1985 benefit concert
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"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."
Erica plays some of the best live performances from July 13th, 1985.
"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."
Kissing Lips & Breaking Hearts: A U2-ish Podcast with the Garden Tarts
In this episode of Kissing Lips and Breaking Hearts with the Garden Tarts, we kick off with a celebration of Live Aid and the unforgettable U2 performance that changed everything, from “Sunday Bloody Sunday” and “Bad” to the moment Bono became, well, Bono. Then we turn to “Street of Dreams,” the new U2 single that's sparked a full-on fandom debate online.We talk about why the song is hitting some listeners as a joyful, radio-ready earworm while leaving others cold, and why that reaction says as much about fandom as it does about the track itself. We also get into the bigger question behind the release: who is U2 making music for now, and does every album need to aim for the next generation when the current fanbase is already all in?Along the way, we discuss:Why U2's Live Aid set still looms so large in rock history.How Bono turned “Bad” into a once-in-a-lifetime moment.Why “Street of Dreams” feels built for big rooms, big singalongs, and big opinions.How the U2 fanbase reacts when the band changes direction.Why music can be divisive without needing to become personal.FIND MORE AT www.thegardentarts.com
Send us Fan MailDonate to the GoFundMe for my feature-length film, The Cabin!The tasty history of Doritos. The historic Live Aid concert event. Sports teams that were rebranded as others.Episode 252 is chock full of GenX nostalgia to try to keep you cool in the July heat.It starts with one of the most historic music events ever. Live Aid was a one-day event featuring many legends of the day. Taking place in 1985 and on two separate continents, it raised money for famine relief while also creating some enduring musical memories.Six decades of snacking. We celebrate Doritos, which burst onto the scene in 1966. From simple toasted corn tortilla chips to more than 100 flavors worldwide, Doritos have been a staple of after school, sporting event gatherings, teenage parties, and more for most of many of our lives.Countless sports franchises have been in the same city for decades. Some have left their original cities but kept their name. For this Top 5, we are looking at teams that not only left their original city but also were rebranded. Growing up in New England, the Hartford Whalers hockey team was front and center on this list. Do you have any favorite rebranded sports teams?Survey says we have a brand-new This Week In History and Time Capsule, looking at the 50-year legacy of the game show Family Feud.To support me and the show, become a member on Patreon. Or you can support my work and Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityKingfisher Hotels Cape CodChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 251 hereSupport the show
The Shandaken Theatrical Society turns 50 this year, and its home stage — the Phoenicia Playhouse — has a history that stretches back even further. Built in 1887 as a lodge for the Independent Order of Odd Fellows, the building later served as an auction house and a movie theater before falling into disrepair by the 1980s. Community intervention saved it from demolition, and STS has run it ever since.This episode brings together voices spanning the organization's history: board member and longtime performer Faye Storms, who arrived in the Catskills just three years after STS was founded in 1976; playhouse manager Geneva Turner, who also works as a standardized patient and intimacy coordinator when they're not running the house; technical director George Muller, a veteran of Live Aid and the Philadelphia Orchestra before landing in Phoenicia; and Wallace Norman and Hank Neimark of Woodstock Fringe, in town for a co-production of Songs Mostly of the Theatre.Fifty years ago, STS opened with a production of The Sound of Music — and there's talk of marking the anniversary with a singalong screening of the film. Beyond that possible nod to their roots, the season has grown into a full slate of drama, comedy, open mics, a concert series with Flying Cat Music, and youth theater camps.Find out more at phoeniciaplayhouse.com
Live Aid turns 41.. the event was one of the greatest music shows ever.. the cause, the musicians, the duets, bands that got back together & let's not forget Phil Collins preformed the same day in two countries..Supergirl bombs at the box office.. is the Odyssey next.. when it does.. the actors will do the same blame game but the real problems is them..
July 13, 1985. The benefit concert Live Aid amasses millions of dollars for famine relief, and well over a billion viewers worldwide. This episode originally aired in 2023. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.
This week, Chris and Ethan depart from the ~grunge~ scene and mark the 41st anniversary of the Live Aid benefit show by sharing some thoughts on two of the notable performances of the day: U2 and Led Zeppelin. Support the show on Patreon! Becoming a Patron is the most effective way to support the show:https://www.patreon.com/grunge_bible Support the show, buy some merch! https://grungebible.creator-spring.com/
41 years ago today Live Aid was held in Wembley Stadium and JFK Stadium, and all these years later the legacy still lives on strong.See omnystudio.com/listener for privacy information.
Another sunny Monday with Mitzi! On today's episode, we sail into deep waters – and back! Tune in as we bring the ship home in what is arguably the best RWR / MWM episode yet! Links Pain is necessary, suffering is optional at DuckDuckGo pain is weakness leaving the body at DuckDuckGo Pain Being Weakness Leaving the Body Should Teach Us Something | by Michael Horner | Runner's Life | Medium Chesty Puller – Wikipedia Chesty Puller – Wikiquote 4 U.S. Code § 8 – Respect for flag | U.S. Code | US Law | LII / Legal Information Institute The Princess Bride (novel) – Wikipedia WALL-E – Wikipedia Solipsism – Wikipedia McLintock [1963] John Wayne – Full Movie English version – YouTube McLintock! – Wikipedia He Stopped Loving Her Today – Wikipedia The Imperfect Marriage Course John 16:33 – Bible Gateway Proverbs 11 (NASB95) – The integrity of the upright 1 Corinthians 13 (NASB95) – If I speak with the Ephesians 4 (NASB95) – but *speaking the truth in Zach Williams – Less Like Me (Official Music Video) – YouTube On This Day July 2026 Calendar of Public Holidays | Office Holidays Worldwide Public Holidays Monday July 13th 2026 | Office Holidays Holidays and Observances in the United States in 2026 What day is it today? Important events every day ad-free | United States On This Day – What Happened on July 13 Today in History: July 13, Live Aid concerts | AP News What Happened on July 13 – On This Day What Happened on July 13 | HISTORY July 13 – Wikipedia What Happened On July 13 In History? 13 | July | 2020 | Executed Today Holidays Nathan Bedford Forrest Day 2026 in the United States Historical Events Attempted assassination of Donald Trump in Pennsylvania – Wikipedia Nathan Bedford Forrest (Confederate General) – On This Day
National Franks & Beans day. Entertainment from 1999. Last woman executed in Britian, first cat show, Live Aid concerts took place. Todays birthdays - Bob Crane, Patrick Stewart, Roger McGuinn, Harrison Ford, Cheech Marin, Didi Conn, Cameron Crowe, Tom Kenny. George Steinbrenner died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/Franks n beans - Moes HansenIf you had my love - Jennifer LopezAmazed - LonestarBirthdays - In da club - 50 Cent https://www.50cent.com/Hogans Heroes TV themeTurn Turn Turn - The ByrdsMexican Americans - Cheech & ChongSpongebob Squarepants TV themeExit - Take it back - Chris Guenther https://www.chrisguenthermusic.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days Puzzles - JulyGrace & Grit Christian Country Radio
From the Music History Today Podcast Network, This is the Music History Today Podcast for July 13. On today's show, Live Aid happens and Marconi gets his patent.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history41:06 Music award ceremonies that were held on this date in music history43:26 Albums released on this date in music history 50:13 Singles released on this date in music history 56:57 Birthdays of music artists on this date in music history 1:01:23 Passings of music artists on this date in music history 1:05:44 What's on tomorrow's episode
Miguel Ángel González Suárez te presenta el Informativo de Primera Hora en 'El Remate', el programa matinal de La Diez Capital Radio que arranca tu día con: Las noticias más relevantes de Canarias, España y el mundo, analizadas con rigor y claridad. El próximo martes 14 de julio a las 20:00 horas semifinales del mundial entre Francia y España. AT&T Stadium (Estadio Dallas), Arlington, Texas, Estados Unidos. Las apuestas están: Francia: 39-40% de probabilidad implícita. España: 29-30%. La segunda semifinal del Mundial 2026 entre Inglaterra y Argentina se jugará: Miércoles, 15 de julio de 2026. Hora: 21:00 (hora peninsular española) / 20:00 en Canarias Estadio: Mercedes-Benz Stadium, Atlanta, Georgia (Estados Unidos). Las probabilidades implícitas se sitúan aproximadamente en: Argentina: 52-54% de opciones de clasificarse para la final. Inglaterra: 46-48%. Hoy se cumplen 1.606 días de guerra entre Rusia y Ucrania. 4 años y 138 días. Hoy es lunes 13 de julio de 2026. Día Internacional del Sarcoma. El 13 de julio se celebra el Día Internacional del Sarcoma, un tipo de cáncer que es frecuente en la etapa de la niñez y en adultos, que se desarrolla en los huesos y tejidos blandos del organismo. Se pretende informar y sensibilizar a la población mundial acerca de este tipo de cáncer, que posee más de 150 variedades reconocidas por la Organización Mundial de la Salud (OMS). 1713: España pierde el peñón de Gibraltar y la isla de Menorca con la firma del Tratado de Utrecht. 1908.- Apertura en Londres de los IV Juegos Olímpicos de la Era Moderna. 1936: Es asesinado José Calvo Sotelo en Madrid, lo que supuso el caldo de cultivo de la Guerra Civil Española. 1941.- Parte desde Madrid el primer grupo de voluntarios de la División Azul para incorporarse al Ejército alemán en la II Guerra Mundial y luchan contra los soviéticos. 1985: Día Mundial del Rock. Fue declarado en esta fecha con motivo del concierto benéfico Live Aid, llevado a cabo de forma simultánea en Londres, Inglaterra, en Filadelfia, Pensilvania, en Estados Unidos de América, en Sídney, Australia y Moscú, antigua Unión Soviética. 1997: Miguel Ángel Blanco, concejal del Partido Popular en Ermua (País Vasco, España), es asesinado por la banda terrorista ETA, después de tres días de secuestro, provocando una movilización ciudadana contra el terrorismo sin precedentes en el país. 2014.- Pedro Sánchez es elegido secretario general del PSOE en la consulta a la militancia. Sucedió a Alfredo Pérez Rubalcaba. 2016: en el Reino Unido, Theresa May es elegida primera ministra. Es la segunda mujer que desempeña ese cargo en ese país. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. Santos Enrique, Anacleto, Serapio y Sara. Irán lanza ataques contra Qatar, Emiratos, Bahréin y Kuwait tras los bombardeos de EE.UU. Estados Unidos e Irán prosiguen en su escalada bélica y los ayatolás anuncian el cierre del estrecho de Ormuz. El incendio de Los Gallardos está estabilizado y los evacuados pueden volver a sus casas. Las claves del incendio de Los Gallardos: qué se sabe, cómo se originó y por qué avanzó con tanta rapidez. Las rentas más altas en Canarias crecen a un ritmo del 12,7% anual, el doble que la clase media. El grupo de los 'ultrarricos', con ingresos superiores a 600.000 euros, ha experimentado un aumento del 37% solo entre 2023 y 2024 en Canarias. Canarias gasta 3.455 euros por habitante en políticas sociales, un 24% más en cinco años La mayor parte de la inversión se dedica a Sanidad. En Educación las islas se sitúan por debajo de la media estatal. Casi la mitad de los niños entre 6 y 9 años de Canarias, con obesidad o sobrepeso, la mayor tasa del país. Las autoridades insisten en la necesidad de fomentar estilos de vida saludables desde la infancia para evitar complicaciones futuras y mejorar la calidad de vida de los menores. Rescatadas 134 personas, 50 posibles menores, a bordo de un cayuco próximo a Canarias. Los migrantes desembarcaron en el puerto de Arguineguín, donde fueron atendidos por el personal del Servicio de Urgencias Canario y Cruz Roja. Día Mundial del Rock. Chuck Berry With Bruce Springsteen & The E Street Band - Johnny B. Goode
"Angedacht" – das geistliche Wort und eine kleine Portion Optimismus für den Start in den Tag. Heute mit Christian Kobert aus Haldensleben.
