Podcasts about James Reese Europe

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

125 Jahre Ellington || hr-Bigband feat. & cond. by Jason Moran, 55. Deutsches Jazzfestival Frankfurt, Hessischer Rundfunk, hr-Sendesaal, Oktober 2024 || Die hr-Bigband hat es wiederholt getan, hat sich sowohl den frühen Ellington als auch sein Spätwerk vorgenommen, es mal historisch reproduzierend, mal neu interpretierend zum Leben erweck. Auch Jason Moran hat sich im Verlauf seiner Karriere immer wieder mit Duke Ellington beschäftigt, denn auch sein Schaffen steht im Spannungsfeld zwischen Tradition und Innovation und das nicht nur, wenn er sich an historischen Größen wie Thelonious Monk oder dem Ragtime von James Reese Europe abarbeitet. (Sendung vom 19.1.)

DuBois tuvo una enorme influencia en cómo pensaban y actuaban tanto los negros educados como los comunes. La familia Lunceford no fue una excepción. DuBois incluso iba a desempeñar un papel directo y doloroso en la vida personal de Lunceford. Con José Manuel Corrales.

Listen to the Sat. June 1, 2024 edition of the Pan-African Journal: Worldwide Radio Broadcast hosted by Abayomi Azikiwe, editor of the Pan-African News Wire. This episode begins our annual commemoration of Black Music Month. We will look back on the contributions of the Congolese Orchestra Zaiko Langa Langa during its early phase in the 1970s; also we review the music and civic legacy of African American composer James Reese Europe during the first two decades of the 20th century. Finally, we examine the cultural trajectory of Duke Ellington. 

The 2024 National Recording Registry “Clarinet Marmalade” – Lt. James Reese Europe's 369th U.S. Infantry Band (1919) “Kauhavan Polkka” – Viola Turpeinen and John Rosendahl (1928) Wisconsin Folksong Collection (1937-1946) “Rose Room” – Benny Goodman Sextet with Charlie Christian (1939) “Rudolph, the Red-Nosed Reindeer” – Gene Autry (1949) “Tennessee Waltz” – Patti Page (1950) “Rocket ‘88'” – Jackie Brenston and His Delta Cats (1951)  “Catch a Falling Star” / ”Magic Moments” – Perry Como (1957) “Chances Are” – Johnny Mathis (1957)  “The Sidewinder” – Lee Morgan (1964) “Surrealistic Pillow” – Jefferson Airplane (1967) “Ain't No Sunshine” – Bill Withers (1971) “This is a Recording” – Lily Tomlin (1971) “J.D. Crowe & the New South” – J.D. Crowe & the New South (1975) “Arrival” – ABBA (1976) “El Cantante” – Héctor Lavoe (1978) “The Cars” – The Cars (1978)  “Parallel Lines” – Blondie (1978) “La-Di-Da-Di” – Doug E. Fresh and Slick Rick (MC Ricky D) (1985) “Don't Worry, Be Happy” – Bobby McFerrin (1988) “Amor Eterno” – Juan Gabriel (1990) “Pieces of Africa” – Kronos Quartet (1992) “Dookie” – Green Day (1994) “Ready to Die” – The Notorious B.I.G. (1994) “Wide Open Spaces” – The Chicks (1998) Find out more at https://registry-a-podcast.pinecast.co

Today’s Show Note Links: Wonderful World: Learn about Cleveland’s deep Black history, HERE. Good Times: Today is the birthday of the legendary Black musician and orchestra leader, James Reese Europe! Find out his story, HERE. Sounds Good: Check out an astonishing performance of “Stakes Is High” with De La Soul and The Roots, HERE

Pianist Jason Moran talks jazz and plays selections from his latest recording, which borrows from the music of James Reese Europe, the composer and musician who led the all-Black Harlem Hellfighters regiment band during WWI. Moran's new album is called From the Dancehall to the Battlefield, and it features Moran's take on Europe's compositions and pop music of that time.

Pianist Jason Moran talks jazz and plays selections from his latest recording, which borrows from the music of James Reese Europe, the composer and musician who led the all-Black Harlem Hellfighters regiment band during WWI. Moran's new album is called From the Dancehall to the Battlefield, and it features Moran's take on Europe's compositions and pop music of that time.

Pianist Jason Moran joins us at the piano to play his take on the WWI-era music of James Reese Europe. And we'll hear from writer Andre Dubus III. His new novel, Such Kindness, asks how a person gets on with life after an accident that leads to disability and flames of chronic pain.

Pianist Jason Moran joins us at the piano to play his take on the WWI-era music of James Reese Europe. And we'll hear from writer Andre Dubus III. His new novel, Such Kindness, asks how a person gets on with life after an accident that leads to disability and flames of chronic pain.

Moran talks jazz and plays selections from his latest recording, which borrows from the music of James Reese Europe, the composer and musician who led the Harlem Hellfighters regiment band during WWI. Moran's new album is called 'From the Dancehall to the Battlefield,' and it features Moran's take on Europe's compositions and pop music of that time. It's available only on Bandcamp.

Moran talks jazz and plays selections from his latest recording, which borrows from the music of James Reese Europe, the composer and musician who led the Harlem Hellfighters regiment band during WWI. Moran's new album is called 'From the Dancehall to the Battlefield,' and it features Moran's take on Europe's compositions and pop music of that time. It's available only on Bandcamp.

In this episode of the podcast, Jackson talks to Public Historian Sarah Biegelsen about Entertainment in the US war effort in World War I. This was a fascinating conversation that looked at Charlie Chaplain, Elsie Janis and James Reese Europe, all of whom played an important role in World War I. In the meantime to keep up to date with History with Jackson head to: www.HistorywithJackson.co.ukFollow us on Facebook @HistorywithJacksonFollow us on Instagram @HistorywithJacksonFollow us on Twitter @HistorywJacksonFollow us on Threads @HistorywithJacksonFollow us on TikTok @HistorywithJackson Hosted on Acast. See acast.com/privacy for more information.

James Reese Europe has been called “the Martin Luther King of music,” because of his influence on ragtime and early jazz. The acclaimed pianist Jason Moran's latest work is a tribute album to the late composer. Jason tells Tom why James should be seen as a “big bang” in Black music.

James Europe prácticamente había inventado la estructura de la creación de música profesional negra en Nueva York, un sistema cuyos beneficiarios incluirían a Fletcher Henderson y muchos de sus primeros acompañantes. Con José Manuel Corrales.

A popular tap dancer and a highly decorated World War I general both appear at a popular dining hotspot, so has the hostess finally solved her money troubles? March & April 1932, Cobina Wright's Sutton Club is a successful hotspot.  She has the famous African American vaudeville comedy duo Buck and Bubbles performing.  She also hosts the famous war hero General John Pershing amidst his celebrations commemorating World War I. Other people and subjects include: John “Bubbles” Williams Sublett, Ford “Buck” Washington, Bill “Bojangles” Robinson, Private Henry Johnson, Private Needham Roberts, Micheline Resco, James “Jimmy” HR Cromwell, Cornelius “Neily” Vanderbilt III, Grace Wilson Vanderbilt, President Herbert Hoover, President Woodrow Wilson, President Bill Clinton, President Barack Obama, Brigadier General John Ross Delafield, World War I, Victory Parade, War Museum in Paris, Fort Bliss, mentor, World War II generals, Dwight D. Eisenhower, George Marshall, George Patton, Douglas MacArthur, Nita Patton, 92nd Infantry Unit, 93rd Infantry Unit, Buffalo Soldiers, separate but equal, racism, 369th Infantry Unit, Harlem Hellfighters, Colonel William Hayward, Battle of Argonne, French Croix de Guerre, Harlem Hellfighters Band, James Reese Europe, Noble Sissle, Eubie Blake, Blackbirds Orchestra, jazz, Harlem Renaissance, Duke Ellington, Walter Donaldson, Nicholas Brothers, Cab Calloway, Lena Horne, Nat King Cole, “Black Garbo” Nina Mae McKinney, Louis Armstrong, Bessie Smith, Coleman Hawkins, Kentucky State Fair, New York Palace Theater, Ziegfeld Follies, Fred Astaire, Al Jolson, Eddie Cantor, Dannie Kaye, Tuskegee Choir, Radio City Music Hall, BBC broadcast, Prince of Wales – future King Edward VIII – Duke of Windsor, George Gershwin, Porgy & Bess (1935), Carmen Jones (1946), Vietname USO tour, Eddie Fisher, Newport Jazz Festival, Sammy Davis, Jr., Gregory Hines, Michael Jackson, Greta Garbo, Ethel Barrymore, Lionel Atwill, revisionist, apologist, historiography, modern ideologies, Lil Colonel (1935), Shirley Temple, Michael Jackson's chimpanzee Bubbles, US Senator from New York Charles Shumer, Purple Heart, Medal of Honor --Extra Notes / Call to Action:Rhythm Tap Dance 1937 (John Bubbles)https://www.youtube.com/watch?v=mq38QLBE6wM Buck and Bubbles Varsity Show 1937https://www.youtube.com/watch?v=dCpKx64EivE THE SUN QUEEN | trailer | American Experience PBShttps://www.youtube.com/watch?app=desktop&v=e07pJ0FPCGk What's Her Name Podcast by Dr. Katie Nelson and Olivia Meiklehttps://whatshernamepodcast.com/https://pod.link/1320638747 Share, like, subscribe                                                                                                                                       --Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music:The Younger Generation by Ray Noble, Album The Great Dance Bands Play Hits of the 30sSection 2 Music: The Charleston by The Savoy Orpheans, Album Fascinating Rhythm – Great Hits of the 20sSection 3 Music:Hep! Hep! Jumpin' Jive by Nat Gonella & His New Georgians, Album Dance CrazyEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands --https://asthemoneyburns.com/TW / IG – @asthemoneyburns Facebook – https://www.facebook.com/asthemoneyburns/

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From solo breaks (James Reese Europe, Wilbur Sweatman, ODJB, King Oliver, Louis Armstrong) to solos on blues (ODJB, NORK, Johnny Dunn, King Oliver, Louis) to real jazz improv (Trumbauer, Bix, Hawkins, Louis) . . the evolution of the solo jazz player in the 1920's . . all leading to Louis Armstrong! --- Support this podcast: https://anchor.fm/john-clark49/support

What made Louis Armstrong's music so groundbreaking? And after he broke that ground, why were later generations of Black people reluctant to embrace him?  From his renditions of “On The Sunny Side Of The Street” to “What A Wonderful World,” trumpeter and vocalist Louis Armstrong is cemented in history as a jazz icon. But for many Black people – especially those in the mid-twentieth century – his presentation was degrading and received as minstrelsy for white audiences. Filmmaker Sacha Jenkins traces Amstrong's complicated history as a Black artist in his most recent project and documentary, “Louis Armstrong's Black & Blues.” He joins host Kai Wright to discuss Armstrong's relationship with music and the fans that struggled to embrace him. Companion listening for this episode: What Does Black Ambition Sound Like? (12/27/2021) James Reese Europe was already famous when he enlisted to fight in World War I. But the band he took to the frontlines – as part of the famous 369th Infantry Regiment – thrust him and Black American music onto the global stage. Jazz pianist Jason Moran sits down at the piano to show Kai how Europe's band changed music, and how jazz carries the resilient sound of Black history and ambition in America.  “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel. We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.

