Podcasts about Live Aid

This week Ken welcomes actor, musican Michael Des Barres to the show. In addition to discussing Michael's new record Kiss or Kill (available via Rum Bar Records over at Bandcamp https://rumbarrecords.bandcamp.com/album/kiss-or-kill-me) Ken and Michael discuss how you tell people you're doing in 2026, Elvis, interpretting art, being a child actor, Lonnie Donnegan, Warhol, Iggy Pop, working hard, Silverhead, Z Cars, Alf, being a juvenille deliquint on screen, To Sir with Love, going to UK Private School, I Monster, Christopher Lee, Ghoulies, how acting is just a job, the power of stripped down guitar bass and drums, when Elvis joined the Army, The '68 Comeback Special,  theories on why there are no stars anymore, Duran Duran, The Power Station, Live Aid, replacing Robert Palmer, Obsession, the mystery of WWF's Saturday Night's Main Event, performing for a billion and a half people at once with only two days of rehersal, where Michael's live long friendship with Don Johnson started, punk, delivering, being the villain, McGuyver, dressing in all black, getting recognized in public, Pamela Des Barres, knowing your lines, enjoying yourself, telling the truth, being yourself, Sidney Poitier, Sean Connery, Monty Python, and why you always keep the clothes. 

durée : 00:47:47 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles, le Live Aid 85, un concert géant contre la famine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Luminate is a company that tracks the Entertainment Industry pointing out data analytics and trends. Their 2025 report has come out and it points to overall listenership being up. Listening to new music is way down. There are also some interesting data points regarding AI."

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson' and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O'Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson' here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Heartbeat City is the sleek, neon-lit fifth album by the American rock band The Cars,Released in 1984 by Elektra Records the album marked a turning point: for the first time, the band stepped away from longtime producer Roy Thomas Baker and teamed up with meticulous hitmaker Robert John "Mutt" Lange. The result was a polished, high-gloss sound that defined mid-'80s radio.The gamble paid off. Heartbeat City became a commercial juggernaut, spinning off massive singles and earning quadruple platinum certification in the United States. Its icy synths, punchy guitars, and hook-heavy songwriting captured the futuristic optimism of the era.One track, “Drive,” transcended pop success to become part of global history. The ballad became inextricably linked with Live Aid after it underscored a powerful video montage of the Ethiopian famine during the London concert, turning a chart hit into an anthem of empathy for millions watching around the world. With Heartbeat City, The Cars didn't just refine their sound, they helped soundtrack a defining cultural moment of the 1980s.I do hope you enjoy this episode.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

"The internet loves lists. The click bait ones often choose to list the worst of something and choose the best of it just to upset the audience for engagement. I can usually ignore these but this one really bugged me for some reason. I'll tell you the list and debunk it and offer some of mine."

¿Por qué después de recibir más de 1.2 billones de dólares en ayuda extranjera en 50 años, África es más pobre que al principio? En este vídeo analizamos el mayor fracaso humanitario moderno: cómo la ayuda a África no solo no funcionó, sino que creó dependencia, fortaleció la corrupción y destruyó industrias locales.Desde el éxito del Plan Marshall en Europa hasta el desastre en África subsahariana: ¿por qué el dinero fluyó (más de 50.000 millones al año en picos) y la pobreza extrema pasó del 11% al 66% en los 90? Descubre las causas reales: instituciones extractivas, falta de rendición de cuentas, apreciación de la moneda que mata exportaciones, competencia desleal con donaciones que arruinan textiles y agricultura local, y cómo gobiernos reciben dinero extranjero en vez de impuestos → cero presión para mejorar.Datos impactantes:600 millones sin electricidadIngreso promedio bajó entre 1970-2000 pese a 600 mil millones recibidos30% de la ayuda robada por corrupción (~30 mil millones/año)Industria africana cayó del 15% al 10% del PIBEn El Cascarón de Nuez exploramos geopolítica, sociedad, economía, descubrimientos y curiosidades que explican el mundo real. ¿Es la ayuda extranjera una trampa? ¿Qué necesita África realmente: caridad o instituciones fuertes y emprendimiento?Si te interesa saber por qué África es pobre, la verdad detrás de Live Aid, corrupción en África, dependencia de la ayuda y alternativas reales, dale like, suscríbete y activa la campanita