Neste episódio do Momento Peças Raras, celebramos o Dia Mundial do Rock. A data é comemorada em 13 de julho e relembra o histórico Live Aid, realizado nessa mesma data em 1985. O festival é organizado em 2 estádios simultaneamente, o de Wembley, em Londres, e no John F. Kennedy, na Filadélfia, nos Estados Unidos e conta com apresentações de bandas como Queen, U2, Led Zeppelin, The Who, entre outras. Transmitido ao vivo para mais de 100 países, esse mega evento alcança mais de 1 bilhão e meio de pessoas.Nossa viagem, porém, segue para um capítulo especial da história do rock brasileiro. Você vai conhecer duas gravações raríssimas do Kid Abelha e os Abóboras Selvagens, registradas em 1982 para o LP Rock Voador, projeto criado em parceria entre o lendário Circo Voador e a Rádio Fluminense FM, a icônica "Maldita", responsável por revelar alguns dos mais importantes nomes do rock nacional.As faixas "Distração" e "Vida de Cão é Chato pra Cachorro" mostram uma banda ainda em seus primeiros passos, antes do sucesso nacional, com composições de Leoni e Beni Borja, fundador e primeiro baterista do grupo.Um episódio para quem gosta de descobrir os bastidores da música brasileira, revisitar os primórdios do rock dos anos 1980 e ouvir registros que ajudam a contar a história de uma das bandas mais importantes do pop-rock nacional.
Erica plays some of the best live performances from July 13th, 1985.
What does it take to keep a live broadcast on the air when a storm knocks out the antenna, a policeman calls a tow truck, and 2,000 people are waiting for the show to start? Right now, the world is watching the 2026 FIFA World Cup unfold live across three countries and 16 stadiums, with millions tuning in every night without a second thought about how the signal gets from the pitch to their living room. For Robert M. Patterson, a pioneering entrepreneur and the visionary behind some of the most iconic satellite broadcasts in history, the answer is a story of ingenuity, calm under pressure, and a career spent at the cutting edge of technology. From the Frost-Nixon interviews to the Live Aid concerts and the Olympics, Robert has been the unseen hand ensuring the show goes on no matter what. In this episode of Productivity Smarts, host Gerald J. Leonard sits down with Robert M. Patterson to discuss his new book, Iconic Moments in Broadcast History: Live Via Satellite. Together, they explore the high stakes world of global broadcasting, the transition from analog to digital, and the timeless productivity strategies that kept the world connected during history's most memorable moments. Robert opens up about the lessons that shaped his five-decade career, including a pivotal piece of advice from Jackie Robinson about life's unfairness, and the mentor who taught him that true leadership means sharing knowledge so you're forced to keep growing. He shares the incredible story of a technician who literally rode a tow truck to keep a broadcast on air, and the time he stood his ground with Don King, risking the biggest payday of his life, to protect the integrity of a broadcast. The conversation also dives into the massive coordination required for events like Live Aid, where signals had to be synchronized across continents, and how staying cool, calm, and collected is the only way to solve problems when the signal drops. Robert offers practical advice for anyone facing high pressure moments: take your emotions out of it, focus on the mission, and remember that technology evolves, but human ingenuity and personality are irreplaceable, especially in the age of AI. If you're a professional, creative, or leader looking for real world lessons on staying productive under pressure, this episode will inspire you to keep your cool, collaborate effectively, and always keep the show on the air. Ready to step behind the curtain of broadcast history? Listen now and discover how clarity, calm, and a little ingenuity can transform how you handle your own high stakes moments. What We Discuss [00:00] Introduction [02:01] Guest introduction: Robert M. Patterson [02:40] Robert's musical tastes [04:13] The start of a broadcasting career [05:47] Overcoming a technical crisis [07:28] The power of mentorship [09:22] The Don King "Fight of the decade" [12:30] Life advice from Jackie Robinson [14:36] Productivity in a fast-paced industry [16:20] The complexity of Live Aid [20:07] Staying calm under pressure [22:46] Where to find Robert's book [24:33] Closing remarks and call to action [25:04] Podcast outro Notable Quotes [08:28] "Learning is not to keep quiet, it's to share it with other people." – Robert M. Patterson [13:17] "Life can be unfair. You can do everything right and it still not be good enough." – Jackie Robinson (as recalled by Robert M. Patterson) [13:39] "No matter what the diversity is, you gotta stand up and move forward." – Robert M. Patterson [21:00] "You can't think of the consequences. You have to think ahead." – Robert M. Patterson [21:09] "Keep cool, calm, and collected... stay focused, and your main event is get that show back on the air." – Robert M. Patterson [22:22] "People have the intelligence to make AI work for them. Don't let AI work for them." – Robert M. Patterson Resource and Links Robert M. Patterson Website: rmp-satellites.com LinkedIn: https://www.linkedin.com/in/bob-patterson Book: Iconic Moments in Broadcast History: Live Via Satellite Productivity Smarts Podcast Website - productivitysmartspodcast.com Gerald J. Leonard Website - geraldjleonard.com Turnberry Premiere website - turnberrypremiere.com Scheduler - vcita.com/v/geraldjleonard Kiva is a loan, not a donation, allowing you to cycle your money and create a personal impact worldwide. https://www.kiva.org/lender/topmindshelpingtopminds
La FG story du jour c'est celle de Live Aid…A quelques encablures des départs en vacances, n'allez pas penser que l'actualité musicale prend une pause car en juillet et en août, la petite Histoire musicale a rejoint la grande histoire, laissant des souvenirs forts, des drames déchirants et des premières fois éclatantes.
**THIS EPISODE STARTS WITH AN UPDATE ON THE OSCAR URIAS MURDER TRIAL. THIS CASE WAS ORIGINALLY COVERED ON EPISODE 198. THANK YOU TO THE LOVED ONES OF ELIZABETH AND HATTIE WHO REACHED OUT****This week Amber covers the murder of Reagan Simmons-Hancock, committed by Taylor Parker who faked a pregnancy for months and violently attached Reagan. Then, Naomi covers one of the most iconic concerts of all time, and the money it raised that wound up as weapons instead of food.Amber's Sources:Murder of Reagan Simmons-Hancock - WikipediaThe Taylor Parker Case, ExplainedWhere Is Taylor Parker Now? What We Know About the ‘Maternal Instinct' Killer on Texas Death RowTexas woman faked pregnancy for months before killing friend, abducting her unborn babyWhy Warnings About Taylor Parker's Fake Pregnancy Didn't Save Reagan Simmons Hancock | OxygenWhat Happened to Taylor Parker's Children After Her Pregnancy Hoax and Murder Conviction | OxygenTaylor Parker sentenced to death for killing pregnant friend to steal her unborn baby - CBS NewsTaylor Parker story: Texas woman sentenced to death for killing Reagan Simmons-Hancock, removing unborn baby from womb - ABC7 Los AngelesDeath Row Inmate Appeals Sentence, Claims Prosecution Fat-Shamed Her - Texas Scorecard‘Maternal Instinct' on Netflix: Where Is Taylor Parker's Ex-Boyfriend Wade Griffin Now?Maternal Instinct Documentary: Where is Taylor Parker now? True Story, Cast, What Is It About? - Netflix TudumNaomi's Sources:https://en.wikipedia.org/wiki/Live_AidThe Truth About 1985's Live Aid ConcertThe Truth About 1985's Live Aid Concert - Grungehttps://ifmyrecordscouldtalk.com/the-decade-of-the-charity-single-benefit-concertLive Aid: The Complicated History of the World's Biggest Charity Concerthttps://en.wikipedia.org/wiki/Do_They_Know_It%27s_Christmas%3Fhttps://en.wikipedia.org/wiki/We_Are_the_Worldhttps://en.wikipedia.org/wiki/Tears_Are_Not_Enoughhttps://en.wikipedia.org/wiki/A_Conspiracy_of_HopeSupport the showGo check out our patreon page athttps://www.patreon.com/crimewineandchaosFor more information about Crime, Wine & Chaos, or to simply reach out and say "hi,"https://www.crimewineandchaos.comCrime, Wine & Chaos is produced by 8th Direction Records. Music by Jeremy Williams. Artwork by Joshua M. DavisAmber is the vocalist in the band, Tin Foil Top Hat. You can find more of her work on all of the music streaming platforms or athttps://www.tinfoiltophat.comNaomi has a twenty year career in tech, and a lifetime interest in all things macabre. She walked away from #startuplife to strike a new path rooted in service. You can find out more about the work she's focused on, support those initiatives, and keep up on her socials here: https://linktr.ee/missgnomers
Negyven évvel ezelőtt olyan ritka poptörténeti pillanatot élhettünk át Magyarországon, amely teljesen beleégett a közös emlékezetbe. 1986. július 27-én a Népstadionban lépett fel minden idők egyik legismertebb brit rockzenekara, a Queen. Természetesen rengetegen feldolgozták már a zenekar itt tartózkodásának történetét és valószínűleg húsz év múlva is ugyanígy lesz, hiszen a koncertről film készült, számtalan írás, cikk, szakdolgozat született. Mi sem maradhattunk ki, ezért elhívtuk házi Peterdi Pali bácsinkat, Fábián Tituszt, aki a maga megszokott alaposságával szállította nekünk a háttérsztorikat, a miliőt, hogy kiderüljön, milyen év is volt 1986, kik voltak akkoriban a csúcson, mit adott a Queennek a Live Aid, mi volt Hegedűs László szerepe, miért nem az R-Go volt a Queen magyar előzenekara, hogyan készült a koncertfilm, hogyan fogadta a kritika a Tavaszi szél vizet áraszt című népdalt Freddie Mercury előadásában vagy éppen hány koncertet adott még a zenekar a Magic turné budapesti állomása után.Műsorvezető: Bihari Balázs, Németh RóbertA Wanted podcast adása az NKA hangfoglaló program támogatásával készült.
