Podcasts about boss gt

When people become bullies one has to wonder is it hate, jealousy, or deeper personal issues. On this episode, the ladies discuss bullies in today's society and possible reasons behind the behavior. Why isn't it possible for everyone to co-exist without there being unnecessary drama? Join your favorite besties and lets talk about it. Intro Music

In this week's CatPick Fridays episode Rich and Vlad discuss the updates to Line6 Helix units, Quad Cortex getting a looper via update, BOSS GT-1000 update, Headrush units update, Harley Benton G112A-FR cab for modellers, Line6 DL4 being discontinued, Kirk Hammet's upcoming EP, Yngwie Malmsteent talking about his influences, Gretsch 2022 lineup, Solar Guitar Blood Splatter guitars, Native Audio Rising Sun v2, TC Electronic Bucket Brigade, MusicRadar's Best Guitars for 2022 list, answer your questions and comments and check out another crazy video by Jim LIll. ►►Shop the gear mentioned in the episode here (affiliate): https://www.thomann.de/fi/thlpg_fwt3c20zb4.html CatPick Fridays can be found both on YouTube and Apple Podcasts and Spotify. CatPick Studios Merch (use the code 'PODCAST' for -20% off of any purchace): https://catpick-studios-store.creator-spring.com/? Rich. Words. Music: https://www.youtube.com/channel/UCbNnXraM9oHWWBACNS07DMw Line6 Helix update: https://geargods.net/news/line-6-adds-new-amp-new-effects-to-their-helix/ Quad Cortex gets a looper: https://geargods.net/news/neural-dsp-adds-a-looper-to-their-quad-cortex/ Ask The Fro: https://youtu.be/F9KbmVV15XQ?t=70 BOSS GT-1000 update: https://geargods.net/news/boss-adds-effects-bluetooth-to-gt-1000-update/ Headrush units update: https://www.musicradar.com/news/headrush-amp-modeller-update Harley Benton G112A-FR: https://www.gearnews.com/with-the-g112a-fr-did-harley-benton-make-perfect-cabinet-for-budget-modellers/ Line6 DL4 discontinued: https://www.thegearpage.net/board/index.php?threads%2Fline6-dl4-discontinued.2330639%2F&fbclid=IwAR1yCcgZXM8N9UImv7CQnWvgynVNAadP8dVWZOxEsWsaP2c8nFKjPmodLaE Kirk Hammet's upcoming EP: https://guitar.com/news/music-news/kirk-hammett-announces-first-solo-ep-portals/ Yngwie Malmsteent talks about his influences: https://www.musicradar.com/news/yngwie-malmsteen-classical-guitar-interview Gretsch 2022 lineup: https://guitar.com/news/gear-news/electromatics-and-streamliners-gretschs-full-2022-lineup/ Solar Guitar Blood Splatter: https://www.gearnews.com/solar-guitars-canibalismo-more-blood-spatter-finishes-for-ola-englunds-brand/ Native Audio Rising Sun v2: https://geargods.net/news/nativeaudios-new-rising-sun-v2-offers-vintage-amp-tremolo/ TC Electronic Bucket Brigade: https://geargods.net/news/tc-electronics-brings-compact-delay-with-new-bucket-brigade-pedal/ Best Guitars for 2022: https://www.musicradar.com/news/the-best-electric-guitars Tested: Where Does The Sustain Come From In An Electric Guitar?: https://youtu.be/muVzwbkUUnM 00:00 Intro 07:54 Line6 Helix update 15:03 Quad Cortex gets a looper 17:27 BOSS GT-1000 update 19:10 Headrush units update 21:33 Harley Benton G112A-FR 24:29 Line6 DL4 discontinued 29:21 Kirk Hammet's upcoming EP 34:24 Yngwie Malmsteent talks about his influences 39:36 Gretsch 2022 lineup 52:32 Solar Guitar Blood Splatter 55:50 Native Audio Rising Sun v2 58:54 TC Electronic Bucket Brigade 1:00:22 Best Guitars for 2022 1:22:03 We Answer Your Questions And Comments 1:36:19 Tested: Where Does The Sustain Come From In An Electric Guitar?