In this episode of Dropped Among This Crowd, Sara J. dives deep into the life and career of Phil Collins—from his formative years, to Genesis, to his groundbreaking solo work, and beyond. We explore the stories behind In the Air Tonight, his collaborations with legends like Eric Clapton, his commercial dominance alongside artists like Paul McCartney and Michael Jackson, and the unforgettable Live Aid performance that cemented his place in music history.Sara also shares personal memories of seeing Phil live as a kid, highlights his autobiography Not Dead Yet, and invites listeners to weigh in: which era of Phil Collins do you remember most—Genesis, solo hits, or even the Tarzan soundtrack?Join us for a deep dive into a career that has truly soundtracked our lives.Listen to the BBC Sounds Eras five-part podcast series with Phil Collins: https://podcasts.apple.com/us/podcast/eras/id1703570820Not Dead Yet: The Autobiography — Phil Collinshttps://www.amazon.com/s?k=Not+Dead+Yet+Phil+Collins+autobiography&tag=saraj08-20I always encourage checking your local library first — borrow, explore, and support your community! For those who want to own a copy, I've included Amazon links to grab your favourites.Northern Wish - A Canadian's Perspective on Music: https://www.northernwish.com/category/genesis/Follow DATC Media:https://datcmediacompany.comhttps://www.facebook.com/datcmediahttps://www.instagram.com/datcmediacompany/Follow Dropped Among This Crowd Podcast:https://www.instagram.com/droppedamongthiscrowdpodcast/https://www.facebook.com/droppedamongthiscrowd/Email: droppedamongthiscrowdpod@gmail.comBook a conversation on "Dropped among this Crowd": https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastFollow Sara J:https://www.facebook.com/sara.till41/https://www.instagram.com/sarajachimiak/Donate to DATC Media Company: https://datcmediacompany.com/supportJoin the community on Patreon: https://www.patreon.com/Datcmediacompany/giftWant to be a guest on the show? https://datcmediacompany.com/contact-%26-collab-with-us/ola/services/something-on-guest-spotInstagram: https://www.instagram.com/cancon_eh/Facebook: https://www.facebook.com/share/14UyoATZkcz/?mibextid=wwXIfrYouTube: https://www.youtube.com/@Cancon_ehThe CanCon Playlist: https://bit.ly/4r92PPO

Legendary Philadelphia Concert Promoter Larry Magid shares captivating stories from his early days booking bands for Temple University frat parties, his time working with the biggest talent agency of the '60s, to founding Electric Factory and making it a cornerstone of Philadelphia's music scene.We revisit iconic moments like the 1969 Atlantic City Pop Festival, which took place just weeks before Woodstock.  Larry's pivotal role in booking Bruce Springsteen for four sold-out shows at the Tower Theater, and his behind-the-scenes perspective on producing Live Aid and Live 8 in Philadelphia, two historic event that raised global social consciousness and marked a turning point for the music industry.Larry also reveals the extraordinary efforts he made to bring the Rock and Roll Hall of Fame to Philadelphia, and why it slipped away to Cleveland instead. Through anecdotes about famous artists, the city's rich radio legacy, and his passion for mentoring the next generation, Larry's reflection on the teamwork, luck, and vision required to shape Philadelphia into a music powerhouse produced a book:Purchase the book here: The Philadelphia Music Book:  Sounds of a CityProceeds benefit The Philadelphia Music Alliance You can download or stream every episode of AIRCHECK from Apple Podcasts, and Spotify. You can also listen on YouTube. Ask your Smart Speaker to “Play Aircheck Podcast”.If you're a radio vet with a story to tell we want to hear from you.Email us at Aircheckme@gmail.comFollow us on Facebook: facebook.com/aircheckmeTell us what you think and your favorite episode!

