifer - the Mother Superior of the Church of Our Lady of Mercy, Ronda Hiroo Onoda - Japanese WWII soldier Christos and Ioanna Kotsikas - residents of Thessaly, Greece(Photo: The Scream. Credit: Getty Images)

On this day in 1994, Edvard Munch's world-famous painting “The Scream" was stolen from the National Gallery in Oslo, Norway. See omnystudio.com/listener for privacy information.