Dee, Michael, and Anu talk about effects pedals, integrating noise and happy accidents into songs, the value of "just playing around", tools that you only use for special purposes, being someone who just buys gear but doesn't make music, the merits of modern amp simulators like the Boss GT-1000, Line 6 HX, Kemper profiler, and Strymon Iridium, and even a detailed look at the Hologram Electronics Infinite Jets pedal...plus more! ---Links to check out related to us and our conversation...Hologram Electronics Infinite Jets:https://www.hologramelectronics.com/infinite-jetsSpaceman Effects:https://spacemaneffects.com/--Dee & Michael:Michael HateleyLotus Masteringhttp://lotusmastering.com/ Extra Fancy "You Look Like a Movie Star" videohttps://youtu.be/0pE1TqlWHCkBaldyloks (Michael Hateley & John Napier)https://soundcloud.com/baldyloks-1Dee Maddenhttps://www.deemadden.com/Penal Colony “Blue 9” videohttps://youtu.be/Fes9E3ea8FYDee on Spotifyhttps://open.spotify.com/artist/4jsYxJ4QxzoGn9t0HRllPk 

Raphael Smith, Daniel Trott, Benjamin Robinson & Sebastien Weir of BROKEN EARTH chats with Jon about Cocklord, anxiety induced sleep paralysis, BOSS GT-1000, Tasmanian cheese; two tracks 'Somniphobia', 'Dance In The Dark'. 'Somniphobia' https://youtu.be/bgNL9XFcUAw 'Dance In The Dark' https://youtu.be/DjVMYEPUmo0 Find out more about BROKEN EARTH at: https://www.facebook.com/brokenearthband -------------------------------------------------------------------------------------------------------------------------- Jon Harris of The Rock Metal Podcast interviews rock and metal bands to get the scoop on their latest two songs and news! Want to be on The Rock Metal Podcast? Email Jon at TheRockMetalPodcast@gmail.com Want to support The Rock Metal Podcast? Donate here: https://www.paypal.me/JonJHarris Want to be on our newsletter list? Provide your email address at https://mailchi.mp/af7a2332e334/therockmetalpodcastnewsletter

Wir sprechen über die Geschichte des Amp Modeling und über die Modeler die wir so im Laufe der Benutzten. 00:00:00.000 Intro 00:02:00.000 Line 6 Timeline zur Orientierung 00:03:30.000 Rockman (1982) 00:04:38.000 Tech 21 Sansamp (1989) 00:05:50.000 Line 6 Axis (1996) und Flextone (1997), analoges vs. digitales Modeling 00:07:50.000 Boss GT-5 (1995), GT-3 (1998) und GT-6 (2001) 00:08:59.000 Line 6 POD (1999), Behringer V-Amp, POD 2.0 und Carsten's V-Amp 2 00:11:56.000 Gonz' Boss GT-6 00:13:49.000 Line 6 Pod XT (2002) und XT Live (2004) 00:14:45.000 Boss GT-8 (2005) und GT-10 (2008) 00:17:37.000 Fractal Axe FX (2006), Ultra und II (2012) 00:19:50.000 Line 6 POD X3, Live & Pro, POD HD und Gonz' GT-10 00:23:35.000 Carsten's HD400 00:25:50.000 Vox Tonelab SE (2004) & ST 00:26:46.000 Atomic Amplifire 6 & 12, Fractal FX2, XL, III, AX8, FX8 00:28:42.000 Kemper, Profiling und Neural DSP Quad Cortex 00:35:30.000 Latenz 00:37:22.000 Klang im Raum vs. mikrofoniert 00:38:54.000 Amps “Testen” per Modeller 00:39:37.000 Boss Workshop “Original vs. Kopie” bei Session 00:42:20.000 Synthie Pickups und weitere Modeling-Combos 00:50:27.000 Gonz' Firehawk FX (2015) 00:54:00.000 Helix LT (2018) 00:55:22.000 HX Stomp, Ausblick und Outro Links zu Thomann sind Affiliate Links. Wenn ihr darüber etwas kauft, kostet euch das nichts extra, aber ihr helft uns damit den Podcast zu finanzieren. Vielen Dank. https://gitarrenkram.de/gitarrenkram-unterstuetzen https://www.gitarrenkram.de https://www.facebook.com/gitarrenkram