The first edition of Mondo Jazz of the new year! Judging by how the year started, it should not be difficult… we open with Jason Moran's latest fascinating project, released just hours after the new year started, dedicated to James Reese Europe. After that many recent compelling releases, from Thandi Ntuli [pictured] to Frank Zappa (newly published archival material from the legendary "Waka Jawaka" and "Grand Wazoo" sessions). The playlist also features Sarathy Korwar; Soweto Kinch with the London Symphony Orchestra; London Odense Ensemble; Artchipel Orchestra; Ezra Collective; Leland Whitty; and Revelators Sound System Detailed playlist at https://spinitron.com/RFB/pl/16847678/Mondo-Jazz (up to "Grieving"). Happy listening and happy new year! Photo credit: Ndumiso Sibanda

Nearly 20 years after The L Word premiered, there's a sequel to the historic series. Showrunner Marja-Lewis Ryan talks about trying to reflect our changing times in The L Word: Generation Q. After a series of malicious false rumours almost ended his career more than ten years ago, Korean-Canadian rap star and Epik High frontman Tablo is sharing his story about finding his way back to music. Acclaimed pianist Jason Moran shares why he thinks James Reese Europe, a hugely influential Black composer and veteran, should be seen as a "Big Bang in Black music."

Nearly 20 years after The L Word premiered, there's a sequel to the historic series. Showrunner Marja-Lewis Ryan talks about trying to reflect our changing times in The L Word: Generation Q. After a series of malicious false rumours almost ended his career more than ten years ago, Korean-Canadian rap star and Epik High frontman Tablo is sharing his story about finding his way back to music. Acclaimed pianist Jason Moran shares why he thinks James Reese Europe, a hugely influential Black composer and veteran, should be seen as a "Big Bang in Black music."

This is the first episode of a new Broadway Nation mini-series that explores what I am calling, “The Other Broadway”.  Today when we see or hear the word “Broadway”, we most likely think of New York's Theater District and it's 41 active theaters nestled in and around Times Square (where today 36 plays and musicals have thankfully returned to the stage!)  Or that word evokes the legendary cannon of shows that have played in those theaters, most especially those great, glorious Broadway musicals that up until now have been the principal subject of this podcast. That, however, is really only part of what “Broadway” has meant to most people during the first half of the 20th Century – when Broadway was at the center of American culture.  For more than 5 decades the word “Broadway” meant not just the performances in the legitimate theaters – those Plays, Musicals, and Revues.  But also, or even more so, it meant the Nightlife that surrounded them.  From the 1910s through the 1950s there were hundreds of cabarets, speakeasys and nightclubs crammed into the Theater District.  And they epitomized “Broadway” just as much as what was happening in the theaters,  In fact, the most famous songs about Broadway – those anthemic tributes that you hear on every Tony Awards show and every Broadway themed occasion such as “Give My Regards To Broadway”, “Lullaby Of Broadway” and “On Broadway” – all have lyrics that are much more about the nightlife than they are about the shows. During this series I will lead my listeners on a late night tour of Broadway's most famous hot spots including Rector's, Reisenweber's, The El Fay Club, Club Durant, Club Richman, The Hotsy Totsy Club, Club Alabam, The Silver Slipper, The Pansy Club, The Stork Club, Casa Lopez, La Conga, 21, The Parody Club, The Rainbow Room, The Latin Quarter, El Morocco, The Astor Roof, The Cotton Club (it was in Times Square for a while), Billy Rose's Diamond Horseshoe, The Copacabana and many more. There you will rub elbows with such stars as Vernon & Irene Castle, James Reese Europe, Sophie Tucker, Clifton Webb, George Raft, Rudolph Valentino, Gilda Gray, Texas Guinan, Ethel Waters, Florence Mills, Helen Morgan, Harry Richman, Bill Robinson, Cab Calloway, Desi Arnaz, Tommy Dorsey, Frank Sinatra, Fats Waller, and Clayton, Jackson, & Durante to name only a few. However, before we venture out into the night, we need to look back to the origins of this other side of Broadway, so in this first episode I explore exactly where New York nightlife began. I hope that you enjoy it.  I am now entirely obsessed and fascinated by this subject! Please let me know what you think!   Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, music director Sean Mayes and Reader in Musical Theatre Dr. Sarah K. Whitfield discuss the Black history of British musical theater from 1900 to 1950, highlighting performances and looking at how one studies musical theater history itself. We also talk about the song "Memories of You" from Eubie Blake, Noble Sissle, F.E. Miller, and Aubrey Lyles's 1921 musical Shuffle Along. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com The theme music is by Julia Meinwald. Music played in this episode: "Overture" from In Dahomey from "Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club" "Weeping Mary" from An Inconvenient Black History of British Musical Theatre 1900-1950 Live at Wigmore Hall "Memories of You" from An Inconvenient Black History of British Musical Theatre 1900-1950 Live at Wigmore Hall "Memories of You" from Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed "Memories of You" sung by Alberta Hunter to Eubie Blake Purchase their book: An Inconvenient Black History of British Musical Theatre by Sean Mayes and Sarah K. Whitfield

This episode covers Robert Johnson, Jump Blues, early R&B and Rock N Roll influences. Topics covered Robert Johnson, Champion Jack Dupree, James Reese Europe, American Federation of Musicians, Tommy McClennan, Louis Jordan. Follow the timeline at https://www.bluelineage.com.

This is a special four-part series where historian Charles L. Hughes introduces us to musicians who are exploring the sounds, songs and stories of the Jim Crow era. In this installment, Jazz pianist Jason Moran discusses his acclaimed musical celebration of a man he calls “Big Bang of Jazz,” bandleader, arranger and composer James Reese Europe. During World War I, Europe fought as a Lieutenant with the fabled “Harlem Hellfighters” 369th U.S. Infantry and directed the regiment's renowned band. Watch his Kennedy Center performance and discover more about his Jason Moran's meditation on James Reese Europe. Learn more about Black military service during Jim Crow in episode 409 – Black Soldiers: Global Conflict During Jim Crow with Adriane Lentz-Smith. And for even more resources, check out the enhanced full transcript of this episode on our website.

Good News: Lots of different effort are coming together to protect wild salmon in the rivers of Scotland, learn more HERE. The Good Word: A thought-provoking quote from the great Rev. Dr. Martin Luther King, Jr. Good To Know: Another surprising tidbit about cats and their claws! Good News: Wales joins other nations in trialling […]

James Reese Europe was already famous when he enlisted to fight in World War I. But the band he took to the frontlines — as part of the famous 369th Infantry Regiment, also known as the Harlem Hellfighters — thurst him, and Black American music, onto the global stage. Moran sits down at the piano to show Kai how Europe's band changed music, and how jazz carries the resilient sound of Black history and ambition in America.  Companion listening for this episode: The ‘Beautiful Experiments' Left Out of Black History (2/8/2021) Saidiya Hartman introduces Kai to the young women whose radical lives were obscured by respectability politics, in the second installment of our Future of Black History series.   “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.    We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.

In this episode I have an Army songbook from WWI. I track down the great niece of the soldier who had it in battle over 100 years ago. Thank you to Jari Villanueva → tapsbugler.com and tapsforveterans.org, The National WWI Museum and Marleen Grass. Voice of John Pfuelb by Robert Anthony Peters Voice of Leo T. McCabe by Ben Hess Picture credits by Korina McNair Theme song for Object Obscura is ‘Behind the Walls' by Nathanie Thanks to Epidemic Sound and Anchor for most of the music, SFX and distribution. Music in order of appearance: How To Fall by Anthony Earls, Behind the Walls by Nathanie, Going Home by Jari Villanueva, Nobody Knows and Nobody Seems to Care by Irving Berlin, Where the Lights Is by Howard Harper-Barnes, American Waltz by the Columbia School Band, Goodbye Broadway, Hello France by Billy Baskette, Sudden Change of Pace by Trailer Worx, Conspiracy Inc. by Alec Slayne, Memphis Blues by James Reese Europe, Over There by George M. Cohan, Vindication by Charles Holme, Kiriume by Arden Forest, Dark Mind by Wendel Scherer, Enter the Night 3 by Fredrick Ekstrom, In this Haven by David Celeste, Light Through a Prism by Deep Inside, Battlefield Flashbacks by Jon Sumner, Climbing the Fence by Arthur Benson, Was It Worth It by Bonn Fields, Save Her by Jon Bjork, Angeli by Bonn Fields, Residuum by Silver Maple and Origo by Bonn Fields. Extra link: Listen to recorded music from WWI → https://www.youtube.com/watch?v=9YAFdFVeufg&t=1941s All pictures of this episode's object are on Facebook @objectobscurapodcast, Instagram @object.obscura and Twitter @objectobscura. Go to our website as well object-obscura.com --- Send in a voice message: https://anchor.fm/thatcher2/message

Jazz pianist Jason Moran brings us an exploration into the life and work of James Reese Europe and how the infamous 369th Infantry Regiment - also known as the Harlem Hellfighters - crossed racial lines and brought jazz to Europe. Joe Young of New York Public Radio talks about how using music as a service member informed his own patriotism Companion listening for this episode: Juneteenth, an Unfinished Business (June 26, 2020) As the nation grapples with a reckoning, we pause to celebrate Juneteenth. Our holiday special, for Black liberation and the ongoing birth of the United States. Music, McCarthy, and the Sound of Americana (May 23, 2017) The "common man" era in the 1930s and '40s needed a truly American music. Aaron Copland created it in one America and 20 years later found himself in quite another United States. “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC. We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.

In this Black History Month episode of “One More Time: A Wind Band Podcast,” we’re diving into what it’s like to be a Black American in the music field through conversations with three Black undergraduate students of music at the University of Illinois and the Juilliard School (Ivana Owana, Njioma Grevious, and Kayla Williams), as well as Dr. Kelvin Jones, Assistant Director of Bands and the Director of the Marching Tigers at Louisiana State University. This episode also has an interview with Scott Schwartz, Director of the Sousa Archives and Center for American Music, about James Reese Europe, a Black American jazz bandleader and composer during the turn of the 20th century, as well as our Two Minute Rehearsal Technique with Dr. Erica Neidlinger of DePaul University.

This episode covers Robert Johnson, Jump Blues, early R&B and Rock N Roll influences. Topics covered Robert Johnson, Champion Jack Dupree, James Reese Europe, American Federation of Musicians, Tommy McClennan, Louis Jordan. Follow the timeline at https://www.bluelineage.com

Michael Berkeley talks to writer, photographer and broadcaster Johny Pitts about the music from his European and American heritage that inspires him. Johny was brought up on a housing estate in a tough part of Sheffield, the son of an African-American father and a mother of Irish descent. His prize-winning book, Afropean: Notes from Black Europe, describes his recent five-month journey through Europe exploring the idea of a shared black European identity. He’s a musician too, part of the Sheffield-based Bare Knuckle Soul Collective, and classical music also plays a big part in his life. Dvorak inspires two of Johny’s choices: an arrangement of the New World symphony by Raymond Lefevre, and music by Florence Price, the first African-American woman to be recognised as a major symphonic composer. Her story echoes that of Johny’s grandmother, who moved to New York in the great migration of the early 20th century when six million African Americans fled the racism and poverty of the rural South. Johny’s grandmother arrived in New York at the time of the Harlem Renaissance, a period immortalised for Johny by Gershwin’s Rhapsody in Blue. Music by Wagner and by Sakamoto brings back strong memories of Johny’s childhood, and both aspects of his cultural identity are brought together in a Russian Rag from the WWI African-American bandleader James Reese Europe. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

This is Book Plate's discussion of Forever Young Adult's June 2020 book club pick, Lovely War by Julie Berry. Spoilers. Some swears. Music is the opening of the full cast audio recording of Lovely War by Penguin Random House Audio. Original music by Pianist and composer Benjamin Salisbury. Read more about the full cast audio book here: https://www.penguinrandomhouseaudio.com/blog/julie-berry-shares-the-magic-and-music-of-lovely-war/ Read more about James Reese Europe here: https://en.wikipedia.org/wiki/James_Reese_Europe Recorded in Oakland. --- Support this podcast: https://anchor.fm/fya-book-plate/support

In this follow up to last week’s “Black Sounds Matter” podcast, Daniel focuses on three relatively unknown African-American artists – Baby Dodds, James Reese Europe and Louis Jordan – each of whom radically influenced the music and drumming of today. What’s covered in this session: Daniel describes his concept “Six Degrees of Baby Dodds,” which […] The post 569 – [Daniel Glass Show]: Black Sounds Matter, Pt. 2 appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

»Latinmusik i USA #2, New Orleans og tidlig New York« Radio Jazz studievært Ole Matthiessen præsenterer musik fra, om og med Jelly Roll Morton, Jimmy Yancey, W.C. Handy & St Louis Blues, Louis Armstrong, Pablo Valenzula, James Reese Europe & Hell Fighters Band, Noble Sissle & Shuflfe Along, Trio Borinquen, puertorikansk emigration, Joe Cuba, Rafael Hernández, Don Azpiazu & Havana Casino Orchestra, Xavier Cugat Waldorf Astoria Orchestra, The Peanut Vendor med Duke Ellington & Red Nichols.

