Podcasts about Quasimodo

durée : 00:13:42 - Carnets de campagne - par : Dorothée Barba - Ils sont tordus, trop grands ou trop petits, mais tout aussi bons que les autres. Quasimodo sauve des fruits et légumes hors calibre et les livre à Paris. Egalement au programme de ces Carnets : les Amis du Chaudron, association qui cherche des bénévoles au Chesnay-Rocquencourt (Yvelines).

April 30, 2025

Color: White Old Testament: Ezekiel 37:1–14 Psalm: Psalm 33; antiphon: v. 6 Epistle: 1 John 5:4–10 Gospel: John 20:19–31 Introit: Psalm 81:1, 7a, 10, 16b; antiphon: 1 Peter 2:2a Verse: Matthew 28:7b; John 20:26a, c The Wounds of Christ Give Us Life   “For there are three that testify: the Spirit and the water and the blood” (1 John 5:7). These three point to Christ and flow from Christ. Jesus shows His disciples His hands side, from which blood and water flowed, saying “Peace be with you.” He presents the wounds which turn our fear to gladness and which restore us to the Father. Jesus breathes on His disciples and says, “Receive the Holy Spirit” (John 20:23). His breath, His words are Spirit and life. They raise up our dry, dead bones and give us new and everlasting life (Ezek. 37:1–14). Christ now gives His ministers to speak His forgiving, Spirit-filled words to the penitent in His stead. Our Lord continues to come to His people, presenting His wounds to us in the Sacraments of water and blood. He bids us to touch His side at His table, to receive His risen body and blood in true faith, that believing we may have life in His name. Lectionary summary © 2021 The Lutheran Church—Missouri Synod. Used by permission. http://lcms.org/worship

Best U.S. States, Mormon hymnody, and seder meals.   Second Sunday of Easter (Quasimodo Geniti), John 20:19–31

1 John 5: 4-10; John 20: 19-31; Haydock Commentary Please consider donating to help keep this podcast going by going to buymeacoffee.com/catholicdailybrief Also, if you enjoy these episodes, please give a five star rating and share the podcast with your friends and family

The sermon for Quasimodo Geniti (commonly known as the Second Sunday of Easter) by Pastor Atkinson.

April 27, 2025

Sermon at 17:24.   Bulletin: Easter 2 Bulletin 25   Congregation at Prayer: CaP, 4/27/25

Dimanche de Quasimodo (Pâques Closes) : Durant le temps pascal, il nous faut annoncer la religion de la vie !

Date: 27 April 2025 Sermon title: Jesus, the Bringer of Peace Preacher: Rev. Tapani Simojoki Text: John 20:19-31 Duration: 25min 41s

And here we find ourselves at the bottom of the barrel once more. A shoddily slapped together series by way of Montreal's Cinegroupe produced to coincide with the release of a high-profile Disney feature film. The era of the mockbuster is most certainly passed, but we will always have those VHS memories of cheap garbage like The Magical Adventures of Quasimodo. Episode covered for the podcast was Episode 20 "The Music Maker." Written by Lyle Slack and directed by Bahram Rohani. Unknown airdate.If you liked what you heard please and wish to support the show, please consider subscribing and leaving a nice review on your podcatcher of choice.Follow us on Twitter at https://twitter.com/CartoonNightPod?s=20Chris' Twitter: https://twitter.com/CinemacreepSylvie's Twitter: https://twitter.com/sylvieskeletonsTheme song by https://soundcloud.com/hvsynLogo designed by https://www.rachelsumlin.com

Superbus était l'invité du Double Expresso RTL2 ce vendredi 28 mars. Le groupe a échangé avec Grégory Ascher et Justine Salmon sur son retour en force avec le single "Lola", revisité avec Hoshi et Nicola Sirkis, un titre dévoilé en exclusivité dans #LeDriveRTL2 la veille de sa sortie le 7 février, depuis entré dans le Top 10 de l'airplay et le Top 20 Shazam. À l'approche d'un nouvel album prévu pour l'été 2025, Superbus a également évoqué sa grande tournée estivale et son concert au Zénith de Paris le 16 octobre prochain. Le groupe a interprété en live "Lola" ainsi que le gold "Radio Song", pour le plus grand plaisir des auditeurs de la station Pop-Rock. L'info du matin - Grégory Ascher et Justine Salmon ont évoqué les nouvelles règles du permis de conduire et les changements à venir pour les automobilistes. Le winner du jour : - La préfecture de l'Aube récompense les bons conducteurs avec des places pour un parc d'attraction ou des matchs de foot ! Le flashback de novembre 1996 - Sortie du premier jeu vidéo Tomb Raider avec le personnage emblématique de Lara Croft. - En salle, Disney dévoilait "Le Bossu de Notre-Dame" avec Quasimodo et Esmeralda. Les savoirs inutiles : - Autrefois, une culotte désignait un pantalon court porté par les hommes. C'est de là que vient l'expression "porter la culotte", pour désigner celui ou celle qui a l'autorité dans le couple. Le jeu surprise : Emmanuel de Veretz vers Tours gagne un séjour d'une nuit pour 4 personnes au Parc Astérix. La banque RTL2 : - Julien de Mouguerre vers Bayonne repart avec un bon d'achat de 100 € sur THE FORK. - Bénédicte d'Ajou vers Évreux gagne 200 euros. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hot on the heels of last week's episode, we're jumping back into a Fantastic Four Annual (annual 5 from summer of ‘67) and the return of Quasimodo in the very first Silver Surfer solo story, "The Peerless Power of the Silver Surfer"!  We bust it down, explore the cosmos, & have some laughs all in the patented Jacked Kirby style you know and love!    For all things Jacked Kirby, including links to listen everywhere, our social media pages, and a place to buy yourself a stellar Jacked Kirby t-shirt, visit our FlowPage: www.flow.page/jackedkirby   If you like the show, share the show! Spread the word! And make sure you rate and review us wherever you can! Thanks, kids!

This week we dig into Marvel Comics' Fantastic Four annual 4 from 1966, focusing on the main story ‘The Torch That Was'… which features the Quasi-Motivational Destruct Organism computer aka QuasiMoDO! What a story! What a character! What fun! Bust out your copy and join us as we discuss this wacky FF tale!   For all things Jacked Kirby, including links to listen everywhere, our social media pages, and a place to buy yourself a Jacked Kirby t-shirt, visit our FlowPage: www.flow.page/jackedkirby   If you like the show, share the show! Spread the word! And please rate and review us wherever you can! Thanks!

Alle fronde dei salici di Salvatore Quasimodo è una poesia simbolica che riflette sulla guerra e il silenzio della cultura. Scopri il suo significato e il contesto storico.

This episode of The Other Side of the Bell, featuring trumpeter, educator and recording artist Clay Jenkins, is brought to you by Bob Reeves Brass.  About Clay Jenkins:  Clay Jenkins is a renowned jazz trumpeter and educator whose dynamic career spans decades of performance and teaching. He launched his performing journey with the Stan Kenton Orchestra before moving to Los Angeles, where he toured and recorded with the big bands of Buddy Rich and the Count Basie Orchestra. A charter member of the Clayton Hamilton Jazz Orchestra, Clay has amassed over 100 recording credits, released seven solo albums, and recorded as a co-leader with many other notable names. Since joining the Eastman School of Music faculty, in Rochester, NY, in 2000, Clay has continued to perform worldwide, while mentoring the next generation of jazz musicians. Inspired by his close friendship with the late trumpet legend Eugene "Snooky" Young, he established the Snooky Young Endowed Scholarship at Eastman, and is currently writing a biography of Young's life.  Clay is wonderfully warm, down-to-earth and humble. If you listened to our last episode featuring Emile Martinez, you'll know that Clay was instrumental in guiding Emile on his artistic journey, and so how appropriate it is that we can follow up on that interview with this one today. And he's a lifelong practicer. Clay is always trying to improve, and it's inspiring to hear someone at his level still talking about what they go through every day, trying to better themselves.  Episode Links: "Hope Beats" - YouTube series with Clay Jenkins (trumpet), John Clayton (bass), Larry Koonse (guitar), Gene Bertoncini (guitar), Joe La Barbera (drums) Quasimodo, by Charlie Parker Grizzly, by John Clayton Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Audio Engineer – Ted Cragg Cover Art – Phil Jordan Podcast Host – John Snell

Quasimodo, Esmeralda, Phoebus, les Gargouilles et Notre Dame de Paris ! Le Bossu de Notre Dame est l'un des Grands Classiques Disney préféré des français et un véritable bijoux visuel ! Retour sur ce film Disney des années 90, des musiques à ses thèmes parfois sensibles sans oublier les différences avec l'oeuvre dont il est inspiré !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Notre-Dame, la célebre catedral de París ha reabierto cinco años después del incendio que devastó las bóvedas de la nave central y su preciado bosque, y derrumbó su aguja exterior. Ahora, Notre-Dame es la misma y, a la vez, es distinta. Y esa paradoja define los ochos siglos de historia de uno de los monumentos más destacados del mundo.Notre-Dame de París, señora del tiempo, con la firma de Antonio Delgado, corresponsal de RNE en la capital francesa, cuenta la historia del templo y a partir de él, de las circunstancias y personajes que lo han convertido en un símbolo de Francia y Europa.El documental describe una elipsis temporal, una marcha hacia atrás y hacia delante en el tiempo, que permite enlazar los acontecimientos de su pasado con su reconstrucción. Notre-Dame es sujeto y objeto de arquitectura, historia, música, literatura, ceremonias, revoluciones, destrucción e incendios y restauraciones.Desde la prosperidad del París de la Plena Edad Media, la irrupción del arte gótico, sus arbotantes, la luz, sus vidrieras y sus arcos apuntados, la música polifónica de la Escuela medieval de Notre-Dame, la revolución de 1789, el abad Suger, el obispo Sully, Napoleón coronado emperador, Víctor Hugo y su Nuestra Señora de París con Quasimodo, Esmeralda y su premonitorio incendio, la restauración del siglo XIX de Viollet-Le-Duc, Hitler y De Gaulle, la ocupación y la liberación de Francia… Todo y todos desfilan por este Documentos RNE.Un programa que incluye entrevistas con los historiadores Sandrine Victor, Danny Sandron, Antonio Pinto y Frédéric Le Moigne; el musicólogo Juan Carlos Asensio; la experta en literatura francesa Magdalena Cámpora; el arquitecto David García Asenjo. Y con el testimonio excepcional de Damián Pinardi, carpintero tradicional que ha participado en la reciente reconstrucción de la catedral.Escuchar audio

durée : 00:28:11 - Le Feuilleton - Les avocats ont parlé, il est temps pour les jurés de se retirer avec le Président de la Cour pour décider du sort de Quasimodo qui risque une peine de 30 ans de prison. La pression est à son comble pour Leila et ses camarades qui doivent enfin voter.

durée : 00:28:30 - Le Feuilleton - Au cours des débats on perçoit les zones grises de l'affaire et le doute s'installe chez les jurés. Alors que le Capitaine Phoebus est interrogé par la défense sur ses relations avec Esmé, le copycat de Quasimodo frappe à nouveau. Les plaidoiries se préparent.

durée : 00:28:43 - Le Feuilleton - Un mystérieux copycat de Quasimodo poste des vidéos en ligne sur les réseaux sociaux, grimé en bossu. Leila décide de s'abonner à son compte. Quasimodo commence à montrer des signes de fragilité psychologique, surtout quand le Capitaine Phoebus de Chateaupers se présente devant la Cour.

durée : 00:28:37 - Le Feuilleton - Nos trois jurés ont appris à se connaître. Ils écoutent les témoins qui se succèdent à la barre. Le flamboyant Moussier Clopin vient donner sa version de la nuit du 15 avril. Puis un médecin expert délivre ses conclusions sur la mort d'une des victimes et renverse les points de vue.

