Podcasts about Live Aid

In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces. The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess. Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75. In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career. Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.#thesmallfaces #thefaces #thewho #britishinvasion

Eight days after the shambolic Live Aid reunion Jimmy Page joined Robert Plant onstage at the Brendan Byrne Arena, in East Rutherford, NJ. The contrast between the two gigs couldn't be greater. Robert's voice is virtually perfect and Jimmy's guitar (and Jimmy himself) are in tune. I play an aching beautiful Young Boy Blues from his then current Honeydrippers EP, and then I play the two encores Jimmy played with the band; the first being a standard blues number (I don't know if it has a name), and then a fiery run through of Treat Her Right, which calls back to when they jammed the same tune two years earlier. This is a great performance and a shining testimony to the viability of a Page/Plant collaboration even back then, when they sniped at each other in the press.

"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."

This week we've a guest who's been very important in Gordon's life, a photographer whose snaps are iconic worldwide and who has shot everyone from Oasis to Michael Jackson, Tina Turner to Robbie Williams, it's Hogie, aka Dave Hogan.Dave regales us with tale after celeb tale, and we just sit back and lap it all up. Wish you'd been at that show or in that room? Hogie's probably been there. Enjoy!Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

WE WILL, WE WILL, ROCK YOU!! Bohemian Rhapsody Full Reaction Watch Along: https://www.patreon.com/thereelrejects With Rami Malek starring in The Amateur, Tara & Andrew give their Bohemian Rhapsody Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Visit https://huel.com/rejects to get 15% off your order Join Tara Erickson and Andrew Gordon as they dive into the electrifying world of Bohemian Rhapsody, the 2018 musical biopic that tells the untold story of the legendary British rock band Queen. This film chronicles Queen's meteoric rise from underground innovators to global superstars and follows the transformative journey of their charismatic frontman, Freddie Mercury. Rami Malek delivers an Oscar-winning performance as Freddie Mercury (celebrated for his riveting turns in Mr. Robot and The Little Drummer Girl), capturing the raw energy and magnetic presence of the iconic singer. The film also features standout portrayals by Ben Hardy as the virtuosic guitarist Brian May (known for his role in the Netflix series, Small Axe), Gwilym Lee as drummer Roger Taylor, and Joseph Mazzello as the reserved bassist John Deacon, each bringing their own dynamic flair to the ensemble. T&A break down every unforgettable moment—from the triumphant studio sessions where Queen crafted timeless hits like "Bohemian Rhapsody," "We Will Rock You," and "We Are the Champions," to the pulse-pounding recreation of the legendary Live Aid performance that redefined rock history. They also discuss the emotional highs and lows of Freddie's personal journey, making this film a compelling blend of musical brilliance and raw human drama. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

From McCartney, The Stones, Creedence Clearwater Revival and Bob Dylan, to Live Aid, farewell tours, tribute acts and Cherry Garcia ice cream. This book by David Hepworth, documents how and why rockers have made it this long, and looks at the pivotal moments that pushed their careers, whether they liked it or not, into the future. *Want to win a free copy of Mike Campbell's memoir Heartbreaker?  It's easy, just send me an email to sign up. You can find a link to my email address below. *Reminder this is for US citizens only**Want to stay on top of the world of Rock N Roll Book and Documentaries? That's also easy. Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me that Blast!!Support the showemail Big Rick at:info@rocktalkstudio.com

"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."

How enduring icons like Dylan, Springsteen, The Stones, The Beatles, and Pink Floyd remain on top in the ever-changing music game. Why do rock stars never retire? Find out in this episode with author David Hepworth!Purchase a copy of Hope I Get Old Before I Die: Why Rock Stars Never Retire Visit David Hepworth's websiteFollow David Hepworth:FacebookInstagramX---------- BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

On this TFIF edition of PBD: Stopped at the EU's border – an Irish couple and their baby daughter; Why Disney can't stop remaking films originally made by Disney; And can you top Live Aid? The most memorable gigs of our lives...

"There are a lot of songs that have famous people in their titles. We wanted to know who some of the lesser known people named in titles are. The internet did not disappoint. We have a good long list."

Is there anybody who doesn't know the name Bob Geldof? Along with the Sex Pistols and the Clash, Geldof and the Boomtown Rats are attributed with changing the face of music. A significant part is due to the Live Aid concert and Geldof's activism – which is part of the reason he's made his way to our shores. Geldof has a couple of dates lined up in New Zealand, coinciding with the 40th anniversary of Live Aid and the 50th anniversary of the Boomtown Rats. The show's called ‘An Evening with Bob Geldof: Songs and Stories from an Extraordinary Life', and it's a slightly different type of show than he normally performs. Geldof told Mike Hosking that it leans more theatrical, with visuals and songs accompanying the storytelling element. “It's not something I'd normally do,” he continued. “In the summer, as you said, the Rats are 50, we do all the big festivals and then we're talking off mic about, y'know, suddenly Bobby Boomtown's in the house." "The sagacious quiet person you're listening to right now becomes something else.” This show is set to be a bit less intense, Geldof jokingly warning people to bring a sleeping bag as the stories may go on for a while. LISTEN ABOVE See omnystudio.com/listener for privacy information.