A constant threat of violence hung over the lives of African Americans in the early 20th century, an unrelenting terror that served to deter economic progress and enforce a racist social order. But 1919 was different: violence spread out of the south into northern and midwestern cities and took the form of random, terrifying riots. But the response of African-American leaders in 1919 was also different. They decided enough was enough. The time had come to fight back. Chicago's beaches in 1919 were not segregated by law, but any attempt by African-Americans to stand up to convention could prompt harsh and sudden violence. This is the white beach on the South Side, which started around 29th street. The beach used by African-Americans was a few blocks north, around 25th street. The two beaches were divided by a rocky inlet--and as five teenaged boys discovered that July, the line between them was all to easy to cross. In the South, the Jim Crow system enforced the segregation of all public places. African-Americans couldn't eat in the same restaurants, sleep in the same hotels, sit in the same movie theaters, use the same restrooms, or even drink the same water as whites. Ida B. Wells had not intended to take on the cause of lynching until her friend Thomas Moss was dragged out of jail and shot in a railyard. Her investigation into lynching was a bombshell that shattered the Southern narrative about racial violence. You can read Wells' original report, titled "Southern Horrors: Lynch Law in All Its Phases," (https://www.gutenberg.org/files/14975/14975-h/14975-h.htm) online. General Pershing likely never intended the 369th Infantry Regiment, the Harlem Hellraisers, to fight on the front lines, but under pressure from the Allies he turned them over to French command. They served with courage and distinction and won the respect and admiration of the entire French nation. Private Henry Johnson fought off a 24-man German patrol alone while wounded. He was awarded the French Croix de Guerre--but received no medals from his own country. James Reese Europe served as the 369th's regimental band leader. A brilliant musician, conductor, composer, and arranger, he brought jazz to France. Author W.E.B. DuBois electrified readers of the NAACP magazine The Crisis with his essay "Returning Soldiers," which urged African-American veterans to fight racism at home. You can read the essay online (https://glc.yale.edu/returning-soldiers). Riots broke out in early summer in Charleston, South Carolina; Longview, Texas; and Washington, D.C. This sort of scene was happened frequently--black men were dragged out of trolley, as well as seized walking down the street or yanked out of businesses to be beaten by a white mob. Poet Claude McKay wrote "If We Must Die" in 1919 in the same spirit as Du Bois' "Returning Soldiers." It was a call for African-Americans to stand up and defend themselves against white attacks. You can read the poem online (https://www.poetryfoundation.org/poems/44694/if-we-must-die) or listen to Ice-T read it. (https://www.youtube.com/watch?v=nqy7uUdNwK0) During the Chicago riot, bands of white men prowled the city looking for African-Americans. Here a group of men are running through a black neighborhood. Order was finally restored when the state militia arrived. Generally, the soldiers were impartial and prevent further attacks on African-Americans, but encounters between white troops and black men were still fraught. The riot in Omaha, Nebraska drew an enormous crowd, estimated at anything from 5000 to 15,000. Here you can see some of that mob surrounding the Omaha courthouse, which they eventually set alight. Newspapers across Arkansas ran headlines about the supposed uprising of African-Americans in Phillips County. Conductor and intelligence agent Water H. Loving submitted a report to the Department of War that explained that socialist, communist, and labor organizers had nothing to do with the violence in 1919; rather, African-Americans had decided enough was enough. His report was shelved and ignored. Please note that the links below to Amazon are affiliate links. That means that, at no extra cost to you, I can earn a commission if you click through and make a purchase. (Here's what, legally, I'm supposed to tell you: I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn fees by linking to Amazon.com and affiliated sites.) However, I only recommend books that I have used and genuinely highly recommend.

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.                                                                                                       -Philipp Blom World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more. WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture. Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky ‘L.H.O.O.Q.’ by Marcel Duchamp; readymade [postcard reproduction of Leonardo da Vinci’s Mona Lisa] and pencil (1919) (Philadelphia Museum of Art) James Reese Europe and the 369th Regiment band, also known as the Harlem Hellfighters (1918) (U.S. National Archives and Record Administration) Margaret Gorman, the first Miss America, on the Atlantic City boardwalk (1921) (Wikimedia Commons) Still from Wallace Worsley’s The Hunchback of Notre Dame (1923, Universal) starring Lon Chaney as Quasimodo and Patsy Ruth Miller as Esmeralda (Universal Pictures) The Cenotaph in Whitehall, London on November 9, 2015, surrounded by poppy wreaths for Remembrance Day (Bailey-Cooper Photography / Alamy Stock Photo) Producer/Host: Sara FishkoAssociate Producer: Olivia BrileyTechnical Director: Ed HaberEditor: Karen Frillmann Production help from Terence Mickey, Meara Sharma, and Frederic Castel With the voices of Michael Wist and Alexis Cuadrado Thanks to Loren Schoenberg, Jennifer Keene, Jo Fox, Katy Wan, Marion von Osten, Marion Kiesow II, Patrick Helber, Shannon Connolly, and Natalia Ramirez Shell Shock 1919 is supported by the Revada Foundation of the Logan Family

You really have a feeling that here is a building that looks fantastically beautiful, and it’s got its whole façade simply blown off by this war.                                                                                                       -Philipp Blom World War I presented civilization with unprecedented violence and destruction. The shock of the first modern, “industrial” war extended far into the 20th century and even into the 21st, and changed how people saw the world and themselves. And that was reflected in the cultural responses to the war – which included a burgeoning obsession with beauty and body image, the birth of jazz, new thinking about the human psyche, the Harlem Renaissance, Surrealism...and more. WNYC's Sara Fishko and guests sift through the lingering effects of the Great War on modern art and life in Shell Shock 1919: How the Great War Changed Culture. Guests include Jon Batiste, Ann Temkin, David Lubin, Philipp Blom, Jay Winter, Ana Carden-Coyne, Sabine Rewald, David Levering Lewis, Emma Chambers, Marion von Osten, Emily Bernard, and Gail Stavitsky ‘L.H.O.O.Q.’ by Marcel Duchamp; readymade [postcard reproduction of Leonardo da Vinci’s Mona Lisa] and pencil (1919) (Philadelphia Museum of Art) James Reese Europe and the 369th Regiment band, also known as the Harlem Hellfighters (1918) (U.S. National Archives and Record Administration) Margaret Gorman, the first Miss America, on the Atlantic City boardwalk (1921) (Wikimedia Commons) Still from Wallace Worsley’s The Hunchback of Notre Dame (1923, Universal) starring Lon Chaney as Quasimodo and Patsy Ruth Miller as Esmeralda (Universal Pictures) The Cenotaph in Whitehall, London on November 9, 2015, surrounded by poppy wreaths for Remembrance Day (Bailey-Cooper Photography / Alamy Stock Photo) Producer/Host: Sara FishkoAssociate Producer: Olivia BrileyTechnical Director: Ed HaberEditor: Karen Frillmann Production help from Terence Mickey, Meara Sharma, and Frederic Castel With the voices of Michael Wist and Alexis Cuadrado Thanks to Loren Schoenberg, Jennifer Keene, Jo Fox, Katy Wan, Marion von Osten, Marion Kiesow II, Patrick Helber, Shannon Connolly, and Natalia Ramirez Shell Shock 1919 is supported by the Revada Foundation of the Logan Family On Thursday, November 7, hear more from Sara Fishko and guests, live at The Greene Space. Tickets are available now. Radio Air Dates: Sunday, November 10 at 11 am on 93.9 FM. Sunday, November 10 at 6 pm on AM 820. Veterans Day, Monday November 11 at 2 pm on 93.9 FM. Saturday, November 16 at 10 pm on AM 820.

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger's new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America's entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger's new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America's entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

There has been a recent trend in books that explore one year in detail: 1914, 1927, and 1968 have all received this treatment. E. Douglas Bomberger’s new book Making Music American: 1917 and the Transformation of Culture from Oxford University Press (2018) is new twist on this phenomenon. Rather than primarily trace historical events while touching on cultural matters as many of these books do, Bomberger follows the events in jazz and classical music during this crucial year while framing them within America’s entry into World War One. Written for the general public as well as a scholarly audience, each chapter puts the events of one month in conversation with each other, allowing readers to grasp the busy cultural landscape in the period. Bomberger focuses on eight key figures. Classical musicians Fritz Kreisler, Karl Muck, Walter Damrosch, Olga Samaroff, and Ernestine Schumann-Heink contended with the fallout from mounting anti-German feeling within the United States in different ways as audiences turned against the German music which was the core of their repertory, and viewed German musicians with suspicion. Only Olga Samaroff was born in the US. The others were German-speaking, and some were not U.S. citizens. Through canny marketing and patriotic concerts, Ernestine Schumann-Heink maintained her singing career even though she had sons fighting on both sides of the conflict, while conductor Karl Muck ended up in an internment camp. Meanwhile popular musicians Freddie Keppard, Dominc LaRocca, and James Reese Europe worked to establish their careers and popularize the fledging musical style of jazz. James Reese Europe spent most of the year staffing and then training the band for the Fifteenth Regiment (Colored) of the New York National Guard, an all-black unit that went on to distinguish itself in battle, but not before encountering racism at home. Bomberger also explains the legal and recording challenges jazz musicians faced in 1917. Over the course of the book, Bomberger skillfully makes the case that 1917 saw crucial developments in American music that changed the cultural landscape in the United States forever. E. Douglas Bomberger is Professor of Musicology at Elizabethtown College in Pennsylvania. A prolific author, Bomberger has published six books and over one hundred articles on subjects ranging from the medieval origins of keyboard instruments to mid-twentieth century American music. His primary research areas are in the piano literature, nineteenth-century American music, and transatlantic musical connections. He received the Elizabethtown College 2018–2019 Ranck Prize for Research Excellence. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Europe's 369th Inf. Hellfighters Band - "St. Louis Blues" https://www.wfmu.org/playlists/shows/85467

Jim Europe's 369th Inf. Hellfighters Band - "St. Louis Blues" http://www.wfmu.org/playlists/shows/85467

The 369th Infantry Regiment, known as the Harlem Hellfighters was a band of brothers in combat.  But off the battlefield, with their leader James Reese Europe, they conquered France with their music.  We talk with Jason Moran, The Kennedy Center's Artistic Director for Jazz, to hear the story of how these soldiers were the original pioneers of Jazz. 

The 369th Infantry Regiment, known as the Harlem Hellfighters was a band of brothers in combat.  But off the battlefield, with their leader James Reese Europe, they conquered France with their music.  We talk with Jason Moran, The Kennedy Center's Artistic Director for Jazz, to hear the story of how these soldiers were the original pioneers of Jazz. 

Jazz historian David Sager describes the beginnings of jazz and its enthusiastic reception in France during World War I. He tells the amazing and tragic story of African American musician James Reese Europe, a leader in the creation and acceptance of jazz, who didn't live long enough to see what a difference he made to music and to race relations.