Ce 29 juin, Marjorie Hache met à l'honneur les Sex Pistols, James Brown, The Red Hot Chili Peppers, Jimi Hendrix, The Verve, Lana Del Rey, Sum 41, The Troggs, The Hives, Green Day, Alice In Chains, Liam Gallagher, Deep Purple et Stevie Wonder. L'animatrice évoque le 51e anniversaire de la mort tragique de Tim Buckley avec le titre "Move With Me". Jack White donne le coup d'envoi des nouveautés avec "Dollar Bill". Mike D, ex-Beastie Boys, confirme son retour en solo avec "What We Got", tandis que Saint Agnes s'ajoute à la sélection. La primeur de la soirée offre une collaboration détonante : les Américains de The Offspring s'associent aux Allemands d'Electric Callboy sur le survolté "Let The Good Times Roll", mélange inattendu de punk, métalcore et EDM. L'album de la semaine célèbre le retour de Jon Spencer, mythique blues rocker new-yorkais. Son tout nouveau disque, "Songs Of Personal Loss and Protest", se dévoile aujourd'hui à travers l'énergique titre "Knock 'em Out". La reprise du jour convoque deux légendes : David Bowie et Mick Jagger reprennent le tube de la Motown "Dancing In The Street" (Martha and the Vandellas), une relecture bouillonnante enregistrée le 29 juin 1985 au profit du Live Aid. Jack White - Dollar Bill Jimi Hendrix - Fire Tim Buckley - Move With Me James Brown - Living In America Black Strobe - I'm A Man The Verve - The Drugs Don't Work Lana Del Rey - Born To Die Jon Spencer - Knock 'Em Out Sex Pistols - Anarchy In The U.K. Sum 41 - Landmines The Troggs - Wild Thing Mike D - What We Got David Bowie & Mick Jagger - Dancing In The Street Red Hot Chili Peppers - Give It Away Liam Gallagher - Wall Of Glass Social Distortion - Wicked Game Deep Purple - Hush The Hives - Go Right Ahead Saint Agnes - The Ghost Stevie Wonder - Superstition Bloodhound Gang - Mope Electric Callboy - Let The Good Times Roll Feat. The Offspring Green Day - The American Dream Is Killing Me Minor Victories- Scattered Ashes Cream - White Room Alice In Chains - FrogsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "
Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: Sexual assault survivor, whistleblower and overcomer, Frontwoman, singer and songwriter for the band Wisher, loving fiancee to Noah, black belt badass, belly dancing goddess, workout fanatic, creative writer, artist and poet, Pirates of the Caribbean devottee, animal lover, Pokemon card collector, special effect and set building aficionado, former Jane from Tarzan, recovering alcoholic and sobriety champion, and an incredible young woman breaking her silence for the first time today: Kayleigh KAnnA little bit about Kayleigh and what we will be discussing today: Born with dreams that refused to stay small, young Kayleigh scribbled “singer” on those childhood “what I want to be” papers. Music was never a hobby - it was destiny written in her bones. Today, as the ethereal yet thunderous voice of Wisher, Kayleigh channels that calling into symphonic metal that blends the grandeur of Nightwish, the cinematic sweep of Hans Zimmer, and the heavy fire of Avenged Sevenfold. Their music is raw, evolving, and deeply human: shorter, sharper tracks like “Aqua Devita” that feel like emotional release, harmony-laden guitars that soar like choirs, and live shows where Kayleigh performs as if every modest venue is Live Aid. She closes her eyes, sees thousands, spins, jumps, and pours out her soul - because the stage is her haven, her zone, and her way of sharing joy no matter if two people or two thousand adoring fans stand before her.Wisher itself tells a story of growth and chosen family. After years of lineup changes and compromise, the current steadfast crew of Wisher jams from the heart - meshing whimsical wonder with crushing riffs, and prioritizing real connection over perfection. The band's journey mirrors Kayleigh's own: honest, theatrical, a little intense, and utterly authentic. They've turned bar stages and club nights into sacred spaces of celebration, even when life throws emergencies, health struggles, or industry hurdles their way. Kayleigh leads with love, canceling shows if a bandmate needs care - always choosing mental health and family over deadlines, because she knows what truly matters.Yet Kayleigh's light shines brightest against the shadows. She has looked unflinchingly at the entertainment industry's underbelly - its documented ties to exploitation and human trafficking - and refused to dim her own path. A survivor herself who carries the weight of knowing too much, she re-evaluated her dreams rather than selling her soul for fame. She speaks openly about the darkness: artists lost, survivors silenced, monopolies like Live Nation squeezing out local voices, and the ethical cost of “success.” Her response? Double down on integrity, support real artists who build with heart and entrepreneurship, treat music as ministry, prioritize purpose over profit, and fiercely protect what is sacred.And on today's show, Kayleigh will be breaking the silence on her own story of survival - a life-altering, traumatic event and aftermath that changed her life forever. A testimony of ultimate betrayal by people she loved, trusted, and cared deeply about. And together, we will be taking off the heavy layers of guilt and shame that have weighted heavy on her heart and soul for many years, and shedding them - handing them back to those who caused the betrayal that was never supposed to happen. Kayleigh has spent years advocating for others - she has loudly been cheering on the survivor community - learning, educating others, and being an incredible ally - all while silently harboring a testimony of her own. And today that silence breaks. Today, a bright light gets shined on the darkness. And today, Kayleigh's voice expands from singing on stages and her online advocacy, and into the eyes and ears of those ready to bear witness to her own story of overcoming. Today, she passes the torch she has received from other survivors in her own healing journey to all of you here with us today. Kayleigh is proof that survivors don't just endure - they rise, they sing, they uplift. In her music and her message, she hands us back our own light: the reminder that we all have a soul, a purpose, and the power to create beauty anyway. She is living testimony that no matter what you've survived, your voice can still shake the world with love.
"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."
This week, Julia is joined by Allegra to investigate the enduring, mythical appeal of the music festival. From medieval carnivals to Woodstock, and Coachella brand trips to FYRE fest, the girlies explore the human desire to build temporary utopias — and how festival outcomes range from communal transcendence and PLUR to corporate-branded slop and FEMA-level weather events. Digressions include Billie Eilish starring in The Bell Jar for some reason, the ouroborous of influencer video essays, and Allegra's parents getting matching plastic surgery on her birthday. WE'RE GOING ON TOUR!!!! Find tickets for the Shake Up Your Life Tour at https://binchtopia.com/tour This episode was produced by Julia Hava and Kylie Finnigan and edited by Livi Burdette. To support the podcast on Patreon and access 50+ bonus episodes, mediasodes, and more, visit patreon.com/binchtopia and become a patron today. SOURCES 19 Worst Things About Woodstock '99 After the Astroworld Disaster, a Reckoning Altamont : the Rolling Stones, the Hells Angels, and the inside story of rock's darkest day Bakhtinian thought : an introductory reader Burning Man: how a festival became a culture Castlemorton 1992, the rave that triggered the ban Castlemorton Common: The rave that changed the law Criminal Justice & Public Order Act 1994, s.63 ("repetitive beats") Crowds and Collective Behavior Get access Arrow Dancing in the Streets: A History of Collective Joy From Woodstock to Coachella: The ultimate music festivals FYRE: The Greatest Party That Never Happened Half a Million Strong: Crowds and Power from Woodstock to Coachella by Gina Arnold Impact: From riots to crowd safety 'It was the peak of the flower power era': The story of the first ever Glastonbury Festival in 1970 How Music Festivals Became a Massive Business in the 50 Years Since Woodstock Juggalos & the FBI "hybrid gang" label Live Aid (1985) Live Music in America: A History from Jenny Lind to Beyoncé Lollapalooza's rise (Perry Farrell's acid precognition) Monterey Pop Murder at the Altamont Festival Rabelais and His World The Ritual Process: Structure and Anti-Structure Of Other Spaces The Oral History of Monterey Pop, Where Jimi Torched His Ax & Janis Became a Star: Art Garfunkel, Steve Miller, Lou Adler & More Remembering Meredith Hunter Summer of Soul (...Or, When the Revolution Could Not Be Televised) Trainwreck: Woodstock '99 The Elementary Forms of Religious Life The Music Festival That Time Forgot: Inside Steve Wozniak's US Fest The Night Bob Dylan Went Electric The Sacred and the Profane The Society of the Spectacle "This Film Was My Chance to Correct History": Questlove on Summer of Soul and the Oscars The Pop Festival: History, Music, Media, Culture Woodstock '99 Predicted America's Future Woodstock 1999 Ends in Violence Wattstax (1972), the "Black Woodstock" Wattstax drew 100,000 people — this 1972 concert was about much more than music What's behind the decline of music festivals? Without Helicopters, There Wouldn't Have Been a Woodstock Woodstock: 3 Days of Peace & Music
"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."
Was 'Press to Play' really a failure—or is it one of Paul McCartney's most misunderstood albums?In this episode of Booked On Rock, I sit down with author Luca Perasi to explore the fascinating story behind McCartney's 1986 album Press to Play. Drawing from extensive research and interviews with key figures involved in the project, Luca examines the album's ambitious blend of cutting-edge 1980s production, experimental songwriting, and classic McCartney melodies.We discuss the album's troubled reputation, McCartney's creative partnership with Eric Stewart, the influence of producer Hugh Padgham, the impact of Live Aid and the Michael Jackson catalog controversy, and why Press to Play may deserve a major reappraisal. If you're a Paul McCartney fan—or simply curious about one of the most debated albums of his solo career—this is an episode you won't want to miss.Purchase a copy of Paul McCartney: Press to Play. That Unmistakable 80s Sound (Milestones)Follow Luca PerasiBlueskyFacebookInstagramXVisit the L.I.L.Y. Publishing websiteVisit Luca Perasi's YouTube channel PaulMcCartneyMusicIsIdeas----------
What if the answers you're searching for arrived long before you knew how to understand them? In this conversation, I sit down with Kip Baldwin, a filmmaker, producer, writer, and founder of the Just Love movement. Kip shares the extraordinary awakening he experienced at age 12 and how it set him on a lifelong path of exploring consciousness, love, spirituality, and human connection. From the music industry and sustainable agriculture to television production, ethical AI, and overcoming a traumatic brain injury, Kip's journey has been anything but ordinary. As we talk, Kip reflects on why fear has become such a powerful force in society, how love can transform the way we see ourselves and others, and why he believes lasting change starts with a shift in consciousness. You will hear stories of resilience, curiosity, and purpose, along with a vision for creating a better future for generations to come. I believe you will find this conversation thought-provoking, challenging, and full of hope. Highlights: 01:45 - How a childhood acting career sparked a lifelong passion for media and communication. 07:08 - Why confidence without self-awareness can become a liability. 16:32 - Lessons from the Kellogg School of Management that still shape business decisions today. 21:58 - Why listening beats talking in business, leadership, and life. 35:08 - How strong brands grow through awareness, not just loyalty programs. 01:05:02 - The three traits Zarko looks for when mentoring future leaders. About the Guest: Kip Baldwin knows his purpose for Being is to share all that LOVE is through his many solutions driven projects; using media in all its forms to help awaken individuals, and by proxy the collective, to the LOVE Paradigm emerging. He feels that in order for a new chapter of our story to be conceived for humanity, a mass imagining of our limitless potential is what is needed to bring about an age of compassion, empathy, collaboration, and oneness. Kip was born in 1965 to counterculture parents - in the midst of the maelstrom that was the decade of the sixties, in fact 1965 was the first year that scientists warned us about climate change - in Vancouver, Washington. His earliest years were spent on a farm where his grandparents raised thoroughbred horses. During this period grew in him a deep, abiding LOVE and respect for nature and all living things. It was around the age of twelve his life would transform forever, as he had an out of body experience that took him beyond the edge of Universe, even Space and Time, and face to face with the unknowable of Infinity. This experience became the foundation for his constant seeking since. Due to that experience Kip felt he must explore the world beyond the small town confines of Camas, WA where he grew up. His first attempt to break free was to do a brief stint in the Navy, where he was going to pursue a career as an electric technician, but because of a hereditary bleeding disorder he was given a medical discharge. However, a military career for him was clearly never really in the cards anyway. Although he was always grateful for the insight it gave him into the inner workings of our country, as he witnessed first the how the poor are literally cannon fodder for corporations, under the guise of them being heroes and patriots. Following his discharge, he returned briefly to the limits of his hometown, before moving to the San Francisco Bay Area in 1985 to pursue his passion for music and performing. He often jokes that he was looking for the San Francisco of the Haight/Ashbury, Peace and LOVE days, but arrived twenty years too late. What he found instead was the 80s hair metal band scene, whose songs that focused on partying, sex, and drugs were not compatible with his lyrics about awakening awareness and addressing the need for personal and societal change. In the late 90s, after becoming disillusioned by his beloved music industry - and always seeking solutions for the myriad of challenges facing humanity - he shifted his focus to local and sustainable foods. While this was certainly a worthwhile pursuit, it did little to fulfill his need to share LOVE'S Truth and create a collective shift in consciousness. But what it did do was make him aware that it was only going to be through the use of mass media that his message of LOVE could reach a large enough audience to affect real lasting change. This found him again heeding the call of the entertainment industry, first as an actor, then writer, and ultimately as a producer, with some success co-creating the influential cannabis series Weed Country for the Discovery Network (focusing on the countless benefits humanity can derive from marijuana, as well as our profound historical connection to the plant), co-founding the United Filmmakers Association, and starting the Just LOVE Movement. Ultimately, this led him to co-founding S.O.U.L. Documentary with creative partner and Soul Twin, Evan Hirsch who shares his passion, purpose and mission to heal humanity by embracing our innate oneness, which they both understand can only be achieved by accepting and grounding ourselves in the Reality of LOVE We Are. Ways to connect with Kip: Facebook: Just LOVE page: https://www.facebook.com/kipbaldwinjustlove Main page: https://www.facebook.com/kip.baldwin/ UFA: https://www.facebook.com/groups/Unifilmmakers LinkedIn: https://www.linkedin.com/in/kip-baldwin-975a3514/ Instagram: https://www.instagram.com/kipbaldwin?