Hello Effect Pedal listener, this is Wright. Thanks so much for the kind words and support for this podcast. If you’re an Apple Podcasts user and enjoy the show, please leave a 5-star rating, or even a review. Ratings and reviews go a long way in helping new people find and enjoy Effect Pedal too. You hear this from a lot of podcasts, but it’s really true. And if you’re not an Apple Podcasts user, you’re just as awesome. You can still tell a friend about Effect Pedal with your podcast app’s share button. So thanks again. And now, on with the show. (Transition sound) Most guitar players will tell you, if you want to get better, then you have to get with other musicians and play. Often, that turns into starting a band, or at least joining one. As the 2000s were getting underway, in the basement of my good friend Tony’s condominium, he and I started a band. We had jammed together once in his college apartment a few years prior, during our senior year, and we always talked about doing more of it. Perhaps we were having a quarter-life crisis, but we finally decided to get serious and play. (Well, somewhat serious, as we were always a couple of goofs.) Tony on drums, me on guitar, our friends Diego on lead guitar and Okem on bass, and we were officially a band.   While we were deciding on a name, I decided that I wanted to upgrade my guitar rig. At the time, I owned a wah pedal (see Episode 3 for more on that), a Boss distortion pedal (Episode 1), and a Korg ToneWorks AX100G multi-effect pedal. The ToneWorks is a fun little unit but I wanted something more. Then I got an idea - what if I combined all three of those? Like Voltron! Enter the Boss GT-3 Guitar Effects Processor. (Theme song sound) My name is Wright Seneres and this is Effect Pedal. This is a podcast and art project dedicated to guitar effect pedals. In the universe, there are countless numbers of these pedals, creating an infinite number of sounds, and opening up worlds of possibilities for guitar players.   The GT-3 combines 32 Boss effects, including 12 distortions and overdrives, as well as choruses and flangers, into one unit with dozens and dozens of presets. Notably, it includes something Boss’s parent company Roland calls a “Composite Object Sound Modeling” preamp, which emulates a number of famous guitar amplifiers in history. It also has a great variety of simulations of different pickups, speaker cabinets and guitar synthesizers. It was first released in 1998 as a low-cost alternative to the GT-5, and has since been discontinued and replaced by the GT-6 and other GT models. Like other Boss stompboxes, it’s constructed with a rugged metal case that would do well at a monster truck rally if it had wheels. (Monster truck sounds) It could win a demolition derby if you could drive it. (Demolition derby sounds) It’s as solid now as the day I got it.    I got my GT-3 one evening after a tuna fishing trip Tony and his wife Laura took me on. I didn’t catch anything on the tuna boat, but I reeled in this beast of a multi-effect pedal on eBay. It’s a pleasing deep blue color with yellow Cheez Whiz color letters. It has seven foot switches, an expression pedal, a scroll wheel, an LED display, and twenty buttons. Twenty buttons! The seller lived a few miles from me, so I picked it up in person and raced home to plug it in. It was like that movie Pleasantville, when the picture goes from black and white to color.  (Harp sound) The ever-large palette of sounds that the GT-3 provided was just what I needed as our little band was beginning, which we called the Modes. I could do more things at once with the GT-3, customizing the footswitches for individual parts of songs. One of the songs we covered in that band was “Lucky” by Radiohead, and with the GT-3, I could get a nice delay effect for the intro, which is actually played where the strings are attached to the headstock: footswitch one.  ("Lucky" intro sound)...