durée : 00:28:41 - Le Feuilleton - Leila reçoit sa convocation pour devenir jurée. Elle rejoint le tribunal. Le Président de la Cour d'Assises, l'accusé et les avocats ont fait leur entrée et les débats commencent. Ceux-ci mettent en lumière l'enfance difficile de Quasimodo et son existence singulière sur les hauteurs de Notre-Dame.

durée : 00:28:37 - Le Feuilleton - Nos trois jurés ont appris à se connaître. Ils écoutent les témoins qui se succèdent à la barre. Le flamboyant Moussier Clopin vient donner sa version de la nuit du 15 avril. Puis un médecin expert délivre ses conclusions sur la mort d'une des victimes et renverse les points de vue.

durée : 00:28:43 - Le Feuilleton - Un mystérieux copycat de Quasimodo poste des vidéos en ligne sur les réseaux sociaux, grimé en bossu. Leila décide de s'abonner à son compte. Quasimodo commence à montrer des signes de fragilité psychologique, surtout quand le Capitaine Phoebus de Chateaupers se présente devant la Cour.

durée : 00:28:30 - Le Feuilleton - Au cours des débats on perçoit les zones grises de l'affaire et le doute s'installe chez les jurés. Alors que le Capitaine Phoebus est interrogé par la défense sur ses relations avec Esmé, le copycat de Quasimodo frappe à nouveau. Les plaidoiries se préparent.

durée : 00:28:11 - Le Feuilleton - Les avocats ont parlé, il est temps pour les jurés de se retirer avec le Président de la Cour pour décider du sort de Quasimodo qui risque une peine de 30 ans de prison. La pression est à son comble pour Leila et ses camarades qui doivent enfin voter.

durée : 00:28:41 - Le Feuilleton - Leila reçoit sa convocation pour devenir jurée. Elle rejoint le tribunal. Le Président de la Cour d'Assises, l'accusé et les avocats ont fait leur entrée et les débats commencent. Ceux-ci mettent en lumière l'enfance difficile de Quasimodo et son existence singulière sur les hauteurs de Notre-Dame.

Movie of the Year: 1996The Hunchback of Notre DameExploring Disney's "The Hunchback of Notre Dame" on the Movie of the Year PodcastDiscover Disney's boldest animated film through the lens of the Movie of the Year podcast as they dive into the ambitious and controversial 1996 adaptation of The Hunchback of Notre Dame. This animated classic challenges traditional Disney boundaries with its exploration of religion, sensuality, and a captivating musical score. Urban apartment dwellers, take note: this episode offers a fresh perspective on a film that dares to be daring.Religion in Disney's The Hunchback of Notre DameOne of the central themes of The Hunchback of Notre Dame is its exploration of religion. The podcast's hosts delve into how the film portrays faith as both a source of refuge and a tool of oppression. Judge Claude Frollo, voiced with chilling gravitas by Tony Jay, embodies religious hypocrisy, twisting doctrine to justify his sinister deeds. Meanwhile, the cathedral of Notre Dame itself offers sanctuary and hope, symbolizing the redemptive aspects of faith.The hosts highlight how the film's darker tone resonates with urban audiences familiar with the complexities of modern spirituality. They note how Quasimodo's deep connection to the cathedral—both his prison and his home—reflects the dual nature of organized religion, capable of both nurturing and constraining the human spirit.Sensuality and Desire: The Horniness of Disney's HunchbackFor a Disney film, The Hunchback of Notre Dame stands out for its overt sensuality. The podcast tackles the infamous “Hellfire” sequence, in which Frollo's inner turmoil over his lust for Esmeralda is rendered in a fiery, operatic number. The hosts marvel at the audacity of Disney animators to include a scene that grapples with such adult themes.Esmeralda, voiced by Demi Moore, is another focal point of discussion. Her character—confident, compassionate, and unapologetically alluring—challenges traditional Disney princess tropes. The hosts discuss how her portrayal aligns with a more mature understanding of desire and autonomy, appealing to an adult sensibility often overlooked in animated films. They also note how this layer of complexity mirrors the romantic struggles of urban life, where relationships often blur the line between attraction and complication.Alan Menken's Music: A Symphony of EmotionAlan Menken's score for The Hunchback of Notre Dame is nothing short of operatic, and the podcast dedicates ample time to unpacking its grandeur. The sweeping melodies and choral arrangements lend the film an epic quality that elevates its narrative stakes. Songs like “Out There” and “God Help the Outcasts” capture the yearning and vulnerability of the characters, resonating with anyone who has ever felt marginalized.The hosts also discuss how the music's blend of Latin liturgical elements and Broadway sensibilities creates a unique auditory experience. They point out how the score's sophistication feels tailor-made for urban audiences accustomed to cultural diversity and artistic ambition. Menken's work not only serves the story but also challenges the listener to engage with the film on a deeper emotional level.Why Urban Audiences Should Revisit Disney's The Hunchback of Notre DameAs the Movie of the Year podcast episode illustrates, The Hunchback of Notre Dame is far more than just another entry in Disney's animated canon. Its unflinching exploration of religion, its daring embrace of adult themes, and its unparalleled musical score make it a film that demands to be revisited.Key Takeaways from the Podcast:The dual nature of faith as depicted in

Well folks, we've once again gone straight from Snake Day into the winter holiday celebrations, but thats just how the holiday calander shakes out sometimes. But let's not let that proximity get in the way of us fully diving into the holiday season with the most sickeningly Christmas steeped game show we may have ever done. Thats right, a Christmas themed competition game show produced BY Hallmark, FOR the Hallmark channel, with the prize being a STARING ROLL in a Hallmark Christmas movie. If you weren't in the Christmas spirit before, you best bet your baubles that you're about to be! Zach becomes Quasimodo, Jared lives truthfully under imaginary circumstances, and Adam leans into living alone. Talking Points Include: Our Most Popular Topic, The Harry Potter Attractiveness Scale, No Skinny Hagrids, The Eddie Episodes, Nothing but a Guitar, Ten of One Man, Yet Another Barbra Jean Appearance, An Intense Feedback Loop, Finding our Ember of Interest, Is it Cookie?

Du lundi au jeudi à 13h45, Pierre-Antoine Damecour croque un personnage décalé et inattendu qui s'invite dans l'actualité. Aujourd'hui, c'est au tour de Quasimodo.

The 628th edition of Have You Ever Seen has Ryan doing a monologue about The Hunchback Of Notre Dame. William Dieterle directs this adaptation of Victor Hugo's tragic novel as a strange love triangle, with both Cedric Hardwicke's Frollo and Charles Laughton's Quasimodo falling hard for Maureen O'Hara's Esmeralda. Perc Westmore's makeup and many other technical aspects of this production are quite impressive, but the huge Notre Dame set and Laughton's performance as the title character are A+. A theme of persecution by both the fickle masses and by the bloodthirsty powers-that-be was timely when Hunchback was made in the late '30s, but it unfortunately remains relevant today. And while the Hunchback Of Notre Dame is not a fun film, it's a pretty terrific one. Try Sparkplug Coffee. They give our listeners a 20% discount just by using our "HYES" promo code. The website is "sparkplug.coffee/hyes". Rate and review our podcast on your app. Subscribe to us. And give us feedback. We like emails (haveyoueverseenpodcast@gmail.com) and buzzes on Twi-X (@moviefiend51 and @bevellisellis). Bev uses that same @ on Threads/ We're both on Bluesky (ryan-ellis and bevellisellis). Also, find our shows on YouTube (@hyesellis in your browser). Comment, like and subscribe.

durée : 00:28:32 - Le Feuilleton - Au cours des débats on perçoit les zones grises de l'affaire et le doute s'installe chez les jurés. Alors que le Capitaine Phoebus est interrogé par la défense sur ses relations avec Esmé, le copycat de Quasimodo frappe à nouveau. Les plaidoiries se préparent.

durée : 00:28:39 - Le Feuilleton - Nos trois jurés ont appris à se connaître. Ils écoutent les témoins qui se succèdent à la barre. Le flamboyant Moussier Clopin vient donner sa version de la nuit du 15 avril. Puis un médecin expert délivre ses conclusions sur la mort d'une des victimes et renverse les points de vue.

durée : 00:28:43 - Le Feuilleton - Leila reçoit sa convocation pour devenir jurée. Elle rejoint le tribunal. Le Président de la Cour d'Assises, l'accusé et les avocats ont fait leur entrée et les débats commencent. Ceux-ci mettent en lumière l'enfance difficile de Quasimodo et son existence singulière sur les hauteurs de Notre-Dame.

durée : 00:28:13 - Le Feuilleton - Les avocats ont parlé, il est temps pour les jurés de se retirer avec le Président de la Cour pour décider du sort de Quasimodo qui risque une peine de 30 ans de prison. La pression est à son comble pour Leila et ses camarades qui doivent enfin voter.

durée : 00:28:45 - Le Feuilleton - Un mystérieux copycat de Quasimodo poste des vidéos en ligne sur les réseaux sociaux, grimé en bossu. Leila décide de s'abonner à son compte. Quasimodo commence à montrer des signes de fragilité psychologique, surtout quand le Capitaine Phoebus de Chateaupers se présente devant la Cour.