Jazz historian David Sager describes the beginnings of jazz and its enthusiastic reception in France during World War I. He tells the amazing and tragic story of African American musician James Reese Europe, a leader in the creation and acceptance of jazz, who didn't live long enough to see what a difference he made to music and to race relations.

In this fascinating podcast, Ted Widmer talks to jazz historian David Sager about his "New York Times" essay on the genre's breakthrough in 1919, its popularity in France during World War I, and the tragic story of legendary African American bandleader James Reese Europe.

Black Manhattan: Scott Joplin and James Reese Europe 's 369th Infantry Regiment Band. 1. Alessandro Simonetto “Wall Street Rag” from Joplin: Ragtimes & Waltzes (2018) 2. James Reese Europe “That Moaning Trombone” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 3. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Memphis Blues” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 4. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “On Patrol In No Man's Land” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 5. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “How Ya Gonna Keep 'Em Down On the Farm?” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 6. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “All of No Man's Land Is Ours” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 7. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “My Choc'late Soldier Sammy Boy” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 8. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Plantation Echoes” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 9. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Dixie Is Dixie Once More” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 10. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “St. Louis Blues” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 11. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Jazz Baby” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 12. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Russian Rag” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 13. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Arabian Nights” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds 14. James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band “Broadway Hit Medley” from James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band (Remastered) (1996) on Inside Sounds

Hey you hip cats! Daniel Reskin returns to the show this episode to help us discuss jazz pioneer James Reese Europe! Meanwhile, Zach defends his thesis on Dairy Queen, Daniel has clearly never felt a crab, and Brian raises awareness for testicular stuff.Support this show over at our Patreon page!Be sure to check out all the awesome shows on the Denver Podcast Network!Wikipedia entry for James Reese Europe.

