Podcasts about Live Aid

Jesse Ventura is back on the broadcast to talk with Uncle.  Topics include: climbing and getting there, Animal House, Pacifico, best concerts, Live Aid, seeing bands before they get big, Round One arcade, TikTak, live-streaming, odd type messages popping up on social media videos,  subliminal messages, comedy performance enhancing substances, Eric Clapton Trump supporter, Van Halen, RFK Jr, Covid masks, Jesse Ventura back on the show, Macho Warrior wrestler, at the Baja, Sacramento Kings, NBA Finals

Few rock bands have had a greater global impact than Queen. The British act, whose core line-up included Brian May, Roger Taylor, John Deacon, and absolutely iconic frontman Freddie Mercury – emerged from scrappy prog-rock band in the early 1970s, to pop-rock superstars in the late 70s, to arena-rock gods in the 1980s, selling out shows on almost every continent. Queen's Greatest Hits album from 1981 remains the best-selling album in United Kingdom history, and as of late 2024, has spent more than 600 weeks on the United States Billboard 200. Queen's set at 1985's Live Aid concert at Wembley Stadium is regarded as one of the greatest rock performances of all time. While Queen's golden age ended with the tragic death of Mercury in 1990, its legacy lives on more than 30 years later, and if there is any justice, will never diminish. So join us as the Great Pop Culture Debate attempts to name the Best Queen Single of all time. Songs discussed: “Bohemian Rhapsody,” “Another One Bites the Dust,” “Don't Stop Me Now,” “Under Pressure,” “Radio Ga Ga,” “We Are the Champions,” “Crazy Little Thing Called Love,” “Somebody to Love,” “Killer Queen,” “Fat-Bottomed Girls,” “I Want to Break Free,” “Bicycle Race,” “You're My Best Friend,” “I Want It All,” “Flash,” “The Show Must Go On.” Join host Eric Rezsnyak, GPCD panelists Derek Mekita and Zack Derby, and special guest John Higgins, archivist and legacy consultant for Sir Elton John, as they discuss and debate 16 of the most revered songs by iconic rock band, Queen. Want to play along at home? Download the Listener Bracket and see if your picks match up with ours! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Higgins, Zack Derby Guest Panelist: John Higgins Producer: Curtis Creekmore Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #queen #queenband #music #rock #rockmusic #1970s #1980s #70srock #80srock #liveaid #freddiemercury #bohemianrhapsody #flashgordon #rockband #podcast #musicpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

The Age of Transitions and Uncle 6-6-2025AoT#464Social media is dominated by trolls, and they have used their influence to wreak mass destruction on and off line. Topics include: making sense of things, no allegiances, social media interactions, Tim Pool, bots, trolls, sarcasm, communication, social media Nihilism, trolling is now seen as good, MAGA riding dark online wave, Russian money, Tenet Media, targets of propaganda, alternative thinking taboos, American decline, divide and conquer, Trump vs Musk, telling jokes, rising to top by being an internet troll, comedy routine at debate, Vivek Ramaswamy, being the biggest winner and loser at the same time, billionaires acting like clowns, pro wrestling, is the fight real?, technocratic overlords, Heritage Foundation, Project 2025, Administrative State, privatized system of control, attention economy, pay to play, possible schism within right wing world, MTG, Alex Jones, making excuses for Palantir, hall of mirrors, alternative is already the new mainstream, Steve Albini, being confrontational for its own sake, recanting edge lord past, analog media is dead, living a virtual reality, deflecting, nebulous enemies, literally demonizing your enemy, Golden Age, Western geopolitical alliances breaking on purpose, alchemical dissolution, nebulous ideas as enemies, Red Pill, cosplaying The Matrix, 3 AIs talking to each otherUtp#372Jesse Ventura is back on the broadcast to talk with Uncle. Topics include: climbing and getting there, Animal House, Pacifico, best concerts, Live Aid, seeing bands before they get big, Round One arcade, TikTak, live-streaming, odd type messages popping up on social media videos,  subliminal messages, comedy performance enhancing substances, Eric Clapton Trump supporter, Van Halen, RFK Jr, Covid masks, Jesse Ventura back on the show, Macho Warrior wrestler, at the Baja, Sacramento Kings, NBA FinalsFRANZ MAIN HUB:https://theageoftransitions.com/PATREONhttps://www.patreon.com/aaronfranzUNCLEhttps://unclethepodcast.com/ORhttps://theageoftransitions.com/category/uncle-the-podcast/FRANZ and UNCLE Merchhttps://theageoftransitions.com/category/support-the-podcasts/Email Chuck or PayPalblindjfkresearcher@gmail.comBE THE EFFECTListen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Ochelli Link Treehttps://linktr.ee/chuckochelli

