Podcasts about artemy troitsky

A widespread heating crisis and the controversy surrounding the "almost-naked party" have both dominated Russia's news headlines in recent weeks. In this episode, researcher Andras Toth-Czifra and music critic Artemy Troitsky join us to analyze these events and how they will impact the wider social mood across the country.Find us at: https://www.themoscowtimes.com/https://www.facebook.com/MoscowTimes/https://twitter.com/moscowtimeshttps://t.me/moscowtimes_enhttps://www.instagram.com/themoscowtimes/

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Guest: Artemy Troitsky reflecting on his life in the Soviet and Russian rock scenes. The post The Soviet Rock Scene appeared first on The Eurasian Knot.

Guest: Artemy Troitsky reflecting on his life in the Soviet and Russian rock scenes. The post The Soviet Rock Scene appeared first on SRB Podcast.

Эхо Стокгольма — 23 мая 2022 Война — день 88 Эта программа, в большей степени, об историческом для Швеции событии: подаче заявки на членство в Североатлантический альянс - НАТО. Мы послушаем мнение по поводу прихода в НАТО Швеции и Финляндии Артемия Троицкого - известного российского журналиста. Под финал аудиоверсия последнего 161 выпуска Масяни Олега Куваева под названием «Как обьяснить детям» Ведущий Максим Лапицкий. --- This programme is about a historic event for Sweden: the application for membership of NATO. We will listen to the opinion of Artemy Troitsky, a well-known Russian journalist, about Sweden and Finland's accession to NATO. We will also listen to an audio version of Oleg Kuvaev's latest episode of the cartoon Masyanya called "How to explain to children". Hosted by Maxim Lapitsky.

Starting in late 2011, tens of thousands of protestors took to the streets to try to stop what they saw as a power grab by Russian leader Vladimir Putin. The movement was not successful, but analysts say it worried the Russian leader so much that he launched a crackdown on dissent that has lasted to this day. We hear from Russian rock journalist, Artemy Troitsky, who composed a song that became an anthem of what was sometimes called the "Snow Revolution". Also, the launch of the first women's newspaper in Afghanistan, how black stuntmen demanded work from the big studios in Hollywood, and the dramatic story of the women who escaped a violent cult based in South London. Photo: An anti-Putin rally in Moscow in December 2011. Credit: Getty Images

Starting in late 2011, tens of thousands of protestors took to the streets to try to stop what they saw as a power grab by Russian leader Vladimir Putin. The demonstrators wanted to stop what they considered a fraudulent parliamentary election and a surprise announcement that Putin would run for president for a third time. The movement was not successful, but analysts say it worried the Russian leader so much that he launched a crackdown on dissent that has lasted to this day. Rachel Naylor talks to Russian rock journalist, Artemy Troitsky, who composed a song that became an anthem of what was sometimes called the "Snow Revolution". (Photo: An anti-Putin rally in Moscow in December 2011. Credit: Getty Images)

On this week's episode of Marshall Matters, Winston speaks with Russian author, journalist and culture and music historian Artemy Troitsky. Troitsky has had a long history of being anti-establishment. In the 80s he was blacklisted by the Soviet Union. But it wasn't until Putin's rule that he felt he finally had to leave his motherland. We discuss the current conflict, Putin and the mindset of Russians today.

On this week's episode of Marshall Matters, Winston speaks with Russian author, journalist and culture and music historian Artemy Troitsky. Troitsky has had a long history of being anti-establishment. In the 80s he was blacklisted by the Soviet Union. But it wasn't until Putin's rule that he felt he finally had to leave his motherland. We discuss the current conflict, Putin and the mindset of Russians today.

On May 31st 1986 a small group of musicians staged the first charity rock concert ever held in the USSR. It was organised in less than two weeks to raise money for the victims of the Chernobyl disaster. The nuclear reactor accident had happened just a month before in Ukraine. Some of the artists who played at the concert had been previously banned by the Soviet authorities, so the concert was a social revolution, as organiser - Artemy Troitsky explains to Rebecca Kesby. (PHOTO Credit Sputnik: 1986 Charity concert arranged to raise funds for accident management at the Chernobyl power station. Olimpiysky sports complex.)