What would you do if money and responsibility weren’t holding you back? Travel the world? Build schools? Eat your way across the globe? Leisel, Liam, Spida and Producer Joolz dive into this big question with some fun answers. Then, we sit down with the legendary Sir Bob Geldof! He talks about his iconic career, the impact of Live Aid, his upcoming show at Twin Towns, and of course the elite world of knights and their top-secret WhatsApp group (or lack thereof). Plus, does he really carry a six-pack of Guinness everywhere he goes?See omnystudio.com/listener for privacy information.

Today's fascinating episode of Synthetic Dreams features legendary singer, Tony Hadley .Tony, is of course, best known as the lead singer of one of the biggest bands of the 1980s, Spandau Ballet. The band, who formed in Islington, London back in 1979, scored a number of hits. Spandau's debut single, ‘To Cut A Long Story Short', one of the greatest synth-pop anthems of all-time, reached number five in the UK charts and was the first of ten UK top-10 singles for the band, reaching global success with ‘Chant No 1, ‘True; 'Gold' and ‘Through the Barricades' to name a few.We discuss, amongst other things, his Christmas Big Band Tour 2025, the 40th anniversary of Live Aid and his memories from that special day. He also talks about electronic music and his love Kraftwerk and early Ultravox, plus his time hanging out at legendary new romantic club, The Blitz.

Bob Geldof is a musician, an activist, a charity man, and a Knight of the British Empire... despite being an Irishman. He rose to fame as a member of The Boomtown Rats, but in 1984 an item on the 6 o'clock news sparked him to create one of the world's most memorable charity drives; Band Aid and then eventually Live Aid, raising money to end famine in Ethiopia. Geldof is in Wellington this week to share stories of his life and joined Nick Mills to discuss his legacy and what audiences can expect at Saturday's show at the St James Theatre. LISTEN ABOVESee omnystudio.com/listener for privacy information.

The Irish rockstar is fired up as he claims his life's work is being ripped apart by the new US administration. In this passionate and surprising conversation Sir Bob discusses cuts to aid budgets in the US and UK, what Australia should be doing to stand up to Donald Trump and why he no longer listens to music.  Guest: Bob Geldof, musician and co-founder of the Band Aid Charitable TrustRecommendations: Geraldine: Repeat: A Warning from History, Dennis GloverHamish: Queen performs at Live Aid, 1985Get in touch: We'd love to hear from you! Email us at global.roaming@abc.net.au

"We hit a thread that listed some songs that were written for revenge. A single Google Search later and we had a good long list. And it is not just Taylor Swift."

On this episode of the Is This Bad? Movie Club, Matt, JD & Rachel re-watch Bohemian Rhapsody and discuss how the hell it won four Oscars, was Rami Malek deserving of Best Actor, Queen's contribution to the Jock Jam genre, taking sex and drugs out of rock'n'roll, whether the film's inaccuracies ruin it, bands who bombed at Live Aid, would this have been better as a musical, the Mike Myers cameo, was there too much focus on Freddie's ex-wife, the worst way to introduce your new band, and our favorite Queen songs of all-time.

This week on the Rockonteurs podcast we welcome Nik Kershaw to the show. Nik chats to Guy Pratt and Gary Kemp about his early influences growing up in Ipswich, his meteoric rise in the 80s, his incredible barnet, playing Live Aid, and his continued delight to be touring with his own shows and the much-loved 80s revival festivals.Find out more about Nik and his upcoming music and live dates here: https://www.nikkershaw.net/Instagram @rockonteurs @nikkershawofficial @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes, including the Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

Formerly the frontman of the short-lived bands Kat Kool & the Kool Cats, Streetband and Q-Tips, he began his solo success in the 1980s. His hit singles include "Love of the Common People, 'Wherever I Lay My Hat," "Come Back and Stay," "Every Time You Go Away," and 'Everything Must Change, all reaching the top 10 of the UK Singles Chart. Released in 1983, his debut album, No Parlez was the first of three UK number one albums. His smooth yet soulful voice belongs to a genre known as "blue-eyed soul." He won a Brit Award for Best British Male in 1985, and his hit "Every Time You Go Away" reached number one on the Billboard Hot 100 and also won Best British Video at the 1986 Brit Awards. He performed on the 1984 charity single "Do They Know It's Christmas," which included singing the opening lines, and played Live Aid held at Wembley Stadium in London in July 1985. Since the mid-1990s, Young has performed with the band Los Pacaminos.