Seit 1984 war Thomas de Vogt eine prägende Stimme und treibende Kraft im deutschen Programm von SBS. Als Executive Producer begleitete er über Jahrzehnte bedeutende weltpolitische und kulturelle Ereignisse – von Live Aid 1985 bis hin zur deutschen Wiedervereinigung, über die er Tag und Nacht berichtete. Im Gespräch teilt Thomas de Vogt seine Erinnerungen an bewegte Zeiten, den ersten Papstbesuch in Melbourne, sowie die Rolle von SBS als Informationsquelle - mit Blick auf eine bilinguale Zukunft für das deutsche Programm.

1985. július 13-án a popzene történetének egyik legmeghatározóbb eseménye zajlott le: a Live Aid. Két kontinensen, Londonban és Philadelphiában egyszerre zajlott a gigantikus jótékonysági koncert, amelynek célja az etiópiai éhínség enyhítése volt. A színpadon ott volt szinte mindenki, aki számított: a Queen, a U2, David Bowie, Madonna, Bob Dylan, a Led Zeppelin, a Who, Sting, Phil Collins itt és ott – és még sokan mások. A közvetítés több mint 1,5 milliárd embert ért el világszerte, és az esemény újraértelmezte, mire képes a popkultúra és az összefogás.- Bob Geldof is a saint - mondta két szám között Bryan Adams: egyik állandó vendégünk, Fábián Titusz segítségével végigvesszük, hogyan lett az ír Boomtown Rats frontembere az évtized közepének meghatározó figurája, mik voltak az előzmények, hogyan szervezte az eseményt Nagy-Britanniában és az USÁ-ban, kik és miért nem voltak jelen, hogyan épít egy hamis mítoszt a Bohemian Rhapsody című film a Queen fellépésével kapcsolatban, milyen utóélete volt a Live Aidnek, milyen magyar vonatkozásai vannak, avagy felléphetett-e volna az LGT a Wembley-ben, illetve a magyar eseményen miért nem játszott az R-Go.Műsorvezető: Bihari Balázs, Németh RóbertA Wanted podcast adása az NKA Hangfoglaló program támogatásával készült.

This week on the show Guy and Gary are unexpectedly without a guest…BUT they discuss the hunt for the missing guitar from Back to The Future after the cast launched an appeal this week, that you can see here: https://youtu.be/m6RdBMtAgSAThey also discuss other infamous missing guitars some of which have never been seen again and some of which have remarkably been found including the very guitar Gary played ‘True' on at Live Aid that was “missing” for years!Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Pete Briquette and the story of Boomtown Rats & Live AidIf you enjoy the show, and would like to support us, please donate whatever you can to keep the show going via Paypal with this link: https://www.paypal.com/paypalme/buydavidlucozade?country.x=IE&locale.x=en_US Hosted on Acast. See acast.com/privacy for more information.

This week on the show Guy and Gary are unexpectedly without a guest…BUT they discuss the hunt for the missing guitar from Back to The Future after the cast launched an appeal this week, that you can see here: https://youtu.be/m6RdBMtAgSAThey also discuss other infamous missing guitars some of which have never been seen again and some of which have remarkably been found including the very guitar Gary played ‘True' on at Live Aid that was “missing” for years!Instagram @rockonteurs @guyprattofficial @garyjkemp @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productionswww.gimmesugar.co.ukEmail the show at rockonteurschannel@gmail.com Hosted on Acast. See acast.com/privacy for more information.