Al talks about Living Room, a new VR animal game Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:55: What Have We Been Up To? 00:23:28: Game News 00:49:21: New Games 00:52:33: Living Room 01:15:28: Outro Links Disney Dreamlight Valley “The Storybook Vale” Stardew Valley “1.6.9” Update ConcernedApe Interview Webfishing Living Room on Quest Store Living Room Trailer Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:31) Al: Hello farmers, and welcome to another episode of The Harvest Season. My name is Al, (0:00:36) Kev: My name is Kevin, one of us is in the US, the other is not. (0:00:41) Al: and we’re here today to talk about Cottagecore Games! (0:00:45) Kev: Woohoo! Yes! (0:00:49) Al: I feel like we can’t start the episode without kind of referencing what has happened. We are recording on the 10th of November, five days after a certain election in America. (0:00:59) Al: I’m going to go ahead and close the poll. (0:01:01) Al: I don’t want… (0:01:01) Kev: I didn’t get my birthday wish, rather rude of them. (0:01:02) Al: Yeah, I learned that you have the same birthday as my younger son. (0:01:10) Al: Isn’t that weird? (0:01:10) Kev: yeah happy birthday Craig right that’s Craig yeah (0:01:13) Al: How’s it taking… (0:01:14) Al: How’s it taking… (0:01:15) Al: Yeah, Craig. (0:01:16) Al: How’s it taking six years for us to notice this? (0:01:17) Kev: ah I don’t know man like well I mean okay I try to keep mine on the down-low because I’m torn about it cuz you know obviously it’s nice for people to notice but I also feel like narcissists love you know coming out with the little air horn so I know I’m torn in minutes so I generally don’t bring (0:01:19) Al: Weird. (0:01:38) Al: I don’t think it’s narcissistic to have a birthday and celebrate it. (0:01:40) Kev: too much attention to it (0:01:45) Kev: you’re right no you’re absolutely right I’m I am aware I am the issue and I mean oh boy is it so I I was actually so okay I do therapy and I do it on Tuesdays which happened to be my birthday but I was sick that day so I didn’t do therapy either so you (0:01:53) Al: This feels like something to unpack in therapy, just a thought. (0:02:07) Al: Oh no, oh no, yeah, I was going to say this week’s going to have a lot to talk about. (0:02:10) Kev: know there’ll be plenty to unpack this this there this Tuesday Oh boy. (0:02:20) Al: So yeah, I don’t want this to become a politics podcast, we’re not going to spend time talking about the election and I seriously considered it, but we’ll see, we’ll see if you can convince me after this recording. (0:02:26) Kev: That’s what the green house is for! (0:02:37) Al: I thought it was important to at least, you know, reference it so that it’s not like - I always feel weird when there’s something major that happens and we don’t at least reference it because it feels like the entire podcast is just a place that doesn’t exist. So I kind of - I want the podcast to be escapism, so we’re not going to be like talking about it a lot, but I just wanted to mention and remind people that this is a safe place for you. We are inclusive of everyone that [chuckling] (0:03:07) Al: - The upcoming president is not inclusive of. (0:03:12) Al: Yeah, and if you are anti-LGBTQ (0:03:18) Al: or if you are anti any races, (0:03:23) Al: if you are a terrible person of that persuasion, (0:03:28) Al: I don’t care if you listen to the podcast, (0:03:31) Al: you can go away. (0:03:32) Al: Thank you very much. (0:03:33) Al: Only good people here. (0:03:37) Kev: - Okay, so I’ll sign off then. (0:03:39) Kev: Bye everyone. (0:03:41) Al: So that’s all I wanted to talk about. (0:03:44) Al: We’re now gonna go into the escapism and talk about other things, including this episode, (0:03:50) Al: we’re gonna talk about Living Room, (0:03:53) Al: which is an augmented reality game that I have been playing. (0:03:59) Al: And hopefully we can get a good discussion out of that (0:04:02) Kev: All right all right. (0:04:03) Al: because obviously no one else on the team has played it. (0:04:08) Kev: Yeah, well, I mean, OK, I’m jumping the gun here, but like AR games, I think are great, like are they are so much more feasible, plausible than, you know, true VR and I think there’s, there’s a lot you can do with it, so you know I’m down for that. (0:04:20) Al: I agree with that. (0:04:25) Kev: I am very much a proponent of AR, like VR will maybe get there one day, but it’s. (0:04:32) Kev: It’s going to be a minute still till, you know, we’re really, really there. There’s still a lot to figure out, but yeah, we’ll get there. (0:04:36) Al: Yeah definitely. Hopefully we’ll have some good chat about that later on. I think it’s our first AR game that we’re going to talk about so we’ll see about that. Before that obviously we have some news but first of all Kevin what have you been up to? (0:04:58) Kev: Alright, um, so I haven’t talked, it’s been a minute since I’ve been on here, um, you know, sorry Vincent, you know this, you, you heard on Triple R, but I’ve been playing Bellatro. (0:05:08) Kev: I bit the bullet, I’m in there deep. I have clear a run with every one of the base decks, I would call it, um, the, the color decks, if you will, um, there’s all sorts of other decks that unlock later, and you know, there’s difficulty, so there’s still plenty for me to do. (0:05:26) Kev: for me to do, but that just shows. (0:05:28) Kev: How much time I put in and how much I enjoy it, you know. (0:05:32) Al: I mean, to be fair, you completed a run on your first day playing, didn’t you? (0:05:38) Kev: But yeah I mean it is I I’ve said it before like. (0:05:44) Kev: You know for people who don’t know I tutor in math so I am so I’m an engineer so I’m something of a math guy so a name a game centered around numbers and probabilities and and of course strategy I love strategy games like Fire Emblem and such so you know all that is kind of in my wheelhouse so yeah I hit the ground running with that one. (0:06:04) Kev: Yeah, and there’s obviously a lot to unpack. There’s much more so than this. (0:06:08) Kev: There’s a lot to unpack. There’s much more to unpack. There’s much more so than this. (0:06:14) Kev: There’s much more to unpack. There’s much more so than this. (0:06:18) Kev: Other than that, Sonic Frontiers I have been… I am approaching the end of that game. (0:06:26) Kev: I’ve been going back and kind of… Not 100%ing, but at least… (0:06:31) Kev: So, in Sonic Frontiers you have much like, you know, Breath of the Wild or other open world games. (0:06:38) Kev: You unlock parts of the map, right? You find a quote-unquote “tower”. (0:06:42) Kev: In Sonic Frontiers it’s just like a little objective. And you unlock part of the map, make it visible and see. (0:06:48) Kev: Alright, so I’m going back and at least 100%ing the maps, right? (0:06:52) Kev: There’s a lot, so many different like challenges and stuff like that. I will not be 100%ing that game, actually. (0:07:00) Kev: But I’m going back through that and then I’ll be hitting… I’ll be finishing that up soon. (0:07:04) Kev: Um, still, I don’t know, I just, I really like that game, even just- (0:07:08) Kev: They’re running around and using the different grind rails and bumpers and stuff to just fly around, it’s very- (0:07:16) Kev: Almost zen for me, I enjoy it a lot. (0:07:18) Kev: Um, and of course, appropriately, they, uh, gosh, was it last year? I think it’s been a year already. (0:07:24) Kev: Um, they did the Sonic’s birthday update, where you can just deck out the whole island in birthday celebration stuff, so of course I switched that on this week. (0:07:33) Al: Oh yeah. Was that last, was that last (0:07:33) Kev: Um, I think so, it’s been a minute. (0:07:39) Kev: One feature that I don’t think I’ve talked about that, um, I think is a feature I want in every single game, (0:07:44) Kev: Uh, it has a jukebox system, where you can go around, you can find little soundtracks, and then you can just play them whenever you want. (0:07:54) Kev: Of course, certain things like certain battles and, uh, cutscenes or whatever will, you know, obviously won’t play whatever music you want, but- (0:08:00) Kev: I, like, if it’s a game I’m gonna be spending a lot of time in, I like to have different music available, and you know, (0:08:08) Kev: Play something that fits the mood, or just something I want at that moment. (0:08:12) Kev: Uh, Sonic the Hedgehog, of course, has a legacy of fantastic soundtracks, so there’s a lot of good stuff, but- (0:08:18) Kev: Um, just in general, like, I wish I had, uh, that feature was available in more games, looking at you, Pokemon, especially. (0:08:26) Kev: Um, you know, going through how many thousands of hours of Pokemon battles and having to listen to the same sound- song every time. (0:08:34) Kev: But yeah that’s that’s good stuff so prop 2. (0:08:38) Kev: And then aside from that, here’s my plug for Rainbow Road Radio, the Mario podcast I do their mutual friend Alex. (0:08:48) Kev: Next week we are doing an episode on Bowser’s Inside Story, the third Mario and Luigi game, which I have been playing. (0:08:56) Kev: And obviously you hear the full story on that episode, but boy that is a good game. (0:09:02) Kev: Of course as people might see from my handle Koopaprez, I am a big fan of Bowser. (0:09:08) Kev: And a game focused on him. Obviously I am biased, but I think they just did everything fantastic about Bowser. (0:09:16) Kev: Along with a lot of the usual polishes and benefits of the Mario and Luigi game. Like, you know, funny writing in the battle system and all that. (0:09:26) Kev: But yeah, so that’s like I said, tune in next week for more thoughts on that in depth. (0:09:34) Kev: But other than that, yeah I think that’s roughly what I’ve been up to. What about you Alex? (0:09:38) Al: Yeah, um, I have been also playing bilateral. (0:09:44) Al: Not as much as you. (0:09:46) Al: I’m done. (0:09:47) Al: I finished it. (0:09:48) Al: I completed a run. (0:09:49) Al: And that’s enough for me. (0:09:50) Kev: Okay, what deck did you use herself? (0:09:50) Al: A yellow, no, not yellow. (0:09:55) Kev: Okay, all right, you’ll (0:09:56) Al: The one, the one that gives you money, the one not yellow, not yellow. (0:09:59) Al: It was the one. (0:10:00) Al: I can’t remember which one it was, but it was the one that gives you money for the hands and discards you have left. (0:10:05) Kev: Okay that’s green I believe yellow give you like 10 bucks … (0:10:06) Al: Green, right. (0:10:09) Kev: green gives you like more per hand and discard stuff okay … (0:10:09) Al: It does. Yeah. Yeah. Yeah. It gives you, I find, I find that gives you lots of money really early on. (0:10:12) Kev: yeah that’s a good one obviously. (0:10:18) Kev: Oh gosh it is. (0:10:20) Kev: Alright good stuff good on you did you go past it or did you … (0:10:23) Kev: just like shut the app after you hit the clear screen. (0:10:26) Al: I kept going until I died but that was like one blind later. (0:10:30) Kev: Yeah it gets wild how much it’s scale after like they are brutal. (0:10:35) Kev: They say endless mode but no they want to end you fast. (0:10:39) Al: yeah yeah yeah um so yeah uh i’m sure we’ll talk more about that in the future but yeah I i (0:10:48) Al: I played it and i’m done (0:10:50) Kev: Free, free at last, free at last. (0:10:53) Al: um i’ve also been continuing on snap um the new season started um I did buy the season pass again because um I feel you don’t actually need a humongous amount of time into the game to get get this season pass done. (0:11:10) Al: So I feel like it’s worth it. (0:11:10) Kev: yeah no yeah it is right it’s wild to think like you know I’ve paid I think almost every single pass that’s ten bucks a month which you know when you tally it all up is sizable for a game like one single game maybe but because it’s broken up so far in only ten bucks a month like it doesn’t feel bad and I get my enjoyments (0:11:13) Al: And it’s a good amount of stuff you get. (0:11:38) Al: Well, and the advantages that you’re paying as long as you’re playing it, right? Like, (0:11:42) Kev: That’s true, that’s very true. (0:11:42) Al: as soon as you stop playing it, you no longer give them any money. So yeah, I’m enjoying that. (0:11:50) Al: I’m in the 70s again, struggling in the 70s last season. I think when I talked last episode, (0:11:52) Kev: God it it really is yeah (0:11:56) Al: when I talked last episode, I was almost 80. I ended up finishing at 93, I think so. (0:12:00) Kev: Uh-huh (0:12:04) Al: I’ve mentioned this to you, Kevin, but I don’t think I said on the podcast. (0:12:07) Al: I finally got up to 80. It took me four and a half weeks to get to 80, and then it took me exactly 18 hours to get to 90. (0:12:17) Kev: oh yeah that sounds correct I don’t know what it is I actually have a similar um I hit a certain a similar wall when i’m in the 70s I don’t know what it is it is a like I don’t know if that’s (0:12:17) Al: Which is just so stupid! (0:12:31) Kev: where the largest concentration of players are or you know ones who play regularly because it’s pretty easy to get up there but it’s it’s just so I don’t know what it is it’s hard to (0:12:45) Kev: like two steps back (0:12:47) Kev: we’re two steps forward and two steps back in the 70s, it’s wild (0:12:50) Al: Oh yeah yeah yeah constantly like I’m I’ve been playing you know a good half an hour to an hour every day since it’s since the season started and I’m at 73 so I’m literally exactly the same place as you are when you hit 70 so so yeah I don’t know hopefully I’ll get there eventually but yeah it’s it’s really funny I part of it is my own fault right like I’m snapping when I’m not convinced I’m going to win. (0:13:20) Al: But also, I just feel like in the 70s is when everybody has Shang-Chi, (0:13:25) Al: which is the killer for my deck, right? Like if they have a Shang-Chi, it’s killed. (0:13:31) Al: And no, I’m running the Black Panther symbiote. (0:13:36) Kev: right right right okay oh yeah that’s that’s rough well time to gosh and you you do the obviously you want to do the Arnim Zola strat so you can’t run Cosmo or or armor (0:13:40) Al: It’s, yeah. (0:13:46) Al: Yeah, no, it’s what I have, what I have been doing. (0:13:51) Al: I’ve not been leaning into it as much because it doesn’t give you as much power, (0:13:55) Al: but I’ve been doing a sentinel, sentinel symbiote and the advantage of that is they can’t Shang-Chi you (0:14:06) Al: and you get, because it gives you a 13, (0:14:10) Al: 13 power and then you, Arnim’s all of that and you get four of them, so you get two things of 26. (0:14:17) Kev: Nimrod, you mean Nimrod, I mean he is a sentinel, but yes, nerd talk over here, yes, yes, yes, oh god, Nimrod, yeah yeah yeah, it’s the one that, what is it, 2 cost 3 power, it sends 2 sentinels into the opponent’s hand, or no, sends, no, add, no, yeah, it adds 1 into your hand, mastermhold, yes, yes, that’s the one, yes, backwards, um, yeah (0:14:20) Al: Nimrod, not sentinel. Why did I think sentinel? Yeah, yeah, that’s probably where I got confused. (0:14:26) Al: That’s probably where I got confused. Yeah, Nimrod. Is there a card called sentinel? (0:14:40) Al: Yeah, no, no, it sends one into your hand. Master mold sends two into the opponent’s hand. Yeah, yeah, yeah, yeah. Yeah. Okay, Nimrod. Sorry. So you get 13 power, and then you quadruple that basically. So you get to two locations to get 26. It is good. It’s not as foolproof. Like if you get it off, you can still lose. Whereas if you manage to get the Black Panther symbiote one, you win almost 100. Yeah, you get almost 100%. (0:15:02) Kev: Yeah, ‘cause the numbers don’t get insane. (0:15:07) Al: Like there’s like maybe two, two cases. (0:15:10) Al: But yeah, so it’s it’s good. But yeah, I need to lean into that more, I think, because then obviously they can’t chung chi it and if they do, you just get more of it and then exactly, exactly. (0:15:11) Kev: Yeah, yeah, yeah, it’s. (0:15:24) Kev: - Yeah, it just benefits you, that’s great. (0:15:26) Al: But the the one thing they can do, which has killed me a couple of times, is cosmo it. And then it’s really annoying. (0:15:36) Kev: Yeah, yeah, yep always a threat that little Russian pupper (0:15:38) Al: really annoying. (0:15:40) Al: So yeah, they don’t interestingly very few people running armor so that doesn’t tend to be an issue but yeah. (0:15:50) Al: So anyway yeah, still in the 70s or back to the 70s I guess and we’ll see how that goes but yeah I’m still enjoying it enough to keep playing it every day but what I’ve added and this is weird because I normally don’t add to my daily games. (0:16:06) Al: This is not a thing that happens. (0:16:10) Al: I’ve been playing pokemon TCG pocket as well and initially I was just doing the card collecting part of it right. (0:16:19) Al: What I really like is you know going into it, opening up my packs and being done with it but for those who aren’t aware they’ve added a bunch of events that are battle focused and I have actually been kind of enjoying them. (0:16:34) Al: So there’s the solo battle event. (0:16:35) Al: This is what’s really good so they’re running three simultaneous events in the game. (0:16:40) Al: There is a wonder pick event which is just where you’re doing the wonder picks. (0:16:45) Al: Do you know what the wonder pick feature is in pocket? (0:16:46) Kev: No. (0:16:48) Al: No. (0:16:49) Al: So the idea behind this is the game shows you a number of packs that people, other people have opened. (0:16:57) Al: Some of you which are your friends, some of which are random people in the app and it shows you the five cards and you can pay a certain currency which like the packs regenerates it’s over time. (0:17:10) Al: And you so you use that and you get you get one of the cards in the pack picked at random. (0:17:17) Al: So it’s a nice way to get extra ones and you can focus on like oh that pack has two cards that I don’t have yet let me use that one and I’ve you know I might get one of them. It’s quite nice. (0:17:25) Al: So they’ve they’re running a wonder pick event where they had some promo cards that showed up in extra wonder picks. So there’s a chance the enemy house and you would get some that would be like one one of the cards and for (0:17:40) Al: items that are like shop items that allow you to unlock other things. And then sometimes you’d get one that was like four chances and one Meowth. Sometimes you get four Meowths and one chance or whatever. So you’re trying to get the promo cards and also get the other currency to then get other things as well, like accessories and stuff like that. So that was fun. But I mean, I got that done pretty quickly. I’ve got everything in that. That took a couple of days of doing very little, (0:18:07) Kev: Okay, okay (0:18:07) Al: but it was good fun to have an extra thing to do in the game. (0:18:10) Al: And then they’re running a solo battle event which is where there are solo battles in the game where you play against the AI against different decks and so it’s by default in the game I think there’s like I think it’s six different decks that you can do at different levels and do different challenges against them you can just beat them and then there’s like a challenge to to beat it without without the opponent getting a point stuff like that but they’re running a limited time one (0:18:40) Al: Lapras EX event and so you’re it’s the same sort of thing you’re you’re battling against it and trying to beat specific challenges and that was fun and I completed all that after maybe like three days or something that was yeah exactly really really fun and then they added a third event which is the PvP battle event and what I really like about this so in the last episode when I was talking to Johnny about this he was like I really hope they don’t do a ladder and we were we were talking about how I. (0:19:10) Al: think they’re probably going to do a different kind of of battle PVP challenge thing and this I feel like is probably it. (0:19:21) Al: Basically you get a trophy depending on how many wins you get. It’s not based on a win loss ratio. There’s no like climbing the ranks. It’s literally just if you get 45 wins you get this trophy. Which is really nice. I think it’s really fun. (0:19:34) Kev: Okay, okay. Yeah (0:19:37) Al: Like, 45 is obviously a lot of wins, but the… (0:19:40) Al: like three weeks long I think uh it’s the two yeah three weeks long (0:19:42) Kev: Okay, sure and these are these are short games they’re not your 20-minute standard (0:19:47) Al: yeah (0:19:49) Kev: PTCG. Okay. So yeah, that’s that’s within reason (0:19:50) Al: yeah technically technically there is like it’s each player has a timer and (0:19:58) Al: each timer is 20 minutes so theoretically it could take 40 minutes but i’ve never had a battle take longer than five so um so I feel like the timer is pretty pointless (0:20:03) Kev: Ah. (0:20:06) Kev: Okay. (0:20:07) Kev: Yeah. (0:20:10) Al: I think if they’re going to have the timer it needs to be a lot shorter than it is because it (0:20:14) Al: like honestly if you were taking that long someone would have just given up by that point it would not be fun at all so yeah no that’s that’s been really fun as well i’ve been doing i’ve been trying to do five wins a day so that I at least keep it going but I don’t feel you know completely fed up of it. (0:20:22) Kev: Hey, and that’s a strat, you know? (0:20:24) Kev: Just… just let the timer run! (0:20:27) Kev: Yeah (0:20:40) Al: And it means I can still do some snap as well. So that’s been really fun. I’m really liking it. I hope this sort of stuff continues having the different events and having a collection event and a solo battle event and a pvp battle event all running at the same time means that people who want to do everything have a lot they can do and those who are just focused on one thing still have an event right so just just running a battle event means that people who don’t want to battle only just want to collect, we’d have nothing to do. So I think this is a really fun… (0:21:02) Kev: Yeah (0:21:08) Kev: Yeah (0:21:11) Kev: Yeah, I I get yeah that seems like a good idea because obviously we have (0:21:17) Kev: It is very (0:21:20) Kev: Collection focused clearly, but (0:21:23) Kev: You know the game itself is still a big factor. So yeah, that makes sense to have different (0:21:29) Kev: Events going on for the different sides of it. That’s cool (0:21:32) Al: Yeah, it’s good fun (0:21:33) Kev: um yeah, I I (0:21:36) Kev: still have not felt the siren call of pocket like I (0:21:42) Kev: I’ve been trying to think why that is because it’s not like there’s anything I have against it per se. It seems fine (0:21:49) Kev: It’s probably because I like the base or you know the standard version and it’s not like I mean part like the time thing I’m sure pocket that’s very enjoyable But I don’t know like if I want to play it (0:22:02) Kev: the card game I’ll probably just fire up live and play the actual card game like I don’t know how else to describe it it’s just not call it to me like and you know like you’re saying right pocket well actually I mean live is the same way but I have a lot on my plate already with my dailies and whatnot I can’t afford in there I don’t want another one all right now (0:22:22) Al: I think I’m not gonna I’m not gonna try and convince you to do it but what I would say is that just opening the the game for five minutes to do your cards is super easy and super satisfying especially at the beginning like you get cards really quickly to start with and that in and of itself is fun I think and yeah so (0:22:46) Kev: Might you know, maybe I’ll do it just to see what on earth it’s the it feels like we’ll see but (0:22:54) Al: Yeah, well think about it when you unlock a new variant in in Marvel Snap, that’s really fun (0:23:00) Al: Just imagine doing that but it’s a pack of five every day (0:23:00) Kev: yeah yeah yeah I get that you know like yeah yeah that’s that’s good um we’ll see they might add something later that because you have those immersive cards that is cool I do kind of want to see those you know they’ll part maybe they’ll lean (0:23:04) Al: Or two packs of five every day (0:23:25) Al: Yeah, fun times. Well, that’s what we’ve been up to. We’re going to talk about some news. (0:23:32) Al: It’s a good thing that what we’ve been up to is so long because there’s not a lot of news. But the news that we do have is chunky. So first of all, we have Disney Dreamlight Valley have they had a new, what do they call it? Are they calling it showcase I think about upcoming stuff first of all the (0:23:55) Al: yeah I think I think they’re calling it showcase let me double check what they call it I thought it would be quick and easy to figure out what it was called yes showcase they’re calling it the dreamlight valley showcase so this has two things first of all is the uh free update uh they are continuing to do these free updates uh the new one comes out on the 4th of december and that includes sally from the nightmare before christmas which was very clearly hinted that uh a while ago once we figured out. (0:24:22) Kev: Right. (0:24:25) Al: What we were looking at. (0:24:28) Al: But also they have a new feature of floating islands which allows you to expand your valley. (0:24:33) Al: It says large areas accessible through the fast travel menu once they’ve been unlocked with Dreamlight. So this obviously people have been asking for a way to expand the valley quite for quite a while because it gets quite quite yeah. (0:24:45) Kev: Yeah, that seems inevitable with you know them keep adding more then Disney has a lot to add. So yeah (0:24:52) Al: yeah. (0:24:56) Al: » Yeah, yeah, so they decided to go with their floating islands. (0:25:00) Al: So you can unlock them and then fast travel to them. (0:25:04) Al: And it seems like a fun way to be able to add more space while not just making it feel like the village is like smooshed together. (0:25:15) Al: So these obviously will feel a little bit tacked on in so much as it’s just like, here is this biome, but now in the sky as well. (0:25:23) Al: Um, but, but I. (0:25:25) Al: I feel like it’s hard to, like, shove it into the existing map, so it feels like an acceptable kind of compromise there. (0:25:40) Al: They also announced their new expansion pass called The Storybook Vale, so as expected this is a new purchase, the previous expansion pass is