This week The Guitar Nerds Podcast is sponsored by Shergold Guitars, Ernie Ball, Nobels Effects and Reverend Guitars Shergold Guitars:Celebrated by Total Guitar Magazine as “one of the most refined single-cuts on the market, with endlessly satisfying playability and a flawless set of tones”, the Shergold Provocateur combines remarkable specification with a retro vibe for a unique and bona fide rock guitar.You can find your nearest Shergold dealer here … And if you’re not in the UK, don’t fear, many UK based Shergold dealers have super awesome international shipping options to guarantee your Shergold will make it to you in the most far-flung of places.Ernie Ball:One of the most popular Ernie Ball Music Man models, the John Petrucci Majesty, is being welcomed with 4 brand-new, striking finishes. Now offered in Pink Sand, Red Phoenix, Smoked Pearl, and Ember Glow, the 2020 Majesty features a lightweight okoume body, signature DiMarzio Rainmaker and Dreamcatcher pickups, and an onboard piezo bridge system that gives the guitar a focused and highly versatile palette of tones. Check them out here. Nobels:Speak to a lot of Nashville session greats about their favourite overdrive pedal, and plenty will point to one box, the ODR-1 from Nobels.This legendary drive pedal now includes a built in bass cut allowing the player to tame some of the that wild low end whilst Single coils users can still access the harmonically rich full range of the ODR-1.There really has never been a better time to own this absolute cult classic transparent overdrive pedal to deliver creamy, natural overdrive – Everything from pushed clean amp tones to gain filled stacks!Click here for details.Reverend Guitars:Check out Reverend Guitars Incredible range of Artist signature models. With nearly as many artist line guitars as they do in their standard range there is something for every type of player and always with a wonderful twist.Check out the series of Reeves Gabrels signature models, each one with it’s own unique style and purpose.Check them out here.This week on The Guitar Nerds Podcast, the team take a look at a whole new range of vintage inspired fuzzes from JHS. Matt has bought more Danelectro pedals and Joe has discovered just how good the Boss GT-1000 really is. See acast.com/privacy for privacy and opt-out information.

The piece of music in this week's episode is called Afro-Sax Freakout. It’s an upbeat, exciting Afrobeat track which is suitable for depictions of action, exotic locations and energetic activity. It uses a combination of tenor saxophone, overdriven keyboards, funk-influenced electric guitar and high-energy drumming in the style of Tony Allen to convey a sense of freedom and excitement. Let’s break it down!IN THIS EPISODEHow is this Afrobeat?01:19 Instrument: Drum rhythmThe drum kit and the saxophone own the sound of Afrobeat, a powerful dance music genre pioneered by Nigerian artists such as Fela Kuti and Tony Allen in the 1970s and today played by bands like Vampire Weekend. This piece uses a typical Afrobeat double snare hit, cowbell and a 140BPM tempo. The reference track for this composition was Secret Agent by Tony Allen, who was originally the drummer for Fela Kuti before branching out on his own after Fela’s death in 1997. Tony Allen himself died just 3 weeks before this podcast was released. 04:02 Instrument: SaxophoneNothing quite like a sax to get the room moving. Afrobeat leans towards jazz music by allowing sax players to improvise over a core dance groove. Recordings can sometimes go on for 20 minutes! The sax in this piece was recorded by Duncan Johnson, a familiar face on the Cape Town jazz circuit. Some of his licks are “way out”, and really pay tribute to how free an afrobeat solo can be. 05:51 Instrument: Funk guitar and overdriven keyboardI tried to capture a certain keyboard sound by making it sound like it had been played through an overdriven guitar amp. The funk guitar uses the wah pedal of my Boss GT-6. There’s a plucky guitar solo later in the track that also captures the extreme rhythmic staccato which is used in this type of music. 07:14 Method: Repetition with variationThe track is a riff-based piece which doesn’t have a B-part. In groove music, repetition is your friend. But you need to create variation. I do so in this piece by allowing the various instruments to all take a round of solos each, and by creating unusual moments for parts to begin and end.09:03 Method: ‘Backbreaker’ interludeLong sections of soundtrack music can’t be too repetitive. Music editors often just duplicate a length of background sound to fill the dialogue time, but it’s horrible on the ears on anyone actually listening to the music in the background! Break long, repetitive compositions in two by including a few bars of filler time. It can be a drum solo, a jazz lick or anything that causes the rhythm to be momentarily suspended before resuming.11:04 Method: ‘Wrong’ notesAfrobeat is rooted in jazz, which has a more open and inclusive view of chromaticism than Western classical music. There’s a clear ‘wrong’ note in Fela Kuti’s ‘Water Get No Enemy’, which sounds fantastic, bold and subversive. I particularly like the way some of the guitar and sax licks in this piece use the ‘wrong’ notes. That’s jazz!DOWNLOAD & USE THIS MUSIC * Download ‘Afro-Sax Freakout’ by John Bartmann https://gum.co/MxRHU * Search music by John Bartmann https://johnbartmann.com/musicSHOW NOTES * Additional music: Tony Allen - ‘Secret Agent’, Fela Kuti - ‘Water No Get Enemy’, Vampire Weekend ‘Mansard Roof’ * Saxophonist Duncan Johnson http://www.duncan-johnson.com/about-duncan/ * Sign up for the monthly mailout and receive new production music albums. This month: 90s Sitcom TV themes! https://johnbartmann.com/SOUNDS & DEVICES USED * Native Instruments Studio Drummer * Native Instruments Session Horns * tenor saxophone, electric guitar, electric bassSUBSCRIBE Spotify Apple Podcasts YouTube RSS Stitcher TuneIn Home MY BANDS! Pravda https://pravdaofficial.com Pebble Shakers https://pebbleshakers.co.za CONTACT https://twitter.com/johnisthemusic https://johnbartmann.com/contact ABOUT THIS SHOWHow I Make Music is where behind-the-scenes musicians tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.Host an episode of this podcast https://bit.ly/howimakemusic