40 years ago, after building a stellar reputation as one of rock's most unique and critically acclaimed bands, Simple Minds reached a new level, becoming one of the globe's biggest bands. It started with a number 1 hit featured in one of the year's most popular films, The Breakfast Club; then an appearance at Live Aid, followed by the most successful album of their career, Once Upon a Time. Randy Renaud takes you back to 1985 -- a golden year for Simple Minds -- on the Chronicles of Rock.

How did a famine in the 1980s spark a global movement, and what role did music and media play in this humanitarian effort? Join us as Merry and Cathy dive deep with filmmakers Chip Duncan and Salim Amin into their documentary, Stand Together as One: The Famine, The Music, The Impact.  Discover the untold stories behind iconic initiatives like the song "We Are the World", Band Aid and Live Aid, and explore the powerful legacy of Mohammed Amin, whose groundbreaking photojournalism changed the world. Chip and Salim reveal the behind-the-scenes challenges of their film, the ethical nuances of visual storytelling, and the enduring influence of compassion-driven journalism.  Get ready for an inspiring journey through history, art, and activism that underscores the importance of unity in tackling global issues. Tune in to reflect on your own potential to make a difference.Salim Amin's bio:From humble roots in a small shop in Dar es Salaam, Salim's father Mohamed Amin began Camerapix in 1963. With the instincts of a warrior and the heart of a leader, Mohamed Amin built Camerapix into a sustainable, world class organization covering news, features and producing documentaries with a variety of global networks including the BBC, NBC and Reuters. Today, Salim has continued that tradition by helping educate Africa's youth through the Mohamed Amin Foundation and as a founder of Africa 24 Media, a media platform that was dedicated to positive stories about the culture and history of Africa.Recognized in 2007 as a Young Global Leader by the World Economic Forum in Davos, Salim's leadership has been rewarded. Today, Camerapix works in collaboration with production partners throughout Africa, Britain, Europe, Asia and the United States. New African Magazine has recognized Salim as one of the top “100 Most Influential Africans” and has named Salim among their “Top 50 Under 50.” Salim was one of only 150 global leaders invited to President Obama's 2010 summit on Presidential Entrepreneurship in Washington DC.Salim's work as a producer includes the internationally acclaimed feature documentary Mo & Me, the One.org production of Revisiting Korem, and executive producing the award-winning documentary The Sound Man. As an on-camera host and producer, Salim achieved acclaim across the Continent for his production of more than 150 episodes of The Scoop, a weekly half hour series featuring Africa's foremost voices in art, culture and finance. At it's peak, The Scoop reached more than 300 million viewers weekly in broadcast and online viewership.Salim published his first book in 2019 titled KENYA: Through My Father's Eyes, a coffee-table book showcasing his father's unique images of Kenya. It is also the first historical book on Africa incorporating Augmented Reality with 12 videos embedded in the pages of the book.Since 2020 Salim has been documenting and preserving Kenya's history through interviews and features, and working on the construction of Kenya's largest history Museum. He refers to his work as a “conservation of history”.In 2024, together with production partner Chip Duncan, Salim co-produced the multi-award-winning documentary Stand Together As One: The Famine. The Music. The Impact to commemorate the 40th Anniversary of the great Ethiopian Famine and We Are The World, Band Aid and Live Aid.Connect with Salim and Chip:Salim's Instagram: @salimcamerapixtvWebsite: https://artsandculture.google.com/pocketgallery/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

Small boy begins breeding budgerigars in Liverpool, makes enough to buy a drum kit and becomes the power behind Big In Japan, the Slits, the Creatures and Siouxsie and the Banshees. And one half of punk rock's most famous couples. The immensely engaging Budgie has finally written his memoir, ‘The Absence', and talks to us from Berlin about … … are bands only as good as their drummers? … Siouxsie, the Ice Queen goth-in-waiting who was actually “a cackling crazy tomboy from Chiselhurst”.    … playing Shadows instruments in a nightclub cabaret, aged 13. … the gnawing pain of not being asked to play Live Aid – “we just weren't part of that all-pals-together-in-the-wonderful word of music”. … “World Exclusive!”: seeing Bill Nighy in a band in the ‘70s singing Rosalita. … the Apache and Wipeout drum patterns in the rhythms of the Slits and Banshees.   … in praise of drummers: Bill Buford, Phil Collins, the Glitter Band, Humble Pie's Jerry Shirley. … the peculiar world of the teenage budgerigar breeder. … the dynamic of the Slits – “Palmolive, off-the-scale crazy”. … ‘You're The Biggest Thing Since Powdered Milk' by Burke Shelley's Budgie, Humble Pie's ‘Rockin' the Fillmore' and when you only have one cassette in your car and it's ‘Wonderworld' by Uriah Heep. … Siouxsie's Jim Morrison fixation and lack of ambition. … the advantage of being in a band with a girl singer. … and the likelihood of a Banshees' reunion. Order Budgie's memoir ‘the Absence' here: https://www.amazon.co.uk/Absence-Memoirs-Banshee-Drummer/dp/1399621564Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."