By 1986, Ozzy Osbourne already had the reputation as the Mad Man of Metal. Since his departure from Black Sabbath, he'd created a whole new act that was very successful thanks to his wife and manager Sharon (Arden) Osbourne and the talented musicians she got to play & record with him. After a string of multi-platinum solo records in the US, you'd figure that Ozzy was on top of the world and ready to continue to dazzle audiences around the world. However, things weren't so rosey in Ozzy's den. Sharon made him go to rehab and Betty Ford which may helped him slow down but didn't stop his use of drugs and alcohol. A reunion with Black Sabbath at Live Aid put his next solo writing sessions on hold and he end up losing his rhythm section, including long-time bassist Bob Daisley. Guitarist Jake E Lee who blew fans away with his performance on Bark at the Moon was upset about not receiving writing credits (or royalties) from that record and refused to proceed until his contract was worked out to his liking. Despite all that, The Ultimate Sin is still a classic Ozzy album. From the title track to the finale in Shot in the Dark, there are amazing metal moments with brilliant guitar pyrotechics from Jake. The title track, Thank God for the Bomb and Killer of Giants all refer to the ongoing Cold War that kept people living in fear. LIghtning Strikes and Shot in the Dark received steady rotation on MTV and eventually The Ultimate Sin went double platinum. Unfortunately, Ozzy wasn't happy with the mix by producer Ron Nevison so this album is now out of print and Shot in the Dark is not included on any of Ozzy's greatest hits albums. While controversy and infighting may have followed Ozzy around, his status as a bonafide Metal God is never in question on this album and we think Jake E Lee deserves more credit as a guitarist and songwriter than he receives. Nevertheless, The Ultimate Sin may not be his best solo record but we count it among his classics of the 1980s. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which car manufacturer makes the Fiesta? Question 2: Which of these quotes is from the film 'Clash of the Titans'? Question 3: Who played the role of James Bond in Diamonds Are Forever? Question 4: Which film contains the character 'John McClane'? Question 5: Who was the founder of Live Aid? Question 6: The language 'Kannada' belongs to which language family? Question 7: Which of these quotes is from the film 'Beyond the Forest'? Question 8: What did 'my true love give to me' on the first day of Christmas? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Rockin 1000 is a project that started in Italy as gag to create a video of 1000 musicians playing Learn to Fly in order to get the Foo Fighters to come and put on a concert. It has since grown into full scale concerts across Europe. On January 31 the Rockin 1000 played their first concert in America, in New Orleans, and I was part of the band. Let me tell you the story."

By 1986, Ozzy Osbourne already had the reputation as the Mad Man of Metal. Since his departure from Black Sabbath, he'd created a whole new act that was very successful thanks to his wife and manager Sharon (Arden) Osbourne and the talented musicians she got to play & record with him. After a string of multi-platinum solo records in the US, you'd figure that Ozzy was on top of the world and ready to continue to dazzle audiences around the world. However, things weren't so rosey in Ozzy's den. Sharon made him go to rehab and Betty Ford which may helped him slow down but didn't stop his use of drugs and alcohol. A reunion with Black Sabbath at Live Aid put his next solo writing sessions on hold and he end up losing his rhythm section, including long-time bassist Bob Daisley. Guitarist Jake E Lee who blew fans away with his performance on Bark at the Moon was upset about not receiving writing credits (or royalties) from that record and refused to proceed until his contract was worked out to his liking. Despite all that, The Ultimate Sin is still a classic Ozzy album. From the title track to the finale in Shot in the Dark, there are amazing metal moments with brilliant guitar pyrotechics from Jake. The title track, Thank God for the Bomb and Killer of Giants all refer to the ongoing Cold War that kept people living in fear. LIghtning Strikes and Shot in the Dark received steady rotation on MTV and eventually The Ultimate Sin went double platinum. Unfortunately, Ozzy wasn't happy with the mix by producer Ron Nevison so this album is now out of print and Shot in the Dark is not included on any of Ozzy's greatest hits albums. While controversy and infighting may have followed Ozzy around, his status as a bonafide Metal God is never in question on this album and we think Jake E Lee deserves more credit as a guitarist and songwriter than he receives. Nevertheless, The Ultimate Sin may not be his best solo record but we count it among his classics of the 1980s. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he'd written with the sci-fi author Russell Hoban and he's just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo's Whatever You Want and how co-writing works … David's memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot … early days in Status Quo when he played behind a curtain and how they got to be Live Aid's opening act … “You'd think John Fogerty would be pleased about Rockin' All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story' here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Heavy Metal Non-Stop. Heavy Metal Maraton. Luciarock. Hårdrockarnas egen Live Aid långt innan Live Aid uppfanns var en monumental händelse för många av oss, men myterna och felaktigheterna kring de två dagarna i Dortmund 1983 har präglat oss sedan dess. Ta fram block och penna så ska du få ta del av båda dagarnas fullständiga innehåll, och små utflykter kring dessa dessutom! Scorpions, Judas Priest, och Iron Maiden har aldrig varit bättre.