Highlights The sculptor and the airplane industry: Gutzon Borglum | @01:40 General compromise - Mike Shuster | @09:15 Marshall’s plan for Cantigny - Dr. Edward Lengel | @13:15 James Reese Europe Tribute Concert - Ron Wasserman | @18:50 WWI Carnegie Council Fellowship program - Dr. Reed Bonadonna | @25:35 A granddaughter's history of the Boy Scouts - Dr. Julie Seton | @31:35 14-18 NOW: UK Centenary Art Commission - Jenny Waldman | @38:00 Speaking WWI: Cup ‘a Joe | @46:05 Dispatch Newsletter: highlights | @47:50 The Centennial in Social Media - Katherine Akey | @49:35----more---- Opening Welcome to World War 1 centennial News - episode #71 - It’s about WW1 THEN - what was happening 100 years ago this week  - and it’s about WW1 NOW - news and updates about the centennial and the commemoration. This week: Mike Schuster, from the great war project blog tells us about General Pershing’s “compromise”, unpopular with the French and British command Ed Lengel with the story about the man who plans the Attack on Cantigny Ron Wasserman tells us about the upcoming James Reese Europe musical tribute in New York Dr. Reed Bonadonna introduces us to the WWI fellowship program from the Carnegie Council for Ethics in International Affairs Dr. Julie Seton shares a history of the Boy Scouts Jenny Waldman joins us from the UK to tell us about the  amazing WW1 public arts projects from 14-18 NOW organization Katherine Akey with the commemoration of world war one in social media All on WW1 Centennial News -- a weekly podcast brought to you by the U.S. World War I Centennial Commission, the Pritzker Military Museum and Library and the Starr foundation. I’m Theo Mayer - the Chief Technologist for the Commission and your host. Welcome to the show. [MUSIC] Preface In July of 1917, shortly after America enters the war, congress passes a massive $640,000,000 aviation bill which is signed into law by President Woodrow Wilson. That is over $13.5 Billion in 2018 dollars and at the time it is one of the largest appropriation for a single idea that the country has ever made - It passes congress with little or  no objection - This is in no small part - because there are so many advocates that believe this incredible new technology of flying machines can be pivotal in the war. In support of the idea, famed airplane pioneer Orville Wright declares: “When my brother and I built and flew the first man-carrying machine, we thought that we were introducing into the world an invention which would make further wars…  practically impossible since both sides know exactly what the other is doing. “ Orville reasons further: "If the allies' armies are equipped with such a number of airplanes as to keep the enemy planes entirely back of the line, so that they are unable to direct gunfire or to observe the movement of the allied troops— in other words, if the enemy's eyes can be put out — it will be possible to end the war. “ With that as background let's jump into our Centennial Time Machine and roll back 100 years ago this week to see how the US is doing in realizing that idea... [MUSIC TRANSITION] [SOUND EFFECT] World War One THEN 100 Year Ago This Week It is the second week of May, 1918. The pages of the Official Bulletin, the government's war gazette, the newspaper, the New York Times and the magazine Aerial age Weekly are all filled with a story of scandal involving the US aircraft manufacturing industry. Charges of waste, incompetence, malfeasance and graft are being bandied about. And one of the more interesting parts is that a key character leading the charges against the government's Aircraft production board and the airplane manufacturers is none other than Gutzon Borglum. Who the heck is Gutzon Borglum? You may ask.. Well, he is the sculptor who is going to become famous for a little sculpture he will do between 1927 and 1941 in South Dakota where he will sculpt four heads into the crags of a mountain called Rushmore… But in May of 1918, already an established sculptor - he is busy accusing the US Airplane industry of incompetence! [SOUND EFFECT] Dateline: May 6, 1918 A headline in the NY times reads: Wilson orders Borglum aircraft charges sifted And the story reads: The demand for an investigation of allegations of graft in connection with the production of military aircraft was heeded by Pres. Wilson today when he decided to turn the whole matter over to Atty. Gen. Gregory, who was instructed to make a thorough investigation of the "wholesale charges" in regard to the production of aircraft. The charges were made by sculptor Gutzon Borglum. Another sensational feature was added to the case tonight when it became known that Maj. General George O Squier Chief signal Officer of the Army, who was accused by Mr. Borglum of hampering the work of investigation undertaken by the latter, had countered the accusations with a request for a military court of inquiry. The story is the big buzz in all the national news and aeroplane industry media. And as we started to explore it, it gets ever more strange - Clearly something is up because, the US has spent an incredible fortune and only delivered 5,000 planes - mostly trainers not fighters - what’s up with senate investigation?  The justice department probe? The President’s statements? The army’s court of inquiry? What are the roots of this nearly frenetic situations??? Well… Let’s take a little closer look at our buddy the sculptor Gutzon Borglum - seriously! He is actually the center of the story! In a biography on him that we found - and we have the link for you in the podcast notes, here is what we learn. Borglum makes drawings for a new plane he called the “fish”. His idea is rejected by the government's Aircraft production board,  that is in charge of approving plane design for govt money -- Borglum notes many, many other designers get rejected too. Apparently, he thinks of a way to capitalize on the airplane manufacturing chaos -- So he complains through some Washington contacts that he has,  about the terrible wastage going on with all with that money earmarked for plane design and building in the US. The bad buzz reaches all the way to President Wilson and in Autumn 1917-- BORGLUM himself runs an investigation and submits a report to the government on the lack of airplane production. Now… Apparently Borglum postures that he has been given full govt authority to do this investigation -- but actually he hasn’t.  He just seems to be running on self-appointed bravado and posturing as if he DOES have officially sanctioned authority. Now President Wilson actually corrects him in the spring -- but damage has already been done to many, many aeronautical companies who have been dragged through the mud very publicly. This week in 1918, on May 10th-- it comes to light that Borglum, in fact,  is using his influence with the president to get contracts for himself and a new company -- for which he is a silent partner. The scheme, apparently is that he is managing to discredit company after company with the govt’s blessing-- leaving HIS company to pick up contracts in the aftermath. Even as this comes to light, Borglum “stonewalls” all of the accusations and accused his detractors as purveyors of “fake news” and of being liars and just continues his attacks on other aeronautical companies. A lot of reorganization takes place in the wake of this controversy - and probes and official investigations will continue  -- but we wondered -- what ever became of Borglum!? He continues to be shaker, mover and influencer all the way… here are some highlights In 1918, he was one of the drafters of the Czechoslovakian  declaration of independence (despite being an american by birth to Danish immigrants), he continues to make sculptures and memorials, famously sculpting an amazing and striking work called “The Aviator” which sits on   the University of Virginia campus, of course he gets permission and funding to carve up an entire mountain at Mount Rushmore creating a historic and iconic work of public art. He also happens to be a very high ranking member of the KKK, a Freemason, and an organizer of the Armory Show in New York. Gutzon Borglum - an genuinely amazing and fascinating character --- banging on a hornets nest in aeroplane manufacturing industry 100 years ago this week - In the war that changed the world! Aerial Age weekly https://books.google.com/books?id=GpJMAAAAYAAJ&pg=PA490&lpg=PA490&dq=gutzon+borglum+aircraft+manufacturing&source=bl&ots=06w8Xcz_qU&sig=g9EwA4S3_ofnZQZq3Ecs391tqnA&hl=en&sa=X&ved=0ahUKEwjr3qCr2PfaAhVE4mMKHbQ3DZQQ6AEISjAD#v=onepage&q=gutzon%20borglum%20aircraft%20manufacturing&f=false Book excerpt on Borglum: https://books.google.com/books?id=9y8cBQAAQBAJ&pg=PA76&lpg=PA76&dq=gutzon+borglum+airplanes&source=bl&ots=cEvEjx-DYI&sig=CiuaEx_6hlFRoeuDkdRZLmfErAY&hl=en&sa=X&ved=0ahUKEwjY-fXvu_jaAhUHk1kKHdNqDYg4ChDoAQhAMAQ#v=onepage&q=gutzon%20borglum%20airplanes&f=false   NYTimes Articles: https://timesmachine.nytimes.com/timesmachine/1918/05/07/102699430.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/08/102699763.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/08/102699805.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/08/102699806.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/10/102700511.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/11/102700842.pdf https://timesmachine.nytimes.com/timesmachine/1918/05/12/98263681.pdf [MUSIC TRANSITION] Great War Project Moving across the Atlantic to “Over There”, Mike Shuster, former NPR correspondent and curator for the Great War Project blog takes a look at General Pershing’s “compromise” with the French and British command, mutiny among the Austrians and Armenian nationalist fighters - An interesting post Mike! [MIKE POST] Mike Shuster from the Great War Project blog. The links to Mike Shuster’s Great War Project blog and the post -- are in the podcast notes. LINK: http://greatwarproject.org/2018/05/06/compromise-of-the-allies/ [SOUND EFFECT] America Emerges: Military Stories from WW1 Welcome to our segment - America Emerges: Military Stories from WWI with Dr. Edward Lengel. Many of you may have  heard of the “Marshall Plan”, This was a major $13 billion strategic initiative to help western europe rebuilt after WWII… Well the architect and namesake of that monumental strategy was just a young, but brilliant officer in WWI, developing his strategic chops, as Ed story this week shows. [ED LENGEL] [MUSIC TRANSITION] To be continued…. Dr. Edward Lengel is an American military historian, author, and our segment host for America Emerges: Military Stories from WWI. There are links in the podcast notes to Ed’s post and his web sites as an author.   Links:http://www.edwardlengel.com/george-c-marshall-plans-attack-cantigny-may-1918/ https://www.facebook.com/EdwardLengelAuthor/ http://www.edwardlengel.com/about/ The Great War Channel From the Great War Channel on Youtube -  videos about WWI 100 years ago this week, and from a more european perspective --- New episodes this week include: Pershing Under Pressure-- the End of La Lys Our Trip to Turkey Recap The Western Front Awakens -- Peace in the East See their videos by searching for “the great war” on youtube or following the link in the podcast notes! Link:https://www.youtube.com/user/TheGreatWar World War One NOW That’s the news from 100 Years ago this week  - It is time to fast forward into the present with WW1 Centennial News NOW - [SOUND EFFECT] This part of the podcast focuses on NOW and how we are commemorating the centennial of WWI! Spotlight on the Media James Reese Europe 100th Anniversary Tribute Event Music: Castle House Rag and One Step, by James Reese Europe from the CD “Take a Bow” by the New York Jazzharmonic Trad-Jazz Sextet. That clip was from Castle House Rag and One Step composed by James Reese Europe who is the subject of our spotlight on the media with an  upcoming James Reese Europe 100th Anniversary Tribute concert. Who is James Reese Europe? Well, his Library of Congress biography opens with a quote from Eubie Blake, another famed American composer, lyricist, and jazz man: "James Reese Europe was our benefactor and inspiration. Even more, he was the Martin Luther King of music." Europe earned this praise by being an unflagging innovator not only in his compositions and orchestrations, but in his organizational ability and leadership. One of America's greatest musicians, he progressed from strength to strength but was pointlessly cut down at what seemed like the pinnacle of his career.” Well that is just a setup up - To tell us about the man, and the Tribute concert, which will take place on June 8th, 2018, in New York City is Ron Wasserman, artistic director for the New York Jazzharmonic. Welcome, Ron! [welcome/greetings] [Ron-- our intro to Mr. Europe was sort of a tease - can you tell us about the man please?] [OK.. Now about the tribute - where is it, what is it and if we are lucky enough to be in NY to attend - what will we experience?] [How did this come about?] [Ron: Any closing thoughts about the legacy of the Harlem Hellfighters on music?] [thank you/goodbyes] Ron Wasserman is the artistic director for the New York Jazzharmonic. The tribute concert is co-sponsored by the New York Jazzharmonic, the NYC Veterans Alliance, and the National WWI Centennial Commission. We have links for you in the podcast notes! Links:www.symphonyspace.org/event/10003 http://www.nyjazzharmonic.org/index.html Remembering Veterans Carnegie Council WW1 Fellowship Program This week For Remembering Veterans -- We have invited Dr. Reed Bonadonna to join us. Dr. Bonadonna, Ph.D. and a retired US Marine Corps Colonel, is a Senior Fellow with the Carnegie Council for Ethics in International Affairs. He is managing their project, "The Living Legacy of the First World War”. We were very proud of and excited for her, when our own Katherine Akey announced that she was one of the nine recipients selected for a fellowship under the project        Reed! Welcome to the Podcast. [greetings] [To start -- What’s the program and what’s its goal?  ] [Reed - Can you tell us about some of the fellowship projects?] [When the fellowships are done - what happens to the work?] [I know the program is still in mid-stride - but what do think it will show us about the Living Legacy of WW1 is today?] [Thank you so much for coming in and speaking with us today!] [goodbyes/thanks] Dr. Reed Bonadonna is a Senior Fellow with the Carnegie Council for Ethics in International Affairs and the manager for their   "The Living Legacy of the First World War” project. Learn more about the program and the nine fellows’ projects by following ==--the links in the podcast notes. Links:https://www.carnegiecouncil.org/programs/WWI Education Dr Seton boy scouts history Let’s talk about the early days of scouting and WWI - Joining us is Dr. Julie Seton , granddaughter of Ernest Thompson Seton who was a co-founder of the Boy Scouts of America and other youth organizations in the early 1900's. She is an expert on Scouting's early history as well as her grandfather's life as a naturalist, artist and, at one time, an internationally acclaimed literary figure, and she recently edited and published his autobiography, Trail of an Artist-Naturalist: The Autobiography of Ernest Thompson Seton Welcome, Julie! [greetings/welcome] [Julie - The history of the boy scouts -  actually begin in England with Lord Baden-Powell in the early 1900s, but your grandfather is also said to have influenced him - can you tell us the story?] [So when the the Boy Scouts of America officially organize? [if it did not come up in the previous question] [It’s a little off-topic but I wanted to ask… I read a fascinating account about your great grandfather - who apparently decided to present your grandfather with a bill for the entire cost of raising him, including the doctor’s cost for his birth….  and that Ernest actually paid him - Is that myth?] [Back to the subject at hand - by the time America enters WWI, scouting is still very young but President Wilson gives the young men a specific charter and roll in the war effort - can you tell us about that?] [Katherine and I were talking about this - if the Boy Scouts of America was formed in 1910 - and aimed at adolescents - the very first scouts would have likely served in WWI -  did any of them become notables? ] [Current scouting -- we’ve seen several eagle scouts with memorial restoration efforts-- ] [goodbye/thanks] Dr. Julie Seton is the granddaughter of Ernest Thompson Seton and an expert on Scouting's early history. Learn more about the history of the Boy Scouts, and current Eagle Scout WW1 projects, by following the links in the podcast notes. links:http://etSetoninstitute.org/ http://www.worldscoutingmuseum.org/WWI.shtml https://everydaylivesinwar.herts.ac.uk/2015/07/stories-of-the-scouts-in-first-world-war/ https://www.scouting.org/programs/cub-scouts/leaders/about/history/ http://www.nesa.org/site/c.9oIFJMPsGgIWF/b.9535063/k.E891/Eagle_Project_Ideas.htm https://www.wvgazettemail.com/news/remains-of-wwi-medal-of-honor-recipient-to-be-laid/article_998bc7ec-cf78-51e5-a294-550a2a2004ac.html International Report 1418 now As we have been looking at WW1 Centennial News Now, one of the things that has struck us about the centennial commemoration of WWI,  is that it tends to focus a part of itself - not just on academic, military and historical remembrance but also on art, public works of art and artists. This first struck me when we reported on some commemoration efforts by our friends and counterparts in New Zealand.   Of course, there is our OWN major work of pubic art, the wwI memorial sculpture by Sabin Howard - but truly notable in all this is the United Kingdom’s centennial support of 14-18 NOW, their WWI Centenary Art Commission, implementing a five-year program of arts experiences intended to connect people with the First World War-- To tell us about it, we’re joined from the UK by Jenny Waldman, the director of the program. Jenny, welcome to the podcast! [welcome/greetings] [Jenny, can you tell us a bit about how 14-18 NOW came about? ] [You have, and are doing some great project - can you tell us about some of them? ] [In the lead in, I mentioned that commemorating something like WWI through art experiences was not immediately obvious to me - but it seems like a very important part of the puzzle. Could you help our audience understand why?] [Jenny - we want to keep reporting on your efforts - especially those projects that are now coming “over here”. What can we look forward to? [if these things did not already get covered]] [Jenny Waldman thank you so much for joining us today!] [thanks/goodbyes] Jenny Waldman is the director of 14-18 NOW. Learn more about the organization and the many many wonderful projects by following the link in the podcast notes. Link:https://www.1418now.org.uk/about/ Speaking WW1 Welcome to our weekly feature “Speaking World War 1” -- Where we explore the words & phrases that are rooted in the war  --- Waking up to a steaming cup of coffee is a universal pleasure. It’s warm, it’s fortifying, and it can help you make it into and  through your day -- That warm drink is sometimes referred to as a Cup o’ Joe… and of course we wondered where that phrase came from? In fact, this nickname for coffee has rather murky origins, with several theories being put forward. And one of the most common legends is that the ‘Joe’ in the phrase refers to Josephus Daniels, the American Secretary of the Navy during World War I. Daniels was an ardent prohibitionist, and as such he banned the consumption of alcohol on Navy ships well before Prohibition or even America’s declaration of war-- It was General Order 99 issued on June 1, 1914 that ended the shipboard toddy of rum for the sailors. So our swabbies were forced to indulge in other beverages, particularly coffee-- which led the men to to refer to  a serving of coffee as a ‘cup of joe’. There is some doubt in the truth of this myth -- since alcohol was already hard to come by onboard vessels for ordinary sailors, General Order 99 had little impact on their lives. It’s possible that the name ‘Joe’ denoted an ordinary everyday man, reflecting the rise in coffee consumption at the turn of the 20th century-- but we like the josephus myth. A cup of joe - this week’s phrase for speaking WW1. There are links for you in the podcast notes. Links: https://www.knowyourphrase.com/cup-of-joe https://www.rogersfamilyco.com/index.php/the-origins-of-a-cup-of-joe/ [SOUND EFFECT] Articles and Posts Highlights from the Dispatch Newsletter For Articles and posts -- here are some of the highlights from our weekly Dispatch newsletter. [DING] Headline: Islay Ceremonies Remember US War Dead Read about the commemorations that took place last Friday in Scotland to remember the 700 people who died in two separate WW1 disasters off the coast of the Isle of Islay [DING] Headline: The CDC hosts 1918 Influenza Pandemic Commemoration If our interview with author Kenneth C. Davis last week piqued your interest in the flu of 1918, read this article about the CDC’s commemoration of the disease that ripped through the world population 100 years ago. [DING] Headline: Who was Alan Seeger… and Why did french President Macron mention him to congress? Find the answer by reading the article by Commission Intern Nicole Renna. [DING] Headline: Everard Bullis Sr - our featured Story of Service Read about Everard Bullis Sr, a Marine who saw action at Belleau Wood, St. Mihiel and Champagne. [DING] Finally, our  selection from our Official online Centennial Merchandise store -   this week, it’s our Custom Silk Tie -- great for college grads and  and for dads for father’s day.The red silk tie features World War One era aircraft and the official logo of the Centennial Commission on the back. And those are some of the headlines this week from the Dispatch Newsletter Subscribe to the whole thing by going to ww1cc.org/subscribe or follow the links in the podcast notes Link: http://www.worldwar1centennial.org/index.php/communicate/2015-12-28-18-26-00/subscribe.html http://www.ww1cc.org/dispatch https://www.archives.gov/citizen-archivist/missions The Buzz And that brings us to the buzz - the centennial of WW1 this week in social media with Katherine Akey - Katherine, what did you pick? Lewis Hine Hi Theo -- We shared on Facebook this week what I think is one of the most interesting photography articles from The Atlantic-- the article “100 Years Ago: France in the Final Year of World War I” is a series of 35 photographs from American Photographer Lewis Hine. Hine had a long and tumultuous career; he was well known after working for the National Child Labor Committee, photographing children at work in coal mines, factories and farms all across the country. His images of children as young as four, their faces smeared with dirt and soot, machinery towering over them, are incredibly poignant. And as the War continued to rage in 1918 -- he traveled to Europe to photograph the American Red Cross relief programs. The photographs were also intended to drum up support for the Red Cross and to appeal to the American populace back home. The images include portraits of young French orphans, lone survivors standing amongst the rubble of flattened frontline towns, Doughboys fishing in a river outside the Chateau de Blois and exhausted wounded soldiers convalescing at Red Cross Hospitals across France. They have Hine’s recognizable haunting quality -- and are seriously beautiful. See them all at the link in the podcast notes. That’s it for this week in the Buzz. Link:https://www.theatlantic.com/photo/2018/05/100-years-ago-france-in-the-final-year-of-world-war-i/559454 Outro And that wraps up the second  week of May for WW1 Centennial News. Thank you for listening. We also want to thank our guests... Mike Shuster, Curator for the great war project blog Dr. Edward Lengel, Military historian and author Ron Wasserman, artistic director of the New York Jazzharmonic Dr. Reed Bonadonna, retired US Marine Corps Colonel and Senior Fellow with the Carnegie Council for Ethics in International Affairs Dr. Julie Seton, Boy Scout historical expert Jenny Waldman, director of 14-18 NOW Katherine Akey, WWI Photography specialist, line producer for the podcast and fellowship awardee for Dr. Bonadonna’s program Many thanks to Mac Nelsen our sound editor and to Eric Marr for his great input and research assistance...  This week we say goodbye to our intern John Morreale - who’s finishing up his semester at the George Washington University. John, you were a great contributor to the show. Good luck and thank you from us and the audience! And I am Theo Mayer - your host. The US World War One Centennial Commission was created by Congress to honor, commemorate and educate about WW1. Our programs are to-- inspire a national conversation and awareness about WW1; Including this podcast! We are bringing the lessons of the 100 years ago into today's classrooms; We are helping to restore WW1 memorials in communities of all sizes across our country; and of course we are building America’s National WW1 Memorial in Washington DC. We want to thank commission’s founding sponsor the Pritzker Military Museum and Library as well as the Starr foundation for their support. The podcast can be found on our website at ww1cc.org/cn  - now with our new interactive transcript feature for students, teachers and sharing. Just a note to listeners, the transcript publishes about 2 days after the show. You can also access the WW1 Centennial News podcast on  iTunes, Google Play, TuneIn, Podbean, Stitcher - Radio on Demand, Spotify or using your smart speaker.. Just say “Play W W One Centennial News Podcast” - and now also available on Youtube search for our WW1 Centennial channel. Our twitter and instagram handles are both @ww1cc and we are on facebook @ww1centennial. Thank you for joining us. And don’t forget to share the stories you are hearing here today about the war that changed the world! [music] Voice 1: Hey Mac - gimme a slice a pie and a cup o’ joe.. Hmmm I wonder why it’s called a cup o’ joe? Voice 2 Mac: You’ll just hafta listen to that WW1 Centennial News Podcast to find out  - bub - So long!