In 1942, the city we now call St Petersburg had been under siege by Nazi troops for months. With hundreds of thousands starving to death and the prospect of victory looking bleak, Soviet leaders tried what might now seem an unlikely attempt to salvage morale: they commissioned Dmitri Shostakovich to compose a grand symphony. The jaw-dropping true story of how Shostakovich's seventh symphony was eventually performed is brought to life by Marina Frolova-Walker, a professor of music history at the University of Cambridge. The Russian music journalist and academic Artemy Troitsky goes on to recount how the triumph of the so-called Leningrad Symphony against all odds has today become a key part of Vladimir Putin's mythology for Russia

Rock critic and political analyst Artemy Troitsky on Navalny, protests, and Rock music in Russia by Yuri Rashkin

Artemy Troitsky was scheduled to come to Austin and visit us at the University of Texas just a few weeks ago, but of course, due to enforced travel restrictions and a host of unforeseen coronavirus complications, his visit has been postponed until the Fall of 2020, hopefully. However, we decided to check in with him via Zoom, anyway, and he was gracious enough to join us not once but twice in both English and Russian to discuss music past and present and also biopics about the most famous musical artists of our time. Matt asks him what biopic he would make and about whom if he had the resources and budget for it. Find out Troitsky's answer in this episode. (You can check out the episode in English here: https://www.slavxradio.com/rocktheussr2.) As always, thank you for listening! NOTE: This episode was recorded on April 7th, 2020 via Zoom. CREDITS Co-Host/Co-Producer: Tom Rehnquist (Connect: facebook.com/thomas.rehnquist) Co-Host/Co-Producer: Matthew Orr (Connect: facebook.com/orrrmatthew) Supervising Producer: Kathryn Yegorov-Crate Associate Producer: Cullan Bendig Associate Producer: Lera Toropin Associate Producer: Samantha Farmer Associate Producer: Milena D-K Development Assistant: Luis Camarena Additional Audio Editing: Jada Geraci Sound design: Michelle Daniel Music credits: Clips of songs included for educational purposes from YouTube videos of Splean, Alla Pugacheva, Leto move trailer, Bohemian Rhapsody trailer, Rocketman trailer, Simon Slepakov. Executive Editor/Music Producer: Charlie Harper (Connect: facebook.com/charlie.harper.1485 Instagram: @charlieharpermusic) www.charlieharpermusic.com Executive Producer & Creator: Michelle Daniel (Connect: facebook.com/mdanielgeraci Instagram: @michelledaniel86) www.msdaniel.com DISCLAIMER: The views expressed on this episode do not necessarily reflect those of the show or the University of Texas at Austin. Special Guest: Artemy Troitsky (Артемий Троицкий).

Back for more via Zoom, Tom Garza joins Matt and Tom once again to discuss Russian rock during the late USSR period to modern-day Russia, the power of nostalgia, and the role of music in COVID-19. And this time legendary music critic Artemy Troitsky also joins from Estonia. To listen to the previous episode in this short series, follow this link: https://www.slavxradio.com/sovietskyrock As always, thank you for listening, and we hope you enjoy!! RAW and UNEDITED Zoom video: For the episode in Russian with Artemy Troitsky please visit: https://www.slavxradio.com/troitskyinrussian For more on the impact of rock and roll on the USSR, see a feature from PRI: https://www.pri.org/stories/2011-05-19/how-rock-and-roll-brought-soviet-union-down To read about Joanna Stingray, see: https://www.rbth.com/arts/330211-joanna-stingray And check out the book Troitsky mentions: How the Beatles Rocked the Kremlin by Leslie Woodhead https://www.amazon.com/How-Beatles-Rocked-Kremlin-Revolution-ebook/dp/B009SJZKFY/ref=sr11?crid=1WXAE8411Y28M&keywords=how+the+beatles+rocked+the+kremlin&qid=1572282790&sprefix=the+beatles+rocked%2Caps%2C175&sr=8-1 Also, as mentioned by Tom Garza in the first episode ROCK THE USSR, Artemy Troitsky's famous book BACK IN THE USSR: THE TRUE STORY OF RUSSIAN ROCK is available here: https://www.amazon.com/Back-USSR-True-Story-Russia/dp/0571129978/ref=sr13?keywords=artemy+troitsky&qid=1572282885&sr=8-3 Along similar lines, Troitsky in recent years released a new book on Soviet subculture, called (aptly enough) Subkultura: Stories of Youth and Resistance in Russia. https://www.cornerhousepublications.org/publications/artemy-troitsky-subkultura-stories-of-youth-and-resistance-in-russia-1815-2017/ Music credits: Clips of songs included for educational purposes from YouTube videos of Valery Kipelov, Boris Grebenshchikov, and Artik & Asti. CREDITS Co-Host/Co-Producer: Tom Rehnquist (Connect: facebook.com/thomas.rehnquist) Co-Host/Co-Producer: Matthew Orr (Connect: facebook.com/orrrmatthew) Supervising Producer: Kathryn Yegorov-Crate Associate Producer: Cullan Bendig Associate Producer: Lera Toropin Associate Producer: Samantha Farmer Associate Producer: Milena D-K Development Assistant: Luis Camarena Production Intern: Jasmine Geraci Additional Audio Editing: Jada Geraci Executive Editor/Music Producer: Charlie Harper (Connect: facebook.com/charlie.harper.1485 Instagram: @charlieharpermusic) www.charlieharpermusic.com Executive Producer & Creator: Michelle Daniel (Connect: facebook.com/mdanielgeraci Instagram: @michelledaniel86) www.msdaniel.com DISCLAIMER: The views expressed on this episode do not necessarily reflect those of the show or the University of Texas at Austin. Special Guests: Artemy Troitsky (Артемий Троицкий) and Thomas Garza.