The soundtrack in this week's episode is called Uptown Fatness. It’s an energetic, uplifting poppy funk track suitable for upbeat, happy and exciting moments, and is loosely based on the in-your-face slam-dunk dance beats of songs like Uptown Funk. It’s also a highly persuasive sound found in much advertising and corporate communication aimed at younger people. In this episode: Pick a time to imitate. This track is early 80s, so it blends funk and the new sound of samplers. The bass sounds fake. That’s OK. So do the drums, so they match. Fake it up! Nope, you don’t need the latest gear. Guitar goes through my Boss GT-6, a really old multi-fx pedal The feeling you have towards your music comes through Book a studio or rehearsal space for half a day and record your own samples. It takes you out of your own box. Formant synthesis (vocal emulation) is super quirky and ear-catching DOWNLOAD THIS TRACK Download https://gum.co/DGdZ. Download and use the track from this episode in your podcast, audio drama or (non-commercial) video. Quick-search all my soundtracks at https://johnbartmann.com/music.SHOW NOTES * My co-producer Django Flaherty drummed the hi-hats for this track. Check him out at http://django-dj.com * Uptown Funk https://www.youtube.com/watch?v=OPf0YbXqDm0SOUNDS & DEVICES USED * Ableton Live Drum Rack “Kit LD” * Reason 5 Thor * Kontakt 4 Factory Sounds: Brass, BassABOUT THIS SHOW How I Make Music is a show for aspiring music producers, podcasters, audio drama creators and film-makers. Hey, I'm John Bartmann. I make music and offer my own perspective on how to make it. My original music has been used in film, TV, radio and online. Each week, I write, record and release a new soundtrack. In this podcast, I deconstruct these original soundtracks one by one, sharing the separate musical parts, decisions and stories behind how each complete tune was made.SUBSCRIBE Spotify Apple Podcasts RSS Stitcher TuneInCONTACT https://johnbartmann.com/contact