Sonates est l’émission de musique classique de Radio Campus Paris. Notre septième émission, diffusée le dimanche 14 janvier, est consacrée à la musique pendant la Première Guerre mondiale. Invitée : Karine Lethiec, directrice artistique de l'ensemble Calliopée. Ce thème s’inscrit pleinement dans l’année commémorative que va être 2018 ! Et pour cette première émission de l’année, nous avons choisi de parler de la musique classique pendant la Première Guerre Mondiale. En 1914, l’Europe domine le monde. Les grandes puissances rivalisent entre elles et forment des alliances. L’Allemagne, l’Autriche-Hongrie et l’Empire Ottoman, les empires centraux, s’opposent au Royaume-Uni, à la France et à la Russie. Le 28 juin 1914, l’assassinat de l’archiduc d’Autriche-Hongrie, François Ferdinand, est assassiné, ce qui déclenche le jeu de ces alliances et débouche sur une guerre mondiale. En 1915, la guerre qu’on croyait éclair se transforme en guerre de positions, sur le front, les morts sont de plus en plus nombreux. Cette guerre totale a atteint une échelle et une intensité inconnues jusqu’à alors, impliqué plus de soldats, provoqué plus de morts et causé plus de destructions que toute guerre auparavant. Environ 10 millions de civils et de militaires sont morts, 20 millions ont été blessés. La guerre s’achève avec l’entrée en guerre des Etats-Unis en 1917 et notamment avec le traité de Versailles. Comme l’a écrit un soldat durant la guerre : “la musique donne accès au beau” contrairement au “son moins harmonieux des canons”. On ne s’en doute pas mais la musique prenait une part importante dans la vie des soldats lorsqu’ils s’éloignaient du front pour prendre du repos. Certains soldats étaient même de grands musiciens classiques, et ont malheureusement été oublié par la suite. Ce dont on se doute moins, c’est que le monde de l’art, et plus spécifiquement de la musique classique, a été profondément bouleversé par la Première Guerre Mondiale. A l’arrière, les musiciens, les artistes se déchirent. Au front, de nouvelles formes musicales arrivent, comme le jazz importé par des soldats noirs américains venus au front, dont le célèbre James Reese Europe.

Show Notes You can listen to songs from every episode on Spotify. You can subscribe to the show on iTunes, Overcast, or wherever great podcasts are found. You can follow along with the show on Twitter @jazzhistorypod. The website can be found at A History of Jazz. My name is Arik Devens and you can follow me on Twitter @danieltiger Bibliography: Lost Sounds: Blacks and the Birth of the Recording Industry - Tim Brooks