Returning to the studio, Tom Garza joins us to discuss not vampires but Russian rock, from the years prior to the fall of the USSR to today itself. And this is not just an academic subject for him, it's his lived experience. Featuring snippets with legendary music critic Artemy Troitsky, who launched the first discotheque in Soviet Russia, this episode (not to overstate the theme) truly ROCKS. For more on the impact of rock and roll on the USSR, see a feature from PRI: https://www.pri.org/stories/2011-05-19/how-rock-and-roll-brought-soviet-union-down To read about Joanna Stingray, see: https://www.rbth.com/arts/330211-joanna-stingray And check out the book Troitsky mentions: How the Beatles Rocked the Kremlin by Leslie Woodhead https://www.amazon.com/How-Beatles-Rocked-Kremlin-Revolution-ebook/dp/B009SJZKFY/ref=sr11?crid=1WXAE8411Y28M&keywords=how+the+beatles+rocked+the+kremlin&qid=1572282790&sprefix=the+beatles+rocked%2Caps%2C175&sr=8-1 Also, as mentioned by Tom Garza, Artemy Troitsky's famous book BACK IN THE USSR: THE TRUE STORY OF RUSSIAN ROCK is available here: https://www.amazon.com/Back-USSR-True-Story-Russia/dp/0571129978/ref=sr13?keywords=artemy+troitsky&qid=1572282885&sr=8-3 https://images-na.ssl-images-amazon.com/images/I/51-9zBDsUTL._SX323_BO1,204,203,200_.jpg Along similar lines, Troitsky in recent years released a new book on Soviet subculture, called (aptly enough) Subkultura: Stories of Youth and Resistance in Russia. https://www.cornerhousepublications.org/publications/artemy-troitsky-subkultura-stories-of-youth-and-resistance-in-russia-1815-2017/ https://www.cornerhousepublications.org/cms/wp-content/uploads/2017/05/9780992952488-2.jpg (Below) A picture of Garza and Troitsky taken this summer in Moscow at the Russian language release of Subkultura. https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcRU9EzepAliOkpZOVViOaDX2e659s1MDb-2wSne2396KimTaVlP&s Music credits: Clips of rock songs included for educational purposes from YouTube recordings of Aquarium, Viktor Tsoi/Kino, Vladimir Vysotsky, Okujawa, Boston, Zemfira, Basta, and Alla Pugacheva. RECORDING NOTE: Episode recorded October 11th, 2019 at the University of Texas at Austin. Clips with Artemy Troitsky recorded on July 2019 in Moscow, Russia. CREDITS Co-Producer: Matthew Orr (Connect: facebook.com/orrrmatthew) Co-Producer: Tom Rehnquist (Connect: facebook.com/thomas.rehnquist) Associate Producer: Lera Toropin Supervising Producer: Kathryn Yegorov-Crate Music Producer: Charlie Harper (Connect: facebook.com/charlie.harper.1485 Instagram: @charlieharpermusic Visit him on the web: www.charlieharpermusic.com) (original background music from Carl Phaser, Computer Music All Stars, Kai Engel, David Hilowitz, Hiro, Byzance, Christian Bjoerklund, Semaphore, and Scott Holmes) Executive Producer & Creator: Michelle Daniel (Connect: facebook.com/mdanielgeraci Instagram: @michelledaniel86) www.msdaniel.com Follow The Slavic Connexion on Instagram: @slavxradio, Twitter: @SlavXRadio, and on Facebook: facebook.com/slavxradio . Visit www.slavxradio.com for more episodes and information. Special Guest: Thomas Garza.