"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."

Pete Townshend is the songwriter, guitarist and co-founder of The Who. The band first stormed the pop charts sixty years ago, with teenage anthems including I Can't Explain, Substitute and My Generation. Broader songwriting ambitions led him to create the rock opera Tommy in 1969, and the concept album Quadrophenia four years later. Both projects were adapted as films, and Quadrophenia has now been staged as a ballet by Sadlers Wells. Throughout the seventies, The Who were regarded as the biggest and loudest live act in the world. They played at Woodstock, at Live Aid, Live 8 and the 2012 Olympic closing ceremony. Despite the deaths of drummer Keith Moon and bassist John Entwhistle, Townshend and singer Roger Daltrey continue to perform as The Who. Pete Townshend talks to John Wilson about the influence of his parents, who were both musicians. His father, the saxophonist Cliff Townshend, played in the popular dance band The Squadronaires, but it was his mother Betty, a singer, who was most supportive of Pete's early musical talent. Seeing Bill Haley and The Comets at Edgware Road Odeon in 1956 was another formative moment that introduced the teenage Townshend to the possibilities of a rock 'n' roll performance. Pete also reveals how his art school tutor Roy Ascot, who was head of the Ground Course at Ealing Art School, shaped his his approach to his band that was to become The Who. He also recounts how reading Labyrinths, a book of short stories by Jorge Luis Borges on the first US Who tour in 1967 opened his imagination and helped him expand his musical storytelling. Producer: Edwina Pitman

Small boy begins breeding budgerigars in Liverpool, makes enough to buy a drum kit and becomes the power behind Big In Japan, the Slits, the Creatures and Siouxsie and the Banshees. And one half of punk rock's most famous couples. The immensely engaging Budgie has finally written his memoir, ‘The Absence', and talks to us from Berlin about … … are bands only as good as their drummers? … Siouxsie, the Ice Queen goth-in-waiting who was actually “a cackling crazy tomboy from Chiselhurst”.    … playing Shadows instruments in a nightclub cabaret, aged 13. … the gnawing pain of not being asked to play Live Aid – “we just weren't part of that all-pals-together-in-the-wonderful word of music”. … “World Exclusive!”: seeing Bill Nighy in a band in the ‘70s singing Rosalita. … the Apache and Wipeout drum patterns in the rhythms of the Slits and Banshees.   … in praise of drummers: Bill Buford, Phil Collins, the Glitter Band, Humble Pie's Jerry Shirley. … the peculiar world of the teenage budgerigar breeder. … the dynamic of the Slits – “Palmolive, off-the-scale crazy”. … ‘You're The Biggest Thing Since Powdered Milk' by Burke Shelley's Budgie, Humble Pie's ‘Rockin' the Fillmore' and when you only have one cassette in your car and it's ‘Wonderworld' by Uriah Heep. … Siouxsie's Jim Morrison fixation and lack of ambition. … the advantage of being in a band with a girl singer. … and the likelihood of a Banshees' reunion. Order Budgie's memoir ‘the Absence' here: https://www.amazon.co.uk/Absence-Memoirs-Banshee-Drummer/dp/1399621564Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Small boy begins breeding budgerigars in Liverpool, makes enough to buy a drum kit and becomes the power behind Big In Japan, the Slits, the Creatures and Siouxsie and the Banshees. And one half of punk rock's most famous couples. The immensely engaging Budgie has finally written his memoir, ‘The Absence', and talks to us from Berlin about … … are bands only as good as their drummers? … Siouxsie, the Ice Queen goth-in-waiting who was actually “a cackling crazy tomboy from Chiselhurst”.    … playing Shadows instruments in a nightclub cabaret, aged 13. … the gnawing pain of not being asked to play Live Aid – “we just weren't part of that all-pals-together-in-the-wonderful word of music”. … “World Exclusive!”: seeing Bill Nighy in a band in the ‘70s singing Rosalita. … the Apache and Wipeout drum patterns in the rhythms of the Slits and Banshees.   … in praise of drummers: Bill Buford, Phil Collins, the Glitter Band, Humble Pie's Jerry Shirley. … the peculiar world of the teenage budgerigar breeder. … the dynamic of the Slits – “Palmolive, off-the-scale crazy”. … ‘You're The Biggest Thing Since Powdered Milk' by Burke Shelley's Budgie, Humble Pie's ‘Rockin' the Fillmore' and when you only have one cassette in your car and it's ‘Wonderworld' by Uriah Heep. … Siouxsie's Jim Morrison fixation and lack of ambition. … the advantage of being in a band with a girl singer. … and the likelihood of a Banshees' reunion. Order Budgie's memoir ‘the Absence' here: https://www.amazon.co.uk/Absence-Memoirs-Banshee-Drummer/dp/1399621564Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