This week on the Rockonteurs podcast we welcome Nik Kershaw to the show. Nik chats to Guy Pratt and Gary Kemp about his early influences growing up in Ipswich, his meteoric rise in the 80s, his incredible barnet, playing Live Aid, and his continued delight to be touring with his own shows and the much-loved 80s revival festivals.Find out more about Nik and his upcoming music and live dates here: https://www.nikkershaw.net/Instagram @rockonteurs @nikkershawofficial @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes, including the Bryan Ferry show on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.uk Hosted on Acast. See acast.com/privacy for more information.

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Someone else we put on the cover of Smash Hits 40 years ago who's touring in 2025! He's playing European festivals, ‘80s packages, dates with his band and a string of solo shows billed as ‘Musings & Lyrics With Nik Kershaw', and talks to us here about the first gigs he ever saw and played, which involves … … a bad case of Imposter Syndrome. … how the relationship with your audience changes over 40 years. … “it all seemed so important back then. I was in this little bubble where I thought the world was waiting for my next statement.” … seeing Rory Gallagher, Wishbone Ash, Lindisfarne, Slade, T Rex, the Sensational Alex Harvey Band – and Vinegar Joe at St Matthew's Baths in Ipswich. … the sole appearance of his first band Thor at Rushmere Village Hall.  … instant success in 1983: four nights at Hammersmith Odeon without playing clubs first - “We're going to need a bigger PA!” … playing Steely Dan and Weather Report one night and The Birdy Song and Country Roads at a wedding the next.   ... appearing between Elvis Costello and Sade at Live Aid – “quite a sandwich” - and forgetting the words. …and the ‘80s festival circuit: “one big club”.   NIK KERSHAW TOUR DATES HERE: https://www.nikkershaw.net/tour-dates/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"It seems that lately that are more plane crashes and close calls than we have had in a while. There are many stories of musicians dying in plane crashes but what we have here are stories of survival over multiple crashes and air mishaps."

We have a look at some wardrobe malfunctions, our listeners share some genius ways they snuck alcohol into events & Bob Geldolf gives us an insight into why he thinks Live Aid couldn't ever happen again. Join Triple M Breakfast weekday mornings from 6am, grab the podcast everyday on LiSTNR or where ever you get your podcasts or watch the funniest bits of the show on Instagram via @triplembreakfast #TripleMBreakfastSee omnystudio.com/listener for privacy information.

"This is something we should keep a good eye on. In an effort to become a leading force in AI the government in the UK is strongly considering rewriting their copyright laws to allow all copyrighted material including music to be offered fully to all AI companies. I know it sounds fake but it is not."

"Brian Setzer of the Stray Cats announced he is dealing with an unnamed autoimmune disease that has taken his ability to play guitar. This is certainly not the first time something like this has happened. We have a list of musicians who are in a battle that has taken away their ability to play."

It's 2025, and somehow, We Are The World is about to turn 40 years old. Time is a cruel joke. This week and next we'll be taking a deep dive into one of the biggest charity singles ever recorded. You know the one—Michael Jackson, Lionel Richie, Bruce Springsteen, Bob Dylan looking completely lost, and a very questionable Cyndi Lauper fashion choice. We cover: How this song was written in 10 days and recorded in one night (because the American Music Awards made it convenient). The absolute chaos of the recording session, including Lionel Richie trying to stay awake, Prince ghosting everyone, and Stevie Wonder insisting on singing in Swahili. Michael Jackson's home studio, which included a chimpanzee, a Mynah bird that mimicked his voice, and a giant snake that terrified Lionel Richie. Why some artists hated the song, including Cyndi Lauper comparing it to a Pepsi commercial and Billy Joel thinking nobody actually liked it. What happened to the money, how We Are The World avoided Band Aid's mistakes, and why Live Aid overshadowed it in the end. We also attempt to answer some crucial questions:Would a song like this even work today?Why does Quincy Jones always have the best stories?Has Bob Dylan ever looked more uncomfortable? Timestamps & Highlights 00:00 – Intro & Banter: Vikings, language learning, and Michael Christen (who?).02:00 – Patreon Plug: Give us money, or at least send the pod to a mortal enemy.06:47 – How "We Are The World" Came Together: The American Music Awards gave them a deadline, and chaos followed.16:54 – Artists Who Hated It (or Rejected It): Prince, Madonna, and Billy Joel's existential crisis.27:20 – Michael Jackson's Bizarre Recording Habits: A chimp, a bird, and a snake walk into a studio…36:00 – The Chaotic Recording Session: Bob Dylan, Huey Lewis, and why Quincy Jones had to babysit 40 superstars.47:00 – Stevie Wonder's Swahili Suggestion: This actually happened.54:00 – What Happened to the Money?: How We Are The World handled charity better than Band Aid.1:06:30 – Live Aid & The Aftermath: How this song shaped charity singles forever.1:18:00 – Final Thoughts & Outro: The legacy of We Are The World, and who we'd put on a modern version. Join the Conversation! Which solo line would you claim if you were forced to sing on We Are The World? Should Bob Dylan have just walked out? Would a charity single like this even work in 2024? Tell us what you think, share the episode, and tag us if you're spreading the good word. Support the Show!Want bonus episodes, early access, and a hand in what we cover next? Patreon is your friend.