done. (0:25:52) Al: This is a brand new expansion pass of two parts. (0:25:56) Al: The first part comes out on the 20th of November and introduces Merida from Brave, Flynn Rider from Tangled, and Hades from Hercules, obviously. (0:26:09) Kev: And that’s a real eclectic, you know, group. (0:26:10) Al: Yeah, so I’m just going to read some of their own wording for this description because I feel like there’s a lot to not quite, not quite to note. (0:26:28) Al: It’s a bit, I’m going to read. (0:26:32) Al: “Bewist our way to the Vale and embark on an enchanting adventure with a cast of new new characters, including the Lorekeeper, a magical boo- (0:26:40) Al: like holding this fantastical land together. However, a happily ever after is a ways off as you discover the discordance between two iconic Disney villains, Maleficent from Disney’s Sleeping Beauty and Hades from Disney’s Hercules, has torn this land apart, causing a mysterious phenomenon across the Vale’s three biomes, The Bind, Ever After and Mythopia. Their conflict has yielded ink seeping out of the very ground and sent the pages of the Lorekeeper near (0:27:11) Al: as enchanted page pieces called snippets. So I think the idea is that it’s a book full of stories that has burst open and you have to go find it to put it back together. And it says you’ll gain the advantage of a new tool, the Royal Net, that will enable you to capture the various snippets that have escaped the Lorekeeper’s pages. So presumably you’re getting story as you collect the page pieces, I’m assuming. (0:27:40) Kev: okay that um huh that this is interesting um yeah and like lore keeper is a very (0:27:48) Kev: maybe not ominous sounding name but uh you know it’s it sounds significant let’s say that right um so i’m curious to see you know what they’re uh how far they’re gonna lean into that what what is the lore keeper gonna look like or who’s it going to be I don’t know um is it gonna be oh it’s a book sorry oh I’m (0:27:53) Al: Hmm. (0:28:06) Al: Well it says it’s a book. A magical book. (0:28:10) Kev: Oh, it’s just a book okay, huh? (0:28:13) Kev: uh (0:28:14) Al: But the pages seem to be, if you have a look on the link, the first link, the pages seem to be like origami creatures? (0:28:23) Kev: Oh, I see all those are actually cute. I like those. Those are nice designs. Oh, that’s cute (0:28:29) Kev: Huh, okay (0:28:30) Al: So you’ve got like a little green, green and yellow bird, and a little blue, well purple and purple fox, I guess? (0:28:33) Kev: Yeah (0:28:38) Kev: Yeah, fox dragon thing, I don’t know it’s a (0:28:39) Al: Something like that? (0:28:41) Kev: I Like looks like a dragon, you know, you don’t see the mouth like then it’s thick and I don’t know It’s looks dragon eat him. It’s you know, it’s the color and the it could it kind of looks (0:28:42) Al: Dragon? What? (0:28:53) Kev: Scales the texture of the page. That’s what it is. I see it now Um (0:28:56) Al: I see what you mean about this, yeah. And there’s a little kind of purple frog with a flower growing out the top of it. (0:29:03) Kev: Yeah, yeah, I see that. Okay. See I didn’t look at these pictures at all. But yeah when you said snippets I thought it was like actually just pages. Okay, that’s much more interesting. Okay, that’s cute. I like that that. Um, huh. (0:29:15) Al: so yeah I guess we’ll see this that’s most of the information we have they’ve announced that the part two of this expansion pass will come out in summer 2025 and that’s the one that will introduce (0:29:27) Al: Maleficent and they’ve also announced their upcoming free content roadmap in early 2025 right this is where we try and figure out what these are is that what’s the what’s the the one the princess and the frog oh no no no no I tell you what it is (0:29:42) Kev: No, that’s Aladdin. That’s Aladdin’s hat and Jasmine. (0:29:45) Al: that’s I was just about to say that’s Aladdin and what’s her name isn’t it (0:29:49) Al: um Jasmine yeah yeah I just I thought it looked like um the princess and the frogs Tiana is that her name I had that in my head but I didn’t want to say it uh I thought that looked like her tiara but no you’re right that’s the wrong color of green and different shape yeah you’re right it’s I saw the fez I saw the fez and was like wait no that’s Aladdin isn’t it (0:29:50) Kev: Tiana. (0:30:05) Kev: no that’s it says explore a new world so that that’s what the yeah yeah yeah yep yep who could that be yeah (0:30:14) Al: So Ali2025. (0:30:15) Al: Explore a new world and revel on a magical adventure. Obviously Aladdin. Spring 2025 we’ve got the Cheshire Cat in his in a ghosty form. Step into a land of wonder and meet new friends along the way. Yeah that’s the most obvious one right? And summer 2025. Solve an ancient mystery and discover who’s waiting inside Skull Rock. And we have an orange feather and wait oh is that the shadow of (0:30:42) Kev: Uh, let’s… (0:30:45) Al: Is that gargoyle? (0:30:46) Kev: Oh, it looks like a winged creature of some sort. (0:30:50) Kev: I’m very confused. Isn’t Skull Rock supposed to be like, Peter Pan? (0:30:53) Al: Yeah, but they mix these things up quite a lot. (0:30:55) Kev: Yeah… I-I don’t- I’m… (0:30:57) Al: Like the Cheshire Cat isn’t in a forest, for example, you know, like, so yeah, they like to mix these things up. (0:31:00) Kev: Sure. (0:31:03) Kev: Wha- I mean- (0:31:04) Kev: Uh… huh. (0:31:07) Kev: Oh, solvent- it’s an ancient mystery! (0:31:12) Kev: It has orange feather, I-I don’t have to- (0:31:15) Kev: Uh, I’m at a loss here, some sort of… (0:31:17) Kev: …winged creature? I have no idea, I’m at a lost home. (0:31:20) Al: go have a look on the disney dreamlight valley reddit because that’s where I found the sally (0:31:24) Kev: What are- what are the conspiracy theorists saying? (0:31:27) Kev: Heh heh! (0:31:28) Kev: You know, I- just- just as an aside, when are they gonna bring in Cherubog? (0:31:31) Kev: When are you gonna help Cherubog out? (0:31:33) Kev: Heh heh heh heh! (0:31:34) Al: You’re gonna have to tell me what that is, I don’t know. (0:31:36) Kev: Oh, you don’t know Cherubog? (0:31:38) Kev: Okay, do you know Fantasia? (0:31:39) Al: No? Uh, yes. (0:31:41) Kev: OK, Cherubov– (0:31:42) Kev: –is the big winged demon guy in that segment. (0:31:46) Kev: You know, like, I think it’s the final segment, yeah. (0:31:48) Kev: He’s the– one of the spookiest guys. (0:31:52) Kev: He’s basically just like a demon guy. (0:31:56) Al: Fair enough (0:31:58) Al: Right. I’m just scrolling through. I’m not I can’t find anything about (0:32:03) Al: I’ve obviously come to the Reddit too late to see people to see the (0:32:08) Kev: I’ll be doing detective work in the background if you want. (0:32:09) Al: The (0:32:15) Al: Give me give me one minute before I give up. Yeah, there are too many people on this subreddit (0:32:22) Kev: Ancient mystery. (0:32:24) Kev: What are– it’s not going to be dinosaur. (0:32:26) Kev: It’s not going to be 20-whatever, 2,000-whatever dinosaur. (0:32:30) Kev: It’s not Aladon. (0:32:30) Al: No, no. (0:32:33) Al: So what I’m thinking, and I have no idea about the feather, but the shadow looks like a winged gargoyle, I think. (0:32:40) Al: And so I wonder if it could be something to do with Quasimodo. (0:32:44) Kev: Guessing or ah (0:32:45) Al: But I don’t know. (0:32:46) Al: That is just a wild guess. (0:32:47) Kev: Here’s the twist it’s live-action (0:32:49) Kev: Maleficent oh (0:32:51) Kev: You know I don’t know I’m not comfortable with how well that would work out actually (0:32:57) Kev: Yeah, because she has the wings in the movies, and I don’t know if you saw the second one But she’s basically becomes a Phoenix, so there’s your orange bed. Oh, no. It’s it’s Angelina Jolie (0:33:14) Al: yeah none of them have well actually does captain hook have a feather in his cap (0:33:18) Kev: He does, yeah no it’s a huge feather, yeah no this is like a little bird feather. (0:33:20) Al: could it be that then no it’s the wrong kind of feather it’s not big enough yeah (0:33:26) Al: I thought that before I actually have my aphantasia means I can’t see in my head (0:33:27) Kev: OH! (0:33:28) Kev: There it is, Peter Pan has an orange feather in his hat, it’s Peter, yeah he does, I just (0:33:32) Al: oh does he (0:33:36) Al: so he does people are probably screaming that at us uh all right cool so what’s the the winged creature then. (0:33:44) Kev: It might just be us looking at it and just multiple shadows next to each other maybe. (0:33:44) Al: Could it be no could it could it be Tinkerbell doing a silly thing like she loved she liked to make weird shadows didn’t she at one point. (0:34:06) Kev: But it’s definitely okay. So yeah, it’s peter pan. I was right the first time cuz gold rock is from pipe (0:34:12) Al: - Yeah, okay, I just like, just because that’s. (0:34:14) Al: The trauma originally doesn’t mean it would be the case still, but anyway. (0:34:19) Al: The final thing to talk about with Disney’s Dreamland Valley is they’ve also announced new editions and early adopter bonuses. (0:34:27) Al: Because they don’t have enough versions of this game, so you still have the base, you can just buy the base game. (0:34:37) Al: That is still a thing you can do. You can buy the enchanted edition which already I think existed and that gives you (0:34:45) Al: both A Rift in Time, the first expansion, and the Storybook Vale, so presumably. (0:34:51) Al: If they do other expansions, that will also give you that. (0:34:54) Al: You can also buy individually just A Rift in Time or just the Storybook Vale. (0:35:00) Al: Obviously you have to have the base game for them. (0:35:03) Al: You can now also buy the Storybook Vale bundle, which is just the base game and the Storybook Vale, but not A Rift in Time. (0:35:07) Kev: Heh! (0:35:11) Kev: Oh my goodness! (0:35:16) Al: Or you can buy, if you already have the base game, you can buy the Storybook Vale Magical Edition, (0:35:23) Al: which gives you the new expansion and basically the pre-order bonuses. (0:35:31) Al: It calls it early adopter bonuses, but it’s basically a pre-order bonus, right? (0:35:34) Al: It’s like, because you got it early, I presume that will only be available for a limited period of time. (0:35:39) Al: You get those if you also bought the Enchanted Edition, you get the early adopter bonuses. (0:35:44) Al: They also have bonuses as well, which are an Autumn Manor house style, a dress and ensemble, (0:35:52) Al: a baby pegasus companion and a Greek Hercules inspired house for baby pegasus, I presume that is. (0:36:05) Al: And more moonstones. (0:36:10) Kev: it was great until I scrolled down to this they are oh just confusing me just overwhelmingly (0:36:18) Kev: with um it’s a it’s a bold strategy a masterful gambit i’ll tell them that make money (0:36:24) Al: It’s wild, the number of different ways you can give them money. (0:36:32) Kev: Heh heh heh. (0:36:34) Al: I have to say though, the enchanted edition is looking a better and better deal as they add more stuff because that is $80 and the base game is $40 and then each expansion is $30 so if you were to buy them all individually, if you were to buy them all, yeah yeah. (0:36:48) Kev: Geez Louise, it’s… (0:36:54) Al: If you were to buy them all individually that would be $100 so you’re getting $20 off but you also get 18,000 moonstones and a bunch of pre-order stuff and presumably if they do any more expansions you’ll get them as well because I don’t think they’re going to stop. (0:37:12) Kev: Yeah no of course not. (0:37:15) Kev: We don’t have Pixar in here yet right no yeah we do what am I doing crazy yes we have Wally. (0:37:18) Al: yeah yeah yeah yeah and brave because merida’s merida’s there now (0:37:20) Kev: We don’t have a lot of Pixar though. (0:37:24) Kev: Oh yeah yeah I’m just thinking when do we get the radiator Springs when you get the cars universe. (0:37:26) Al: um there’s there’s a bunch of stuff I think (0:37:33) Al: let’s have a look at the characters list and see who’s in there (0:37:36) Kev: You know just as an aside like every time they add. (0:37:42) Kev: the Nightmare Before Christmas like of course they do because it’s double holiday themed it’s so obvious but it Nightmare Before Christmas always feels like the red-headed stepchild of Disney because you know it’s it’s him Burton and it’s uh not a you know 2d or 3d animated or whatever I did so like they don’t they don’t really touch it aside from marketing or just selling things but you know I’ve never gotten a sequel a spin-off or whatever (0:37:54) Al: Yeah, yeah, yeah agreed (0:38:12) Kev: I always find it fascinating how the kind of dance around (0:38:19) Al: Yeah, yeah it’s quite funny. So as you said you’ve got Wally and Eve, you have Remy from Ratatouille. (0:38:29) Al: Anything else we’ve got? Frozen’s just Disney isn’t it, it’s not Pixar. (0:38:36) Kev: Yeah, it’s just Disney. (0:38:37) Al: Toy Story, Buzz and Woody are in it. They are. And Mike and Sully from Monsters Inc as well. (0:38:40) Kev: Oh, are they in it? I couldn’t remember. Oh, okay. Cool. (0:38:43) Kev: Alright, Buzz and Woody in it. We’re good, ‘cause they’re, you know, books. (0:38:47) Kev: Oh, they’re in it. Gosh, I have not been paying attention, clearly. (0:38:49) Al: So it’s a pretty decent number of Pixar stuff. (0:38:50) Kev: You know… (0:38:51) Kev: Alright, yeah, no, those are heavy hitters. Yeah, that’s fine. (0:38:56) Kev: Um… (0:38:58) Kev: You know what? Here’s the real question, right? Like, this is… (0:39:01) Kev: This is a very, um… (0:39:04) Kev: substantial amount of Disney. (0:39:06) Kev: When do we get to the stinkers? (0:39:10) Kev: When are they going to put in Home on the Range and Chicken Little and Bolt? (0:39:18) Kev: When are we going to get those? (0:39:20) Al: they have a lot of characters to go through before they get there (0:39:22) Kev: I know, but I want to see them do it. (0:39:25) Al: because like as we just as we just mentioned they’ve still got like a majority of the Pixar films even right [laughing] (0:39:30) Kev: Oh, I know, but they’re cowards. (0:39:34) Kev: I wanna see them do it, I wanna see them lean (0:39:36) Kev: into it. They won’t, but… (0:39:38) Al: I don’t know, maybe sometime, but I suspect they’ll just stop the game by the time they get to that point, right? (0:39:46) Al: Alrighty, the next is Stardew Valley So, the never ending game is continuing to be never ending First of all… (0:39:55) Kev: as announced this week by ConcernedApe. (0:40:00) Al: Yeah well, we’ll get to that, that’s on my list to talk about start off with 1.6 is out on console on mobile so if you’ve been waiting for the (0:40:08) Al: switch version which let’s be honest if you were waiting it was probably for the switch version I guess maybe there are some people who play on mobile and are listening but I suspect most of you are waiting for the switch version it’s out now go get it but they’ve also with that added a 1.6.9 patch which has been added to steam and was on all the console and mobile versions as well it doesn’t it does have a bunch of fixes but it also has some features balance changes and (0:40:39) Al: quality of life improvements so first of all there is a lost unique item shop so if you manage to lose one of the items that are just like a special one-off thing you can go and buy it back from the shop in the secret (0:40:58) Al: Next we have you can finally put legendary fish in the ponds and get roe from them. (0:41:02) Kev: Finally! (0:41:04) Al: Finally, you’re limited to one fish per pond, but there you go, if you wanted to do that. (0:41:12) Al: A huge improvement, you can now put beds and sleep in those beds inside any constructed building that allows you to put furniture in. (0:41:22) Kev: Alright, alright, alright (0:41:22) Al: So, go sleep in your shed. (0:41:26) Kev: Finally dreams now that you get in a fight with your spouse you can us (0:41:28) Al: And the real feature though is the items dropped into water will float in the water for a short period of time so that you can pick them up. (0:41:44) Al: The number of times I have like cut a tree down in the wrong direction and lost half the wood because it just goes into the water. (0:41:52) Al: Whereas now it’s just going to suck back up. Love it. (0:41:54) Kev: All right, all right and dig it (0:41:58) Al: There’s a lot of other small things which I don’t think we need to go into. (0:42:04) Al: But I will link the changelog in the show notes if you want to go and have a look. (0:42:10) Al: So, yeah, I just read one which is Clint now refills your watering can when upgrading it, which is such a weirdly tiny feature to give. (0:42:12) Kev: Those are I like those those are all thoughtful (0:42:24) Al: Um, but yeah, that’s funny. (0:42:26) Kev: I said thoughtful (0:42:28) Al: Yeah, but this is the thing, it doesn’t really fit with Clint, right? (0:42:32) Al: Like, why would Clint do that? (0:42:32) Kev: Well, oh, you know what you’re right you’re right (0:42:34) Al: Don’t make me like him. (0:42:36) Kev: Okay, no, no. No, he does that but if you pursue Emily he stops doing it [Laughter] (0:42:42) Al: And as Kevin hinted at, we got another interview from Concerned Ape and this is in Nintendo Life. (0:42:56) Al: He says that he basically just can’t stop working on it. He says “I feel like I could work on it for the rest of my life. I don’t want to see it fizzle out.” So confirmation, as we expected, (0:43:07) Al: that we’re probably going to get Stardew Valley updates until he dies. (0:43:12) Kev: Okay, I’m… I don’t… I have thoughts on this because, like, this really feels like, uh, how should I put this, almost concerning, um, just like, obviously, it makes a lot of sense, just from a pragmatic standpoint, right, because he’s making money off of it, and he’s done all the work on it, um, so, you know, I get it in that sense, (0:43:43) Kev: but, like, clearly, I’m projecting here a little, like, how much of this is also just him, um, you know, not able to get away from it, sort of a prison of his own mind, if you will, um… (0:43:57) Al: I do think that’s a lot of it, so he says the exact wording is “I have so many ideas for Stardew, I feel like I could work on it for the rest of my life and just keep improving it, adding more stuff to it, more content, fleshing out the existing content”. (0:44:10) Al: That’s the main thing I want to do is flesh out the existing content. (0:44:13) Al: So like I don’t, I wouldn’t feel bad for him. (0:44:19) Al: Like in a way I think it is kind of his brain not letting him let it go but also he will probably never make some (0:44:24) Kev: - Right. (0:44:24) Kev: you Bye. (0:44:27) Al: If you have any questions or comments, please feel free to send them to me in the comments below. (0:44:38) Kev: Sure, oh, yeah, of course not. Yeah. No, it’s impossible possible. (0:44:42) Al: And he just like I don’t I think it’s I totally understand when you do something that millions of people enjoy and you’re a good person and you want to give people stuff right like he’s not (0:44:57) Al: he’s not doing this he’s not doing like obviously he’s going to still continue to sell it when he makes updates but realistically he’s not making the money he could be making on that but he knows that he’s made enough money and therefore could continue to do this for the rest of his life and not worry about the money like that must feel really freeing in a way (0:45:18) Kev: Sure there is a gosh I guess you’re right right like I guess as long as he happy it’s fine right the one that really concerns me the quote or the is how he says. (0:45:35) Kev: He doesn’t want to see it fizzle out right like cause that’s that’s that no longer feels like he wants to just keep keep keep it growing he’s just worried. (0:45:48) Kev: He’s not worried about the impermanence or what like whatever it like he wants it to stay relevant that part feels a little concerning. (0:45:57) Al: I mean, we’re reading into this now, but I don’t think he means as in I want to keep selling forever. (0:45:57) Kev: Yeah. (0:46:04) Al: I think it’s more just like it’s just something that he loves so much that he wants to keep it new and fresh all the time. (0:46:12) Kev: I guess like I again like it’s a we’re reading into it this is a lot of deep psychological stuff under the surface like when I hear someone say that I think like they’re just worried about. (0:46:29) Kev: Because I think this would be fair to call it his master work right like his masterpiece you know just you know wanting to that to matter like I can see some people caring about. (0:46:42) Kev: That yeah I don’t know it’s it’s a lot to unpack like I guess the important thing is as long as he’s genuinely happy right like if he’s not doing this out of some sort of stress like. (0:46:54) Kev: That he’s it’s not going to be relevant anymore that’s that’s the main thing but but at the very least he’ll be making money out of it. (0:47:07) Al: yeah yeah exactly um but I mean I think when he announced that 1.5 would be the last update I was like no way will this be the last update and then he announced 1.6 with the last update and I was like I don’t think so uh so you know I i you know I think will we in 10 years still be getting updates maybe not are we gonna get a 1.7 I suspect we’ll get a 1.7 um and remember The one the 1.6 update was meant to be a smaller (0:47:17) Kev: Haha, yep, very true very true (0:47:33) Kev: You know what? (0:47:38) Al: It was not a small update. (0:47:41) Kev: Oh gosh, you know what? There’s also… (0:47:45) Kev: Looking at it from the other side, like, I’m not saying fans are (0:47:49) Kev: Asking for more from from Stardew or from Concerned Ape, but they’re always willing to consume more, right? Like, (0:47:58) Kev: There’s something in this day and in the modern day and age about just the never-ending (0:48:03) Kev: Quote-unquote franchise or game or whatever right like in 10 years. We’re gonna have new Pokemon coming out. I promise you that [laughing] (0:48:12) Al: However, I think there is a huge difference. (0:48:15) Al: I suspect you’ll agree with me on this. (0:48:18) Al: I think there’s a huge difference between that and this though, because the franchise of Pokemon or the franchise of Marvel, yes, there are people in there that they love what it is and they want to create more just for the sake of making more, but the franchise exists because it makes money. (0:48:34) Al: And I still strongly don’t think that he makes updates to make money. (0:48:40) Al: makes updates because he has (0:48:42) Al: these ideas and he can’t get them out of his head and he just wants to put them in the game. (0:48:46) Kev: Yeah, okay, you know what that’s fair. Yeah, I’ll agree with that. Yeah (0:48:53) Al: and I don’t think stardew could keep going could keep being the center of conversation year after year if the updates weren’t good like if he released a bad update people would like sure they would keep playing the game and they’d try the new update but I don’t think we would have got as much talk about 1.6 as we did this year it would not have been as big a conversation (0:49:16) Kev: Yeah, you know what? You’re right about that. I can’t argue it at all. (0:49:22) Al: All right well our last piece of news is a new game that has just come out apparently was a month ago I thought it was last week but no it’s a month ago that was updated last week that’s why I thought it was new but this is a game called web fishing sorry it’s in all caps web fishing a multiplayer chat room focused fishing game relax and fish on the web. (0:49:40) Kev: That’s good, I like it. (0:49:49) Kev: What that’s okay, that’s quite a pitch (0:49:53) Kev: multi the multiplayer is what what throws me off here like (0:49:57) Kev: Just hanging out and fish (0:50:00) Al: “Web fishing is a multiplayer online casual fishing game where you relax, hang out, make friends, and catch fish.” (0:50:07) Al: “Nearly a hundred different creatures to catch.” (0:50:09) Al: “Become the ultimate fisherman. Upgrade your gear with new baits, lures.” (0:50:13) Al: So there’s obviously a good amount of customization. (0:50:15) Al: It looks very… the character models look very Animal Crossing-esque. (0:50:20) Kev: Yup, yup. I see what you mean here. (0:50:22) Al: For some reason there’s a guitar minigame. (0:50:25) Kev: Classic fishing. (0:50:27) Al: This looks interesting. (0:50:30) Al: It’s pretty cheap. It’s like four quid, I presume. Is it five dollars? (0:50:34) Kev: Yeah that’s what an interesting idea like who comes up with this that’s what I want to think of but but they are so Animal Crossing just looking at it now like it’s the shape. (0:50:57) Kev: Oh yeah it is yeah five USD yeah you’re right. (0:50:59) Al: It’s a very low poly (0:51:02) Kev: Like think I’d say Wild World maybe on the DS level of animal crossing. (0:51:09) Kev: That’s how many polygons you can see on that head. (0:51:10) Al: it kind of yeah it kind of reminds me of someone drawing in paint and posting on tumblr (0:51:18) Kev: You know what? It does have a very Tumblr vibe to it, I will say that, absolutely. (0:51:22) Al: do you not think (0:51:29) Kev: One sec. Sorry, one sec, Al. My thing’s dying, hold on. (0:51:33) Kev: Okay, there we are. Um, okay, look, as, you know, as connoisseurs of, uh, fishing games, (0:51:41) Kev: um, I do, like, is it just, it’s probably just gonna be Animal Crossing style fishing, isn’t it? (0:51:47) Kev: it would be nice if they put… (0:51:48) Kev: a little effort into the fishing game. (0:51:50) Kev: Um, but uh, we’ll see. For five bucks, it might be worth it, I guess? (0:51:56) Kev: I don’t know, like, um… (0:51:58) Kev: Is this just a game that’s just the fishing part of Animal Crossing? (0:52:02) Kev: Maybe? (0:52:04) Kev: Is that enough? (0:52:05) Al: Bought multiplayer. (0:52:06) Kev: Oh god, I already, there’s an Among Us in the trailer, oh my goodness. (0:52:12) Kev: Um, oh, uh… (0:52:15) Kev: Multiplayer chatting, I don’t know, okay. (0:52:19) Kev: This really feels like somebody said, “Man, I have so much fun fishing with my friends in Animal Crossing.” (0:52:25) Kev: I’m just gonna make a whole game about that, which is okay, okay. (0:52:28) Al: Yeah (0:52:29) Kev: You know, Sonic Frontiers has great fi- (0:52:32) Al: Moving on so that’s all the news (0:52:35) Al: We’re gonna talk about (0:52:37) Al: Living room, so I’ll pitch this game. I’ll explain to you what it is