How did a famine in the 1980s spark a global movement, and what role did music and media play in this humanitarian effort? Join us as Merry and Cathy dive deep with filmmakers Chip Duncan and Salim Amin into their documentary, Stand Together as One: The Famine, The Music, The Impact.  Discover the untold stories behind iconic initiatives like the song "We Are the World", Band Aid and Live Aid, and explore the powerful legacy of Mohammed Amin, whose groundbreaking photojournalism changed the world. Chip and Salim reveal the behind-the-scenes challenges of their film, the ethical nuances of visual storytelling, and the enduring influence of compassion-driven journalism.  Get ready for an inspiring journey through history, art, and activism that underscores the importance of unity in tackling global issues. Tune in to reflect on your own potential to make a difference.Salim Amin's bio:From humble roots in a small shop in Dar es Salaam, Salim's father Mohamed Amin began Camerapix in 1963. With the instincts of a warrior and the heart of a leader, Mohamed Amin built Camerapix into a sustainable, world class organization covering news, features and producing documentaries with a variety of global networks including the BBC, NBC and Reuters. Today, Salim has continued that tradition by helping educate Africa's youth through the Mohamed Amin Foundation and as a founder of Africa 24 Media, a media platform that was dedicated to positive stories about the culture and history of Africa.Recognized in 2007 as a Young Global Leader by the World Economic Forum in Davos, Salim's leadership has been rewarded. Today, Camerapix works in collaboration with production partners throughout Africa, Britain, Europe, Asia and the United States. New African Magazine has recognized Salim as one of the top “100 Most Influential Africans” and has named Salim among their “Top 50 Under 50.” Salim was one of only 150 global leaders invited to President Obama's 2010 summit on Presidential Entrepreneurship in Washington DC.Salim's work as a producer includes the internationally acclaimed feature documentary Mo & Me, the One.org production of Revisiting Korem, and executive producing the award-winning documentary The Sound Man. As an on-camera host and producer, Salim achieved acclaim across the Continent for his production of more than 150 episodes of The Scoop, a weekly half hour series featuring Africa's foremost voices in art, culture and finance. At it's peak, The Scoop reached more than 300 million viewers weekly in broadcast and online viewership.Salim published his first book in 2019 titled KENYA: Through My Father's Eyes, a coffee-table book showcasing his father's unique images of Kenya. It is also the first historical book on Africa incorporating Augmented Reality with 12 videos embedded in the pages of the book.Since 2020 Salim has been documenting and preserving Kenya's history through interviews and features, and working on the construction of Kenya's largest history Museum. He refers to his work as a “conservation of history”.In 2024, together with production partner Chip Duncan, Salim co-produced the multi-award-winning documentary Stand Together As One: The Famine. The Music. The Impact to commemorate the 40th Anniversary of the great Ethiopian Famine and We Are The World, Band Aid and Live Aid.Connect with Salim and Chip:Salim's Instagram: @salimcamerapixtvWebsite: https://artsandculture.google.com/pocketgallery/Thank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."