Dave and Milt, alongside special guests Anton and  Joy, dive into the 1984 music scene by conducting a fantasy draft of the best albums from that year. The lively discussion highlights major albums like Prince's 'Purple Rain', Van Halen's '1984', Bruce Springsteen's 'Born in the USA', and Madonna's 'Like a Virgin'. The guests add their unique picks including Bryan Adams' 'Reckless', Talking Heads' 'Stop Making Sense', and Stevie Ray Vaughan's 'Couldn't Stand the Weather'. This engaging episode revisits iconic music and memories from a landmark year in music history.   Topics   01:01 SNL Reunion and 80s Nostalgia 04:44 Rock Fantasy Draft 1984 Begins 06:05 Introducing the Guests 14:01 Drafting the Top Albums of 1984 49:14 Unexpected Choices and Musical Surprises 49:46 Teen Favorites and Canadian Rock 51:31 Concert Stories and Nostalgia 52:54 The Evolution of Music Listening 54:07 Talking Heads and Avant-Garde Music 58:36 The Pretenders and Rock Legends 01:02:30 Michael Jackson's Billie Jean revelation 01:03:50 Run DMC and the Birth of Hip Hop 01:08:47 Tina Turner's Iconic Comeback 01:11:02 Reflecting on 1984's Musical Titans 01:13:25 The Who's Last Live Album 01:16:51 The Cars' Heartbeat City 01:22:22 Spinal Tap's Parody Perfection 01:26:06 Footloose Soundtrack and 80s Dance 01:29:19 REM's College Rock Anthem 01:34:20 Queen's Comeback with 'The Works' 01:35:48 Live Aid and Queen's Iconic Performance 01:37:09 Round 5 Begins: High Fives and Music Trivia 01:38:41 Don Henley's 'Building the Perfect Beast' 01:43:17 The Smiths' Debut Album 01:46:07 Wham! and the Pop Sensation of 1984 01:50:21 Duran Duran's Live Album 01:53:23 Final Round: The Go-Go's and Chicago 02:00:08 Stevie Ray Vaughan and Morris Day 02:06:14 Draft Recap and Final Thoughts

"Fred Durst and the members of Limp Bizkit have brought a rather substantial lawsuit against their record company for unpaid royalties. I know it is Limp Bizkit but the suit goes back to before streaming to when artists had lousy deals and if it is upheld in court, could lay bare much of what was going on in the 90s."

Master and pupil discuss Official Eras, Deadstock Makeup and Live Aid.

In 1985, Phil Collins could do no wrong. His album No Jacket Required would eventually hit the top spot in the US and the UK. He'd also have the top album and top song on both sides of the Atlantic. He won a Grammy for Against All Odds (which would hit #1), his duet with Philip Bailey, Easy Lover, was a smash hit around the world and hit duet with Marilyn Martin, Separate Lives, would also go to #1. And after a world tour to support his 25 million selling album No Jacket Required, he played Live Aid in London with Sting and then jumped the Concorde to make it to the US and played RFK with Eric Clapton and a reunited Led Zeppelin. Plus he was on Miami Vice. The man was unstoppable. As No Jacket Required turns 40, we decided to analyze it track by track. Though Collins proved he could navigate the mid-80s recording styles without getting too cheesy on tracks like Sussudio and Inside Out, there are others that aren't great given the strength of the hits like Only You and I Know and I Don't Wanna Know. The album would sell over 12 million in the US alone thanks to hits like Sussudio and the video for Take Me Home not only gave him clout as a bonafide international star but also kept the album selling well into 1986. Phil has received a lot of backlash in latter days due to the fact that he was everywhere in the 80s - chart topping with every Genesis album, every solo record, every duet or movie soundtrack song, every tour, every TV appearance, every music video. Does he deserve the criticism he gets or did he just make the most of his opportunities he was given? We debate that and more on this surely to be divisive episode. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"It seems impossible that a judge in Brazil could stop streaming services worldwide from playing a song due to a copyright concern. That is what is happening now to Adele. If other countries stand by the injunction then it could have a rather wide ranging concerns."