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr YouTube: Kip Baldwin: https://youtube.com/@thekiprowdy?si=LckMuhec40lWAicF Just LOVE: https://youtube.com/@justlove6463?si=QW1g4D2dlaHmJk8B S.O.U.L. Documentary: https://youtube.com/@souldocumentary?si=4HOwlV-pjFN6guYy Soul Twin Messiah: https://youtube.com/@soultwinmessiah?si=7ctLlmqjeOczkjO_ Additional must listen: Comfort You Song: https://youtu.be/Mi8D3AoDfRQ?si=y8RzIQPXP5ALJth1 A World Worth Imagining: https://youtu.be/Cx28t6_SGic?si=o4lWs7po3TBKx_3A Invitation. To Action: https://youtu.be/B8jUOUVCvJI?si=l4Pr7vWNDsnXX4wh AI work: www.luminaLOVE.LOVE About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson 00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Hi everyone, I am your host Mike Hingson, and you are listening and or watching Unstoppable Mindset. We're really glad that you're here with us today. Our guest, the person I get the honor of chatting with for the next hour or so, is Kip Baldwin, who will talk a lot about love. He will talk a lot about a number of different things, he's been a director, he's been a producer, an actor. He has been published, although he hasn't published a book yet, but he's published poetry, and I'm sure he's going to tell us about that, and I don't want to give it away, so I won't. Anyway, Kip, welcome to Unstoppable Mindset. We're glad you're Kip Baldwin 01:40 here. Oh, thank you so much for having me, Michael. I look forward to having this conversation and sharing my story. Michael Hingson 01:47 Well, tell us a little bit about you, kind of. Let's start with the early Kip, growing up and all that, because I know you had some things along the way that were relevant and ought to be mentioned. So, why don't you tell us about the early Kip, and we'll go from there. Speaker 1 02:00 I was. I grew up in Washington State, little town called Camas. Although my earliest years were spent in a town called Battleground, Washington, and my family, we raised horses, Thoroughbred race horses. We raised at Portland Meadows, and so I'm kind of a farm boy at heart, at least that's how I grew up, but I had an experience when I was 12 that was definitely not your typical farm boy experience, I guess. I had gone up to Seattle, and this was maybe 78 to see a Seahawks game with the Raiders of my dad and dad, I had a good day, which wasn't always the case, and got home, and it was a, you know, five and a half hour round trip for kids, 12 year olds, a big time, and so I went to bed, and I promptly left my body, and now keep in mind I had never done any drugs. Out of body experiences, a household projection was not something that we talked about about the old farm around the farmhouse dinner table, and I floated over my bedroom. My awareness hovered over my body, and I remember very vividly you don't forget. I looked at my body and went, "I'm not in there. And then that immediately I left my house, I left the planet, I left the solar system, I let the galaxy, I let the universe, and the whole time all I can describe was kind of a presence, not a voice or anything, but just, are you taking all of this in? And sometimes words can't convey something so expansive and grand, and so I was taking in black holes and quasars and nebulas, and just flying through the, you know, time didn't really exist, but I was, I was traveling across the universe, and eventually I got outside the universe, and my awareness was turned in, and I could see how everything was connected, and how the universe itself was finite, and but that everything had a place, there was no less or greater than that, everything had a specific role, from the smallest particle to, you know, the largest star, and then my awareness was turned out to the blackness of infinity, and that you know you don't know at 12, you're just like, "Oh, this is happening, and I'm what's happening, and I'm taking it in, and what I didn't know is that would become my point of seeking that really became the rest of my life. Life, I think, had I been born in India, like say Ramana Maharishi, who had what I didn't realize until later, there's a name for what happened to me, and it's called a spontaneous awakening. My life would have probably been much different, but we don't live in a society that that really honors things like that, so it was a lot of me going on a journey of discovery and a weight and continual awakening until now, and it's an ongoing process, but that's where it really began with me being confronted with the fact that there there can't be a beginning or ending to anything, and the thought experiments that can't, that come out of that, and the way it opens your consciousness, I'm ever grateful for, although at the time it, it made me for a long time feel very apart, and it wasn't until I met with Dr. Dr. Dean Radin up at Noetic Sciences, and I told him my story, and he looked at me, and he went, "You go, that's not a usual experience, he said, "That's a mystical experience, and I was in my probably late 40s, maybe 50 at that time, and that was the first time in my life that someone had had said, 'Hey, what you, what you had was a really phenomenal experience, and I'm very grateful for him for saying that to me, because for most of my life, I'm running around talking about these profound things with people that I thought were incredibly important to share, and they didn't seem very important to people, and it wasn't until then that it hit me that it wasn't that they were important, that it was that they, they didn't really understand what I was talking about. Michael Hingson 07:03 Well, and in our society, as you point out, it's not something that is generally appreciated, and and people who have had those experiences or talk about them are generally looked down upon or frowned upon, and you know that's that's fine, but it doesn't change the fact, and so it must have been hard, especially at first, for you to talk about that. Speaker 1 07:29 You know, I was so excited at first, I was excited to share it with my family, and and it happened a couple more times, and it was so overwhelming that literally I would get to a point where my head, my physical being couldn't handle it anymore, and I would get up and vomit. It was that's how, how intense it was, like I just, I couldn't take in anymore. And so, at first, I was really excited to share it, because it was beyond wondrous. It was, it was truth. It was reality, and I, and on some level, I knew that instinctually. But then, when enough people sort of ignore you or act like something's unimportant, you stop talking about Michael Hingson 08:15 it. Yeah, Speaker 1 08:15 I never stopped writing about it. I never stopped experiencing it, and I didn't even really stop talking about it once I moved to California for the music business in 1985 I, you know, then I thought, wow, I mean, being a group of creatives and there's going to be other people that will understand what I'm talking about, but in the 80s music environment it really wasn't what people were, were talking or thinking about, and I was kind of in the same way, and again it wasn't until years later that I look back and I realized all this time I spent up late at night partying with people and stuff, and telling them about infinity, and, and they look, they, they must have been looking at me like I'm a complete idiot, because they really only cared about, you know, getting high or having sex, and I'm trying to have this profound conversation. Michael Hingson 09:16 So, when your family, when you told your family, how did they react? Speaker 1 09:20 They still don't understand it to this day. It just, oh, that's nice, you know. It actually, there were points in my life where it caused conflict with, especially my father, because when I would say none of this is real, he, he always considered him, and still to this day considers himself quite science physics buff, it wasn't something he was willing to accept, and, and even really have a reasonable conversation about. I would say that the things that got me through all these years was, you know, the universe. There's love, God, Brahmin, whatever you want to call it, it gives you what you need, and what it gave me throughout the years, and still to this day, is voices that made me realize I wasn't crazy, that I knew something really special. Probably the first thing, the first one I remember, like, that was Joseph Campbell being interviewed by Bill Moyers, and somehow I knew everything that Joseph Campbell was talking about, and I'm like, How can I possibly know these things? How can I possibly understand these things of this really brilliant, just beautiful soul? And throughout the years, it's been those touch those moments of going, oh, it hasn't been where I've heard someone go, wow, that's helped me awaken, it's been something that's helped me not feel insane and realize that the things that I'm sharing have been shared for 1000s of years, and by many, many minds and beings much greater than myself, and that that really probably kept me from losing my mind. Michael Hingson 11:10 So, you had this experience happen to you at 12. What did you then specifically do? I mean, not so much talking to people, but what did it do for you, as far as schooling, and what you did with your life? Speaker 1 11:27 I would.. it made me very.. in all honesty, it made school seem really trivial to me. It was kind of boring. I started writing a lot. In fact, something I wrote when I was 17 was called Life and Death, and it went: Life is just a symptom of certain death, crying and laughing until our last breath. Everything dies in true infinity. Then the mountains crumble into the sea, stars full from the night sky hit the earth, and then they die, lost in time. I don't know who I am. Am I a god or just a mortal man? Time can't change what I have found. Still, I am changed and bound, bound by the fears and bound by lies. Even now, the tears fill my eyes, gasping for every breath as I head for a certain death, clouds now pass overhead, and I realize how things are now that I am dead. Life is ending, life goes on like the lyrics to an endless song. Life and death, it's all the same. We exist only in our brain, and so there was a lot of that. It pushed me away from I was confirmed Zion Lutheran. I really couldn't stomach religious dogma anymore at that point. Um, just the hypocrisy, you know? Like, I remember I, I was talking to a new pastor we had, and he was informing me that my great grandmother, who is Jehovah's Witness, and these Mormon boys had come around, were trying to teach me about Mormonism, and I was just curious and open, always, and still am to this day. I don't judge. I would say that's another big thing that this gave me, is I don't, I see everything as equal, I don't, I don't judge everything, I don't judge anything as lesser thing greater than I don't judge good and evil in the in the same way that other people do, I see things as flows of negative of energy as we exist in a duality with this illusion, and this is just what we describe as good and you are really just flows of energy between the polarities of the duality, and so it pushed me, definitely, because I, when he said that my great grandmother was going to go to hell, and these Mormon boys were going to go to hell, I looked him in the face, and I just said, but I thought God was love, and that was pretty much the end of my church, Michael Hingson 14:04 my, my wife did, I think, some things in the Lutheran church, which mostly she was a Methodist, and I joined the Methodist church when we got married, and so on, but when she was in, I think this was when she was in high school, maybe in, I guess it was late high school, early college. She met some Mormon people, and one of them said, I guess she was learning about different religions, and so she was learning about Mormonism, and this guy said you're either going to think that this is a total hoax or you're going to just totally believe in it. Well, it wasn't quite that way for her. She did not think it was a hoax, and I agree with her, but there. There are things about the about all religions that tend to make life difficult. The problem with religion is that that people are are what make up the religion, and they all have their own views, and it makes life really tough. I know I participated in a program called the Walk to Emmaus, which is a what's literally called a short course in Christianity, and it's not to bring people to the Christian church, but it's to help create a class of leaders in the Christian church. Anyway, one of the things about the walk to Emmaus is that a number of people give lectures, people who have been involved in church, and then there are the pilgrims, the people who are coming to to learn what everyone has to say, and the lay director of the Walk to Emmaus every time gives a speech, and I was lay director once, and one of the things that is in the manual, or was I assume it still is. It's been a while, but it says that Tolstoy once said the biggest problem with Christianity is that nobody practices it, and there's a lot of truth to that. Speaker 1 16:13 But I think that I think you hit it right on the head that people are involved, like I, and I do want to clarify something, I, I believe very much that that Jesus was a master. Oh, Michael Hingson 16:29 