BTS vs. Rage Agains the Machine - wer hat mehr Änderung bewirkt? Und ist das überhaupt wichtig? Maria und Nilz starten ein neues Live Aid. What could possibly go wrong? Hosted on Acast. See acast.com/privacy for more information.

In this episode of Quick Book Reviews, Philippa is joined by bestselling author Jennie Godfrey to talk about her wonderful new novel, The Barbecue at No.9.Jennie's debut, The List of Suspicious Things, became a word-of-mouth sensation, and her second novel is just as joyful, moving and addictive.Set over the twelve hours of Live Aid in 1985, The Barbecue at Number Nine follows the residents of a new-build estate as secrets unravel, tensions rise, and lives change forever. Somebody is watching them — and by the end of the day, nothing will be the same again.In this warm, funny and fascinating conversation, Philippa and Jennie discuss:Second-book nerves and writing under pressureWhy writers should finish book two before book one is publishedLiving and writing in rural SomersetWhy Live Aid became the backdrop to the novelNostalgia, secrets and the endurance of the human spiritCharacter inspiration and the joy of fictional neighboursJennie's whirlwind publishing journeyReading habits, audiobooks and Kindle lifeThe importance of maps in novelsThe ultimate biscuit discussion (including M&S biscuity clouds)Preorder here: https://uk.bookshop.org/a/16356/9781529155013

"We are coming into tax season so Tammy and will talk about paying the government. The HITS Act is now in full swing. Foreign governments are changing their tax codes for musicians and we also have a list of what you might not have known was tax deductible."

"Every year I hear people complaining that the NFL makes lousy picks for the Super Bowl halftime show. If the picks are lousy then ratings must tank. But they do not. In fact the halftime show has never been better watched. We have a long list of ratings and demographics to show that the NFL seems to know what they are doing."