With a new Ibanez signature model, a backup axe, and a plug-and-play "fly rig", the rock heroine travels light to create the heavy tones on her solo debut, Controlled Chaos. Article & photos: http://bit.ly/NitaStraussRR  Don't Miss a Rundown: http://bit.ly/RIgRundownENL  Furious, focused, and expansive, the playing of Nita Strauss is the stuff emerging-rock-guitar legends are made of. During soundcheck at Nashville’s Basement East, PG’s John Bohlinger checked in with Strauss, who was on a break from her regular gig with Alice Cooper, touring in support of her debut solo album, Controlled Chaos. Strauss wrote, produced, engineered, and recorded all the guitar and bass parts on the album, which, in testament to her abilities and her fan base, was made via a Kickstarter campaign that exceeded its $20,000 goal by $145,755. As she rips for our cameras, Strauss, the first woman to have an Ibanez signature model—which debuted at Winter NAMM 2018—talks about her JIVA10 and her backup S6570Q, and puts her fly rig, a Boss GT-100, though her core settings. Check out how Strauss shows off the JIVA10’s radical tuning stability at the 15-minute mark! And yes, she is a descendent of the Austrian composer Johann Strauss.

This week, we talk the new Fender Joe Bonamassa ’55 Telecasters, the Orange Amplification OMEC Teleport and the Boss GT-1000. See acast.com/privacy for privacy and opt-out information.

Episode 30 - The guys are back with a music talk in this episode. In the Eddie Belfour episode, the guys discuss the Foo Fighters newest album Concrete and Gold. Next the boys run down each of their musical gear bucket lists, which is why they are not allowed to go to Guitar Center alone (they are required to be on the buddy system). Lastly, we explore the musical and entertainment tour de force that is Dave Grohl and take a look at some of his other amazing projects he is involved in. The beer of the week for the episode is the Vallejo India Pale Ale from Half Acre Beer Company in Chicago, IL. Foo Fighters - Concrete and Gold Steve's Music List Guitars Gibson 1959 Les Paul Reissue - Gibson Custom Shop LPR94LHVOWCNH1 1959 Les Paul Reissue VOS-LH Solid-Body Electric Guitar, Washed Cherry Gibson ES-355 - Gibson ES-355 VOS Bigsby Semi Hollow Electric Guitar Classic White Fender 1970s Jaguar - Fender Custom Shop 1970 Jaguar Journeyman Relic MN 3-Color Sunburst w/Lollar Pickups Amps Fender Twin Reverb - Fender George Benson Signature Series Twin Reverb Amplifier Marshall 1959SLP - Marshall 1959SLP Super Lead 100W Tube Head Effects Electro Harmonix Big Muff - Electro-Harmonix Big Muff Pi Guitar Effects Pedal Pro Co Sound RAT 2 - Pro Co RAT2 Distortion Pedal Ibanez TS808 - Ibanez TS808 Overdrive Pedal Electro Harmonix Polychorus - Electro-Harmonix Stereo Polychorus XO Dunlop 535Q Wah - Dunlop 535Q Cry Baby Multi-Wah, Black Patrick's Music List Guitars Fender Stratocaster - Fender(Open Box(R) 011-1800-854 American Vintage 65 Stratocaster(R) - Dakota Red Fender Telecaster - Fender American Special Telecaster MN Black Limited Edition w/1-Ply Black Pickguard Gibson Firebird - Fender American Special Telecaster MN Black Limited Edition w/1-Ply Black Pickguard Amps VOX AC30 - VOX AC30HW2X Hand-Wired VOX Combo Amplifier, 30W, 12" VOX AC30CH Guitar Amplifier Head Effects Pedals Line 6 Helix - Line 6 Helix Guitar Multi-effects Floor Processor Dunlop Crybaby Wah - Dunlop JH1D Jimi Hendrix Signature Wah Boss Blues Driver - Boss BD-2W Blues Driver Waza Craft Distortion Pedal with 1 Year Free Extended Warranty Line 6 DL4 Delay - Line 6 DL4 Stompbox Delay Modeler Ibanez TS808 - Ibanez TS808 Overdrive Pedal *BOSS GT-001 - Boss GT-001 Table Top Guitar Effects Processor Microphones Shure SM7B - Shure SM7B Vocal Dynamic Microphone, Cardioid Links to Amazon Affiliates