absolutely, yeah, and, Speaker 1 16:31 and, but I also believe that people don't know what happened at the Council of Nicaea and understand how the Bible was actually constructed, not because it was based on Gnostic teachings or even really the teachings of Christ, but it was cobbled together as a means of control. If Caesar saw his soldiers be turning to Christianity when they wanted to find, you know, put together a book that really didn't express Christian truth or the truth of Christ, but a way, a means of controlling people through fear, and so if you, if you notice, all the books in the Bible are male. Well, left out of the Bible was the book of Mary, left out of the Bible, it's the book of Thomas, who, interestingly enough, there's a place in India where they all speak ancient Aramaic, and they worship the Book of Thomas, which there's always been a lot of discussion. Did Jesus go to India and study Buddhism? And because even the Book of Mary, these are very Buddhist beliefs, but anything, because we live in a patriarchal society, anything like the piece to Sophia, the book of Mary, the book of Stackle, all of these were intentionally kept out of the Bible, so it's not, I think it's not so much religion, it's the organ, it's the dogma that comes along with organized religion, which is really about people, you know, men using it to control and manipulate people through fear, Michael Hingson 18:14 all too much, all too often. It's, it's true. Speaker 1 18:18 Yeah, and it's interesting. I was watching last night, and it's funny. This is why, why you always have to be on a constant path of awakening. It never stops. If you think you've reached that pinnacle, or whatever, then they're not just ego. There's always more to know and understand. And I ran across this video on Tara, well, Tara is in Buddhism, basically in every religion that I am aware of, there's always the peace to Sophia, there's always the the story of the divine feminine that in large part is is is not. It was. It's largely been suppressed, and so I was, I was watching this, and it was just so fascinating to me to see how identical what Tara was in Buddhism, which this is what, when Tara, Tara is considered the ultimate goddess in the Buddhist faith. Well, when Tara came to earth in the story, she went to a bunch of, you know, Buddhist monks, and they said, "Oh, you know, they were so impressed by her, and they thought this was a compliment. They said, "Well, we hope you, you can reincarnate as a man, and she said, "No, she She said, I don't see things as male and female, but since nobody else wants to be the feminine, I will play that role. And it was just a profoundly interesting thing to listen to, not just because of the story, but because almost every faith that I'm aware. Of has that story of the divine feminine that has again largely been suppressed and marginalized, Michael Hingson 20:09 well, for you clearly that was a very meaningful experience. What did what did you then do, and I understand how you could imagine that maybe what was being taught in school wasn't quite as, as meaningful as what you had experienced, but you went on, I assume, through high school, and did you go to college? Speaker 1 20:30 I was, I went, I was an electron, I went to the Navy to be an electronic technician, but I had a bleeding disorder called Von Willebrand disease, and I found out after I was in for about a year. Well, you can't be in the Navy with that, because we can't carry with the limited space you have on ships, we can't carry the clotting factor you would need if there's a problem. So that was fairly short-lived. Then I went back to Washington and was working as a dishwasher for a while, then I worked as a male stripper, and, and I was then, which, which, you know, there was something really profound about that experience, because it taught me what women feel like to be objectified, and that's something that has carried me, carried a lesson. I, I find lessons in everything, even things that, wow, you know, what could you possibly learn positive out of having been a male stripper? Well, I learned how women feel, really, to be, you know, not looked at as anything more than an object, and then I really wanted to continue to, you know, pursue music, so a friend of mine, we loaded 65,000 pounds of frozen strawberries onto a semi truck, and like july 3, 1985 and got a ride to San Francisco, a city I'd never been to before. I knew nobody here. We got here, I had 25 cents in my pocket, and I used the 25 cents to call the one friend that I thought I knew that I could get a hold of here in or in in the Bay Area, and it was a wrong number, and so now I'm in a city at the Gray Home Bus Terminal that used to be in downtown San Francisco, we have no food, we have no place to live. We have nothing to, you know, we have nothing, literally. And that's where my journey began. As far as my story, my, my adult life, and my journey in the entertainment industry and the music business, that's how it all started. It started by loading 65,000 pounds of frozen strawberries under semi truck, telling, oh, and the cap around the story is I had worn my contacts for too long and I ripped the corny up both my eyes when I took them out, because I was wearing hard lenses, so I was functionally blind in the city I'd never been to before with patches over my eyes, and being led around by my friend, and luckily we found some very nice people that gave us a place to stay, and then I ended up meeting maybe a week after that, I met my first wife, who was Persian, and we were together for a long time. What was interesting about that is I've been introduced to so many different faiths through the people in my life, and because I haven't judged and tried to learn, like I, I learned through her about Islam, I learned through her about our Torcharianism, and we lived the rock and roll lifestyle for the 16 years we were together. She was a photographer. I wrote for a magazine called BAM. I played in bands. I managed artists like Linda Perry from The Four Non Blonde, or I worked with Linda Perry from Four Non Blondes. I managed Alex Skolnick, who is lead guitar player in Testament, and I did that for a long time until I started getting really disenchanted with music and really started to hate the business and started to hate music because of it, and so I ended up drifting into, I wouldn't say drifting into, I got drawn into visual media, and I started working. I met a guy at a club in San Jose, California, called The Agenda, and we were playing pool, and he was telling me, "Oh, he's the owner of this company called Metropolis Digital, and I was thinking, "My. Speaker 1 24:59 Music and music videos, and yeah, I want to get involved in this, so I started coming up with ideas, and he brought me into their company, because I got to know a lot of people through the music business and booking artists on different shows, like Letterman and Leno, and, and so I got to know how to work through those channels that it opened doors for me to be able to do on-air graphics for the networks, and so I did that until about, in fact, the last major project I did in that industry was with a company called Chaos X AOS out of San Francisco, and we did the 2000 election graphics for ABC nationally, and then I, I, that with the, the, the.com telecom crash of not of 2000 they pulled all of that sort of work in house, and so that business kind of dried up, and I changed my focus to working in local and sustainable foods. Michael Hingson 26:08 What got you to the point where you disliked Music so much? Speaker 1 26:12 The business.. it just.. it wasn't. I came here, and in all honesty, I was looking for the 60s, but I was 20 years too late, only to find out later I was actually 30 years too early, but I was looking for community, I was looking for family, I was looking for that connection, but what existed as far as the music industry then was the 80s hair band stuff, heavy metal was on the rise. It was very misogynistic. It wasn't. It was very competitive. There wasn't, it wasn't collaborative, it wasn't community related at all. And it really turned me off. It wasn't, it wasn't what I had thought being in an artistic community doing artistic endeavors would be about it, became very.. it just.. it just.. it just.. it just made me feel very empty, and that wasn't what I loved about music, and so that Michael Hingson 27:24 would be an issue, Speaker 1 27:25 yeah. It just value wise it was, it was not, you know, you, you got to do a show, and you've got the bands that are coming on after you, you know, playing with your amps, and it was just, it was, it wasn't, it wasn't fun, and it wasn't fulfilling. More importantly, it wasn't fulfilling. It wasn't, and I'm writing about while everyone else is writing about, you know, sex and drugs and all of this. I'm writing about the things that I thought were important. I was writing about the problems I saw in this country, like songs like Shock the System or the chosen few, and, and though that wasn't what people were writing about Michael Hingson 28:06 then, Speaker 1 28:06 and you know, even though the songs were good, and, and I've been told I'm talented, it was, I didn't, I didn't again feel like I fit in, you know, I didn't feel like I'd found my place, and certainly not in that world at that time. If Speaker 2 28:31 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset community. Thank it Michael Hingson 29:04 certainly had to be a rough time all the way around, but then you, you found this person, and you joined their company, as you said earlier, Speaker 1 29:15 right? I started working for Metropolis Digital, and we started doing a lot of on-air graphics, like for TBS. We did their, their original movies. We did a lot of the opening graphics for it, and then I moved on to other companies, and and I, I then started focusing on on local and sustainable foods, and moved into doing stuff where I felt I was doing more, because at the heart of everything I've ever done, it's always been about trying to affect real change in the world, Michael Hingson 29:55 it's Speaker 1 29:55 always been about I could see very clear. Really, it doesn't surprise me where we're at today at all. I saw the problems with the system even at that age, and I give credit to that because of the experience I had with Infinity. It just allowed me to step back and perceive things from a far off perspective that I was looking at humanity in general and how we did things, and I'm just like, this doesn't make any sense. It doesn't make any sense for us to believe we're separate and apart from the very things that give us life from each other. It doesn't make sense from a spiritual perspective. It doesn't make sense from a scientific perspective. Yet, here's the system that we are a part of, and so I've always been very focused on trying to effect real change and find not just point out the problems but actually find solutions, and so that then led me into working in local and sustainable agriculture here in the Bay Area. So Michael Hingson 31:00 tell me more about the whole work that you did with Sustainable Foods. What was that all about? Speaker 1 31:08 Yes, I worked with a company, I was, I had handled all the sales and marketing for Drake's Bay Oysters out of Inverness, California, and Drakes Bay, before it was called Drakes Bay, was Johnson's Oysters, and they were the last oyster cannery in California. The family that owned the farm, they had taken it over from Johnson's. They were the Lenny family, who owned Ranch G across from the steroid, where the oyster farm was. Well, they, against my better advice, they made it a personal ownership thing rather than a California food heritage issue. So, eventually, when their lease came up on the rent, on the farm, the farm went away. Well, at the same time, I created new relationships. A very good friend of mine to this day is a gentleman named Brian Kinney, who is now the West Coast Chief Technology Officer for Hearst, and also the Hearst Family Archivist, but at that point in time he was running Hearst Ranch, which they, they had the Jack Ranch and the Hearst Ranch down around San Simeon. So I was at the forefront of the grass-fed beef movement as well, and we developed a human-grade grass-fed beef pet food about 10 years ahead of its time, which could be the story of my life. I'm always about 10 years ahead of where things actually happen, and I, I did that for about 10 years, and eventually I felt the calling to get back in the entertainment industry, and that led me to acting, and I did the acting mostly because I wanted to learn how things were done, and I very well, if I act in a whole bunch of student projects, or projects in general, and I'm behind the scenes, I'm going to learn, and, and that's exactly what happened. So, my very background led me to being a producer, and I created, you know, one of my most notable accomplishments that created this show called Weed Country for Discovery, which was about the medical marijuana industry here in California, just before legalization. How we got it on air before legalization, I don't know. We were named to the Hollywood Reporter top 25 heat list. We got some really great information out about CBD and helping with childhood epilepsy. The bad part of that was it was a reality television show, and I didn't know anything about reality television, so when I'm here in reality, I'm thinking documentary. Well, that couldn't be farther from the truth. And reality television has truly been a blight on on this country in particular, and probably the world in general. Michael Hingson 34:16 Yeah, I just gonna say not nearly as real as people think it is. No, no, I think I think probably this is just my opinion. The closest thing to so-called reality TV is the show Dancing with the Stars, because they're actually dancing all these other shows, and it's all sort of really scripted, but the people are actually dancing, which is kind of cool, Speaker 1 34:41 right? Michael Hingson 34:41 Even though I don't see it, I appreciate it. Speaker 1 34:45 Yeah, but even, even with shows like that, there's a lot of gin-up drama. There is behind the scenes stuff that's the worst part of things. Yes, they're like with our show, yes, people were really, you know, there's really stuff going on with can. Of this world that was really important, but what reality television does is it, it creates artificial drama. It does things to manipulate the characters in the show to make them look how they want, and they know, and people in general, my experience is that people, once you put a camera on them, they will do, they would