If there's one musician who truly embodies resilience, it's Lakecia Benjamin.Just a couple of weeks ago, at the 60th Jazzfest Berlin, I had the privilege of sitting down with powerhouse saxophonist Lakecia Benjamin for an inspiring conversation. Throughout her career, she's played alongside legends like Anita Baker, the Count Basie Orchestra, Harry Belafonte, Stevie Wonder, the Roots, Missy Elliott, Alicia Keys, and so many more. After a serious car accident in 2021, Lakecia didn't just bounce back—she wrote new music that would become her latest album, Phoenix, earning three Grammy nominations. Her journey shows just how far small steps forward can go. Lakecia opened up about her roots growing up in Washington Heights, New York, a predominantly Dominican neighbourhood pulsing with Latin music.She shared insights into her 2020 album Pursuance: The Coltranes, her triple Grammy-nominated 2023 Phoenix, the influence of Alice and John Coltrane, and the courage it takes to reveal your authentic self to an online audience as an independent artist. I saw Lakecia in an incredible concert at Quasimodo.What impressed me the most was her attitude. I had to think of what Miles Davis once said: "Anybody can play. The note is only 20 percent. The attitude of the motherfucker who plays it is 80 percent." The concert wasn't just music, it was a party with all of us - we all celebrated life and women in music.I love her story, her truth and her drive. Enjoy listening!