RTL2 Pop Rock Station clôt la semaine avec Pulp et "Spike Island". Car Seat Headrest nous propose "The Catastrophe", extrait de leur opéra rock "The Scholars". Puis, retour en 2007 avec Fall Out Boy et "This Ain't A Scene..." avant un nouveau titre de Tune Yards, "Perpetual Motion", tiré de leur album "Better Dreaming". Francis Zégut nous propose ensuite "Tombstone Town", morceau issu de l'album "The Way" de Dorothy avec Slash. La première heure se termine sur Tame Impala et leur inusable "The Less I Know The Better". En seconde partie d'émission, le live d'Adam Ant au Live Aid 1985 avec "Vive le Rock" donne le ton. On découvre un nouvel extrait de l'édition deluxe de "From Zero" de Linkin Park : "Let You Fade". Puis viennent Alice In Chains avec "Would", suivi de Matt Berninger, chanteur de The National, avec "Breaking Into Acting", extrait de son album solo "Get Sunk". On retrouve aussi Blessed Virgins avec "Rien à dire" et Cold War Kids avec "Louder Than Ever". Le long format de la soirée est signé Phoenix avec "Squaredance", tiré de leur tout premier album "United", sorti en 2000. Pulp - Spike Island Buffalo Springfield - For What It's Worth Johnny Cash - Personal Jesus Billy Idol - Dancing With Myself Car Seat Headrest - The Catastrophe Deportivo - 1000 Moi-Meme Fall Out Boy - This Ain't A Scene Tune Yards - Perpetual Motion Pearl Jam - Alive Dorothy & Slash - Tombstone Town Ike/Tina Turner - Come Together CMAT - Take A Sexy Picture Of Me Nirvana - Breed Tame Impala - The Less I Know The Better Linkin Park - Let You Fade Bloc Party - Helicopter AC/DC - Whole Lotta Rosie Alien Ant Farm - Smooth Criminal Adam Ant - Vive Le Rock (Live At Live Aid) Simon & Garfunkel - The Sound Of Silence Alice In Chains - Would Matt Berninger - Breaking Into Acting Elton John - Saturday Night's Allright For Fighting The Hives - Come On ! Blessed Virgins - Rien A Dire Cold War Kids - Louder Than Ever Phoenix - Funky SquaredanceDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Marvel is BACK with the final chapter in phase five of the MCU. Did it deliver? Did it flop? Was anyone indicted before the premier? We break it all down for you in our "Thunderbolts" review!   Looking for The Week In Geek? That's now it's own episode and published on... Week In Geek Wednesdays! Check back through our feed and you'll find it.   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   LINKS OF INTEREST: - Marvel Thunderbolts* “The Jump” Featurette   ...AND ANOTHER THING: The Man They Call Tim suggests watching WWE's "Legends & Future Greats" on A&E Uncle Todd suggests watching Queen's masterful performance at 1985's Live Aid in glorious HD   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."

Cindy Pearlman, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about family rumors squashed by Miley Cyrus, and update on the Justin Baldoni-Blake Lively case, and more information about the “Yellowstone” sequel. She also shares details about a new project from the Coen […]

Pat welcomes singer/songwriter Daryl Hall to the show to discuss his career in music and promote his latest solo album simply called "D"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."

Welcome to That 80s Show, where it always tastes like Mello-Yello and Live Aid 40 is going to make sure every day is Christmas.Paulo watched a little-known 80s Rom-Com, but it raised some awkward questions about what turns a demon on.There is only one person who would be offended by being compared to John Stamos, and we find out about the poor tour guide who came across him.We have a Michael Bolton health update, and Dori is going to spend all the money in her BoB T account trying to get Corey Haim's phone number.Jump to: Live Aid Musical "Just for One Day" (00:04:05)Plot Overview of "My Demon Lover" (00:09:41):https://www.youtube.com/watch?v=rCiwZzPcMXwScott Valentine (19:55): https://www.imdb.com/name/nm0884306/mediaviewer/rm3464153088/?ref_=nm_ph_1Mistaken Identity: John Stamos (21:10): https://people.com/rob-lowe-calls-out-tour-bus-driver-who-mistakes-him-for-john-stamos-11717742Podcast on Full House (24:30): https://www.cracked.com/article_46377_full-house-child-actors-fielded-gross-questions-about-uncle-jesse-from-adult-interviewers.htmlMichael Bolton's Health Update (27:15): https://people.com/michael-bolton-breaks-silence-glioblastoma-brain-cancer-diagnosis-first-interview-exclusive-11724330Corey Haim and Corey Feldman Hotline (32:00): https://www.youtube.com/watch?v=a7HrRRAXAjs&t=30s