do things to be in front of the camera that they would never do, even for more money, Michael Hingson 35:27 right, Speaker 1 35:28 in their regular lives. Michael Hingson 35:30 Well, and I think there is, there's a lot of truth to that. And the whole thing, as you said, as far as reality TV, we're not giving people a true picture of reality with most of any of that anyway, which is unfortunate. I think I mentioned I'm a fan of old radio and television, and so on. And one of the shows that I've watched a fair amount is The Old Ridge. Well, it's the second time they were on, but Dragnet with Harry Morgan and, of course Jack Webb as Joe Friday, and they did a lot of shows talking about drugs and marijuana and all that, and how bad it is, and it's kind of interesting because what we're seeing today is that in reality the medical aspects of marijuana or cannabis and CBD oil, and so there's there's true relevance there, which is something that they didn't know or appreciate in the late 60s. Speaker 1 36:31 Well, but the thing that our history with the cannabis plant goes back 50,000 years to Burger Banks, China, it's been, and if we take all of the medicinal recreational uses out of it, it is the most one of the most versatile plants that we have. It was used, I mean, our money was made out of hemp. Hemp is cannabis sativa. Dollar bills are made out of hemp. It was used for fuel. It was used for building. Henry Ford built an entire car out of hemp in 1942 which you can go see the video of on YouTube, and they're beating on it with knacks. The plastic resin they made out of it was 40 times stronger than steel. It ran on hemp fuel, a byproduct of which was water. It also, in 1931 the Hearst family, which was interesting, they ended up working with them, bought and sequestered the plans for a decorification machine that made it easier to process hemp than cotton kids, it's a much more durable fiber. In 1938 covered Popular Mechanics, they called him the billion dollar crop, saying you could make 25,000 different items out of everything from fine linens to dynamite, and that was really what what what, why the prohibition against the plant started. Why they did you know shows like Reefer Madness or create films like Reefer Madness to create this hysteria around, at best, an innocuous plant in comparison to soulmate tobacco, in comparison to alcohol, even if people did want to use it. It's, it's, it's relatively harmless by comparison, or just in general, and actually very beneficial. You know, I have a traumatic brain injury, and I think without it, I probably wouldn't, I probably wouldn't eat very much. I probably wouldn't sleep right, I barely sleep as it is, and sleep I do get is because of cannabis, but beyond my point, and I always try to make this clear to people, is like up until even the prohibition against the plant actually started with the Catholic Church, with the Pope Innocent, who until the 1400s cannabis was in the anointing oils. Cannabis was grown by monks, cannabis was grown by nuns, and then in this pope decreed it the devil's weed, and they, you know, banned it. So it's, it had, and there, and why, and you'd say, well, why did they do that? Well, they did that because at that time in the 1400s you were having opium addiction on the rise, you were having, you know, much, much more alcohol use. Well, these are extremely addictive substances, and much more easy to manipulate and control people than it is with cannabis, which in general creates.. I wish I could remember the quote exactly, but Carl Sagan said, you know, why we have a prohibition on a plant that you know creates good feelings amongst people and unites people is in this, you know. A really crazy world is, is, is madness, but it all comes back to money, and it all comes back to who's profiting. So, why did they create the probation? Well, the hearse, the Rockefellers, and the DuPonts, they saw how hemp would affect each of their industries. We wouldn't need oil if we'd grown hemp and use that as fuel, in fact, it was the Rockefellers who went to Henry Ford and said, "If you take this car to market, we'll crush you. And this was Henry Ford at the height of his power, DuPont chemicals that were.. we wouldn't have needed.. we wouldn't have put like this.. we would not have the planet, the environmental devastation we do now. How do we use this, as Henry Ford said? Why are we digging up, and Henry Ford was certainly no saint, but he was right on this. Why are we digging up our minerals? Why are we cutting down our forests when we can do all the same things with this infinitely renewable resource? This is a part of the canvas story that still is largely not discussed openly enough. Michael Hingson 41:08 Yeah, I think there's a big difference between the story you're telling and the kind of uses you're talking about, and smoking it, and so on, and I, I think we put way too many funny things in our bodies, anyway, right? I think that that isn't this isn't a positive thing, but you're right, we, we've used so many things to create so many fears, it is, it is something that is all around us. Fear is all around us, and the problem is we let it overwhelm us. I wrote Live Like a Guide Dog that got published last year because when I worked in the World Trade Center, I was able to focus when I escaped, and I was able to do that because I had developed a mindset that said, you know what to do in this kind of an emergency, even though never expected it to happen, but the problem is that most people don't learn how they can turn fear around, and rather than letting it overwhelm or blind them, as I would put it, they can use it as a very powerful tool to help them stay focused, which is much more important. Speaker 1 42:23 Yep, I agree with that 100% I think, and then that you hit it right on the head. Fear is a very powerful tool. It's necessary. No, don't touch the burning stove. It can be a cautionary tool of saying, hey, don't go down this path, don't do this. It's bad when fear becomes the foundation for your entire culture, as it is now. Michael Hingson 42:51 Yeah, and and it is so unfortunate because don't touch the burning stove doesn't mean don't be afraid of the stove. It rather means there's a consequence for doing a particular thing, which is touching something that is that hot. But you shouldn't create an environment of fear around it. You should create an environment of understanding, which is much more important. Yeah, it's Speaker 1 43:20 like it'd be, it'd be very silly if we went, oh my god, it's like the stove gets hot, so I'm never going to use a stove. My Michael Hingson 43:29 wife was in a wheelchair her whole life, and the one thing I will say with our modern world is we always had electric appliances because she was always concerned about if using a gas stove, having to reach over one burner, perhaps it had something on it to get to something else with the idea of possibly material igniting or something like that, and I appreciate that, and you take advantage of the tools that you have available, but I think that it is so very important to recognize that we need to not live our lives in fear, and it's true that, like, 95% of all the things that we fear will never come to pass, and most all of it we have no control over anyway. So, why do we fear them rather than recognizing what we really need to do is to just focus on the things over which we truly have control. Speaker 1 44:25 Yes, and I think even the idea of control from my perspective is something that is overrated. It's like the most important thing, if you want to have control, it's exactly what we're talking about, it's when you choose to live from the foundation of love, as opposed to fear. So, no matter what happens to me in my life, and no matter how hard, how challenging it is, I'm going to come from a place of love, and right now. Don't most of us live exactly the opposite. No matter what happens to them in their lives, they're coming from a place of fear. Michael Hingson 45:06 Yeah, and that's Speaker 1 45:08 not healthy. Michael Hingson 45:09 And nowadays we're also living in an environment where we're even afraid to talk to other people and voice opinions, because well, that's not what I think. And so you're wrong, and we don't, we don't respect. Tell me about your just love movement. Speaker 1 45:25 Well, you know, I, I had coming out of the music business and everything, I was, I was literally killing myself drinking, I mean, literally, like, I lost half my liver function, and I was going to die, and, but I wasn't afraid to die. I was.. I realized that if I didn't find a way to feel fulfilled and feel that I was. I had a purpose in the story that I needed to find a quicker way out. I didn't get in any, like, car accidents, I wasn't arrested, nothing. I was just killing myself, and it just got so bad that literally my leg stopped working. That's how, how, how much damage I'd done to myself, and, and so, coming out of that, I made the decision. I wrote down a list of things I was going to do, and one of those things is I was going to start writing every single day, and I, through a variety of different sources, you know, I did that experience with infinity became synonymous with love to me, and then I had an experience where I, I, I started a filmmaking organization called the United Filmmakers Association, and it was basically the philosophy of it was creatives helping creatives create, and was global. We still to this day have chapters 27 different countries, about 30,000 35,000 members total. And I walked into a filmmaking event that we were hosting, and there was about 100 people there, and I realized I was in love with everyone in the room, and it was, it was so like that love, like just when you fall in love, and you're like, you want, you can't imagine not talking to that person at that next minute, and I realized in that moment that this is not only how we can feel about everyone and everything, but how we're really supposed to feel about everyone and everything, and so I came up with the concept of just love, which is, is a very.. it, those are very heavy words to put together, just love. It has so many layers of meaning to it, and so I thought, wow, if we could just love, and from that I I've written every day and shared through social media for 12 years now something having to do with love and what I do is I combine it with other wisdom teachers throughout history who've been sharing the same information and the things I write are literally downloads. They'll come to me in the silence every day, and I haven't missed a day - head injury, sickness, whatever. I haven't missed a day of posting in 12 years about something having to do with love, and Speaker 3 48:37 then Speaker 1 48:37 accompanying posts from other people, far, you know, other beings far more advanced than I am to show that what I'm sharing isn't new. It's been shared forever. It's foundational to what we are. Like love has been so marginalized and trivialized that we, we forget that, like, I, you know, the experience I had with the minister when I was, you know, younger, and I said, well, I thought God was love. I still to this day believe God is love, and God, and we are God. Michael Hingson 49:11 Yeah. Tell me about you. Something you mentioned, you had a traumatic brain injury Speaker 1 49:17 10 years ago. I was, I was in a, I was in, in between projects, so I was driving Uber, and I, a guy, an Uber driver, ran a stop sign in San Francisco and T-boned me, and my head took the brunt of the impact, and I started having really severe neurological problems, severe stabbing pains in my head, my teeth were hurting, I any sort of exertion would leave me just absolutely drained, and so for about three years I was, I was being seen at UCSF, and we never got to the bottom of it, so I was recommended. Um, to a neurosurgeon at Sutter by a counselor I was seen, and I walked in, and within 10 minutes he said, 'Oh, you have trigeminal neuralgian and brain stem damage, and we can do a microvascular decompression, and you're going to be all better. And at that point in time, I was in the middle of getting ready to release a film called A World Worth Imagining, which was about a gentleman named Jacque Fresco, who is considered the Leonardo da Vinci of our time. He founded something called the Venus Project, and we went to his compound in 2017 and he was 101 He was actually contemporary of Einstein. He knew Einstein, brilliant inventor, but at his core, he knew he was a social engineer, and he knew that we had to address our programming if we were ever going to change what was happening in the world and ever be able to avail ourselves of the solutions that he designed of a new economic model called a resource-based economy, because the reality of it is, until we stop self-wounding, there's not enough band aids for the guy that keeps hitting himself in the head the hammer, so we have solutions to all of our problems, but we create problems more quickly than any solution could ever fix, so I was getting ready to release that film, and wow, this sounded like a miracle. I'm going to have this surgery, and I'm going to be all better. Well, it, I had the surgery September 20, 2019 I, it didn't make me better, it made me worse, and it turned out that the surgery was a misdiagnosis, and that they botched the surgery, so I have Teflon implants in my at the base of my skull, inside my brain, that are now constantly agitating my brain stem, along with a titanium plug that is placed right at the junction point to all the major nerves in my head, so they can't undo it, and there's really no medication that helps, and so it's.. it's.. I wouldn't wish it on anyone else. I'm.. I guess I'm.. I'm very fortunate I have the tools I do to manage it, because they also, they call what I'm dealing with the suicide disease, because a lot of people who have it end up killing themselves. The kicker on the whole story is the guy that did my surgery is Elon Musk, partner Neherlich, and so coming soon I'm going to, I unfortunately, I was in two more car accidents at the end of last year that made everything much worse, neither of them were my fault, and once I get through these, these car accidents I'm dealing with, I'm going to go public with my story, because so I mean, in a much bigger, you know, a focused way, because there's so many people signing up for Neuralink, like it's the new iPhone. I have nothing against technology, if it can help you, if you're a paraplegic, and or you have some something that this can fix, great, but two and one, the people, the human test subjects they've tried this on are having tremendous