In this episode of English Plus Podcast, we explore three interconnected themes that challenge us to express ourselves authentically, reflect on timeless literature, and engage with moral dilemmas in new ways. Finding Your Voice: Writing the Way Only You Can What does it really mean to find your authorial voice? We discuss how your voice isn't just about writing—it's about how you express yourself in all areas of life. We'll explore how your personality and perspective shape your voice and why finding it matters, even if you're not a writer. Love, Loss, and a Cathedral: The Heart of The Hunchback of Notre-Dame We dive into Victor Hugo's classic masterpiece, uncovering themes of beauty, belonging, and judgment. What makes Quasimodo and Esmeralda's story so powerful, and why does this novel still resonate after two centuries? Right, Wrong, and Everything in Between: Morality in Literature Finally, we tackle the concept of morality in literature. What happens when characters make decisions that defy easy judgment? From antiheroes to moral ambiguity, literature reminds us that life isn't always black and white. Each segment is followed by a vocabulary discussion where we unpack practical words like rhythm, obsession, and compassion. These terms don't just belong to books—they belong in everyday conversations, helping you articulate thoughts and connect with others more effectively. To unlock the full episode and gain access to our extensive back catalogue, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series now available in our English Plus Podcast's shop! Join us for an engaging journey through creativity, literature, and moral questions—because your voice matters, and stories can change the way we see the world.