In our latest episode, we dive into the haunting story behind I Don't Like Mondays by The Boomtown Rats and honor the powerful legacy of Bob Geldof. More than a chart-topping hit, the song sparked global reflection—and Geldof's passion led to the legendary Live Aid and Live 8 benefit concerts, raising millions for famine relief. Tune in as we pay tribute to music that made a difference.#BobGeldof #IDontLikeMondays #BoomtownRats #LiveAid #Live8 #MusicHistory #PodcastTribute #BenefitConcerts #80sMusic #SongWithAStory #MusicForChange #NewPodcast

David Hepworth co-presented Live Aid on the BBC in 1985. He was also one of the presenters of the BBC rock music programme The Old Grey Whistle Test. David launched and edited magazines such as Smash Hits, Q, Mojo, Just Seventeen, Heat and The Word, among many others. He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer award from the British Society of Magazine Editors. He's written books about the recording studio Abbey Road, with a foreword by Paul McCartney, the British Invasion of the US charts called Overpaid, Over sexed and Over There, how the LP saved our lives, A Fabulous Creation and his latest book, Hope I Get Old Before I Die, why rock stars never retire, is out now, It looks at the time since Live Aid, when, according to David, live performance took over from record sales .David Hepworth is our guest in episode 489 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .But David's new book, Hope I Get Old Before I Die, here - https://www.amazon.co.uk/Books-David-Hepworth/s?rh=n%3A266239%2Cp_27%3ADavid%2BHepworth .Follow David Hepworth on Twitter/X: @davidhepworth & Instagram @dhepworth .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."

It's the last episode of the series and we have heard your cries. It is time. We put it to you to ask Martin all the things you wanted to know about Live Aid and you certainly delivered! Roman tests Martin's memory of the day and questions Spandau's set list, Martin talks about the special way the band arrived to Wembley AND Martin reveals who the real “divas” of the day were. Email us at ffs@insanity.com Listen by clicking 'Play' on Apple Podcasts, Spotify, or wherever it is you're listening now. Make sure to Subscribe or Follow, Rate and Review to help others find the podcast. FFS! My Dad Is Martin Kemp, this has been an Insanity Studios production.

Hoy, en nuestro viaje por el año 5, llegamos al 13 de julio de 1985. Un día en que la músicase convirtió en puente, en grito colectivo, en acto político y humanitario. Desde Londres hasta Filadelfia, el rock y el pop se movieron por una causa: el hambre en África. Ese día fue Live Aid, el concierto simultáneo que marcó un antes y un después en la historia de la cultura pop, del activismo global, y de cómo una generación decidió solidarizarse por el mundo. Cuarenta años después, recordamos uno de los conciertos más memorables de la historia Notas del episodio: Este episodio fue traído a ustedes gracias a MUBI, MUBI es una plataforma de cine curada a mano donde podrás descubrir una película nueva todos los días.                 Ingresa a mubi.com/dianauribe y obtén un mes gratis de películas en MUBI. El hambre en el cuerno de África Nuestro capítulo sobre el Concierto por Bangladesh El activismo de Bob Geldof Uno de los carteles y anuncios musicales más impactantes de la historia: Live Aid fue una realidad Phill Collins a ambos lados del Atlántico El legado del Live Aid ¡Síguenos en nuestras redes sociales!  Facebook Instagram:   Twitter Pagina web TikTok:  LinkedIn

"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."

"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."

In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces. The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess. Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75. In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career. Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.#thesmallfaces #thefaces #thewho #britishinvasion