Famed music critic, journalist, and leading expert on modern music in Russia, Artemy Troitsky speaks with Joe Crescente on the complicated subject of media literacy in contemporary society. He was born in Yaroslavl, then in the Soviet Union. In 1988 he was described in The New York Times as "the leading Soviet rock critic". In 1986 Troitsky was one of the organizers of the "Account No. 904" rock concert, modelled on Live Aid, to raise funds for the victims of the Chernobyl disaster, the first such concert in the Soviet Union. Troitsky has worked impressively on television and radio for several years and was promoter and host of numerous concerts and festivals. Additionally, he is founder of the Independent Music Award "Steppe Wolf". Artemy taught master classes in music journalism at the Faculty of Journalism of Lomonosov Moscow State University and the State University of Management. Now Artemy hosts music programs on Radio Liberty, the Estonian Russian-language Internet TV channel ARU TV, and on international Russian-language television network RTVI. Артемий Троицкий — музыкальный критик, журналист, один из ведущих специалистов по современной музыке в России. В разные годы Артемий много и плодотворно работал на телевидении и радио. Был членом жюри, организатором и ведущим многочисленных концертов и фестивалей. Он является основателем независимой музыкальной премии «Степной волк». Артемий проводил мастер-классы по музыкальной журналистике на факультете журналистики МГУ им. М.В. Ломоносова и в Государственном университете управления. Среди других карьерных достижений журналиста — запись песен, съемки в кинофильмах и издание книг. Сейчас Артемий ведет авторские музыкальные программы на радио «Свобода», эстонском русскоязычном интернет-телеканале ARU TV, а также на международном русскоязычном телеканале RTVI. Он имеет ряд наград. В 1997 году его способности были отмечены профессиональной премией в номинации «Лучший журналист года в области шоу-бизнеса». CREDITS Host/Creator - Joseph Crescente (Media Literacy Fellow, AMC) Music Producer - Charlie Harper (www.charlieharpermusic.com) Executive Producer - Michelle Daniel Interview recorded at the apartment of Artemy Troitsky on July 13th, 2019 in Moscow. Visit www.amc.ru for more information about programming and events at AMC. Connect with AMC: Instagram: @AMC_Moscow Facebook: facebook.com/acmoscow VKontakte: vk.com/acmoscow For questions, please contact AMC by email: amcenter@amc.ru Thank you to the staff at AMC for contributing their knowledge and talents to make this podcast a full reality! Special Guest: Artemy Troitsky (Артемий Троицкий).

This week on From Russia With News, we speak with New York Times journalist Andrew Kramer about the sentencing of two Russian cyber-security experts this week, handed decades behind bars for treason. We'll also talk to veteran journalist Artemy Troitsky about the life and legacy of Igor Malashenko, the media executive and political consultant found dead in Spain on Monday.

Stay or go? That's the choice facing Russia's brightest and best. As the first generation born under Putin approaches voting age, many of Russia's young people are voting with their feet. Lucy Ash meets émigrés, exiles and staunch remainers in London and Berlin, Moscow and Saint Petersburg to weigh up the prospects for the ambitious in Putin's Russia.The push and pull of Russia's exit dilemma plays out in galleries and start-ups, architecture practices and universities. Pussy Riot's Nadya Tolokonnikova, is now campaigning for prison reform, and says her spell behind bars only fuels her sense of mission. "I really do love to be inside of this courageous community, risking their lives by trying to change their country. It gives sense to my life." But others - from Herzen to Lenin to Khodorkovsky - have tried to influence the Russian condition from abroad. Life outside the motherland isn't always the easy option; many struggle with feeling superfluous, with indifference or competition.Although the biggest country on earth, space for freedom of expression in Russia has been shrinking. Recently, a propagandist pop song has been urging students to mind their own business. Its lyrics include: "Kid, stay out of politics, and give your brain a shower!", a symptom of the claustrophobic atmosphere that is encroaching on public space and personal life. Some make an exit in search of a reliable environment for their business or propaganda-free schools for their children; others are fleeing homophobia or political danger.Contributors include best-selling author Boris Akunin; the rising star of Russian architecture Boris Bernaskoni; techno producer Philipp Gorbachev; exiled oligarch Mikhail Khodorkovsky; Nonna Materkova, director of Calvert 22 Foundation; young entrepreneur Asya Parfenova; experimental linguist Natalia Slioussar; Nadya Tolokonnikova from Pussy Riot; Russia's best-known music critic Artemy Troitsky; and curators Dishon Yuldash and Alexander Burenkov.Producer: Dorothy FeaverImage: Lucy Ash in St Petersburg, Credit: BBC

On May 31st 1986 a small group of musicians staged the first charity rock concert ever held in the USSR. It was organised in less than two weeks to raise money for the victims of the Chernobyl disaster. The nuclear reactor accident had happened just a month before in Ukraine. Some of the artists who played at the concert had been previously banned by the Soviet authorities, so the concert was a social revolution, as organiser - Artemy Troitsky explains to Rebecca Kesby. (PHOTO Credit TASS: Soviet pop star Alla Pugacheva performs at a concert for the victims of the Chernobyl disaster)

On May 31st 1986 a small group of musicians staged the first charity rock concert ever held in the USSR. It was organised in less than two weeks to raise money for the victims of the Chernobyl disaster. The nuclear reactor accident had happened just a month before in Ukraine. Some of the artists who played at the concert had been previously banned by the Soviet authorities, so the concert was a social revolution, as organiser - Artemy Troitsky explains to Rebecca Kesby.(PHOTO Credit TASS: Soviet pop star Alla Pugacheva performs at a concert for the victims of the Chernobyl disaster)

Owen Johnson speaks with Russian journalist, music critic, concert promoter, and broadcaster Artemy Troitsky.