X-Men Classics Ep #13: Amazing Adventures #11-#16 Welcome to X-Men Classics! For this episode, Phil, Justin and Russell review Amazing Adventures #11-#16 (March 1972-January 1973) featuring the tale of how original X-Man Hank McCoy became they furry version of the Beast everyone knows today. PLUS: battles with Iron Man, Quasimodo, The Griffin, The Juggernaut and the first “unofficial” Marvel/DC Comics crossover as depicted at the Rutland Halloween Parade.   Tune in today and don't forget to review the show on Apple Podcasts, Spotify, YouTube, and anywhere else you can!     X-Men Classics Links  → Twitter http://www.twitter.com/XMenClassicsPod → Instagram https://www.instagram.com/capeslunatics/ → Facebook https://www.facebook.com/x.men.classics.podcast → YouTube https://www.youtube.com/c/CapesandLunatics   ==================  

Send us a textThis week on Broadway Besties, we're joined by the incredible Nate Hackman, currently starring as Biff Cannon in Broadway's Back to the Future. We dive into his iconic roles as Jean Valjean, Gaston, Quasimodo, and more! Plus, the ultimate question—after this chat, who does Nate love more, Amy or Mark? Tune in for an episode full of laughs, Broadway tales, and a little friendly competition!

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

(00:35) Om middernacht onze tijd is er tijdens een campagne-evenement een moordaanslag gepleegd op de Republikeinse presidentskandidaat Donald Trump. Een schutter raakte Trump aan zijn oor, waarna de dader werd doodgeschoten door een sluipschutter. Te gast is Kenneth Manusama, jurist en Amerikanist. (06:39) Verzonnen verleden, aflevering 2: De klokkenluider van de Notre-Dame gaat niet alleen over Quasimodo, maar ook over de Notre-Dame waar deze klokkenluider woont en over de tijd waarin Frankrijk zich volgens auteur Victor Hugo op haar hoogtepunt bevond: de middeleeuwen. Te gast over dit boek zijn Jan van Aken en Sanne Frequin. Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/14-07-2024.html (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/14-07-2024.html)