Highlights: Bulletin: Hear headlines and stories from the “Official Bulletin” |@ 02:15 Guest: Mike Shuster on the mutinies in France |@ 06:15 America’s WW1 Memorial: what CFA approval means from Edwin Fountain |@ 10:35 Memorial Day: History, significance, observance and links to activities |@ 12:00 States: Indiana article on Opha May Johnson, Alabama on National League for Woman’s Service |@ 14:30 Education: National History Day |@ 16:15 Media Spotlight: Robert Laplander / Doughboy MIA in the news |@ 19:00 Guest: Richard Rubin on his new book: “Back Over There” |@ 20:45 Guests: John Brancy and Peter Dugan on their WW1 music album |@ 25:30 Much more... ----more---- WW1 Centennial News - Weekly Podcast World War One Centennial News: May 24, 2017 Welcome to World War One Centennial News. It’s about WW1 news 100 years ago this week  - and it’s about WW1 NOW - news and updates about the centennial and the commemoration.WW1 Centennial News is brought to you by the U.S. World War I Centennial Commission and the Pritzker Military Museum and Library. Today is May 17th, 2017 and I’m Theo Mayer - Chief Technologist for the World War One Centennial Commission and your host. World War One THEN 100 Year Ago This Week We have gone back in time 100 years to May 18, 1917. Today is quite a day. It’s all Pomp and Circumstance as Wilson signs the Selective Service Act into law - ending the debate about an all volunteer army - Instead - it will be the combination volunteer and conscripted army.All men between the ages of 21 and 30 will have to register for the draft by June 5th.  There is still a big question about who is going to head the huge new army… Wilson also answers that question today. It’s a big fat NO to Roosevelt’s plan to raise a division of volunteer troops - which, of course, HE would lead to Europe. This really ticks him off! Some think that he probably misses the glory days of the “Rough Riders” pounding it out in Cuba. It’s also a NO to General Leonard Wood the former US Army Chief of staff. Apparently, Wilson thinks he has too many ties to the opposition Republican Party.Instead, today’s second big announcement by president Woodrow Wilson is the appointment of General John J. Pershing to head the US Army’s Expeditionary Force. Pershing - is politically non-partisan. He is publicly popular - as the former commander of what is known as the “Punitive Expedition” sent out to spank Mexico’s Pancho Villa for sneaking up north and attacking the town of Columbus, in New Mexico.May 18th is a big day on the hill.What else is going on this week in 1917? For interesting details, let’s look at the Official Bulletin. Here are some of the stories running in America’s official war gazette.   The Bulletin Saturday May 19, 2017: Storyline: “Regulars will be First Troops Sent to France”:  President Announces in Statement Issued After Signing the Selective Conscription BillAlso Saturday May 19: Storyline: US ARMY UNIT ARRIVES IN BRITAINThe first unit of the United States Army is now on foreign soil.Yesterday marks the arrival In England of Ruse Hospital No. 4, of Cleveland, Ohio, under command of MaJ. Harry L. Gilchrist, of the Medical Corps of the United States Army, This Is the first of six army base hospitals which have been ordered abroad - for service In France.Monday May 21: Storyline, REGIMENT OF U. S. MARINES IN THE EXPEDITION TO FRANCESecretary of the Navy Daniels announces that a regiment of US Marines (2,600 men) will accompany the first expedition to France. The regiment will be commanded by Col. Charles A. Doyen :Quote "In being among the first on the firing line In France, the marines will be upholding their historic record," said Secretary Daniels. Monday May 21: Storyline: INSIGNIA ADOPTED FOR ALL GOVERNMENT AERIAL CRAFT The United States Government has adopted as the insignia for all its aircraft a white star with red center on a circular background of blue. All American aeroplanes, seaplanes, captive balloons, and dirigibles will bear this star of the Flying Corps, which combines the red, white, and blue of the national flag. Wed. May 23: Storyline: COTTON ONE OF ESSENTIALS FOR MODERN WAR,Secretary of the Navy Daniels,  introduces the Hon. Arthur James Balfour to the Cotton Manufacturers' Association in a session in Washington DC, Daniels declares:Cotton is still king.And in closing from the May 23 issue: Here is an article that talks about the Official Bulletin itself.The headline states:FUNCTIONS OF THEOFFICIAL BULLETINThe article goes on the read:Many misunderstandings have arisen with regard to the Official Bulletin,which is being issued by the Committee on Public Information under order of the President. This publication is not a newspaper in the accepted sense of the word.Its single purpose is to assure the full and legal printing of the official announcements of Government heads in connection with governmental business. Exclusive publication Is neither the thought nor ambition. It will not interfere with the legitimate functions of the press in any manner, nor will official news be delayed or withheld In order to give the Bulletin any special news significance.The article goes on the explain what types of information the Official Bulletin Publishes.These include:Proclamations and Executive orders of the President ; rules and regulations of the executive departments;administrative orders; official bulletins and official statements of policy; AND statutes enacted relating to war matters of whichthe public should be officially informed.It’s interesting to note that the cost of this publication is really expensive. An annual subscription is $5 - that is equivalent to over $100 Today.They do have a comp list though- this includes:The President, the cabinet, members of the Senate and House, the Diplomatic and consular corp, foreign diplomats and consuls, Officer of the military services, every post office got a free copy to post, governors, mayors of all cities, all newspapers, magazines, colleges and universities, and major trade organizations. Industry and the rest of the nation has to pony up.The articles concludes with an unusual paragraph: Quote:Should there someday be a WW1 Centennial News podcast - each issue of the Official bulletin shall be republished on the centennial anniversary date of its original publication date and provided free on something to be called the internet at an address designated as: ww1cc.org/bulletin - all lower caseThough the source of last paragraph cannot be officially confirmed.Check it out at ww1cc.org/bulletinLink: ww1cc.org/bulletin Great War Project Joining us now is former NPR correspondent Mike Shuster from the Great War Project blog.  Mike - in the first few paragraph of your post, Historian Martin Gilbert also notes the arrival of the first base hospital unit sent to Europe - in secret by the war department as the first US military to arrive - BUT as your post makes really clear - Apparently their arrival is in the midst of a pretty dire situation for the French army - Tell us the story Mike: [Mike Shuster] LINK:http://greatwarproject.org/2017/05/21/in-france-its-mutiny-thousands-refuse-to-fight/Thank you Mike. That was Mike Shuster from the Great War Project blog. The Great War Channel If you’d like to watch interesting and informative videos about WW1- 100 years ago this week - check out the new posts from our friends at the Great War Channel on Youtube. This week their new episodes include: The Ally From The Far East - Japan in World War 1Indie Nydell walks you through Japan’s role in WW1 - including a great perspective of “who was Japan” in 1917. Also new this week - The Hero Of Tannenberg - Paul von HindenburgThis video profiles a german war commander and hero of the time - Paul Von Hindenberg. Follow the link in the podcast notes to the Great War Channel on Youtube.Link:https://www.youtube.com/user/TheGreatWar World War One NOW We have moved forward into the present with WW1 Centennial News NOW  - News about the centennial and the commemoration. Memorial At the WW1 Centennial Commission, the team is still buzzing about last week’s nod from the CFA -  on concept approval of America’s National WW1 Memorial in Washington DC.Edwin Fountain, the vice chair of our Commission and the project leader for the Memorial explains more specifically what happened and what it means.Edwin notes:Thursday’s decision by the U.S. Commission of Fine Arts (the CFA) was a significant milestone for the WWI memorial project. Federal memorials in Washington, DC are subject to design approval by the CFA. They gave us “concept approval”, which means the CFA has endorsed our proposal to establish a memorial at Pershing Park - near the White House -  in the form of a large bronze bas-relief sculpture that evokes the story of WW1. This sculpture will be the centerpiece of a trio of memorial elements, including the existing statue of General Pershing - The America’s General of the Armies, as well as a ceremonial flag stand that will offer additional opportunities for commemoration of the war.To learn more - see the latest designs - and to help BUILD America’s WW1 Memorial in Washington DC - go to ww1cc.org/memorial. Honor our WW1 veterans with a donation for this project on memorial day. They can’t - but we CAN thank you for your support. Memorial Day So what IS memorial day - besides a day off work in early summer and a lot of car sales. What does it means? Where did it came from?Memorial day was originally called Decoration Day and traces back to the civil war as a time to decorate the Union soldiers’ graves with flowers. By the 20th century, there were competing Union and Confederate holiday traditions, celebrated on different days. These eventually got merged into Memorial Day to honor all Americans who died while in the military service.It also marks the start of the summer vacation season, while Labor Day marks its end.On June 28, 1968, Congress passed the Uniform Monday Holiday Act, which moved four holidays, including Memorial Day, from their traditional dates to a specified Monday in order to create convenient three-day holiday weekends.On Memorial day, many people visit cemeteries and memorials to honor those who have died in military service. Many volunteers place an American flag on each grave in national cemeteries.This year - activities include the annual Washington DC parade - but have gathered a bunch of links and information for you about Memorial day activities all over the country. You’ll find them in the podcast notes and on our WW1 Centennial News web page at ww1cc.org/cnLink: https://en.wikipedia.org/wiki/Memorial_DayLIVESTREAM:https://www.youtube.com/watch?v=AvER0kTNPoohttps://www.dogonews.com/2017/5/22/honoring-our-fallen-heroes-on-memorial-dayhttp://www.southcoasttoday.com/special/20170504/memorial-day-2017-will-honor-veterans-of-world-war-ihttp://www.journal-news.com/news/local/air-force-veteran-serve-hamilton-memorial-day-parade-marshal/pIXbTShU18S4rDbol3HoLO/http://www.telegram.com/news/20170522/memorial-day-events-in-central-masshttp://www.lohud.com/story/news/2017/05/19/memorial-day-events/323099001/http://www.yakimaherald.com/lifestyle/travel/yakima-valley-preparing-for-memorial-day-events/article_d0e7b97e-3f32-11e7-b080-83458fe686e7.htmlhttp://www.readingeagle.com/news/article/history-book-deeper-sense-of-patriotism-in-world-war-i-for-memorial-dayhttp://villagenews.com/local/memorial-day-runs-will-honor-fallen-heroes-wars/ Activities and Events US Army Birthday BallIn other activities and events -  This week we picked one for you that is one coming up next month in Orlando, FL.In 2017 -  the US Army turns 242! Quick - it’s 2017 - the army turns 242 - so what year was the US army established? [tick tock sound and buzzer] 1775!To celebrate, the Sunshine Chapter of the Association of the US Army in Orlando, FL is hosting a Ball on June 17th. The ball will feature a World War I Centennial theme “Over There: A Celebration of the WWI Soldier” Dr. Monique Seefried, one of the World War One Centennial Commissioners, will be the featured guest speaker. Lieutenant Colonel Edwin Kennedy will present a short talk on the augmentation of WWI Army leadership - for an Army that grew 20-fold. For more information, see the link in the podcast noteslink:http://www.ausa-sunshine.org/home-posts/army-birthday-ball-2017/ Updates From The States Indiana: First Woman in Marine CorpsOn the Indiana State Commission website at ww1cc.org/indiana, there is an article about Opha May, the first woman in the Marine Corps. By the summer of 1918 the Marine Corps was in need of more soldiers, many of whom occupied vital administrative and clerical positions. The idea was circulated and eventually approved to allow women into the Marine Corps to fill these non-combat positions. From Kokomo, Indiana, Opha May Johnson was first in line - when the recruiting station in Washington D.C. opened its doors to women. AND -- she would become a legend as the first woman Marine. Opha demonstrated the willingness of women to step up and fill these roles just as earnestly and to perform them just as capably as their male counterparts. Read more about her life - and service at ww1cc.org/indiana or by following the link in the podcast notes.link: http://www.worldwar1centennial.org/2432http://ww1cc.org/indianaAlabamaNow another story about the service of women in the war, this time from the Alabama’s State Commission site at ww1cc.org/alabama. The Motor Corps was one of eight divisions of the National League for Woman’s Service established on January 27, 1917 - Their charter? “To organize and train the great woman power of the country for specific and economic service; to be prepared to meet existing needs; to be ready for emergency service; and to supplement the work of Governmental Departments and Committees—Federal, State, and City”And so at least 78 Motor Corps units were established across the country. The one in Montgomery was activated in April 1918 You can read more about the women that made up the corps and the supporting role they played throughout the war by visiting ww1cc.org/alabama - all lower case. . Link:www.ww1cc.org/alabamahttp://www.worldwar1centennial.org/2178 Education Update National History Day In our education sectionToday we are going to talk about National History Day, that offers year-long academic programs for middle- and high-school students around the world. Each year, the National History Day - Contest - encourages more than half a million students to conduct historical research on a topic of their choice. They enter their projects at the local and affiliate levels, with top students advancing to the National Contest; WW1 Centennial Commissioner, Dr.  Libby O’Connell, will be giving a special award for best WW1 history project at the finals.The students are provided guiding articles and support materials - so the National WW1 Museum’s Curator of Education, Laura Vogt, provided a wonderful reference guide about African American soldiers in WW1 and how that experience shaped the stand for equal rights after the war. Laura did a great job providing a sample essay for participating students and teachers but frankly - I took a look at it and it’s a great read for all of us. We going to expand the discussion next week, when we will be joined by Dr. Cathy Gorn,  the executive director of National History Day and an adjunct professor of history at the University of Maryland at College Park.link:https://www.nhd.org/http://nhd.org/sites/default/files/2017_Themebook_0.pdf - Page 46 onwards International Report Jazz in BrestAnd following Laura Vogts theme, This week in our International Report we turn our eyes, and ears, to France. Last week we talked about the 369th experience and how they brought Jazz to Europe. In a follow up, we have a story from the french town of Brest -  a harbor town in Brittany on the western coast… famous for fine chow in a country of great cuisine!Here - a group of middle schoolers wrote a radio drama about the “sammies” who brought Jazz to their town in 1917. Students researched the life of these American soldiers, including Lt. James Reese Europe, then the director of the Harlem Hellfighters’ 369th regimental band. By studying archives and other source, the students collaborated with a local musicians to create a jazz musical outlining these soldier’s lives in France as well as the struggles they faced - on returning to America. Follow the links in the podcast notes - to watch video clips of the live performances . The website is all in french but the music is all jazz! Enjoy.http://centenaire.org/fr/espace-pedagogique/college-harteloire-brest/la-fabrication-dune-fiction-radiophoniquehttp://www.ouest-france.fr/bretagne/brest-29200/brest-centenaire-des-troisiemes-de-l-harteloire-sur-scene-au-vauban-5003199http://www.harteloire.com/les-actualites/actualites-pedagogiques/1917-larrivee-du-jazz-en-france-enregistrement-dune-fictionDNA allows a soldier to be reburied under his own nameNow from the UK - A story about how one of the thousands of anonymous dead in France was given back his name. The Joint Casualty and Compassionate Centre of the UK’s Ministry of Defence helped identify the bones of Private Henry Parker, whose remains were found in France in 2015. By using DNA, they were able to find a match to his great-nephew, who, along with 25 of his other family members, attended - the reinterment of Private Parker at a Commonwealth War Graves Cemetery where he was buried with full honors - and -  importantly, with his name. Learn more by following the link in the podcast notes.link:http://bbc.co.uk.via.snip.ly/gsoqu#http://www.bbc.co.uk/news/uk-england-39946381 Spotlight on the Media Here is the US, unfortunately our Department of Defense has ceases looking for our MIAs from World War 1. So in our “Spotlight on the Media” section this week, we would like to profile a very special fellow today - Rob Laplander. Rob - as a private citizen - is a tireless advocate for America’s WW1 MIAs - and there are over 4,400 of them - We proudly host Mr. Laplander’s Doughboy MIA project website at ww1cc.org/mia - all lower case. Here you’ll find their story and a searchable database that you can explore to find WW1 MIAs from you state, town or family.Last week, the Wall Street Journal broke a story about Rob. The headline reads: Missing WWI Servicemen Getting Full Recognition With ‘Doughboy MIA’ ProjectThe article is about the project’s recent success in the case of Seaman Herbert Renshaw fell overboard, off the coast of South Carolina during a naval patrol 100 years ago this week on May 22, 1917. But probably due to a clerical error by Navy officials, he was never listed on a monument to the missing at Brookwood American Cemetery in England. Now he will be.Thank you Rob Laplander and the Doughboy MIA project for your great service for our WW1 veterans. As your motto says: A man is only missing if he is forgotten.You can go to the web site at ww1cc.org/mia. You can support Rob Laplander and his great work by doing yourself a favor and buying his book - Finding the Lost Battalion. A link to the book site is also in the podcast notes.link:https://www.wsj.com/articles/doughboy-mia-makes-sure-missing-world-war-i-heroes-get-recognition-1495443601http://www.history.com/news/volunteer-sleuths-ensure-world-war-i-mia-receives-just-due-100-years-after-deathhttp://www.findingthelostbattalion.com/p/links-and-resources.htmlhttp://ww1cc.org/mia  Richard RubinAnd speaking of books and authors - We have a special guest with us today. Richard Rubin is a premiere author and storyteller about WW1. Someone said to me once - “you know, if you are only going to read a single book about WW1 - then you should read “The Last of the Doughboy” which was Richard Rubin’s first book. Now Richard has just released a second book on WW1 called “Back Over There” which just came out.Welcome Richard!Richard - tell us about the new book?Richard - you and I have been talking about a weekly feature here on WW1 Centennial News called The Storyteller and the Historian - You are the storyteller and Jonathan Bratten - a military historian from Maine is your cohort on the project. We are hoping to launch the feature in the coming month… What can you tell us about it?link:http://www.richardrubinonline.com/John Brancy and Peter DuganIt’s time to talk about MUSIC and WW1![music clip]With us today are Baritone John Brancy and pianist Peter Dugan - they  debuted their recital - A Silent Night - at the Kennedy Center in 2014 which was hailed by The Washington Post as " refreshingly, marvelously different," The program pays homage to the centennial of World War I through the music of composers who lived through, fought in, and died in the Great War. The songs have now come out as an album -Welcome gentlemen.[interview]Thank you - Tell us about the project and what inspired you to create the program!That was Baritone John Brancy and pianist Peter Dugan and their WW1 music album - a Silent night - thanks for talking with us today.  you both for being here. We put a link in the podcast notes for where to find their web site and how to find the album.[MUSIC]link:http://www.johnbrancy.com/abouthttps://www.indiegogo.com/projects/a-silent-night-a-wwi-centenary-tribute-in-song-war#/ The Buzz - WW1 in Social Media Posts That brings us to the buzz - the centennial of WW1 this week in social media with Katherine Akey - Katherine - what do you have for us this week?Newly digitized Red Cross PhotosA newly digitized collection of images from the Red Cross offers a glimpse into the rehabilitation of amputees and wounded veterans after WW1.Link:https://blogs.loc.gov/picturethis/2017/05/american-national-red-cross-collection-newly-digitized-photos/?loclr=fbloc-ww1Weather and WW1A Quaker Mathematician developed the field of mathematical weather modeling during his service in an ambulance service during WW1, fundamentally changing how we predict weather.link:http://www.smithsonianmag.com/history/how-world-war-i-changed-weather-good-180963360Is your dog an ally of the Kaiser?Food was expected to be scarce in 1917 and 1918, but it seems that finger pointing may have started at the expense of sweet puppy dogs everywhere.link:http://chroniclingamerica.loc.gov/lccn/sn89058013/1917-05-18/ed-1/seq-4.pdf Closing That’s WW1 Centennial News for this week. Thank you for listening!We want to thank our guests Mike Shuster from the Great War Project blogRichard Rubin, Writer and AuthorJohn Brancy and Peter Dugan, Independent Musicians Katherine Akey the Commission’s social media director and also the line producer for the show.And I am Theo Mayer - your host this week.The US World War One Centennial Commission was created by Congress to honor, commemorate and educate about WW1. Our programs are to--inspire a national conversation and awareness about WW1;we are bringing the lessons of the 100 years ago into today's classrooms;We are helping to restore WW1 memorials in communities of all sizes across our country;and of course we are building America’s National WW1 Memorial in Washington DC.We rely entirely on your donations. No government appropriations or taxes are being used, so please give what you can by going to ww1cc.org/donate - all lower caseOr if you are on your smart phone text  the word: WW1 to 41444. that's the letters ww the number 1 to 41444We want to thank commission’s founding sponsor the Pritzker Military Museum and Library for their support. The podcast can be found on our website at ww1cc.org/cn  on  iTunes and google play ww1 Centennial News. Our twitter and instagram handles are both @ww1cc and we are on facebook @ww1centennial. Thanks for joining us. And don’t forget to talk to someone about the centennial of WW1 this week. So long.[music] SUBSCRIPTIONS WW1 Centennial News Video Podcast on iTunes https://itunes.apple.com/us/podcast/ww1-centennial-news/id1209764611?mt=2 Weekly Dispatch Newsletterhttp://www.worldwar1centennial.org/index.php/communicate/2015-12-28-18-26-00/subscribe.htm

Musicians who were killed including: Robert Johnson, Pinetop Smith, James Reese Europe, Lee Morgan and Eddie Jefferson. Songs include: Parker's Mood, Pinetop's Boogie Woogie, Prisoner of Love, Whiskey Head Woman, Preachin Blues and P.S. I Love You.