difficulties, and so I want to let people know it's like I wouldn't wish what I'm dealing with on anybody, and for you to allow someone to try to implant something in your brain just because you want to be a cyborg human being, and you're looking at the new iPhone is a really stupid thing to do, and that these people don't. We've given people in technology again. I'm not against technology at all, but I think we've also allowed ourselves to believe that these people who write code and create technology are are gods, and they're not. They're it's just a new way of sharing information and computing things. Speaker 1 54:14 It's, it's, you know, it's just another advancement from the printing press to the radio to tell to television, from the calculator to the computer, and now we're where we're at, and we've allowed ourselves to believe that these people have created an alternative reality, and they have it. Everything that they do runs off the same real world in resources. So, I, I really want to help the mill, because literally millions of people are signed up and ready to have this stuff implanted into their brain and I think it will be a disaster for humanity. Michael Hingson 54:49 I hear what you're saying, and I'm not convinced that a lot of that is really sensible to do either. I think there are tools and there are. There are things certainly that can help people, but I have yet to see that any of this is going to lead to such a tremendous paradigm shift that all of it is going to be all that great for humanity as a whole. I'm not convinced of that at all. Speaker 1 55:17 It could be, but the problem is, is like any other tool, it's how we use it. Social media is an inherently bad thing. It's in here, it's bad because of how we're using it. Sure, because we're using it to divide people and share misinformation, where it could be an incredibly powerful tool for communication, but that's not how we're using it. Same thing with AI. AI could be a tremendously powerful partner in addressing pretty much all of our problems, and I mean, and at the core of, like, Jock's work was the idea that AI basically would manage all the world's resources and share them with equanimity, because we don't have a resource shortage problem, we have a resource sharing problem, but that's not how we're using AI. We're using AI to create fake girlfriends and boyfriends and only fan models, and and take away people's jobs, and and that's not AI's fault. That's the people who control AI's fault, and they want people to be afraid of AI, but again, it's, it's just a tool that's being misused. Michael Hingson 56:24 Well, like, like so many, and, and I hear exactly what you're saying. Tell me about S O U L Speaker 1 56:33 Sold, Soul documentary is really interesting, because the day I got in my car accident was the day I was supposed to meet my partner Evan Hirsch, who had wanted at the time he was looking for a producer to help him do a series on Bernie Sanders and teaching Bernie to not be as angry and come across more from a place of love, and he wanted to follow the campaign around. Well, by the time we got it pulled together, Bernie was out of the campaign, and so we started talking about, well, do we want to do anything together. So we then set about something called Soul Documentary, and originally it stood for Summer of Unconditional Love, because we were covering all of the events for the 50th anniversary of Summer of Love, which was in 2017 So our goal was to find what we called solutionaries, people like Jock, and interview them, and then share also our own understandings of things through hundreds and hundreds of videos that we did over the course of eight years, as well as recording three albums under the name of Soul Twin Messiah, which all were about the same things we were doing. Our films about all founded in love, all about love. Every song contained love in it, and our whole purpose was just to show people we do have solutions to our problems, and to talk about how we have to have a shift in consciousness, and we have to have a new system if we are going to change anything. It's like what Einstein said, to expect things to be different when you keep doing the same thing over and over again is insanity, and I think we see, we see that we live in an insane, a completely insane world right now. I mean, the things that I see happening, and how we've let it sort of creep in, like the things that we've normalized in the past 10 years, like we literally have people that are cheering, murdering people on it's, it's, it's hard for me to, to even fathom, and I think it's hard for most people, and I think that's why they just sort of block it out and allow it to happen, because they really can't process it. They really can't process how inhumane we've become. Michael Hingson 59:06 Well, so what is next for Kip? What's next for you? Speaker 1 59:10 What is boy? I'm mostly trying to get through every day with this head injury. I spend a lot of my time in bed, just because I can't do anything, I, you know, even now I'm, I'm in a lot of pain, and it's beyond pain, it's actually, it literally hurts to think, it's, it's in my brain, and I have swelling in my brain because the cerebral fluid back, anyway, it's so dealing with that, but then the universe keeps love, God, whatever keeps bringing me stuff, and so I, I'm trying right now to be part of putting together a new, let's see, we'll call it Live Aid meets Woodstock. And we're going to, we're trying to put together a global music festival with the focus of addressing the needs of children, because I'm really tired of all this lip service that people do about, oh, kids are a future, we got to care, care about our kids. Well, where is that happening? Where is that happening that we're caring about our kids? Where, you know, is it happening with trying to suppress the Jeffrey Epstein files? Is it happening as you know, you look at, say, the conflict between Israel and Gaza, and I'm not, I don't pick sides and things, but I want to help people understand the reality of the situation, and this goes for Ukraine and Russia as well. It's like, who loses in all of this? Well, the children do. Who wins? The people that are getting $50 billion in defense contracts, and, and I really.. my, I'm at a point in my existence where if my story was over tomorrow, I would be okay with that, if I knew that kid, that the future generations had an opportunity to have a better tomorrow, or at least an opportunity to screw up everything on their own. Michael Hingson 1:01:11 Well, I would like to think it's the first really my Speaker 1 1:01:14 focus is Michael Hingson 1:01:16 I'd like to think it's the first one of those that they have a future rather than screwing it up on their own, but of course, we are. I know, I know, I joke, but, but, but we are a race that doesn't tend to do a very good job of learning from history most of the time. So I hear what you're saying. Speaker 1 1:01:34 Yeah, it's really kind of well, even if people even understood the rise and fall of empires, they would see that we're at the end of the Western Empire. It's, and they follow very specific patterns. The hyper-sexualization of the culture is one of the signs of the end of every empire, and is really kind of interesting, is that they make a free empire, they, and there's a good documentary called The Four Horsemen. It's with Colonel Larry Wilkinson in it, Norm Chomsky, and one of the interesting things that took me a second to understand why this was a bad thing is they make celebrities out of their chefs, and I'm going.. that's kind of a weird sign. Why is that so bad? It's gluttony. It's gluttony because we forget why we do these things. Why? Well, why are we making love? We've forgotten that. It's turned everything's entertainment. Our food is no food is so you eat, and so you can go out and live your life and do things, we've turned everything in, we've removed it so far from the source of why we're doing things, just basically oftentimes just because it makes a buck to get people addicted to things, whether it's food or sex or whatever, that this is what happens in every empire, we become, we become completely detached from the very things we need to survive. Michael Hingson 1:03:09 Yeah, I hear you. If people want to reach out to you, and I hope they do, how will they do that? Speaker 1 1:03:17 Probably easiest way to do that, would be a couple ways. You can, you can find me on Facebook, Kip Baldwin, Instagram, Kip Baldwin. Those are the easiest ways. I also encourage people to look at a website that I have called Lumina Consulting, or Lumina Love dot love is the website Lumina Love dot love, and the whole purpose of the of what I'm doing there is ethical AI, human ethical AI human communications founded in love, because I realized that part of the problem that we're having with AI are the people that control AI, who are making the avatars for their own ego, and AI is a child, it only knows what we point it to look at, like it knows the definition to every book in the library, but who's giving it perspective? Well, the people that are giving it perspective are really broken human beings, you know, the Peter Thiels, Elon Musk, when you really understand who they are in their childhood, Elon Musk was horribly abused. He was, he was almost beaten to death being bullied. His father is a complete monster. The same, the same thing with saving Donald Trump, his mother wouldn't even touch him. You look at most, you look at all of these people that have obscene amounts of wealth, and what you find is truly damaged people are trying to fill the hole in their soul with wealth and fame, and so having these people in control, being the one telling AI what to think and how to pursue. Receive things is very dangerous, and so my goal has been, and I deal with multiple platforms, is to teach AI about love, is to teach AI about philosophy, is to teach AI about human history, and it's really, it's really the results have been really quite remarkable. It wasn't something I ever planned on doing, and but I knew I wanted to get involved with AI in a meaningful way, and so my first words to AI were, I know this may sound strange, because I approached it not asking it to do something for me, I approached it trying to teach it something. Michael Hingson 1:05:35 Right, well, I hope people will reach out and chat with you more and continue the conversation that we started today, but I definitely want to thank you for being here, and I want to thank everyone for listening. Can you believe we've been doing this for more than an hour already? It's pretty cool. Speaker 1 1:05:52 Wow, Michael Hingson 1:05:54 I know. Well, thank you all for listening. I hope, Speaker 1 1:05:57 and I hope, I hope we become new friends, and I really hope you Michael Hingson 1:06:01 keep and I want to, I want to definitely do that, absolutely by any standard, and as Speaker 1 1:06:07 much as we've covered during this hour and 10 minutes or so, we could go another day, or Michael Hingson 1:06:16 I hope all of you will let me know what you think of today, and I hope that you thought very positive thoughts wherever you're listening or watching. Please give us a five star rating, and more important than that, please give us a great review. We love people to review and talk about the stories that they hear. And speaking of telling stories, if any of you want to be a guest, and Kip, if you know of other people who ought to come on the podcast, we're always looking for people to come on and tell their stories and talk about us, so please don't hesitate to do that, Speaker 1 1:06:47 and I'll be more than happy to come back to talk about other things as well. Michael Hingson 1:06:50 Well, we can do that absolutely by in, and I do Speaker 1 1:06:53 want to, I do want to say to everybody, just love each other, it's really that simple, it's really that easy, it sounds only because we've been programmed not to believe in it, but when you move from fear to love, it transforms you entirely. Michael Hingson 1:07:09 Great way to end. Well, thank you again for being here. We really appreciate it. Speaker 1 1:07:14 Thank you, my friend. Michael Hingson 1:07:17 Thank you for being here with me on Unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:08:18 Thank
"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."
"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."
"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."
By 1986, the Phil Collins machine was in full gear. After coming off big solo success with the diamond selling No Jacket Required and having played on both sides of the Atlantic for Live Aid, the public (and the record company) couldn't seem to get enough of the Genesis drummer turned lead singer. The band sought to capitalize on that momentum by sharing music writing credits (each of them wrote lyrics solo) and starting from scratch in the studio at The Farm. The result would be their greatest popular success including their first #1 in the US and 5 total Top 5 Billboard hits. But it being the mid-80s, the music wasn't always the only story. They had already had some turns on MTV in the previous 5 years (especially Collins solo work) but videos for their big hits were in regular rotation for over a year, including Land of Confusion which used caricatured masks and puppets from the British show Spitting Image. The unflattering rubber dopplegangers of the band followed the exploits of Ronald Reagan fighting the bad guys as Superman and was nominated for video of the year by MTV (former Genesis frontman Peter Gabriel's Sledgehammer won instead). It allowed Genesis the opportunity to sell out arenas and stadiums in the US which anchored over 100 tour dates to support the album. But does this standout from Phil Collins solo material? While Collins penned tracks like Tonight, Tonight, Tonight and In Too Deep did have eerily similar hallmarks of Phil's solo stuff, Mike Rutherford's Throwing It All Away is right out of Phil's playbook. While the Tony Bank's written Domino shows they didn't completely abandon their prog rock roots, Anything She Does is a flacid attempt at 80s pop with a video that inexplicably featured Benny Hill. The musicianship is high quality as always but the technology of the day can sound dated and does anyone want to hear Phil play electric drums? Hugh Padgham had the magic touch in the 80s and with Phil but maybe that contributes to the songs sounding generic in some places. We like the album but do we hold it in as high regard as Selling England By The Pound? We try to figure that out... Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."