A flashback conversation with Pierre Robert and one of his absolute favorite artists Graham Nash. The pair discussed meeting for the first time at Live Aid, how Richard Nixon's resignation was "perfectly timed" during a CSNY concert and the heavy metal band's cover song that Graham really wants to hear. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After their debut album, The Firm, hit gold in the US in 1985, fans figured that Jimmy Page and Paul Rodgers would tour to support it and not only play songs off the album but also include hits from their back catalogs. While expecting reworked Led Zeppelin and Bad Company songs, they instead got songs from Paul Rodgers 1983 solo album Cut Loose and Jimmy's Death Wish II soundtrack. Then, Jimmy's performance with his old LZ bandmates at Live Aid was considered an outright disaster. Everyone figured the 2nd Firm album would be Jimmy finally putting on his old Guitar God robes and delivering what they'd been waiting for. Unfortunately, Mean Business never really lived up to the fans expectations and though there were a few flashes, the guitar heroics were missing. Despite the extraordinary work of bassist Tony Franklin, whose writing contribution Dreaming is a standout on the album, it was as if Jimmy was just going through the motions. Though Paul's voice is as strong and rich as ever, most of the lyrics weren't very deep or super relatable. The steady hand of UAWIL guest Chris Slade on the drums gave everyone the space to do what they wanted but for Jimmy, it wasn't inspiring. You saw glimpses in the solo on Live in Peace and on a couple of others but if you were waiting for Jimmy to cut loose, well it never really happened. There are highlights like All The Kings Horses which hit #1 on the US rock charts for 4 weeks in early 1986 and the closer Spirit of Love lets everyone do their thing. Fortune Hunter is rifftastic in getting the album going but there's a slow down around 3:30 that kills the momentum. Cadillac is so long and murky that it's almost unlistenable - why did they choose that as the second song? Eventually, all involved went on to do other things as members of supergroups always do. It was an incredible lineup but they just couldn't capture the magic that fans were hoping for when they learned about The Firm. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On Octobert 30th, 1996 Phil Collins checked in with Pierre Robert via the power of satellite. He was promoting the release of his sixth solo album Dance into the Light. The pair discusses how the album was recorded in an empty French chateau, Phil's memories of Live Aid, and what success means to him. These stories and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"In our New Year show we related an article that suggested that 3D spatial audio was going to be popular in 2026. Tammy asked for an explanation of 3D audio so here it is. We have examples of both new songs and classic music that has been remixed into a spatial audio format."

After their debut album, The Firm, hit gold in the US in 1985, fans figured that Jimmy Page and Paul Rodgers would tour to support it and not only play songs off the album but also include hits from their back catalogs. While expecting reworked Led Zeppelin and Bad Company songs, they instead got songs from Paul Rodgers 1983 solo album Cut Loose and Jimmy's Death Wish II soundtrack. Then, Jimmy's performance with his old LZ bandmates at Live Aid was considered an outright disaster. Everyone figured the 2nd Firm album would be Jimmy finally putting on his old Guitar God robes and delivering what they'd been waiting for. Unfortunately, Mean Business never really lived up to the fans expectations and though there were a few flashes, the guitar heroics were missing. Despite the extraordinary work of bassist Tony Franklin, whose writing contribution Dreaming is a standout on the album, it was as if Jimmy was just going through the motions. Though Paul's voice is as strong and rich as ever, most of the lyrics weren't very deep or super relatable. The steady hand of UAWIL guest Chris Slade on the drums gave everyone the space to do what they wanted but for Jimmy, it wasn't inspiring. You saw glimpses in the solo on Live in Peace and on a couple of others but if you were waiting for Jimmy to cut loose, well it never really happened. There are highlights like All The Kings Horses which hit #1 on the US rock charts for 4 weeks in early 1986 and the closer Spirit of Love lets everyone do their thing. Fortune Hunter is rifftastic in getting the album going but there's a slow down around 3:30 that kills the momentum. Cadillac is so long and murky that it's almost unlistenable - why did they choose that as the second song? Eventually, all involved went on to do other things as members of supergroups always do. It was an incredible lineup but they just couldn't capture the magic that fans were hoping for when they learned about The Firm. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

"A report from Spikerz, an Israeli company that tracks hacking, suggests that in 2025, music hacks were a sizeable number of methods bad actors were using to extract money from unsuspecting persons and companies. We have the numbers and multiple examples."

The hour opens with music history as the crew looks back at Tom Petty & the Heartbreakers’ iconic performance at Live Aid, followed by breaking news of the passing of Grateful Dead cofounder Bob Weir at age 78. The show then shifts to urgent local coverage as a massive fire erupts in North Hills near Parthenia and Sepulveda, sending thick smoke into the sky and disrupting the surrounding area. Updates continue throughout the hour as the fire grows, ultimately impacting a vacant building roughly five blocks east of the 405 freeway. Along the way, the crew also dives into California traffic tickets and controversial hidden fees, including court-ordered breathalyzer devices known as “Johnny,” before closing out the hour with the latest developments on the North Hills blaze. Breaking news, music legends, and critical local updates — all in one intense hour.

"This is our second of two year opening shows. We will cover new Public Domain availability, anniversaries for this new year and some predictions for 2026."