Songs include: Stardust, Hebbie Jeebies, Born to Swing, The Yam, A Sailboat In the Moonlight and Songs of Native Birds. Performers include: James Reese Europe, The Boswell Sisters, David Rose, Charles Kellogg, Billie Holiday, Earl Hines, Geroge Van Eps and the Mills Brothers.

Jazz made its path abroad in 1918 during the “Great War” when one black officer, Lt. James Reese Europe, volunteered for service with members of his Harlem Society Orchestra, forming the 369th Regimental Band. Because the U.S. Army did not allow black soldiers to fight alongside white comrades, the soldiers instead fought with the French and earned the moniker “Hellfighters,” along with the Croix de Guerre for their heroism. The Harlem Hellfighters also brought jazz with them, and from Paris the music spread around the globe, becoming the rhythm of the 20th century. The 19th Annual Lytle Benefit Concert pays homage to the Harlem Hellfighters' enduring legacy and raises scholarship funds for promising students attending the Preuss School at UC San Diego. Series: "Rebecca Lytle Memorial Concerts" [Arts and Music] [Show ID: 29489]

African-American recording stars from 1900 through 1925.  Performers include: Bert Williams, James Reese Europe, Mamie Smith, Eubie Blake, George Washington Johnson and Ethyl Waters. Songs include: Broadway Blues, Crazy Blues, Good Morning Carrie, Nobody,The Castle House Rag,  The Laughing Song and Sweet Man Blues.

Brandon discusses some of his reasearch on James Reese Europe. This innovative American musician bridged the gap between ragtime and jazz, and created a sensation in France with his 369th Infantry Regiment Band.

New World Records We will be featuring New World Records in today's episode. New World started in 1975; they were given a grant from the Rockefeller Foundation with a mandate to produce a 100-disc anthology of American music. New world continues to preserve neglected music of the past and support the creative future of American music with over 400 recordings, representing up to 700 American composers. Rick Benjamin from "Black Manhattan: Theater and Dance Music of James Reese Europe, Will Marion Cook, and Members of the Legendary Clef Club" (New World Records) Buy at iTunes Music Store More On This Album Theater and Dance Music of James Reese Europe, Will Marion Cook, and Member of the Legendary Clef Club The Paragon Ragtime Orchestra Rick Benjamin, director The Clef Club of New York City, Inc. was a fraternal and professional organization for the advancement of African-American musicians and entertainers; all of the composers on this recording were members or closely affiliated with the Club. The "Clef Club" was founded toward the end of 1909 in New York by James Reese Europe and his associates. Their mission to highlight the value, dignity, and professionalism of African-American performers was a great success and did much to change racial attitudes at all levels of white society. It quickly became a "who's who" of early twentieth-century black music and show business. With its reputation for reliability, gentility, and quality performances, the Clef Club soon gained the favor of the loftiest of New York's white society; it became the very height of fashion to announce that one had secured a genuine "Clef Club Orchestra" for an upcoming social event. The composers featured on this revelatory recording represent the cream of Black Bohemia's musical life-the movers and shakers who paved the way for the music of the better remembered "Harlem Renaissance" of the 1920s. And while their names are obscure today, all once enjoyed national reputations in white America as well, feeding its burgeoning interest in black music, theater, and dance. Taken altogether, the talent, persistence, cooperation, and courage of these pioneers is an amazing American story that deserves to be better known. The recording features nineteen works by ten composers and is accompanied by a 40-page booklet. In addition to those by Europe and Cook, highlights include works by Will Vodery, an acknowledged influence on Ellington, and the first instrumental rag ever published, Sambo: A Characteristic Two Step March (1896), by Will Tyers. Tom Varner from "Tom Varner: Window Up Above" (New World Records) Buy at iTunes Music Store More On This Album The Window Up Above: American Songs 1770-1998 Tom Varner, French horn; Pete McCann, guitar; George Schuller, drums; Lindsey Horner, bass; Mark Feldman, violin; Dave Ballou, trumpet; Steve Alcott, bass; Thirsty Dave Hansen, vocals "I wanted to do something different for this record. Instead of playing my own compositions, I wanted to simply explore a variety of songs that have an inner resonance, whether from family, religion, nation, or culture. " - Tom Varner What Tom Varner has attempted on The Window Up Above is nothing less than a survey of the whole American song book, a millenium review of the last three centuries-and he succeeds brilliantly. Every song he has chosen has that American "thing," and his approach to every song is patently jazz, even where he chooses to play the melody "straight" to let its qualities shine through. Highlights abound: The witty, off-center de- and reconstruction of the Revolutionary and Civil War smash hits "Stone Grinds All," "When Jesus Wept," "Kingdom Come, " and "Battle Cry of Freedom" will forever change the way you hear them; his understated, heartfelt renditions of "Lorena," "All Quiet on the Potomac," and "There is a Balm in Gilead" would make a stone weep; to say nothing of his splendid reimaginings of standards like "Over the Rainbow" and "When the Saints Go Marching In." Even Bruce Springsteen gets the treatment, his "With Every Wish" joining George Jonesís "The Window Up Above," Hank Williams's "Ramblin' Man,"(check out Mark Feldman's and Varner's hair-raising solos and closing duet) and Tammy Wynette's "Till I Get it Right" from the country canon. In Varnerís unique arrangements, every song on this collection emerges freshly minted. Once heard, not soon forgotten. Music Amici, Charles Yasskyfrom "Ben Johnston: Ponder Nothing"(New World Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Ponder Nothing, Septet, Three Chinese Lyrics, Gambit, Five Fragments, Trio Music Amici Ben Johnston's (b 1926) music shows the confluence of several traditions of music-making that have flourished within the United States. In the 1950s his output was characterized by the neoclassicism of his teacher Darius Milhaud. In the 1960s he explored serial techniques and, at the end of the decade, indeterminacy. From 1960 onward the overriding technical preoccupation of his music has been its use of just intonation, the tuning system of the music of ancient cultures as well as that of many living traditions worldwide. The six works represented on this disc span Johnston's journey through atonality, neoclassicism, serial technique, and finally, his pioneering use of just intonation. Septet (1956-58) for woodwind quintet with cello and contrabass, marks the height of Johnston's early neoclassic period. Debts to Stravinsky recurring structural figures, ostinatos that repeat pitches in unpredictable rhythms-are obvious. The more direct influence of Johnston's first important teacher, Darius Milhaud, is apparent in the bitonal textures. In his 1955 Three Chinese Lyrics, scored for soprano and two violins, Johnston has set three poems by the Chinese T'ang dynasty poet Li Po (701-762) in translations by Ezra Pound (his early mentor Harry Partch already had set seventeen of the poems; Johnston set the remaining three). Commissioned by choreographer Merce Cunningham, Gambit (1959) is scored for twelve instruments and consists of six movements, three of which-Interlude 1, Prelude 2, and Interlude 2-use twelve-tone rows. Gambit, a mixed-genre work, precipitated the crucial decision of Johnston's career, his switch to extended "just intonation." For most composers, just intonation implies tonality, but Johnston is unique for his works that fuse pure tuning with the twelve-tone system including Five Fragments (1960). Fragments 1, 2, 3, and 5 modulate systematically from one twelve-tone row to another and, here and in general, Johnston's early just intonation counterpoint moves carefully among consonant intervals. A much later work, Trio for clarinet, violin, and cello (1982), is a gem of Johnston's mature style, rhythmically engaging and harmonically subtle. Phrases return, sometimes with altered continuations, or transposed to different pitch levels, or using an undertone scale rather than an overtone scale. As a result, and typical of Johnston's late work, the Trio's lithe counterpoint falls sweetly on the ear; the complexity is below the surface. Ponder Nothing (1989), is a set of solo clarinet variations on the traditional French hymn "Let All Mortal Flesh Keep Silence." If the hymn gives voice to Johnston's Catholicism, the title, taken from the hymn's third line-"Ponder nothing earthly minded"-refers to his interest in the no-mind meditation of Zen. Malcolm Goldsteinfrom "Malcolm Goldstein: a sounding of sources"(New World Records) Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Malcolm Goldstein, solo violin; Radu Malfatti, trombone; Philippe Micol, bass clarinet; Philippe Racine, flute; Beat Schneider, violoncello As a composer/violinist/improviser Malcolm Goldstein (b. 1936) has been active in the presentation of new music and dance since the early 1960s in New York City as a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble and as a participant in the Judson Dance Theater, the New York Festival of the Avant-Garde, and the Experimental Intermedia Foundation. His "Soundings" improvisations have received international acclaim for having "reinvented violin playing," extending the range of tonal/sound-texture possibilities of the instrument and revealing new dimensions of expressivity. Since the mid-1960s he has integrated structured improvisation aspects into his compositions, exploring the rich sound-textures of new performance techniques within a variety of instrumental and vocal frameworks. Goldstein has been labeled an "improviser" and a "composer-violinist" (or merely a violinist). What this CD once and for all shows is that he is indeed those things, but encompassing them all is the fact that, profoundly, he is a composer. As he points out, "At the core of Baroque music was the integration of composition and improvisation," and Goldstein brings the perspective and focus of a seasoned performer to this undertaking. In this way his music represents a further evolution of that compositional-improvisational dialogue begun in the early 1950s in the aleatoric, "chance" pieces of composers like John Cage, Earle Brown, Christian Wolff and Morton Feldman.

Teacher Mary Reese Europe was the sister of James Reese Europe, who brought jazz to France in WWI. In this episode, jazz legends Billy Taylor and Frank Wess expound upon the influence of the two siblings, and Mary Reese Europe's teachings about singer Roland Hayes in prejudiced Germany prove an inspiration to her students.

Teacher Mary Reese Europe was the sister of James Reese Europe, who brought jazz to France in WWI. In this episode, jazz legends Billy Taylor and Frank Wess expound upon the influence of the two siblings, and Mary Reese Europe's teachings about singer Roland Hayes in prejudiced Germany prove an inspiration to her students.

Episode 11:  Early African-American recording artists. Performers include: Bert Williams, James Reese Europe, Ma Rainey and the Fisk University Jubilee Singers.