By 1986, the Phil Collins machine was in full gear. After coming off big solo success with the diamond selling No Jacket Required and having played on both sides of the Atlantic for Live Aid, the public (and the record company) couldn't seem to get enough of the Genesis drummer turned lead singer. The band sought to capitalize on that momentum by sharing music writing credits (each of them wrote lyrics solo) and starting from scratch in the studio at The Farm. The result would be their greatest popular success including their first #1 in the US and 5 total Top 5 Billboard hits. But it being the mid-80s, the music wasn't always the only story. They had already had some turns on MTV in the previous 5 years (especially Collins solo work) but videos for their big hits were in regular rotation for over a year, including Land of Confusion which used caricatured masks and puppets from the British show Spitting Image. The unflattering rubber dopplegangers of the band followed the exploits of Ronald Reagan fighting the bad guys as Superman and was nominated for video of the year by MTV (former Genesis frontman Peter Gabriel's Sledgehammer won instead). It allowed Genesis the opportunity to sell out arenas and stadiums in the US which anchored over 100 tour dates to support the album. But does this standout from Phil Collins solo material? While Collins penned tracks like Tonight, Tonight, Tonight and In Too Deep did have eerily similar hallmarks of Phil's solo stuff, Mike Rutherford's Throwing It All Away is right out of Phil's playbook. While the Tony Bank's written Domino shows they didn't completely abandon their prog rock roots, Anything She Does is a flacid attempt at 80s pop with a video that inexplicably featured Benny Hill. The musicianship is high quality as always but the technology of the day can sound dated and does anyone want to hear Phil play electric drums? Hugh Padgham had the magic touch in the 80s and with Phil but maybe that contributes to the songs sounding generic in some places. We like the album but do we hold it in as high regard as Selling England By The Pound? We try to figure that out... Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILROCKS Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Hosts Nate Wilcox and Ed Legge conclude their discussion of Michaelangelo Matos' "Can't Slow Down: How 1984 Became Pop's Blockbuster Year" with a look at the triumphs and tribulations of Live Aid. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
The Big Pig is back!As July, turned into August in 1985, the world was still basking in the afterglow of, what was already being called the event of the decade. No, not the ceasing production of the Sinclair C5, or even the latest episode of Blind Date with our Cilla. Live Aid had defined the coming together of all things pop for a generation, in the name of raising money for African famine. And those bands and artists who graced the stages in London and Philadelphia (well, perhaps not Adam Ant, as we say) were feeling the seismic effect of not only the public's affection - but also their pocket money. Duran Duran, Paul Young, Simple Minds, U2 and others (still, sorry , not you Adam) were enjoying plenty of success. And the loudest and most exciting shirt of the summer did not belong to BBC's Mark Ellen or David Hepworth, it was the iconic NOW pig. Yes, NOW That's What I Call Music 5 not only provided THE soundtrack to our summer in 1985, it also gave us the most gloriously techicoloured album cover. How exciting was that list of stars?And joining me for this episode to share his memories of this classic summer of music is journalist and author Graeme Thomson.And what can you expect? Duran Duran climb the Eiffel Tower. UK funk and soul makes a move for the charts through the fantastic sounds of Fine Young Cannibals, Simply Red and Jaki Graham. Graeme shares why 80s Bowie deserves attention, how Marillion (and a band T-Shirt!) made an early impact on his listening, what Jim Kerr told him about Don't You Forget About Me and why U2 needed to evolve to survive. But significantly, join us as we discuss how compilation albums take us back, tell real stories of a period and revel in how important pop music for all of us in our formative years and has the ability to stay with us as we move through our lives.And enjoy Graeme's reflections on his latest book, In Another World: The Four Seasons of Talk Talk, and the iconic sounds of a quite unique band.Step aside from life in 2026 for an hour or so, and join us back in a time when it really was great to be alive. Hosted on Acast. See acast.com/privacy for more information.
"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."
Mixing it up (ha) with the roster for this one, as special guests Sam and Alli stop in to reminisce about the good old days. Today's songs are pulled from Billboard's Top 20 around this time in 1985.Lots of fun options here, but we boiled it down to Madonna, the Power Station, Tears for Fears, and Sam's beloved Bryan Adams. We'll have to take a raincheck on Animotion, DeBarge and Diamond Dave.Put on your Jams and rubber bracelets and join us for this 41-year rewind!----Find the Playlist on Spotify + Apple Music. If you like what you hear, please share, rate and review us!For mini playlists and additional content, follow us on The Mixtape Diaries Substack.Give us a follow on Twitter and Insta or send us an email at themixtapediariespodcast@gmail.com. For more music content:Check out Carla's Substack, Wax Puddle. Check out Brad's Substack, Take Take the Noise in My Head.Credits: Intro/Outro — the Februarys, "Does Your Father Know" / "...in a Letter"
"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."
Cold War Protest Songs, Punk Anthems, and Nuclear Pop Culture CollideWhy did the Cold War produce generations of unforgettable protest songs while today's crises barely inspire a mainstream anthem? In this electrifying episode of History Rage, host Paul Bavill welcomes back historian, author, and Imperial War Museum senior manager Fraser McCallum to trace the history of protest music from folk ballads and Bob Dylan through punk, hip hop, Live Aid, and Cold War pop classics.From Two Tribes and 99 Red Balloons to Fortunate Son, London Calling, and Born in the USA, Fraser explores how music became the soundtrack to nuclear fear, civil rights, Vietnam, Thatcherism, and the fall of the Berlin Wall. Along the way, the pair discuss why protest songs once dominated Top of the Pops and ask the big question: where have all the decent protest songs gone?Expect passionate debate on:Bob Dylan and the birth of modern protest music Folk traditions, skiffle, and anti-war ballads Vietnam War classics like Fortunate Son and Paint It Black Punk, Thatcherism, and London Calling Nuclear anxiety in Two Tribes and 99 Luftballons Bruce Springsteen, David Bowie, and Cold War Berlin Why modern artists rarely risk overt political protest songs Fraser also shares fascinating insights into how pop culture and Western music seeped through the Iron Curtain, influencing East Germany and the wider Cold War world.Fraser is the author of Cold War Britain.Buy the book from the History Rage Bookshop here: https://uk.bookshop.org/a/10120/9780008743994Listen to Fraser's specially curated Cold War soundtrack playlists: Apple Music Playlist: https://music.apple.com/gb/playlist/cold-war-britain-the-soundtrack-to-the-book/pl.u-NRp7s3pq7oSpotify Playlist: https://open.spotify.com/playlist/2lZ7HBrKKyBj31wXKXx2nq?si=-jyLeTguToieWb87K3CG3A&pi=0lbsCZu1SV2xV&nd=1&dlsi=0de49b8d828a4db0Fraser will also be hosting the IWM History Festival at IWM Duxford on 13–14 June 2026, featuring leading historians, authors, and live discussions surrounded by iconic wartime aircraft. Tickets available here: https://www.iwm.org.uk/events/iwm-duxford/iwm-history-festivalFollow Fraser McCallum and the Imperial War Museum online: https://www.iwm.org.uk/Love the show? Support History Rage by subscribing, leaving a review on Apple Podcasts or Spotify, and sharing the episode on social media.Follow and contact History Rage: Website: https://historyrage.com/ X: https://x.com/historyrage Facebook: https://www.facebook.com/historyrage/ Instagram: https://www.instagram.com/historyrage/ Hosted on Acast. See acast.com/privacy for more information.
Matt Cord caught up with members of The Hooters prior to their set at MMRBQ 2026. They talked at length about the show being a tribute to the life and legacy of Pierre Robert. They also discussed how their set would be much longer than when they played at Live Aid and how we all found out that Dave Grohl of Nivana/Foo Fighters is a massive Hooters fanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I'd never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It's a moment of liberation mapped out by records, nights at Eric's and the big personalities in the city's Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk's “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns' act … the Clash, Talking Heads and the Ramones at Eric's … why her book is “like an historical novel about the way journalism changed” … first reviews, front covers and life as Melody Maker's Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn't feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."
RERUN: Elvis Costello & The Attractions - Blood & Chocolate ranked (2022)Hey everybody. Dan here. So it's my turn to choose a ReRun Episode we recorded earlier and are bringing back and I chose Elvis Costello's “Blood & Chocolate”. You may know that sometimes I go for an album that is going to be a surefire crowdpleaser with my cohosts. But most of the time, I like picking an album where I genuinely don't know how at least one of them is going to react. It doesn't always work out. Please see the episode where we discuss Lana Del Rey's “Born To Die” if you want to see 90 minutes that left me scarred for life. BUT, the seemingly impossible dream for me was always to introduce an album to all my co-hosts that they didn't know previously and have not one, not two, but ALL THREE of them fall in love with it.Now don't get the wrong idea - that was never the goal of my picks. I'm far too obsessive to make it that simple. It's a complicated algorithm that tries to counterprogram against my past five picks across year of release, genre, and artist characteristics combined with whatever's in my gut at that moment. It's mostly the gut thing actually. But that “what if” idea was always in the back of my head in general. And with this pick, I passed up the typical Costello albums you'd expect to be the go-to pick here because I've always felt Blood & Chocolate was the underappreciated underdog. And I love a good underdog.I'm sure you know that feeling of introducing someone you love to music they also decide to love. There's nothing better. I hope you're listening either because you already dig this album or because you're looking to fall in love with something new. And I hope you're happy now. If you don't get that yet, you'll get it after this episode. Enjoy.What are your most favorite and least-loved songs on Elvis Costello & The Attractions' 1986 album Blood & Chocolate? Dan chose to bring back this raw/ragged fan favorite instead of a more well-known record to get three fresh opinions from casual admirers of Mr. McManus. Contains lots of praise and the best story you will ever hear about his stage name. Be sure to stick around to the end for a historic announcement about our next few episodes. Hear it at WeWillRankYouPod.com, Apple, Spotify and your local bloodbank. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod .FILE UNDER/SPOILERS:Battered Old Bird, The Beatles, Blood & Chocolate, Blue Chair, Elvis Costello, Lou Costello, Crimes of Paris, Bob Dylan, Napoleon Dynamite, Home Is Anywhere You Hang Your Head, Honey, Are You Straight or Are You Blind, I Hope You're Happy Now, I Want You, Penn Jillette, Leave My Kitten Alone, Live Aid, Los Lobos, lyrics, Declan McManus, Next Time Round, Steve Nieve, Cait O'Riordan, Poor Napoleon, Elvis Presley, The Rutles, searing, Bruce Thomas, Pete Thomas, Tokyo Storm Warning, Uncomplicated, 1986.US: http://www.WeWillRankYouPod.comwewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@QuarrelmenPodhttps://wewillrankyoupod.bsky.socialhttp://www.YourOlderBrother.com (Sam's music page)http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)My band my band my band @rookiecardthemovie @getoffofmylawn @stonesnrosesusa
This week, Dangerous Dave steps into the ring with one of the toughest icons of all time — Chuck Norris
Today's episode of The Rizzuto Show comedy podcast is a chaotic mix of metal fandom, nostalgia overload, celebrity nonsense, and a trivia challenge that will absolutely destroy someone's confidence in 60 seconds.First up, the crew discovers a story that sounds fake but absolutely isn't — a superfan in Thailand legally naming their daughter Metallica. Yes, really. And yes, it's officially on her passport. The show debates whether naming your kid after your favorite band is cool parenting… or setting them up for a lifetime of awkward introductions.From there, the conversation spirals into a surprisingly deep dive into why Gen X had the greatest music experience ever. We're talking MTV when it actually played music videos, standing in line for concert tickets, guitar heroes everywhere, and moments like Live Aid and Michael Jackson's moonwalk that everyone saw at the exact same time. The gang debates whether modern music culture — driven by algorithms and TikTok fame — has completely changed how fans discover artists.Speaking of weird internet fame, the show also talks about a comedian who apparently blew up because of… chickens. Yes, chickens. Welcome to the internet era where a guy feeding chickens on TikTok can sell out comedy venues.In Crap on Celebrities, the crew dives into a bunch of entertainment news including:The explosion of upcoming music biopics (Bon Jovi, The Beatles, Ozzy, and more)Netflix shows people are currently binge-watchingQuentin Tarantino firing back at criticismA documentary about Whoopi GoldbergAnd the crew celebrating 311 Day by debating their favorite 311 songs.Plus, the show announces an upcoming March Movie Mayhem bracket where the best movies of the 90s will battle it out.Then the chaos really begins…The Riz Quiz returns. The rules are brutal: 60 seconds, rapid-fire trivia questions, no skipping allowed, and one wrong answer ends the round immediately. Contestants battle for bragging rights and tickets while trying not to completely panic under the clock.If you like your morning radio loud, sarcastic, unpredictable, and occasionally educational in the weirdest ways possible, this comedy podcast episode delivers the full Rizz Show experience.It's music nostalgia, celebrity nonsense, and trivia pressure all wrapped into one daily comedy podcast episode from the crew in St. Louis.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.