Hey guys, welcome to Adulting with Autism, the podcast where we dive into the roller coaster of adulthood through a neurodiverse lens. I'm April Ratchford, your friendly occupational therapist mom, proudly on the spectrum and raising an amazing young adult son with autism. Join us as we share stories, tips, and laughs, offering a supportive space for anyone navigating life's twists and turns. Grab your drink of choice, no judgment, and let's embark on this journey together. This is Adulting with Autism. Hey, happy Saturday, and welcome back to the podcast. I got a question for you. Yeah, I know I'm asking you a question on a Saturday, so deal with it. How are you guys breathing? Are you breathing through your mouth? Are you breathing through your nose? I'll wait. If the answer is you're breathing through your mouth, you might need to listen to this episode. And why? Because breathing through your mouth can have an effect on your mental health, your metabolic function, your posture, and your mood and your anxiety. And no, we're not talking about meditation today. So zip it. We're talking about something that can help you overall in changing the way you sleep and function. You're supposed to be breathing through your nose. and I'll tell you why. Breathing through your nose is a common thing, not breathing through your mouth. You're losing valuable oxygen when you breathe through your mouth. Also, you're not getting enough oxygen to your brain when you breathe through your mouth. Number two, you're probably walking around sleep deprived and you're ruining your teeth when you breathe through your mouth, not breathe through your mouth, but breathe through your mouth. And you're probably pretty angry, like my son Z. My next guest, Anastasis Tzanis, is a nutrition therapist and a globally sought-after breathwork expert. He's helped countless individuals improve their mental, postural, and metabolic function through private consultations. So just changing your breath can change all those things. Things even olympic athletes breathe through their nose when they compete and they've been training all their lives to do this it's not something you can do overnight and you this is something you have to start with little by little and train your retrain your body it's not something then you can just slap some tape over your mouth, and go on about your day. It doesn't work that way. If it did, you wouldn't be doing it now, now would you? So sit back, actually listen to this because this might actually change your mood and you might learn a little something. You might actually be a little happier because he hasn't learned anything yet because I'm his mom. He don't listen. So listen to Mama April. since you're probably not listening to your parental unit and learn some things from our guest Anastasis. Hi, you can hear me now, right? I can see you now. All right. Sorry, it took me a little bit of time to unmute myself. But anyway, how are you? Good morning. I'm doing well. Thank you for coming on to my podcast. Thanks for inviting me. So can you tell everyone what you do and how you got into it? Sure. So what I do is I'm offering nutritional and breathing consultations. And they are primarily targeted for people that have chronic conditions. Some of them will be genetic with a genetic makeup, up or some would be like as a result of lifestyle challenges. So how can breathing affect chronic conditions? So breathing, as I'm sure everybody hearing us knows, is a key component of life. We come to this life taking our first breath and the time we stop breathing, it's probably when life is over. And in the process of going about life, this is a function of the body that will happen automatically. It is very important for how we go about life as it is a key contributing factor to how much energy we have. So we breathe because it is helping us produce more energy. Humans rely on the air, on oxygen in order to breathe. But we can breathe efficiently or less efficiently. And depending on how we breathe, it will have a knock-on effect on our metabolism, our nervous system, even our posture. How can breathing affect your posture? I never thought of that. So imagine you being in a sad place, me feeling grieving someone or feeling unhappy. What would your posture be like at the time? You probably will have rounded shoulders. You will be a little bit compromised. It will not be the same with when you are happy, when you're going about life, you know, in a more positive outlook. At the same time, how would your breathing be? You probably will be breathing more shallow when you're sad. Maybe it will not be there will be no rhythm in the way you breathe and maybe there will be like also like some abrupt changes in your breath so maybe there will be a big inhalation and then there will be a pause or no pause and in general they will like i said if we were to put it in a nutshell there would be no rhythm but this will also reflect reflect your posture and if you were to change your breathing at a time you would probably be forced to change the way you carry yourself. So another way you can think about it is if you think someone with a very strong kyphosis, someone like Quasimodo, rounded back, would you be thinking of this individual woman or a man be breathing well effortlessly? Or you would expect that he struggles with breath. He would probably run out of breath after running for a few meters. Oh, I have a question. So when people start to exercise and everybody is like, you can't breathe through your nose when you're exercising. Are you supposed to breathe through your nose or are you supposed to breathe through your mouth or is it a combination of both? The way we would breathe, again, will be to a big extent automatic. And it will be automatic, but at the same time, it will vary from one individual to the other. So the best way for the listeners to perceive that is to think of two extremes, two individuals. One being an Olympic athlete, someone that has trained all his life. Let's for simplicity say that he has been a runner. And on the other side, next to him, we have someone unfit, someone that never exercised. Maybe he's a bit overweight. And we set them both to run for the same distance, let's say 1,000 meters, one kilometer. How would you expect each of them to run? I would probably assume that the athlete may be running quite fast, but still breathing from the nose effortlessly and maintaining a good posture, bringing it back to his posture. The second individual would probably be using a lot more his mouth. Now with these two extremes in in mind we know that there is not one way to breathe, and that there might be a more ideal way or a less ideal way but in order to end up breathing in a more ideal way it will not happen just because someone told us to do so but it will be the result of training so if we want to be more like the first man the one that is running effortlessly, he is only able to do that because of all the hours of training that he has done. A lot of the times, people don't perceive running or swimming as breathing training, but it is very much so. So a cardiovascular exercise is a way of breath training. So just breathing in itself, we have to retrain ourselves just effortlessly to be able to breathe. Is this oversleeping as well? Exactly. You're touching on a very important point here, April. And that's because we are breathing not only during the day and during the night. And obviously during the day, we can be a lot more conscious of our breath. We cannot be all the time conscious as much as we may like. And as much as some people claim that we should, we cannot. I'm not paying attention to my breath now. I'm focusing on speaking with you. But in the night definitely we can you know we have way less awareness or no awareness at all of how we breathe but we still breathe and the way we breathe affects a lot our breath so our brain function and our body's function and in general the oxygenation of all of our organs so then again we cannot do things to encourage nasal breathing during sleep again something that some people will have to work towards, while others will find very easy. What kind of things can people do that are simple to kind of correct this? Because I know for my son, I noticed at nighttime he snores really badly. But he's always complaining that he's tired, even though he can sleep 10 to 12 hours. Very good point. And he talks on so many things at the moment, and I will try to touch on a couple of them. And one being that it's not the more we sleep, the more rested we will be. Similar with not the more we eat, the more energy we're going to have, right? So as far as the things that we can do to improve our quality of sleep and better breathing through the quality of sleep. The main thing is, as I kind of hinted from a previous answer, is that we need to encourage nasal breathing only. And in order to encourage nasal breathing, we have to make sure we don't mouth breathe. The only way to ensure that is by taping our mouth. So this may come as a surprise to some of people in the audience, but there are tapes that are very safe and they are specific for mouth taping. But any 3M microporous tape, medical tape, 2.5 millimeters will be big enough to help us seal our mouth and as a result breathe through our nose. At the risk, I don't want to oversimplify the whole thing, though, and say that everybody will find that easy or possible. A lot of people, because of their poor respiratory function, will find that suffocating. And again, in these cases, they will be not able to tolerate keeping their mouth shut for long periods of time. But it's only a matter of regular practice until they get used to that. The benefits that one will experience if he or she is to do that are many. But if I was to highlight some of the most obvious ones would be, like you said, snoring. It does not mean that snoring will be eliminated if someone tapes their mouth, but in some cases it does. And overall, the snoring reduces both in volume, because we cannot snore as loud from the nose as we can from the mouth. It will be like feeling more rested next morning. A lot of people experience the following. They wake up much sooner. And in the beginning, they feel confused because they are stuck in the paradigm of, I need to sleep more to get rested. But then they wake up and think, I woke up. Does that not make sense? I was hoping I would sleep more. No, no, no. You now got enough rest, the rest that you need. That's why your body wakes you up. And of course, less dehydration because obviously we lose water by keeping our mouth open, better mouth hygiene, less cavities in the mouth, better immune system, less likely to have blues and stuff as the nose functions as part of the immune system and a defense towards bacteria and viruses that are are in the air. There are more, but just these are some of the very evident ones. So if someone wanted to try to tape their mouth, would it be better to try it while they're awake and just kind of do it in little increments? Absolutely, yeah. Some people will not find any problem with taping their mouth first night and sleeping through the whole night with the tape on. But not everybody is on the same starting place. And for sure, nothing prevents people from taping their mouth for 20 minutes at a time while they are awake, while they go about doing stuff at home, cooking, reading book. And once they get accustomed to that and they realize that they are still alive after 20 minutes of no mouth breathing, then they can start trying at night. So once people start nasal breathing, how does that change the body and change their sanity? Very, very, very interesting question. Again, with each of these questions, we can go off and speak for hours. In a nutshell, in order for any organ, any system to function in our body, and I will try to keep it very basic in terms of the science, but I think even for all of our listeners, I think it would be good to bring it down to a little bit of the organs and systems level. It needs energy to function. Your liver needs energy to function. your brain. Actually, liver and brain are very energy expensive organs in the body. The heart, even the muscles, of course, which everybody would think of them in terms of exercise. But in order to produce energy, the organs need two things, oxygen and glucose or fatty acids. So these are the raw material. If one of the two is missing, then there will be less energy produced. used. So in order for us to encourage the good supply of oxygen into our organs, we need to ensure, okay, we take air in, which we do anyway, as we said, it's an automatic process, but the delivery is efficient. Now, in order for the delivery of the oxygen to be efficient into the organs, we need to have a good circulatory system. And if we have good circulation, of course, the supply will be more efficient. But we also need to control our blood gases. Now, we have three gases, one being oxygen. Everybody knows of that. The other one being carbon dioxide and the third one being nitric oxide. I will keep the analysis now at the basic level, but we can go a step further if you wish. Nitric oxide and carbon dioxide allow the oxygen to enter into to our cells to be used. So while everybody has plenty of oxygen into their blood, it does not mean that they have plenty of oxygen into their organs. And the more we breathe from the nose, we keep healthy levels of carbon dioxide and nitric oxide. And as a result, we are able to support our organs with oxygen. Let's say we have some people that like exercising. The more they manage to breathe from the nose during exercise, the more they will keep nitric oxide and carbon dioxide levels healthy, the more their muscles will have energy. Let's say someone is doing some mental cognitive activities. They are going through an exam. They are trying to think through a problem for work. If they want to be more efficient in terms of solving this problem, they need to supply their brain with oxygen. Again, they need to keep their mouth closed and maintain nasal breathing. So could this be the reason why a lot of people tend to overeat? They're not efficiently breathing. Get energy and so they're just overeating to compensate for the energy they actually need. Yeah. So this is a theory that has been put forward by a few people and there might be some validity in that. The interlink between breathing and eating is on many levels. On a very biochemical level, the diaphragm, which is one of the primary breathing organs, sits just above the digestive tract. So, you know, it attaches to the liver. It sits just above the small intestines. So the movement of the diaphragm facilitates better digestion. Also, we have another link is how the breathing affects the nervous system. Them who listening to to to us now does not know that when they are stressed their eating will not be disrupted some people will end up eating more some people will shut down their appetite but definitely stress will affect everybody's eating habits so if they are calmer if they are breathing more efficiently and as a result they are calmer they are more likely to make better eating choices whether we will be confusing and we are not efficient in terms of any we will be confusing the lack of energy because of lack of glucose with the lack of oxygen because of poor breathing that's like as i said something that you mentioned is a theory that is put forward by some people i think it is not confirmed by science and not something that i have seen necessarily in practice but this does not mean that necessarily it's not true so it might be as well. How can lack of breathing correctly affect our movement? So again, I like a lot of times to use parallelism, so I hope some of the listeners relate to that. And I would bring back this example that we said of the two individuals, the athlete and the unfit one. The way that one carries himself is going to be different from the other, and the way one breathes will be different from the other. If someone is staying in a calm state, his posture will be better. He will be able to pay attention to how he carries himself. The more unfit person will probably be panting more, breathing more heavily, also having a more stressed nervous system and as a result not be able to compose himself and carry himself efficiently enough. Actually, there were studies that they found that people that nasal breathe or people with good respiratory function, even if someone does not breathe nasally, if they have good respiratory capacity, they have better economy, running economy. Running economy is a term in science that is used in terms of how efficient one's movement is. It can be running economy is used also for swimmers. Of course, it's used for runners as well. So the better the breather is, the better his running economy. As a consequence of that, another study found that those that breathe efficiently, have good respiratory capacity, will also be less likely to be injured. Probably because of what we just said. If someone is carrying himself more efficiently, is paying attention to his posture, he's less likely to trip over or to do something that is not favorable. And as a result, injure himself. That is amazing what your breathing can do if you're breathing properly. For sure. So say you're a young adult and you have figured out your breathing has been terrible. Just by correcting your nasal breathing, could you reverse all the damage you've done to your body? So as i'm sure you know there are many reasons why someone's someone someone may have symptoms, in in in in in his life so a lot of the times we spoke earlier about sleep we may you mentioned about someone that wants to improve his cognitive functions these are not going to be affected just from breathing so sleep for example when i'm consulting people i may end up having to look into their nutrition. So to say that because of them improving breathing, that everything will be sorted out would probably be an exaggeration. But without a doubt, if breathing is really compromised, there will be an improvement in the symptoms and the individual will be a step closer to living a healthier life. The question in that case that a lot of the listeners may have is, so how do I become a better breather? And as you already hinted, nasal breathing more is a very good starting point. And I would definitely agree with that. One thing that is often perceived when people start hearing about the importance of nasal breathing is that they think that now that they know how good nasal breathing is, all All they have to do is just close their mouth. I want to highlight here that this is not that simple. You know, if that was the case, everybody that would have read a book on nasal breathing and its importance would be a nasal breather by now. But that's far from the case. It is in order for someone to be more of a nasal breather, and it's not a black or white, it's not that because you are aware of its importance or because you try   www.atzanis.com https://www.linkedin.com/in/anastasistzanis/  

Join Atticus, Tyler, and Colby as they explore the links between cosplay and identity, as well as the difficulties in capturing a character into a single costume. Specifically, Quasimodo from "The Hunchback of Notre Dame" by Victor Hugo. See how one character can be interpreted in so many different ways and the difficulties in capturing the best of all of them in one outfit as Atticus recounts the steps they're taking to build their own Quasimodo cosplay!

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $1.50 a month (Get On It)https://www.patreon.com/the80smontagepodcastLinks: Bananarama: robert DeNiro's Waiting (Countdown) #Bananaramahttps://www.youtube.com/watch?v=oqoSq4mnqi8Bananarama - Robert De Niro's Waiting (Official Video)https://youtu.be/H87yGvoCNHU?si=vaVtP8SG9s55a984Quasimodo's Dream - Kate Ceberano #Kateceberanohttps://www.youtube.com/watch?v=fZeXn5_oMS0Kim Carnes - Bette Davis Eyes #kimcarneshttps://www.youtube.com/watch?v=EPOIS5taqA8Cindy C - Prince Black Album #cindychttps://youtu.be/Rp4DUGK-XbI?si=OqrksYxoGb3-De-aBauhaus - Bela Lugosi's Dead #Bauhaushttps://youtu.be/zq7xyjU-jsU?si=P-0fXK0Fomkkq_baYul Brynner - Anti-Smoking Commercial #YulBrynnerhttps://youtu.be/zq7xyjU-jsU?si=qnhPp6Xq-3n3OVz2Scritti Politti - Wood Beez (Pray Like Aretha Franklin) #ScrittiPollitihttps://youtu.be/VdTjOqb_GCE?si=bKs96o5alA2WCrCZDear Michaelangelo - Shelia E #SheliaEhttps://youtu.be/Bqo4p7AWrwk?si=9nr2Qkv3up3jDD-OTom Petty & The Heartbreakers - Free Fallinghttps://youtu.be/1lWJXDG2i0A?si=-KszIevHRhNHcm6HJohn Mellencamp - Jack & Diane #JohnMellencamphttps://youtu.be/h04CH9YZcpI?si=zJC_X0PO3EDDfWCaThanks For Listening!The 80's Montage Podcast

Gun naps, In The Windy Grass, and Dan's Quasimodo affirmations.

Today on the Rarified Heir Podcast, we are talking to Denise Gautier, daughter of singer, comedian and painter Dick Gautier. As we discuss, many folks remember Dick Gautier as Hymie the Robot from the 60s sitcom Get Smart but as you will find out Dick Gautier was no one trick pony. He was a Tony award nominee for his role as Conrad Birdie in the original cast of the Broadway hit Bye, Bye Birdie, he wrote several books and several volumes of books on painting and caricature and he was a ground breaking stand-up comedian who got his start in show business at the Hungry-I in San Francisco in the 1950s. Denise was happy to talk about her liberal and free spirited father who suntanned by the pool, was friends with fellow actors Dave Madden and Kenneth Mars, spent holiday parties at The Magic Castle in Los Angeles and made a life with his second wife, actress Barbara Stuart. But Denise also recalled a dad who often tried to show his daughter that there was another life away from her Jehovah's Witness Mother where she could receive birthday cards and Christmas presents along with a more “worldly' lifestyle as we discuss. We talk to Denise about everything from her father's frequent game show appearances on shows like Tattle Tales & Win, Lose or Draw, his two film scripts he wrote for AIP with Hollywood Squares host Peter Marshall, his infamous Cadillac, being on the set of his short-lived Mel Brooks sitcom When Things Were Rotten and even his comedic take on Quasimodo in a one man show that we need to know more about. Phew that was a mouthful. We even speak a bit about the recent Hulu film Pam & Tommy that directly talks about her life and that of her family. This is the Rarified Heir Podcast. Everyone has a story.

SPONSORS: - Visit https://BetterHelp.com/PAL today to get 10% off your first month. Wake up this morning and get yourself a gun, on this week's episode, Rob and Jamie welcome comedian and host of Kill Tony, Tony Hinchcliffe! Little known fact, but Tony is a massive fan of The Sopranos, admitting that he watches it almost every single day. He relishes the chance to talk about the show with Rob and Jamie even if they aren't as knowledgeable about the show as he is. They talk about the subtleties of David Chase, the realness of Tony Sirico aka Paulie Walnuts, Tony's own theories about some music choices in the show, plus Tony also talks about his own Italian-American parents who had more than a few secrets about the family business. The also discuss the finale of The Sopranos and Tony shows Rob and Jamie some art he keeps in his house. You know, Quasimodo predicted all this? Not Today, Pal Episode 24 Learn more about your ad choices. Visit megaphone.fm/adchoices